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Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : col. ; 16 x 22 cm
Subject: [FIFTEEN] 15 AMORE (AT, Maurice Murphy, 1998)
Summary: One colour photograph of the McClelland family from the film 15 Amore

Author: Prisk, Tracey
PhysDes: Production report; Credits; Illustration(s)
Subject: [FIFTEEN] 15 AMORE (AT, Maurice Murphy, 1998)
Summary: Post production being completed on the $450,000 feature "Fifteen Amore".

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIFTEEN] 15 YEAR OLD CAPTAIN, A [CAPITAN DE QUINCE ANS, UN] (FR/SP, Jesus Franco, 1974)

Call No: 71(51) CHI
Author: Berry, Chris
Edition: Second Edition
Source: UK
Place: Basingstoke [England] ; New York
Publisher: British Film Institute/Palgrave Macmillan
PubDate: 2008
PhysDes: 287 pages : illustrations ; 24 cm
Subject: CITY OF SADNESS, A [; TAIWAN; CULTURE AND THE CINEMA. CHINA; [FIFTEEN] 15 (SI, Royston Tan, 2003); BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002); DA WAN (HK/CC, Feng Xiaogang, 2002); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); MANG JING (CC/G/HK, Yang Li, 2003); BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003); BOAT PEOPLE (HK, Ann Hui, 1982); TOU-PEN NU-HAI (HK, Ann Hui, 1982); CENTER STAGE (HK, Stanley Kwan, 1991); RUAN LINGYU (HK, Stanley Kwan, 1991); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); GODDESS, THE (C, Yonggang Wu, 1934); HERO (HK/C, Yimou Zhang, 2002); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YELLOW EARTH (CC, Chen Kaige, 1985); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000)
Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURB
Notes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titles
ISBN: 9781844572373
Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li

PhysDes: Article
Subject: [FIFTEEN] 15 AMORE (AT, Maurice Murphy, 1998)
Summary: Dendy cinemas has agreed to release "15 Amore" in it's Sydney, Melbourne and Brisbane cinemas.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. INTERNATIONAL. 15/15 FILM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit
Subject: [FIFTEEN] 15 AMORE (AT, Maurice Murphy, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FIFTEEN] 15 MINUTES (US, John Herzfeld, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIFTEEN SEVENTEEN] 15:17 TO PARIS, THE (US, Clint Eastwood, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Press kit
Subject: FLAMENCO AT 5:15 (CN, Cynthia Scott, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOOKING [TV] (US, 2014 - 15)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARKS AND RECREATION [TV] (US, 2009-15)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RESURRECTION [TV] (US, 2014 - 15)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SALAMANDER [TV] (BE, 2012 - 15)

Call No: TITLE CLIPPINGS FILE; PARKS AND RECREATION [TV] (US, 2009-15)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: PARKS AND RECREATION [TV] (US, 2009-15)
Summary: Review of TV series Parks and Recreation.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOMMEREN JEG FYLTE 15, DEN (NO, Knut Anderson, 1974)

Call No: 744-02(73) HAV
Author: Havas, Julia
Edition: 2022
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2022
PhysDes: viii, 272 pages : illustrated
Subject: FEMINISM AND TV; GOOD WIFE, THE [TV] (US, 2009); GENDER AND TV; PARKS AND RECREATION [TV] (US, 2009-15); SEX AND THE CITY [TV] (US, 1998-2004); WOMEN ON TV. USA; [THIRTY] 30 ROCK [TV] (US, 2006-2013)
Summary: While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming’s cultural value, Woman Up: Invoking Feminism in Quality Television is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Julia Havas’scentral argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other. Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticized this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicized rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value. Woman Up will most appeal to students and scholars of cinema and media studies, feminist media studies, television studies, and cultural studies. -- publisher's web site
ISBN: 9780814346563