Search Catalogues

Author: Quinlivan, Beth; Maddox, Garry
PhysDes: Article
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: Status report on distribution of 1982/83 Australian features

Call No: 81 TRE TRE
Author: Trenchard-Smith, Brian
Edition: 2020
Place: [USA]
PhysDes: 580 pages : illustrated ; 26 cm
Subject: TRENCHARD-SMITH, BRIAN; PAGE, GRANT; LEE, BRUCE; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976); STUNT ROCK (NE, Brian Trenchard-Smith, 1978); BMX BANDITS (AT, Brian Trenchard-Smith, 1983); FROG DREAMING (AT, Brian Trenchard-Smith, 1985); DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurb
ISBN: 9798985674705

Author: Roddick, Nick
PhysDes: Article
Subject: DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986)
Summary: Article on a stunt done by Guy Norris for 'Dead end Drive-In

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARCTIC BLAST (CN, Brian Trenchard-Smith, 2010)

PhysDes: Article
Subject: MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Article on australian films screened at the American Film Market

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 71(94) DAN
Author: Danks, Adrian; Verevis, Constantine
Edition: 2023
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 224 pages ; 24 cm
Series: Traditions in World Cinema
Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: Offers an important insight into the formative moments of transnational film culture in Australia - Provides vibrant textual studies of under-evaluated Australian international pictures - Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s - Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival - Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’ Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site
ISBN: 9780748693061
Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Publicity; Study guide
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)

Call No: N79BMX PRI
Author: Price, Rosalind
Source: AT
Place: Sydney
Publisher: Ashton Scholastic
PubDate: 1984
PhysDes: [63] p. : col. ill. ; 28 cm
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Notes: Based on a Nilsen Premiere film. - T.P
ISBN: 0868962767
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: D.V.D. review of BMX Bandits

Author: Bright, Greg
PhysDes: Article
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: BMX Bandits first Australian film to be widely distributed by Rank

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 29 photographs : b&w and col. ; 14 x 9 cm - 20 x 25 cm
Subject: KIDMAN, NICOLE; D'ANGELO, ANGELO; LUGTON, JAMES; ARGUE, DAVID; LEY, JOHN; BROADBRIDGE, TOM; TRENCHARD-SMITH, BRIAN; BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: Twenty-seven black and white photographs and two colour photographs relating to the film BMX Bandits
Notes: Contains a duplicate of one photo

PhysDes: Article
Subject: DAY OF THE PANTHER, THE (AT, Brian Trenchard Smith, 1987)
Summary: Director and cast changes on 'The Day of the Panther' and 'The Strike of ther Panther'

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANGER FREAKS [TV] (AT, Brian Trenchard-Smith, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY OF THE ASSASSIN (US/SP/MX, Brian Trenchard-Smith, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY OF THE PANTHER, THE (AT, Brian Trenchard Smith, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986)

PhysDes: Article
Subject: DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986)
Summary: Location report

Author: Jones, Alan
PhysDes: Article
Subject: DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986)
Summary: Film preview and interview with director Brian Trenchard-Smith

Call No: P DEA
PubDate: [1986]
PhysDes: 1 poster : col. ; 90 X 64 cm.
Subject: DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986)
Summary: Image: Illustrated picture of a man (holding a gun) and woman holding hands with the drive-in and flames behind them and a car above them.Text: 'Getting in was easy... Getting out is hell on wheels.'
Notes: General wear and tear and blu-tack stains on back corners. Slight tear on top.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976)

Call No: 71(94) WOR
Author: Goldsmith, Ben (ed.), Ryan, Mark David (ed.), Lealand, Geoff (ed.)
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect Books
PubDate: 2015
PhysDes: 364 pages ; 24 cm
Series: Directory of world cinema ; 19
Subject: WORLD CINEMA; AUSTRALIA; ABORIGINAL AUSTRALIAN CINEMA; NEW ZEALAND; MAORI CINEMA
Summary: "Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries' cinema. Essays by leading critics and film scholars consider the significance of films of the outback and the beach, which is evoked as a liminal space in Long Weekend and a symbol of death in Heaven's Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel, and Gillian Armstrong. Accompany the critical essays in this volume are more than 60 film reviews, complemented by full-colour film stills and significantly expanded references for further study. From The Piano to Red Dog, from Pictures to The Orator, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of two similar - but also different - and consistenly fascinating national cinemas." -- BOOK BLURB
Notes: Includes recommended reading; Includes filmography
ISBN: 9781841506340
Contents: Introduction: Australia -- Film of the Year -- Red Dog -- Festival Focus -- Brisbane International Film Festival -- Australian Film Locations -- Marketing Mix -- Finding International Audiences -- Star Study -- Errol Flynn -- Directors -- Jane Campion -- Arthur and Corrine Cantrill -- Ken G Hall -- Brian Trenchard Smith -- Action and Adventure -- Australian Animated Feature Films -- Comedian Comedy -- Crime -- Australian Gothic -- Horror -- Road Movie -- Science Fiction -- Thriller -- War -- The Australian Western -- Introduction: New Zealand -- Crossing the Ditch -- Directors -- Women Directors of Feature Films in New Zealand -- Annie Goldson -- Gaylene Preston -- Director Studies -- Costa Botes -- Yvonne Mackay -- Merata Mita -- Barry Barclay -- Christine Jeffs -- Experimental and Documentary Film -- Theatrical Documentary in New Zealand 2012 -- Genres of New Zealand Experimental Film -- 'Principled Patriotism' -- Emerging Asian New Zealand Film-makers in New Zealand Cinema

