book
4 great comedians: Chaplin, Lloyd, Keaton, Langdon / by Donald W. McCaffrey London New York: Zwemmer Barnes, 1968.
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Accident (1967) in Hobart film news (November/December 1979) vol.32 iss.10 p.4-5, 8
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AD AND THE EGO, THE : (US, Harold Boihem, 1996)
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ADAM AND EVELYNE : (UK, Harold French, 1949)
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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journal article
The Adventurers, a review in the form of an imaginary interview with Harold Robbins in Interview (1970) vol.1 iss.6 p.16-17
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journal article
The Adventures of Tartu (1943) in Australian film guide vol.1 iss.12 p.41
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Interim
book
Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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An American comedy / acted by Harold Lloyd ; directed by Wesley W. Stout New York: Longman, Green & Co., 1928.
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ANALYZE THAT : (US, Harold Ramis, 2002)
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ANALYZE THIS : (US, Harold Ramis, 1998)
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journal article
Apache War Smoke in Film index iss.21/22 p.198-199
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personality microfilm collection
BAIGENT, HAROLD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BAIGENT, HAROLD
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BEDAZZLED : (US, Harold Ramis, 2000)
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journal article
Black flowers for the bride in Monthly Film Bulletin (July 1971) vol.60 p.29, 137
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BLACK MARBLE, THE : (US, Harold Becker, 1980)
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BOLD ASPIRATIONS: HAROLD LLOYD AND 1920S AMERICA : (UK, Kevin Brownlow, 1989)
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BOOST, THE : (US, Harold Becker, 1988)
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Boy's cinema annual 1951 London: Fleetway House, [1951].
Call No: 92(058) BOYPlace: LondonPublisher: Fleetway HousePubDate: [1951]PhysDes: 160 p. : illus. ; 26 cmSubject: TREASURE ISLAND (US, Byron Haskin, 1950) ; STAGECOACH (US, John Ford, 1939) ; BLUE LAMP (UK, Basil Dearden, 1949) ; HIGH JINKS IN SOCIETY (UK, John Guillermin & Robert Jordan Hill, 1949) ; SO DEAR TO MY HEART (US, Harold Schuster & Hamilton Luske, 1949) ; BIG CAT, THE (US, Phil Karlson, 1949) ; SAVAGE SPLENDOUR (US, Lewis Cotlow/Armand Denis, 1949) ; UNKNOWN ISLAND (US, Jack Bernhard, 1948) ; GUNGA DIN (US, George Stevens, 1939) ; AMAZON QUEST (US, Steve Sekely, 1949)
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journal article
Breach of Promise in Film Index iss.28 p.74-75
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CADDYSHACK : (US, Harold Ramis, 1980)
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CITY HALL : (US, Harold Becker, 1996)
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CLUB PARADISE : (US, Harold Ramis, 1986)
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journal article
A day in the life in Metro (1997) iss.110 p.89-90
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DEADLINE AT DAWN : (US, Harold Clurman, 1946)
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title clippings file
DOMESTIC DISTURBANCE : (US, Harold Becker, 2001)
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[Don's party : stills file]
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[Fantasy man: stills file]
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book
A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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First cut : conversations with film editors / Gabriella Oldham Berkeley: University of California Press, c1992.
Call No: 802.41 OLDAuthor: Oldham, Gabriella Place: BerkeleyPublisher: University of California PressPubDate: c1992PhysDes: ix, 417 p. ; 24 cmSubject: EDITING ; EDITORS ; COATES, ANNE ; LITTLETON, CAROL ; ROLF, TOM ; HIRSCH, PAUL ; LEVIN, SID ; MARKS, RICHARD ; HEIM, ALAN ; KAHN, SHELDON ; PAINE, EMILY ; HANEKE, TOM ; KRESS, HAROLD F. ; KRESS, CARL ; BARTZ, GEOF ; BARNES, PAUL ; PANKOW, BILL ; CAMBERN, DONN ; LOTTMAN, EVAN ; FRANK, PETER C. ; DUNNING, JOHN ; WINTERBURN, TED ; WORTH, MERLE ; MALKIN, BARRY ; FEHR, RUDI Notes: Includes bibliographical references (p. 403-404) and indexISBN: 0520075889 (pb.); 0520075862 (alk. paper)LON: 8667391
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From Hollywood : the careers of 15 great American stars / DeWitt Bodeen South Brunswick [N.J.]: A. S. Barnes, c1976.
