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journal article		3:10 to Yuma in Empire (Australian Ed.) (February 2008) iss.83 p.39 Author: Michael Adams PhysDes: Article Subject: CROWE, RUSSELL; 3:10 TO YUMA (US, James Mangold, 2007) Summary: Review of 3:10 to Yuma More info
journal article		3:10 to Yuma in Empire (Australian Ed.) (July 2008) iss.88 p.106 Author: Chris Hewitt PhysDes: Article Subject: CROWE, RUSSELL; 3:10 TO YUMA (US, James Mangold, 2007) Summary: D.V.D. review of 3:10 to Yuma More info
title clippings file		3 ACTS OF MURDER [TV] : (AT, Rowan Woods, 2009) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 3 ACTS OF MURDER [TV] (AT, Rowan Woods, 2009) More info
subject clippings file		3-D AND THE CINEMA Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: 3-D AND THE CINEMA More info
subject clippings file		3-D ANIMATION Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: 3-D ANIMATION More info
journal article		3-D back in the saddle in Australasian Cinema (30//4/1982) vol.11 iss.7 p.4 PhysDes: Article Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D AND THE CINEMA Summary: Article on 'Comin' At Ya!''s 3-D effects, as well as a synopsis of the film. More info
journal article		3-d effects taken to the people in Australasian Cinema (18/6/1982) vol.11 iss.10 p.8 PhysDes: Article Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D AND THE CINEMA; BOX OFFICE Summary: Article on the box-office success of 3-D film 'Comin' At Ya!' More info
subject clippings file		3-D FILMS Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: 3-D FILMS More info
journal article		3-D on a drive-in screen- world first at Armidale in Australasian Cinema (25/2/1983) vol.12 iss.3 p.9 PhysDes: Article Subject: DRIVE-IN CINEMAS; 3-D AND THE CINEMA; 3-D FILMS Summary: Article on 3-D tests at drive-ins. More info
subject clippings file		3-D TV Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: 3-D TV More info
subject clippings file		3-D TV. AUSTRALIA Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: 3-D TV. AUSTRALIA More info
title clippings file		3AM : (US, Lee Davis, 2001) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 3AM (US, Lee Davis, 2001) More info
subject clippings file		3D DIGITAL Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: 3D DIGITAL More info
title clippings file		4/FOUR : (AT/US/JA/FI, Tim Slade, 2007) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 4/FOUR (AT/US/JA/FI, Tim Slade, 2007) More info
title clippings file		4 [FOUR] ON THE FLOOR: BABES ON BOARDS : (AT, Adrian Holmes, 1998) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 4 [FOUR] ON THE FLOOR: BABES ON BOARDS (AT, Adrian Holmes, 1998) More info
subject clippings file		4 MINUTE WONDERS AUSTRALIA Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: 4 MINUTE WONDERS AUSTRALIA More info
journal article		5+5 Musical in Israel Film Centre Information Bulletin (1980) p.12 PhysDes: Article Subject: 5+5 Musical (IS, Shmuel Immberman, 1980) More info
title clippings file		5 DAYS OF WAR : (US, Renny Harlin, 2011) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 5 DAYS OF WAR (US, Renny Harlin, 2011) More info
title clippings file		5 LOST AT SEA : (AT, Jessie Martin and Josh Schmidt, 2009) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 5 LOST AT SEA (AT, Jessie Martin and Josh Schmidt, 2009) More info
title clippings file		7 [SEVEN] PM PROJECT, THE [TV] : (AT, 2009) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 7 [SEVEN] PM PROJECT, THE [TV] (AT, 2009) More info
title clippings file		7.30 REPORT, THE : [TV](AT, 1986) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 7.30 REPORT, THE [TV](AT, 1986) More info
title clippings file		8 [EIGHT] : (FR, Jane Campion, 2008) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 8 [EIGHT] (FR, Jane Campion, 2008) More info
