Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTY] 30 DAYS OF NIGHT (AT, David Slade, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTY] 30 FRAMES PER SECOND (US, Rustin Thompson, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTY] 30 SECONDS [TV] (AT, 2009)

PhysDes: Article
Subject: 55 [FIFTY-FIVE] DAYS AT PEKING (US, Nicholas Ray, 1963)

Call No: 45:93 OCO
Author: O'Connor, John E
Source: US
Place: New York
Publisher: Ungar
PubDate: c1983
PhysDes: xliii, 420 p. : ill. ; 22 cm
Series: Ungar film library
Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); ETHNIC GROUPS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55)
Notes: Includes index; Bibliography: p. 395-405
ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95
LON: 2795583

Call No: 744.7 FEM
Author: Radner, Hilary; Stringer, Rebecca
Source: US
Place: London ; New York
Publisher: Routledge
PubDate: 2011
PhysDes: ix, 310 pages : illustrations ; 23 cm
Subject: FEMINISM AND THE CINEMA; GENRES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; IDENTITY IN FILMS; JAMES BOND IN FILMS; MARRIAGE IN FILMS; MASCULINITY IN FILMS; MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SEXUALITY AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004); BABY MAMA (US, Michael McCullers, 2008); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); BRIDE WARS (US, Gary Winick, 2009); CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006); ENCHANTED (US, KEVIN LIMA, 2007); [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005); FRIENDS WITH MONEY (US, Nicole Holofcener, 2006); HARD CANDY (US, David Slade, 2005); JUNO (US/CN, Jason Reitman 2007); KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001); MARIE ANTOINETTE (US, Sofia Coppola, 2006); MICHAEL CLAYTON (US, Tony Gilroy, 2007); MISS CONGENIALITY (US, Donald Petrie, 2000); SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008); SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008); SINGLE MAN, A (US, Tom Ford, 2009); SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005); WAR OF THE WORLDS (US, Steven Spielberg, 2005)
Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURB
Notes: Includes list of figures, bibliographical references and index
ISBN: 9780415895880
Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills; Souvenir programme
Subject: [FIFTY-FIVE] 55 DAYS AT PEKING (US, Nicholas Ray, 1963)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FOUR-THIRTY] 4:30 (SI/JA Tan Royston, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: [NINE THIRTY FIFTY-FIVE] 9/30/55 (US, James Bridges, 1977)

Call No: 722-02 PRI
Author: Spigel, Lynn; Mann, Denise
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1992
PhysDes: xiii, 293 p. : ill. ; 24 cm
Series: Camera obscura book
Subject: WOMEN AND TV; WOMEN, PROGRAMMES FOR; CONSUMERS AND TV; SITUATION COMEDY; POSTMODERNISM AND TV/VIDEO; MELODRAMA; SOAP OPERAS; ETHNIC GROUPS ON TV; FAMILY ON TV; MARRIAGE ON TV; STARS; ETHNIC GROUPS ON TV; CLASS AND TV; FEMINISM AND TV; TELEVISION AND THE CINEMA; HOMOSEXUALITY ON TV; GENDER AND TV; GLESS, SHARON; FOSTER, MEG; DALY, TYNE; CARROLL, DIAHANN; KANTNER, HAL; RAYE, MARTHA; MARTHA RAYE SHOW, THE [TV] (US, 195?-55); JULIA [TV] (US, 1968-71); CAGNEY AND LACY [TV] (US, 1982-88); KATE AND ALLIE [TV] (US, 1984-88); GENERAL HOSPITAL [TV] (US, 1963-); GOLDBERGS, THE [TV] (1949-55?); LEAVE IT TO BEAVER [TV] (US, 1957-63); FATHER KNOWS BEST [TV] (US, 1954-60); ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66)
Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and index
ISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)
LON: 91040919; 8544849

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SCOTT WALKER: 30 CENTURY MAN (US/UK, Stephen Kijak, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEPTEMBER 30, 1955 (US, James Bridges, 1977)

