book
Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010.
Call No: 753(510) DEPAuthor: Deppman, Hsiu-Chuang Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: c2010PhysDes: viii, 243 p. : ill. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; LITERATURE AND THE CINEMA. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
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DAHONG DENGLONG GAOGAO GUA ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI ; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
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FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
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BALZAC ET LA PETITE TAILLEUSE CHINOISE ; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
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TONG NIEN WANG SHI ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; PERSONALS, THE (TW, Kuo-fu Chen, 1998)
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ZHENG HUN QI SHI ; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 215-233) and indexISBN: 9780824834548Donation: donated by Senses of Cinema 2013Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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AUTUMN IN NEW YORK : (US, Joan Chen, 2000)
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a Peking opera performer in costume with elaborate head-dress and fan] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE Summary: Lesley Cheung as a Peking opera performer.Notes: Slight scratching on surface of photograph; Adhesive label attached to reverse of photograph
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still
[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a young man who is a performer in the Peking opera] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE ; KAIGE, CHEN Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus.Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph
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still
[Ba weng bei ji : Gong Li as Juxian a young lady in 20th century China.] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; LI, GONG ; KAIGE, CHEN Summary: Gong Li wearing a qi-pao stares off into the distance with intent, she has her hair parted and pulled back revealing drop pearl ear rings. The image shoes a soft focus leading the woman to have a glowing effectNotes: Minor abrasions on the bottom right corner; Adhesive label on reverse of the photograph
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newspaper article
Bangkok action-comedy a bright and colourful trifle in The Age (21/01/2016) p.30
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BAWANG BIEJI : (HK, Chen Kaige, 1993)
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BIAN ZHOU BIAN CHANG : (GG/UK/CC, Chen Kaige, 1991)
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BIAN ZOU BIAN CHANG [LIFE ON A STRING] : (GG/UK/CC, Chen Kaige, 1991)
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BIRD LAND : (TZ, MIN-CHEN HUANG, 2000)
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Online resource
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CHEN : (AT, Orit Novak, 2019) Digital clippings file available
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digital clippings file
CHEN, AARON Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CHEN, AARON
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personality clippings file
CHEN, CORRIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHEN, CORRIE
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journal article
Chen is missing in Cinema papers (September 1987) vol.65 p.23
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personality microfilm collection
CHEN, JOAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHEN, JOAN
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personality microfilm collection
CHEN, KAIGE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHEN, KAIGE
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CHEN NAN JIU SHI : (CC, Wu Yigong, 1983)
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book
China into film : frames of reference in contemporary Chinese cinema London: Reaktion, 1999.
Call No: 71(51) SILAuthor: Silbergeld, Jerome Place: LondonPublisher: ReaktionPubDate: 1999PhysDes: 352 p. : ill. (some col.) ; 24 cmSubject: CITY OF SADNESS, A [ ; ALLEGORY IN FILMS ; WOMEN IN FILMS. CHINA ; MELODRAMA. CHINA ; CHEN, KAIGE ; XIE, JIN ; ZHANG, YIMOU ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) ; HONG GAOLIANG (CC, Zhang Yimou, 1988) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; BAWANG BIEJI (HK, Chen Kaige, 1993) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; DA YUE BING (CC, Chen Kaige, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ISBN: 1861890508(pbk.)LON: 20259534 20259534
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Interim
book
Chinese films in focus : 25 new takes / Chris Berry ed. London: British Film Institute, 2003.
Call No: 71(51) CHIAuthor: Berry, Chris CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: viii, 216 p.. ill.. 24 cm.Subject: CITY OF SADNESS, A [ ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover]Notes: Includes bibliographical references and indexISBN: 0851709869. v. pbk.ID2: 150
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book
Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; [FIFTEEN] 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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CHONG FAN 20 SUI : (CC/KO, Leste Chen, 2015)
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CHUN FENG CHEN ZUI DE YE WAN : (CC/HK, Ye Lou, 2009)
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book
Cinematic landscapes : observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser Austin, Tex.: University of Texas Press, 1994.
