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29 results out of 29

Interim book		The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999. Call No: 67(04) BES Place: New York Publisher: St. Martin's PubDate: 1999 PhysDes: 280 p. Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; BLACKS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; OZU YASUJIRO; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832 ID2: 291 More info
book		Breaking the glass armor : neoformalist film analysis / Kristin Thompson Princeton, N.J.: Princeton University Press, 1988. Call No: 623.75 THO Author: Thompson, Kristin, 1950 Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 1988 PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cm Subject: FORMALISM; REALISM IN FILMS; TERROR BY NIGHT (US, Roy William Neill, 1946); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); LAURA (US, Otto Preminger, 1944); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); PLAYTIME (FR, Jacques Tati, 1967); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); LANCELOT DU LAC (FR/IT, Robert Bresson, 1974); BANSHU (JA, Ozu Yasujiro, 1949) Notes: Includes bibliographical references and index ISBN: 0691067244 (alk. paper) LON: 5669174 ID2: 291 More info
book		The cinema of Ozu Yasujiro : histories of the everyday / Woejeong Joo Edinburgh: Edinburgh University Press, Call No: 81 OZU JOO Author: Joo, Woejeong Edition: 2017 Place: Edinburgh Publisher: Edinburgh University Press PhysDes: xii, 276 pages : illustrated ; 24cm Series: Edinburgh studies in East Asian film Subject: OZU YASUJIRO Summary: One of the most well regarded of non-Western film directors, responsible for acknowledged classics like Tokyo Story (1953), Ozu Yasujiro worked during a period of immense turbulence for Japan and its population. This book offers a new interpretation of Ozu’s career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu’s depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence. Firmly situating him within the context of the Japanese film industry, Woojeong Joo examines Ozu’s work as a studio director and his relation to sound cinema, and looks in-depth at his wartime experiences and his adaptation to post-war Japanese society. Drawing on Japanese materials not previously examined in western scholarship, this is a ground-breaking new study of a master of cinema. -- publisher's web site ISBN: 9781474441001 More info
book		Cultures on celluloid / Keith Reader London New York: Quartet Books, 1981. Call No: 408.1REA Author: Reader, Keith Place: London New York Publisher: Quartet Books PubDate: 1981 PhysDes: 216 p., [8] p. of plates : ill. ; 24 cm Subject: NATIONAL IDENTITY IN FILMS. JAPAN; NATIONAL IDENTITY IN FILMS. FRANCE; NATIONAL IDENTITY IN FILMS. UK; NATIONAL IDENTITY IN FILMS. USA; NOUVELLE VAGUE; FILM NOIR; RENOIR, JEAN; OZU YASUJIRO; KUROSAWA AKIRA; MIZOGUCH KENJI; OSHIMA NAGISA; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949); GONE WITH THE WIND (US, Victor Fleming, 1939) Notes: Includes index; Bibliography: p. [200]-202; Filmography: p. [203]-209 ISBN: 0704322722 LON: 2099506 ID2: 291 More info
book		Currents in Japanese cinema : essays / by Sato Tadao ; translated by Gregory Barrett Tokyo New York: Kodansha International Kodansha International/USA distributed by Kodansha International/USA through Harper & Row, 1982. Call No: 71(52) SAT Author: Satso Tadao, 1930 Edition: 1st ed Place: Tokyo New York Publisher: Kodansha International Kodansha International/USA distributed by Kodansha International/USA through Harper & Row PubDate: 1982 PhysDes: 288 p. : ill. ; 22 cm Subject: JAPAN; OSHIMA NAGISA; KUROSAWA AKIRA; MIZOGUCHI KENJI; OZU YASUJIRO Notes: Rev. translation of: Nihon eiga shisso shi; Includes index ISBN: 0870118153 (U.S.); 4770013159 (Japan); 0870115073 (U.S.) : $21.50 LON: 2258965 ID2: 291 More info
