Search Catalogue

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BROOKLYN (IE/UK/CN, John Crowley, 2015)
URL status: URL: 'http://file://Q:/T/BROOKLYN.zip' Checked: 31/08/2021 1:38:38 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S BRO
Author: Hornby, Nick
Edition: Yellow script
PubDate: 2014 Apr. 24
PhysDes: 55 leaves
Subject: BROOKLYN (IE/UK/CN, John Crowley, 2015)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE; GOODNIGHT BROOKLYN - THE STORY OF DEATH BY AUDIO (US, Matthew Conboy, 2016)
Author: [Mathieson, Craig] CM
PhysDes: Clippings File Article
Subject: GOODNIGHT BROOKLYN - THE STORY OF DEATH BY AUDIO (US, Matthew Conboy, 2016)
Summary: Review of the documentary GOODNIGHT BROOKLYN - THE STORY OF DEATH BY AUDIO
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOODNIGHT BROOKLYN - THE STORY OF DEATH BY AUDIO (US, Matthew Conboy, 2016)

Call No: TITLE CLIPPINGS FILE; BROOKLYN (IE/UK/CN, John Crowley, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: WALTERS, JULIE; BROOKLYN (IE/UK/CN, John Crowley, 2015)
Summary: Interview with actor Julie Walters about her career and her role in the film BROOKLYN

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: LAST EXIT TO BROOKLYN (GW, Ulrich Edel, 1989)

Call No: P LAS
Place: GW
PubDate: [1989]
PhysDes: 1 poster : colour ; 101 x 69 cm
Subject: LAST EXIT TO BROOKLYN (GW, Ulrich Edel, 1989)
Summary: Text: Vivid, compelling, controversial... an unforgettable film of shattering impact. Image: A photograph of three men and a woman stand in the foreground. Behind their heads is what appears to be people moving towards and climbing bars.
Notes: Pinholes, folds, creases, a slight tear on the center of the right edge, markings.

Call No: TITLE CLIPPINGS FILE; BROOKLYN (IE/UK/CN, John Crowley, 2015)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: BROOKLYN (IE/UK/CN, John Crowley, 2015)
Summary: Very positive review of the film BROOKLYN
Rating: 4.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; GOODNIGHT BROOKLYN - THE STORY OF DEATH BY AUDIO
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: GOODNIGHT BROOKLYN - THE STORY OF DEATH BY AUDIO (US, Matthew Conboy, 2016)
Summary: Interview with Matthew Conboy, the director of the documentary GOODNIGHT BROOKLYN - THE STORY OF DEATH BY AUDIO

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTHERLESS BROOKLYN (US, Edward Norton, 2019)

Call No: 735.23 GEL
Author: Gelder, Ken
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 155 pages : illustrations ; 24 cm
Subject: DRACULA IN FILMS; HORROR FILMS; REMAKES; VAMPIRE FILMS; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008); LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008); LET ME IN (UK/US, Matt Reeves, 2010); NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004); DAY WATCH (RU, Timur Bekmambeton, 2006); DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006); IRMA VEP (FR, Oliver Assayas, 1996); VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); THIRST (SK, Park Chan-wook, 2009); BAKJWI (SK, Park Chan-wook, 2009); NADJA (US, Michael Almereyda, 1994); ADDICTION, THE (US, Abel Ferrara, 1995); HABIT (US, Larry Fessenden, 1996); VAMPIRE IN BROOKLYN (US, Wes Craven, 1995); TWILIGHT (US, Catherine Hardwicke, 2008); ECLIPSE, TWILIGHT 3 (US, David Slade, 2010); CRONOS (MX, Guillermo del Toro, 1993); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); BLADE (US, Stephen Norrington, 1998); BLADE II (US, Guillermo Del Toro, 2002); BLADE: TRINITY (US, David S. Goyer, 2004); UNDERWORLD (US, Len Wiseman, 2003); UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006); DAYBREAKERS (US, Michael Spierig and Peter Spierig, 2008)
Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844574407

Call No: 79ONT BRA
Author: Braudy, Leo
Edition: 1st ed
Source: UK
Place: London, UK
Publisher: British Film Institute, London
PubDate: 2005
PhysDes: 88p ; 18.5 cm + b&w ill.
Series: BFI Film Classics
Subject: SOCIETY AND THE CINEMA. USA; CLASS AND THE CINEMA; POLITICS AND THE CINEMA. USA; WORKING CLASS IN FILMS. USA; TYPE CHARACTERS IN FILMS; COMMUNISM AND THE CINEMA. USA; PRODUCTION. USA; FINANCING. USA; IMAGE ANALYSIS; LABOUR; FINANCING; LABOUR ISSUES IN FILMS; HUMAN RELATIONS IN FILMS; RELIGION IN FILMS; KAZAN, ELIA; BRANDO, MARLON; SAINT, EVA MARIE; MILLER, ARTHUR; BERNSTEIN, LEONARD; SCHULBERG, BUDD; SPIEGEL, SAM; MALDEN, KARL; STEIGER, ROD; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); TREE GROWS IN BROOKLYN, A (US, Elia Kazan, 1945); BABY DOLL (US, Elia Kazan, 1956)
Summary: With director Elia Kazan’s death in 2003 and actor Marlon Brando’s in 2004, a reappraisal of this classic film is timely and necessary. In this definitive study, Leo Braudy tells the complicated story of the film’s production. He revisits the facts behind the controversy of Kazan’s infamous ‘naming of names’ during the McCarthy communist trials of the 1950s. But above all this is an analysis of the enduring appeal of On the Waterfront: the method inspired acting, the music and cinematography, the use of authentic locations and its powerfully symbolic depiction of post-war American values. [Taken from back cover].
Notes: includes film credits
ISBN: 184457072X

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OVER THE BROOKLYN BRIDGE (US, Menahem Golan, 1984)

Call No: TITLE CLIPPINGS FILE; BROOKLYN (IE/UK/CN, John Crowley, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: CROWLEY, JOHN; BROOKLYN (IE/UK/CN, John Crowley, 2015)
Summary: Interview with John Crowley, the director of the film BROOKLYN. He discusses his life and his career

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); FIVE HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991)

Call No: TITLE CLIPPINGS FILE; BROOKLYN (IE/UK/CN, John Crowley, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: BROOKLYN (IE/UK/CN, John Crowley, 2015); CHOICE, THE (US, Ross Katz, 2016)
Summary: A positive review of BROOKLYN, which the author believes is far superior to the film THE CHOICE

Call No: TITLE CLIPPINGS FILE; BROOKLYN (IE/UK/CN, John Crowley, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: BROOKLYN (IE/UK/CN, John Crowley, 2015)
Summary: Review of the film BROOKLYN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TREE GROWS IN BROOKLYN, A (US, Elia Kazan, 1945)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: VAMPIRE IN BROOKLYN (US, Wes Craven, 1995)

Call No: REFERENCE SECTION; 058 INT "1990"
Author: Cowie, Peter
Place: London
Publisher: Andre Deutsch
PubDate: 1989
PhysDes: v.
Subject: SPAIN; FESTIVALS. BERLIN; LAST EXIT TO BROOKLYN (GW, Ulrich Edel, 1989)
ISBN: 0233985034