book
Aboriginality in Australian cinema : representations of Aborigines in selected features and documentaries, 1955-1987 / Karen Una Jennings 1987.
Call No: 451-054(=1-81) JENAuthor: Jennings, Karen Una CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication ProgrammePubDate: 1987PhysDes: iv, 167 leaves ; 30 cmSubject: AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES IN FILM ; AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977) ; ELIZA FRASER (AT, Tim Bustall, 1976) ; MANGANINNIE (AT, John Honey, 1980) ; BACKLASH (AT, Bill Bennett, 1986) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975) Notes: Bibliography: p. 153-67LON: abn89090906; 9151758
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subject clippings file
AUSTRALIAN ABORIGINES IN FILM
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book
Back of beyond : discovering Australian film and television / presented by the Australian Film Commission and the UCLA Film and Television Archive in association with the Australian Bicentennial Authority ; catalogue editor, Scott Murray North Sydney: Australian Film Commission, 1988.
Call No: 71(94) BACCopy Management: Copy 1; Copy 2Author: Murray, Scott, 1951 CorpAuthor: Australian Film Commission; UCLA Film and Television Archive; Australian Bicentennial AuthorityPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1988PhysDes: viii, 112 p. : ill., ports. ; 23 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; AUSTRALIAN ABORIGINES IN FILM ; WOMEN FILMMAKERS. AUSTRALIA ; MILLER, GEORGE ; HAYES, TERRY ; KENNEDY MILLER ENTERTAINMENT ; LANDSCAPES IN FILMS. AUSTRALIA ; SEMI-DOCUMENTARIES. AUSTRALIA Notes: Includes index; "UCLA, October 20-November 20, 1988' - Cover; Filmography: p. 108-109; Have a duplicate copyISBN: 0731643909LON: 6280621Contents: George Miller, p34-43 -- Terry Hayes, p44-51.
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book
Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; AUSTRALIAN ABORIGINES IN FILM ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Interim
book
Celluloid Heroes Down Under : Australian Film, 1970-2000 / Theodore F. Sheckels Westport, Connecticut: Praeger Publishers, 2002.
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book
Contemporary Australian cinema : an introduction / Jonathan Rayner Manchester: Manchester University Press, 2000.
Call No: 71(94) RAYAuthor: Rayner, Jonathan Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2000PhysDes: vi, 203 p. : ill. ; 23 cmSubject: AUSTRALIA ; FANTASTIC FILMS. AUSTRALIA ; HISTORICAL FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; ROAD MOVIES. AUSTRALIA ; AUSTRALIAN ABORIGINES IN FILM ; SCHEPISI, FRED ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; GALLIPOLI (AT, Peter Weir, 1981) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; MAD MAX [...] (AT, 1979-85) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SIRENS (AT/UK, John Duigan, 1994) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; ODD ANGRY SHOT, THE (AT, Tom Jeffrey, 1979) Notes: Includes bibliographical references (p. [194]-199) and indexISBN: 0719053269 (hbk.); 0719053277 (pbk.); 0719053269LON: 22455173
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Creative nation : Australian cinema and cultural studies reader / edited by Amit Sarwal and Reema Sarwal New Delhi: Sports and Spiritual Science, 2009.
Call No: 71(94) CREAuthor: Sarwal, Amit ; Sarwal, Reema Source: INPlace: New DelhiPublisher: Sports and Spiritual SciencePubDate: 2009PhysDes: xlix, 600 p. ; 22 cm.Series: Cinema, literature & culture series (SSS Publications)Subject: HISTORY AND THE CINEMA. AUSTRALIA ; AUSTRALIAN ABORIGINES AND THE CINEMA ; AUSTRALIAN ABORIGINES IN FILM Summary: "Creative Nation is the first Reader on Australian Cinema and Cultural Studies published in India that introduces Australian films (historical, contemporary, art house, short, digital and documentary) as well as cultural texts (pop and hip hop, popular theatre, film music, Aboriginal songs and music, mass art, queer and photographic culture) for an international scholarship in order to broaden Australian studies in nations that have recently begun to explore this field, especially in Asia.
The chapters presented in this Reader analyse dynamic subject matter such as family, moral values, cultural hybridity, Asian-Australian dialogues, gender and racial stereotypes, the representation of Australianness, Indigenous Australia, national symbols, mythology, and the representation of outback, suburban and metropolitan spaces in Australian cinema and culture in the broad context of globalization and international co-production." --Book jacket.Notes: Includes filmography and musicography.
