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Antonio das martes in Interview (1970) vol.1 iss.7 p.22-23
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BAODAO DA MENG : (TZ, Huang Mingchuan, 1993)
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Barbes palace in Cinema Francais (1980) iss.33 p.41-42
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Bea's gone, but show goes on : new Wentworth season is a cracker, says Da Silva in Daily Telegraph (26/11/2016) p.70
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BIR ZAMANLAR ANADOLU'DA : (TU, Nuri Bilge Ceylan, 2011)
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Bruciati de cocente passione in Foreign Sales (Oct 1976) vol.2 iss.10 p.22
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China into film : frames of reference in contemporary Chinese cinema London: Reaktion, 1999.
Call No: 71(51) SILAuthor: Silbergeld, Jerome Place: LondonPublisher: ReaktionPubDate: 1999PhysDes: 352 p. : ill. (some col.) ; 24 cmSubject: CITY OF SADNESS, A [ ; ALLEGORY IN FILMS ; WOMEN IN FILMS. CHINA ; MELODRAMA. CHINA ; CHEN, KAIGE ; XIE, JIN ; ZHANG, YIMOU ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) ; HONG GAOLIANG (CC, Zhang Yimou, 1988) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; BAWANG BIEJI (HK, Chen Kaige, 1993) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; DA YUE BING (CC, Chen Kaige, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ISBN: 1861890508(pbk.)LON: 20259534 20259534
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Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; [FIFTEEN] 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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DA : US, Matt Clark, 1988
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DA 5 BLOODS : (US, Spike Lee, 2020) Digital clippings file available
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Da ; A life ; and, Time was / Hugh Leonard Harmondsworth: Penguin, 1981.
Call No: 79DA LEOAuthor: Leonard, Hugh, 1926 ; Leonard, Hugh, 1926- Time was ; Leonard, Hugh, 1926- Life Place: HarmondsworthPublisher: PenguinPubDate: 1981PhysDes: 250 p. ; 20 cmSubject: DA (US, Matt Clark, 1988) Notes: Da. Rev. ed. Originally published: London : French, 1978 - A Life. Originally published: London : French, 1980ISBN: 0140148094 (pbk.)LON: 2093356
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DA MAOXIANJIA : (HK, Ringo Lam, 1995)
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DA NAO TIAN GONG : (C/HK, Pou-Soi Cheang, 2014)
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DA SILVA, NICOLE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DA SILVA, NICOLE URL status: URL: 'http://file://Q:/P/DA_SILVA,_NICOLE.zip'
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DA TAIJIAN LI LIANYING : (HK/CC, Tian Zhuangzhuang, 1991)
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DA UOMO A UOMO : (IT, Giulio Petroni, 1967)
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DA VINCI CODE THE : (US, Ron Howard, 2006)
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DA WAN : (HK/CC, Feng Xiaogang, 2002)
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DA XIANG XI DI ER ZUO [ELEPHANT SITTING STILL, AN] : (C, Hu Bo, 2018)
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DA YUE BING : (CC, Chen Kaige, 1986)
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DA ZUI XIA : (HK, King Hu (pseud of Hu Chin-Chuan), 1966)
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DAN DA SHUANG BU DA : (TZ, Dong Cheng-Liang, 1995)
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Dislocated screen memory : narrating trauma in post-Yugoslav cinema / Dijana Jelaca Basingstoke [England]: Palgrave Macmillan, 2016.