Call No: 408.3(5) CINAuthor: Ehrlich, Linda C. (Linda Channah), 1952 ; Desser, David Edition: 1st edPlace: Austin, Tex.Publisher: University of Texas PressPubDate: 1994PhysDes: xii, 345 p., [4] leaves of plates : ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; JAPAN ; NATIONAL CULTURE AND THE CINEMA. CHINA ; NATIONAL CULTURE AND THE CINEMA. JAPAN ; HUANG TUDI (CC, Chen Kaige, 1985) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; GENROKU CHUSHINGURA (JA, Kenji Mizoguchi, 1942) ; YUKINOJO HENGE (JA, Kon Ichikawa, 1964) Summary: China and Japan both have traditional art forms that have been highly developed and long studied. Noted film and art scholars explore how the spatial consciousness, compositionaltechniques and construciton of images in thesetraditional and moderm art forms also inform filmmaking in these two countries, so that film and art share the same culturally defined "methods of seeing."Of interest to historians and film scholars with applications beyond the Far Eastern context. It demonstrates that while mainstream Hollywood cinema has influenced filmmaking everywhere, other national cinemas cannot be completely understood without considering their indigenous traditionsNotes: Filmography: p. 323-326; Includes bibliographical references and indexISBN: 0292720866 (alk. paper); 0292720874 (pbk. : alk. paper)LON: 10645466
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DA YUE BING : (CC, Chen Kaige, 1986)
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DAQIAO XIAMIAN : (CC, Bai Chen, 1983)
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ENGEZ CHEN : (G, Helke Misselwitz, 1996)
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FENG YUE : (HK/CC, Chen Kaige, 1996)
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book
Genre, gender, race and world cinema : an anthology / Edited by Julie F. Codell Malden, Massachusetts: Blackwell Publishing, 2006.
Call No: 62(082) GENAuthor: Codell, Julie F. Source: USPlace: Malden, MassachusettsPublisher: Blackwell PublishingPubDate: 2006PhysDes: ix, 474 pages ; 25 cmSubject: BOLLYWOOD ; CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM ; FILM NOIR ; GENDER AND THE CINEMA ; GENRES ; WORLD CINEMA ; GLOBALISATION ; RACIAL ISSUES AND THE CINEMA ; IDENTITY IN FILMS ; IDEOLOGY AND THE CINEMA ; IRAN ; MELODRAMA ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; RACIAL ISSUES IN FILMS ; ETHNIC GROUPS IN FILMS ; WORLD CINEMA ; KAIGE, CHEN ; NAIR, MIRA ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; FIGHT CLUB (US, David Fincher, 1999) ; HSI YEN (TZ, Ang Lee, 1993) ; INDIAN IN THE CUPBOARD, THE (US, Frank Oz, 1995) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; POCAHONTAS (US, Mike Gabriel & Eric Goldberg, 1995) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; ALL ABOUT MY MOTHER (SP/FR, Pedro Almodovar, 1999)
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TODO SOBRE MI MADRE ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; TRAFFIC (US, Steven Soderbergh, 2000) Summary: "a collection of essays that introduces the study of film theory through contemporay issues...Using four topics- genre, gender, race, and 'third cinema' - the book encourages critical discussions of films by students with a beginner's knowledge of film history. American, Asian, European and African cinema are all included."ISBN: 1405132337Contents: Preface -- General introduction: film and identities --; Part I Genres: ever-changing hybrids -- Introduction and further reading -- Conclusion: a semantic/syntactic/pragmatic approach to genre: Rick Altman -- Film bodies: gender, genre, and excess: Linda Williams -- The body and Spain: Pedro Almodovar's 'All About My Mother': Ernesto R. Acevedo-Munoz -- Enjoy your fight! - 'Fight Club' as a symptom of the network society: Bulent Diken and Carsten Bagge Laustsen -- Film and changing technologies: Laura Kipnis -- Postmodern cinema and Hollywood culture in an age of corporate colonization: Carl Boggs and Tom Pollard --; Part II Genders: more than two -- Introduction and further reading -- Mobile identities, digital stars, and post cinematic selves: Mary Flanagan -- "Nothing is as it seems": re-viewing 'The Crying Game': Lola Young -- Crying over the melodramatic penis: melodrama and male nudity in the films of the 90s: Peter Lehman -- Travels with Sally Potter's 'Orlando': gender, narrative, movement: Julianne Pidduck -- Body matters: the politics of provocation in Mira Nair's films: Alpana Sharma -- Cowgirl Tales: Yvonne Tasker --; Part III Race: stereotypes and multiple realisms -- Introduction and further reading -- The family changes colour: interracial families in contemporary Hollywood cinema: Nicola Evans -- Black on white: film noir and the epistemology of race in recent African American cinema: Dan Flory -- Becoming Asian American: Chan is missing: Peter X. Feng -- 'The Wedding Banquet': global Chinese cinema and the Asian American experience: Gina Marchetti -- Another fine example of the oral tradition? Identification and subversion in Sherman Alexie's 'Smoke Signals': Jhon Warren Gilroy -- Playing Indian in the nineties: 'Pocahontas' and 'The Indian in the Cupboard': Pauline Turner Strong -- "You are alright, but..." Individual and collective representations of Mexicans, Latinos, Anglo-Americans and African-Americans in Steven Soderbergh's 'Traffic': Deborah Shaw --; Part IV World cinema: joining local and global -- Introduction and further reading -- Theorizing "third-world" film spectatorship: the case of Iran and Iranian cinema: Hamid Naficy -- The open image: poetic realism and the new Iranian cinema: Shohini Chaudhuri and Howard Finn -- The seductions of homecoming: place, authenticity and Chen Kaige's 'Temptress Moon': Rey Chow -- Cultural identity and diaspora in contemporary Hong Kong cinema: Julian Stringer -- "And yet my heart is still Indian": the Bombay film industry and the (H)indianization of Hollywood: Tejaswini Ganti -- Future past: integrating orality into Francophone West African film: Melissa Thackway -- Acknowledgements
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GING CHAT GOO SI : (HK, Jackie Chan & Chi-Hwa Chen, 1985)
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HAI ZI WANG : (CC, Chen Kaige, 1988)
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poster
[Hai zi wang : poster]
Call No: P HAIPhysDes: 1 poster : col. ; 73 X 50 cm.Subject: HAIZI WANG (CC, Chen Kaige, 1988) Summary: Image: illustration of a man's head with drawings of boys and birds around it.Notes: A little creased and torn on the left-hand side.
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HE NI ZAIYIQI : (CC/KO, Chen Kaige, 2002)
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journal article
The Home Song Stories in Empire (Australian Ed.) (September 2007) iss.78 p.40
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HUANG TUDI : (CC, Chen Kaige, 1985)
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journal article
If I were for real in Variety (Nov 18 1981) p.19
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ILO ILO : (SI, Anthony Chen, 2013)
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JING KE CI QIN WANG : (JA/CF/FR, Chen Kaige, 1999)
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personality clippings file
KAIGE, CHEN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KAIGE, CHEN
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KILLING ME SOFTLY : (US, Chen Kaige, 2002)
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book
King of the children and the new Chinese cinema : an introduction / Tony Rayns et al. London: Faber and Faber Limited, 1989.
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LAST PAINTING, THE : (TZ, Hung-I Chen , 2017)
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LAT SAU WUI CHEN : (HK, Johnnie To/Wai Ka-Fai, 2000)
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LIEN LIEN FUNG CHEN : (TW, Hou Hsiao-Hsien, 1987)
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LIN TSE-HSU : (CC, Cheng Chun-li & Chen Fan, 1959)
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LITTLE SPARROWS : (AT, Yu-Hsiu Camille Chen, 2010)
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MEI LI SHAO NIAN - XING YI YI XIAO WANG ZI : (TZ, Mickey Chen, 1999)
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Perspectives on Chinese cinema / edited by Chris Berry London: BFI Pub., 1991.
