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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AS TEARS GO BY (HK, Wong Kar-Wai, 1989)

Call No: 81WONG COM
Source: US
Place: Chichester, West Sussex ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2016
PhysDes: xvi, 627 pages : illustrations ; 25 cm
Series: Wiley Blackwell Companions to Film Directors
Subject: CITY OF SADNESS, A [; WONG KAR WAI; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence
Notes: Includes bibliographical references (pages 586-599) and index. Filmography: pages 558-561
ISBN: 9781118424247
Donation: donated by Senses of Cinema
Contents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CROCODILE TEARS (US, Ann Coppel, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRANGE COLOR OF YOUR BODY'S TEARS, THE [ ETRANGE COULEUR DES LARMES DE TON CORPS L'] (BE/ FR/ LU, Hélène Cattet / Bruno Forzani, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LENNY BRUCE WITHOUT TEARS (US, Fred Baker, 1972)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MISS FISHER AND THE CRYPT OF TEARS (AT, Tony Tilse, 2019)

Call No: DIGITAL FILE
Author: Cox, Deb; Greenwood, Kerry
Edition: final version
PubDate: 21/11/2018
PhysDes: 92 leaves
Subject: MISS FISHER AND THE CRYPT OF TEARS (AT, Tony Tilse, 2019)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: NO TIME FOR TEARS (US, Cyril Frankel, 1957)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHED TEARS FOR THE RIVER (AT, David Corke, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: TATTOOED TEARS (US, Joan Churchill & Nick Broomfield, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TEARS (AT, Ivan Sen, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TEARS OF THE SUN (US, Antoine Fuqua, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WIPING THE TEARS OF SEVEN GENERATIONS (US, Gary Rhine & Fidel Moreno, 1992)

Call No: 81WON POW; FOLIO
Author: Kar Wai, Wong; Powers, John
Source: US
Place: New York
Publisher: Rizzoli
PubDate: 2016
PhysDes: 303 pages : illustrations (colour), portraits ; 32 cm
Subject: WONG KAR-WAI; HONG KONG CINEMA; LEUNG, TONY; CHEUNG, LESLIE; CHEUNG, MAGGIE; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); AS TEARS GO BY (HK, Wong Kar-Wai, 1989); WONG GOK KA MOON (HK, Wong Kar-Wai, 1988); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); MY BLUEBERRY NIGHTS (HK/C/FR, Kar Wai Wong, 2007); LOST IN TRANSLATION (US, Sofia Coppola, 2003)
Summary: "The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films." [Publisher's website]
ISBN: 9780847846177
Contents: Perhaps, perhaps, perhaps / 37 views of Wong Kar Wai -- Six conversations -- Conversation one : Amarcord -- Conversation two : not Hitchcock -- Conversation three : Hong Kong nocturne -- Conversation four : Perfidia -- Conversation five : Pan-American highway -- Conversation six : North, South, East and West -- Captions -- Timeline -- Acknowledgments

Call No: 81KAR TEO
Author: Teo, Stephen
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2005
Series: World directors
Subject: WONG KAR-WAI; DIRECTORS. HONG KONG; CRITICISM; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: A study of film director Wong Kar-wai, looking at his films, advertising work, and music videos he has directed. It explores how he draws from various film and literary elements that influence his work and examines his legacy amongst Hong Kong, and world, cinema.
ISBN: 1844570290
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YI JIANG CHUN SHUI XIANG DONG LIU (CC, Cai Chusheng/ Zheng Junli, 1947); TEARS OF THE YANG-TSE (CC, Cai Chusheng/ Zheng Junli, 1947); SPRING RIVER FLOWS EAST, THE (CC, Cai Chusheng/ Zheng Junli, 1947)