Call No: 802.27 BODAuthor: Bodeen, DeWitt, Place: South Brunswick [N.J.]Publisher: A. S. BarnesPubDate: c1976PhysDes: 352 p. : ill. ; 26 cmSubject: BARA, THEDA ; FARRAR, GERALDINE ; BARRYMORE, JOHN ; CHANEY, LON ; DANIELS, BEBE ; FAIRBANKS, DOUGLAS ; CLARK, MARGUERITE ; LOCKWOOD, HAROLD ; ALLSION, MAY ; REID, WALLACE ; STEWART, ANITA ; TALMADGE, CONSTANCE ; COSTELLO, DOLORES ; BRADY, ALICE ; COMPSON, BETTY ; DEL RIO, DOLORES ; DIX, RICHARD Notes: Includes filmographies and indexISBN: 0498013464 : $15.00LON: 724351
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GOD'S NOT DEAD : (US, Harold Cronk, 2014)
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The great movie comedians : from Charlie Chaplin to Woody Allen / by Leonard Maltin New York: Crown Publishers, 1978.
Call No: 451-015 MALAuthor: Maltin, Leonard Place: New YorkPublisher: Crown PublishersPubDate: 1978PhysDes: xvii, 238 p. : ill. ; 26 cmSubject: COMEDIANS ; CHAPLIN, CHARLES ; ARBUCKLE, ROSCOE "FATTY" ; LLOYD, HAROLD ; ROGERS, WILL ; FIELDS, W.C. ; THREE STOOGES ; HOPE, BOB ; KAYE, DANNY ; SKELTON, RED ; LEWIS, JERRY ; ALLEN, WOODY ; LAUREL, STAN ; HARDY, OLIVER ; NORMAND, MABEL ; LANGDON, HARRY ; CHASE, CHARLEY [psued. of Charles Parrott] ; GRIFFITH, RAYMOND ; DRESSLER, MARIE ; BROWN, JOE E. ; MARX BROTHERS ; COSTELLO, LOU Notes: Includes filmographies and indexISBN: 0517532417LON: 77020233; 1040069
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digital clippings file
GROUNDHOG DAY : (US, Harold Ramis, 1993) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Press kit; ClippingsSubject: GROUNDHOG DAY (US, Harold Ramis, 1993) URL status: URL: 'http://file://Q:/T/GROUNDHOG_DAY.zip'
Checked: 31/08/2021 1:04:44 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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Interim
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Groundhog day / Ryan Gilbey London: bfi Publishing, 2004.
Call No: 79GRO GILAuthor: Gilbey, Ryan Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 95 p. : ill (some col). ; 19 cmSeries: BFI modern classicsSubject: GROUNDHOG DAY (US, Harold Ramis, 1993) Summary: "Ryan Gilbey begins his account of 'Groundhog Day' with the long and unlucky gestation of the script by Danny Rubin (who was interviewed specially for this book) which formed the basis of the finished film. Gilbey celebrates the inspired casting of Murray, alongside Andie MacDowell as less well-known actors such as Stephen Tobolowsky (who plays the reptilian salesman Ned Ryerson). In a subtle analysis, he goes on to unpick the film's remarkable blend of humour and melancholy, revealing 'Groundhog Day' to be a rare beast - a mainstream Hollywood comedy which grows richer with each repeat viewing."
