Search Catalogue

Call No: 81 BIS BIS
Author: Bisley, Steve
Source: AT
Place: Richmond, Victoria
Publisher: Echo, a division of Bonnier Publishing Australia
PubDate: 2017
PhysDes: 247 pages ; 21 cm
Subject: BISLEY, STEVE; GIBSON, MEL; DAVIS, JUDY; MAD MAX (AT, George Miller, 1979); WATER RATS [TV] (AT, Hal McElroy, 1996); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); DOCTOR DOCTOR [TV] (AT, 2016)
Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.
ISBN: 9781760400842

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALS TWEE DRUPPELS WATER (NE, Fons Rademakers, 1963)

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings
Subject: BOX OFFICE. AUSTRALIA; ODDBALL (AT, Stuart McDonald, 2015); THAT SUGAR FILM (AT, Damon Gameau, 2014); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); CUT SNAKE (AT, Tony Ayres, 2014); WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: AVATAR: THE WAY OF WATER (US, James Cameron, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007)

Call No: DIGITAL FILE
Author: Ridley, Ian John; Smith, Sarah
PubDate: 11/07/1905
PhysDes: 217 leaves
Subject: BLACK WATER ABYSS (AT, Andrew Traucki, 2020)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: P BLA
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007)
Summary: Image: Photo of Maeve Dermody's character looking terrified/running in water. Text: 'Based on true event'.
Notes: Many obvious fold-lines.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLUE WATER HIGH [TV] (AT, 2005-)

Call No: TITLE CLIPPINGS FILE HELL OR HIGH WATER (US, David Mackenzie, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: HELL OR HIGH WATER (US, David Mackenzie, 2016)
Summary: review
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHUNKY MOVES: JUST ADD WATER (AT, Cordelia Beresford, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIKE WATER FOR CHOCOLATE [COMO AGUA PARA CHOCOLATE] (MX, Alfonso Arau, 1992)

Call No: PERSONALITY CLIPPINGS FILE; CROWE, RUSSELL
Author: Rottenberg, Josh
PhysDes: Clippings File Article
Subject: CROWE, RUSSELL; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014); NICE GUYS, THE (in production)
Summary: Interview with Russell Crowe, talking about his experiences on The Water Diviner, The Nice Guys, and his personal life

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DARK WATER (US, Walter Salles, 2005)

Call No: S DEE
Author: Cummings, Michael; Everett, Jim
PubDate: [1997]
PhysDes: 98 leaves
Subject: DEEP WATER (AT)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP WATER (UK, Louise Osmond & Jerry Rothwell, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP WATER [TV] (AT, 2016-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T DRINK THE WATER [TV] (US, Woody Allen, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Scripts
Subject: EARTH, FIRE AND WATER (AT, Fred Richardson, 1981?)

Call No: TITLE CLIPPINGS FILE; SPONGEBOB MOVIE, THE: SPONGE OUT OF WATER (US/II/CN/AT, Paul Tibbitt, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: SPONGEBOB MOVIE, THE: SPONGE OUT OF WATER (US/II/CN/AT, Paul Tibbitt, 2015)
Summary: Film review of The Spongebob Movie
Rating: 3.5 out of 5 stars

Call No: 45:641 LIN
Author: Lindenfeld, Laura; Parasecoli, Fabio
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2017
PhysDes: ix, 261 pages : illustrations ; 23 cm
Subject: FOOD IN FILMS; EATING IN FILMS; MULTICULTURALISM AND THE CINEMA; LIKE WATER FOR CHOCOLATE (MX, Alfonso Arau, 1992); WOMAN ON TOP (US, Fina Torres, 2000); BIG NIGHT (US, Campbell Scott & Stanely Tucci, 1996)
Summary: "A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power. Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today, assessing their commitment to racial diversity, tolerance, and liberal political ideas." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780231172516
Donation: donated by Senses of Cinema

