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Call No: FESTIVAL CATALOGUE SHELVES
Source: UK
Place: London, UK
PubDate: 2005
Subject: FESTIVALS. LONDON

Call No: FESTIVAL CATALOGUE SHELVES
Place: London, UK
Publisher: [s.n.]
PubDate: 2006
PhysDes: 31 p. : ill. ; 30 cm
Subject: FESTIVALS. LONDON [VARIOUS]; QUEER CINEMA; SHORT FILMS; DOCUMENTARY FILMS; EUROPEAN CINEMA; FOREIGN FILMS USE: IMPORT OF FILMS; WORLD CINEMA; WESTERNS; HOMOSEXUALITY IN FILMS
Notes: The 20th London Lesbian and Gay Film Festival includes a selection of feature length films, short films and documentaries. The festival also hosts various film retrospectives including a "Queer look at the Western" genre and "Gay TV". The catalogue also contains numerous colour stills, film synopses and an index.
ID2: 104

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWENTY-FOUR] 24 HOURS IN LONDON (UK, Alexander Finbow, 1999)

Call No: FESTIVAL CATALOGUE SHELVES held 1957- lacks 1985
Source: UK
Place: London, UK
Publisher: The Festival
PubDate: 2003
Subject: FESTIVALS. LONDON

PhysDes: Article
Subject: ACADEMY AWARDS; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); HEPBURN, KATHARINE; FONDA, HENRY; BEATTY, WARREN; STAPLETON, MAUREEN; ON GOLDEN POND (US, Mark Rydell, 1981); REDS (US, Warren Beatty, 1981); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); MEPHISTO (HU/GW, Istvan Szabo, 1981); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981)
Summary: List of Academy Award winners for 1982.

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: AGENT CODY BANKS 2: DESTINATION LONDON (US, Kevin Allen, 2004)
ID2: 248

Author: Landis, John
PhysDes: Article
Subject: LANDIS, JOHN; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981)
Summary: John Landis talks about what triggered his interest in the supernatural and in metamorphosis. He particularly focuses on werewolf mythology and the idea of lycanthropy. Landis also lists a number of movies, predating his "An American Werewolf in London", that are metamorphosis themed, including "The Wolfman" and "A Midsummer Night's Dream"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981)

Call No: 71(41) OPR
Author: Wollen, Peter, 1938; O'Pray, Michael, 1945
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London
Publisher: ICA, Institute of Contemporary Arts
PubDate: 1993?]
PhysDes: 48 p. : ill. ; 21 cm
Subject: UNITED KINGDOM; INDEPENDENT FILMS. UK; INDUSTRY, FILM. UK; EXPERIMENTAL FILMS. UK; INSTITUTE OF CONTEMPORARY ARTS [LONDON]
Notes: "The second ICA biennial of independent film and video" -- Cover; "Supported by the British Council, the Arts Council."
ISBN: 0905263839
LON: 10200289

Call No: 761 COR
Author: Corner, John, 1943
Place: Manchester New York, NY,
Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press
PubDate: 1996
PhysDes: 212 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; CINEMA VERITE; LIVING ON THE EDGE (UK, Michael Grigsby, 1987); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); ROGER AND ME (US, Michael Moore, 1989); HANDSWORTH SONGS (UK, John Akomfrah, 1986); COAL FACE (UK, Alberto Cavalcanti, 1935); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); LOOK IN ON LONDON (UK, 1956); CATHY COME HOME (UK, Ken Loach, 1966); WHEN THE DOG BITES (UK, Penny Woolcock, 1988)
Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURB
Notes: Includes bibliographical references (p. [197]-201) and index
ISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)
LON: 12095813

Call No: 19EFF BER
Author: Bertrand, Ina, 1939
CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and Media
Place: Bundoora, Vic.
Publisher: Centre for the Study of Educational Communication and Media, La Trobe University
PubDate: 1977
PhysDes: 26p. ; 30cm
Series: Media Centre papers ; 7
Subject: EFFTEE STUDIO; THRING, F.W.; DIGGERS (AT, F.W. Thring, 1931); TICKET IN TATTS, A (AT, F. W. Thring, 1934); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); CLARA GIBBINGS (AT, F.W. Thring, 1934); HARMONY ROW (AT, F.W. Thring, 1933); STREETS OF LONDON (AT, F.W. Thring, 1935); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933)
Notes: Bibliography: p.16
ISBN: 0858161141 : unpriced
LON: 1653335 1622627

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. LONDON FILM CRITICS CIRCLE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AYAM FI LONDON (LE, Samir Al Ghosaini, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BATTAGLIA D'INGHILTERRA, LA (IT/FR, Enzo G. Castellari, 1969); EAGLES OVER LONDON (IT/FR, Enzo G. Castellari, 1969)