Taken from back cover.ISBN: 1844570320
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HAROLD : (AT, Steve Thomas, 1994)
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HAROLD AND KUMAR ESCAPE FROM GUANTANAMO BAY : (US, Jon Hurwitz and Hayden Schlossberg, 2008)
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HAROLD AND KUMAR GO TO WHITE CASTLE : (US, Danny Leiner, 2004)
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HAROLD AND LILLIAN : (US, Daniel Raim, 2015) Digital clippings file available
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digital clippings file
HAROLD AND MAUDE : (US, Hal Ashby, 1971) Digital clippings file available
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title clippings file
HAROLD HOLT MYSTERY, THE [TV] : AT, Ian Gillespie, 1985
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book
Harold Lloyd : the king of daredevil comedy / Adam Reilly London: Andre Deutsch, 1977.
Call No: 81LLO REIAuthor: Reilly, Adam Place: LondonPublisher: Andre DeutschPubDate: 1977PhysDes: xv, 240 p. : ill. ; 28 cmSubject: LLOYD, HAROLD Notes: Includes index; Bibliography: p. 229; Filmography: p. 230ISBN: 0233969950LON: bnb23396995; 3372600
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Harold Lloyd's world of comedy London: Allen & Unwin, 1966.
Call No: 81LLO CAHAuthor: Cahn, William, 1912 Place: LondonPublisher: Allen & UnwinPubDate: 1966PhysDes: 208 p. 2 fronts., illus. (incl. ports.) facsims. 23 1/2 cmSubject: LLOYD, HAROLD LON: 66077182; 663192
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journal article
Harold Lloyd's world of comedy in Hobart Film News vol.32 iss.10 p.6
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journal article
Harold Lloyd's world of comedy in Monthly film Bulletin (Aug 1962) vol.343 iss.29 p.105
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HAROLD'S GOING STIFF : (UK, Keith Wright, 2011)
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still
[Harold : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 25 x 20 cmSubject: HAROLD (AT, Steve Thomas, 1994) Summary: One black and white photograph relating to the television documentary Harold
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personality microfilm collection
HECHT, HAROLD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HECHT, HAROLD
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HER ER HAROLD : (NO, Gunnar Vikene, 2014)
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Hollywood directors, 1914-1940 / [compiled by] Richard Koszarski New York: Oxford University Press, 1976.
Call No: 802.25(73) KOSAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1976PhysDes: xx, 364 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; PORTER, EDWIN S. ; GUY-BLACHE, ALICE ; BLACKTON, J. STUART ; GRIFFITH, DAVID WARK ; HART, WILLIAM S. ; WEBER, LOIS ; SENNETT, MACK ; INCE, THOMAS HARPER ; INGRAM, REX ; NEILAN, MARSHALL ; CHAPLIN, CHARLES ; FLAHERTY, ROBERT ; LLOYD, HAROLD ; Keaton, Buster ; DWAN, ALLAN ; DEMILLE, CECIL B. ; VON STROHEIM, ERICH ; LANGDON, HARRY ; CAPRA, FRANK ; FORD, JOHN ; MURNAU, FRIEDRICH WILHELM ; BORZAGE, FRANK ; LUBITSCH, ERNST ; VIDOR, KING ; ROACH, HAL ; MAMOULIAN, ROUBEN ; DEMILLE, WILLIAM ; MILESTONE, LEWIS ; CUKOR, GEORGE ; VAN DYKE, W.S. ; HOWARD, WILLIAM K. ; TUTTLE, FRANK ; SCHOEDSACK, ERNEST B. ; GARNETT, TAY ; CROMWELL, JOHN ; OLCOTT, SIDNEY ; HORNE, JAMES W. ; FITZMAURICE, GEORGE ; PARK, IDA MAY ; TOURNEUR, MAURICE ; FLOREY, ROBERT ; MENZIES, WILLIAM CAMERON ; VORKAPICH, SLAVKO ; BRENNON, HERBERT ; CAREWE, EDWIN ; NIBLO, FRED ; GOULDING, EDMUND ; FEJOS, PAUL ; BELL, MONTA Notes: Includes indexISBN: 0195020855 : $13.95LON: 761206
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personality microfilm collection
HOPKINS, HAROLD
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings.Subject: HOPKINS, HAROLD
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title clippings file
ICE HARVEST, THE : (US, Harold Ramis, 2005)
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book
"Image" on the art and evolution of the film : photographs and articles from the magazine of the International Museum of Photography / edited by Marshall Deutelbaum New York: Dover Publications, 1979.