Includes bibliographical references (p. [516]-567)ISBN: 819022820XContents: Acknowledgements -- Preface -- Foreword: Australia on the silver screen by John Ramsland -- Introduction: creative nation approaching Australian Cinema and Cultural Studies by Amit Sarwal and Reema Sarwal -- Cinema Studies: Frameworks and Forms: 1: Mapping Film studies in Australia: institutions, personnel and critical positions by Noel King, Constantine Verevis, and Deane Williams -- 2: Settings, subjects and stories: creating Australian cinema by Ben Goldsmith -- 3: Dynamic communcities: contemporary Australian movies: Robert S. Watson -- 4: Unlike mainstream: toward a definition of the Australian Art film by D. Bruno Starrs -- 5: A form of cultural expression: Documentary film in the "Creative nation": by Peter Hughes -- 6: Poetry in motion: the short film form in Australia: by Lisa French -- 7: Possibilities and pitfalls: low-budget digital cinema in Australia by Adrian Martin -- Analysing Genres -- 8: Film and National mythology: the Anzac legend in Australian films: by Daniel Yeynaud -- 9: Shot in Australia, written just about everywhere: Australian science fiction and fantasy films and TV series by Sean McMullen -- 10: White stories/Black magic: Australian horror films of the Aboriginal : by Alan McKee -- 11: Larriken Ockers and decent blokes: the national type in Australian film comedy: by Felicity Collins -- 12: A strange time machine: the Tracker, Black and White, and Rabbit-Proof Fence. By Jane Lydon. -- Theoretical Positions -- 13: The murderous state: the naturalisation of violence and exclusions in the films of neoliberal Australia by Jon Stratton -- 14: In search of the new man: masculinity in recent Australian Film and television: by Warwick Mules -- 15: Asian-Australian Cinema, Asian Australian Modernity: by Audrey Yue -- 16: Theorising the hybridity of "Australianness" in Australian Cinema: by Rama Venkatasawmy -- 17: Reception, Convention, expectation and transformation: representations of Aborigines in Australian texts: by Vijay Mishra -- Cultural Studies -- 18: .....................................
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festival catalogue
Cultural focus, cultural futures: a festival of film and television on indigenous Australians : a festival of film and television on indigenous Australians / [catalogue text by Michael Leigh and Nick Richardson] [Canberra]: Dept. of Foreign Affairs and Trade, c1992.
Call No: FESTIVAL CATALOGUE SHELVES; held 1992Author: Leigh, Michael ; Richardson, Nick CorpAuthor: Australia. Dept. of Foreign Affairs and Trade; Australian Institute of Aboriginal and Torres Strait Islander StudiesSource: ATPlace: [Canberra]Publisher: Dept. of Foreign Affairs and TradePubDate: c1992PhysDes: 20 p. : ill. ; 30 cmSubject: AUSTRALIAN ABORIGINES IN FILM ; FESTIVALS. AUSTRALIA Notes: Cover title; "The Department of Foreign Affairs and Trade is proud to be associated with the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS)..." --Cover versoISBN: 0642174660LON: 8922635
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book
Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; AUSTRALIAN ABORIGINES IN FILM ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; FOUR CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927) ; BIG BROTHER [TV] (AT, 2001) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O' Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; CHRONIQUE D' UN ETE (FR, Jean Rouch & Edgar Morin, 1961) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117X
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DVD
book
Dreaming in motion : celebrating Australia's indigenous filmmakers / Australian Film Commission Sydney, NSW: Australian Film Commission, 2007.
Call No: REFERENCE SECTION; 023(94)-54 (=1-81) AUSCorpAuthor: Australian Film CommissionSource: ATPlace: Sydney, NSWPublisher: Australian Film CommissionPubDate: 2007PhysDes: 72 p. : ill. (chiefly col.) ; 24 x 24 cm + 1 DVD (12 cm.)Subject: AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES AND THE CINEMA ; AUSTRALIAN ABORIGINES AND TV ; AUSTRALIAN ABORIGINES IN FILM ; AUSTRALIAN ABORIGINES IN FILMS ; AUSTRALIAN ABORIGINES ON TV Summary: "Dreaming in motion celebrates the achievements over more than a decade of Australia's Indigenous filmmakers and the role played in their collective success by the Indigenous Branch of the Australian Film Commission. Filmmaker entries include personal statements, biographies, filmographies, lists of festival screenings and awards, and accounts of acclaimed films."--From section of folded front cover.Notes: Includes index.; Region 4 DVD.; "Produced by RealTime for the Industry and Cultural Development Division and the Indigenous Branch of the Australian Film Commission."--Verso of title-page.; DVD in plastic envelope in section of folded front cover. It is divided into 2 sections: Filmmakers, and, Films.; Includes bibliographical references and index.; Also available in electronic format via the Internet. Address as at 22/06/2007: http://www.afc.gov.au/profile/pubs/indig.aspx.ISBN: 19020998039
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festival catalogue
Guddhabungan: a festival of Aboriginal and Torres Strait Islander films
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book
Kicking down the doors : a history of Australian Indigenous Filmmakers from 1968-1993 / by Brian Syron with Briann Kearny [United States of America]: Lulu Inc, c2007.
