Search Catalogue

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: 735.1 SZE
Author: Szendy, Peter; Bishop, Will; Webber, Samuel
Edition: 2015
Place: New York
Publisher: Fordham University Press
PubDate: 2015
PhysDes: xx, 160 p. : illustrations ; 22 cm
Series: French Voices
Subject: APOCALYPSE IN FILMS; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964); TERMINATOR, THE (US, James Cameron, 1984); [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); WATCHMEN (US, Zack Snyder, 2009); SUNSHINE (UK/US, Danny Boyle, 2007); BLADE RUNNER (US, Ridley Scott, 1982); [TWELVE] MONKEYS (US, Terry Gilliam, 1995); ROAD, THE (US, John Hillcoat, 2009); BLOB, THE (US, Chuck Russell, 1988)
Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups. The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing. In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web site
ISBN: 9780823264810

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LET THE SUNSHINE IN [BEAU SOLEIL INTERIEUR, UN] (FR/BE, Claire Denis, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LET THE SUNSHINE IN [BEAU SOLEIL INTERIEUR, UN] (FR/BE, Claire Denis, 2017)
Notes: Simon_Batch 18_191212

Call No: 81BOYLE DAN
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2011
PhysDes: xli, 170 p. ; 24 cm
Series: Conversations with filmmakers
Subject: BOYLE, DANNY; SHALLOW GRAVE (UK, Danny Boyle, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); LIFE LESS ORDINARY, A (US, Danny Boyle, 1997); BEACH, THE (US, Danny Boyle, 1999); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MILLIONS (UK, Danny Boyle, 2004); SUNSHINE (UK/US, Danny Boyle, 2007); SLUMDOG MILLIONAIRE (UK/US, Danny Boyle and Loveleen Tandan, 2008)
ISBN: 9781604738339
Donation: donated by Senses of Cinema, 2013
Contents: Lean, mean, and cruel / Ronan Bennett -- The boys are back in town / Geoffrey Macnab -- Trainspotters / Monika Maurer -- Trainspotting : the choice of a new generation / Keith Hopper -- Train conductor: the director who dared to violate the just say no code / Anne Burns -- Fame? they can keep it / Tom Charity -- A team less ordinary / Ben Thompson -- Sink or swim / Simon Hattenstone -- The Leo factor / Stephen Short -- Smack my beach up / Tom Charity -- Back from the beach / Rupert Smith -- All the rage / Tom Charity -- Danny Boyle : a death less ordinary / Genevieve Harrison -- 28 days later : an interview with Danny Boyle / Sandy Hunter -- Danny Boyle : the looking closer interview / Jeffrey Overstreet -- Q& A with Danny Boyle, director of Millions / John Suozzo -- Danny Boyle / Brendan MacDevette -- Zombies, smack addicts, and Starbucks / Brian Libby -- Sunshine superman / Amber Wilkinson -- Danny Boyle talks about Sunshine / Ambrose Heron -- Interview : Danny Boyle / Faisal Latif -- Peter Hawley interviews Danny Boyle / Peter Hawley -- 2007's Space Odyssey : Q& A with Sunshine director Danny Boyle / Kevin Polowy -- Boyle's orders / Hank Sartin -- Slumdog millionaire : Danny Boyle interview / Catherine Bray -- Interview : Danny Boyle on Slumdog millionaire / Ambrose Heron -- Danny Boyle / Tavis Smiley -- Director Danny returns home to a rip-roaring welcome / Bury Times

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004)

Call No: 79ETE BUT
Author: Butler, Andrew M.
Source: US
Place: New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: 102 pages : colour illustrations ; 19 cm.
Series: BFI film classics
Subject: ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004)
Summary: Delving into the central themes of the film, Andrew M. Butler foregrounds its play with genre and audience expectations, its psychoanalytic underpinnings and its debt to Philip K. Dick. Also examining its production processes, Butler explores the against-type casting of Jim Carrey and Kate Winslet in lead roles and the intertwined careers of Kaufman and director Michel Gondry. (Extract taken from the back of the book)
Notes: Published by Palgrave Macmillan on behalf of the British Film Institute -- Includes bibliographical references
ISBN: 9781844578351
Contents: Introduction -- Actors and auteurs -- Science fiction -- The comedy of remarriage -- The puzzle film -- Mourning, melancholy and trauma -- Coda.

