Search Catalogue | AFI Research Collection

5 results out of 5

journal article		Is there enough violence on our screens in Metro (1997) iss.110 p.31-35 Author: Mills, Jane PhysDes: Article; Illustration(s) Subject: CENSORSHIP. AUSTRALIA; VIOLENCE IN FILMS; RATING FOR FILMS Summary: Concerns the debate on censorship and screen violence, and the response of the Australian government. More info
book		Jedda / Jane Mills Canberra: Currency Press, National Film and Sound Archive, 2012. Call No: 79JED MIL Author: Mills, Jane CorpAuthor: Australian Screen Classics Source: AT Place: Strawberry Hills, NSW; Canberra Publisher: Currency Press; National Film and Sound Archive PubDate: 2012 PhysDes: viii, 89 pages : illustrations, port. ; 19 cm. Series: Australian screen classics, 1447-557X Subject: CHAUVEL, CHARLES; JEDDA (AT, Charles Chauvel, 1955) Summary: Filmed in 1955 Jedda was the first Australian feature film to use Aboriginal actors in lead roles, the first to be filmed in colour and the first to be shown at the Cannes film festival. It tells the tragic story of a young Aboriginal girl of the Arunte tribe, adopted by a white woman, Sarah McCann. In this book, Mills unpeels the layers behind the film's story making, explaining why it deserves a place in Australia's cinematic firmament. Notes: Includes bibliographical references (p. 84-87) Includes list of film credits ISBN: 9780868199207 ISSN: 1447-557X Contents: -- Part one: Why Jedda? -- Part two: Meeting Jedda -- Part three: Jedda's Story Part 1 -- Part four: Jedda's story Part 2 -- Part five: Locating Joe -- Part six: Conclusion More info
book		Loving and hating Hollywood : reframing global and local cinemas / by Jane Mills Crows Nest, N.S.W: Allen & Unwin, 2009. Call No: 71(73) MIL Author: Mills, Jane Source: AT Place: Crows Nest, N.S.W Publisher: Allen & Unwin PubDate: 2009 PhysDes: xii, 249 p. ; 21 cm Summary: " Jane Mills challenges the widespread notion of a Hollywood bounded and fixed at the centre of a stable cultural landscape, to propose a new way of understanding inter-cinematic relationships. Placing her close readings of films within the framework of globalising processes she shows the cultural flows between cinemas are more fluid and their borders are more porous than commonly assumed. Loving and Hating Hollywood puts globalisation firmly on the agenda for cinema studies. It challenges filmmakers, critics and audiences to see the film world afresh and to recognise the power of dissident imagination wherever its geographical homeland may be. " --BOOK BLURB Notes: Includes bibliographical references (p. 216-235) and index. ISBN: 9781741756647 Donation: Donated by Senses Of Cinema, 2009 Contents: -- acknowledgments -- cover girl -- preface -- part 1: loving and hating Hollywood -- chapter 1: locating Hollywood -- chapter 2: thinking outside the frame -- part 2: mapping the global screenscape -- introduction: mapping boundaries -- chapter 3: avant-garde cinema -- chapter 4: national cinema -- chapter 5: the French wave -- chapter 6: first nation cinema -- chapter 7: women's cinema -- conclusion -- notes -- bibliography -- index More info
Book book		The Money shot : cinema, sin and censorship / Jane Mills Annandale, N.S.W: Pluto Press, 2001. Call No: 44 MIL Author: Mills, Jane Source: AT Place: Annandale, N.S.W Publisher: Pluto Press PubDate: 2001 PhysDes: xxv, 255 p. : ill. ; 22 cm Subject: CENSORSHIP. AUSTRALIA; CRITICISM. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; VIOLENCE IN FILMS; SEX IN FILMS Notes: Includes index. Bibliography: p. 237-243 ISBN: 1864031425 More info
journal article		Women filmmakers mainstreamed in Realtime (Feb-Mar 2000) iss.35 p.16 Author: Mills, Jane PhysDes: Article; Illustration(s) Subject: AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AUSTRALIAN FILM COMMISSION. WOMEN'S PROGRAM; WOMEN FILMMAKERS. AUSTRALIA Summary: The author suggests that women filmmakers in Australia still require government assistance, despite the lack of response to the demise of the AFC's Women's Program. More info

Online resources

Some of our items are now available digitally. On the catalogue they are indicated with an ‘online resource’ label above the thumbnail.

Some items have direct links that you can use if you are eligible. Some items are only available to RMIT staff and students or may be otherwise limited.

Some items are not deliverable directly. Please request these items using the search results form (or contact us) and we will contact you to check eligibility and to arrange delivery. Please note that digital clippings files for films prior to 2020 may have different contents to their physical equivalents and you should check both versions if possible.

Country codes