book		Figures traced in light : on cinematic staging / David Bordwell Berkeley, Calif.: University of California Press, 2005. Call No: 631.21 BOR Author: Bordwell, David Source: US Place: Berkeley, Calif. Publisher: University of California Press PubDate: 2005 PhysDes: 314 p. : 25 cm Subject: BORDWELL, DAVID; FEUILLADE, LOUIS; MIZOGUCHI KENJI; HOU HSIAO-HSIEN; ANGELOPOULOS, THEO; HAWKS, HOWARD; ANTONIONI, MICHELANGELO; OZU YASUJIRO; KITANO TAKESHI; AESTHETICS; CINEMATOGRAPHY Notes: A film tells its story not only through dialogue and actors’ performances but also through the director’s control of movement and shot design. Figures Traced in Light is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through pictorial composition. Ranging over the entire history of cinema and illustrating his discussion with more than five hundred frame enlargements, David Bordwell focuses on four filmmakers’ unique contributions to the technique. In-depth chapters examine the films of Louis Feuillade, masters of the 1910s serial; Mizoguchi Kenji, the great Japanese director who worked from the 1920s to the 1950s; Theo Angelopoulos, who began his career as a political modernist in the late 1960s; and Hou Hsiao-hsien, the Taiwanese filmmaker who in the 1980s became the preeminent Asian director. For comparison, Bordwell draws on films by Howard hawks, Michelangelo Antonioni, Ozu Yasujiro, Kitano Takeshi, and many other directors. [Taken from back cover.] ISBN: 0520241975 ID2: 291 More info
book		Film and phenomenology : toward a realist theory of cinematic representation / Allan Casebier Cambridge New York: Cambridge University Press, 1991. Call No: 626:165.62 CAS Author: Casebier, Allan Place: Cambridge New York Publisher: Cambridge University Press PubDate: 1991 PhysDes: vii, 165 p. ; 24 cm Series: Cambridge studies in film Subject: HUSSERL, EDMUND; PHILOSOPHY AND THE CINEMA; DOCUMENTARY FILMS; BORDWELL, DAVID; BAZIN, ANDRE; MARKER, CHRIS; KUROSAWA AKIRA; LACAN, JACQUES; METZ, CHRISTIAN; OSHIMA NAGISA; OZU YASUJIRO; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes index; Bibliography: p. 159-160; Filmography: p. 161-162 ISBN: 0521411327 (hardback) LON: 7950801 More info
book		Film fables / Jacques Rancier ; translated by Emiliano Battista New York: Berg Publishers, 2006. Call No: 63 RAN Author: Rancier, Jacques; Battista, Emiliano Source: FR/US Place: New York Publisher: Berg Publishers PubDate: 2006 PhysDes: viii, 196 pages ; 24 cm Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; OZU YASUJIRO; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955) Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries." Notes: Includes index ISBN: 9781845201685 ID2: 291 More info
book		The flash of capital : film and geopolitics in Japan / Eric Cazdyn Durham, NC: Duke University Press, 2002. Call No: 71(520) CAZ Author: Cazdyn, Eric Source: US Place: Durham, NC Publisher: Duke University Press PubDate: 2002 PhysDes: xii, 316 p. : ill. ; 23 cm Subject: JAPAN; CAPITALISM AND THE CINEMA; POLITICS AND THE CINEMA. JAPAN; PORNOGRAPHIC FILMS. JAPAN; CRITICISM. JAPAN; ADAPTATIONS. JAPAN; OZU YASUJIRO; MIZOGUCHI KENJI; KUROSAWA AKIRA; KINUGASA TEINOSUKE; OSHII MAMORU; TSUKAMOTO SHINYA; OKUZAKI KENZO; IMAMURA SHOHEI; OSHIMA NAGISA; YUKI YUKITE SHINGUN (JA, Hara Kazuo, 1987); ROJO NO REIKON (JA, M. Murata, 1924) ISBN: 0822329395 Contents: I. Relation: Film, Capital, Transformation -- II. Historiography: Nation, Narrative, Capital -- III. Adaptation: Origin, Nation, Aesthetic -- IV. Acting: Structure, Agent, Amateur -- V. Pornography: Totality, Reality Culture, Films of History -- VI. Re-reading: Canon, Body, Geopolitics. ID2: 291 More info
