Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ABSOLUTELY MODERN (US, Philippe Mora, 2013)

PhysDes: Article
Subject: DEATH OF A SOLDIER (AT, Philippe Mora, 1985)
Summary: Examines production and distribution of 'War Story' aka 'Death of a soldier'
Notes: 'Death of a Soldier' is also known as 'War Story' (it's working title in Australia)

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; MAKE-UP ARTISTS; MAD MAX II (AT, George Miller, 1981); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982)
Summary: Article on the importance of makeup and special effects in cinema and what Australia must do to improve.

Author: Simpson, Catherine
PhysDes: Article
Subject: ANIMALS IN FILMS; NATURE IN FILMS; HORROR FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA AUSTRALIA; RAZORBACK (AT, Russell Mulcahy, 1984); DARK AGE (AT/US, Arch Nicholson, 1988); ROGUE (AT, Greg Mclean, 2007); MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987); DYING BREED (AT, Jody Dwyer, 2008)
Summary: This article focuses on moments in a series of key films: Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Rogue (McLean, 2007), Howling III: the Marsupials (Mora, 1987) and Dying Breed (Dwyer 2008). Using an 'eco-postcolonial' framework, the author argues that these films extend postcolonial anxieties over settler Australian notions of belonging and challenge the notion of human mastery over nature.
Notes: We hear so much about extinction in debates around climate change. But what about those animals that go feral and then return – bigger, hungrier and angrier – to wreak revenge on humans who may have done them injustice? Using an eco-postcolonial framework, this article examines how a number of exploitation horror films have dealt with environmental topics and issues of trespass. In particular, I examine the agency of animals – crocs, pigs, thylacines and marsupial werewolves – in some key Australian eco-horror films from the last 30 years: Long Weekend (Eggleston,1978), Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Howling III: the Marsupials (Mora, 1987), Rogue (Greg McLean, 2007), Black Water (Nerlich & Traucki, 2007) and Dying Breed (Dwyer 2008). On the one hand, these films extend postcolonial anxieties over settler Australian notions of belonging, while on the other, they signify a cultural shift. The animals portrayed have an uncanny knack of adapting and hybridizing in order to survive, and thus they (the films and the animals) force us to acknowledge more culturally plural forms of being. In particular, these films unwittingly emphasize what Tim Low has termed the ‘new Nature’: an emerging ethic that foregrounds the complex and dynamic interrelationships of animals with humans.--Abstract

Call No: 771(94) HOO
Author: Hooton, Fiona
Place: Saarbru¨cken, Germany
Publisher: VDM
PubDate: 2009
PhysDes: 174 p. : ill. ; 22 cm.
Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL
Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB
Notes: Includes bibliographical references.
ISBN: 9783639115932
Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography
ID2: 343

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAST WITHIN, THE (US, Phillipe Mora, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BROTHER, CAN YOU SPARE A DIME? (UK, Philippe Mora, 1975)