title clippings file		8 [EIGHT] MILE : (US, Curtis Hanson, 2002) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: 8 [EIGHT] MILE (US, Curtis Hanson, 2002) More info
title clippings file		8 [HUIT] FEMMES : (FR, Francois Ozon, 2001) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: 8 [HUIT] FEMMES (FR, Francois Ozon, 2001) More info
title clippings file		9/11: THE FALLING MAN : (US, Henry Singer, 2006) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 9/11: THE FALLING MAN (US, Henry Singer, 2006) More info
title clippings file		9 SONGS : (UK, Michael Winterbottom, 2004) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: 9 SONGS (UK, Michael Winterbottom, 2004) More info
title clippings file		10 CONDITIONS OF LOVE, THE : (AT, Jeff Daniels, 2009) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 10 CONDITIONS OF LOVE, THE (AT, Jeff Daniels, 2009) More info
title clippings file		10 [TEN] : (FR/IR, Abbas Kiarostami, 2002) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: 10 [TEN] (FR/IR, Abbas Kiarostami, 2002) More info
title clippings file		10 [TEN] ITEMS OR LESS : (US, Brad Silberling, 2006) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: 10 [TEN] ITEMS OR LESS (US, Brad Silberling, 2006) More info
Interim book		Abbas Kiarostami : visions of the artist London, UK: 2005. Call No: 81KIA CorpAuthor: Iran Heritage Foundation Source: UK Place: London, UK PubDate: 2005 PhysDes: 33 p ; 21 cm Subject: KIAROSTAMI, ABBAS; TA' M E GUILASS (IR, Abbas Kiarostami, 1997); 10 [TEN] (FR/IR, Abbas Kiarostami, 2002); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes]. Notes: Programme booklet More info
journal article		Australia's first 3-D video movie in Australasian Cinema (16/07/1982) vol.11 iss.12 p.26 PhysDes: Article Subject: VIDEO CLASSICS; 3-D FILMS; NUDITY IN FILMS Summary: Article on 'Electric Blue 008', a 3-D video being released through Video Classics. More info
book		Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012. Call No: 735.2 (94) SHE Author: Shelley, Peter Source: US/UK Place: Jefferson, North Carolina, and London Publisher: McFarland & Company Inc PubDate: c2012 PhysDes: vi, 320 p. : ill. ; 26 cm Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1987); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Anne Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Ollie Martin, [In prod], 1987); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1992); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); H.P. LOVECRAFT'S CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig and Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig, Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index ISBN: 9780786461677 Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index -- More info
book		Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012. Call No: 44(410) BEH Source: UK Place: London Publisher: BFI book published by Palgrave Macmillan PubDate: 2012 PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cm Subject: CENSORSHIP. UK; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); SNAKE PIT (US, Anatole Litvak, 1948); CAPE FEAR (US, J. Lee Thompson, 1961); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); CHRISTIANE F.- WIR KINDER VOM BAHNHOF ZOO (GW, Ulrich Edel, 1981); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); LICENCE TO KILL (UK/US, John Glen, 1989); LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002); 9 SONGS (UK, Michael Winterbottom, 2004); HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover. Notes: Includes bibliographical references and index. ISBN: 9781844574766 Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix. More info
