newspaper article
24-hour pawnshop people in Weekend Australian [Review] (16/04/2016) p.14
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newspaper article
Auteur : Paul Ireland in Weekend Australian [Review] (04/06/2016) p.6
Call No: TITLE CLIPPINGS FILE; PAWNO (AT, Paul Ireland, 2015)Author: Wilson, Ashleigh PhysDes: Clippings File ArticleSubject: IRELAND, PAUL ; PAWNO (AT, Paul Ireland, 2015) Summary: Interview with Paul Ireland, the director of the film PAWNO. He discusses his career and the process of getting PAWNO made
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book
Cinema and Ireland / Kevin Rockett, Luke Gibbons, and John Hill Syracuse, N.Y.: Syracuse University Press, 1988.
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title clippings file
CROCODILE MAN : (AT, David Ireland, 1991)
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newspaper article
Doing it tough in Weekend Australian [Review] (23/04/2016) p.4
Call No: TITLE CLIPPINGS FILE; PAWNO (AT, Paul Ireland, 2015)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: PAWNO (AT, Paul Ireland, 2015) Summary: Interview with Paul Ireland about the making of the film PAWNO where he goes into detail about Footscray (where the film was shot) and the process of obtaining funding
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newspaper article
Footscray fable strays from fact in The Age (21/04/2016) p.30
Call No: TITLE CLIPPINGS FILE; PAWNO (AT, Paul Ireland, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: PAWNO (AT, Paul Ireland, 2015) Summary: Review of the film PAWNO. The author is disappointed with the lack of diversity of race within the filmNotes: same article published in: Sydney Morning Herald, 'More suburban fiction than fact' p 18Rating: 2.5 out of 5 stars
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newspaper article
High Flyer in AFR Weekend (30/04/2016) p.51
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subject clippings file
INDUSTRY, FILM. REPUBLIC OF IRELAND
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newspaper article
Insider : gritty urban drama where love might prevail in Sunday Telegraph [Insider] (17/04/2016) p.130
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subject clippings file
IRELAND
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: IRELAND
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journal article
Ireland in Federation News (Sep 1979) p.7
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title clippings file
IRELAND: BEHIND THE WIRES : (UK, Berwick Street Film Collective, 1975)
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personality clippings file
IRELAND, DAVID
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: IRELAND, DAVID
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newspaper article
Ireland is spreading his wings in Daily Telegraph [Sydney Confidential] (14/09/2015) p.20
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personality microfilm collection
IRELAND, JILL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: IRELAND, JILL
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personality clippings file
IRELAND, REEF
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: IRELAND, REEF
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book
Irish and African American Cinema : identifying others and performing identities, 1980-2000 / Maria Pramaggiore Albany: State University of New York Press, 2007.
Call No: 451-054(=1 .415/.73) PRAAuthor: Pramaggiore, Maria Source: USPlace: AlbanyPublisher: State University of New York PressPubDate: 2007PhysDes: ix, 245 p. : ill. ; 24 cmSeries: The SUNY series, cultural studies in cinema/videoSubject: ETHNIC GROUPS IN FILMS ; WHITES IN FILMS ; HISTORY OF CINEMA. IRELAND ; HISTORY OF CINEMA. USA ; IDENTITY IN FILMS ; THEORY ; LEE, SPIKE ; JORDAN, NEIL Summary: "Focusing on two film traditions not normally studied together, Maria Pramaggiore examines more than two dozen Irish and African American films, including Do the Right Thing, In the Name of the Father, The Crying Game, Boyz N the Hood, The Snapper, and He Got Game, arguing that these films foreground practices of character identification that complicate essentialist notions of national and racial identity. The porous sense of self associated with moments of identification in these films offers a cinematic counterpart to W. E. B. Du Bois's potent concept of double consciousness, an epistemological standpoint derived from experiences of colonization, racialization, and cultural disruption. Characters in these films, Pramaggiore suggests, reject the national paradigm of insider and outsider in favor of diasporic both/and notions of self, thereby endorsing the postmodern concept of identity as performance."--BOOK JACKET.Notes: Formerly CIP; Includes bibliographical references (p. 209-237) and indexISBN: 9780791470954Contents: Ch. 1. Identifying others -- Ch. 2. Sampling blackness : music and identification in the films of Neil Jordan and Spike Lee -- Ch. 3. "It's a wise child that knows his own father" : pregnant performances and maternal mythologies -- Ch. 4. Culturing violence : masculine identification in Irish and African American gangster films -- Ch. 5. "Both sides of the epic" : identification and the nonessentialist Western -- Conclusion : film identification and postmodern identity politics.
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book
Irish film : the emergence of a contemporary cinema / Martin McLoone London: British Film Institute, 2000.