Call No: 70"01" IMAAuthor: Deutelbaum, Marshall CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)Place: New YorkPublisher: Dover PublicationsPubDate: 1979PhysDes: viii, 248 p. : ill. ; 29 cmSubject: PRE-CINEMA HISTORY ; PROJECTION ; EDISON, THOMAS ALVA ; LUMIERE, AUGUSTE & LOUIS ; HISTORY OF CINEMA. SILENT PERIOD ; DENMARK ; STILLS ; NIELSEN, ASTA ; EDISON, THOMAS ALVA ; SWEET, BLANCHE ; KEYSTONE ; LUBITSCH, ERNST ; DEMILLE, CECIL B. ; PICKFORD, MARY ; BROOKS, LOUISE ; PABST, GEORG WILHELM ; TITLING ; RIEFENSTAHL, LENI ; Keaton, Buster ; LLOYD, HAROLD ; HOWE, W.J. ; MOHR, HAL ; TERRY, ALICE ; NOVARRO, RAMON ; ANDERSON, BRONCHO BILLY ; MIX, TOM ; HART, WILLIAM S. ; MUYBRIDGE, EADWEARD ; INCE, THOMAS HARPER ; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; PAINTED LADY, THE (US, David Wark Griffith, 1912) ; CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920) ; SMOULDERING FIRES (US, Clarence Brown, 1925) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; GREED (US, Erich von Stroheim, 1925) ; CROWD, THE (US, King Vidor, 1928) Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes indexISBN: 048623777X : $8.95LON: 1468042
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KARATE KID, THE : (C/US, Harold Zwart, 2010)
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KOCH, HAROLD W.
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KOCH, HAROLD W.
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journal article
Living on peanuts and paw-paws : Harold .J. Pollock in Lumiere (January-February, 1972) iss.13 p.24-26
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LLOYD, HAROLD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LLOYD, HAROLD
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personality clippings file
LLOYD, HAROLD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LLOYD, HAROLD
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MALICE : (US, Harold Becker, 1993)
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MERCURY RISING : (US, Harold Becker, 1998)
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MITCHELL, HAROLD
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still
[Monkey grip : stills file]
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MULTIPLICITY : (US, Harold Ramis, 1996)
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NATIONAL LAMPOON'S VACATION : (US, Harold Ramis, 1983)
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NICHOLAS, FAYARD & HAROLD
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ONION FIELD, THE : (US, Harold Becker, 1979)
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The parade's gone by ... / Kevin Brownlow Berkeley: University of California Press, c1968.
Call No: 70"01" BROAuthor: Brownlow, Kevin Place: BerkeleyPublisher: University of California PressPubDate: c1968PhysDes: 577 p. : ill. ; 26 cmSubject: HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; PICKFORD, MARY ; GRIFFITH, DAVID WARK ; DWAN, ALLAN ; BROWN, CLARENCE ; WELLMAN, WILLIAM ; DEMILLE, CECIL B. ; VON STERNBERG, JOSEF ; FAIRBANKS, DOUGLAS ; MELODRAMA ; BOOTH, MARGARET ; SWANSON, GLORIA ; MAYER, LOUIS B. ; SELZNICK, DAVID O. ; Keaton, Buster ; CHAPLIN, CHARLES ; GANCE, ABEL ; ROSHER, CHARLES G. ; BLYTHE, BETTY ; THALBERG, IRVING ; DENNY, REGINALD ; HORNBECK, WILLIAM ; FARRAR, GERALDINE ; KING, HENRY ; SLOMAN, EDWARD ; LLOYD, HAROLD ; BEN HUR (US, Fred Niblo, 1925) ; ROBIN HOOD (US, Allan Dwan, 1922) Notes: Includes indexISBN: 0520030680 : $9.95LON: 740138 740138
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Philosophy and film / edited and with an introduction by Cynthia A. Freeland and Thomas E. Wartenberg New York: Routledge, 1995.