Call No: 71 (497.1) JELAuthor: Jelaca, Dijana Edition: 2016Place: Basingstoke [England]Publisher: Palgrave MacmillanPubDate: 2016PhysDes: xii, 276 p. : illus. ; 23 cmSubject: YUGOSLAVIA ; FOR THOSE WHO CAN TELL NO TALES [ZA ONE KOJI NE MOGU DA GOVORE] (BS, Jasmila Zbanic, 2013) ; SOMEONE ELSE'S AMERICA (FR/UK/GG, Goran Paskaljevic, 1995) ; LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996) ; GRBAVICA (AU/G/BS/CT, Jasmila Zbanic, 2006) ; UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995) Notes: The links between cinema and war machines have long been established. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia. -- publisher's blurbISBN: 9781137515773
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Drakula Istanbul'da in Photon iss.19 p.32
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ER IST WIEDER DA : (G, David Wnendt, 2015)
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Feminist auteurs : reading women's films / Geetha Ramanathan London: Wallflower Press,
Call No: 626:396 RAMAuthor: Ramanathan, Geetha Edition: 2006Place: LondonPublisher: Wallflower PressPhysDes: viii,240 pages : illustrations ; 24 cmSubject: FEMINISM AND THE CINEMA ; BORDEN, LIZZIE ; KAPLAN, NELLY ; CHADHA, GURINDER ; DURAS, MARGUERITE ; DENIS, CLAIRE ; VARDA, AGNES ; SANS TOIT NI LOI (FR, Agnes Varda, 1985) ; INDIA SONG (FR, Marguerite Duras, 1975) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; DANZON (MX, Maria Novaro, 1991) ; MALOU (GW, Jeanine Meerapfel, 1981) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) Summary: Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while paying close attention to what might be regarded as feminist in different cultural contexts. The films chosen expand our ideas of feminism covering as they do film from Africa, Latin America, Europe, Asia and the US. Full-length interpretations of twenty-four films, both older and contemporary, including Vagabond, India Song, Bhaji on the Beach, Chocolat, and Daughters of the Dust lay out a complete and powerful framework for reading women's film. - publisher's web siteISBN: 9781904764694
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Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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book
Film in Finland 1986 / Erkki Astala (editor-in-chief) / Taneli Eskola (art director) / Kirsi Tykkylainen (editorial) / Satu Pusa (editorial) Helsinki, Finland: Suomen elokuvasaatio, Finnish Film Foundation, 1986.
Call No: 71(480)FILAuthor: Astala, Erkki CorpAuthor: Suomen elokuvasaatio; Finnish Film FoundationSource: FIPlace: Helsinki, FinlandPublisher: Suomen elokuvasaatio; Finnish Film FoundationPubDate: 1986PhysDes: 55 p. : ill. ; 28 cmSubject: FINLAND ; NATIONAL CULTURE AND THE CINEMA ; TRAVEL IN FILMS ; DONNER, JORN ; ENGSTROM, INGEMO ; HALLSTROM, ARTO AF ; HARTZELL, PAIVI ; HONKASALO, PIRJO ; HUMANLOJA, TIMO ; KASSILA, MATTI ; KAURISMAKI, AKI ; KAURISMAKI, MIKA ; KURKVAARA, MAUNU ; KYRONSEPPA, KARI ; LEHMUSKALLIO, MARKKU ; LEHTINEN, VIRKE ; MANTTARI, ANSSI ; MOLLBERG, RAUNI ; NISKANEN, MIKKO ; NISKANEN, TUIJA-MAIJA ; PAKKASVIRTA, JAAKKO ; PARTANEN, HEIKKI ; PEIPPO, ANTTI ; PYHALA, JAAKKO ; ROSMA, JUHA ; TORHONEN, LAURI ; VAANANEN, KARI ; TUNTEMATON SOTILAS (FI, Rauni Mollberg, 1986) ; SININEN IMETTAJA (FI, Markku Lehmuskallio, 1986) ; FLUCHT IN DEN NORDEN (FI, Ingemo Engstrom, 1986) ; NYKYTAITEEN MUSEO (FI, Antti Peippo, 1986) ; MORENA (FI, Anssi Manttari, 1986) ; YLOSNOUSEMUS (FI, Anssi Manttari, 1985) ; RIISUMINEN (FI, Lauri Torhonen, 1986) ; ROSSO (FI, Mika Kaurismaki, 1985) ; HUOMENNA (FI, Juha Rosma, 1986) ; HARMAGEDON (FI, Juha Rosma, 1986) ; VALKOINEN KAAPIO (FI, Timo Humanloja, 1986) ; DA CAPO (FI, Pirjo Honkasalo, 1985) ; SUURI ILLUSIONI (FI, Tuija-Maija Niskanen, 1985) ; LAULU (FI, Arto af Hallstrom, 1986) ; PERHOSEN UNI (FI, Maunu Kurkvaara, 1986) ; NISKAVUORI (FI, Matti Kassila, 1984) ; CALAMARI UNION (FI, Aki Kaurismaki, 1985) ; PESSI JA ILLUSIA (FI, Heikki Partanen, 1983) ; En SMUTSIG HISTORIA (FI, Jorn Donner, 1984) ; KLAANI TARINA SAMMAKOITTEN SUVUSTA (FI, Mika Kaurismaki, 1984) ; JON - KERTOMUS MAAILMAN LOPUSTA (FI, Jaakko Pyhala, 1983) ; RIKOS JA RANGAISTUS (FI, Aki Kaurismaki, 1983) ; ARVOTTOMAT (FI, Mika Kaurismaki, 1982) ; SKIERRI, VAIVAISKOIVUJEN MAA (FI, Markku Lehmuskallio, 1982) ; RAKKAUSELOKUVA (FI, Anssi Manttari, 1984) ; KUNINGAS JOLLA EI OLLUT SYDANTA (FI, Paivi Hartzell, 1982) ; KOLME MIESTA (FI, Virke Lehtinen, 1984) ; LINNA (FI, Jaakko Pakkasvirta, 1986) ; KUNINGAS LAHTEE RANSKAAN (FI, Anssi Manttari, 1986) ; LUMIKUNINGATAR (FI, Paivi Hartzell, 1986) ; URSULA (FI, Jaakko Pyhala, 1986) ; JAAN KAABTOPIIRI (FI, Lauri Torhonen, 1987) ; VARJOJA PARATIISISSA (FI, Aki Kaurismaki, 1986) ; ELAMAN VONKAMIES (FI, Mikko Niskanen, 1986) ; V.Y. VIHDOINKIN YHDESSA (FI, Kari Kyronseppa, 1986) Notes: Translation: Ukka and Mark ShackletonISBN: 9519349421
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GAIJIN - CAMINHOS DA LIBERDADE : (BL, Tizuka Yamasaki, 1980)
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The hell of war comes home : imaginative texts from the conflicts in Afghanistan and Iraq / Owen W. Gilman Jr. Jackson: University Press of Mississippi, 2018.
Call No: 737(73) GILAuthor: Gilman, Owen W. Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2018PhysDes: x, 252 pages ; 24 cmSubject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS. USA ; WAR IN FILMS. AFGHANISTAN ; WAR IN FILMS. IRAQ ; AMERICAN SNIPER (US, Clint Eastwood, 2014) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; AVATAR (US, James Cameron, 2009) ; BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016) ; BODY OF LIES (US, Ridley Scott, 2008) ; BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007) ; DA VINCI CODE, THE (US, Ron Howard, 2006) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016) ; FAHRENHEIT 9/11 (US, Michael Moore, 2004) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GRACE IS GONE (US, James C. Strouse, 2007) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; JARHEAD (US, Sam Mendes, 2005) ; INFERNO (US/JA/TU/HU, Ron Howard, 2016) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; REDACTED (US, Brian De Palma, 2007) ; UP (US, Pete Docter and Bob Peterson, 2009) ; WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Notes: Includes bibliographical references and index.ISBN: 9781496815767Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.