Call No: 744.7(94) WOM
Author: Women's film fund of the Australian film commission
Source: AT
Place: Marrickville, NSW
Publisher: Southwood Press
PubDate: 1984
PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)
Subject: WOMENS FILM FUND; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980); AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983); BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982); CLIMBERS (AT, Rosalind Gillespie, 1979?); CONSOLATION PRIZE (AT, Rivka Hartman, 1979); EATING YOUR HEART OUT (AT, Chris Warner, 1984); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FLAMINGO PARK (AT, Clytie Jessop, 1980); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984); MUM'S THE WORD (AT, Carol Kostanish, 1982); NED WEATHERED (AT, Lee Whitmore, 1984); ON GUARD (AT, Susan Lambert, 1984); PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980); ROMA (AT, Jane Oehr, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); TISSUE (AT, Ros Horin, 1982); TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983); WOODEN FOREST, THE (AT, Penne West, ?); WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979)
Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTION
Notes: There are two copies (second copy in clippings file) -- Includes film index
ISBN: 0642959595
Language: EN
Donation: Megan McMurchy
Contents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: FIRE ON THE WATER [TV] (US, 198?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLOW: FOR LOVE OF WATER (US, Irena Salina, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit; Stills
Subject: FORDS ON WATER (UK, Barry Bliss, 1983)

Call No: 79WAT GEO
Author: George, Rob
Source: AT
Place: Rydalmere, NSW
Publisher: Coronet
PubDate: 1997
PhysDes: 296 p. ; 18 cm
Series: Water rats
Subject: WATER RATS [TV] (AT, Hal McElroy, 1996)
Summary: Based on the television series Water Rats.
ISBN: 0733604277

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FULL MOON IN BLUE WATER (US, Peter Masterson , 1988)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: STILL THE WATER [FUTATSUME NO MADO] (FR/JA/SP, Naomi Kawase, 2014)
Cross Reference: STILL THE WATER [FUTATSUME NO MADO]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAD ABOVE WATER (US/UK, Jim Wilson, 1996)

Call No: 738.1(94) POLL
Author: Pollak, Michael, 1948 Oct. 23; MacNabb, Margaret, 1954
Place: Sydney
Publisher: Hale & Iremonger
PubDate: 2000
PhysDes: 399 p. ; 23 cm
Subject: ENVIRONMENTAL ISSUES IN FILMS; STORM BOY (AT, Henri Safran, 1976); MAD MAX [...] (AT, 1979-85); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); STREET TO DIE, A (AT, Bill Bennett, 1985); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); CROCODILE DUNDEE (AT, Peter Faiman, 1986); ONE NIGHT STAND (AT, John Duigan, 1984); BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); WILD (AT, Ross Gibson, 1993); GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980); ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985)
Notes: Includes index; Bibliography: p. 378-391
ISBN: 0868066923 : $34.95
LON: 21288448

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HELL OR HIGH WATER (US, David Mackenzie, 2016)
URL status: URL: 'http://file://Q:/T/HELL_OR_HIGH_WATER.zip' Checked: 31/08/2021 1:47:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL FILE
Author: Sheridan, Taylor
Edition: final script
PhysDes: 114 leaves
Subject: HELL OR HIGH WATER (US, David Mackenzie, 2016)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: 81GLE BAC
Author: Bacon, James
Source: US
Place: New York
Publisher: St. Martin's Press
PubDate: 1985
PhysDes: xvi, 214 p., [32] p. of plates : ill., ports. ; 22cm
Subject: GLEASON, JACKIE; HUSTLER, THE (US, Robert Rossen, 1961); SKIDOO (US, Otto Preminger, 1968); DON'T DRINK THE WATER [TV] (US, Woody Allen, 1994); SMOKEY AND THE BANDIT (US, Hal Needham, 1977); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); SMOKEY AND THE BANDIT II (US, Hal Needham, 1980); TOY, THE (US, Richard Donner, 1982); STING II, THE (US, Jeremy Paul Kagan, 1983); HELLZAPOPPIN' (US, H.C. Potter, 1941)
Summary: The book deals with Jackie Gleason's success as a movie and tv star; his story is told by such people as Paul Newman, Burt Reynolds, and Bob Hope
Notes: Includes index
ISBN: 0312902298

