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digital clippings file
HOMOSEXUALITY ON TV Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HOMOSEXUALITY ON TV URL status: URL: 'http://file://Q:/S/HOMOSEXUALITY_ON_TV.zip'
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newspaper article
It's TV's golden age - but only if you're white in Sydney Morning Herald (25/08/2016) p.12
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book
Private screenings : television and the female consumer / Lynn Spigel and Denise Mann, editors Minneapolis: University of Minnesota Press, 1992.
Call No: 722-02 PRIAuthor: Spigel, Lynn ; Mann, Denise Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1992PhysDes: xiii, 293 p. : ill. ; 24 cmSeries: Camera obscura bookSubject: WOMEN AND TV ; WOMEN, PROGRAMMES FOR ; CONSUMERS AND TV ; SITUATION COMEDY ; POSTMODERNISM AND TV/VIDEO ; MELODRAMA ; SOAP OPERAS ; ETHNIC GROUPS ON TV ; FAMILY ON TV ; MARRIAGE ON TV ; STARS ; ETHNIC GROUPS ON TV ; CLASS AND TV ; FEMINISM AND TV ; TELEVISION AND THE CINEMA ; HOMOSEXUALITY ON TV ; GENDER AND TV ; GLESS, SHARON ; FOSTER, MEG ; DALY, TYNE ; CARROLL, DIAHANN ; KANTNER, HAL ; RAYE, MARTHA ; MARTHA RAYE SHOW, THE [TV] (US, 195?-55) ; JULIA [TV] (US, 1968-71) ; CAGNEY AND LACY [TV] (US, 1982-88) ; KATE AND ALLIE [TV] (US, 1984-88) ; GENERAL HOSPITAL [TV] (US, 1963-) ; GOLDBERGS, THE [TV] (1949-55?) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and indexISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)LON: 91040919; 8544849
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book
Queer girls, temporality and screen media : not 'just a phase' / Whitney Monaghan London: Palgrave Macmillan,
Call No: 451-03 MONAuthor: Monaghan, Whitney Edition: 2016Place: LondonPublisher: Palgrave MacmillanPhysDes: x, 192 p. : illustrated ; 22 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY AND TV ; HOMOSEXUALITY ON TV ; BLUE IS THE WARMEST COLOR (FR/BE/SP, Abdellatif Kechiche, 2013) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; CRUEL INTENTIONS (US, Roger Kimble, 1999) ; DEGRASSI JUNIOR HIGH [TV] (CN, 1987-1991) ; ELLEN [TV] (US, 1995-) ; GLEE [TV] (US, Ryan Murphy, 2009) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; NEIGHBOURS [TV] (AT, 1985-) Summary: This book takes up the queer girl as a represented and rhetorical figure within film, television and video. In 1987, Canada’s Degrassi Junior High featured one of TV’s first queer teen storylines. Contained to a single episode, it was promptly forgotten within both the series and popular culture more generally. Cut to 2016 – queer girls are now major characters in films and television series around the globe. No longer represented as subsidiary characters within forgettable storylines, queer girls are a regular feature of contemporary screen media. Analysing the terms of this newfound visibility, Whitney Monaghan provides a critical perspective on this, arguing that a temporal logic underpins many representations of queer girlhood. Examining an archive of screen texts that includes teen television series and teenpics, art-house, queer and independent cinemas as well as new forms of digital video, she expands current discourse on both queer representation and girls’ studies by looking at sexuality through themes of temporality. This book, the first full-length study of its kind, draws on concepts of boredom, nostalgia and transience to offer a new perspective on queer representation in contemporary screen media. -- publisher's web siteISBN: 9781137555977Donation: Whitney Monaghan
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book
Queering the Screen or Screening the Queer : normalisation and sexuality on Australian television / by Fronscesca Jackson-Webb RMIT, 2004.