Call No: 626 PHIAuthor: Freeland, Cynthia A ; Wartenberg, Thomas E Place: New YorkPublisher: RoutledgePubDate: 1995PhysDes: 258 p. ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; FEMINISM AND THE CINEMA ; FILM NOIR ; HORROR FILMS ; ETHNIC GROUPS IN FILMS ; LEE, SPIKE ; SEA OF LOVE (US, Harold Becker, 1989) ; CASABLANCA (US, Michael Curtiz, 1942) ; GHOST (US, Jerry Zucker, 1990) ; WHITE PALACE (US, Luis Mandoki, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; EUROPA, EUROPA (FR/GW, Agnieszka Holland, 1990) ; PERSONA (SW, Ingmar Bergman, 1966) Notes: Includes bibliographical references and indexISBN: 0415909201; 041590921X (pbk.)LON: 11213335
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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[Picture show man, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 15 photographs : b&w ; 22 x 16 - 21 x 26 cmSubject: MCDONALD, GARRY ; MEILLON, JOHN ; TAYLOR, RON & VALERIE ; EWART, JOHN ; HOPKINS, HAROLD ; MORRIS, JUDY ; CONABERE, SALLY ; DRYNAN, JEANIE ; PICTURE SHOW MAN, THE (AT, John Power, 1977) Summary: 15 black and white photographs of scenes from the film.Notes: 1 image donated by Brian McFarlane
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PINTER, HAROLD
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: PINTER, HAROLD
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POLLOCK, HAROLD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: POLLOCK, HAROLD
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The Proust screenplay : a la recherche du temps perdu / Harold Pinter New York: Grove Press, 1978.
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RAGMAN'S DAUGHTER, THE : (UK, Harold Becker, 1972)
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RAMIS, HAROLD
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: RAMIS, HAROLD
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Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996.
Call No: 734.4 BERAuthor: Bergman, Paul, 1943 ; Asimow, Michael Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1996PhysDes: xix, 338 p. : ill. ; 23 cmSubject: TRIALS IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; ONION FIELD, THE (US, Harold Becker, 1979) ; REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; FEW GOOD MEN, A (US, Rob Reiner, 1992) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; ADAM'S RIB (US, George Cukor, 1949) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MY COUSIN VINNY (US, Jonathan Lynn, 1992) ; AND JUSTICE FOR ALL (US, Norman Jewison, 1979) ; COMPULSION (US, Richard Fleischer, 1959) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SOMMERSBY (US, Jon Amiel, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; MUSIC BOX (US, Constantin Costa-Gavras, 1989) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) ; BOOMERANG (US, Elia Kazan, 1947) ; PRESUMED INNOCENT (US, Alan J. Pakula, 1990) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; WRONG MAN, THE (US, Jim McBride, 1993) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; M (G, Fritz Lang, 1931) ; STAR CHAMBER, THE (US, Peter Hyams, 1983) ; SUSPECT (US, Peter Yates, 1987) ; TRIAL BY JURY (US, Heywood Gould, 1994) ; [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956) ; CLASS ACTION (US, Michael Apted, 1991) ; LOSING ISAIAH (US, Stephen Gyllenhaal, 1995) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; NUTS (US, Martin Ritt, 1987) ; VERDICT, THE (US, Sidney Lumet, 