PhysDes: Article
Subject: BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: IN OUR WATER (US, Meg Switzgable, 1981)

Author: Matt Coyte
PhysDes: Article
Subject: COLOSIMO, VINCE; WALKING ON WATER (AT, Tony Ayres, 2001)
Summary: Interview with Colosimo on his career, not being stero-typed and his latest role in Walk on Water

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN FILM INSTITUTE. 2015
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; BABADOOK , THE (AT, Jennifer Kent, 2014); WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: Investigation of the voting process for the 2015 Australian Academy of Cinema and Television Arts where the Best Film was awarded to two films, THE BABADOOK and THE WATER DIVINER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT'S IN THE WATER (US, Kelli Herd, 1997)

Call No: 81CAM FOX
Author: Fox, Alistair
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2011
PhysDes: xii, 269 p. : ill. ; 23 cm
Subject: FILM; CAMPION, JANE; SWEETIE (AT, Jane Campion, 1989); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); HOLY SMOKE (US, Jane Campion, 1999); IN THE CUT (US/AT, Jane Campion, 2003); WATER DIARY THE (AT, Jane Campion, 2006); BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
Summary: "Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material -- including interviews with Campion and her sister and personal writings of Campion's mother -- Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780253223012
Contents: -- acknowledgments -- Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship -- motes -- works cited filmography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LADY IN THE WATER (US, M Night Shyamalan, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIGHTNING OVER WATER (SW/GW, Nicholas Ray, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAGIC IN THE WATER (US, Rick Stevenson, 1995)

Call No: 736.35 RAN
Author: Rance, P.T.J
Source: UK
Place: London
Publisher: Virgin Books
PubDate: 2005
PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cm
Subject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949); TU-PEI TAO (HK, Chang Cheh, 1967); LUNG-MEN K'O CHAN (TZ, King Hu, 1966); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977); A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983); WONG FEI-HUNG (HK, Tsui Hark, 1991); WO HU ZANG LONG (HK, Ang Lee, 2000); YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002); SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004); HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004); KARATE KID, THE (US, John G. Avildsen, 1984); KICKBOXER (US, Mark DiSalle & David Worth, 1989); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967); HWASAN GO (KO, Kim Tae-Gyun, 2002); ONG-BAK (TH, Prachya Pinkaew, 2003); GREEN HORNET, THE (US, Norman Foster, 1966); WATER MARGIN, THE (TV) (JP/C, 1976-78); SAIYUKI (TV) (JA, 1978-80); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.
Notes: Includes, bibliographic references, index and index of quotations ERATA: ISBN on verso not correct. See back cover.
ISBN: 0753510782
ID2: 150

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MISSING WATER (AT, Khoa Do, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: NOZ W WODZIE (PL, Roman Polanski, 1962); KNIFE IN THE WATER (PL, Roman Polanski, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OPEN WATER (US, Chris Kentis, 2003)

Call No: TITLE CLIPPINGS FILE; WATER DIVINER, THE (AT/TV, Russell Crowe, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: SEVEN NETWORK; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: The Water Diviner was a big success on Australian television when rushed onto TV screens only a few months after its cinema release

Call No: TITLE CLIPPINGS FILE; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: International box office earnings for the film The Water Diviner

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AACTA 2015
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AWARDS. AACTA; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014); BABADOOK , THE (AT, Jennifer Kent, 2014)
Summary: Garry Maddox reveals the 2015 AACTA Awards best film tie between The Water Diviner and The Babadook wasn't actually a tie. Jennifer Kent's film won with 855.5 votes to the The Water Diviner's 838.5.

