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Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Call No: 81MIY CAV
Author: Cavallaro, Dani
Source: US
Place: Jefferson, N. C.
Publisher: McFarland & Company Inc.
PubDate: 2006
PhysDes: viii, 204p. ; 26cm.
Subject: MANGA; MIYAZAKI, HAYAO; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); HOTARV NO HAKA (JA, Isao Takahata, 1988); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); ON YOUR MARK (JA, Hayao Miyaki, 1995); MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001)
Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.
Notes: Includes bibliography and index. Filmography: p. 181-186.
ISBN: 0786423692

Call No: 772(520) NAP; 2 copies
Author: Napier, Susan
Edition: Revised
Source: US/UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2005
PhysDes: 355 p. ; 24 cm
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; MIYAZAKI, HAYAO; AKIRA (JA, Katsuhiro Otomo, 1989); GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995) SEE KOKAKU KIDOTAI; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); BAREFOOT GEN (JA, Masaki Mori, 1983); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989)
Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURB
Notes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.
ISBN: 9781403970527
Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --

Call No: 81MIY ROB
Author: Robinson, Jeremy Mark
Edition: Second edition
Source: UK
Place: Maidstone, Kent
Publisher: Crescent Moon Publishing
PubDate: 2011
PhysDes: 514 pages ; 24 cm
Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; STUDIO GHIBLI; MIYAZAKI, HAYAO; ISAO TAKAHATA; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979); RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979); NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) SEE KAZE NO TANI NO NAUSHIKA; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987); CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986); MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) SEE TONARI NO TOTORO; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989) SEE MAJO NO TAKK YUBIN; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); PORCO ROSSO (JA, Hayao Miyazaki, 1993) SEE KURENAI NO BUTA; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); SPIRITED AWAY (JA, Hayao Miyazaki, 2001) SEE SEN TO CHIHIRO NO KAMIKAKUSHI; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004) SEE HAURU NO UGOKU SHIRO; PONYO (JP, Hayao Miyazaki, 2008) SEE GAKE NO EU NO PONYO; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); ONLY YESTERDAY (JA, Isao Takahata, 1991); OMOHIDE PORO PORO (JA. Isao Takhata, 1991)
Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema. Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro. Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius. What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees. To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation. This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs. The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation. Includes quotes by Miyazaki; fans on Miyazaki; and resources. Fully illustrated. With filmography, bibliography and notes. -- PUBLISHERS WEB SITE
Notes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadas
ISBN: 9781861713902
Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema -- Illustrations -- TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies -- Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008)

Call No: REFERENCE SECTION; 058 INT "2009"
Author: Smith, Ian Haydn
Edition: 45th ed.
Source: UK
Place: London
Publisher: Wallflower Press
PubDate: c2009
PhysDes: 472 p. : ill ; 24 cm
Subject: AWARDS; FESTIVALS; CRITICISM; CEYLAN, NURI BILGE; HAYAO, MIYAZAKI; SAYLES, JOHN; SORRENTINO, PAOLO; VARDA, AGNES
Notes: 45th edition
ISBN: 9781905674992

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984)
Cross Reference: NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) SEE KAZE NO TANI NO NAUSHIKA
CrossTag: 1

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KAZE TACHINU (JA, Hayao Miyazaki, 2013); WIND RISES, THE (JA, Hayao Miyazaki, 2013)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: WIND RISES, THE [KAZE TACHINU] (JA, Hayao Miyazaki, 2013)
Cross Reference: WIND RISES, THE [KAZE TACHINU]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KURENAI NO BUTA (JA, Hayao Miyazaki, 1993)
Cross Reference: PORCO ROSSO (JA, Hayao Miyazaki, 1993) SEE KURENAI NO BUTA
CrossTag: 1

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONONOKE HIME (JA, Hayao Miyazaki, 1997); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)

Call No: 45:2 PLA
Author: Plate, S. Brent
Edition: second
Place: New York; Chichester, U.K.
Publisher: Columbia University Press
PubDate: 2017
PhysDes: xviii,207 p. : illus. ; 23cm
Subject: RELIGION AND THE CINEMA; PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); TIDELAND (CN/UK, Terry Gilliam, 2005); BIG FISH (US, Tim Burton, 2003); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); PASSION OF THE CHRIST, THE (US, Mel Gibson, 2004); BLUE VELVET (US, David Lynch, 1986); CHOCOLAT (US, Lasse Hallstrom, 2000); ANTONIA'S LINE (NE/BE/UK, Marleen Gorris, 1995) SEE ANTONIA; ANTONIA (NE/BE/UK, Marleen Gorris, 1995); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BARAKA (US, Ron Fricke, 1992); MONSTERS, INC. (U S, Peter Docter & David Silverman, 2001); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989); METROPOLIS (G, Fritz Lang, 1926); ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971); BEN HUR (US, William Wyler, 1959); KING OF KINGS (US, Nicholas Ray, 1961); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); STRAIGHT STORY, THE (US/FR/UK, David Lynch, 1999)
Summary: Religion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs. Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa. This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies. -- publisher's web site
ISBN: 978023117650
Donation: Senses of Cinema
Contents: List of Illustrations Preface to the Second Edition Preface to the First Edition Acknowledgments Introduction: Worldmaking On-Screen and at the Altar Part I. Before the Show: Pulling the Curtain on the Wizard 1. Audio-Visual Mythologizing 2. Ritualizing Film in Space and Time 3. Sacred and Cinematic Spaces: Cities and Pilgrimages Part II. During the Show: Attractions and Distractions 4. Religious Cinematics: Body, Screen, and Death 5. The Face, the Close-Up, and Ethics Part III. After the Show: Re-Created Realities 6. The Footprints of Film: Cinematic After-Images in Sacred Time and Space Notes References Filmography Index
ID2: 283