Call No: 721.217 DOL
Author: Doll, Susan; Morrow, David
Edition: 1st ed.
Source: US
Place: Gainesville, FL
Publisher: University Press of Florida
PubDate: 2007
PhysDes: xiv, 394 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; USA; LOCATION SHOOTING. USA: FLORIDA; BATTLE ROYALE (JA, Kinji Fukasaku, 2000); WHITE ROSE, THE (US, David Wark Griffith, 1923); KEY LARGO (US, John Huston, 1948); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); ROSE TATTOO, THE (US, Daniel Mann, 1955); BODY HEAT (US, Lawrence Kasdan, 1981); CAPE FEAR (US, Martin Scorsese, 1991); CHINA MOON (US, John Bailey, 1994); FLASH OF GREEN, A (US, Victor Nunez, 1984); NIGHT MOVES (US, Arthur Penn, 1975); OUT OF TIME (US, Carl Franklin, 2003); PALMETTO (US, Volker Schlondorff, 1998); WILD THINGS (US, John McNaughton, 1998); ABSENCE OF MALICE (US, Sydney Pollack, 1981); BIRDCAGE, THE (US, Mike Nichols, 1996); FLIPPER (US, Alan Shapiro, 1996); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); MEAN SEASON, THE (US, Phillip Borsos, 1985); MIAMI BLUES (US, George Armitage, 1990); SCARFACE (US, Brian DePalma, 1984); BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]); HEALTH (US, Robert Altman, 1980); JAWS 3-D (US, Joe Alves, 1983); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); BLOOD AND WINE (US, Bob Rafelson, 1996); COCOON (US, Ron Howard, 1985); CROSS CREEK (US, Martin Ritt, 1983); DAYS OF THUNDER (US, Tony Scott, 1990); JUST CAUSE (US, Arne Glimcher, 1995); ROSEWOOD (US, John Singleton, 1997); STICK (US, Burt Reynolds, 1985); SUNSHINE STATE (US, John Sayles, 2002); ULEE'S GOLD (US, Victor Nunez, 1997); ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); BAD BOYS (US, Michael Bay, 1995); MATINEE (CN, Richard Wayne Martin, 1989); SOME LIKE IT HOT (US, Billy Wilder, 1959); STRIPTEASE (US, Andrew Bergman, 1996); TRUE LIES (US, James Cameron, 1994); MIDNIGHT COWBOY (US, John Schlesinger, 1969); RUBY IN PARADISE (US, Victor Nunez, 1993); RUNNING SCARED (US, Peter Hyams, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); SUMMER RENTAL (US, Carl Reiner, 1985); AIR FORCE (US, Howard Hawks, 1943); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); JEEPERS CREEPERS (US, Victor Salva, 2001); PARENTHOOD (US, Ron Howard, 1989)
Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKET
Notes: Includes bibliographical references (p. 369-382) and index
ISBN: 9780813030456
Donation: Donated by Senses Of Cinema, 2009

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE MISS SUNSHINE (US, Jonathan Dayton & Valerie Faris, 2006)
URL status: URL: 'http://file://Q:/T/LITTLE_MISS_SUNSHINE.zip' Checked: 31/08/2021 1:13:38 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Angie Errigo
PhysDes: Article
Subject: COLLETTE, TONI; CARRELL, STEVE; KINNEAR, GREG; LITTLE MISS SUNSHINE (US, Jonathan Dayton & Valerie Faris, 2006)
Summary: Review of Little Miss Sunshine

Author: Michael Adams
PhysDes: Article
Subject: COLLETTE, TONI; CARRELL, STEVE; KINNEAR, GREG; LITTLE MISS SUNSHINE (US, Jonathan Dayton & Valerie Faris, 2006)
Summary: D.V.D. review of Little Miss Sunshine