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; AUSTRALIAN FILM INSTITUTE; SEVEN NETWORK; BOX OFFICE. AUSTRALIA; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: Brief article, snippets including: the screening of AACTA Awards to be on Seven Network in Decemebr 2015, The Water Diviner's screening on Seven Network only months after it's cinema release, Fast and Furious 7 leading the box office with $30m in Australia after only 2 weeks.
Notes: located in the AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS 2015 file

Author: Bodey, Michael
PhysDes: Clippings
Subject: WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: Long interview with Russell Crowe about his Gallipoli film.
Notes: TITLE CLIPPINGS FILE; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)

Call No: TITLE CLIPPINGS FILE in production; KILLING OFF THE BEAT in production
Author: Robin, Myriam
PhysDes: Clippings File Article
Subject: COPYCAT SHOWS; SPECIAL BROADCASTING SERVICE; KILLING OFF THE BEAT in production; DEEP WATER in production
Summary: Report on the makers of the Australian documentary KILLING OFF THE BEAT and how they believe that their documentary's subject of the gay hate murders in Sydney in the 1980s has been taken on as a subject by SBS for their DEEP WATER 4 part crime drama

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: SAUCER OF WATER FOR THE BIRDS, A (AT, Ann Shenfield, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: ANIMATION. AUSTRALIA; SAUCER OF WATER FOR THE BIRDS, A (AT, Ann Shenfield, 1993)
Summary: Black and white cartoon of man and woman.

Call No: 71(411) MAR
Author: Martin-Jones, David
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c2010
PhysDes: ix, 254 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; SCOTLAND IN FILMS; LOCATION SHOOTING. SCOTLAND; LANDSCAPES IN FILMS. SCOTLAND; AE FOND KISS (UK, Ken Loach, 2004); AMERICAN COUSINS (UK, Don Coutts, 2003); BEAUTIFUL CREATURES (UK, Bill Eagles, 2000); CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996); DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004); UNLEASHED (FR/UK/US, Louis Leterrier, 2004); DOG SOLDIERS (UK/LU, Neil Marshall, 2001); FESTIVAL (UK, Annie Griffin, 2005); GOVERNESS, THE (US, Sandra Goldbacher, 1998); GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999); KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000); KUCH KUCH HOTA HAI (II, Karan Johar, 1998); LOCH NESS (UK, John Henderson, 1996); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001); RED ROAD (UK/DK, Andrea Arnold, 2006); SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934); SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993); TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005); WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007); WILD COUNTRY (UK, Craig Strachan, 2005); WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999); YOUNG ADAM (UK/FR, David Mackenzie, 2003)
Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland. This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVER
ISBN: 9780748633920
Donation: donated by Senses of Cinema, 2013
Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)

Call No: 753: 79ROM LEH
Author: Lehmann, Courtney
Source: UK
Place: London
Publisher: Methuen Drama: A & C Black Publishers
PubDate: 2010
PhysDes: xi, 288 p. ; 20 cm
Series: Screen adaptations
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ADAPTATIONS. SHAKESPEARE, WILLIAM; Shakespeare, William; WEST SIDE STORY (US, Robert Wise, 1961); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROMEO + JULIET (US, Baz Luhrmann, 1996) SEE WILLIAM SHAKESPEARE'S ROMEO + JULIET; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996); SHAKESPEARE IN LOVE (UK, John Madden, 1998); WATER (CN/II, Deepa Mehta, 2005)
Summary: "Shakespeare's work has been adaptated for the screen since the early days of cinema but no single day has proved to be as popular as Romeo and Juliet. Focusing in the main on West Side story, Franco Zeffirellis' 1968 'flower child' version, and Baz Luhrmann's iconic film, this book offers unique insight into the adaptation process by tracing the ways in which the play's complex textual origins have led filmmakers to approach it from often unexpected angles, ranging from parodies to tragedies of genocidal proportions, as Shakespeare in Love and Deepa Mehta's controversial 2005 film Water, retrospectively demonstrate. Providing a comprehensive analysis of the production and reception of screen adaptations of Romeo and Juliet across time, place, culture, and medium, this book is an indispensible companion for students, film historians, and curious admirers of the world's greatest love story. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [272]-282) and index.
ISBN: 9780713679120
Contents: -- acknowledgments -- a note on the texts -- timeline: cinematic adaptations of Romeo and Juliet -- part one: literary contexts -- a tale of adaptation -- the 'bad', the 'good', and the ugly: the complex -- text(s) of Shakespeare's Romeo and Juliet -- 'what more in the name of love? Issues for adaptation -- part two: from text to screen -- a brief history of Romeo and Juliet on screen -- now showing: West Side Story -- Shakespeare with a view: Zeffirelli's Romeo and Juliet -- William Shakespeare's Romeo + Juliet -- a cinematic detour through the play's textual origins -- part three: critical responses and the afterlife of the play's adaptations -- West Side success -- Zeffirelli's Romeo and Juliet: then and now -- Romeo + Juliet takes the 'A' train -- afterlives: the never-ending story -- select biography -- index --