book		Chicken run : hatching the movie / by Brian Sibley ; screenplay by Karey Kirkpatrick ; story by Peter Lord and Nick Park ; directed by Peter Lord and Nick Park ; produced by Peter Lord, David Sproxton, and Nick Park ; foreword by Mel Gibson New York: Abrams, 2000. Call No: 79CHI SIB Author: Sibley, Brian Place: New York Publisher: Abrams PubDate: 2000 PhysDes: 191 p. : col. ill. ; 26 cm Subject: CHICKEN RUN (UK/US, Peter Lord & Nick Park, 2000); ANIMATION; 3-D ANIMATION; AARDMAN ANIMATIONS; PARK, NICK; LORD, PETER ISBN: 0810941244 LON: 21377070 21377070 More info
journal article		"Comin' At Ya!" smashes records in Australasian Cinema (18/6/1982) vol.11 iss.10 p.1 PhysDes: Article Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3D DIGITAL; BOX OFFICE. AUSTRALIA Summary: Brief piece on the box-office success of 3-D film 'Comin' At Ya!' More info
book		Company of heroes : my life as an actor in the John Ford Stock Company / Harrey Carey, Jr. Metuchen, NJ: Scarecrow Press, Inc, 1994. Call No: 81FOR CAR Author: Carey, Harry Jr. Source: US/UK Place: Metuchen, NJ Publisher: Scarecrow Press, Inc PubDate: 1994 PhysDes: 218 p. : 23cm Series: Filmmakers no.42 Subject: WESTERNS; FILMMAKING; INDUSTRY, FILM; INDUSTRY, FILM. USA; FORD, JOHN; CAREY, HARRY JR.; SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); TWO RODE TOGETHER (US, John Ford, 1961); CHEYENNE AUTUMN (US, John Ford, 1964); 3 GODFATHERS (US, John Ford, 1948); MISTER ROBERTS (US, John Ford, Mervyn LeRoy, and Joshua Logan, 1955) Summary: "When Harry Carey, Sr. died in 1947, director John Ford cast Carey's 26 year-old son, Harry Jr. in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory. Company of heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr. casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. " -- BOOK JACKET ISBN: 0810828650 Contents: -- in the beginning-- 3 Godfathers -- Myself When Young With Cowboys and Navajos -- She Wore a Yellow Ribbon -- Paul Fix, the OSS, and Merry Christmas -- Wagonmaster -- Rio Grande -- The Long Gray Line -- Mister Roberts -- The Searchers -- Two Rode Together -- Cheyenne Autumn -- So Long, But Not Good-bye -- Harry Carey, Jr.'s Appearances in John Ford Films -- index -- More info
script		Eight women / an enchanted comic mystery by Francois Ozon / adapted from a play by Robert Thomas [2002]. Call No: S HUI Author: Ozon, Francois PubDate: [2002] Subject: 8 [HUIT] FEMMES (FR, Francois Ozon, 2001) Notes: Unpublished script More info
book		Expressive spaces in digital 3D cinema / Owen Weetch Basingstoke: Palgrave Macmillan, [2016]. Call No: 246.8 WEE Author: Weetch, Owen Source: UK Place: Basingstoke Publisher: Palgrave Macmillan PubDate: [2016] PhysDes: xi, 168 pages : illustrations (colour) ; 22 cm Series: Palgrave close readings in film and television Subject: 3-D ANIMATION; 3-D AND THE CINEMA; 3-D FILMS; AVATAR (US, James Cameron, 2009); GRAVITY (US/UK, Alfonso Cuaron, 2013); HOLE, THE (US, Joe Dante, 2009); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); FROZEN (US, Chris Buck & Jennifer Lee, 2013) Summary: "This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. Owen Weetch looks at how stereography brings added significance and expressivity to individual films that all showcase remarkable uses of the format. Avatar, Gravity, The Hole, The Greta Gatsby and Frozen all demonstrate that stereography is a rich and sophisticated process that has the potential to bring extra meaning to a film's narrative and themes." - taken from back cover. Notes: Includes index. -- Includes glossary of stereoscopic terms. ISBN: 9781349712946 Contents: 1.Introduction: The Expressivity of Space -- 2.'I See You': Avatar, Narrative Spectacle and Accentuating Continuity -- 3.`You're Going to Make It': Ride Alignment and the Mastery of Stereographic Space in Gravity -- 4.`You Only Looked that Way Because I was Little': Spaces of Terror and Reaching Maturity in The Hole -- 5.`There's an Ocean in the Way': Written Words, Unreachability and Competing Testimonies in The Great Gatsby -- 6.`Against the Wall': Frozen's Expressive Planarity, Attempts to Connect and Ambivalent Utopias -- 7.Conclusion: A Special Plea for Off-the-Screen Space. More info