Call No: 71(94)(=1-81) SYRAuthor: Kearney, Briann ; Syron, Brian Source: ATPlace: [United States of America]Publisher: Lulu IncPubDate: c2007PhysDes: 1 vol. [unpaged] ; 28x21 cmSubject: AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES IN FILM ; AUSTRALIAN ABORIGINES ON TV ; SYRON, BRIAN ; KEARNEY, BRIANN Summary: "A history of Indigenous filmmakers from 1968-1993 including non Indigenous films for and about Indigenous people" - Libraries AustraliaNotes: Includes bibliographical references and index.; Originally published: Sydney, Donobri International Communications, 1996.ISBN: 9781847993649Contents: -- Early days -- chapter 2: the sixties -- chapter 3: the seventies -- 1970 -- 1971 -- 1972 -- 1973 -- 1974 -- 1975 -- 1976 -- 1977 --1978 -- 1979 -- chapter 4: the eighties -- 1980 -- 1981 -- 1982 -- 1983 -- 1984 -- 1985 -- 1986 -- 1987 -- 1988 -- 1989 -- chapter five: the nineties -- 1990 -- 1991 -- 1992 -- 1993 -- reference listings -- feature films -- short films -- series/mini series -- documentaries --
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book
Pathways and protocols : A filmmaker's guide to working with Indigenous people, culture and concepts / Terri Janke Sydney: Screen Australia, 2009.
Call No: 435(94) (=1-81) JANAuthor: Janke, Terri Source: ATPlace: SydneyPublisher: Screen AustraliaPubDate: 2009PhysDes: 123 p. : col. ill. ; 21 cmSubject: INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; AUSTRALIAN ABORIGINES IN FILM ; AUSTRALIAN ABORIGINES ON TV ; LAW AND THE CINEMA, AUSTRALIA Summary: "This practical guide is essential reading for all filmmakers shooting in Australia. Research and written by lawyer Terri Janke, Pathways & Protocols provides advice about the ethical and legal issues involved in transferring Indigenous cultural material to the screen. Whether shooting in country or city, with an Indigenous cast or not, practitioners of film, TV and digital media projects are encouraged to recognise and respect Indigenous people's images, knowledge, stories and land in the production of audiovisual material."--Back cover.Notes: Two copies. One each in stacks and at front desk.ISBN: 978-1-920998-09-7Contents: Preface -- How to use this guide -- 1: Introduction -- 1.1: Indigenous Australians -- 1.2: Filmmaking and Indigenous culture -- 1.3: What are protocols -- 2: Principles for protocols -- 2.1: Respect for Indigenous culture and heritage -- 2.2: Respect for Indigenous individuals and communities --3:Implementing protocols within flim practice -- 3.1: Overview - protocols for documentary versus drama -- 3.2: Initial research and project development -- 3.3: Script development -- 3.4: Pre-production and production -- 3.5: Editing and post-production -- 3.6: Screening and broadcasting -- 3.7: Footage archiving -- 3.8: Summary Checklist -- 4: Communication, consultation and consent -- 4.1: Consultation and consent -- 4.2: When consent is required -- 4.3: When consent is recommended -- 4.4: Tips for successful consulatation -- 5: Film and the law -- 5.1: Copyright -- 5.2: Perfomer's rights -- 5.3: Moral rights -- 5.4: Indigenous communal moral rights -- 5.5: Contracts -- 5.6: Defamation -- 5.7: Trade practices -- 5.8: Environmental legislation and national parks -- 5.9: Western Australian Heritage Regulations 1974 -- 5.10 Where to go for more legal information -- 6: Contacts and appendices -- 6.1: Directories -- 6.2: Indigenous media associations and broadcasters -- 6.3: Remote Indigenous Media Organsiations (RIMOS) -- 6.4: Industry agencies with Indigenous components -- 6.5: Indigenous cultural advisers and script consultants-- 6.6: Land Councils -- 6.7:Permit Offices -- 6.8: National Parks -- 6.9: Libraries and archival sources -- 6.10: Media law and copyright -- 6.11: regulation --6.12: Industrial Agreements -- Appendix 1: Sample clauses -- For ICMR in a director's contract -- Screen Australia ICIP Clause in Production and Investment Agreements -- Appendix 2: Background research on other protocols
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Interim
book
Rabbit-proof fence : the screenplay / Christine Olsen Strawberry Hills, N.S.W.: Currency Press, 2002.
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book
Sheep and the Australian cinema / Deb Verhoeven Carlton, Vic.: Melbourne University Press, 2006.
Call No: 738.6(94) VERAuthor: Verhoeven, Deb Source: ATPlace: Carlton, Vic.Publisher: Melbourne University PressPubDate: 2006PhysDes: xii, 317 p. ; 21 cmSubject: ANIMALS IN FILMS ; AUSTRALIAN ABORIGINES IN FILM ; HALL, KEN G. ; DERRIDA, JACQUES ; HEIDEGGER, MARTIN ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Summary: The book focuses on two key 'sheep films': The Squatter's Daughter and Bitter Springs. Both movies are concerned with the national project, in which sheep growing and nation building are seamlessly aligned. But Verhoeven artfully demonstrates that it is precisely in their emphasis on textual re-iteration and repetition that the sheep films critique an otherwise ostensibly 'national' vision. [taken from back cover]ISBN: 0522852394ID2: 53
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Interim
book
Walkabout / Louis Nowra Strawberry Hills, N.S.W.: Currency Press, ScreenSound Australia, 2003.
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