Call No: 409(94):749.4(94) JACAuthor: Jackson-Webb, Fronscesca Source: ATPublisher: RMITPubDate: 2004PhysDes: 89p. ; 30cmSubject: AUSTRALIA ; TELEVISION ; HOMOSEXUALITY AND TV ; HOMOSEXUALITY ON TV ; NUMBER 96 [TV] (AT, 1972-1978) ; WILL AND GRACE [TV] (US 1998-2006) ; PRISONER [TV] (AT, 1979-86) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003-) ; QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003) ; BLOCK, THE [TV] (AT, 2003-) ; L WORD, THE [TV] (US/CN, 2004-2009) Summary: " In the last three years, gay, lesbian and queer representation on Australian television has increased and diversified. As a result, popular press commentators and audiences have increasingly employed discourses of normalisation in attempting to understand the ways in which these representations fit in a predominantly heterosexual mediasphere. This thesis provides a critical analysis of the discourses of normalisation in gay, lesbian and queer representation on Australian television and surrounding commentary. These discourses will be analysed through the textual analysis of a selection of programs broadcast on Australian television. Titles include: Number 96, Queer Eye for the Straight Guy, The Block, Will and Grace, Prisoner, Queer as Folk and The L Word. Queer theory, gay and lesbian identity theory and television studies provide the frameworks for these analyses. This thesis posits that discourses of pro-normalisation and anti-normalisation operate in these programs, often within the same text. It also argues that programs aspiring to represent queer sexual diversity often employ discourses of pro-normalisation, and, on the other hand, programs that aspire to present gay and lesbian assimilation at times contain transgressive queer elements." -- ABSTRACTNotes: This is an honours thesis submitted by Fronscesca Jackson-Webb for the partial credit in Bachelor of Communication (Professional Communication) (Honours)Contents: -- abstract -- statement of authorship-- acknowledgments -- introduction -- definition of terms -- chapter 1: from identity politics to queer theory -- 1.1: identity theory, culture and politics -- 1.2:the rise of queer theory -- 1.3: queer versus normal: discourses of queer and normalisation -- 1.4: theories of normalisation -- 1.5: the mass media -- chapter 2: gay representations of pro-normalisation -- 2.1: Number 96 -- 2.2: Will and Grace -- 2.3: The Block -- chapter 3: queer representations resisting normalisation -- 3.1: Prisoner -- 3.2: showtime's Queer as Folk and The L Word -- chapter 4: representations of Camp Identity -- 4.1: camp identity -- 4.2 Will and Grace -- 4.2 Queer Eye for the Straight Guy -- 4.4: Queer as Folk -- conclusion -- list of references -- videography --
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book
Reading the bromance : homosocial relationships in film and television / edited by Michael DeAngelis Detroit MI: Wayne State University Press, 2014.
Call No: 749.4 REASource: USPlace: Detroit MIPublisher: Wayne State University PressPubDate: 2014PhysDes: x, 318 pages : illustrations ; 23 cmSeries: Contemporary approaches to film and media studiesSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY ON TV ; MASCULINITY IN FILMS ; MEN AND THE CINEMA Notes: Includes bibliographical references and indexISBN: 9780814338988Donation: donated by Senses of Cinema, 2014Contents: Machine generated contents note: I.Anticipating the Bromantic Turn -- 1.Second Bananas and Gay Chicken: Bromancing the Rom-Com in the Fifties and Now / Jenna Weinman -- 2.Grumpy Old Men: "Bros Before Hos" / Hilary Radner -- 3.Fears of a Millennial Masculinity: Scream's Queer Killers / David Greven -- II.The Contemporary Cinematic Bromance -- 4.I Love You, Hombre: Y tu mama tambien as Border-Crossing Bromance / Nick Davis -- 5.From Dostana to Bromance: Buddies in Hindi Commercial Cinema Reconsidered / Meheli Sen -- 6.From Batman to I Love You, Man: Queer Taste, Vulgarity, and the Bromance as Sensibility and Film Genre / Ken Feil -- 7.Rad Bromance (or I Love You, Man, but We Won't Be Humping on Humpday) / Peter Forster -- 8.Queerness and Futurity in Superbad / Michael DeAngelis -- III.Bromance and Television Narrative -- 9.Becoming Bromosexual: Straight Men, Gay Men, and Male Bonding on U.S. TV / Ron Becker -- 10.The Bromance Stunt in House / Murray Pomerance --
Contents note continued: 11."This ain't about your money, bro. Your boy gave you up": Bromance and Breakup in HBO's The Wire / Dominic Lennard.
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Interim
book
The television genre book / edited by Glen Creeber ; associate editors, Toby Miller and John Tulloch London: British Film Institute, 2001.
Call No: 720 TELAuthor: Creeber, Glen ; Miller, Toby ; Tulloch, John Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xi, 163 p. : ill., ports. ; 25 cmSubject: PROGRAMME GENRES ; DRAMAS ; SOAP OPERAS ; CHILDREN, PROGRAMMES FOR ; NEWS PROGRAMMES ; DOCUMENTARIES ; ADAPTATIONS. AUSTEN, JANE ; SOAP OPERAS ; SITUATION COMEDY ; HOMOSEXUALITY ON TV ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; SIMPSONS, THE [TV] (US, 1989-) ; SOUTH PARK [TV] (US, 1997-) ; I LOVE LUCY [TV] (US, 1951-57) ; ROSEANNE [TV] (US, 1988- ) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; WILL & GRACE[TV] (US, 1998-) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; DALLAS [TV] (US, 1978-91) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; ALLY MCBEAL [TV] (US, 1997-) ; AVENGERS, THE [TV] (UK, 1961-69) ; HILL STREET BLUES [TV] (US, 1980-87) ; E.R. [TV] (US, 1994 - ) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; X-FILES, THE [TV] (US, 1993-) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DAY AFTER, THE (US, Nicholas Meyer, 1983) ; ROOTS [TV] (US, 1977) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) Notes: Includes bibliographical references and indexISBN: 0851708498(pbk.)
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