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Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004.
Call No: 730.3 TASAuthor: Tasker, Yvonne Source: UKPlace: Abingdon, OxonPublisher: RoutledgePubDate: 2004PhysDes: 414 p. ; 25 cmSubject: ACTION FILMS ; ADVENTURE FILMS ; STARS ; ORIENTAL ACTION FILMS ; CHILDREN AND THE CINEMA ; MELODRAMA ; HISTORY OF CINEMA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS ; WOMEN IN FILMS ; WAR FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.Notes: Includes note and index.ISBN: 0 415 23507 3Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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Asian Cult Cinema Miami, FL: Vital Books, [1993-].
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held no.5, 8-12
Asian Trash Cinema Miami, FL: 1993.
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001.
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Chang Cheh : a memoir / Hong Kong Film Archive Hong Kong: Hong Kong Film Archive, 2004.
Call No: 81CHACorpAuthor: Hong Kong Film ArchiveSource: Hong KongPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2004PhysDes: 255 p ; 24 cmSubject: CHANG, CHEH ; HONG KONG ; ORIENTAL ACTION FILMS Summary: The late director Chang Cheh (1924-2002) was a key advocator of the 'new century of wuxia' movement in the Hong Kong cinema. In the Memoir, Chang unveils to the readers his rarely known childhood, his aspired involvement in politics in his earlier years, and the hit trends he brought about in momentous phases of the Hong Kong cinema. The book contains precious stills and photos of the director at work, a complete filmography, and a preface written by director John Woo and renowned film critic Sek Kei as a tribute to the late master.ISBN: 9628050265
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Cultural studies : theorizing politics, politicizing theory : Special Issue : Becoming (Postcolonial) Hong Kong / Edited by John Nguyet Erni Routledge, July/October 2001.
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Fight and flight : the wuxia film in Chinese cinema / Stephen Teo
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Film genre 2000 : new critical essays / edited by Wheeler Winston Dixon Albany: State University of New York Press, c2000.
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Global Chinese cinema : the culture and politics of Hero / edited by Gary D. Rawnsley and Ming-Yeh T. Rawnsley Oxon: Routledge, 2010.
Call No: 79HER GLOSource: UKPlace: OxonPublisher: RoutledgePubDate: 2010PhysDes: xxvi, 226 p. ; 25 cmSeries: Routledge Media, Culture and Social Change in AsiaSubject: ORIENTAL ACTION FILMS ; CHINA ; INDUSTRY, FILM. CHINA ; LEUNG, TONY ; YIMOU, ZHANG ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ISBN: 97880415453158Donation: donated by Stephanie Hemelryk Donald, 2010Contents: Changing discourse of national identities and heroism. The political narrative(s) of Hero / GARY D. RAWNSLEY
Recycled heroes, invented tradition and transformed identity / YINGJIE GUO
The emperor and the assassin: China's national Hero and the myth of state origins / YIYAN WANG
The king, the musician and the village idiot: images of manhood / KAM LOUIE
Transformations of cultural perception, genre and stardom. Twenty-first century women warriors: variations on a traditional theme / LOUISE EDWARDS
On "Tian Xia (All under heaven)" in Zhang Yimou's Hero / XIZOMING CHEN and MING-YEH T. RAWNSLEY
Hero: rewriting the Chinese martial arts film genre / HAIZHOU WANG AND MING-YEH T. RAWNSLEY
"Would you rather spend more time making serious cinema?": Hero and Tony Leung's polysemic masculinity / MARK GALLAGHER
Fifteen minutes of fame: transient/transnational female stardom in Hero / OLIVIA KHOO
Local vs. global: deconstructing global Chinese blockbusters. Camp pleasure in an era of Chinese blockbusters: internet reception of Hero in mainland China / SABRINA QIONG YU
North American reception of Zhang Yimou's Hero / WENDY LARSON
Heroic music: from Hunan to Hollywood and back / KATY GOW
Visual effects magic: Hero's Sydney connection / MARY FARQUHAR
Towards a global blockbuster: the political economy of Hero's nationalism / ANTHONY FUNG AND JOSEPH M. CHAN.
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Graphic violence on the screen / edited by Thomas R. Atkins New York: Monarch Press, c1976.
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Hong Kong : culture and the politics of disappearance / Ackbar Abbas Minneapolis: University of Minnesota Press, 1997.
