Search Catalogue

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: 3-D AND THE CINEMA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: 3-D ANIMATION

PhysDes: Article
Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D AND THE CINEMA
Summary: Article on 'Comin' At Ya!''s 3-D effects, as well as a synopsis of the film.

PhysDes: Article
Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D AND THE CINEMA; BOX OFFICE
Summary: Article on the box-office success of 3-D film 'Comin' At Ya!'

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: 3-D FILMS

PhysDes: Article
Subject: DRIVE-IN CINEMAS; 3-D AND THE CINEMA; 3-D FILMS
Summary: Article on 3-D tests at drive-ins.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: 3-D TV

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: 3-D TV. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: 3D DIGITAL

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: 4 MINUTE WONDERS AUSTRALIA

Call No: 71(5) KHO
Author: Khoo, Olivia
Edition: 2021
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 160 pages : illustrated ; 24 cm
Subject: ASIAN COUNTRIES; BLOCKBUSTERS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); DISTRIBUTION; FESTIVALS; COPRODUCTION; HOMOSEXUALITY IN FILMS; REMAKES; SHORT FILMS; 3D DIGITAL; TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; WOMEN FILMMAKERS
Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas. This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web site
ISBN: 9781474461764
Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography

PhysDes: Article
Subject: VIDEO CLASSICS; 3-D FILMS; NUDITY IN FILMS
Summary: Article on 'Electric Blue 008', a 3-D video being released through Video Classics.

Call No: 79CHI SIB
Author: Sibley, Brian
Place: New York
Publisher: Abrams
PubDate: 2000
PhysDes: 191 p. : col. ill. ; 26 cm
Subject: CHICKEN RUN (UK/US, Peter Lord & Nick Park, 2000); ANIMATION; 3-D ANIMATION; AARDMAN ANIMATIONS; PARK, NICK; LORD, PETER
ISBN: 0810941244
LON: 21377070 21377070

PhysDes: Article
Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3D DIGITAL; BOX OFFICE. AUSTRALIA
Summary: Brief piece on the box-office success of 3-D film 'Comin' At Ya!'

Call No: 246.8 WEE
Author: Weetch, Owen
Source: UK
Place: Basingstoke
Publisher: Palgrave Macmillan
PubDate: [2016]
PhysDes: xi, 168 pages : illustrations (colour) ; 22 cm
Series: Palgrave close readings in film and television
Subject: 3-D ANIMATION; 3-D AND THE CINEMA; 3-D FILMS; AVATAR (US, James Cameron, 2009); GRAVITY (US/UK, Alfonso Cuaron, 2013); HOLE, THE (US, Joe Dante, 2009); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); FROZEN (US, Chris Buck & Jennifer Lee, 2013)
Summary: "This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. Owen Weetch looks at how stereography brings added significance and expressivity to individual films that all showcase remarkable uses of the format. Avatar, Gravity, The Hole, The Greta Gatsby and Frozen all demonstrate that stereography is a rich and sophisticated process that has the potential to bring extra meaning to a film's narrative and themes." - taken from back cover.
Notes: Includes index. -- Includes glossary of stereoscopic terms.
ISBN: 9781349712946
Contents: 1.Introduction: The Expressivity of Space -- 2.'I See You': Avatar, Narrative Spectacle and Accentuating Continuity -- 3.`You're Going to Make It': Ride Alignment and the Mastery of Stereographic Space in Gravity -- 4.`You Only Looked that Way Because I was Little': Spaces of Terror and Reaching Maturity in The Hole -- 5.`There's an Ocean in the Way': Written Words, Unreachability and Competing Testimonies in The Great Gatsby -- 6.`Against the Wall': Frozen's Expressive Planarity, Attempts to Connect and Ambivalent Utopias -- 7.Conclusion: A Special Plea for Off-the-Screen Space.

