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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BIG HIT, THE (US, Che-Kirk Wong, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHE (SP, Steven Soderbergh, 2008)

Call No: 71(512.317) STO
Author: Stokes, Lisa Odham; Hoover, Michael
Place: New York
Publisher: Verso
PubDate: 1999
PhysDes: p. cm
Subject: FOOD IN FILMS; CHAN, JACKIE; CHAN, PETER; CHOW, YUN-FAT; CHIAU, STEPHEN; DOYLE, CHRISTOPHER; HUI, ANN; KWAN, STANLEY; LAM, RINGO; LAW, CLARA; TSUI, HARK; WONG KAR-WAI; TONG, STANLEY [pseud. of Tony Kwei Lai]; WOO, JOHN [pseud. of Wu Yusen]; Yeoh, Michelle; Yu, Ronnie; YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988); BALLISTIC KISS [SAT SAT YAN, TIU TIU MO / SHA SHA REN TIAO TIAO MIU] (HK, Donnie Yen, 1998); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); GAMYUK MUNTONG (HK, Tsui Hark, 1996); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); TIAN MIMI (HK, Peter Chan, 1997); CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992); DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989)
Notes: Includes bibliographical references and index
ISBN: 1859847161 (cloth); 1859842038 (pbk.)
LON: 20214722
ID2: 291

Call No: 81WONG COM
Source: US
Place: Chichester, West Sussex ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2016
PhysDes: xvi, 627 pages : illustrations ; 25 cm
Series: Wiley Blackwell Companions to Film Directors
Subject: CITY OF SADNESS, A [; WONG KAR WAI; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence
Notes: Includes bibliographical references (pages 586-599) and index. Filmography: pages 558-561
ISBN: 9781118424247
Donation: donated by Senses of Cinema
Contents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index

Call No: 744.6(73) BAL
Author: Baldwin, James
Edition: 2011
Place: New York
Publisher: Vintage
PubDate: 2011
PhysDes: 127 pages ; 21 cm
Subject: RACIAL ISSUES AND THE CINEMA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; WELLES, ORSON; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); DEFIANT ONES, THE (US, Stanley Kramer, 1958); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); CHE! (US, Richard Fleischer, 1969); EXORCIST, THE (US, William Friedkin, 1973)
Summary: From “the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness.  Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change. -- publisher's web site
ISBN: 9780307275950

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ERNESTO 'CHE' GUEVARA: DAS BOLIVIANISCHE TAGEBUCH (SZ/FR, Richard Dindo, 1994)

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1970
PhysDes: 286 p. ; 22 cm
Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: Critical reviews of films produced 1969/1970
Notes: Includes index
ISBN: 671-20608-7
Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel

Call No: CRAWFORD STILL HAL
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 15 x photographs : b&w ; 21 x 26 cm + 6 photographic sheets : b&w and col. ; 26 x 21 cm + 50 slides : col. + 2 transparencies : col. ; 10 x 13 cm + 19 transparencies : col. ; 120mm + 8 negatives : col. ; 35 mm
Subject: FRIEDL, JAN; SEIDEL, SILVIA; MYLES, BRUCE; HEWETT, LAUREN; WALKER, JEFFREY; GORE, SANDY; ARMSTRONG, KERRY; SPENCE, BRUCE; ARGUE, DAVID; KELMAN, PAUL; CILENTO, DIANE; SMYTHE, KELLIE; BROADBENT, CHE; GILMORE, TENLEY; MCDONNELL, LEVERNE; MENGLET, ALEX; CRESSEY, ELLEN; MOORE, DENIS; LAMBERT, KATRINA; HEWETT, COLLEEN; HALFWAY ACROSS THE GALAXY AND TURN LEFT [TV] (AT, 1992)
Summary: Photographs and negatives relating to the TV series 'Halfway across the galaxy and turn left'
Notes: Arranged by record type -- Negatives consist of two strips of photographic negatives
Donation: Gift of Crawford Productions

Call No: FESTIVAL CATALOGUE SHELVES; FESTIVALS. AUSTRALIA. VARIOUS
CorpAuthor: Hong Kong Economic & Trade Office; Australian Film Institute
Place: Sydney
Publisher: Hong Kong Economic & Trade Office
PubDate: July 1998
PhysDes: [26] p. : illus. ; 30 cm
Subject: FESTIVALS. AUSTRALIA. HONG KONG; [EIGHTEEN] 18 SPRINGS [BAN SHENG YUAN] (CC, Ann Hui On Wah, 1997); DAY THE SUN TURNED COLD, THE (HK, Yim Ho, 1994); TIAN MIMI (HK, Peter Chan, 1997); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); XIANGGANG ZHIZAO (HK, Chan Fruit, 1997)
Notes: Data taken from colophon on page 24