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HONG XING ZAI ZHI JIANGHU DA FENGBAO : (HK, Herman Yau Lai-to, 1996)
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HORA DA ESTRELA, A : (BL, Suzana Amaral, 1985)
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IO BALLO DA SOLA : (IT/UK/FR, Bernardo Bertolucci, 1996)
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ISTORIYA ASI KLY ACHINOI, KOTORAYA LYUBILA, DA NEIE VSHLA ZAMUZH : (UR, Andrey Konchalovskiy, 1966)
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JI GEUM EUN MAT GO GEU DDAE NEUN TEUL LI DA : (KO, Sang-soo Hong, 2016)
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JUSTINE CLARKE'S TA DA! [TV] : (AT, 2017)
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journal article
Kud puklo da puklo in News (Jugoslavija Film) vol.120 p.1-2
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LAST BREATH : (UK/BE/SW, Richard da Costa/Alex Parkinson, 2019)
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MAN QING SHI DA KU XING : (HK, Bosco Lam, 1995)
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MUDAR DA VIDA : (PO, Paulo Rocha, 1966)
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book
Nelson Pereira dos Santos / Darlene J. Sadlier Urbana, Ill ; Chicago: University of Illinois Press, 2003.
Call No: 81DOS SADAuthor: Sadlier, Darlene J. Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2003PhysDes: xiii, 180 p. ; 22 cmSeries: Contemporary film directors; edited by James NaremoreSubject: BRAZIL ; CINEMA NOVO ; PEREIRA DOS SANTOS, NELSON ; AMULETO DE OGUM, O (BL, Nelson Pereira dos Santos, 1975) ; CINEMA DE LAGRIMAS (BL, Nelson Pereira Dos Santos, 1995) ; COMO ERA GOSTOSO O MEU FRANCES (BL, Nélson Pereira dos Santos, 1972) ; ESTRADA DA VIVA (BL, Nelson Pereira dos Santos, 1980) ; MANDACARU (BL, Nelson Pereira dos Santos, 1962) ; MEMORIAS DO CARCERE (BL, Nelson Pereira dos Santos, 1984) ; QUEM E BETA? (BL, Nelson Pereira dos Santos, 1972) ; RIO QUARENTA GRAUS (BL, Nelson Pereira dos Santos, 1955) ; RIO ZONA NORTE (BL, Nélson Pereira dos Santos, 1957) ; TENDA DOS MILAGRES (BL, Nelson Pereira dos Santos, 1977) ; TERCEIRA MARGEM DO RIO, A (BL, Nélson Pereira dos Santos, 1994) Summary: Nelson Pereira dos Santos is the first book in English to provide a full critical discussion of the films of this Brazilian director.
Through a discussion of his films Darlene J. Sadlier chronicles dos Santos's career - his leftist committed cinema, his concern with the national and the popular, his chameleon style, his links to canonical Brazilian literature. She charts his moves from neorealism to Godardian experimentation to a kind of popular realism. And she includes two highly informative interviews that real dos Santos's cultural, intellectual, and philosophical formation. [taken from back cover]ISBN: 0252071123
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book
New approaches to contemporary adaptation / edited by Betty Kaklamanidou Detroit, Michigan: Wayne State University Press, 2020.
Call No: 753 NEWAuthor: Kaklamanidou, Betty Edition: 2020Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2020PhysDes: xii, 238 pages : illustrated ; 24 cmSeries: contemporary approache to film and media seriesSubject: PORTUGAL ; [TWELVE] 12 YEARS A SLAVE (US/UK, Steve McQueen, 2013) ; DA VINCI CODE, THE (US, Ron Howard, 2006) ; WESTWORLD [TV] (US, 2016-) ; GREECE Summary: In New Approaches to Contemporary Adaptation, editor Betty Kaklamanidou defiantly claims that "all films are adaptations." The wide-ranging chapters included in this book highlight the growing and evolving relevance of the field of adaptation studies and its many branding subfields. Armed with a wealth of methodologies, theoretical concepts, and sophisticated paradigms of case-studies analyses of the past, these scholars expand the field to new and exciting realms.
