newspaper article
The accent is on perfection in Herald Sun [Hit] (21/01/2016) p.36
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After bumper year, what's next for local films in Saturday Age (09/01/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010'sAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: AUSTRALIA ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) ; SHERPA (AT/NP, Jennifer Peedom, 2015) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; GOLDSTONE (AT, Ivan Sen, 2016) ; JASPER JONES (AT, Rachel Perkins, 2017) ; LION (AT, Garth Davis, 2016) ; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016
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ALIAS GRACE [TV] : (CN, 2017-)
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AMAZING GRACE : (UK/US, Michael Apted, 2006)
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AMAZING GRACE : (US, Sydney Pollack, 2018)
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AMAZING GRACE AND CHUCK : (US, Mike Newell, 1987)
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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Australian filmmakers land top festival spots in Sydney Morning Herald (30/07/2015) p.31
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. TORONTOAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. TORONTO ; FESTIVALS. VENICE ; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015) ; SEPTEMBERS OF SHIRAZ (US, Wayne Blair, 2015) ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) Summary: Focus on the films with Australian directors who were awarded screenings at the 2015 Toronto and Venice Film festivals. The films are: THE DRESSMAKER, SEPTEMBERS OF SHIRAZ, and LOOKING FOR GRACE. Simon Stone's THE DAUGHTER will screen at Toronto as well
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Beyond representation : television drama and the politics and aesthetics of identity / Geraldine Harris Manchester ; New York: Manchester University Press, distributed exclusively in the USA by Palgrave, 2006.
Call No: 744.9 HARAuthor: Harris, Geraldine Source: USPlace: Manchester ; New YorkPublisher: Manchester University Press, distributed exclusively in the USA by PalgravePubDate: 2006PhysDes: 210 p. ; 23 cmSubject: DRAMAS ; REALISM ON TV ; AESTHETICS ; RACIAL ISSUES AND TV ; MARXISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND TV ; GLOBALISATION ; ALLY MCBEAL [TV] (US, 1997-) ; BILL, THE [TV] (UK, 1984-) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; DYNASTY [TV] (AT, 1970) ; PRIME SUSPECT 3 [TV] (UK, David Drury, 1993) ; SOPRANOS, THE [TV] (US, 1999) ; TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002) ; WILL & GRACE[TV] (US, 1998-) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]Notes: Bibliography: p.191-20; Includes indexISBN: 0719074584 (hdbk)Donation: Donated by Senses Of Cinema, 2009
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Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
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Country girl and a picture-show man : auto/biography of an Australian movie family / Donald B. Douglas Barmedman, NSW: Donald Bradman Douglas, 2008.
Call No: 803.81 DOUAuthor: Douglas, Donald B. Source: ATPlace: Barmedman, NSWPublisher: Donald Bradman DouglasPubDate: 2008PhysDes: ii, 304 p. : ill, ports. ; 21 cmSubject: AUSTRALIA ; CINEMA MANAGEMENT. AUSTRALIA ; DOUGLAS, DONALD BRADMAN ; DOUGLAS, BERYL GRACE Summary: "Memoirs of an Australian film industry family remembering all those who "enjoyed a night out at the flicks!" This book revisits the start of talkies in Australia and "showing pictures" in city and outback country-town cinemas; and drive-in theatres. Strange/funny happenings are revealed. The family encounter unseen dangers when screening movies on the island of Tahiti during the early 70's. And , in Cairns FNQ Don manages one of the most popular twin-drive-in theatres in Australia. At the same time Beryl played hostess to many of the movie-world's famous film stars and VIP's" -- BOOK COVERNotes: Cover titleContents: -- reel 1: the early days -- reel 2: city cinemas and studios -- reel 3: the country girl -- reel 4: the Tivoli theatre West Wyalong -- reel 5: the island of Tahiti -- reel 6: the Westway drive-in -- reel 7: Greater Union's Queensland cinemas -- reel 8: Cairns; it's another world -- reel 9: the last reel --
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COUP DE GRACE, LE : (FR, Jean Cayrol & Claude Durand, 1965)
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newspaper article
Director calls for an end to male domination of cinema in The Age (05/09/2015) p.40
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Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
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FALLING FROM GRACE : (US, John Mellencamp, 1992)
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Films from the women's film fund / Women's film fund of the Australian film commission Marrickville, NSW: Southwood Press, 1984.