PhysDes: Article
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983); TRENCHARD-SMITH, BRIAN; FILMWAYS; KIDMAN, NICOLE; DISTRIBUTION. AUSTRALIA
Summary: article on Filmways having bought the distribution rights for 'BMX Bandits'. Also includes a short review and brief interviews with director and producer.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FROG DREAMING (AT, Brian Trenchard-Smith, 1985)

Author: Caputo, Raffaele
PhysDes: Article
Subject: FROG DREAMING (AT, Brian Trenchard-Smith, 1985)
Summary: review of 'Frog Dreaming'; credits

Call No: P FRO
Place: AT
PubDate: 1985
PhysDes: 1 poster : colour ; 67 x 34 cm
Subject: FROG DREAMING (AT, Brian Trenchard-Smith, 1985)
Summary: Text: "the legend of" (at the top of the poster) "You loved him in E.T. Now Henry Thomas is back as Cody Walpole" "Cody is an adventurer who is about to explore the depths of a legend." Image: A boy stands and looks into the distance. Behind him is a pier with a bright light in the distance at the end of the pier.
Notes: Folds. This film has been given other titles in other countries such as The Quest and The Go Kids.

Subject: FROG DREAMING (AT, Brian Trenchard-Smith, 1985)
Summary: Article on GU purchasing distribution rights for 'Frog Dreaming' and brief review

Author: Bright, Greg
PhysDes: Article
Subject: FROG DREAMING (AT, Brian Trenchard-Smith, 1985)
Summary: GUO signs production-distribution agreement

PhysDes: Article
Subject: FROG DREAMING (AT, Brian Trenchard-Smith, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPY FACE MURDERS [TV] (US, Brian Trenchard-Smith, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOSPITALS DON'T BURN DOWN! (AT, Brian Trenchard Smith, 1978)

PhysDes: Article
Subject: DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986)
Summary: Report on production techniques used in 'Dead End Drive-In'

Author: Verhoeven, Deb
PhysDes: Article
Subject: RAILSBACK, STEVE; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Short article detailing challenges and controversies surrounding the film 'Turkey shoot' from production to its negative critical reception.
Notes: The schlock horror film Turkey Shoot is widely regarded as one of the most disreputable Australian exploitation titles in a genre already well noted for controversy. This short article frames the controversies that surround the film from production to critical reception, which sets the scene for an interview by Mark Harley with the film’s star Steve Railsback, who reflects on the movie’s production, his role, the controversy and the film’s reception. -- Abstract

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JENNY KISSED ME (AT, Brian Trenchard-Smith, 1985)

Author: Enker, Debi
PhysDes: Article
Subject: JENNY KISSED ME (AT, Brian Trenchard-Smith, 1985)
Summary: Review of 'Jenny kissed me'; Credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KUNG FU KILLERS (AT, Brian Trenchard-Smith, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE EPIDEMIC, THE (AT, Brian Trenchard-Smith, 1975)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 transparence : col. ; 120 mm
Subject: LOVE EPIDEMIC, THE (AT, Brian Trenchard-Smith, 1975)
Summary: A photographic slide relating to the film The love epidemic.

