Search Catalogue

Author: Waschin, Ken
PhysDes: Article
Subject: GOING HOLLYWOOD (US, Raoul Walsh, 1933)
Summary: Review; ill

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABBOTT AND COSTELLO IN HOLLYWOOD (US, S. Sylvan Simon, 1945)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: 81GOL GOL
Author: Goldman, William, 1931
Edition: [First paperback ed.]
Place: New York
Publisher: Warner Books
PubDate: 1984
PhysDes: xiii, 594 p.
Subject: SCRIPTWRITERS; SCRIPTWRITING; HOLLYWOOD; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969)
Summary: "Expanded to include the full screenplay of Butch Cassidy and the Sundance Kid"
ISBN: 0446383864 (Can.); 446391174 (U.S.A.)
LON: abn89270985; 6722351

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALAN SMITHEE FILM - BURN, HOLLYWOOD, BURN, AN (US, Arthur Hiller, 1997?)

PhysDes: Article
Subject: PRODUCTION CENTRES : HOLLYWOOD; INDUSTRY, FILM. USA
Summary: Crew and plot information for 'Stutter's Gold' which is to being filming in 1984.

Call No: 46(794) WIL
Author: Williamson, Alice M.
Source: US
Place: New York
Publisher: D. Appleton Company
PubDate: 1928
PhysDes: 265p. : illus. :20cm.
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; HISTORY OF CINEMA; DEMILLE, CECIL B.; GOLDWYN, SAMUEL; DAVIES, MARION; PARAMOUNT STUDIOS; NEGRI, POLA; UNITED ARTISTS; SWANSON, GLORIA; STAR SYSTEM

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: ALMOST HOLLYWOOD (US, Mike Weaver, 1994)

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: HOLLYWOOD; FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: 71 (73) WOO
Author: Wood, Michael
Source: US
Place: New York
Publisher: Basic books
PubDate: 1975
PhysDes: xi, 206 p. : ill. ; 22 cm
Subject: USA; HOLLYWOOD
Notes: Includes index. Also titled " Santa Maria, it had slipped my mind"
ISBN: 0465000967
Donation: donated by Senses of Cinema, 2010
Contents: -- List of illustrations -- Acknowledgements -- The price of imagery -- America first -- The blame on mame -- Nice guys finish last -- The intrepidation of dreams -- Ceremonies of innocence -- Darkness in the dance -- Shake the superflux -- The sense of the past -- Index

Call No: 408.3 (73/94) AME
Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.)
Source: SZ/AT
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: c2018
PhysDes: xvii, 333 pages : illustrations ; 22 cm
Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HOLLYWOOD; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013)
Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9783319666754
Donation: Stephen Gaunson
Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --

Call No: FESTIVAL CATALOGUE SHELVES; held 1993
Place: US
PubDate: 1993-
Subject: FESTIVALS. HOLLYWOOD

Call No: FESTIVAL CATALOGUE SHELVES
Place: US
Publisher: [s.n.]
PubDate: 1984
PhysDes: 28 cm
Subject: FESTIVALS. USA [VARIOUS]; FESTIVALS. LOS ANGELES [VARIOUS]; HOLLYWOOD
Notes: The 1984 Los Angeles International Film Exposition includes a selection of Hollywood and international films, as well as short films and animation. The catalogue also includes film summaries and numerous black and white stills. Held: 1972, 1975, 1984

Call No: 71(73) HOB
Author: Hoberman, J.
Source: US/UK
Place: New York
Publisher: The New Press
PubDate: c2011
PhysDes: xxi, 383 p. ; 24 cm
Subject: CULTURE AND THE CINEMA. USA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HOLLYWOOD; USA; FORT APACHE (US, John Ford, 1948); RIO GRANDE (US, John Ford, 1950); HIGH NOON (US, Fred Zinnemann, 1952); ABOVE AND BEYOND (US, Frank Melvin & Norman Panama, 1952); THEM! (US, Gordon Douglas, 1954); KISS ME DEADLY (US, Robert Aldrich, 1955); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955)
Summary: " An Army of Phantoms- a major new work of film history and cultural criticism from J. Hoberman, one of the foremost film critics writing today addresses the dynamic synergy of American politics and American popular culture during the Cold War's first decade. Heralded by a mushroom cloud over Hiroshima, the years between 1946 and 1956 brought an explosion of affluence and anxiety. Along with U.S. dominance over Europe and a new war in Asia came the birth of the civil rights movement and the first stirrings of a new youth culture. The period saw the movie industry purged of its political left at the same time as the ideological action hero John Wayne reached the peak of his career. Analyzing Hollywood's cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, along with media events, congressional hearings and political campaigns, and drawing on FBI files and studio records, Hoberman has orchestrated a colorful, sometimes surreal pageant wherein Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe. Essential reading for film and history buffs, An Army of Phantoms expands on the analysis of the 1960's found in Hoberman's critically acclaimed The Dream Life and offers a lively and astute history of film that is also, to paraphrase Jean-Luc Godard, about the film of history." --Book Jacket.
Notes: Includes bibliographical references (p. [341]-366) and index
ISBN: 9781595580054
Contents: Acknowledgments -- introduction: from God's mouth to your ear -- prologue: mission for Hollywood - Stalingrad to V-J Day -- Pt. 1. Aliens among us : Hollywood, 1946-47 -- pt. 2. Fighting for the ministry of truth, justice, and the American way, 1948-50 -- pt. 3. Redskin menace from outer space : America at war, 1950-52 -- pt. 4. The PaxAmericanArama : Eisenhower power, 1953-55 -- pt. 5. Searchin' : America on the road, 1955-56 -- epilogue: the face of the crowd -- sources -- index --

