newspaper article
Australian filmmakers land top festival spots in Sydney Morning Herald (30/07/2015) p.31
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. TORONTOAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. TORONTO ; FESTIVALS. VENICE ; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015) ; SEPTEMBERS OF SHIRAZ (US, Wayne Blair, 2015) ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) Summary: Focus on the films with Australian directors who were awarded screenings at the 2015 Toronto and Venice Film festivals. The films are: THE DRESSMAKER, SEPTEMBERS OF SHIRAZ, and LOOKING FOR GRACE. Simon Stone's THE DAUGHTER will screen at Toronto as well
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newspaper article
Australian films on the world stage at Venice and Toronto in Sydney Morning Herald (30/08/2016) p.24
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. VENICEAuthor: Bunbury, Stephanie PhysDes: Clippings File ArticleSubject: FESTIVALS. VENICE ; FESTIVALS. TORONTO ; PRODUCTION. AUSTRALIA Summary: Round up of Australian films to be screened at the well known Toronto and Venice Film Festivals. Discussion is around the films HACKSAW RIDGE, HOUNDS OF LOVE, and BOYS IN THE TREES, with mentions made of LIGHT BETWEEN OCEANS a film shot in Australia, and LION
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newspaper article
Australian 'powerhouse' feature is surprise hit of Venice in Sun Herald (04/09/2016) p.23
Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016)Author: Bunbury, Stephanie PhysDes: Clippings File ArticleSubject: FESTIVALS. VENICE ; HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Report on the critical acclaim HOUNDS OF LOVE received at the 2016 Venice FIlm Festival and how it took the film's director Ben Young by surprise. Some detail on his career and why he made the film
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Festival catalogue
interim
Biennale di Venezia. Mostra internazionale d'arte cinematografica IT: 1951 -.
Call No: FESTIVAL CATALOGUE SHELVES; incomplete sequence; held: 1951, 1955, 1958, 1963,1968, 1979,1986-90, 1992-3, 2000-01,2003-05,2007Author: Venice. Mostra internazionale d'arte cinematografica Place: ITPubDate: 1951 -Subject: FESTIVALS. VENICE Notes: Italian, English and French; Catalogued from the 1990 programme; Some supplementary materialsID2: 109
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newspaper article
Byzantine journey through food history in The Australian (29/11/2016) p.17
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journal article
Cinema in Lumiere (November-December 1971) iss.12 p.10-12
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book
Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L' (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
SEE
MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
SEE
AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
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Online resource
digital clippings file
FESTIVALS. VENICE Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: FESTIVALS. VENICE URL status: URL: 'http://file://Q:/S/FESTIVALS.VENICE.zip'
Checked: 31/08/2021 1:03:50 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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Levy Collection
book
Film & literature : an introduction / Morris Beja New York: Longman, 1979.
Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: 335 p. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this itemISBN: 058228094XDonation: donated by the family of Wayne Levy, 2006
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book
Film & literature, an introduction / Morris Beja New York: Longman, 1979.
Call No: 753 BEJCopy Management: Copy 1; Copy 2Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: xv, 335 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; LITERATURE AND THE CINEMA ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this itemISBN: 058228094XOrder Received: 2000Order Type: DonationLON: 78026167; 1314099
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book
Great Italian films / Jerry Vermilye Secaucus, N.J.: Carol Pub. Group, 1994.
Call No: 71(45) VERAuthor: Vermilye, Jerry Place: Secaucus, N.J.Publisher: Carol Pub. GroupPubDate: 1994PhysDes: 254 p. : ill. ; 28 cmSubject: ITALY ; RISO AMARO (IT, Guiseppe de Santis, 1949) ; BELLISSIMA (IT, Luchino Visconti, 1951) ; AIDA (IT, Clemente Fracassi, 1953) ; SENSO (IT, Luchino Visconti, 1954) ; STRADA, LA (IT, Federico Fellini, 1954) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; AMARCORD (IT/FR, Frederico Fellini, 1973) ; PANE E CIOCCOLATA (IT, Franco Brusati, 1974) ; PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976) ; INNOCENTE, L' (IT/FR, Luchino Visconti, 1976) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; OTELLO (IT, Franco Zeffirelli, 1986) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; FABIOLA (IT, Alessandro Blasetti, 1947) ; ROMA ORE 11 (IT, Giuseppe De Santis, 1951) ; AMICI PER LA PELLE (IT, Franco Rossi, 1955) ; BIG DEAL ON MADONNA STREET [SOLITI IGNOTI, I] (IT, Mario Monicelli, 1958) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; TOSCA [TV] (IT, 1992) ; STANNO TUTTI BENE (IT/FR, Guiseppe Tornatore, 1990) Notes: "A Citadel Press book."ISBN: 0806514809 (pbk.) : $17.95LON: 93045771; 10646564
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title clippings file
MERCHANT OF VENICE : (US/IT/UK, Michael Radford, 2004)
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title clippings file
MORTE A VENEZIA : (IT/FR, Luchino Visconti, 1971)
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Online resource
digital clippings file
MORTE A VENEZIA : (IT/FR, Luchino Visconti, 1971) Digital clippings file available
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Interim
book
Mostra internazionale d'arte cinematografica Venezia presentatione giovane cinema Belga 1966 jeune cinema Belge 1966 jonge belgische film 1966 young Belgian cinema 1966 1966.