title clippings file		HITORI MUSUKO : (JA, Ozu Yasujiro, 1936) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: HITORI MUSUKO (JA, Ozu Yasujiro, 1936) ID2: 291 More info
journal article		Japanese Cinema in Wide Angle (1977) vol.1 iss.4 p.[whole issue] Author: Lehman, Peter (ed) PhysDes: Article Subject: INDUSTRY, FILM. JAPAN; OZU YASUJIRO; CRITICISM; WAR IN FILMS; OSHIMA NAGISA Summary: Whole issues on Japanese cinema. Includes article on American criticism of Japanese films, the spatial system in Ozu, the ritual cinema of Yukio Mishima, the representation of war in Japanese films, and an interview with Kihachi Okamoto. ID2: 291 More info
book		Japanese film directors / Audie Bock ; preface by Donald Richie New York: Published for the Japan Society by Kodansha International, 1978. Call No: 802.25(52) BOC Author: Bock, Audie, 1945 Edition: 1st ed Place: New York Publisher: Published for the Japan Society by Kodansha International PubDate: 1978 PhysDes: 370 p., [24] leaves of plates : ill. ; 22 cm Subject: DIRECTORS. JAPAN; JAPAN; MIZOGUCHI KENJI; OZU YASUJIRO; NARUSE MIKIO; KUROSAWA AKIRA; KINOSHITA KEISUKE; ICHIKAWA KON; KOBAYASHI MASAKI; IMAMURA SHOHEI; OSHIMA NAGISA; SHINODA MASAHIRO Notes: Includes index; Includes filmographies; Bibliography: p. [363]-365 ISBN: 0870113046 : $14.95 LON: 1084155 ID2: 291 More info
book		looking for Ozu : life journey of a famous artist / Huang Wenying (editor) [Taiwan?]: Taiwan Film Culture Association, 2003. Call No: 81 OZU HUA Author: Huang Wenying Edition: 2003 Place: [Taiwan?] Publisher: Taiwan Film Culture Association PubDate: 2003 PhysDes: 196 pages : illustrated ; 26 cm Subject: OZU YASUJIRO ISBN: 9789572920602 More info
Online resource digital clippings file		OHAYO : (JA, Ozu Yasujiro, 1959) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Stills Subject: OHAYO [GOOD MORNING] (JA, Ozu Yasujiro, 1959) ID2: 291 URL status: URL: 'http://file://Q:/T/GOOD_MORNING.zip' Checked: 31/08/2021 12:52:36 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		The Oxford handbook of Japanese cinema / edited by Daisuke Miyao New York: Oxford University Press, 2014. Call No: 71(52) OXF Source: US Place: New York Publisher: Oxford University Press PubDate: 2014 PhysDes: xii, 483 pages : illustrations ; 25 cm Series: Oxford handbooks of literature Subject: JAPAN; CULTURE AND THE CINEMA. JAPAN; INDUSTRY, FILM. JAPAN; ANIME; MANGA; TSUKAMOTO SHINYA; MIIKE TAKASHI; MIZOGUCHI KENJI; OZU YASUJIRO Summary: Features twenty essays, all by leading researchers in the field, that provide the reader with a multifaceted single-volume account of Japanese cinema Engages in debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is The reality of transnational innovation and dissemination of new technologies, including digital media, has yet to make a dent in the deep-seated culturalism that insists on reinscribing a divide between the West and Japan, even in realms of technological activity that are quite evidently dispersed across cultures. Film and media studies are not immune to this trend. They continue to fret over the "Westernness" of film technologies vis-à-vis the apparently self-evident "Japaneseness" of other modes of cultural production. The main goal of The Oxford Handbook of Japanese Cinema is to counter