journal article
The Adventures of Tarzan (1921) in Australian film guide vol.1 iss.12 p.41
Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: ArticleSubject: ADVENTURES OF TARZAN, THE (US, Robert F. Hill & Scott Sidney, 1921) Summary: Article reviews the fifteen chapter serial "The Adventures of Tarzan" and also provides the following listing of chapter titles: 1. Jungle Romance; 2. The City of Gold; 3. The Sun Death; 4. Stalking Death; 5. Flames of Hate; 6. The Ivory Tomb; 7. The Jungle Trap; 8. The Tornado; 9. Fangs of the Lion; 10. The Simoon; 11. The Hidden Foe; 12. Dynamite Trail; 13. The Jungle's Fury; 14. Flaming Arrows; 15.The Last AdventureNotes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer)
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journal article
The creation of Tarzan in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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book
The film yearbook 1985 / edited by Al Clark South Yarra, Vic: Currey O'Neil Ross, 1984.
Call No: 058 FIL "1985"Author: Clark, Al Source: ATPlace: South Yarra, VicPublisher: Currey O'Neil RossPubDate: 1984PhysDes: 208 p.: ill. ; 28 cmSubject: HARGREAVES, JOHN ; HUGHES, WENDY ; SHEPARD, SAM ; CRUISE, TOM ; WOODS, JAMES ; QUAID, DENNIS ; EVERETT, RUPERT ; BEDELIA, BONNIE ; CONTI, TOM ; LITHGOW, JOHN ; HAZLEHURST, NONI ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; SUR, EL (SP/FR, Victor Erice, 1983) ; SILKWOOD (US, Mike Nichols, 1983) ; OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983) ; TRADING PLACES (US, John Landis, 1983) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; SPLASH (US, Ron Howard, 1984) ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; STRANGERS KISS (US, Matthew Chapman, 1983) ; STAYING ALIVE (US, Sylvester Stallone, 1983) ; TOY, THE (US, Richard Donner, 1982) ; KRULL (UK, Peter Yates, 1983) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; HONORARY CONSUL, THE (US, John MacKenzie, 1983) ; BRAINSTORM (US, Douglas Trumbull, 1983) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BREATHLESS (US, Jim McBride, 1983)
LUNE DANS LA CANIVEAU, LA ; YENTL (US, Barbara Streisand, 1983) ; FOOTLOOSE (US, Herbert Ross, 1984) ; MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983)
SEE ; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984) ; PHAR LAP (AT, Simon Wincer, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.Notes: On cover: with special Australian sectionISBN: 0859021548Language: EnglishDonation: donated by the family of Wayne Levy, 2006
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GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES : (US/UK, Hugh Hudson, 1984)
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music lp
Greystoke: the legend of Tarzan, lord of the apes [sound recording] : the original motion picture soundtrack / all songs composed by John Scott, except those composed by E. Elgar Burbank, California: Warner Bros, c1984.
Call No: LP Greystoke: The Legend of Tarzan: lord of the apesAuthor: Elgar, E ; Scott, John CorpAuthor: Warner Bros, IncSource: USPlace: Burbank, CaliforniaPublisher: Warner BrosPubDate: c1984PhysDes: 1 sound disc (33 min.) : analog, 33 1/3 rpm ; 12 inSubject: GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984) Notes: Warner Bros. Records: 1-25120 (on container: 25120-1).; Issued also as cassette.Contents: -- Side 1 -- The family (2:48) -- Greystoke : (from the Symphony #1 / by E. Elgar) (3:26) -- Catastrophe (2:52) -- Child of the apes (2:25) -- Pygmy attack (1:10) -- D'Arnot's vision (1:24) -- Tarzan, lord of the apes (2:10) -- Side 2 -- Tarzan leaves the jungle (1:27) -- Edge of the world (3:05) -- (Gardens of Greystoke) : Chanson de matin / by E. Elgar (:51) -- The weight of Greystoke (2:47) -- (The dancing lesson) : Sontag polka / by D'Albert ; arr., John Scott (1:04) -- Dance of death (3:05) -- Half of me is wild (1:02) -- Return to the jungle (3:04) --Performer: Royal Philharmonic Orchestra; John Scott, conductorMusic Type: Motion Picture MusicPublisher Number: Warner Bros: 25120-1
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GUMMI-TARZAN : (DK, Soren Kragh-Jacobsen, 1981)
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book
The Hollywood sequel : history & form, 1911 - 2010 / Stuart Henderson Houndmills, Basingstoke, Hampshire New York, NY: Palgrave Macmillan on behalf of the British Film Institute, 2014.
Call No: 753.83(73) HENAuthor: Henderson, Stuart Source: US/UKPlace: Houndmills, Basingstoke, Hampshire New York, NYPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2014PhysDes: viii, 220 pages : illustrations ; 24 cmSubject: SEQUELS ; INDUSTRY, FILM. USA ; STARS ; GENRES ; NARRATIVE IN FILMS ; INTERTEXUALITY ; TARZAN IN FILMS Summary: "This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form"--Notes: A BFI book.
Formerly CIP.
Includes bibliographical references (pages 204-207) and indexISBN: 9781844576524Contents: 'Here we go again ... and again' : introducing the Hollywood sequel -- Early sequels, 1911-28 -- Sequels in the factory, 1929-54 -- The uncertainty principles, 1955-77 -- 4. The end is just the beginning, 1978-2010 -- No end in sight : the classical narrative paradigm and the sequel -- The McClane principle : intertextuality, stardom and character in the sequel -- A formula of formula : genre and the aequel -- Conclusion : the Hollywood sequel : a story complete in itself
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book
Kiss of the beast : From Paris salon to King Kong / Ted Gott (ed.) Brisbane: Queensland Art Gallery, 2005.