Call No: 71(417) MCLAuthor: McLoone, Martin CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 234 p. : ill. ; 24 cmSubject: REPUBLIC OF IRELAND ; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND ; LANDSCAPES IN FILMS ; BUTCHER BOY, THE (US, Neil Jordan, 1997) ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; FLAHERTY, ROBERT ; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; JORDAN, NEIL ; MAEVE (UK/IE, Pat Murphy & John Davies, 1981) ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995) ; OUR BOYS (IE, Cathal Black, 1981) ; PATRIOT GAMES (US, Philip Noyce, 1992) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; SHERIDAN, JIM ; THIS IS MY FATHER (US, Paul Quinn, 1998) ; TITANIC (US, James Cameron, 1997) Notes: Includes bibliographical references and indexISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99LON: 21663034 21663034
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Interim
annual report
Irish Film Institute Policy statement Dublin, Ireland: Irish Film Institute, 1991.
Call No: ANNUAL REPORT SHELVES; Held 1991CorpAuthor: Irish Film InstitutePlace: Dublin, IrelandPublisher: Irish Film InstitutePubDate: 1991Subject: REPUBLIC OF IRELAND
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newspaper article
Just dying to get involved in Herald Sun [Hit] (21/04/2016) p.36
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newspaper article
Making his Mark in the movies in Sunday Herald Sun [Property] (4/08/2015) p.77
Call No: PAWNO (AT, Paul Ireland, 2015); TITLE CLIPPINGS FILEPhysDes: Clippings File ArticleSubject: PAWNO (AT, Paul Ireland, 2015) Summary: Successful AUstralian film screening at MIFF this year and it has been selected as one of the 5 finalists at the CineFestOz. Mark Forytarz associate producer of the film has started his own film company Spark Plug Films.
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Online resource
digital clippings file
MEASURE FOR MEASURE : (AT, Paul Ireland, 2020) Digital clippings file available
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Online resource
script
Measure for measure [AT]: 21/09/2018. Digital clippings file available
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title clippings file
MRS PALFREY AT THE CLAREMONT : (US, Dan Ireland, 2005)
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title clippings file
OUT OF IRELAND : (US, Paul Wagner, 1994)
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still
[Out : stills file]
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title clippings file
PAWNO : (AT, Paul Ireland, 2015)
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title clippings file
QUEEN OF IRELAND : (IE, Conor Horgan, 2015)
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subject clippings file
REPUBLIC OF IRELAND
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book
Theorising national cinema / Valentina Vitali and Paul Willemen (eds) London: British Film Institute, London, 2006.
Call No: 408.1 THEAuthor: Vitali, Valentina ; Willemen, Paul CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film Institute, LondonPubDate: 2006PhysDes: 326 p. ill. : 24 cmSubject: ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA ; JAPAN ; KOREA ; REPUBLIC OF IRELAND ; LATIN AMERICAN COUNTRIES ; KRACAUER, SIEGFRIED ; BURCH, NOEL ; RUSSIA ; FRANCE ; TAIWAN ; PALESTINE ; ARAB COUNTRIES ; INDIA ; ASIAN COUNTRIES ; EUROPEAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL CULTURE IN FILMS ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL IDENTITY IN FILMS ; GLOBALISATION Summary: Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the nation and film become so widely and uncritically accepted? Theorising National Cinema is a major contribution to work on national cinemas, by many of the leading scholars in the filed. It addresses the knotty and complex relationships between cinema and national identity, showing that the nationality of a cinema production company, and of the films it made, have not always been seen as pertinent. The volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation, and it goes on to chart the parallel developments of national film industries and the idea of the nation state in countries as diverse as Japan, South Korea, Russia, France and Italy. The issue of a 'national cinema' for nation states of contested status, with disputed borders or displaced peoples, is discussed in relation to film-making in Taiwan, Ireland and Palestine. The contributors also consider the future of national cinema in an age of transnational cultural flows, exploring issues of national identity and cinema in Latin America, Asia, the Middle-East, India, Africa and Europe.ISBN: 1844571203
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book
Variety international film guide 2006 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London; Los Angeles: Button; Silman-James, 2006.
Call No: REFERENCE SECTION; 058 INT "2006"Edition: 43rd ed.Source: USPlace: London; Los AngelesPublisher: Button; Silman-JamesPubDate: 2006PhysDes: 432 p. : col. ill. ; 24 cm.Subject: PERIODICALS, FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. IRELAND ; DIGITAL TECHNOLOGY ; CHEREAU, PATRICE ; CRONENBERG, DAVID ; HANEKE, MICHAEL ; Mehta, Deepa ; SORIN, CARLOS Summary: Includes articles on directors of the year, features on Irish cinema and digital cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.Notes: Other title: International film guide 2006ISBN: 0954876628
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title clippings file
VELOCITY OF GARY, THE : (US, Dan Ireland, 1998)
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title clippings file
WHOLE WIDE WORLD, THE : (US, Dan Ireland, 1996)
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