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Amateurish film as ugly as its gross orc stars in Sunday Telegraph (12/06/2016) p.128
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BEGINNING : (GO/FR, Dea Kulumbegashvili, 2020) Digital clippings file available
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BEGINNING OR THE END, THE : (US, Norman Taurog, 1947)
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Cooper learns the craft of war in Herald Sun [Hit] (23/06/2016) p.41
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DRAGONHEART: A NEW BEGINNING : (US, Doug Lefler, 2000)
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EXORCIST: THE BEGINNING : (US, Renny Harlin, 2004)
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FRIDAY THE 13TH - A NEW BEGINNING : (US, Danny Steinman, 1985)
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IN THE BEGINNING : (AT, Tony Godfrey-Smith, 1980)
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IN THE BEGINNING THERE WAS SHOPPING : (AT, Sarah Gibson, 1991)
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IN THE BEGINNING [TV] : (US, Kevin Connor, 2000)
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'It's always a challenge going back to real life' in Sunday Telegraph (19/06/2016) p.122
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LASSIE: THE NEW BEGINNING : (US, Don Chaffey, 1979)
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Making and remaking horror in the 1970s and 2000s : why don't they do it like they used to? / David Roche Jackson: University Press of Mississippi, c2014.
Call No: 735.2 ROCAuthor: Roche, David Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2014PhysDes: vii, 335 pages : illustrations ; 24 cmSubject: HORROR FILMS ; REMAKES ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TEXAS CHAINSAW MASSACRE [...] (US, 1974-) ; TEXAS CHAINSAW MASSACRE, THE (US, Marcus Nispel, 2003) ; TEXAS CHAINSAW MASSACRE: THE BEGINNING, THE (US, Jonathan Liebesman, 2006) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; HILLS HAVE EYES, THE (US, Wes Craven, 1978) ; HILLS HAVE EYES, THE (US, Alexandre Aja, 2006) ; HILLS HAVE EYES PART II, THE (UK/US, Wes Craven, 1986) Summary: An expansive treatment of the meanings and qualities of original and remade American horror moviesNotes: Includes bibliographical references (317-328), filmography and index.ISBN: 9781617039621Contents: Introduction -- Text, subtext, and context -- (Dis)connecting race, ethnicity, and class -- The (dys)functional American nuclear family -- Gender and sexual troubles -- (Re)situating and (re)playing the genre -- Monsters and masks (horror and terror, part 1) -- Strategies and style (horror and terror, part 2) -- Constraints and verisimilitude: a tentative conclusion.
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MISSING IN ACTION 2 - THE BEGINNING : (US, Lance Hood, 1984)
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Nuclear war films / Edited by Jack G. Shaheen Carbondale: Southern Illinois University Press, 1978.
Call No: 737.34 SHAAuthor: Shaheen, Jack G. (editor) Place: CarbondalePublisher: Southern Illinois University PressPubDate: 1978PhysDes: 21 cm ; xx, 194 pagesSubject: NUCLEAR ISSUES IN FILMS ; WAR AND THE CINEMA ; BEGINNING OR THE END, THE (US, Norman Taurog, 1947) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959) ; ON THE BEACH (US, Stanley Kramer, 1959) ; LADYBUG, LADYBUG (US, Frank Perry, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; FAIL SAFE (US, Sidney Lumet, 1964) ; BEDFORD INCIDENT, THE (UK/US, James B. Harris, 1965) ; WAR GAME, THE (UK, Peter Watkins, 1966) ISBN: 0809308797AFIRC Location: Stacks
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ONG-BAK 2 : (TH, Tony Jaa/Panna Rittikrai, 2008)
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The Psycho records / Laurence A. Rickels New York: Wallflower Press, 2016.
Call No: 735.2 RICAuthor: Rickels, Laurence A. Edition: 2016Place: New YorkPublisher: Wallflower PressPubDate: 2016PhysDes: x, 232 p. ; 24 cmSubject: SLASHER FILMS ; PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925) ; HALLOWEEN (US, John Carpenter, 1978) ; SIXTH SENSE, THE (US, M. Night Shyamalan, 1999) ; SAW (US, James Wan, 2004) ; PSYCHO (US, Alfred Hitchcock, 1960) ; PSYCHO II (US, Richard Franklin, 1983) ; PSYCHO III (US, Anthony Perkins, 1986) ; PSYCHO IV: THE BEGINNING [TV] (US, Mick Garris, 1990) Notes: The Psycho Records follows the influence of the primal shower scene within subsequent slasher and splatter films. American soldiers returning from World War II were called "psychos" if they exhibited mental illness. Robert Bloch and Alfred Hitchcock turned the term into a catch-all phrase for a range of psychotic and psychopathic symptoms or dispositions. They transferred a war disorder to the American heartland. Drawing on his experience with German film, Hitchcock packed inside his shower stall the essence of schauer, the German cognate meaning "horror." Later serial horror film production has post-traumatically flashed back to Hitchcock's shower scene. In the end, though, this book argues the effect is therapeutically finite. This extensive case study summons the genealogical readings of philosopher and psychoanalyst Laurence Rickels. The book opens not with another reading of Hitchcock's 1960 film but with an evaluation of various updates to vampirism over the years. It concludes with a close look at the rise of demonic and infernal tendencies in horror movies since the 1990s and the problem of the psycho as our most uncanny double in close quarters. -- publisher's blurbISBN: 9780231181136
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Short cuts in Sydney Morning Herald (23/06/2016) p.16
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TEXAS CHAINSAW MASSACRE: THE BEGINNING, THE : (US, Jonathan Liebesman, 2006)
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Villains and heroes abound in epic fantasy nerdfest in The Age (16/06/2016) p.24
Call No: TITLE CLIPPINGS FILE; WARCRAFT: THE BEGINNING (CC/CN/US, Duncan Jones, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: WARCRAFT: THE BEGINNING (CC/CN/US, Duncan Jones, 2016) Summary: Review of the film WARCRAFT: THE BEGINNINGNotes: similar article listed - Canberra Times. Title: Why Warcraft is best left to the nerds, Section: Panorama, p 21. Date: June 18 2016Rating: 2.5 out of 5 stars
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Warcraft helps Hollywood makes a splash in China in Australian Financial Review (27/06/2016) p.31
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WARCRAFT: THE BEGINNING : (CC/CN/US, Duncan Jones, 2016)
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