Call No: 11378
Author: Waddell, Terrie
Edition: 2019
Place: Abingdon, Oxon : New York
Publisher: Routledge
PubDate: 2019
PhysDes: vii, 162 pages ; 24 cm
Subject: AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); CHILD ABUSE; CHILDREN AND THE CINEMA; FRAN (AT, Glenda Hambly, 1985); LION (AT, Garth Davis, 2016); MANGANINNIE (AT, John Honey, 1980); ORANGES AND SUNSHINE (UK/AT, Jim Loach, 2011); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007); SOUND OF ONE HAND CLAPPING, THE (AT, Richard Flanagan, 1998); WINFREY, OPRAH
Summary: Waddell explores ‘the lost child’ in its many manifestations, as an element of the individual and collective psyche, historically related to the trauma of colonisation and war, and as key theme in Australian cinema from the industry’s formative years to the present day. The films discussed in textual depth transcend literal lost in the bush mythologies, or actual cases of displaced children, to focus on vulnerable children renderedlost through government and institutional practices, and adult/parental characters developmentally arrested by comforting or traumatic childhood memories. The victory/winning fixation governing the USA – diametrically opposed to the lost child motif – is also discussed as a comparative example of the mesmerising nature of the cultural complex. Examining iconic characters and events, such as the Gallipoli Campaign and Trump’s presidency, and films such as The Babadook, Lion, and Predestination, this book scrutinises the way in which a culture talks to itself, about itself. This analysis looks beyond the melancholy traditionally ascribed to the lost child, by arguing that the repetitive and prolific imagery that this theme stimulates, can be positive and inspiring. The Lost Child Complex in Australian Film is a unique and compelling work which will be highly relevant for academics and students of Jungian and post-Jungian ideas, cultural studies, screen and media studies. It will also appeal to Jungian psychotherapists and analytical psychologists as well as readers with a broader interest in Australian history and politics. -- publisher's web site
ISBN: 9781138939691

Call No: 632.2 CAM
Author: Cameron, Allan
Source: US
Place: BasingStoke [England] ; New York
Publisher: Palgrave Macmillan
PubDate: 2008
PhysDes: ix, 211 p. : ill. ; 23 cm
Subject: LITERATURE AND THE CINEMA; NARRATIVE IN FILMS; MOTION PICTURES - HISTORY; COMMENTARY; FILM NOIR; [TWENTY-ONE] 21 GRAMS (US, Alejandro Gonzalez Inarritu, 2003); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); MEMENTO (US, Christopher Nolan, 2000); RUN LOLA RUN (G, Tom Tykwer, 199; PULP FICTION (US, Quentin Tarantino, 1994)
Summary: Alan Cameron looks at the narrarative in the film, and its relationship to the passing of time. He looks at the relationship between change and destiny, memory and history, and the representation of simultaneous events. He looks at linear and non-linear narrative, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. He looks at the relationship between the past, present and future
Notes: Bibliography: p. 196-205; Includes index
ISBN: 9780230210417

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ORANGES AND SUNSHINE (UK/AT, Jim Loach, 2011)
URL status: URL: 'http://file://Q:/T/ORANGES_AND_SUNSHINE.zip' Checked: 31/08/2021 1:21:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: P ORA
Place: AT
PubDate: [2011]
PhysDes: 1 poster : col. ; 100 x 69 cm
Subject: ORANGES AND SUNSHINE (UK/AT, Jim Loach, 2011)
Summary: Image: Closeup of womans face, in the background a country landscape with a child holding suitcase. Image is printed over low contrast portrait photographs of children's faces. Text: 'The extraordinary true story of a woman who took on two governments to reunite thousands of families'
Notes: Double-sided; Two copies held; duplicate copy has creasing from RHS and small tear

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUSHING TO SUNSHINE (AT, Solrun Hoass, 2001)