Call No: TITLE CLIPPINGS FILE; 5 FLIGHTS UP (US, Richard Loncraine, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: FREEMAN, MORGAN; Keaton, Diane; 5 FLIGHTS UP (US, Richard Loncraine, 2015)
Summary: Review of the film, 5 Flights Up.
Rating: 3 out of 5 stars

Call No: 220 LIP
Author: Lipton, Lenny, 1940; Roaman, Chet, 1939
Place: New York
Publisher: Simon and Schuster
PubDate: c1979
PhysDes: 223 p. : ill. ; 24 cm
Subject: EQUIPMENT; TECHNICAL DEVELOPMENTS; SUPER-8 MM FILMS; 16 MM FILMS; 3-D FILMS; PROJECTION
ISBN: 0671244272; 0671247913 (pbk.)
LON: 1346106

PhysDes: Article
Subject: 3-D FILMS; PORNOGRAPHIC FILMS. AUSTRALIA
Summary: Article on Greg Lynch Film Distributors' 3D film 'The Stewardessess' breaking numerous records in Melbourne's Shaft Cinemas.

Author: Jacobs, Heather
PhysDes: Article; Illustration(s)
Subject: SPECIAL BROADCASTING SERVICE; 3D FILMS [PRODUCTION COMPANY]; ANIMATION. AUSTRALIA; LUCAS, ANTHONY
Summary: 3D Films create a series of unusual animation commercials for SBS.

PhysDes: Article
Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D FILMS; BOX OFFICE; I, THE JURY (US, Richard Heffron, 1982)
Summary: Updates on Roadshow productions

PhysDes: Article
Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D AND THE CINEMA; INDUSTRY, FILM. AUSTRALIA : TASMANIA
Summary: Short article on the success of 'Comin' At Ya!' in 3-D

Author: Marks, Dick
PhysDes: Article
Subject: 3D DIGITAL; CINEMATOGRAPHY. AUSTRALIA; EMERY, ROSS; WOLVERINE, THE (US/UK, James Mangold, 2013); I, FRANKENSTEIN (US/AT, Stuart Beattie, 2013)
Summary: Cinematographer, Ross Emery discusses his experiences working on the 3D films, The Wolverine and I, Frankenstein
Notes: Interview

Call No: 725.236 JON
Author: Jones, Nick
Edition: 2020
Place: New York
Publisher: Columbia University Press
PubDate: 2020
PhysDes: xiv, 288 pages : illustrated ; 25 cm
Series: film and culture series
Subject: 3D DIGITAL; AVATAR (US, James Cameron, 2009); GOODBYE TO LANGUAGE (FR, Jean-Luc Godard, 2014); LOVE (FR/BE, Gaspar Noe, 2015); CLASH OF THE TITANS (UK/US, Louis Leterrier, 2010)
Summary: Digital 3D has become a core feature of the twenty-first-century visual landscape. Yet 3D cinema is a contradictory media form: producing spaces that are highly regimented and exhaustively detailed, it simultaneously relies upon distortions of vision and space that are inherently strange. Spaces Mapped and Monstrous explores the paradoxical nature of 3D cinema to offer a critical analysis of an inescapable part of contemporary culture. Considering 3D’s distinctive visual qualities and its connections to wider digital systems, Nick Jones situates the production and exhibition of 3D cinema within a web of aesthetic, technological, and historical contexts. He examines 3D’s relationship with computer interfaces, virtual reality, and digital networks as well as tracing its lineage to predigital models of visual organization. Jones emphasizes that 3D is not only a technology used in films but also a tool for producing, controlling, and distorting space within systems of surveillance, corporatization, and militarization. The book features detailed analysis of a wide range of films—including Avatar (2009), Goodbye to Language (2014), Love (2015), and Clash of the Titans (2010)—demonstrating that 3D is not merely an augmentation of 2D cinema but that it has its own unique properties. Spaces Mapped and Monstrous brings together media archaeology, digital theory, and textual analysis to provide a new account of the importance of 3D to visual culture today. -- publisher's web site
ISBN: 9780231194235
Donation: Senses of Cinema
Contents: List of Illustrations -- Acknowledgments -- Introduction -- Part I: Contexts -- 1. History: The Long View of 3D Film and Theory -- 2. Visualization: From Perspective to Digital 3D -- Part II: Mapped Spaces -- 3. Simulation: Dematerializing and Enframing -- 4. Immersion: Entering the Screen -- 5. Surveillance: Converting Image to Space, World to Data -- Part III: Monstrous Spaces -- 6. Defamiliarization: Rethinking the Screen Plane -- 7. Distortion: Unfamiliar and Unconventional Space -- 8. Intimacy: The Boundedness of Stereoscopic Media -- Conclusion: Seeing in 3D -- Notes -- Bibliography -- Index.