Call No: S SHA
Author: Del Toro, Guillermo; Taylor, Vanessa
Place: US
Publisher: Fox Searchlight Pictures, Inc.
PhysDes: 116 pages : 30 cm
Subject: SHAPE OF WATER, THE (US, Guillermo del Toro, 2017)
Notes: On title page: "For your consideration" -- "Best original screenplay -- Guillermo Del Toro & Vanessa Taylor"

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SHAPE OF WATER, THE (US, Guillermo del Toro, 2017)

Call No: TITLE CLIPPINGS FILE; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: LESNIE, ANDREW; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: Report on the box office takings of The Water Diviner in the US.

Call No: TITLE CLIPPINGS FILE in production; DEEP WATER in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: DEEP WATER in production
Summary: Australian producer Gary Hamilton is looking to shoot an Australian-China co-production of a film Deep Water. He has success with the film Bait.

Author: Dunston, Joy
Subject: IN OUR WATER (US, Meg Switzgable, 1981)
Summary: Review; synopsis; ill

Author: Durston, Joy
PhysDes: Article
Subject: IN OUR WATER (US, Meg Switzgable, 1981)
Summary: Review; synopsis; ill

PhysDes: Article
Subject: FORDS ON WATER (UK, Barry Bliss, 1983)
Summary: Short Review

Call No: 735(73) BIS
Author: Biskind, Peter
Source: UK
Publisher: Penguin Books
PubDate: 2019
PhysDes: 12 unnumbered pages, 272 pages ; 20 cm
Subject: AVATAR (US, James Cameron, 2009); CAMERON, JAMES; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016); DARK KNIGHT, THE (US, Christopher Nolan, 2008); GAME OF THRONES [TV] (US, 2011-); HAWKINS, SALLY; LEFT BEHIND (US, Vic Sarin, 2001); MARTIAN, THE (US, Ridley Scott, 2015); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); SHAPE OF WATER, THE (US, Guillermo del Toro, 2017); TRUE BLOOD [TV] (US, 2008-); WALKING DEAD, THE [TV] (US, 2010 - ); ZOMBIES IN FILMS AND TV; SUPERHEROES IN FILMS; APOCALYPSE IN FILMS
Summary: A bestselling cultural journalist takes us on a wild ride through pop culture, showing how it paved the way for today's extreme politics Are Batman and 24's Jack Bauer heroic loners defending our way of life - or right-wing vigilantes attacking it? Is Avatar just a National Geographic version of Star Wars or a passionate assault on capitalism? And what about Game of Thrones - sword and sorcery fantasy, or lesson in mainstream politics? In The Sky is Falling! bestselling cultural critic Peter Biskind takes us on a dizzying ride across two decades of pop culture to show how the TV and movies we love have taught us to love political extremism. Welcome to a darkly pessimistic, apocalyptic world where winter has come, the dead are walking, and ultra violence, revenge and torture are all in a day's work. Welcome to the new normal. -- publisher's website
Notes: Includes bibliographical references and index.
ISBN: 9780241373873
Contents: Beyond the fringe : an introduction -- Part I. Winter has come. Apocalypse now -- Bleeding hearts -- Doing the right thing -- Part II. Who'll stop the rain?. Gone fishin' -- Coming apart -- Draining the swamp -- Part III. Breaking bad. The silence of the lambs -- Beauty in the beast -- License to kill -- Part IV. Heaven can't wait. What a piece of work was man -- Anywhere but here -- No exit -- Conclusion : the return of the center.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SMAAK VAN WATER, DE (NE, Orlow Seunke, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPONGEBOB MOVIE, THE: SPONGE OUT OF WATER (US/II/CN/AT, Paul Tibbitt, 2015)