Call No: 632.2 CAM
Author: Campora, Matthew
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 2014
PhysDes: viii, 150 pages ; 24 cm.
Subject: NARRATIVE IN FILMS; EXPRESSIONISM; SURREALISM AND THE CINEMA; MULHOLLAND DRIVE (US, David Lynch, 2001); MEMENTO (US, Christopher Nolan, 2000); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004)
Summary: Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking. -- [Extract taken from the back of book]
Notes: Includes bibliographical references (pages 143-146) and index
ISBN: 9781782382782
Contents: Machine generated contents note: Three Periods of Narrative Experimentation -- Multiform Narratives -- Subjective Realism -- ch. 1 Complex Narratives -- The New Hollywood and the Smart Film -- New Hollywood Narration -- Fragmented Narratives -- Multi-strand Narratives -- Multiform Narratives -- Brazil -- Puzzle Films -- ch. 2 Two Trajectories of the Cinema of Attractions -- The Narrative Trajectory: Realism and Spectacle -- The Avant-Garde Trajectory: Realism and Defamiliarization -- ch. 3 Subjective Realism and Multiform Narratives -- Subjective Realism -- Vertigo -- The Fantastic -- Wild Strawberries -- ch. 4 Mulholland Drive -- Expressionism and the Uncanny in Mulholland Drive -- Three Views -- As Surrealist or Trance Film -- As Fragmented, Subjective Realist Film -- As Supernatural Film -- It Is All an Illusion -- ch. 5 Memento -- The Four Strands -- Unreliable Narration -- Disrupted Expectations -- Subjective Realism -- ch. 6 Eternal Sunshine of the Spotless Mind -- Contents note continued: The Philosophy of Eternal Sunshine -- Temporal Inversions -- Subjective Realism -- Sonic Metalepsis -- The Marvelous Real.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: SUNSHINE (HU/GG/CN/AU, Istvan Szabo, 1999)

Call No: S SUN
Author: Szabo, Istvan
PubDate: [1997]
PhysDes: 185 leaves
Subject: SUNSHINE (HU/GG/CN/AU, Istvan Szabo, 1999)
Notes: Unpublished script. Adapted by Israel Horovitz. From an original story by Istvan Szabo.
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSHINE

Call No: S SUN
Author: Cameron, Matt
Edition: Production draft
Place: AT
PubDate: 2017 Feb. 20
PhysDes: 48 leaves ; 30 cm.
Subject: SUNSHINE [TV] (AT, 2017-)
Summary: "Relations between Jacob and Eddie remain strained amid premiership celebrations in Sunshine. An American talent scout convinces Eddie to face up to his mistake and free him to perform at his best.." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: S SUN
Author: McCredie, Elise
Edition: Production draft
Place: AT
PubDate: 2017 Feb. 20
PhysDes: 47 leaves ; 30 cm.
Subject: SUNSHINE [TV] (AT, 2017-)
Summary: "Eddie is the king of Sunshine, coaching the team on a winning streak into the finals. Zara continues to uncover pieces of the puzzle about the night in question. Jacob earns his golden opportunity to impress the US Talent Scout." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSHINE [AND] & SHADE (AT, Ana Tiwary, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSHINE AND SHADOWS: 70 YEARS OF AUSTRALIAN CINEMA (AT, Brian Adams, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSHINE CLEANING (US, Christine Jetts, 2008)

Call No: S SUN
Author: Holley, Megan
Place: US
PhysDes: 123 leaves
Subject: SUNSHINE CLEANING (US, Christine Jeffs, 2008)
Notes: Unpublished script; Includes details of AFIRC Binding of Metro Magazine; Includes FFC Financial Report 2008

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SUNSHINE ON LEITH (UK, Dexter Fletcher, 2013)
URL status: URL: 'http://file://Q:/T/SUNSHINE_ON_LEITH.zip' Checked: 31/08/2021 1:30:47 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSHINE STATE (US, John Sayles, 2002)

Call No: TITLE CLIPPINGS FILE; SUNSHINE [TV]
Author: Enker, Deb
PhysDes: Clippings File Article
Subject: SUNSHINE [TV] (AT, 2017-)
Summary: Sunshine state Working with the Sudanese community was an eye-opening experience for Anthony LaPaglia. Page 7 Can a new Australian series change hearts and minds? By Debi Enker.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSHINE [TV] (AT, 2017-)