1982) ; WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993) ; YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959) ; LIBEL (UK, Anthony Asquith, 1959) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; ON TRIAL (US, Terry Morse, 1939) ; I WANT TO LIVE! (US, Robert Wise, 1958) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; LET HIM HAVE IT (UK, Peter Medak, 1991) ; [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971) ; COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955) ; BANANAS (US, Woody Allen, 1971) ; MURDER IN THE FIRST (US, Marco Rocco, 1995) ; TRIAL (US, Mark Robson, 1955) ; GUILTY AS SIN (US, Sidney Lumet, 1993) ; JAGGED EDGE (US, Richard Marquand, 1985) ; LETTER, THE (US, William Wyler, 1940) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) ; ACT OF MURDER, AN (US, Michael Gordon, 1948) ; FURY (US, Fritz Lang, 1936) ; I CONFESS (US, Alfred Hitchcock, 1953) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and indexISBN: 0836210352 (pbk.)LON: 11957271
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RUSSELL, HAROLD
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SEA OF LOVE : (US, Harold Becker, 1989)
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journal article
Short reviews - A-Z in Cinema Papers (September 1985) iss.53 p.68-72
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The silent clowns / by Walter Kerr New York: Knopf, 1975.
Call No: 732 KER; FOLIOAuthor: Kerr, Walter, 1913 Edition: 1st edPlace: New YorkPublisher: KnopfPubDate: 1975PhysDes: 372 p. : ill. ; 31 cmSubject: COMEDIANS ; COMEDIES ; Keaton, Buster ; HARDY, OLIVER ; LAUREL, STAN ; GRIFFITH, RAYMOND ; LANGDON, HARRY ; SENNETT, MACK ; LLOYD, HAROLD ; CHAPLIN, CHARLES Notes: Includes indexISBN: 0394469070 : $17.95LON: 384380
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Sixty voices : celebrities recall the golden age of British cinema / edited by Brian McFarlane London Melbourne: BFI Monash University, 1992.
Call No: 80(41) SIXAuthor: McFarlane, Brian, 1934 CorpAuthor: British Film Institute; Monash UniversityPlace: London MelbournePublisher: BFI Monash UniversityPubDate: 1992PhysDes: xii, 260 p. : ports. ; 25 cmSubject: UNITED KINGDOM ; Attenborough, Richard ; BALL, VINCENT ; BOGARDE, DIRK ; BOX, BETTY E. ; CRAIG, MICHAEL ; FORBES, BRYAN ; GILBERT,LEWIS ; GORING, MARIUS ; GRANGER, STEWART ; GUINNESS, ALEC ; HAMILTON, GUY ; HILLER, WENDY ; HOBSON, VALERIE ; HORDERN, MICHAEL ; Kerr, Deborah ; LEE, JACK ; LOM, HERBERT ; MCCALLUM, JOHN ; MCKENNA, VIRGINIA ; MILLS, JOHN ; NEAME, RONALD ; SINDEN, DONALD ; SYMS, SYLVIA ; TRAVERS, BILL ; USTINOV, PETER ; WITHERS, GOOGIE ; WOOLF, JOHN ; ANDERSON, JEAN ; ANNAKIN, KEN ; ASHERSON, RENEE ; BAKER, ROY WARD ; BOULTING, ROY ; BOX, MURIEL ; BRYAN, DORA ; BYRON, KATHLEEN ; CALVERT, PHYLLIS ; CARMICHAEL, IAN ; COLE, GEORGE ; COLE, SYDNEY ; DAVIS, JOHN ; DENISON, MICHAEL ; GRAY, DULCIE ; FARRAR, DAVID ; FOWLER, HARRY ; FRENCH, HAROLD ; GUEST, VAL ; HAVELOCK-ALLAN, ANTHONY ; HUNTLEY, RAYMOND ; JACKSON, GORDON ; JACKSON, PAT ; JOHN, ROSAMUND ; JUSTIN, JOHN ; KENT, JEAN ; LEACOCK, PHILIP ; MILES, BERNARD ; OWEN, BILL ; PAVLOW, MURIEL ; PILBEAM, NOVA ; RELPH, MICHAEL ; SCOTT, MARGARETTA ; SHERIDAN, DINAH ; THOMAS, RALPH ; TODD, ALAN ; TODD, RICHARD ; WALSH, KAY Notes: Includes indexISBN: 0851703534; 0851703496 (pbk.)LON: 9302871
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Storytelling in the new Hollywood : understanding classical narrative technique / Kristin Thompson Cambridge, MA: Harvard University Press, 1999.