Call No: 408.1(512.317) ABBAuthor: Abbas, M. A. (M. Ackbar) Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1997PhysDes: vii, 155 p. : ill. ; 24 cmSeries: Public worlds ; v. 2Subject: HONG KONG ; NATIONAL CULTURE AND THE CINEMA. HONG KONG ; NATIONAL IDENTITY AND THE CINEMA. HONG KONG ; ORIENTAL ACTION FILMS ; WONG KAR-WAI ; KWAN, STANLEY ; TSUI, HARK ; HUI, ANN Summary: The Culture of Hong Kong encompasses Jackie Chan and John Woo, British colonial architecture and postmodern skyscrapers. Ironically, it was not until they were faced with the imposition of Mainland power - with the signing of the Sino-British Joint Agreement in 1984 - that the denizens of the colony began the search for a Hong Kong identity. According to Abbas, Hong Kong's peculiar lack of identity is due to its status as "not so much a place as a space of transit," whose residents think of themselves as transients and migrants on their way from China to somewhere else. In this intriguing and provocative exploration of its cinema, architecture, photography, and literature, Ackbar Abbas considers what Hong Kong, with its unique relations to decolonization and disappearance, can teach us about the future of both the colonial city and the global cityNotes: Includes bibliographical references (p. 147-150) and indexISBN: 0816629242 (hard : alk. paper); 0816629250 (pbk. : alk. paper)LON: 12802637 12802637ID2: 291
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Hong Kong action cinema / Bey Logan London: Titan Books, 1995.
Call No: 736.35(512.317) LOGAuthor: Logan, Bey Place: LondonPublisher: Titan BooksPubDate: 1995PhysDes: 191 p. ; ill. (some col.) ; 28cmSubject: HONG KONG ; ACTION FILMS. HONG KONG ; ORIENTAL ACTION FILMS ; WOMEN IN FILMS. HONG KONG ; CHAN, JACKIE ; WOO, JOHN [pseud. of Wu Yusen] ; CHOW, YUN-FAT ; LEE, BRUCE ; LAU KAR LEUNG ; HUNG, SAMO ; CHENG PEI PEI ; ROTHROCK, CYNTHIA ; PENN, KIM MAREE ; CRAWFORD, SOPHIA ; ACES GO PLACES (HK, Tsang Chi Wai, 1982) ; LONG XIONG HU DI (HK, Jackie Chan [pseud. of Cheng Long], 1986) ; JINGCHA GUSHI (HK, Jackie Chan [pseud. of Cheng Long], 1985) ; [BIG BOSS, THE] (HK, Lo Wei, 1971) ; [FIST OF FURY] (HK, Lo Wei, 1972) ; LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; [CITY ON FIRE] (HK, Ringo (Ling-Tung) Lam, 1987) ; [DRUNKEN MASTER, THE] (HK, Yuen Woo-Ping, 1978) ; [EASTERN CONDORS] (HK, Samo Hung, 1987) ; [PEDICAB DRIVER] (HK, Samo Hung, 1990) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; WAY OF THE DRAGON, THE (HK, Bruce Lee, 1973) ; YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986) ; [BULLET IN THE HEAD] (HK, John Woo [pseud. of Wu Yusen], 1990) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) Notes: Includes index; Bibliography: p. 188ISBN: 1852865407 (pbk)LON: 11245180
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Hong Kong cinema : From handicraft to high-tech / Hong Kong Film Archive Hong Kong: Hong Kong Film Archive, 2001.
Call No: 175(512.317) HONCorpAuthor: Hong Kong Film ArchivePlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2001PhysDes: 29 cm; 24 ppSubject: HONG KONG ; ORIENTAL ACTION FILMS ; SHAW BROTHERS ; ASIAN COUNTRIES Summary: A pictorial exhibition catalogue of Hong Kong cinema from the 1910s to the dawn of the twenty-first century. The exhibition and this catalogue “attempt to display the progress of Hong Kong cinema from handicraft to modernization, from intense labour to its blending with new technology, creating a striking Eastern aesthetic” and covers from silent to talkies; East meets West; post-war recovery; money talks; the studio era; new century of martial arts; acrobats and kung-fu; read? Action!; new wave and modernization; new visual techniques; dressed to kill; screen fashion; unforgettable settings; painting the city; digital realm; East-West fusion and; into the 21st century.ISBN: 9628050125
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The Making of Martial Arts Films- : As told by filmakers and stars / Provisional Urban Council Hong Kong: Hong Kong Film Archive, 1999.