Call No: 744.7(94) WOMAuthor: Women's film fund of the Australian film commission Source: ATPlace: Marrickville, NSWPublisher: Southwood PressPubDate: 1984PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)Subject: WOMENS FILM FUND ; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND ; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980) ; AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983) ; BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982) ; CLIMBERS (AT, Rosalind Gillespie, 1979?) ; CONSOLATION PRIZE (AT, Rivka Hartman, 1979) ; EATING YOUR HEART OUT (AT, Chris Warner, 1984) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FLAMINGO PARK (AT, Clytie Jessop, 1980) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984) ; MUM'S THE WORD (AT, Carol Kostanish, 1982) ; NED WEATHERED (AT, Lee Whitmore, 1984) ; ON GUARD (AT, Susan Lambert, 1984) ; PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980) ; ROMA (AT, Jane Oehr, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; TISSUE (AT, Ros Horin, 1982) ; TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983) ; WOODEN FOREST, THE (AT, Penne West, ?) ; WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979) Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTIONNotes: There are two copies (second copy in clippings file) -- Includes film indexISBN: 0642959595Language: ENDonation: Megan McMurchyContents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.
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FOLK HERO & FUNNY GUY : (US, Jeff Grace, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: FOLK HERO & FUNNY GUY (US, Jeff Grace, 2016) URL status: URL: 'http://file://Q:/T/FOLK_HERO_AND_FUNNY_GUY.zip'
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title clippings file
GRACE : (AT, Wesley Enoch, 1997)
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GRACE A DIEU [BY THE GRACE OF GOD] : (FR/BE, François Ozon, 2018)
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newspaper article
Grace and gratitude in Weekend Australian [Review] (23/01/2016) p.12
Call No: TITLE CLIPPINGS FILE; LOOKING FOR GRACE (AT, Sue Brooks, 2015)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: LOOKING FOR GRACE (AT, Sue Brooks, 2015) Summary: Interview with Sue Brooks and Richard Roxburgh about the new Australian film LOOKING FOR GRACE
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GRACE BESIDE ME [TV] : (AT, 2018 - )
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GRACE IS GONE : (US, James C. Strouse, 2007)
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GRACE JONES: BLOODLIGHT AND BAMI : (IE/ UK, Sophie Fiennes, 2017)
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GRACE OF MONACO : FR/US, Olivier Dahan, 2014 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: GRACE OF MONACO (FR/US, Olivier Dahan, 2014) URL status: URL: 'http://file://Q:/T/GRACE_OF_MONACO.zip'
Checked: 31/08/2021 1:29:03 PM
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GRACE OF MY HEART : (US, Allison Anders, 1996)
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[Grace : stills file]
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GRACE, TOPHER
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: GRACE, TOPHER
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book
The hell of war comes home : imaginative texts from the conflicts in Afghanistan and Iraq / Owen W. Gilman Jr. Jackson: University Press of Mississippi, 2018.
Call No: 737(73) GILAuthor: Gilman, Owen W. Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2018PhysDes: x, 252 pages ; 24 cmSubject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS. USA ; WAR IN FILMS. AFGHANISTAN ; WAR IN FILMS. IRAQ ; AMERICAN SNIPER (US, Clint Eastwood, 2014) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; AVATAR (US, James Cameron, 2009) ; BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016) ; BODY OF LIES (US, Ridley Scott, 2008) ; BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007) ; DA VINCI CODE, THE (US, Ron Howard, 2006) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016) ; FAHRENHEIT 9/11 (US, Michael Moore, 2004) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GRACE IS GONE (US, James C. Strouse, 2007) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; JARHEAD (US, Sam Mendes, 2005) ; INFERNO (US/JA/TU/HU, Ron Howard, 2016) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; REDACTED (US, Brian De Palma, 2007) ; UP (US, Pete Docter and Bob Peterson, 2009) ; WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Notes: Includes bibliographical references and index.ISBN: 9781496815767Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.
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HIGHTOWER DE NIRO, GRACE
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A homegrown guide to stardom in Canberra Times [TV Guide] (19/10/2015) p.7
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IF I SHOULD FALL FROM GRACE : (IE, Sarah Share, 2001)
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Illuminating shadows : the mythic power of film / Geoffrey Hill Boston: Shambhala, 1992.