Call No: 630 THI
Author: Smith, Murray; Wartenberg, Thomas E
Source: US
Place: Malden, MA
Publisher: Blackwell Publishing
PubDate: 2006
PhysDes: 222 p. : ill. ; 26 cm
Subject: PHILOSOPHY AND THE CINEMA; HITCHCOCK, ALFRED; KIESLOWSKI, KRZYSZTOF; LEE, SPIKE; CAVELL, STANLEY; BREILLAT, CATHERINE; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); MISSION IMPOSSIBLE (US, Brian De Palma, 1996); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); SERENE VELOCITY (US, Ernie Gehr, 1970); WITTGENSTEIN TRACTATUS (HU, Peter Foracs, 1992)
Notes: "Published for The American Society for Aesthetics by Blackwell Publishing Inc."--P. [v] "Originally published as the Journal of Aesthetics and Art Criticism, vol. 64:1 (Winter 2006)"--Pref. Includes bibliographical references (p. [217]-219) and index
ISBN: 9781405154116
ISSN: 00218529
Donation: Donated by Senses Of Cinema, 2009
Contents: Preface -- Introduction: Murray Smith and Thomas E. Wartenberg -- I. The Very Idea of Film as Philosophy -- Theses on cinema as philosophy: Paisely Livingston -- Beyond mere illustration: how films can be philosophy: Thomas E. Wartenberg -- Film art, argument, and ambiguity -- 2. Popular American Film: Entertainment and Enlightenment -- Hitchcock and Cavell: Richard Allen -- The paradox of the unknown lover: a reading of letter from an unknown woman: Lester H. Hunt -- Spike Lee and the sympathetic racist: Dan Flory -- Transparency and twist in narrative fiction film: George Wilson -- The impersonation of personality: film as philosophy in Mission: Impossible: Stephan Mulhall -- On being philosophical and Being John Malkovich: Daniel Shaw --Eternal Sunshine of the Spotless Mind and the morality of memory: Chrisotopher Grau -- 3. Continental Philosophy, Continental Film -- Sarte, the philosophy of nothingness, and the modern melodrama: Andras Balint Kovacs -- Cinema and subjectivity in Krzysztof Kieslowski: Paul C. Santilli -- Is sex comedy or tragedy? Directing desire and female auteurship in the cinema of Catherine Breillat: Katherine Ince -- 4. Film As "Theory": The Avant-Garde -- Apperception on Display: Structural films and philosophy: Jinhee Choi -- Philosophizing through the moving image: the case of Serene Velocity: Noel Carroll -- The substance of cinema: Trevor Ponech -- The world is rewound: Peter Forgacs's Wittgenstein Tractus: Whitney Davis

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WEST OF SUNSHINE (AT, Jason Raftopoulos, 2017)

Call No: P WES
Place: AT
PubDate: 2017
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: WEST OF SUNSHINE (AT, Jason Raftopoulos, 2017)
Notes: 2 copies held
Donation: Cinema Nova

Call No: 462-02(94) SPE
Author: Speed, Sally
Place: [Australia] : [s.n.], 1984
PhysDes: 64 leaves ; 30 cm
Subject: WOMEN FILMMAKERS. AUSTRALIA; LYELL, LOTTIE; LOVELY, LOUISE; MCDONAGH, PAULETTE; MCDONAGH, ISABEL; PAVIS, YVONNE; HOWARD, KATE; MALLON, MARY; DE LA RUZE, JULIETTE; KELLERMAN, ANNETTE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1930); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933); POSSUM PADDOCK (AT, Kate Howard, 1921); BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); FISHERS GHOST (AT, Lottie Lyell, 1924); PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925); CIRCUMSTANCE (AT, Yvonne Pavis, 1922); DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922); SUNSHINE SALLY (AT, Yvonne Pavis, 1922); JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925); CHEATERS, THE (AT, Paulette McDonagh, 1930); HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EXHIBITION OF SILENT FILMS
LON: abn98267376; 14063689