Call No: 736.35(512.317) HONSource: HKPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 1999PhysDes: 96 p. : col. ill. ; 25 cmSubject: ORIENTAL ACTION FILMS ; HONG KONG ; LEE, BRUCE ; CHAN, JACKIE ; Yeoh, Michelle ; LI, JET ; CHENG PEI PEI Summary: Contains two levels of significance. First, it is the reappearance of many veterans of our film industry to relate their memories; and second, it retrospects on the development of martial arts films through extracts of video interviews whereby veterans speak about the martial arts genre and the pictures. The veterans that the Hong Kong Film Archive has managed to interview span from Chin Tsi-ang, Hong Kong's first lady martial arts star (the grandmother of Sammo Hung), to Michelle Yeoh, who has now carried her fame and talent into Hollywood. Among them are prominent stars and directors who have long retired as well as those up-and-coming talents still working in the industry. In English and Chinese.
Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/publication/pub05_preface.htmlISBN: 9628050060Language: Chinese; English
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Malaysian Cinema, Asian Film : border crossings and national cultures / William van der Heide Amsterdam: Amsterdam University Press, 2002. Available at OAPEN (open access)
Call No: 71(595) VANAuthor: van der Heide, William Source: NEPlace: AmsterdamPublisher: Amsterdam University PressPubDate: 2002PhysDes: 301 p. : 24 cmSeries: Film Culture in TransitionSubject: MALAYSIA ; ASIAN COUNTRIES ; CULTURE AND THE CINEMA ; SAMURAI FILMS ; WESTERNS. ITALY ; ORIENTAL ACTION FILMS ; INDIA ; HONG KONG ; INDONESIA Summary: A detailed study of the complexities of the film industry and film culture in Malaysia. Using cross-cultural analysis approaches, the book characterizes Malaysia as a pluralist society, consisting of a multiplicity of cultural identities.Notes: Includes filmography
Includes bibliography
Includes indexISBN: 9053565809 (pbk.)
9053565191 (hbk.)URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35103'
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The martial arts film / Marilyn D. Mintz South Brunswick [N.J.]: A. S. Barnes, c1978.
Call No: 736.35 MINAuthor: Mintz, Marilyn D., 1950 Place: South Brunswick [N.J.]Publisher: A. S. BarnesPubDate: c1978PhysDes: 243 p. : ill. ; 25 cmSubject: ORIENTAL ACTION FILMS ; KUROSAWA AKIRA ; LEE, BRUCE ; ALFRED THE GREAT (UK, Clive Donner, 1969) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; GOLDEN NEEDLES (US, Robert Clouse, 1974) ; SUGATA SANSHIRO (JA, Akira Kurosawa, 1943) ; CH'UAN CHI (HK, Chang Cheh, 1973) ; SHAOLIN MARTIAL ARTS (HK, Chang Cheh, 1974) Notes: Includes index; Bibliography: p. 231-234; Filmography: p. 220-229ISBN: 0498017753 : $9.95LON: 847828ID2: 291
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Multiple modernities : cinemas and popular media in transcultural East Asia / Jenny Kwok Wah Lau (ed.) Philadelphia PA: Temple University Press, 2003.
Call No: 71(5) MULSource: USPlace: Philadelphia PAPublisher: Temple University PressPubDate: 2003PhysDes: 250 p. ; 25 cmSubject: ASIAN COUNTRIES ; GLOBALISATION ; CHINA ; TAIWAN ; HONG KONG ; JAPAN ; KOREA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; NATIONAL IDENTITY AND THE CINEMA ; ORIENTAL ACTION FILMS ; GENDER AND THE CINEMA.CHINA ; KWOK WAH LAU JENNY Summary: Multiple Modernities explores the cultural terrain of East Asia. Arguing that becoming modern happens differently in different places, the contributors examine popular culture – most notably cinema and television – to see how modernization, as both a response to the West and a process that is unique in its own right in the region, operates on a mass level. Included in this collection are significant explorations of popular culture in East Asia, including Chinese new cinema and rock music, Korean cinema, and Taiwanese television, as well as discussions of alternative arts in general. While each essay focuses on specific nations or cinemas, the collective effect of reading them is to offer a comprehensive, in-depth picture of how popular culture in East Asia operates to both generate and reflect the immense change this significant region of the world is undergoing. [Taken from back cover.]ISBN: 1566399866
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ORIENTAL ACTION FILMS
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Outlaw masters of Japanese film / Chris D London ; New York: I.B. Tauris, 2005.