Call No: 632.43 HILAuthor: Hill, Geoffrey Michael, 1950 Place: BostonPublisher: ShambhalaPubDate: 1992PhysDes: viii, 319 p. : ill. ; 23 cmSubject: MYTH AND THE CINEMA ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SHANE (US, George Stevens, 1953) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; BLUE VELVET (US, David Lynch, 1986) ; RUMBLE FISH (US, Francis Ford Coppola, 1983) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; REPO MAN (US, Alex Cox, 1984) ; SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; INSIGNIFICANCE (UK, Nicolas Roeg, 1985) ; ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984) ; BABETTES GAESTEBUD (DK, Gabriel Axel, 1987) ; LITTLE SHOP OF HORRORS (US, Frank Oz, 1986) ; LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960) ; TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985) ; GRADUATE, THE (US, Mike Nichols, 1967) ; SANTA SANGRE (IT, Alexandro Jodorowsky, 1989) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) Notes: Includes bibliographical references (p. 313-319)ISBN: 0877736456 (pbk. : alk. paper)LON: 8202303
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IN THE LAND OF WOLVES : (AT, Grace McKenzie, 2018)
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INEVITABLE GRACE : (US, Alex Canawati, 1994)
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JONES, GRACE Digital clippings file available
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: JONES, GRACE
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personality microfilm collection
KELLY, GRACE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: KELLY, GRACE
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LOOKING FOR GRACE : (AT, Sue Brooks, 2015)
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newspaper article
Looking for Grace in Sunday Herald Sun (24/01/2016) p.82
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poster
[Looking for Grace : poster] : Behind every smile, there's a story
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I love kicking some alien ass in Sunday Telegraph (10/01/2016) p.98
Call No: TITLE CLIPPINGS FILE; [FIFTH] 5TH WAVE, THE (US, J BLAKESON, 2016)Author: Johnson, Neala PhysDes: Clippings File ArticleSubject: MORETZ, CHLOE GRACE ; [FIFTH] 5TH WAVE, THE (US, J Blakeson, 2016) Summary: Interview with Chloe Grace Moretz where she talks about her role in the film THE 5TH WAVE, as well as the changes in the film industry where she believes women are starting to get stronger roles and that more diversity is needed in Hollywood
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MARIA FULL OF GRACE : (US/CK/EC, Joshua Marston, 2004)
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ONE A WEEK : (AT, Grace Williams, 2021) Digital clippings file available
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newspaper article
Out of bounds in AFR Weekend (30/01/2016) p.51
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Queering the Screen or Screening the Queer : normalisation and sexuality on Australian television / by Fronscesca Jackson-Webb RMIT, 2004.
Call No: 409(94):749.4(94) JACAuthor: Jackson-Webb, Fronscesca Source: ATPublisher: RMITPubDate: 2004PhysDes: 89p. ; 30cmSubject: AUSTRALIA ; TELEVISION ; HOMOSEXUALITY AND TV ; HOMOSEXUALITY ON TV ; NUMBER 96 [TV] (AT, 1972-1978) ; WILL AND GRACE [TV] (US 1998-2006) ; PRISONER [TV] (AT, 1979-86) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003-) ; QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003) ; BLOCK, THE [TV] (AT, 2003-) ; L WORD, THE [TV] (US/CN, 2004-2009) Summary: " In the last three years, gay, lesbian and queer representation on Australian television has increased and diversified. As a result, popular press commentators and audiences have increasingly employed discourses of normalisation in attempting to understand the ways in which these representations fit in a predominantly heterosexual mediasphere. This thesis provides a critical analysis of the discourses of normalisation in gay, lesbian and queer representation on Australian television and surrounding commentary. These discourses will be analysed through the textual analysis of a selection of programs broadcast on Australian television. Titles include: Number 96, Queer Eye for the Straight Guy, The Block, Will and Grace, Prisoner, Queer as Folk and The L Word. Queer theory, gay and lesbian identity theory and television studies provide the frameworks for these analyses. This thesis posits that discourses of pro-normalisation and anti-normalisation operate in these programs, often within the same text. It also argues that programs aspiring to represent queer sexual diversity often employ discourses of pro-normalisation, and, on the other hand, programs that aspire to present gay and lesbian assimilation at times contain transgressive queer elements." -- ABSTRACTNotes: This is an honours thesis submitted by Fronscesca Jackson-Webb for the partial credit in Bachelor of Communication (Professional Communication) (Honours)Contents: -- abstract -- statement of authorship-- acknowledgments -- introduction -- definition of terms -- chapter 1: from identity politics to queer theory -- 1.1: identity theory, culture and politics -- 1.2:the rise of queer theory -- 1.3: queer versus normal: discourses of queer and normalisation -- 1.4: theories of normalisation -- 1.5: the mass media -- chapter 2: gay representations of pro-normalisation -- 2.1: Number 96 -- 2.2: Will and Grace -- 2.3: The Block -- chapter 3: queer representations resisting normalisation -- 3.1: Prisoner -- 3.2: showtime's Queer as Folk and The L Word -- chapter 4: representations of Camp Identity -- 4.1: camp identity -- 4.2 Will and Grace -- 4.2 Queer Eye for the Straight Guy -- 4.4: Queer as Folk -- conclusion -- list of references -- videography --
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Rainier and Grace / Jeffrey Robinson London: Fontana, 1989.