Call No: 632.2(73) THOAuthor: Thompson, Kristin, 1950 Place: Cambridge, MAPublisher: Harvard University PressPubDate: 1999PhysDes: 398 p. : ill. ; 23 cmSubject: NARRATIVE IN FILMS ; TOOTSIE (US, Sydney Pollack, 1982) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; AMADEUS (US, Milos Forman, 1984) ; HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990) ; PARENTHOOD (US, Ron Howard, 1989) ; ALIEN (UK, Ridley Scott, 1979) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; FIELD, SYD ; JAWS (US, Steven Spielberg, 1975) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references and indexISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95LON: 14524218
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STUART SAVES HIS FAMILY : (US, Harold Ramis, 1995)
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TAPS : (US, Harold Becker, 1981)
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TAPS in Australasian Cinema (23/07/1982) vol.11 iss.13 p.7
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UND DIE BIBEL HAT RECHT : (GW, Harold Reinl, 1977)
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VISION QUEST : (US, Harold Becker, 1985)
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Warner Bros. Product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.4
PhysDes: ArticleSubject: WARNER BROS. ; FIREFOX (US, Clint Eastwood, 1982) ; LOONEY LOONEY LOONEY BUGS BUNNY MOVIE (US, Friz Freleng & others..., 1981) ; THIS IS ELVIS (US, Andrew Solt & Malcolm Leo, 1981) ; MIDSUMMER NIGHT'S SEX COMEDY, A (US, Woody Allen, 1982) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HOUSE OF WAX (US, Andre de Toth, 1953) ; SUPERMAN II (US, Richard Lester, 1980) ; BLADE RUNNER (US, Ridley Scott, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; BEST FRIENDS (US, Norman Jewison, 1982) ; LOVE CHILD (US, Larry Peerce, 1982) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; NATIONAL LAMPOON'S VACATION (US, Harold Ramis, 1983) ; STROKER ACE (US, Hal Needham, 1983) ; TWICE UPON A TIME (US, John Korty & Charles Swenson, 1983) ; SUPERMAN III (US, Richard Lester, 1983) Summary: List of current, coming, and in-production titles from Warner Bros.
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WHATEVER HAPPENED TO HAROLD SMITH? : (UK/US, Peter Hewitt, 1999)
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WOODY ALLEN: AN AMERICAN COMEDY : (US, Harold Mantell, 1977)
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YEAR ONE : (USA, Harold Ramis, 2009)
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Zero tolerance : A journey through the worst films Rotten Tomatoes has to offer in Sydney Morning Herald [The Shortlist] (06/03/2015) p.1
Call No: Subject Clipping; WORST FILMSAuthor: Munro, Peter PhysDes: Clippings File ArticleSubject: WORST FILMS ; JAWS THE REVENGE (US, Joseph Sargent, 1987) ; MANOS: THE HANDS OF FATE (US, Harold P.Warren, 1966) ; HEARTBEAT AWAY, A (AT, Gale Edwards, 2011) ; BEHAVING BADLY (US, Tim Garrick, 2014) Summary: What it takes for a film to score 0 on Rotten Tomatoes when a 0 per cent score means it is unloved by every critic.
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