Call No: 802.25(52) DESAuthor: D., Chris [Desjardins, Chris] Source: UK/USPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2005PhysDes: ix, 262 p. : ill. ; 25 cmSubject: ORIENTAL ACTION FILMS ; JAPAN ; INDUSTRY, FILM. JAPAN ; FUKASAKU KINJI ; SUZUKI, SEIJUM ; MIIKE TAKASHI Summary: This book offers an extraordinary close-up on the golden age of Japanese cult, action and exploitation cinema from the early 1950s through to the late 1970s, and up to the present dayNotes: Includes index.; Includes bibliographical references (p. 256-257); Includes filmographies.ISBN: 9781845110864Contents: 1. Kinji Fukasaku -- 2. Eiichi Kudo -- 3. Shinichi 'Sonny' Chiba -- 4. Meiko Kaji -- 5. Junya Sato -- 6. Kihachi Okamoto -- 7. Kazuo Ikehiro -- 8. Masahiro Shinoda -- 9. Yasuharu Hasebe -- 10. Seijun Suziki -- 11. Teruo Ishii -- 12. Koji Wakamatsu -- 13. Takashi Miike -- 14. Kiyoshi Kurosawa -- Appendices -- Selected bibliographyID2: 291
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journal article
Run Run Shaw's Movietown : Asia's answer to Hollywood in Lumiere (August, 1973) iss.26 p.6-7
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A Study of the Hong Kong martial arts film / The 4th Hong Kong International Film festival Hong Kong: Urban Council, 1980.
Call No: FESTIVAL CATALOGUE SHELVESEdition: 1980Source: HKPlace: Hong KongPublisher: Urban CouncilPubDate: 1980PhysDes: 239p. : illus. : 30cm.Series: Hong Kong International Film Festival CatalogueSubject: HONG KONG ; ORIENTAL ACTION FILMS Notes: The 4th Hong Kong International Film Festival April 3-18, 1980; Part 1 : Development - Structure - Myth; Part 2 : Important figures in the genre; Part 3 : Biographical notes; Part 4 : Program notes; Part 5 : Filmography of Chinese Martial Arts filmsLanguage: English
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The swordsman and his jiang hu : Tsui Hark and Hong Kong film / Ho, Sam (ed.) Hong Kong: Hong Kong Film Archive, 2002.
Call No: 81TSU SWOAuthor: Sam Ho (ed.) CorpAuthor: Hong Kong Film ArchiveSource: Hong KongPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2002PhysDes: 267 p ; 27 cmSubject: TSUI, HARK ; HONG KONG ; ORIENTAL ACTION FILMS Summary: Tsui Hark is best known for his martial arts films. From his very first feature, The Butterfly Murders (1979), he has been making films regularly in the wuxia genre and many of them are importnt re-definitions of the genre. [Taken from introduction].ISBN: 962805015XLanguage: Chinese and English
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The Tartan guide to Asia extreme : An introduction to the astonishing world of cinema from the far east / Mark Pilkington / Jule Hartung (ed.) 2004.
Call No: 720(5) TARAuthor: Mark Pilkington PubDate: 2004PhysDes: 17 cm ; 58 pSubject: HORROR FILMS. HONG KONG ; HORROR FILMS ; ORIENTAL ACTION FILMS ; CHINA ; KOREA ; JAPAN ; TAIWAN ; HONG KONG ; GENRES ; THAILAND Summary: With titles such as Hard Boiled, Kwaidan and Onibaba, Tartan delivered the best and most provocative cinema from the East. But when Ring and Audition were unleashed upon unsuspecting audiences nationwide it became apparent that the appetite for such outrageous fare was massive, and it made sense to let people know where to find it. Thus, Asia Extreme was born. Films such as Battle Royale and Infernal Affairs continue to satisfy the ever increasing hunger for astounding cinematic style and outrageous shock moments, while a swathe of even newer titles – like Oldboy and Koma – wait in the wings for their chance to leave audiences breathless. Now, it seems inconceivable that, once upon a time, Asia Extreme didn’t exist at all. Heres the story of the origin and development of the most exciting and unique of all contemporary genres. [Taken from back cover].
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