Call No: 81KEL ROBAuthor: Robinson, Jeffrey Source: UKPlace: LondonPublisher: FontanaPubDate: 1989PhysDes: 416 p, [16]p of plates : ports ; 18cmSubject: KELLY, GRACE ; ACTORS ; ROYALTY IN FILMS Summary: Jeffrey Robinson, with the cooperation of Prince Rainier 111 of Monaco, and wih direct acess to the royal archives, is able to write about Grace Kelly's romance with Prince Rainier, her family, her private life, away from the glare of publicity, and finally her tragic death.(taken from the back of the book)Notes: Originally published: London : Simon & Schuster, 1989; Includes indexISBN: 0006375685
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Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
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Reel time : creative industries get 'dynamic engine room' in The Australian (03/02/2016) p.15
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newspaper article
Reel time : creative industries get 'dynamic engine room' in The Australian (03/02/2016) p.15
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book
The sailor who fell from grace with the sea / Yukio Mishima; translated from the Japenese by John Nathan Harmondsworth, Middlesex ; Ringwood, Vic: Penguin, 1970.
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SAILOR WHO FELL FROM GRACE WITH THE SEA, THE : (UK, Lewis John Carlino, 1976)
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SAVAGE GRACE : SP/US, Tom Kalin, 2007
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SAVING GRACE : (US, Robert M. Young, 1986)
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SAVING GRACE : (UK, Nigel Cole, 2000)
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SERIOUS UNDERTAKINGS : (AT, Helen Grace, 1983)
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still
[Serious undertakings : stills file]
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Short cuts : incentives boost in Sydney Morning Herald (03/12/2015) p.30
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STATE OF GRACE : (US, Phil Joanou, 1990)
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poster
[State of grace : poster] US: [1990].
Call No: P STAPlace: USPubDate: [1990]PhysDes: 1 poster : colour ; 103 x 69 cmSubject: STATE OF GRACE (US, Phil Joanou, 1990) Summary: Text: ...where crime is a family affair.
Image: Terry Noonan (Sean Penn) & Frankie Flannery (Ed Harris) stand in front of two windows with Terry Noonan holding a gun. Jackie Flannery (Gary Oldman) sits on a chair beside them.Notes: Two copies.
Poor condition. Folds, creases, tears, stains on the reverse side, pinholes. Major fold in top left corner of one of the posters.
The Australian content rating is stickered on both copies of the poster.
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newspaper article
States of grace in Sydney Morning Herald [The Shortlist] (22/01/2016) p.1
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Interim
book
The television genre book / edited by Glen Creeber ; associate editors, Toby Miller and John Tulloch London: British Film Institute, 2001.
Call No: 720 TELAuthor: Creeber, Glen ; Miller, Toby ; Tulloch, John Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xi, 163 p. : ill., ports. ; 25 cmSubject: PROGRAMME GENRES ; DRAMAS ; SOAP OPERAS ; CHILDREN, PROGRAMMES FOR ; NEWS PROGRAMMES ; DOCUMENTARIES ; ADAPTATIONS. AUSTEN, JANE ; SOAP OPERAS ; SITUATION COMEDY ; HOMOSEXUALITY ON TV ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; SIMPSONS, THE [TV] (US, 1989-) ; SOUTH PARK [TV] (US, 1997-) ; I LOVE LUCY [TV] (US, 1951-57) ; ROSEANNE [TV] (US, 1988- ) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; WILL & GRACE[TV] (US, 1998-) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; DALLAS [TV] (US, 1978-91) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; ALLY MCBEAL [TV] (US, 1997-) ; AVENGERS, THE [TV] (UK, 1961-69) ; HILL STREET BLUES [TV] (US, 1980-87) ; E.R. [TV] (US, 1994 - ) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; X-FILES, THE [TV] (US, 1993-) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DAY AFTER, THE (US, Nicholas Meyer, 1983) ; ROOTS [TV] (US, 1977) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) Notes: Includes bibliographical references and indexISBN: 0851708498(pbk.)