Call No: 79 MAD NEW
Author: Newton, James
Edition: 2021
Place: New York
Publisher: Bloomsbury Academic
PhysDes: 216 pages : illustrated ; 23 cm
Subject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983); ANDERSON, WES; AUTOMOBILES IN FILMS; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); DEATH RACE 2000 (US, Paul Bartel, 1975); DEATH RUN (UK, Michael J. Murphy, 1987); DEATH WISH (US, Michael Winner, 1974); EXPLOITATION FILMS; EXTERMINATOR, THE (US, James Glickenhaus, 1980); HOME VIDEO; MAD MAX (AT, George Miller, 1979); MAD MAX [...] (AT, 1979-85); MILLER, GEORGE; MASCULINITY IN FILMS; ZOMBIES IN FILMS AND TV
Summary: The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction of a number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chase cinema of the 1970s), to eventually inspiring a fresh cycle of international low budget 'road warrior' movies that appeared on home video in the 1980s. The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, and examines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape. -- publisher's web site
ISBN: 9781501342295
Contents: Acknowledgements -- Introduction -- Chapter One: Origins of the Road Warrior -- Chapter Two: The Death Race Lineage -- Chapter Three: Contextualising Mad Max -- Chapter Four: The Politics of Mad Max -- Chapter Five: MadMaxploitation! Transnational Road Warriors -- Chapter Six: Fury Road and the Imitation of Exploitation -- Chapter Seven: Mad Max and the metatext: Fan Engagement and Online Culture -- Conclusion: A Few Years From Now -- List of Films -- Reference List -- Index

Author: chriss Murray
PhysDes: Article
Subject: MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: D.V.D. review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : col. ; 10 x 15 cm - 28 x 22 cm + 2 posters : col. ; 28 x 22 cm
Subject: TRENCHARD-SMITH, BRIAN; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: Three colour photographs and two colour posters from the film The Man from Hong Kong
ID2: 302

Author: Johinke, Rebecca
PhysDes: Article
Subject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986)
Summary: This article suggests that Dead End Drive-In (1986), Brian Trenchard-Smith's little-known Ozploitation film, deserves reconsideration from Australasian film scholars because it offers a valuable contribution to discussions about Australian masculinity, car culture, phobic narratives and the White Australia Policy. It is argued that the drive-in as detention centre foreshadows later Australian anxieties about immigration and border protection. Clearly a phobic narrative full of white panic (Morris, 1989, 1998), it exhibits many of the anxieties about Australians and auto-immobility that Catherine Simpson (2006) discusses, and fits neatly into Tranter's (2003) discussion of cars and governance and Bode's (2006a) arguments about whiteness and Australian masculinity in crisis. -- Abstract

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OFFICIAL DENIAL (US, Brian Trenchard-Smith, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OUT OF BODY (AT, Brian Trenchard-Smith, 1988)

Call No: D OZploitation volume 1
Source: AT
Place: [Australia]
Publisher: Umbrella Entertainment
PubDate: 2004
PhysDes: 6 videodiscs (DVD) (ca. 701 min.) : sd., col. with b&w sequences ; 4 3/4 in.
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); HARLEQUIN (AT, Simon Wincer, 1980); NAKED BUNYIP, THE (AT, John B. Murray, 1970); ROADGAMES, (AT, Richard Franklin, 1981); NIGHT OF FEAR (AT, Terry Bourke, 1973); INN OF THE DAMNED (AT, Terry Bourke, 1974)
Summary: Includes seven films from the Australian genre cinema of the '70s and early '80s.
Notes: DAVID1434. Rated M.
Contents: The adventures of Barry McKenzie (1972); Roadgames (1981); Turkey shoot (1981); Harlequin (1980); The naked bunyip (1970); Night of fear (1973); Inn of the damned (1974)
Technical Details: PAL ; All regions.
Credits: Directors, Bruce Beresford, Richard Franklin, Simon Wincer, John B. Murray, Brian Trenchard-Smith, Terry Bourke.
Also Titled: The adventures of Barry McKenzie.; Roadgames.; Harlequin.; The naked bunyip.; Turkey shoot.; Inn of the damned.; Night of fear.
Standard Number: 3000000070161
Performer: The adventures of Barry McKenzie: Barry Crocker, Barry Humphries ; Roadgames: Stacy Keach, Jamie-Lee Curtis ; Harlequin: Robert Powell, David Hemmings ; The naked bunyip: Graeme Blundell, Gordon Rumph ; Turkey shoot: Steve Railsback, Olivia Hussey ; Night of fear: Norman Yemm, Carla Hoogeveen ; Inn of the damned: Judith Anderson, Alex Cord.

Author: Schembri, Jim
PhysDes: Article
Subject: DAY OF THE PANTHER, THE (AT, Brian Trenchard Smith, 1987)
Summary: Review; Credits

Author: Maddox, Garry
PhysDes: Article
Subject: DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986)
Summary: Location report on 'Dead End Drive-In'

Author: Russell Edwards
PhysDes: Article
Subject: TRENCHARD-SMITH, BRIAN; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: Interview with Brian Trenchard-Smith, director of The Man From Hong Kong about its re-release on D.V.D.

Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: Article on Rank Films selling distribution in China, including 'BMX Bandits'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAHARA (AT/US, Brian Trenchard-Smith, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SIEGE OF FIREBASE GLORIA, THE (AT, Brian Trenchard-Smith, 1989)

Author: Hartley, Mark; Railsback, Steve
PhysDes: Article
Subject: RAILSBACK, STEVE; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Steve Railsback recounts his experiences filming 'Turkey shoot', difficulties with finance and production, and his interactions with prominent actors and directors on the set.
Notes: Interview

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: STUNT ROCK (NE, Brian Trenchard-Smith, 1978)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 poster : col. ; 28 x 20 cm
Subject: STUNT ROCK (NE, Brian Trenchard-Smith, 1978)
Summary: 1 colour film poster

Author: Bright, greg
PhysDes: Article
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)

Call No: TITLE CLIPPINGS FILE; TURKEY SHOOT (AT, Jon Hewitt, 2014)
Author: Hawker, Philippa
PhysDes: Clippings
Subject: TURKEY SHOOT (AT, Jon Hewitt, 2014); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Brief interview with director Jon Hewitt.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Publicity
Subject: TRENCHARD-SMITH, BRIAN

Call No: S TUR
Author: George, Jon; Hicks, Neill
PubDate: [1981?]
PhysDes: 387 leaves
Subject: TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 X 25 cm.
Subject: TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); HUSSEY, OLIVIA; RAILSBACK, STEVE
Summary: Black and white photograph relating to the film Turkey Shoot

Subject: FROG DREAMING (AT, Brian Trenchard-Smith, 1985); EMOH RUO (AT, Denny Lawrence, 1985); UNITED AMERICAN AND AUSTRALASIAN FILM PRODUCTIONS; INDUSTRY, FILM. AUSTRALIA
Summary: Update on UAA's 'Frog Dreaming' and 'Emoh Ruo'

Subject: THOMAS, HENRY; FROG DREAMING (AT, Brian Trenchard-Smith, 1985); TRENCHARD-SMITH, BRIAN; UNITED AMERICAN AND AUSTRALASIAN FILM PRODUCTIONS; INDUSTRY, FILM. AUSTRALIA
Summary: Article on Henry Thomas coming to Australia for 'Frog Dreaming', incuding cast background and synopsis of film

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; DISTRIBUTION. AUSTRALIA; BOX OFFICE. AUSTRALIA; JENNY KISSED ME (AT, Brian Trenchard-Smith, 1985)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on Australian distributors' plans for MIFED, Australian films debuting at MIFED, Australian films currently in production, and Australian box office takings. New Zealand article focuses on New Zealand films screening at MIFED. Advertising poster for JENNY KISSED ME.

Call No: 756(944) WOR
Source: UK/US
Place: Bristol -- Chicago
Publisher: Intellect Books
PubDate: 2015
PhysDes: 128 pages : illustrations ; 23 cm
Series: World Film Locations
Subject: AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; SYDNEY IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; CITIES IN FILMS. AUSTRALIA
Summary: "The capital of New South Wales and the most populous city in Australia, Sydney has been represented onscreen since the earliest days of cinema. An eclectic combination of tough inner-city suburbs, beachside communities, and green outlying exurbs, Sydney offers many intriguing possibilities to filmmakers. World Film Locations: Sydney takes readers on a virtual tour of Sydney to explore how representations in movies have both played into and influenced how we think of these spaces and those that frequent them." -- BOOK BLURB
ISBN: 9781783203628
Contents: -- Maps/Scenes -- Scenes 1-8: 1919-1974 -- Scenes 9-16: 1975-1981 -- Scenes 17-24: 1982-1986 -- Scenes 25-32: 1992-1999 -- Scenes 33-39: 1999-2005 -- Scenes 40-46: 2006-2011 -- Essays -- Sydney: city of the imagination / Tina Kaufman -- The man from England: Brian Trenchard-Smith / Alexandra Heller-Nicholas -- The world behind the Coke sign / Jack Sargeant -- Life's a beach... / Deb Verhoeven -- Sojourner Sydney: looking from the outside / Jane Mills -- The phantasm of the opera: the Sydney Opera House / Gemma Blackwood -- Ubu films: Sydney's underground radical culture 1965 - 1972 / Lisa French -- resources -- contributor bios -- filmography

PhysDes: Article
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: Credits for entries in the 1984 AFI Awards