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CARROSSE D`OR, LE : (FR/IT, Jean Renoir, 1953)
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title clippings file
CARROSSE D'OR, LE : (FR/IT, Jean Renoir, 1952)
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journal article
Coach in Screen International (3 November 1979) iss.214 p.19
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title clippings file
COACH CARTER : (US, Thomas Carter, 2005)
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book
Jean Renoir : the world of his films / Leo Braudy Garden City, N.Y.: Doubleday, 1972.
Call No: 81REN BRAAuthor: Braudy, Leo Edition: 1st EditionSource: USPlace: Garden City, N.Y.Publisher: DoubledayPubDate: 1972PhysDes: 286 p. : ill. ; 22 cmSubject: RENOIR, JEAN ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CHIENNE, LA (FR, Jean Renoir, 1931) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936) ; DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; DIARY OF A CHAMBERMAID, A [JOURNAL D'UNE FEMME CHAMBRE, LE] (FR/IT, Luis Bunuel, 1964) ; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952) ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; ELENA ET LES HOMMES (FR, Jean Renoir, 1956) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) Summary: Leo Braudy examines the films of Jean Renoir, and the variety of different forms these films take - farces, epics, detective stories, and paradoxes. He examines each of the thirty six films individually, but also in the context of Jean Renoir's overall visionNotes: Bibliography: p. [272]-276
Filmography: p. 219-271
Includes indexISBN: 0860510050LON: 71171280; 558387
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book
I lost it at the movies / Pauline Kael London: Cape, 1966.
Call No: 67(04) KAEAuthor: Kael, Pauline Place: LondonPublisher: CapePubDate: 1966PhysDes: ix, 365 p. ; 22 cm.Subject: CRITICISM ; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ONE, TWO, THREE (US/GW, Billy Wilder, 1961) ; MARK, THE (UK, Guy Green, 1961) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; TASTE OF HONEY, A (UK, Tony Richardson, 1961) ; VICTIM (UK, Basil Dearden, 1961) ; LOLITA (US, Stanley Kubrick, 1962) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; NOBI (JA, Kon Ichikawa, 1959) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; YOJIMBO (JA, Akira Kurosawa, 1961) ; DEVI (II, Satyajit Ray, 1960) ; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963) Summary: A collection of Kael's writings on cinema including reviews mostly from 1961-1963.Notes: Includes index.LON: nun00460852; 4159070
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