Call No: S SHO
Edition: Final shooting script (reading draft)
Place: AT
PubDate: 2008
Subject: [THIRTY] 30 SECONDS [TV] (AT, 2009); CHANDON PICTURES [TV] (AT, 2007); JESTERS, THE [TV](AT, 2009-); LIBRARIANS, THE [TV] (AT, 2007); VERY SMALL BUSINESS [TV] (AT, 2008); WHATEVER HAPPENED TO THAT GUY [TV] (AT,2009-)
Summary: "In 2009 after consultation with the Australian Writers Guild, the AFI agreed to collect and distribute scripts for the jurors review in consideration of the AFI Award for Best Screenplay in a Short Fiction Film". The collection of scripts included in this resource were submitted to the AFI to act as supporting material when considering the award. -- Shorts films and animations included are: Affair written by Lav Bodnaruk; Be my brother written by Genevieve Clay & Gerard Odwyer; Blind date written by Chris Ramos; Boundless written by Stephen Kanaris; Boxer written by Michael Latham; Carrot written by Tom Salisbury; Chance given written by Ariel Martin; Fences written by Chris Corbet; First love written by Matthew Duffy; I can speak swedish written by David Forster; INK written by Justine Wallace; Jacob written by Dena Curtis; Kind of man written by Kelly Schilling; Miracle fish written by Luke Doolan; Monster audtions- Sam written by Stu Connolly; Nia's Melancholy written by S.F Tusa; Pinata written by Sian Davies; Plastic written by Sandy Widyanata; Red water red written by Qing Xie; Shockwaves written by Michael Cove; The Bully written by Shane McNeil; The Divorce Case written by Leon Hooke; The not-so-great Eugene Green written by Michael Hill & Jamie Messenger; The pessimist written by James Lindsay; Vinyl written by Ashley Fairfield.
Notes: "In 2009 after consultation with the Australian Writers Guild, the AFI agreed to collect and distribute scripts for the jurors review in consideration of the AFI Award for Best Screenplay in a Short Fiction Film". The collection of scripts included in this resource were submitted to the AFI to act as supporting material when considering the award. -- Shorts films and animations included are: Affair written by Lav Bodnaruk; Be my brother written by Genevieve Clay & Gerard Odwyer; Blind date written by Chris Ramos; Boundless written by Stephen Kanaris; Boxer written by Michael Latham; Carrot written by Tom Salisbury; Chance given written by Ariel Martin; Fences written by Chris Corbet; First love written by Matthew Duffy; I can speak swedish written by David Forster; INK written by Justine Wallace; Jacob written by Dena Curtis; Kind of man written by Kelly Schilling; Miracle fish written by Luke Doolan; Monster audtions- Sam written by Stu Connolly; Nia's Melancholy written by S.F Tusa; Pinata written by Sian Davies; Plastic written by Sandy Widyanata; Red water red written by Qing Xie; Shockwaves written by Michael Cove; The Bully written by Shane McNeil; The Divorce Case written by Leon Hooke; The not-so-great Eugene Green written by Michael Hill & Jamie Messenger; The pessimist written by James Lindsay; Vinyl written by Ashley Fairfield.
Donation: Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTY] 30 ROCK [TV] (US, 2006-2013)
URL status: URL: 'http://file://Q:/T/THIRTY_ROCK.TV.zip' Checked: 31/08/2021 1:18:24 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S TVL
Edition: Final shooting script (reading draft)
Place: AT
PubDate: 2008
PhysDes: 280 leaves
Subject: [THIRTY] 30 SECONDS [TV] (AT, 2009); CHANDON PICTURES [TV] (AT, 2007); JESTERS, THE [TV](AT, 2009-); LIBRARIANS, THE [TV] (AT, 2007); VERY SMALL BUSINESS [TV] (AT, 2008); WHATEVER HAPPENED TO THAT GUY [TV] (AT,2009-)
Summary: A collection of supporting comedy script material for Australian television programs written and produced in 2008-09 including: 30 Seconds, Chandon Pictures, The Jesters, The Librarians, Very Small Business and Whatever Happened To That Guy?
Notes: A collection of unpublished television scripts -- 30 seconds, Episode 3. 'Good clown, Bad clown' by Scott Nowell, Justin Drape, Tim Bullock. Copyright 2008 Zapruder's Other Films. -- Chandon pictures, Episode 2. 'Run bitch run' written by Rob Carlton, developed by Russell Smyth, Alex Weinress. c2008 Shadowfax TV. -- Chandon pictures, Episode 8, Series 2. 'Rock$tar' written by Rob Carlton, developed by Russel Smyth, Alex Weinress. c2008 Shadowfax TV. -- The jesters, Episode 3. 'Breakfast clubbed' written by Angus FitzSimons & Kevin Brumpton. c2009 Jester Productions. -- The jesters, Episode 8. 'Wrap up' written by Angus FitzSimons & Kevin Brumpton. c2009 Jester Productions. -- The librarians, Series 2, Episode 2. 'This little piggy' by Robyn Butler and Wayne Hope. c2008 Gristmill Pty Ltd. -- The librarians, Series 2, Episode 5. 'Deliverance' by Robyn Butler and Wayne Hope. c2008 Gristmill Pty Ltd. -- Very small business, Episode 4. 'Diversification of capital' by Wayne Hope and Gary McCaffrie, additional matterial written by Robyn Butler. Developed with the assistance of Film Victoria. c2008 Gristmill Pty Ltd. -- Very small business, Episode 6. 'Obligations under the taxation act' by Wayne Hope and Gary MCCaffrie. Additional material written by Robyn Butler. c2008 Gristmill Pty Ltd. -- Whatever happened to that guy?, Epsiode 2. 'Bryan Brown stole my life' by Brendan Luno & Peter Moon. c2008 Ruby Entertainment. -- Whatever happened to that guy?, Episode 7. 'Dog' by Doug MacLeod. c2008 Ruby Entertainment.
Donation: Australian Film Institute

Call No: 744-02(73) HAV
Author: Havas, Julia
Edition: 2022
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2022
PhysDes: viii, 272 pages : illustrated
Subject: FEMINISM AND TV; GOOD WIFE, THE [TV] (US, 2009); GENDER AND TV; PARKS AND RECREATION [TV] (US, 2009-15); SEX AND THE CITY [TV] (US, 1998-2004); WOMEN ON TV. USA; [THIRTY] 30 ROCK [TV] (US, 2006-2013)
Summary: While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming’s cultural value, Woman Up: Invoking Feminism in Quality Television is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Julia Havas’scentral argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other. Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticized this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicized rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value. Woman Up will most appeal to students and scholars of cinema and media studies, feminist media studies, television studies, and cultural studies. -- publisher's web site
ISBN: 9780814346563