Call No: FESTIVAL CATALOGUE SHELVES; held 1999
Place: UK
PubDate: 1999
Subject: FESTIVALS. LONDON

Call No: TITLE CLIPPINGS FILE; LONDON ROAD (UK, Rufus Norris, 2015)
Author: Stratton, David
PhysDes: Clippings
Subject: LONDON ROAD (UK, Rufus Norris, 2015)
Summary: Review of film and summary
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CHICAGO STORY [TV] (US, Jerry London, 1981)

PhysDes: Article
Subject: LONDON AFTER MIDNIGHT (US, Tod Browning, 1927)

Call No: TITLE CLIPPINGS FILE; LONDON HAS FALLEN (UK/US/BU, Babak Najafi, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: LONDON HAS FALLEN (UK/US/BU, Babak Najafi, 2016)
Summary: Review of the film LONDON HAS FALLEN
Rating: 1 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIARY OF A HIT MAN (US, Roy London, 1992)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LONDON

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LONDON. AUSTRALIAN

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LONDON. JEWISH

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LONDON [VARIOUS]; FESTIVALS. LONDON. PAN-ASIAN; FESTIVALS. LONDON. SHORT

Call No: held Dec/Jan 1993/1994 - April 1997; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: Institute of Contemporary Arts
Source: UK
Place: London
Publisher: Institute of Contemporary Arts
PhysDes: vol.
Subject: INSTITUTE OF CONTEMPORARY ARTS [LONDON]

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INSTITUTE OF CONTEMPORARY ARTS [LONDON]

Call No: 81RUS KEN
Author: Atkins, Thomas R., 1939
Source: US
Place: New York
Publisher: Monarch Press
PubDate: 1976
PhysDes: xi, 132 p. : ill. ; 24 cm
Subject: DIRECTORS. UK; SEXUALITY AND THE CINEMA; TELEVISION, FILMS MADE FOR; ADAPTATIONS; RUSSELL, KEN; AMELIA AND THE ANGEL (UK, Ken Russell, 1959); DEVILS, THE (UK, Ken Russell, 1971); MUSIC LOVERS, THE (UK, Ken Russell, 1971); PEEP SHOW (UK, Ken Russell, 1956); POET'S LONDON (UK, Ken Russell, 1959); SAVAGE MESSIAH (UK, Ken Russell, 1972); TOMMY (UK, Ken Russell, 1975); WOMEN IN LOVE (UK, Ken Russell, 1969); OMNIBUS [TV](UK, 1967-2003)
Summary: "The films of Britain's most famous director have been praised and condemned; Russell's intentions distorted and misunderstood. With his popularity continuously growing, serious critical consideration of him has been long overdue. Covering all of Russell's work from his early amateur efforts to his films for the BBC and his features such as WOMEN IN LOVE, THE DEVILS, THE MUSIC LOVERS, and TOMMY, this anthology is a comprehensive sourcebook on Russell's cinema, an inquiry into the personal nature of his art, and a look at his working methods. Complete with biographical information, excerpts from the films TOMMY and MAHLER, filmography, bibliography, numerous production shots and scenes from his filoms, this volume presents us with an extraordinary picture of an immense talent." [Book blurb]
Notes: Bibliography: p. 131-132
ISBN: 0671081020 : $2.95
LON: 75023545; 741449
Contents: Contributors -- Acknowledgements -- Preface --; Ballet fantastique: scenario for an imaginary bio-pic of Ken Russell / Thomas R. Atkins -- The early films: Peep Show and Amelia and the Angel / Gene D. Phillips -- The television films: Poet's London to Dance of the Seven Veils / John Baxter -- Three masterpieces of sexuality: Women in Love, The Music Lovers, and The Devils / Jack Fisher -- Russell's methods of adaptation: Savage Messiah and Tommy / Joseph A. Gomez -- Excerpts of Russe; Excerpts from Russell's screenplays of Mahler and Tommy -- Biography -- Filmography -- Selected bibliography

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON (UK, Patrick Keiller, 1994)

Author: Borst, Ron
PhysDes: Article
Subject: LONDON AFTER MIDNIGHT (US, Tod Browning, 1927)
Summary: Credits, short description

Author: Borst, Ron
PhysDes: Article
Subject: LONDON AFTER MIDNIGHT (US, Tod Browning, 1927)
Summary: Credits, short description

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON FIELDS (UK/US, Mathew Cullen, 2018)

Call No: FESTIVAL CATALOGUE SHELVES; held 1957- 2006 (lacks 1985)
CorpAuthor: London Film Festival; British Film Institute; National Film Theatre (London, England)
Source: UK
Place: London
Publisher: The Festival
PubDate: 1957 -
PhysDes: v. : ill. ; 21 cm
Subject: FESTIVALS. LONDON
Notes: Presented by: The British Film Institute in association with the Greater London Council; Description based on: 22nd (1978); Cover title
LON: 2266814
ID2: 113