book		Favorite movies : critics' choice / edited by Philip Nobile New York: Macmillan Publishing Co., Inc., 1973. Call No: 675.1 FAV Place: New York Publisher: Macmillan Publishing Co., Inc. PubDate: 1973 PhysDes: 301 p. ; 25 cm. Subject: CRITICISM; CRITICS; ANTONIONI, MICHELANGELO; 8 1/2 (IT/FR, Federico Fellini, 1963); SEARCHERS, THE (US, John Ford, 1956); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); LAWRENCE OF ARABIA (UK, David Lean, 1962); THIRD MAN, THE (UK, Carol Reed, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); CASABLANCA (US, Michael Curtiz, 1942); FILM PORTAIT (US, Jerome Hill, 1972); MADAME DE... (FR, Max Ophuls, 1953); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); GONE WITH THE WIND (US, Victor Fleming, 1939); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); PSYCHO (US, Alfred Hitchcock, 1960); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); HATARI! (US, Howard Hawks, 1961); DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928) Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession. Notes: Includes index. Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin More info
book		Francois Ozon / Andrew Asibong Manchester, UK: Manchester University Press, c2008. Call No: 81OZO ASI Author: Asibong, Andrew Source: UK Place: Manchester, UK Publisher: Manchester University Press PubDate: c2008 PhysDes: viii, 157 p. : ill. ; 21 cm Series: French Film Directors Subject: DIRECTORS. FRANCE; OZON, FRANCOIS; SITCOM (FR, Francois Ozon, 1998); REGARDE LA MER (FR, Francois Ozon, 1997); GOUTTES D'EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000); SOUS LE SABLE (FR, Francois Ozon, 2000); SWIMMING POOL (FR/UK, Francois Ozon, 2003); 5X2 (FR, Francois Ozon, 2004) Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURB Notes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmography ISBN: 9780719074233 Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index -- More info
newspaper article		Going nowhere, gently in Weekend Australian [Film reviews] (9/08/2015) p.14 Call No: TITLE CLIPPINGS FILE; 5 FLIGHTS UP (US, Richard Loncraine, 2015) Author: Bodey, Michael PhysDes: Clippings File Article Subject: FREEMAN, MORGAN; Keaton, Diane; 5 FLIGHTS UP (US, Richard Loncraine, 2015) Summary: Review of the film, 5 Flights Up. Rating: 3 out of 5 stars More info
newspaper article		Ill- fitting tale lacks restraint in Weekend Australian (31/10/2015) p.16 Call No: TITLE CLIPPINGS FILE; 5 [FIVE] TO 7 (US, Victor Levin, 2014) Author: Stratton, David PhysDes: Clippings File Article Subject: 5 [FIVE] TO 7 (US, Victor Levin, 2014) Summary: Review. Rating: 3 out of 5 stars More info
book		Landmark films : the cinema and our century / [by] William Wolf with Lillian Kramer Wolf London: Paddington Press, 1979. Call No: REFERENCE SECTION; 02 WOL Author: Wolf, William; Wolf, Lillian Kramer Place: London Publisher: Paddington Press PubDate: 1979 PhysDes: 429 p. : ill. ; 25 cm Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); 8 1/2 (IT/FR, Federico Fellini, 1963); DR STRANGELOVE (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: incl. index ISBN: 0709208758 LON: vtb00270168; 10429365 More info
Old collection book		Learning the liveliest art : a film and TV course for senior students / W. H. Perkins Hobart: Fullers Bookshop, 1968. Call No: F53 PER Author: Perkins, W. H. Source: Australia Place: Hobart Publisher: Fullers Bookshop PubDate: 1968 PhysDes: 320 p. ; 18 cm Subject: COURSES, FILM. AUSTRALIA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. SHAKESPEARE, WILLIAM; WESTERNS; LAW IN FILMS; TRIALS IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; OLIVER TWIST (UK, David Lean, 1948); GREAT EXPECTATIONS (UK, David Lean, 1946); HENRY V (UK, Laurence Olivier, 1944); TWELVE ANGRY MEN (US, Sidney Lumet, 1957); 3.10 TO YUMA (US, Delmer Daves, 1957); BACK OF BEYOND, THE (AT, John Heyer, 1953) More info