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book
Television sitcom London: British Film Institute, 2005.
Call No: 732.2 MILAuthor: Brett Mills Place: LondonPublisher: British Film InstitutePubDate: 2005Subject: SITUATION COMEDY ; GENRES ; KATH AND KIM [TV] (AT, 2002-) ; COSBY SHOW, THE [TV] (US, 1984-92) ; OFFICE, THE [TV] (UK, 2001) ; WILL AND GRACE Summary: Despite its global reach, longstanding popularity, and immense profitability, sitcom has been repeatedly neglected in theoretical work on television and media. This book demonstrates that this lack sorely needs to be addressed by dragging analysis of sitcom up to date, with a wealth of contemporary examples, a range of new approaches to the genre, and examination of the roles sitcom and comedy play within society…With specific case studies on Will and Grace, The Office and The Cosby Show, as well as analysis of a broad range of contemporary and historical examples throughout, this book will be of interest to students of sitcom and comedy, as well as those of television and popular culture. [Taken from back cover.]ISBN: 1844570886
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journal article
'The Grace Kelly Story' in Australasian Cinema (29/10/1982) vol.11 iss.19 p.10
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ULTIMATE SOLUTION OF GRACE QUIGLEY, THE : (US, Anthony Harvey, 1984)
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newspaper article
Unpredictable journeys in Weekend Australian [Review] (16/01/2016) p.14
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Visions of independents : an AFI national film event Sydney: Australian Film Institute, 1984.
Call No: 721.210.4 VISCorpAuthor: Australian Film InstituteEdition: 1984Place: SydneyPublisher: Australian Film InstitutePubDate: 1984PhysDes: 28 p. : illus. ; 21 cmSubject: INDEPENDENT FILMS ; OUT (US, Eli Hollander, 1982) ; PROSTITUTE (UK, Tony Garnett, 1980) ; STATIONS (AT, Jackie McKimmie, 1983) ; THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982) ; CHAN IS MISSING (US, Wayne Wang, 1982) ; NIGHT OF SHADOWS (AT, Brian Thompson, 1983) ; ON GUARD (AT, Susan Lambert, 1984) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) ; GHOST DANCE (UK/GW, Ken Mullen, 1983) ; IMPOSTORS (GW/US, Mark Rappaport, 1979) ; LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983) ; BUCKEYE AND PINTO (AT, Phil Pinder, 1979) ; DOZENS, THE (US, Christine Dall and Randall Conrad, 1980) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FORDS ON WATER (UK, Barry Bliss, 1983) ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; SLOW MOVES (US, Jon Jost, 1984) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983) ; QUEENSLAND (AT, John Ruane, 1975) ; BROTHERS AND SISTERS (UK, Richard Woolley, 1980) ; KING BLANK (US, Michael Oblowitz, 1982) ; CAFE OF LOVE (AT, Jinks Dulhunty, 1982) ; EMERALD CITIES (US, Richard R. Schmidt, 1983) ; VOICE OVER (UK, Chris Monger, 1981) ; SHADOWPLAY (UK, Oliver Stapleton, 1980) ; EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980) ; FILLETING MACHINE, THE (UK, Murray Martin, 1981) ; OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; SMITHEREENS (US, Susan Seidelman, 1982) ; GOING DOWN (AT, Haydn Keenan, 1982) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; AGAINST THE GRAIN (AT, Tim Burns, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) ; PURE S (AT, Bert Deling, 1976) ; GAL YOUNG UN (US, Victor Nunez, 1979) ; BURNING AN ILLUSION (UK, Menelik Shabazz, 1981) ; HEARTLAND (US, Richard Pearce, 1979) ; LOOKS AND SMILES (UK, Kenneth Loach, 1981) Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.