Call No: TITLE CLIPPINGS FILE
Subject: VOICE OF THE WATER, THE [STEM VAN HET WATER, DE] (NL, Bert Haanstra, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VOICE OF THE WATER, THE [STEM VAN HET WATER, DE] (NL, Bert Haanstra, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRENGTH OF WATER, THE (G/NZ, Armagan Ballantyne, 2009)

Call No: P WAT
PhysDes: 1 poster : col. ; 100 x 68 cm.
Subject: WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: Image: Close-up of Russell Crowe wearing a hat in the foreground. To the left of him is a building, and to the right of him is an image of his three sons running infront of a windmill on a farm. Below the title is a battle scene. Text: 'A father's journey in search of his sons.'
Notes: In good condition. Has reverse side. Have two copies.
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THICKER THAN WATER (US, Richard Cummings Jr., 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THICKER THAN WATER (AT, Dominic Crisci, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THICKER THAN WATER (CN, Caroline Labreche, 2019)
Notes: Simon_Batch 18_191212

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983)

Call No: 61[77] DAN
Author: Danks, Adrian
PhysDes: 233 p. ; 29 cm.
Subject: AESTHETICS; PHOTOGRAPHY AND THE CINEMA; AUTEUR THEORY; AVANT-GARDE FILMS; AVANT-GARDE FILMS. AUSTRALIA; EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; Powell, Michael; PRESSBURGER, EMERIC; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BADLANDS (US, Terrence Malick, 1973); SONG OF AIR (AT, Merilee Bennett, 1987); CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944); PEEPING TOM (UK, Michael Powell, 1960); JFK (US, Oliver Stone, 1991); CALENDAR (CN/GG/AR, Atom Egoyan, 1993); WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959)
Summary: This thesis analyses the representation of 'home' photographic materials within a range of historically, aesthetically and generically diverse cinematic works. [Taken from thesis summary.]
Notes: PhD thesis

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: VAN DER WATER, MICHELLE

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: WAITING FOR WATER (AT, Solrun Hoaas, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: WALK ON WATER (IS, Eytan Fox, 2004); LALECHET EL HAMAYIM (IS, Eytan Fox, 2004)

Author: Lothwall, Lars-Olof
PhysDes: Article
Subject: GA PA VATTNET OM DU KAN (SW, Stig Bjorkman, 1979); WALK ON WATER IF YOU CAN (SW, Stig Bjorkman, 1979)
Summary: synopsis, interview with director, credits

PhysDes: Article
Subject: GA PA VATTNET OM DU KAN (SW, Stig Bjorkman, 1979); WALK ON WATER IF YOU CAN (SW, Stig Bjorkman, 1979)
Summary: review, synopsis, credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings; Publicity
Subject: WALKING ON WATER (AT, Tony Ayres, 2001)
ID2: 76

Call No: S WAL
Author: Monk, R.
PhysDes: 95 leaves
Subject: WALKING ON WATER (AT, Tony Ayres, 2001)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Author: Matt Coyte
PhysDes: Article
Subject: COLOSIMO, VINCE; WALKING ON WATER (AT, Tony Ayres, 2001)
Summary: Review of Walking on Water