book		Lipton on filmmaking / by Lenny Lipton ; edited by Chet Roaman New York: Simon and Schuster, c1979. Call No: 220 LIP Author: Lipton, Lenny, 1940; Roaman, Chet, 1939 Place: New York Publisher: Simon and Schuster PubDate: c1979 PhysDes: 223 p. : ill. ; 24 cm Subject: EQUIPMENT; TECHNICAL DEVELOPMENTS; SUPER-8 MM FILMS; 16 MM FILMS; 3-D FILMS; PROJECTION ISBN: 0671244272; 0671247913 (pbk.) LON: 1346106 More info
book		I lost it at the movies / Pauline Kael London: Cape, 1966. Call No: 67(04) KAE Author: Kael, Pauline Place: London Publisher: Cape PubDate: 1966 PhysDes: ix, 365 p. ; 22 cm. Subject: CRITICISM; CARROSSE D`OR, LE (FR/IT, Jean Renoir, 1953); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); JEUX INTERDITS (FR, Rene Clement, 1952); SCIUSCIA (IT, Vittorio De Sica, 1946); SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); WEST SIDE STORY (US, Robert Wise, 1961); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); MARK, THE (UK, Guy Green, 1961); INNOCENTS, THE (UK, Jack Clayton, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ANNÉE DERNIÈRE À MARIENBAD, L' (FR, Alain Resnais, 1961); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); TASTE OF HONEY, A (UK, Tony Richardson, 1961); VICTIM (UK, Basil Dearden, 1961); LOLITA (US, Stanley Kubrick, 1962); JULES ET JIM (FR, Francois Truffaut, 1962); NOBI (JA, Kon Ichikawa, 1959); BILLY BUDD (UK, Peter Ustinov, 1962); YOJIMBO (JA, Akira Kurosawa, 1961); DEVI (II, Satyajit Ray, 1960); 8 1/2 (IT/FR, Federico Fellini, 1963) Summary: A collection of Kael's writings on cinema including reviews mostly from 1961-1963. Notes: Includes index. LON: nun00460852; 4159070 More info
journal article		New records for GLFD 'The Stewardessess' a hit in Australasian Cinema (16/07/1982) vol.11 iss.12 p.20 PhysDes: Article Subject: 3-D FILMS; PORNOGRAPHIC FILMS. AUSTRALIA Summary: Article on Greg Lynch Film Distributors' 3D film 'The Stewardessess' breaking numerous records in Melbourne's Shaft Cinemas. More info
journal article		New twist for SBS indents in Encore (Feb 2000) vol.18 iss.1 p.59 Author: Jacobs, Heather PhysDes: Article; Illustration(s) Subject: SPECIAL BROADCASTING SERVICE; 3D FILMS [production company]; ANIMATION. AUSTRALIA; LUCAS, ANTHONY Summary: 3D Films create a series of unusual animation commercials for SBS. More info
journal article		News from Roadshow in Australasian Cinema (14/5/1982) vol.11 iss.8 p.4 PhysDes: Article Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D FILMS; BOX OFFICE; I, THE JURY (US, Richard Heffron, 1982) Summary: Updates on Roadshow productions More info
journal article		One to watch: Sarah Wynter in Empire (Australian Ed.) (Mar/Apr 2001) iss.2 p.13 Author: Karin Cott PhysDes: Article Subject: WYNTER, SARAH; 6th [SIXTH] DAY, THE (US, Roger Spottiswoode, 2000) Summary: Interview with Sarah Wynter on moving to New York and working on The 6th Day More info
Online resource digital clippings file		OTTO E MEZZO : (IT/FR, Fredrico Fellini, 1963) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: EIGHT AND A HALF [OTTO E MEZZO] (IT/FR, Fredrico Fellini, 1963); 8 1/2 (IT/FR, Federico Fellini, 1963) ID2: 299 URL status: URL: 'http://file://Q:/T/EIGHT_AND_A_HALF.zip' Checked: 31/08/2021 1:47:04 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
journal article		Reaching La Noia with Federico in Lumiere (January-February, 1973) iss.20 p.4-6 Author: Nicholls, Rod PhysDes: Article Subject: FELLINI, FEDERICO; SATYRICON (IT/FR, Federico Fellini, 1969); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); 8 1/2 (IT/FR, Federico Fellini, 1963) Summary: Article on the stialistic films of Federico Fellini. More info
