journal article
Cinema in Lumiere (November-December 1971) iss.12 p.10-12
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Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L` (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
SEE
MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
SEE
AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
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book
Film & literature : an introduction / Morris Beja New York: Longman, 1979.
Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: 335 p. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNÉE DERNIÈRE À MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; MORTE A VENEZIA (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this itemISBN: 058228094XDonation: donated by the family of Wayne Levy, 2006
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Film & literature, an introduction / Morris Beja New York: Longman, 1979.
Call No: 753 BEJCopy Management: Copy 1; Copy 2Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: xv, 335 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; LITERATURE AND THE CINEMA ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; MORTE A VENEZIA (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this itemISBN: 058228094XOrder Received: 2000Order Type: DonationLON: 78026167; 1314099
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Great Italian films / Jerry Vermilye Secaucus, N.J.: Carol Pub. Group, 1994.
Call No: 71(45) VERAuthor: Vermilye, Jerry Place: Secaucus, N.J.Publisher: Carol Pub. GroupPubDate: 1994PhysDes: 254 p. : ill. ; 28 cmSubject: ITALY ; RISO AMARO (IT, Guiseppe de Santis, 1949) ; BELLISSIMA (IT, Luchino Visconti, 1951) ; AIDA (IT, Clemente Fracassi, 1953) ; SENSO (IT, Luchino Visconti, 1954) ; STRADA, LA (IT, Federico Fellini, 1954) ; GRIDO, IL (US/IT, Michelangelo Antonioni, 1957) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; BATTAGLIA DI ALGERI (IT/AE, Gillo Pontecorvo, 1966) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; CADUTA DEGLI DEI, LA (IT/GW, Luchino Visconti, 1969) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970) ; MORTE A VENEZIA (IT/FR, Luchino Visconti, 1971) ; AMARCORD (IT/FR, Frederico Fellini, 1973) ; PANE E CIOCCOLATA (IT, Franco Brusati, 1974) ; PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976) ; INNOCENTE, L` (IT/FR, Luchino Visconti, 1976) ; PADRE PADRONE (IT, Paolo Taviani & Vittorio Taviani, 1977) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; GINGER E FRED (IT/FR/GW, Federico Fellini, 1986) ; GINGER AND FRED (IT/FR/GW, Federico Fellini, 1986) ; OTELLO (IT, Franco Zeffirelli, 1986) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) ; NUOVO CINEMA PARADISO (IT/FR, Giuseppe Tornatore, 1988) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; FABIOLA (IT, Alessandro Blasetti, 1947) ; ROMA ORE 11 (IT, Giuseppe De Santis, 1951) ; AMICI PER LA PELLE (IT, Franco Rossi, 1955) ; FATICHE DI ERCOLE, LE (IT, Pietro Francisci, 1957) ; SOLITI IGNOTI, I (IT, Mario Monicelli, 1958) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; GIARDINO DEI FINZI-CONTINI, IL (IT, Vittorio De Sica, 1970) ; TOSCA [TV] (IT, 1992) ; STANNO TUTTI BENE (IT/FR, Guiseppe Tornatore, 1990) Notes: "A Citadel Press book."ISBN: 0806514809 (pbk.) : $17.95LON: 93045771; 10646564
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title clippings file
MORTE A VENEZIA : (IT/FR, Luchino Visconti, 1971)
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digital clippings file
MORTE A VENEZIA : (IT/FR, Luchino Visconti, 1971) Digital clippings file available
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A postillion struck by lightning / Dirk Bogarde St Albans: Triad, 1978.
Call No: 81BOG BOGAuthor: Bogarde, Dirk Source: UKPlace: St AlbansPublisher: TriadPubDate: 1978PhysDes: 302 p., [8] p. of plates : ill., ports. ; 18cmSubject: BOGARDE, DIRK ; SERVANT, THE (UK, Joseph Losey, 1963) ; CADUTA DEGLI DEI, LA (IT/GW, Luchino Visconti, 1969) ; MORTE A VENEZIA (IT/FR, Luchino Visconti, 1971) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; VICTIM (UK, Basil Dearden, 1961) ; PROVIDENCE (FR, Alain Resnais, 1977) Summary: The book presents Dirk Bogard as a serious film actor, as well as a gifted writer, and artistNotes: Cinema films. Acting. Bogarde, Dirk, to ca 1960. Autobiographies (BNB/PRECIS); Originally published: London : Chatto and Windus, 1977; Includes indexISBN: 0586045694
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Visconti's film costumes / Catalogue prepared by: Vera Marzot, Umberto Tirelli, Piero Tosi, Dino Trappetti Sydney: David Jones, May 1977.
Call No: 117 VISAuthor: Marzot, Vera ; Tirelli, Umberto ; Tosi, Piero ; Trappetti, Dino Edition: May 1977Place: SydneyPublisher: David JonesPubDate: May 1977PhysDes: 36 pages : illustrated ; 21 cmSubject: VISCONTI, LUCHINO ; COSTUMES ; BELLISSIMA (IT, Luchino Visconti, 1951) ; SENSO (IT, Luchino Visconti, 1954) ; GATTOPARDO, IL (IT/FR, Luchino Visconti, 1962) ; CADUTA DEGLI DEI, LA (IT/SZ, Luchino Visconti, 1969) ; MORTE A VENEZIA (IT/FR, Luchino Visconti, 1971) ; LUDWIG (IT/FR/GW, Luchino Visconti, 1973) ; INNOCENTE, L` (IT/FR, Luchino Visconti, 1976) Notes: English transaltion by Gilbert Reid.Donation: Megan McMurchy
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Women and their sexuality in the new film / by Joan Mellen London: Davis-Poynter, 1974.
Call No: 451-02 MELAuthor: Mellen, Joan Place: LondonPublisher: Davis-PoynterPubDate: 1974PhysDes: 255 p. : ports ; 24 cmSubject: WOMEN IN FILMS ; HOMOSEXUALITY IN FILMS ; SEX AND THE CINEMA ; BERGMAN, INGMAR ; ROHMER, ERIC ; WEST, MAE ; W R MISTERIJE ORGANIZMA (YU/GW, Dusan Makavejev, 1971) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; MORTE A VENEZIA (IT/FR, Luchino Visconti, 1971) ; FOX, THE (US, Mark Rydell, 1968) ; UP THE SANDBOX (US, Irvin Kershner, 1972) ISBN: 0706701534 : ª3.50LON: 75312480; 266398
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