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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; CHAMBRE VERT, LA (FR, Francois Truffaut, 1978) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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A man with a camera / Nestor Almendros ; translated from the Spanish by Rachel Phillips Belash London: Faber, 1985.
Call No: 81ALM ALMAuthor: Almendros, Nestor Source: USPlace: LondonPublisher: FaberPubDate: 1985PhysDes: viii, 306 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; PHOTOGRAPHY ; ALMENDROS, NESTOR ; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984) ; COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969) ; WILD CHILD (US/UK/FR, Nick Moore, 2008) ; TWO ENGLISH GIRLS (FR, Francois Truffaut, 1971) ; DEUX ANGLAISES ET LE CONTINENT, LES (FR, Francois Truffaut, 1971) ; CHLOE IN THE AFTERNOON (FR, Eric Rohmer, 1972) ; AMOUR L'APRES-MIDI, L' (FR, Eric Rohmer, 1972) ; GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974) ; GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975) ; COCKFIGHTER (US, Monte Hellman, 1974) ; STORY OF ADELE H., THE (FR, Francois Truffaut, 1975) ; HISTOIRE D'ADELE H., L' (FR, Francois Truffaut, 1975) ; MAITRESSE (FR, Barbet Schroeder, 1976) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978) ; KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978) ; MADAME ROSA (FR, Moshe Mizrahi, 1977) ; GOIN' SOUTH (US, Jack Nicholson, 1978) ; GREEN ROOM, THE (FR, Francois Truffaut, 1978) ; CHAMBRE VERT, LA (FR, Francois Truffaut, 1978) ; PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978) ; LOVE ON THE RUN (FR, Francois Truffaut, 1979) ; AMOUR EN FUITE, L` (FR, Francois Truffaut, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; BLUE LAGOON, THE (US, Randal Kleiser, 1980) ; CONFIDENTIALLY YOURS (FR, Francois Truffaut, 1983) ; VIVEMENT DIMANCHE! (FR, Francois Truffaut, 1983) ; LAST METRO, THE (FR, Francois Truffaut, 1980) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; PAULINE A LA PLAGE (FR, Eric Rohmer, 1983) ; PAULINE AT THE BEACH (FR, Eric Rohmer, 1983) ; STILL OF THE NIGHT (US, Robert Benton, 1982) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304ISBN: 0571135897 (pbk.)LON: abn85231033; 3994651
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