journal article		Records still fall for "Comin' At Ya" in 3-D in Australasian Cinema (27/8/1982) vol.11 iss.15 p.13 PhysDes: Article Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D AND THE CINEMA; INDUSTRY, FILM. AUSTRALIA : TASMANIA Summary: Short article on the success of 'Comin' At Ya!' in 3-D More info
journal article		Ross Emery in Australian Cinematographer (September 2013) iss.59 p.10-27 Author: Marks, Dick PhysDes: Article Subject: 3D DIGITAL; CINEMATOGRAPHY. AUSTRALIA; EMERY, ROSS; WOLVERINE, THE (US/UK, James Mangold, 2013); I, FRANKENSTEIN (US/AT, Stuart Beattie, 2013) Summary: Cinematographer, Ross Emery discusses his experiences working on the 3D films, The Wolverine and I, Frankenstein Notes: Interview More info
book		Sex and storytelling in modern cinema : explicit sex, perforamnce and cinematic technique / Editor: Lindsay Coleman London, New York: I.B. Tauris, Call No: 749.0 COL Author: Coleman, Lindsay Edition: 2016 Place: London, New York Publisher: I.B. Tauris PhysDes: xvi, 252 p. ; 24 cm Subject: SEX IN FILMS; PORNOGRAPHIC FILMS; MAITRESSE (FR, Barbet Schroeder, 1976); BAISE-MOI (FR, Virginie Despentes, 2000); SHORTBUS (US, John Cameron Mitchell, 2006); 9 SONGS (UK, Michael Winterbottom, 2004); IRREVERSIBLE (FR, Gaspar Noe, 2002); ANTICHRIST (DK, Lars von Trier, 2009); KEN PARK (US/NE/FR, Larry Clark & Ed Lachman, 2002); LEAP YEAR (MX, Michael Rowe, 2010); VIELLE MAITRESSE, UNE [LAST MISTRESS, THE] (FR/IT, Catherine Breillat, 2007); SE, JEI [LUST, CAUTION] (US/CC/TZ/HK, Ang Lee, 2007) Notes: With full-frontal genitalia, erections, even actual sex featuring increasingly in films, this explicitness in presentation has caused critical consternation and accusations that such film narratives are pornographic. This book explores how, rather than being pornographic, explicit sex can be an essential element of cinematic storytelling today. Offering detailed analysis of how choices are made in the presentation of explicit sex in often very controversial films, such as "Shame", "Baise-Moi", "Antichrist", "Dogtooth" and "Lust, Caution", the expert contributors - including Barbara Creed, Jacob Held and Linda Ruth Williams - show how sexual content can aid characterisation, highlight themes, and provide events that serve to develop plot. The impact of explicit sex as an element of a film's narrative is also revealed to be assisted by effective, nuanced performances and the incisive deployment of directorial technique. Together they detail through the fundamentals of cinema the shot by shot, moment by moment manner in which explicit sex can be an essential component of a dramatically powerful narrative. -- publisher's blurb ISBN: 9781780766409 Donation: Senses of Cinema More info
Interim book		Ten London: British Film Institute, 2005. Call No: 79TEN AND Author: Andrew, Geoff Source: UK Place: London Publisher: British Film Institute PubDate: 2005 PhysDes: 87 p. : col. ill. ; 19 cm; Press kit Series: BFI Modern Classics Subject: 10 [TEN] (FR/IR, Abbas Kiarostami, 2002); IRAN Summary: In this study, Geoff Andrew looks at 10 within the context of Kiarostami’s career, of Iranian cinema’s recent renaissance, and of international film culture. Drawing on a number of detailed interviews he conducted with both Kiarostami and his lad actress, Andrew sheds light on the unusual methods used in making the film, on its political relevance, and on its remarkably subtle aesthetic. He also argues that 10 was an important turning-point in the career of a film-maker who is not only one of the contemporary cinema’s most accomplished practitioners but also one of its most radical experimentalists. ISBN: 184457069 More info