this trend toward dichotomizing the West and Japan and to challenge the pervasive culturalism of today's film and media studies. This volume addresses productive debates about what Japanese cinema is, where Japanese cinema is, and where Japanese cinema is going at the period of crisis of national boundary under globalization. In order to do so, this volume attempts to foster dialogue between Japanese scholars of Japanese cinema, film scholars of Japanese cinema based in Anglo-American and European countries, film scholars of non-Japanese cinema, film archivists, film critics, and filmmakers familiar with film scholarship. [Extract taken from publisher's website] Notes: Includes bibliographical references and index ISBN: 9780199731664 Contents: -- Introduction -- What is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward an undisciplined film studies / Eric Cazdyn -- Triangulating Japanese film style / Ben Singer -- Critical reception: historical conceptions of Japanese film criticism / Aaron Gerow -- Creating the audience: cinema as popular recreation and social education in modern Japan / Hideaki Fujiki -- What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" / Michael Raine -- The edge of montage: a case of modernism/modanizumu in Japanese cinema / Chika Kinoshita -- Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema / Daisuke Miyao -- Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule / Dong Hoon Kim -- Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 / Hiroshi Kitamura -- Erasing China in Japan's "Hong Kong films" / Kwai Cheung Lo -- The emergence of the Asian Film Festival: Cold War Asia and Japan's re-entrance to the regional film industry in the 1950s / Sang Joon Lee -- Yamagata "Asia" Europe: International Film Festival short-circuit / Abe´ Mark Nornes -- What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days / Okada Hidenori ; translated by Ayako Saito -- Sketches of silent Film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles / Shuhei Hosokawa -- The Jidaigeki film genre: Twilight Samurai and its contexts / Yamamoto Ichiro ; translated by Diane Wei Lewis -- Occupation and memory: the representation of woman's body in postwar Japanese cinema / Ayako Saito -- reading Nishijin (1961) as cinematic memory / Mitsuyo Wada-Marciano -- by other hands: environment and apparatus in 1960s intermedia / Miryam Sas -- viral contagion in the Ringu intertext / Carlos Rojas -- media mix and the metaphoric economy of world / Alexander Zahlten -- index -- ID2: 291 More info
book		Ozu and the politics of cinema / David Bordwell London: British Film Institute, 1988. Call No: 81 OZU BOR Author: Bordwell, David Edition: 1988 Place: London Publisher: British Film Institute PubDate: 1988 PhysDes: 406 pages : illustrations ; 26 cm Subject: OZU YASUJIRO ISBN: 9780851701592 More info
personality microfilm collection		OZU, YASUJIRO Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Publicity; Clippings Subject: OZU YASUJIRO ID2: 291 More info
book		Placing movies : the practice of film criticism / Jonathan Rosenbaum Berkeley: University of California Press, 1995. Call No: 67(081) PLA Author: Rosenbaum, Jonathan Place: Berkeley Publisher: University of California Press PubDate: 1995 PhysDes: ix, 337 p. ; 24 cm Subject: CRITICISM; GODARD, JEAN-LUC; BARTHES, ROLAND; CASSAVETES, JOHN; TATI, JACQUES; WELLES, ORSON; RESNAIS, ALAIN; RUIZ, RAUL; ALLEN, WOODY; ANTONIONI, MICHELANGELO; FARBER, MANNY; TARR, BELA; RIVETTE, JACQUES; GERTRUD (DK, Carl Th. Dreyer, 1964); OHAYO (JA, Ozu Yasujiro, 1959); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); OTHELLO (MR, Orson Welles, 1951); MELO (FR, Alain Resnais, 1986); HARDLY WORKING (US, Jerry Lewis, 1980); AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979); BIRD (US, Clint Eastwood, 1988); WHITE DOG (US, Samuel Fuller, 1982); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974); RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); DEEP COVER (US, Bill Duke, 1992); PANAMA DECEPTION, THE (US, Barbara Trent, 1992); SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953); BARTON FINK (US, Joel Cohen, 1991); ATALANTE, L' (FR, Jean Vigo, 1934); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); KING LEAR (US/SZ, Jean-Luc Godard, 1987); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) Notes: Includes bibliographical references (p. 315-321) and index ISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper) LON: 93042954; 10612641 ID2: 291 More info
book		Sexual politics and narrative film : Hollywood and beyond / Robin Wood New York: Columbia University Press, c1998. Call No: 632 WOO; Misplaced - Aug 10 2009 Author: Wood, Robin, 1931 Place: New York Publisher: Columbia University Press PubDate: c1998 PhysDes: x, 352 p. : ill. ; 23 cm Series: Film and culture Subject: NARRATIVE IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; MARRIAGE IN FILMS; FAMILY IN FILMS; ROMANTIC FILMS; WOMEN IN FILMS; RACE AND THE CINEMA; GENDER AND THE CINEMA; FASCISM AND THE CINEMA; RIVETTE, JACQUES; MCCAREY, LEO; Mizoguchi Kenji; OZU YASUJIRO; MANDINGO (US, Richard Fleischer, 1975); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); PERSONA (SW, Ingmar Bergman, 1966); LIFE CLASSES (CN, William D. MacGillivray, 1987); BEFORE SUNRISE (US, Richard Linklater, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); CELINE ET JULIE VONT EN BATEAU (FR, Jacques Rivette, 1974); AMOUR FOU, L` (FR, Jacques Rivette, 1968) Notes: Includes index ISBN: 0231076053 (paper : alk. paper); 0231076045 (cloth : alk. paper) LON: 13757049 ID2: 291 More info
book		To the distant observer : form and meaning in the Japanese cinema / Noel Burch ; rev. and edited by Annette Michelson Berkeley: University of California Press, c1979. Call No: Not available; 71(52) BUR Author: Burch, Noel, 1932; Michelson, Annette Place: Berkeley Publisher: University of California Press PubDate: c1979 PhysDes: 387 p. : ill. ; 25 cm Subject: JAPAN; OZU YASUJIRO; NARUSE MIKIO; YAMANAKA SADAO; ISHIDA TAMIZO; MIZOGUCHI KENJI; KUROSAWA AKIRA; OSHIMA NAGISA; SHIMIZU HIROSHI; KINUGASA TEINOSUKE Notes: Includes indexes; Bibliography: p. 365-367 ISBN: 0520036050 : $19.50 LON: 1402277 ID2: 291 More info
title clippings file		TOKYO MONOGATARI : (JA, Ozu Yasujiro, 1953) Call No: TITLE CLIPPINGS FILE PhysDes: Stills Subject: TOKYO MONOGATARI (JA, Ozu Yasujiro, 1953) ID2: 291 More info
title clippings file		TOKYO NO ONNA : (JA, Ozu Yasujiro , 1933) Call No: TITLE CLIPPINGS FILE PhysDes: Stills Subject: TOKYO NO ONNA (JA, Ozu Yasujiro, 1933) ID2: 291 More info
title clippings file		TOKYO NO YADO : (JA, Ozu Yasujiro , 1935) Call No: TITLE CLIPPINGS FILE PhysDes: Stills Subject: TOKYO NO YADO (JA, Ozu Yasujiro , 1935) ID2: 291 More info
journal article		Tokyo Story in Melbourne Film Bulletin (September 1968) iss.5 p.37 Author: Finney, Alan PhysDes: Review Subject: TOKYO MONOGATARI (JA, Ozu Yasujiro, 1953); OZU YASUJIRO Summary: Brief review of Ozu's "Tokyo Story", regarded as the masterpiece of its director. ID2: 291 More info