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IO, SPERIAMO CHE ME LA CAVO (IT, Lina Wertmuller, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY FATHER, CHE: A DOCUMENTARY WITH ALDEIDA GUEVARA (AT/CU, Prod: Aleida Guevara & Alex Keeble, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WILD GOOSE LAKE [NAN FANG CHE ZHAN DE JU HUI] (C/FR, Yi'nan Diao, 2019)
Notes: Simon_Batch 17_191210

Author: Durgnat, Raymond
PhysDes: Article; Illustration(s)
Subject: HORROR FILMS; BAVA, MARIO; FRUSTRA E IL CORPO, LA (IT/FR, Mario Bava, 1963); RAGAZZA CHE SAPEVA TROPPO, LA (IT, Mario Bava, 1963)
Summary: Analysis of two Mario Bava films in relation to the horror genre.

Call No: 45:32 FUR
Author: Furhammar, Leif, 1937; Isaksson, Folke, 1927-, joint author
Place: London
Publisher: Studio Vista
PubDate: 1971
PhysDes: 3-257 p. illus. 26 cm
Subject: POLITICS AND THE CINEMA; PROPAGANDA FILMS; ZAVATTINI, CESARE; MAN ON A STRING (US, Andre de Toth, 1960); CHE! (US, Richard Fleischer, 1969); EWIGE JUDE, DER (G, Fritz Hippler, 1942); OHM KRUEGER (G, Hans Steinhoff, 1941); NOVYI VAVILON (UR, Grigorij Kozincev & Leonid Trauberg, 1929); HITLERJUNGE QUEX (G, Hans Steinhoff, 1933); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); MRS MINIVER (US, William Wyler, 1942); TORN CURTAIN (US, Alfred Hitchcock, 1966); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); HITLER GANG, THE (US, John Farrow, 1944); STALINGRADSKAYA BITVA (UR, Vladimir Petrov, 1949)
Notes: Rev. translation of Politik och film; Bibliography: p. 248-250
ISBN: 0289798132
LON: 616948
ID2: 127

PhysDes: Article
Subject: F.F.S.S., CIOE CHE MI HAI PORTATO A FARE SOPRA A POSILLIPO SE NON MI VUOI PIU BENE? (IT, Renzp Arbore, 1983)
Summary: Credits; Synopsis; ill

Call No: 81WON POW; FOLIO
Author: Kar Wai, Wong; Powers, John
Source: US
Place: New York
Publisher: Rizzoli
PubDate: 2016
PhysDes: 303 pages : illustrations (colour), portraits ; 32 cm
Subject: WONG KAR-WAI; HONG KONG CINEMA; LEUNG, TONY; CHEUNG, LESLIE; CHEUNG, MAGGIE; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); AS TEARS GO BY (HK, Wong Kar-Wai, 1989); WONG GOK KA MOON (HK, Wong Kar-Wai, 1988); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); MY BLUEBERRY NIGHTS (HK/C/FR, Kar Wai Wong, 2007); LOST IN TRANSLATION (US, Sofia Coppola, 2003)
Summary: "The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films." [Publisher's website]
ISBN: 9780847846177
Contents: Perhaps, perhaps, perhaps / 37 views of Wong Kar Wai -- Six conversations -- Conversation one : Amarcord -- Conversation two : not Hitchcock -- Conversation three : Hong Kong nocturne -- Conversation four : Perfidia -- Conversation five : Pan-American highway -- Conversation six : North, South, East and West -- Captions -- Timeline -- Acknowledgments

Call No: 81KAR BRU
Author: Brunette, Peter
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2005
PhysDes: xviii, 149 p. : ill. ; 21cm.
Series: Contemporary Film Directors
Subject: DIRECTORS. CHINA; WONG KAR WAI; DOYLE, CHRISTOPHER; LEUNG, TONY; CHEUNG, MAGGIE; WONG GOK KA MOON (HK, Wong Kar-Wai, 1988); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995); CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: Taken from backcover: This book traces film director, Wong Kar-wai's themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of Hong Kong to the People's Republic of China.
Notes: Includes transcripts of interviews with Wong Kar-wai. Filmography: p.[135] - 141. Includes bibliography and index.
ISBN: 9780252072376

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YAT LUK CHE (HK, Yip Kam-Hung, 2002); JUST ONE LOOK (HK, Yip Kam-Hung, 2002)