book		The westerns and war films of John Ford / by Sue Matheson Lanham, Maryland: Rowman & Littlefield, c2016. Call No: 81 FOR MAT Author: Matheson, Sue Source: US Place: Lanham, Maryland Publisher: Rowman & Littlefield PubDate: c2016 PhysDes: xxi, 339 pages, 16 unnumbered pages of plates : illustrations ; 24 cm Series: Film and history Subject: FORD, JOHN; WESTERNS; WAR AND THE CINEMA; STRAIGHT SHOOTING (U.S, John Ford, 1917); 3 BAD MEN (US, John Ford, 1926); 3 GODFATHERS (US, John Ford, 1948); BATTLE OF MIDWAY, THE (US, John Ford, 1942); BUCKING BROADWAY (US, John Ford, 1917); CHEYENNE AUTUMN (US, John Ford, 1964); FORT APACHE (US, John Ford, 1948); GRAPES OF WRATH, THE (US, John Ford, 1940); HELL BENT (US, John Ford, 1918); HORSE SOLDIERS, THE (US, John Ford, 1959); INFORMER, THE (US, John Ford, 1935); IRON HORSE, THE (UK, John Ford, 1924); LONG GRAY LINE, THE (US, John Ford, 1954); MEN WITHOUT WOMEN (US, John Ford, 1929); MY DARLING CLEMENTINE (US, John Ford, 1946); SEARCHERS, THE (US, John Ford, 1956); SEAS BENEATH (US, John Ford, 1931); SERGEANT RUTLEDGE (US, John Ford, 1960); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); STAGECOACH (US, John Ford, 1939); SUBMARINE PATROL (US, John Ford, 1938); THEY WERE EXPENDABLE (US, John Ford, 1945); THIS IS KOREA (US, John Ford, 1951); TWO RODE TOGETHER (US, John Ford, 1961) Summary: "Responsible for some of the greatest films of the 20th century - The Grapes of Wrath, How Green Was My Valley, and The Quiet Man among others - John Ford was best known for motion pictures that defined the American West and the face of wartime military. A Hollywood celebrity, Ford lived his life against the background that Twentieth Century-Fox fashioned for him. As he did, the facts of his life merged with - and became inseparable from - his multifaceted legend, fostered by Hollywood's studio culture and his own imagination. In The Westerns and War Films of John Ford Sue Matheson offers an engaging look at one of America's greatest directors and the two genres of films that solidified his reputation. Drawing on previously unreleased material, this volume explores the man, the filmmaker, the veteran, and the legend - and the ways in which all of those roles shaped Ford's view of America, national character, and his creative output. Among the films discussed here in depth are Ford's early productions, such as The Iron Horse and Drums along the Mohawk, his military films, such as Submarine Patrol, The Battle of Midway, and They Were Expendable, and his Westerns, including Fort Apache, She Wore a Yellow Ribbon, The Searchers, and Cheyenne Autumn. Ford imbued many of his creations with a point of view that represented his ideals, and the films discussed here illustrate their director's distinct vision of American life on the frontier and in service of the country. That vision - Ford's idealization of the American Character - would, in turn, shape the worldview of several generations. The Westerns and War Films of John Ford will appeal to critics and scholars, but also to any fan of this iconic filmmaker's work. " - BOOK BLURB Notes: Includes bibliographical references and index ISBN: 9781442261051 Donation: Senses of Cinema Contents: Introduction -- A career man -- Early days in the Hollywood west: from Straight shooting to The iron horse -- The heroic West: from Three bad men to Drums along the Mohawk -- Not for self but for country: from Salute to Submarine patrol -- In the navy: The Battle of Midway -- War stories: They were expendable -- Critiquing combat culture: Fort Apache -- Keeping the faith: She wore a yellow ribbon -- The war at home: Rio Grande -- Veterans' affairs: The searchers -- A house divided: The horse soldiers -- The nature of one's service: Sergeant Rutledge -- Deconstructing the legend: The man who shot Liberty Valance -- Questions of just conduct: Cheyenne Autumn -- Aftermath. More info

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