Call No: FESTIVAL CATALOGUE SHELVES; held 1977, 1978, 1980
Place: UK
PubDate: 1977-
Subject: FESTIVALS. LONDON

Call No: Journal shelves. Sight & Sound Special Issues
PubDate: 1991
Subject: FESTIVALS. LONDON
Language: English

Call No: Journal shelves. Sight & Sound Special Issues
PubDate: 1992
Subject: FESTIVALS. LONDON
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON HAS FALLEN (UK/US/BU, Babak Najafi, 2016)

Call No: FESTIVAL CATALOGUE SHELVES; held 1996,1997
Place: UK
PubDate: 1996-
Subject: FESTIVALS. LONDON

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON, JULIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON KILLS ME (UK, Hanif Kureishi, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON RIVER (UK/FR/AE, Rachid Bouchareb, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON ROAD (UK, Rufus Norris, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON STORY, THE (UK, Sally Potter, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON : THE MODERN BABYLON (UK, Julien Temple, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LONDON VOODOO (UK, Robert Pratten, 2004)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSEUM OF THE MOVING IMAGE [LONDON]

Call No: 11(41)MOMI TUR
Author: Turner, Adrian
Place: London : British Film Institute, 1988
PhysDes: 59 p. ; 30 cm
Subject: MUSEUM OF THE MOVING IMAGE [LONDON]
Notes: Cover title: MOMI : Museum of the Moving Image
LON: abn98241731; 14032051

Call No: FESTIVAL CATALOGUE SHELVES; held 1996
Place: UK
PubDate: 1996
Subject: FESTIVALS. LONDON

Call No: 735.2 NEW
Author: Newman, Kim
Edition: The new ed
Place: London
Publisher: Bloomsbury
PubDate: 1988
PhysDes: xiii, 255 p. : ill. ; 25 cm
Subject: CRITICISM; HORROR FILMS; ADAMSON, AL; ANTONIONI, MICHELANGELO; ALLEN, NANCY; ARGENTO, DARIO; BAVA, MARIO; CAINE, MICHAEL; CARPENTER, JOHN; CARRADINE, JOHN; COHEN, LARRY; CRONENBERG, DAVID; DE PALMA, BRIAN; FULCI, LUCIO; HARPER, JESSICA; HITCHCOCK, ALFRED; HOOPER, TOBE; KING, STEPHEN; LEE, CHRISTOPHER; LEWIS, HERSCHELL GORDON; LYNCH, RICHARD; LUCAS, GEORGE; Perkins, Anthony; PLEASENCE, DONALD; ROMERO, GEORGE; WARHOL, ANDY; WATERS, JOHN (US); ALIEN (UK, Ridley Scott, 1979); ALONE IN THE DARK (US, Jack Sholder, 1982); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981); AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984); DAY OF THE WOMAN (US, Meir Zarchi, 1978); HALLOWEEN (US, John Carpenter, 1978); JAWS (US, Steven Spielberg, 1975); LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); LOST BOYS, THE (US, Joel Schumacher, 1987); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); ROSEMARY'S BABY (US, Roman Polanski, 1968); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); SHIVELS (CA, David Cronenberg, 1975); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THING, THE (US, John Carpenter, 1982); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88); THING, THE (US, John Carpenter, 1982)
Notes: Includes bibliographical references (p. 216-217) and index
ISBN: 0747502951

PhysDes: Article
Subject: AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981); LANDIS, JOHN
Summary: A letter from director John Landis which explains the origins and premise of his latest film 'An American Werewolf in London'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POSTCARDS FROM LONDON (UK, Steve McLean, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RENT-A-COP (US, Jerry London, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: SCARLET AND THE BLACK (US/IT, Jerry London, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKE ME HOME: THE JOHN DENVER STORY (US, Jerry London, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (UK, Ken Annakin, 1965); HOW I FLEW FROM LONDON TO PARIS IN 25 HOURS AND 11 MINUTES (UK, Ken Annakin, 1965)

Call No: REFERENCE SECTION; 058 INT "1993"
Author: Cowie, Peter
Place: London Hollywood
Publisher: Andre Deutsch Samuel French
PubDate: c1993
PhysDes: 528 p. : ill. (some col.), ports. ; 21 cm
Subject: IRAN; FESTIVALS. LONDON; COPRODUCTION; BURNS, KEN; MORRIS, ERROL; KOPPLE, BARBARA
Notes: Includes index to advertisers
ISBN: 0233988076
LON: 9998706