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 8 photographs : col. ; 21 x 26 cm
Subject: THEODORAKIS, MARIA; FARR, JUDI; COLOSIMO, VINCE; WALKING ON WATER (AT, Tony Ayres, 2001)
Summary: 8 colour photographs of scenes from the film. Includes Nathaniel Dean.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER (UK, Dick Clement, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WATER (CN/II, Deepa Mehta, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER (AT, Ellen Foley, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER AND POWER (US, Pat O'Neill, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER BABIES, THE (UK/PL, Lionel Jeffries, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER DIARY THE (AT, Jane Campion, 2006)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
URL status: URL: 'http://file://Q:/T/WATER_DIVINER,_THE.zip' Checked: 31/08/2021 1:26:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Lesnie, Andrew
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; LESNIE, ANDREW; CROWE, RUSSELL; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: Andrew Lesnie shares his experience working with actor/director, Russell Crowe on his directorial debut, The Water Diviner

Call No: P WAT
PhysDes: 1 poaster : col : 98 X 67cm
Subject: WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: Image: Russell Crowe head and shoulders positioned above a silhouetted battle scene from the war. Top left is a Turkish building and top right are 3 boys running through a field. Text: 'A father's journey in search of his sons.'
Notes: Double-sided
Donation: Cinema Nova

Call No: P WAT
PubDate: 2014
PhysDes: 1 poster : col. ; 101 X 69 cm.
Subject: WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
Summary: Text: 'The father's journey in search of his sons' Image of Russel Crowe

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER FOR ELEPHANTS (US, Francis Lawrence, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007)

Call No: N79WAT MID
Author: Midlam, Amanda
CorpAuthor: Southern Star Entertainment
Source: AT
Place: Rydalmere, N.S.W
Publisher: Coronet Book
PubDate: 1997
PhysDes: 289 p. ; 19 cm
Series: Water rats
Subject: WATER RATS [TV] (AT, Hal McElroy, 1996)
Notes: "A Coronet book". Based on the television series Water rats
ISBN: 0733603998
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WATER RATS [TV] (AT, Hal McElroy, 1996)

Call No: S WAT
Author: Witcombe, E. & Jenkins, M.
PubDate: 1979
PhysDes: 72 p
Subject: WATER UNDER THE BRIDGE [TV] (AT, Igor Auzins, 1980)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER UNDER THE BRIDGE [TV] (AT, Igor Auzins, 1980)

Call No: S WAT
Author: Jenkins, M. & Witcombe, E.
PubDate: 1979
PhysDes: 79 p
Subject: WATER UNDER THE BRIDGE [TV] (AT, Igor Auzins, 1980)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WEIGHT OF WATER, THE (FR/US, Kathryn Bigelow, 2000)

Author: Trojan, Judith
Subject: IN OUR WATER (US, Meg Switzgable, 1981)
Summary: Interview with Meg Switzgable; Ill

Author: Trojan, Judith
PhysDes: Article
Subject: IN OUR WATER (US, Meg Switzgable, 1981)
Summary: Interview; Ill

Call No: 802.253 BET
Author: Betancourt, Jeanne
Source: US
Place: Dayton, Ohio
Publisher: Pflaum Pub.
PubDate: c1974
PhysDes: xxii, 186 p. : ill. ; 23 cm
Subject: WOMEN IN FILMS; WOMEN FILMMAKERS; BRAKHAGE, STAN; DEREN, MAYA; VARDA, AGNES; WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962); DIARY OF A PREGNANT WOMAN (FR, Agnes Varda, 1958); OPERA MOUFFE, L' (FR, Agnes Varda, 1958); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946); THIGH LYNE LYRE TRIANGULAR (US, Stan Brakhage, 1961); AT LAND (US, Maya Deren, 1944)
Summary: "I hope Women in focus can serve many people. By reading about and seeing films that present real women, those who have been oblivious to the stereotypes of women in film may begin to recognize them by the contrast offered in the films I suggest. " -- Introduction, Women in Focus
Notes: Reviews of films; Includes indexes; Bibliography: p. 168-181
ISBN: 0827802609
LON: 74078728; 462301
Contents: -- introduction -- the films index -- the filmmakers -- the films -- thematic index -- program possibilities -- bibliography -- distributors of the films --