With chapters on data, television, music, visuality, and transnationalism, this anthology aims to complement the literature of the field by asking answers to outstanding questions while proposing new ones: Whose stories have been adapted in the last few decades? Are films that are based on "true stories" simply adaptations of those real events? How do transnational adaptations differ from adaptations that target the same national audiences as the texts they adapt? What do long-running TV shows actually adapt when their source is a single book or novel? To attempt to answer these questions, New Approaches to Contemporary Adaptation is organized in three parts. Part 1, "External Influences on Adaptation," delves into matters surrounding film adaptations without primarily focusing on textual analysis of the final cinematic product. Part 2, "Millennial TV and Franchise Adaptations," demonstrates that the contemporary television landscape has become fruitful terrain for adaptation studies. Part 3, "ElasTEXTity and Adaptation," explores different thematic approaches to adaptation studies and how adaptation extends beyond traditional media. Spanning media and the globe, contributors complement their research with tools from sociology, psychoanalysis, gender studies, race studies, translation studies, and political science.
Kaklamanidou makes it clear that adaptation is vital to sharing important stories and mythologies, as well as passing knowledge to new generations. The aim of this anthology is to open up the field of adaptation studies by revisiting the object of analysis and proposing alternative ways of looking at it. Scholars of cultural, gender, film, literary, and adaptation studies will find this collection innovative and thought-provoking. -- publisher's web siteISBN: 9780814346259
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O PRINCIPIO DA SABEDORIA : (PO, Antonio de Macedo, 1975)
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PRINCIPIO DA INCERTEZA, O : (FR/PO, Manoel de Oliveira, 2002)
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QIU JU DA GUANSI : (CC/HK, Zhang Yimou, 1992)
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QIU JU DA GUANSI : (CC/HK, Zhang Yimou, 1992)
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journal article
Recent releases in Cinema d' Oggi (18 May 1983) vol.XVII iss.9
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RECORDACOES DA CASA AMARELA : (PO, Joao Cesar Monteiro, 1989)
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Representing the rural : space, place, and identity in films about the land / edited by Catherine Fowler & Gillian Helfield Detroit Mich.: Wayne State University Press, 2006.
Call No: 738.6 FOWAuthor: Fowler, Catherine ; Helfield, Gillian Source: USPlace: Detroit Mich.Publisher: Wayne State University PressPubDate: 2006PhysDes: ix, 369 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: CRITICISM ; LAND IN FILM ; CINEMAS. SPANISH ; HISTORY OF CINEMA ; TERRE, LA (FR, André Antoine, 1921) ; SANTOS INOCENTES, LOS (SP, Mario Camus, 1984) ; ASHANI SANKET (II, Satyajit Ray, 1973) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; BIQUEFARRE (FR, Georges Rouquier, 1983) ; DHIL AL ARDH (TI/FR, Taieb Louhichi, 1982) ; BILLY ELLIOT (UK, Stephen Daldry, 2000) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; THIASSOS, O (GR, Theo Angelopoulos, 1975) ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; YI GE DOU BU NENG SHAO (CC, Zhang Yimou, 1999) ; WO DE FU QIN MU QIN (CC, Zhang Yimou, 1999) ; ROAD HOME, THE (CC, Zhang Yimou, 1999) Summary: Representing the Rural breaks new ground in the writing of cinema history, offering fresh perspectives on the character and place of national identity in cinematic explorations of the land, peasants, landscapes, and culture caught up in the transition from rural to metropolitan spaces [taken from back cover]Notes: Formerly CIP
Includes bibliographical references and index
Includes filmography: p. 341-343ISBN: 0814333052
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RESISTENCIA DA LUA, A : (BL, Octavio Bezerra, 1985)
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RICOMINCIO DA TRE : (IT, Massimo Troisi, 1981)
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The screenplays of Lina Wertmuller / translated from the Italian by Steven Wagner ; introd. by John Simon New York: Quadrangle/New York Times Book Co., c1977.