book		Tokyo Story : the Ozu/Noda screenplay / by Yasuijiro Ozu and Koza Noda ; translated by Donald Richie and Eric Klestadt, with an introduction by Donald Richie Berkely, California: Stone Bridge Press, c2003. Call No: 79TOK OZU Author: Ozu, Yasujiro Source: US Place: Berkely, California Publisher: Stone Bridge Press PubDate: c2003 PhysDes: 144 p. : ill. ; 21cm Subject: OZU YASUJIRO; TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); TOKYO STORY (JA, Yasujiro Ozu, 1953) Summary: An elderly couple from the provincial city of Onomichi travel up to Tokyo to visit two of their children, who are now grown and busy with concerns of their own. The simple story of how these loving parents accept the painful arc of their lives is moving and profound, and has led critics to name Yasujiro Ozu's 1953 movie "Tokyo Story" one of the greatest films of all time. Included here is a complete translation of the Japanese screenplay to "Tokyo Story", critical observations by film expert Donald Richie on Ozu's filmmaking, a filmography, and 20 stills. Students of screenwriting will learn much from Ozu's lean approach, while film lovers will treasure this unique keepsake of a great cinematic achievement. [Taken from the back of the book] Notes: Special Ozu centennial edition; Filmography: p.129-141; Bibliography: p. 142-144; Also titled: Tokyo monogatari. English ISBN: 1880656809 Donation: donated by Senses of Cinema, 2009 ID2: 291 More info
book		Transcendental style in film: Ozu, Bresson, Dreyer Berkeley: University of California Press, 1972. Call No: 802.25 SCH Author: Schrader, Paul, 1946 Place: Berkeley Publisher: University of California Press PubDate: 1972 PhysDes: 194 p. illus. 24 cm Subject: OZU YASUJIRO; BRESSON, ROBERT; DREYER, CARL TH.; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); ORDET (DK, Carl Th. Dreyer, 1955); PICKPOCKET (FR, Robert Bresson, 1959); PROCES DE JEANNE D'ARC, LE (FR, Robert Bresson, 1962) Notes: Bibliography: p. [183]-187 ISBN: 0520020383 LON: 543935 ID2: 291 More info
title clippings file		UMARETE WA MITA KEREDO : (JA, Ozu Yasujiro, 1932) Call No: TITLE CLIPPINGS FILE PhysDes: Stills Subject: UMARETE WA MITA KEREDO (JA, Ozu Yasujiro, 1932) ID2: 291 More info
journal article		Unholy desire : Intentions of murder in Fade-in (April 1987) vol.27 iss.4 p.2 Author: Richie, Donald PhysDes: Article Subject: IMAMURA SHOHEI; OZU YASUJIRO; AKAI SATSUI (JA, Shohei Imamura, 1964); MURDEROUS INSTINCTS (JA, Shohei Imamura, 1964); UNHOLY DESIRE (JA, Shohei Imamura, 1964); TOKYO STORY (JA, Yasujiro Ozu, 1953); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953) Summary: Explores bibliographic aspects of director Shohei Imamura, noting that Imamura presents an alternative vision of Japanese culture which is typically represented as still, serene, civilised and rigidly hierarchical. Donald Richie instead frames Imamura's films like "Akai Satsui" within a Japan not bound by rules of decorum and order. Richie also comments on how Imamura worked as assistant director to Yasujiro Ozu for a number of films, including "Tokyo Story", then comparing and contrasting between Imamura and Ozu's filmic style Notes: "Akai Satsui" is also known by the English titles of "Unholy Desire", "Intentions of Murder", and "Murderous Instincts" ID2: 291 More info
book		Yasujiro Ozu : a critical anthology / edited by John Gillett and David Wilson London: British Film Institute, 1976. Call No: 81OZU OZU Author: Gillett, John; Wilson, David, 1942 Place: London Publisher: British Film Institute PubDate: 1976 PhysDes: [1], 42 p. ; 30 cm Subject: OZU YASUJIRO Notes: Filmography: p. 40-41; Bibliography: p. 42 ISBN: 0851700489 : ª0.25 LON: 76364573; 785147 ID2: 291 More info

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