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Call No: TITLE CLIPPINGS FILE; DANCER (UK/RU/UE/US, Steven Cantor, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: DANCER (UK/RU/UE/US, Steven Cantor, 2016)
Summary: A middling review of the film DANCER.
Notes: no rating given

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

PhysDes: Article
Subject: CLOUD DANCER (US, Barry Brown, 1980)

Call No: TITLE CLIPPINGS FILE; DANCER (UK/RU/UE/US, Steven Cantor, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: DANCER (UK/RU/UE/US, Steven Cantor, 2016)
Summary: Review of the film DANCER
Rating: 3.5 out of 5 stars

Author: Turk, Rachael; Sardi, Jan
PhysDes: Article
Subject: NARRATIVE IN FILMS; SARDI, JAN; MAO'S LAST DANCER (AT, Bruce Beresford, 2009); SHINE (AT/UK, Scott Hicks, 1996)
Summary: Interview with screen writer Jan Sardi discussing narrative and scriptwriting devices used two of his works, Shine and Mao's last dancer.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANCER (UK/RU/UE/US, Steven Cantor, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DANCER, TEXAS POP. 81 (US, Tim McCanlies, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANCER, THE (FR, Fred Garson, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DANCER UPSTAIRS, THE (US/SP, John Malkovich, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANCER, THE [DANSEUSE, LA] (FR/BE/CZ, Stephanie di Giusto, 2016)
Notes: Simon import_04/07/19

Call No: 79 IDI ROC
Author: Rockwell, John
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 87 p. : ill. ; 19 cm; Press kit
Series: BFI Modern Classics
Subject: IDIOTERNE (DK, Lars Von Trier, 1998); TRIER, LARS VON; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996); DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000); DOGMA
Summary: Shows how The Idiots relates to the other two films in the trilogy 'Good Woman', Breaking the Waves, and Dancer in the Dark. Shows how The Idiots relates to von Trier's celebrated early work in Danish television and his foray into directing Wagner's Ring cycle at the Bayreuth Festival. The result is a rich and illuminating interpretation of the key work of one of the most fascinating and misunderstood filmmakers of recent years
Notes: The Dogma 95, Manifesto and the Vow of Chastity: p.81-84 Credits: p.85-86 Bibliography: p.87
ISBN: 0851709559

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JO JO DANCER, YOUR LIFE IS CALLING (US, Richard Pryor, 1986)

Call No: 81TRI STE
Author: Stevenson, Jack
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: 216p. : illus. [b&w, colour] : 19cm.
Series: World directors
Subject: DOGMA; TRIER, LARS VON; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996); DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000); EPIDEMIC (DK, Lars von Trier, 1987); EUROPA (DK/FR/GG, Lars Von Trier, 1991); IDIOTERNE (DK, Lars Von Trier, 1998); RIGET (DK, Lars von Trier, 1994); RIGET II (DK, Lars Von Trier & Morten Arnfred, 1997)
ISBN: 0851709036