Call No: 792 WERAuthor: Wertmuller, Lina Place: New YorkPublisher: Quadrangle/New York Times Book Co.PubDate: c1977PhysDes: xvii, 334 p. : ill. ; 24 cmSubject: TRAVOLTI DA UN INSOLITO DESTINO NELL `AZZURRO MARE D`AGOSTO (IT, Lina Wertmuller, 1974) ; PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976) ; MIMI, METALLURGICO FERITO NELL'ONORE (IT, Lina Wertmuller, 1972) ; FILM D'AMORE E D'ANARCHIA (IT/FR, Lina Wertmuller, 1973) ; WERTMULLER, LINA ISBN: 0812906853LON: 851175
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book
Shot/countershot : film tradition and women's cinema / Lucy Fischer Basingstoke: Macmillan Education, 1989.
Call No: 451-02 FISAuthor: Fischer, Lucy Place: BasingstokePublisher: Macmillan EducationPubDate: 1989PhysDes: xii, 348 p. : ill. ; 22 cmSubject: FEMINISM AND THE CINEMA ; WOMEN, FILMS MADE BY ; ROMANTIC FILMS ; MUSICALS ; HOMOSEXUALITY IN FILMS ; MYTH AND THE CINEMA ; DOUBLES IN FILMS ; TWINS IN FILMS ; ROSE, KATHY ; GORRIS, MARLEEN ; FLICKORNA (SW, Mai Zetterling, 1968) ; TAKE OFF (US, Gunvor Nelson, 1973) ; MITTEN INS HERZ (GW, Doris Dorrie, 1983) ; RECITAL (?, Stephanie Beroes, 1978) ; DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940) ; COBRA WOMAN (US, Robert Siodmak, 1943) ; ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983) ; STOLEN LIFE, A (UK, Paul Czinner, 1939) ; DARK MIRROR, THE (US, Robert Siodmak, 1946) ; BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) ; DAMES (US, Ray Enright, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; PERSONA (SW, Ingmar Bergman, 1966) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979) ; RICH AND FAMOUS (US, George Cukor, 1981) ; GIRLFRIENDS (US, Claudia Weill, 1978) ; SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984) ; LIANNA (US, John Sayles, 1983) ; VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978) ; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985) Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and indexISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95LON: bnb33348060; 6147621
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personality clippings file
SILVA, FERNANDO RAMOS DA
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SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE : (IT, Lina Wertmuller, 1984)
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newspaper article
Sydney confidential : golden year for Da Silva in Daily Telegraph (16/11/2016) p.18
Call No: PERSONALITY CLIPPINGS FILE; DA SILVA, NICOLEAuthor: Rawsthorne, Sally -- Halliwell, Elle -- Moran, Jonathon -- Domjen, Briana -- Crane, Kris PhysDes: Clippings File ArticleSubject: DA SILVA, NICOLE ; WENTWORTH [TV](AT, 2013-) ; DRAMA (UK/AT/FR, Sophie Mathisen, 2015) Summary: Profile on actor Nicole Da Silva and her roles on various TV shows and films
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TANG SHAN DA XIONG : (HK, Lo Wei, 1971)
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TANO DA MORIRE : (IT, Roberta Torre, 1997)
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TRAVOLTI DA UN INSOLITO DESTINO NELL `AZZURRO MARE D`AGOSTO : (IT, Lina Wertmuller, 1974)
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WOO-RI AEK-SYEON-BAE-WOO-DA : (K, Byeong-gil Jeong, 2008)
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XI YOU JI DA NAO TIAN GONG [MONKEY KING HAVOC IN HEAVEN'S PALACE, THE] : (C/HK, Pou-Soi Cheang, 2014) Digital clippings file available
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XICA DA SILVA : (BL, Carlos Diegues, 1976)
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ZA ONE KOJI NE MOGU DA GOVORE : (BS, Jasmila Zbanic, 2013)
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