Call No: 175 KISSource: ATPlace: BrisbanePublisher: Queensland Art GalleryPubDate: 2005PhysDes: 127 p. : ill. ; 25 cmSubject: AUSTRALIAN CINEMATHEQUE ; MONSTERS IN FILMS ; ANIMALS IN FILMS ; PREHISTORIC ANIMALS IN FILM ; LOST WORLD, THE (US, Willis O'Brian, 1925) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; FRANKENSTEIN (US, James Whale, 1931) ; BLONDE VENUS (US, Josef von Sternberg, 1932) ; MUMMY, THE (US, Karl Freund, 1932) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; TARZAN AND HIS MATE (US, Cedric Gibbons, 1934) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; BRIDE OF THE GORILLA (US, Curt Siodmok, 1951) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; HSING HSING WANG (HK, Meng-Hwa Ho, 1977) Summary: Kiss of the Beast: From Paris Salon to King Kong explores images of gorillas, wild beasts and monsters in art, film, science, literature and popular culture from the late nineteenth century to today. It examens humanity's highly charged relationship with primates and draws connections between debates about evolution, race, aesthetics and sex - from satirical cartoons of gorillas in Punch! to HR Hopp's famous World War One recruiting poster Destroy this mad brute: enlist, which shows Kaiser Wilhelm as a large ape. Many incarnations of the Beauty and the Beast tale in art and film unfold in Kiss of the Beast - from French artist Emmanuel Fremiet's sculptures of a gorilla carrying off a woman of 1859 and 1887, to the classic 1933 image o Fay Wray in the grip of King Kong. Early short films and animations; groundbreaking expeditionary documentaries; iconic 'monster' movies from 130s to 1950s Hollywood; and some of the many versions of the Kong story from America, Japan and Hong Kong are also featured. Kiss of the Beast: From Paris Salon to King Kong is richly illustrated with film stills from many famous big ape and monster movies - including King Kong, Frankenstein and Creature from the Black Lagoon - as well as posters, sculptures, painting, prints and rare books. This book was published in conjunction with 'Kiss of the Beast', an integrated exhibition and film program presented by the Australian Cinematheque, Queensland Art Gallery.ISBN: 1876509082Donation: Australian Cinematheque, Queensland Art Gallery
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LEGEND OF TARZAN, THE : (US, David Yates, 2016)
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journal article
The making of a myth in Video Age vol.4 iss.3 p.20
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MIN PAPPA AR TARZAN : (SW, Judith Hollander, 1986)
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book
Muscles in the movies : perfecting the art of illusion / John D. Fair and David L. Chapman Coumbia, Missouri: University of Missouri Press,
Call No: 739 FAIAuthor: Fair, John D. ; Chapman, David L. Edition: 2020Place: Coumbia, MissouriPublisher: University of Missouri PressPhysDes: xvi, 466 pages : illustratedSubject: BODY IN FILMS ; BOXING FILMS ; CRABBE, BUSTER ; DOUGLAS, KIRK ; FAIRBANKS, DOUGLAS ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; JOHNSON, DWAYNE ; KELLY, GENE ; LANCASTER, BURT ; LEE, BRUCE ; MASCULINITY IN FILMS ; MIX, TOM ; OLYMPICS IN FILMS ; PAGANO, BARTOLOMEO ; HISTORICAL FILMS ; REEVES, STEVE ; SCHWARZENEGGER, ARNOLD ; SERIALS ; STALLONE, SYLVESTER ; STUNTS ; SUPERMAN IN FILMS ; TARZAN IN FILMS ; VALENTINO, RUDOLPH ; VAUDEVILLE AND THE CINEMA ; WEISSMULLER, JOHNNY ; WILLIAMS, ESTHER Summary: John Fair and David Chapman tell the story of how filmmakers use and manipulate the appearance and performances of muscular men and women to enhance the appeal of their productions. The authors show how this practice, deeply rooted in western epistemological traditions, evolved from the art of photography through magic lantern and stage shows into the motion picture industry, arguing that the sight of muscles in action induced a higher degree of viewer entertainment. From Eugen Sandow to Dwayne “The Rock” Johnson, muscular actors appear capable of performing the miraculous, and with the aid of stuntmen and filming contrivances, they do. By such means, muscles are used to perfect the art of illusion, inherent in movie-making from its earliest days. -- publisher's web siteISBN: 9780826222152
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newspaper article
Skarsgard's turn as lord of the jungle as flat as his abs in The Age (07/07/2016) p.26
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TARZAN : (US, Kevin Lima & Chris Buck, 1999)
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TARZAN : G, Reinhard Klooss, 2013)
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TARZAN AND HIS MATE : (US, Cedric Gibbons, 1934)
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TARZAN AND THE LOST CITY : (US, Carl Schenkel, 1998)
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TARZAN ESCAPES : (US, Richard Thorpe, 1936)
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TARZAN IN FILMS
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book
Tarzan of the movies : a pictorial history of more than fifty years of Edgar Rice Burroughs' legendary hero New York: Citadel Press, [1968].
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TARZAN'S SOUTH YARRA ADVENTURE : (AT, Ray Boseley, 1984)
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TARZAN, THE APE MAN : (US, John Derek, 1981)
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newspaper article
Wild at heart in Daily Telegraph [BW Magazine] (09/07/2016) p.22
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