Call No: held v.1, no.1- Oct.1969- (No.131 never published)
Source: AT
Place: Fitzroy, Victoria
Publisher: Cinema Papers Pty
PhysDes: v. : ill. ; 34 cm
Summary: Audaciously drawing its name from the French journal 'Cahiers du Cinema', there were three iterations of this Melbourne publication. The first was instigated by the La Trobe University Film Society in 1967 and edited by Phillippe Mora and Peter Beilby. The second edition commenced in 1969. From capital of only $180 it ran for eleven issues before it folded in 1970. Contributors included Scott Murray, Phillippe Mora, Tom Ryan, John Tittensor, Ken Mogg, Andrew Pike, Jack Hibberd, Richard Franklin and Don Watson. Women writers were under-represented at the early stage of publication but later included greats such as Lesley Stern, Ina Bertrand and Philippa Hawker. In 1973 the Film and Television Board approved a grant of $10,000 for the journal. An office was established in Richmond and the first issue of the third edition of 'Cinema Papers' was launched by the editorial team of Beilby, Mora and Scott Murray This edition of Cinema Papers was local and international and reported on film productions and ran interviews with actors, directors and producers. There were also historical articles and reviews of Australian and international films. The magazine ceased publication in 2001 due to declining sales but is still considered an essential resource for anyone interested in Australian cinema. -- AFIRC
Notes: No.131 was not published due to change of publishing company; Description based on: Issue 31 (Mar.-Apr. 1981); title from cover
ISSN: 0311-3639
Order Notes: Current
Frequency: Monthly
LON: 7942025
AFIRC Location: Reading Room
URL status: URL: 'https://ro.uow.edu.au/cp/' Checked: 31/08/2021 12:36:03 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: 744-01(72) MOR
Author: Mora, Sergio de la
Source: US
Place: Austin, Texas
Publisher: University of Texas Press
PubDate: 2006
PhysDes: xix, 236 pages : illustrations ; 23 cm
Subject: COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); DANZON (MX, Maria Novaro, 1991); INFANTE, PEDRO; MEXICO; PROSTITUTES IN FILMS; Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001)
Summary: "After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/ or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael Garciacute;a Bernal and of Arturo Ripstein's cult film El lugar sin liacute;mites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema." - taken from back cover
Notes: Includes bibliographical references (pages 197-226) and index -- Lambda Literary Awards (nominated), 2007. -- Formerly CIP.
ISBN: 9780292712973
Contents: Preface: How I too came to love Pedro Infante – Acknowledgments -- Introduction: Macho Nation? -- Midnight virgin": melodramas of prostitution in literature and film -- Pedro Infante unveiled: masculinities in the Mexican "buddy movie" -- The last dance: (homo)sexuality and representation in Arturo Ripstein's El lugar sin limites and the fichera subgenre -- Mexico's third-wave new cinema and the cultural politics of film -- Epilogue. Mexican cinema is dead! Long live Mexican cinema! – Notes – Works Consulted -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMMUNION (US, Philippe Mora, 1989)

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: DEATH OF A SOLDIER (AT, Philippe Mora, 1985)

Author: Healy, Michael
PhysDes: Article
Subject: DEATH OF A SOLDIER (AT, Philippe Mora, 1985)
Summary: Review (Credits)

PhysDes: Article
Subject: GALLIPOLI (AT, Peter Weir, 1981); PUBERTY BLUES (AT, Bruce Beresford, 1981); MAD MAX (AT, George Miller, 1979); CADDIE (AT, Donald Crombie, 1976); NEWSFRONT (AT, Phillip Noyce, 1978); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); REMOVALISTS, THE (AT, Tom Jeffrey, 1975); MAD DOG MORGAN (AT, Philippe Mora, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); MANGO TREE, THE (AT, Kevin Dobson, 1977); STARSTRUCK (AT, Gillian Armstrong, 1982); CLUB, THE (AT, Bruce Beresford, 1980); INDUSTRY, FILM. AUSTRALIA; FESTIVALS
Summary: Article on Sydney theatre The Trak running an 'Austrailan Film' Film Festival.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 15 x 10 cm + 4 transparencies : col. ; 35mm x 40 mm
Subject: SITCH, ROB; LAWRENCE, BRUNO; KENNEDY, JANE; MORA, TIRIEL; BISLEY, STEVE; WHYTE, ALISON; FRONTLINE [TV] (AT, 1994- )
Summary: One black and white photograph of Rob Sitch and four colour transparencies for the television series Frontline
Notes: Includes a document with captions for each transparency

Author: Reid, Mary Anne
PhysDes: Article
Subject: MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987)
Summary: Location report on 'The Marsupials'; Credits

Call No: 79HOW BRA
Author: Brandner, Gary
Source: Uk
Place: London
Publisher: Hamlyn
PubDate: 1985
PhysDes: 254 p. ; 18 cm
Subject: MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987)
ISBN: 0099407302

PhysDes: Article
Subject: MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987)
Summary: 'Howling III' video dispute settled out of court.