Call No: 71(51) PERAuthor: Berry, Chris Place: LondonPublisher: BFI Pub.PubDate: 1991PhysDes: vii, 234 p. : ill. ; 23 cmSubject: CITY OF SADNESS, A [ ; PEOPLE'S REPUBLIC OF CHINA ; TAIWAN ; NATIONAL CULTURE IN FILMS ; MOVEMENTS AND STYLES IN FILM HISTORY ; SOCIAL GROUPS IN FILMS ; GENDER AND THE CINEMA ; ANIMATED FILMS ; ZHUANGZHUANG, TIAN ; JUNZHAO, ZHANG ; YIGONG, WU ; WAN, LAIMING ; WAN, GUCHAN ; WAN, DIHUAN ; WAN, CHAOCHEN ; CHUSHENG, CAI ; KAIGE, CHEN ; HSIAO-HSIEN, HOU ; MEI, HU ; BAN, LU ; DONGSHAN, SHI ; HUA, SHUI ; YU, SUN ; TIANMING, WU ; YIGONG, WU ; JIN, XIE ; YANG, EDWARD ; JUNZHAO, ZHANG ; YIMOU, ZHANG ; JUNLI, ZHENG ; LI SHUANG SHUANG (CC, Lu Ren, 1962)
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LI SHUANGSHUANG ; XI YING MEN, (CC, Zhao Huanzhang, 1982) ; HUANG TUDI (CC, Chen Kaige, 1984) ; HONG GAOLIANG (CC, Zhang Yimou, 1987) Notes: First published 1985; Includes bibliographical references, short biographies of major directors, chronology and indexes of names and film titlesISBN: 0851702716; 0851702724 (pbk.)LON: 7777062 7777062
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book
Primitive passions : visuality, sexuality, ethnography, and contemporary Chinese cinema / Rey Chow New York: Columbia University Press, 1995.
Call No: 408.1(51) CHOAuthor: Chow, Rey Place: New YorkPublisher: Columbia University PressPubDate: 1995PhysDes: xiv, 252 p. ; 24 cmSeries: Film and cultureSubject: INDUSTRY, FILM. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; ZHANG, YIMOU ; HAIZI WANG (CC, Chen Kaige, 1988) ; LAO JING (CC, Tianming Wu, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) Notes: Includes bibliographical references (p. [203]-243) and indexISBN: 0231076827 (acid-free paper); 0231076835 (pbk.)LON: 94027796; 11040898Contents: Part 1: Visuality, Modernity, and Primitive Passions -- Part 2: Some Contemporary Chinese Films -- 1. Digging an Old Well: The Labour of Social Fantasy -- 2. Silent is the Ancient Plain: Music, Filmmaking, and the Concept of Social Change in the New Chinese Cinema -- 3. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children -- 4. The Force of Surfaces: Defiance in Zhang Yimou's Films -- Part 3: Film as Ethnography; or, Translation Between Cultures in the Postcolonial World
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book
Projections 3 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1994.
Call No: 802 PRO v.3Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1994PhysDes: xiv, 290 p. : ill., ports; 24 cmSubject: COPPOLA, FRANCIS FORD ; LINSON, ART ; Tarantino, Quentin ; VAN SANT, GUS ; CHEN, KAIGE ; POLLACK, SYDNEY ; WILLNER, HAL ; ALMEREYDA, MICHAEL ; KASDAN, LAWRENCE ; TOLKIN, MICHAEL ; POTTER, SALLY ; STANLEY, RICHARD ; HARTLEY, HAL ; OGRESTA, ZRINKO ; LOWENSTEIN, RICHARD ; SHORT CUTS (US, Robert Altman, 1993) ; FLIRT (US/GG/JA, Hal Hartley, 1995) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) Notes: Includes filmography: p. [289]-290ISBN: 0571170471 (pbk)LON: abn94201432; 10975435
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SHUANG TONG : (TZ/HK, Chen Kuo-Fo, 2002)
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SIU SIN (HK, Andrew Chen, 1997)
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book
Speaking in images : interviews with contemporary Chinese filmmakers / Michael Berry New York: Columbia University Press, 2005.