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings; Study guide
Subject: SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001)
ID2: 21

Call No: 79SPI OSM
Author: Osmond, Andrew
Source: UK
Place: Basingstoke
Publisher: Palgrave Macmillan
PubDate: 2008
PhysDes: 121 p. : col. ill. ; 19 cm.
Series: BFI film classics.
Subject: SPIRITED AWAY (JA, Hayao Miyazaki, 2001) SEE SEN TO CHIHIRO NO KAMIKAKUSHI; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001)
Notes: A BFI book published by Palgrave Macmillan."; Includes bibliographical references (p. 111-114)
ISBN: 9781844572304
Contents: 1. Being Spirited Away -- 2. On the Train -- 3. Background -- 4. The Origins of Spirited Away -- 5. Into the Woods: The Journey Begins -- 6. In the Bathhouse -- 7. Adventures in Wonderland -- 8. Conclusion.

Call No: 802.25(520) ODE
Author: Odell, Colin; Le Blanc, Michelle
Source: UK
Place: Harpenden, Herts, UK
Publisher: Kamera
PubDate: 2009
PhysDes: 157 p., [8] p. of plates : col. ill. ; 20 cm
Series: Kamera Books series
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; JAPAN; STUDIO GHIBLI; MIYAZAKI, HAYAO; ISAO TAKAHATA; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984); KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987); LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979); RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); ONLY YESTERDAY [OMOHIDE PORO PORO] (JA. Isao Takhata, 1991); OMOHIDE PORO PORO (JA. Isao Takhata, 1991); PORCO ROSSO (JA, Hayao Miyazaki, 1993); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SPIRITED AWAY (JA, Hayao Miyazaki, 2001); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); GEDO SENKI (JA, Goro Miyazaki, 2006); PONYO (JP, Hayao Miyazaki, 2008); GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008); STORY OF THE YANAGAWA CANALS, THE (JA, Takahata Isao, 1987); YANAGAWA HORIWARI MONOGATARI (JA, Takahata Isao, 1987)
Summary: "This Kamera Book examines all their major works such as Laputa: Castle in the Sky, Grave of the Fireflies, My Neighbor Totoro, Kiki's Delivery Service, Only Yesterday, Porco Rosso, Pom Poko, Whisper of the Heart, Princess Mononoke and My Neighbours the Yamadas, as well as the critically acclaimed Spirited Away and Howl's Moving Castle. The authors examine the early output of Hayao Miyazaki and Isao Takahata, exploring the cultural and thematic threads that bind these films together. " -- BOOK BLURB
Notes: Includes index Includes bibliographical references: (p. 153)
ISBN: 9781842432792
Contents: -- 1: introduction -- 2 the pre-Ghibli works of Takahata Isao and Miyazaki Hayao -- 3 the films of Studio Ghibli -- 4: other projects -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: TONARI NO TOTORO (JA, Hayao Miyazaki, 1988)
Cross Reference: MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) SEE TONARI NO TOTORO
CrossTag: 1
URL status: URL: 'http://file://Q:/T/MY_NEIGHBOUR_TOTORO.zip' Checked: 31/08/2021 1:11:14 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81MIY MIY
Author: Hayao Miyazaki
Edition: English edition
Source: JA/US
Place: San Francisco, California
Publisher: VIZ Media
PubDate: c2014
PhysDes: 452 pages : colour illustrations ; 24 cm
Subject: ANIMATION. JAPAN; ANIMATORS; AUTHORSHIP; DIRECTION; DIRECTORS. JAPAN; JAPAN; MANGA; STUDIO GHIBLI; MIYAZAKI, HAYAO; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); SPIRITED AWAY (JA, Hayao Miyazaki, 2001); PONYO (JP, Hayao Miyazaki, 2008); GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008)
Summary: "In the mid-1990s, filmmaker Hayao Miyazaki moved from success to success as his work found an audience outside of Japan. His animated films of the era, including Princess Mononoke, Howl's Moving Castle, and Ponyo, were internationally lauded, and Miyazaki won an Academy Award in 2003 for his popular and critical hit Spirited Away. Follow Miyazaki as his vision matures, as cinema-lovers worldwide embrace his creations, and critics such as Roger Ebert take up the cause of animation and Miyazaki's films." -- BOOK BLURB
Notes: Originally published in Japan as Orikaeshiten, 1997-1998, by Iwanami Shoten, Publishers, 2008 -- Miyazaki's first autobiography, Starting Point, also available in the collection
ISBN: 9781421560908
Language: English