Call No: TITLE CLIPPINGS FILE; MONSIEUR MAYONNAISE (AT, Trevor Graham, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: MORA, PHILIPPE; MONSIEUR MAYONNAISE (AT, Trevor Graham, 2016)
Summary: Interivew with Philippe Mora, the one of the subjects of the new documentary MONSIEUR MAYONNAISE

Call No: held 1976-1984
CorpAuthor: Women in the Visual Arts Collective; Lip (Carlton, Vic.)
Source: AT
Place: Carlton, Vic.
Publisher: Women in the Visual Arts Collective
PubDate: 1976
PhysDes: v. : ill. ; 30 cm
Subject: ART CINEMA. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; WOMEN AND THE CINEMA. AUSTRALIA
Summary: Lip was an interdisciplinary feminist arts journal founded in 1976 in Carlton. In 1975, one of Lip’s founders, Suzanne Spunner, coordinated the Melbourne edition of the International Women’s Film Festival, held at the Palais Theatre and RMIT. The festival was held in every state capital across Australia and was provoked by the lack of women’s films at the 1975 Sydney Film Festival. The festival was a success and proved to dismissive distributors that there was an appetite and an audience for women’s films. To compliment the festival, Spunner, Christine Johnston, Pat Longmore and Sue Johnston, had prepared related articles, interviews and reviews for a special edition of Cinema Papers devoted to women and film. When the issue was inexplicably pulled, Cinema Papers purportedly agreed to publish only a short piece on the festival - for a sum below the usual writer’s commission. Outraged, the group resolved to publish a feminist film magazine. With the “paltry proceeds” from Cinema Papers and some jumble sales on the streets of Carlton, as well as the support of the Women’s Art Register and the Women’s Theatre Group, Lip was born. Lip was a strikingly visual publication, which featured artworks, essays, interviews, articles and critical reviews. The editorial team of Lip functioned as a “collective of feminists” and held open evaluation meetings after each issue to critically discuss the ideas raised in the publication. The magazine featured the work of many highly regarded Australian artists, including Ponch Hawkes and Mirka Mora - the artist behind the image here of a Melbourne tram. Lip magazine ceased print publication in 1984. The AFIRC holds incomplete physical copies of Lip Magazine from 1976 to 1984. -- AFIRC
Notes: Imprint varies: Lip Magazine Co-operative Ltd., <1984-; Description based on surrogate; title from cover
ISSN: 0313-4288
Missing Issues: 1977
LON: cvx00300222; 2506359

PhysDes: Article
Subject: RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); LEE, CHRISTOPHER; FITZPATRICK, KATE
Summary: Article on the premier of 'The Return of Captain Invincible' as staged by Sydney's Lord Mayor Sutherland. Pictures accompany the article.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Publicity; Stills; Press kit
Subject: MAD DOG MORGAN (AT, Philippe Mora, 1976)

Call No: 79 MAD ELL
Author: Ellis, Bob Brooksbank, Anne
Source: AT
Place: Ealing, London
Publisher: Corgi Books
PubDate: 1976
PhysDes: 18 cm; 143 p.
Subject: MAD DOG MORGAN (AT, Philippe Mora, 1976)
ISBN: 055202180
Donation: donated by the family of Wayne Levy, 2006

Call No: 79MAD WIL
Author: Wilson, Jake
Source: AT
Place: Strawberry Hills, NSW
Publisher: Currency Press Pty Ltd and the NFSA (National Film and Sound Archive)
PubDate: 2015
PhysDes: viii, 90 pages : illustrations, portraits ; 19 cm.
Series: Australian screen classics
Subject: MAD DOG MORGAN (AT, Philippe Mora, 1976)
Summary: "Mad Dog Morgan was a risky project on every level: artistic, financial, psychological and physical. What made the risks worth taking? What was at stake for the film's makers -- and for Australian cinema? Released in 1976 at the peak of the Australian film revival, Philippe Mora's dramatisation of the bloody life and death of the nation's most infamous bushranger stands at the crossroads of multiple genres and trends: a violent action movie, an excavation of a traumatic colonial past, an antipodean variant on the 'acid Western', and a radical experiment with echoes of Bertolt Brecht and Jean-Luc Godard. Morgan himself is seen as a ruthless avenger, yet also a helpless victim -- a paradox brought to life in the gonzo lead performance by Dennis Hopper, backed by an extraordinary supporting cast including Jack Thompson, David Gulpilil, Bill Hunter, John Hargreaves and Frank Thring. Jake Wilson's thoroughly researched book takes a fresh look at the historical Dan Morgan as well as the film's colourful production history and its significance in the wayward career trajectories of its director and star. Above all, it interrogates the creative risk-taking drive that made the film, like the man himself, into the legend that it is" - BOOK COVER.
Notes: Includes bibliographical references (pages 86-89)
ISBN: 9781925005202