Call No: 802.25 (51) BERAuthor: Berry, Michael Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2005PhysDes: x, 568 p. : ill. ; 24 cmSeries: Global Chinese cultureSubject: DIRECTORS. CHINA ; DIRECTORS.TAIWANESE ; DIRECTORS. HONG KONG ; CITY OF SADNESS, A [ ; TAIWAN ; CHEN, KAIGE ; XIE, JIN ; TIAN, ZHUANGZHUANG ; ZHANG, YIMOU ; ZHANG, YUAN ; WANG, XIAOSHUAI ; JIA, ZHANG KE ; LI, YANG ; HOU HSIAO-HSIEN ; CHU, TIEN-WEN ; YANG, EDWARD ; WU, NIEN-JEN ; LEE, ANG ; TSAI, MING LIANG ; CHANG, TSO-CHI ; HUI, ANN ; KWAN, STANLEY ; CHAN, FRUIT ; HO-SUN CHAN, PETER ; CHAN, EVANS ISBN: 9780231133319Contents: Foreword / Martin Scorsese -- Introduction : speaking in images -- Pt. I. Voices from China -- Xie Jin : six decades of cinematic innovation -- Tian Zhuangzhuang : stealing horses and flying kites -- Chen Kaige : historical revolution and cinematic rebellion -- Zhang Yimou : flying colors -- Zhang Yuan : working up a sweat in a celluloid sauna -- Wang Xiaoshuai : banned in China -- Jia Zhangke : capturing a transforming reality -- Li Yang : the future of Chinese cinema? -- Pt. II. Voices from Taiwan -- Hou Hsiao-hsien with Chu T'ien-wen : words and images -- Edward Yang : luckily unlucky -- Wu Nien-jen : writing Taiwan in the shadows of cultural colonialism -- Ang Lee : freedom in film -- Tsai Ming-liang : trapped in the past -- Chang Tso-chi : shooting from the margins -- Pt. III. Voices from Hong Kong -- Ann Hui : living through films -- Stanley Kwan : from spectral nostalgia to corporeal desire -- Fruit Chan : Hong Kong independent -- Peter Ho-sun Chan : pioneering Pan-Asian cinema -- Evans Chan : the last of the Chinese
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TANG REN JIE TAN AN : (CC, Chen Sicheng, 2015)
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TANG REN JIE TAN AN 2 : (CC, Sicheng Chen, 2018)
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TEN MINUTES OLDER: THE TRUMPET : (GG, Kaige Chen/ Werner Herzog/ Jim Jarmusch/ Aki Kaurismaki/ Spike Lee/ Wim Wenders, 2002)
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Crawford collection
still
[The feds : album #1] Crawford Productions [distributor],
Call No: CRAWFORD STILL FEDSource: ATPublisher: Crawford Productions [distributor]PhysDes: 10 photographs : b&w ; 26 x 21 cm + 37 photographic proof sheets : b&w ; 26 x 21 cm - 31 x 24 cm + 107 slides : col. + 8 transparencies : col. ; 120 mmSubject: TAYLOR, ROBERT ; THORNTON, SIGRID ; LAWRENCE, BRUNO ; WENDT, NICKI ; GRIFFITHS, RACHEL ; HOSKING, PETER ; MENGLET, ALEX ; GOW, PETER ; CHEN, STEPHANIE ; RIGNEY, DANIEL ; DELANEY, CON ; SCEALY, GREG ; FIANDER, LEWIS ; D'AMICO, VINCE Summary: Photographs and slides relating to 'The Feds'Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographic proof sheets, slides with accompanying promotional sheets, slides without accompanying promotional sheets then transparencies. The larger 31 x 24 cm photographic proof sheets are held with the album in a separate archival pocketDonation: Gift of Crawford Productions
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XIU XIU HE TA DE NAN REN : (CC, Joan Chen, 1998)
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journal article
Yellow Earth in Cinema papers (Mar 1987) vol.62 p.57
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journal article
Yellow earth in Filmviews (Winter 1987) vol.32 iss.132 p.36-37
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ZHENG HUN QI SHI : (TW, Kuo-fu Chen, 1998)
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ZHI YAO WEI NI HUO YITIAN : (TZ, Chen Kuo-fu, 1993)
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