Call No: 81TRI LAR
Author: Butler, Rex (ed.); Denny, David (ed.)
Edition: paperback edition
Source: US
Place: New York
Publisher: Bloomsbury Academic
PubDate: 2018
PhysDes: vi, 264 pages ; 24 cm
Subject: WOMEN AND THE CINEMA; WOMEN IN FILMS; VON TRIER, LARS; DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000); DOGVILLE (DK, Lars Von Trier, 2002); ANTICHRIST (DK, Lars von Trier, 2009); MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); NYMPHOMANIAC [VOL. I AND VOL. II] (DK/G/BE/UK/FR, Lars von Trier, 2013)
Summary: "The Danish director Lars von Trier is undoubtedly one of the world's most important and controversial filmmakers, and arguably so because of the depiction of women in his films. He has been criticized for subjecting his female characters to unacceptable levels of violence or reducing them to masochistic self-abnegation (Bess in Breaking the Waves, "She" in Antichrist and Joe in Nymphomaniac). At other times, it is the women in his films who are dominant or break out in violence, such as in his adaptation of Euripides' Medea, the conclusion of Dogville and perhaps throughout Nymphomaniac. Lars von Trier's Women confronts these dichotomies head on. Editors Rex Butler and David Denny do not take a position either for or against von Trier, but rather considers how both attitudes fall short of the real difficulty of his films, which may simply not conform to any kind of feminist or indeed anti-feminist politics as they are currently configured. Using Lacanian psychoanalysis and the work of prior scholars on the films, Lars von Trier's Women reveals hidden resources for a renewed "feminist" politics and social practice. "--Bloomsbury Publishing (Book back Cover)
Notes: Formerly CIP; Includes bibliographical references and index; Also issued online
ISBN: 9781501342097
Contents: -- acknowledgements -- introduction: the feminine act and the question of woman in Lars von Trier's films / Rex Butler and David Denny -- 1 Performing the feminine / Linda Badley -- 2 Femininity between Goodness and Act / Slavoj Zizek -- 3 Listening to Dancer in the Dark: Singing as recalling the world / Ulrike Hanstein -- 4 A woman's smile / Rex Butler -- 5 Female fight club: Lars von Trier's women and the paradox of Being / Sheila Kunkle -- 6 Cruelty and the real: The female figure in Orchidegartneren, Menthe - la bienheureuse and Befrielsesbilleder / Angelos Koutsourakis -- 7 What is the gift of Grace? On Dogville / Lorenzo Chiesa -- 8 Manderlay: The gift, Grace's desire and the collapse of ideology / Ahmed Elbeshlawy -- 9 Violent affects: Nature and the feminine in Antichrist / Magdalena Zolkos -- 10 A postmodern family romance: Antichrist / David Denny -- 11 Not melancholic enough: Triumph of the feminine in Melancholia / Todd McGowan -- 12 How to face nothing: Melancholia and the feminine / Jennifer Friedlander -- 13 Lars von Trier's fantasy of femininity in Nymphomaniac / Hilary Neroni -- 14 Mea maxima vulva: Appreciation and aesthetics of chance in Nymphomaniac / Tarja Laine -- list of contributors -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MACHO DANCER (PH, Lino Brocka, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAO'S LAST DANCER (AT, Bruce Beresford, 2009)

Call No: P MAO
Place: AT
PhysDes: 1 poster : col. ; 100 X 70 cm.
Subject: MAO'S LAST DANCER (AT, Bruce Beresford, 2009)
Summary: Upper torso of Chi Cao (actor for Li Cunxin adult role) dancing with the Chinese flag. Text: 'Before you can fly, you have to be free.'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHADOW DANCER (UK/IE, James Marsh, 2012)

Author: Durston, Joy
PhysDes: Article
Subject: DANCER'S GRAMMAR ( , Nina Feinberg, 198 )
Summary: Set in the 1940s on a fox farm

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 21 x 26 cm
Subject: CROSBY, ELIZABETH; CRACKNELL, RUTH; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977)
Summary: 4 black and white photographs of Ruth Cracknell and Elizabeth Crosby.

Call No: 721.02 (94) CHA
Author: Chapman, Jan
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: Screen sound Australia
PubDate: 2002
PhysDes: 1 v ; 20.5 cm, b&w ill.
Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion
ISBN: 0642365172

Call No: TITLE CLIPPINGS FILE; DANCER, THE (FR/BE/CZ, Steven Cantor, 2016)
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: DANCER (UK/RU/UE/US, Steven Cantor, 2016)
Summary: Interview with Gabrielle Tana, the producer of the documentary film THE DANCER who talks about the documentary's subject Sergei Polunin

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: TENTH DANCER, THE (AT, Sally Ingleton, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: TIGHTROPE DANCER, THE (AT, Ruth Cullen, 1989)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 26 cm.
Subject: TIGHTROPE DANCER, THE (AT, Ruth Cullen, 1989); MYERS, VALI
Summary: Black and white photograph relating to the documentary The Tightrope Dancer

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ZENNE (TU, Caner Alper & Mehmet Binay, 2012); ZENNE DANCER (TU, Caner Alper & Mehmet Binay, 2012)