Call No: F023(493) "1966" MOSPubDate: 1966Subject: BELGIUM ; FESTIVALS. VENICE Notes: catalogueLanguage: Italian, French, Flemish, German and English
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newspaper article
Outback saga airs dark past in The Australian (11/09/2017) p.14
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. VENICEAuthor: Stratton, David PhysDes: Clippings File ArticleSubject: FESTIVALS. VENICE ; SWEET COUNTRY (AT, Warwick Thornton, 2017) Summary: Review of the 74th Venice Film Festival, where focus is given to the Australian film SWEET COUNTRY, winner of the Special Jury prize, as well as other festival award winners and notable films and documentaries
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book
A postillion struck by lightning / Dirk Bogarde St Albans: Triad, 1978.
Call No: 81BOG BOGAuthor: Bogarde, Dirk Source: UKPlace: St AlbansPublisher: TriadPubDate: 1978PhysDes: 302 p., [8] p. of plates : ill., ports. ; 18cmSubject: BOGARDE, DIRK ; SERVANT, THE (UK, Joseph Losey, 1963) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; VICTIM (UK, Basil Dearden, 1961) ; PROVIDENCE (FR, Alain Resnais, 1977) Summary: The book presents Dirk Bogard as a serious film actor, as well as a gifted writer, and artistNotes: Cinema films. Acting. Bogarde, Dirk, to ca 1960. Autobiographies (BNB/PRECIS); Originally published: London : Chatto and Windus, 1977; Includes indexISBN: 0586045694
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newspaper article
Short cuts : film buzz in Sydney Morning Herald (25/08/2016) p.20
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book
Twenty years of cinema in Venice : The Venice Biennial International Exhibition of Cinematic Art / edited by The Management Rome: International Exhibition of Cinematographic Art, 1952.
Call No: 10790Edition: 1952Place: RomePublisher: International Exhibition of Cinematographic ArtPubDate: 1952PhysDes: 700 pages : illustrated ; 26 cmSubject: FESTIVALS. VENICE
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script
Venice / written by Miro Bilbrough 2011.
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newspaper article
Venice, black and white, full of colour in The Australian [Arts & Entertainment] (14/09/2016) p.15
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. VENICEAuthor: Stratton, David PhysDes: Clippings File ArticleSubject: FESTIVALS. VENICE Summary: Stratton reviews the 2016 Venice film festival describing the overall feel of the the event as 'retro', accentuated by the selection of films including: La La Land, The Women Who Left, and A Lullaby to Sorrowful Mystery.
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Special issue
serial
VENICE INTERNATIONAL FILM FESTIVAL AND SCRIPT AND FILM MARKET GUIDE 5 September 1910 1998.
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title clippings file
VENICE PROJECT, THE : (AU/US, Robert Dornhelm, 1999)
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title clippings file
VENICE/VENICE : (US, Henry Jaglom, 1992)
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book
Visconti's film costumes / Catalogue prepared by: Vera Marzot, Umberto Tirelli, Piero Tosi, Dino Trappetti Sydney: David Jones, May 1977.
Call No: 117 VISAuthor: Marzot, Vera ; Tirelli, Umberto ; Tosi, Piero ; Trappetti, Dino Edition: May 1977Place: SydneyPublisher: David JonesPubDate: May 1977PhysDes: 36 pages : illustrated ; 21 cmSubject: VISCONTI, LUCHINO ; COSTUMES ; BELLISSIMA (IT, Luchino Visconti, 1951) ; SENSO (IT, Luchino Visconti, 1954) ; GATTOPARDO, IL (IT/FR, Luchino Visconti, 1962) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; LUDWIG (IT/FR/GW, Luchino Visconti, 1973) ; INNOCENTE, L' (IT/FR, Luchino Visconti, 1976) Notes: English transaltion by Gilbert Reid.Donation: Megan McMurchy
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title clippings file
WILLIAM SHAKESPEARE'S THE MERCHANT OF VENICE : (IT/UK, Michael Radford, 2004)
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book
Women and their sexuality in the new film / by Joan Mellen London: Davis-Poynter, 1974.
Call No: 451-02 MELAuthor: Mellen, Joan Place: LondonPublisher: Davis-PoynterPubDate: 1974PhysDes: 255 p. : ports ; 24 cmSubject: WOMEN IN FILMS ; HOMOSEXUALITY IN FILMS ; SEX AND THE CINEMA ; BERGMAN, INGMAR ; ROHMER, ERIC ; WEST, MAE ; W R MISTERIJE ORGANIZMA (YU/GW, Dusan Makavejev, 1971) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; FOX, THE (US, Mark Rydell, 1968) ; UP THE SANDBOX (US, Irvin Kershner, 1972) ISBN: 0706701534 : ª3.50LON: 75312480; 266398
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newspaper article
World of cinema floats into Venice : Latin America fared well in this year's competition in The Australian [Arts & Entertainment] (15/09/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. VENICEAuthor: Stratton, David PhysDes: Clippings File ArticleSubject: LATIN AMERICAN COUNTRIES ; LATINO CINEMA ; LATINOS IN FILMS ; FESTIVALS. VENICE ; DOCUMENTARY FILMS ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; MITCHELL, RADHA ; NEILL, SAM ; RUSH, GEOFFREY ; EDGERTON, JOEL ; DEPP, JOHNNY ; MCCARTHY, THOMAS ; GITAI, AMOS ; REDMAYNE, EDDIE ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) Summary: A review of some of the films selected for the 72nd Venice International Film Festival which won awards, including Latin American films and the three Australian films that were represented - Sue Brooks' 'Looking for Grace,' Simon Stone's 'The Daughter,' and the documentary 'Tanna.'
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