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personality microfilm collection
WALKER, GRAHAM [GRACE]
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title clippings file
WARU : (NZ, Chelsea Cohen/Ainsley Gardiner/Casey Kaa/Renae Maihi/Awanui Simich-Pene/Briar Grace Smith/Paula Whetu Jones/Katie Wolfe, 2017)
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Online resource
digital clippings file
WILL AND GRACE [TV] : (US 1998-2006) Digital clippings file available
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book
Woman and film : a bibliography / Rosemary Ribich Kowalski Metuchen, NJ: Scarecrow Press, 1979.
Call No: NEW HOLDINGS SHELVES; 722-02KOWAuthor: Kowalski, Rosemary Ribich Source: USPlace: Metuchen, NJPublisher: Scarecrow PressPubDate: 1979PhysDes: ix, 278 p. ; 23 cmSubject: WOMEN AND THE CINEMA ; ARZNER, DOROTHY ; BOW, CLARA ; BROOKS, LOUISE ; CLARKE, SHIRLEY ; DAVIS, ANDREW ; DEREN, MAYA ; FONDA, JANE ; GARBO, GRETA ; GARLAND, JUDY ; GISH, LILLIAN ; HAYES, HELEN ; HARLOW, JEAN ; HEPBURN, KATHARINE ; HORNE, LENA ; KAEL, PAULINE ; KAPLAN, NELLY ; KELLY, GRACE ; LEIGH, VIVIEN ; LITTLEWOOD, JOAN ; LODEN, BARBARA ; LOOS, ANITA ; LOREN, SOPHIA ; LOVE, BESSIE ; Lupino, Ida ; MCDANIEL, HATTIE ; MANSFIELD, JAYNE ; MEYER, RUSS ; MICHELSON, ANNETTE ; MINNELLI, LIZA ; MONROE, MARILYN ; MOORE, COLLEEN ; MOOREHEAD, AGNES ; MOREAU, JEANNE ; NEGRI, POLA ; NELSON, GUNVOR ; PERRY, ELEANOR ; PICKFORD, MARY ; REICHERT, JULIA ; RIEFENSTAHL, LENI ; ROGERS, GINGER ; ROTHSCHILD, AMALIE R. ; SCHLONDORFF, VOLKER ; SONTAG, SUSAN ; SWANSON, GLORIA ; TAYLOR, ELIZABETH ; VARDA, AGNES ; WEBER, LOIS ; WEILL, CLAUDIA ; WEST, MAE Notes: Includes indexISBN: 0810809745
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journal article
Women directors dominate 1983 Greater Union Awards in Australasian Cinema (13/5/1983) vol.12 iss.8 p.1
PhysDes: ArticleSubject: GREATER UNION ; WOMEN AND THE CINEMA. AUSTRALIA ; SHORT FILMS. AUSTRALIA ; DANCE OF DEATH (AT, Dennis Tupicoff, 1983) ; PEEL (AT, Jane Campion, 1982) ; STATIONS (AT, Jackie McKimmie, 1983) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; FIRST CONTACT (AT, Bob Connolly & Robin Anderson, 1983) ; LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983) ; MORE TRICKS THAN WE HAVE (AT, Cinemedia, 1982) ; THREE HORSEMEN (AT, David & Judith MacDougall, 1982) Summary: Article on the films nominated for the Greater Union Awards for Australian Short Films, with a high percentage being dircted by women.
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newspaper article
World of cinema floats into Venice : Latin America fared well in this year's competition in The Australian [Arts & Entertainment] (15/09/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. VENICEAuthor: Stratton, David PhysDes: Clippings File ArticleSubject: LATIN AMERICAN COUNTRIES ; LATINO CINEMA ; LATINOS IN FILMS ; FESTIVALS. VENICE ; DOCUMENTARY FILMS ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; MITCHELL, RADHA ; NEILL, SAM ; RUSH, GEOFFREY ; EDGERTON, JOEL ; DEPP, JOHNNY ; MCCARTHY, THOMAS ; GITAI, AMOS ; REDMAYNE, EDDIE ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) Summary: A review of some of the films selected for the 72nd Venice International Film Festival which won awards, including Latin American films and the three Australian films that were represented - Sue Brooks' 'Looking for Grace,' Simon Stone's 'The Daughter,' and the documentary 'Tanna.'
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