Call No: D Mad Dog Morgan
Edition: Director's cut.
Source: AT
Place: [Northcote, Vic]
Publisher: Umbrella
PubDate: c2008
PhysDes: 1 videodisc (DVD) (98 min.) : sd., col. ; 4 3/4 in.
Subject: MAD DOG MORGAN (AT, Philippe Mora, 1976)
Summary: "Set in gold rush-era Victoria, and based on a true story, this violent, rollicking portrayal of infamous Irish outlaw Dan Morgan (a bravura performance from an intense Dennis Hopper - Easy Rider, Apocalypse Now) is a classic of Australia's 70s cinema renaissance. A prospector who turns to crime and opium after failing at gold mining, Dan Morgan spends six brutal years in prison before terrorising country Victoria with a young Aboriginal, David Gulpill (Walkabout, The Tracker). Having escaped into NSW, the bushranger and his accomplice easily dodge the police and mercilessli intimidate the wealthy land owners; but wracked by madness and a lust to avenge an earlier attack from an irate squatter, the notorious Mad Dog makes a perilous journey back into Victoria. Combining an all-star Australian cast, including Jack Thompson, Bill Hunter and John Hargreaves, with a brilliant Dennis Hopper - -who called the role on of his "great life experiences" - director Phillippe Mora (Communion) creates one of the great period action dramas." -- DVD BACK COVER
Notes: "DAVID1495"; Based on the book "Morgan" by Margaret Carnegie.; Includes special features.; Originally released as a motion picture in 1976.; Censorship classification: M.
Technical Details: PAL ; all regions.
Credits: Screenplay, Philippe Mora ; producer, Jeremy Thomas ; director, Philippe Mora ; music, Patrick Flynn, David Gulpilil.
Standard Number: 3000000070802
Performer: Dennis Hopper, Jack Thompson, David Gulpilil, Frank Thring.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KILLING JESUS [MATAR A JESUS] (CK, Laura Mora Ortega, 2017)

Call No: 71(72) NEV
Author: Reyes Nevares, Beatriz
Edition: 1st ed
Place: Albuquerque
Publisher: University of New Mexico Press
PubDate: c1976
PhysDes: xix, 176 p. : ill. ; 24 cm
Subject: MEXICO; DIRECTORS. MEXICO
Notes: Translation of Trece directores del cine mexicano; Includes index; Bibliography: p. 171
ISBN: 0826304109 : $9.95; 0826304117(pbk. :) 4.50
LON: 746146

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MORA, PHILIPPE

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MORA, TIRIEL

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PHILIPPE, MORA

PhysDes: Article
Subject: RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); MAD DOG MORGAN (AT, Philippe Mora, 1976); BEAST WITHIN, THE (US, Phillipe Mora, 1982); SWASTIKA (UK, Phillippe Mora, 1973); UNITED ARTISTS; MORA, PHILIPPE
Summary: Article and interview with Australian director Philippe Mora on his previous films, his work in England and America, and his latest film 'The Return of Captain Invincible'. Mora was the first Australian director to work for a large Hollywood studio, and 'The Return of Captain Invincible' has the largest ever budget for an Australian film.

PhysDes: Article
Subject: BEAST WITHIN, THE (US, Phillipe Mora, 1982); MORA, PHILIPPE; Metro-Goldwyn-Mayer; UNITED ARTISTS; ADVERTISING FOR FILMS
Summary: Article on the preview screening of 'The Beast Within' which included give-aways and a dress-up competition.

Call No: PERSONALITY CLIPPINGS FILE; GULPILIL, DAVID
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: GULPILIL, DAVID; MAD DOG MORGAN (AT, Philippe Mora, 1976)
Summary: The author comments on the star quality of David Gulpilil, and talks about the expierence of interviewing him when researching the film Mad Dog Morgan (in which Gulpilil played a major role)
Notes: located on same page as the David's Country article by Rolf De Heer

Call No: D The return of Captain Invincible
Source: AT
Place: [Northcote:Vic]
Publisher: Umbrella Entertainment
PubDate: c2009
PhysDes: 1 videodisc (DVD) (ca. 101 min.) : sd., col. ; 4 3/4 in.
Subject: RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982)
Summary: "During WWII, Captain Invincible (Arkin) was a national hero until he was later labelled a communist. Now an overweight alcoholic hiding in Australia - who’s forgotten how to fly! – Captain Invincible learns his arch enemy Mr. Midnight (Lee) is back and has stolen the US government’s latest super weapon. Can the Captain get on the wagon and learn again to soar? Or will Mr. Midnight destroy the world?"--DVD BACK COVER
Notes: "DAVID1498".; Censorship classification: PG; Originally released as a motion picture in 1983; Special feature: theatrical trailer
Technical Details: NTSC ; All regions.
Credits: Directed by Philippe Mora ; written by Steven E. de Souza and Andrew Gaty with additional dialogue by Peter Smalley
Standard Number: 3000000070833
Performer: Alan Arkin, Christopher Lee, Kate Fitzpatrick, Bill Hunter

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Posters; Stills; Clippings
Subject: RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 21 x 26 cm
Subject: LEE, CHRISTOPHER; ARKIN, ALAN; FITZPATRICK, KATE; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982)
Summary: 6 black and white photographs of Captain Invincible and his assistants. Includes Alfred Sandor.

Call No: TITLE CLIPPINGS FILE in production; GROWLING, THE in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: MORA, PHILIPPE; GROWLING, THE in production
Summary: Australian film director is looking to crowdfund a new film about werewolves titled THE GROWLING

Call No: 79SUN ROS
Author: Ross, Peter
Source: AT
Place: Sydney
Publisher: ABC Enterprises for the Australian Broadcasting Corporation
PubDate: 1990
PhysDes: 191 p. ; 29 cm
Subject: SUNDAY AFTERNOON [TV](AT, 1987-?)
Summary: transcription of interviews between Peter Ross and : Thea Astley; Roger Woodward; Roberta Sykes; Russel Braddon; Mirka Mora; Elizabeth Jolley; Richard Wherrett; Kate Grenville; Elizabeth Riddell; Eric Rolls; Dorothy Hewett; Gay Bilson; Sally Morgan; Manning Clark
ISBN: 0733300391
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SWASTIKA (UK, Philippe Mora, 1973)

Author: Bishop, Rod
PhysDes: Article
Subject: SWASTIKA (UK, Phillippe Mora, 1973); MORA, PHILIPPE; NAZIS IN FILMS; DOCUMENTARY FILMS
Summary: Article by Bishop, and including exherts from Mora, on Philippe Mora's latest film, a film made with found film footage of Adolf Hitler.

PhysDes: Article
Subject: RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); ARKIN, ALAN; KENNEDY, GRAHAM; FITZPATRICK, KATE; INDUSTRY, FILM. AUSTRALIA
Summary: In-depth synopsis of Phillipe Mora's 'The Return of Captain Invincible'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIMES THEY ARE A CHANGING, THE (US, Philippe Mora, 1979)

Author: Lee, Sheridan
PhysDes: Article
Subject: DEATH OF A SOLDIER (AT, Philippe Mora, 1985)
Summary: Death of a Soldier already sold for TV and video but industrial dispute not settled over production

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; CENSORSHIP. NEW ZEALAND; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. NEW ZEALAND; AUSTRALIAN FILM AND TELEVISION SCHOOL; UTU (NZ, Geoffrey Murphy, 1983); COPRODUCTION. AUSTRALIA
Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY. New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship. Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.

PhysDes: Article
Subject: MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987)
Summary: Controversy over fundraising for feature 'The Howling III: The Marsupials'

Author: Smalley, Peter
PhysDes: Article
Subject: MORA, PHILIPPE; MUSICALS; CRITICISM
Summary: Peter Smalley on making the soon to be released TROUBLE IN MOLOPOLIS.