Call No: FESTIVAL CATALOGUE SHELVES
Place: US
Publisher: [s.n.]
PubDate: 1986
PhysDes: 63 p. : ill. ; 28 cm
Subject: FESTIVALS. USA [VARIOUS]; HOLLYWOOD RT: USA; FOREIGN FILMS USE: IMPORT OF FILMS; Powell, Michael
Notes: The Athens international film festival includes a selection of feature length films, short films, animated films and documentary films. Highlights of the festival include a Michael Powell retrospective and a New French Cinema program. The catalogue also includes film summaries and numerous black and white stills.

Call No: FESTIVAL CATALOGUE SHELVES
Place: US
Publisher: [s.n.]
PubDate: 1972
PhysDes: 48 p. : ill. ; 28 cm
Subject: FESTIVALS. USA [VARIOUS]; HOLLYWOOD; FOREIGN FILMS USE: IMPORT OF FILMS; PREMINGER, OTTO; CAPRA, FRANK; WATKINS, PETER
Notes: The Atlanta international film festival includes a program of feature length films, short films and animated films. The festival also has seminars and retrospectives outlining the work of Otto Preminger, Frank Capra and Peter Watkins. The catalogue also includes film summaries and numerous black and white stills.

Author: Crofts, Stephen
PhysDes: Article
Subject: AUTEUR THEORY; AUTHORSHIP; HOLLYWOOD
Summary: Analyses the auteur theory in relation to Hollywood films.

Call No: 71(73) KAS
Author: Kashner, Sam; MacNair, Jennifer
Source: UK
Place: London
Publisher: Little, Brown
PubDate: 2002
PhysDes: 380 p. : ill., ports. ; 25 cm
Subject: HOLLYWOOD; USA
Summary: " The Bad and the Beautiful is a vivid portait of power, fame and sex in 1950s Hollywood, from the rise of tabloid journalism to the making of legendary film icons. In these tantalising stories of momentous events and legendary characters, Sam Kashner and Jennifer MacNair brilliantly recreate the drama and contradictions of Hollywood's most scandalous and dynamic decade. Colourful and humorous anecdotes of such public icons as Lara Turner, Rock Hudson and Kim Novak profile the celebrities' lives away from the camera, telling of the private moments that were exploited by tabloids such as Confidential and gossip queens Louella Parsons, Heda Hopper and Shellah Graham. Chronicling the unique obsessions of the era, the authors also offer behind-the-scenes commentary on the making of classic films: Hollywood's curious religious revival with The Robe, the film industry's exploitation of the potboiler Peyton Place, even as it rejected the housewife who penned it; and the anarchic director Nick Ray, who, on the set of the enduring classic Rebel without a cause, taught his teenage stars about much more than acting. Guided by the author's historical savvy and intimate storytelling, we discover a city at a crossroads, attempting to reinvent the magic and mystery of its past glories. Tragic, irreverant and always entertaining, the bad and the beautiful reveals the underground history of this turbulent decade in American film." -- BOOK JACKET
Notes: Includes bibliographical references and index.
ISBN: 0316847380

Call No: 935 MAM
Author: Mamet, David
Source: US
Place: New York, NY
Publisher: Pantheon
PubDate: 2007
PhysDes: xii, 250p. : 22cm.
Subject: HOLLYWOOD; SCRIPTWRITING
Summary: Mamet's a veteran screenwriter and director (currently producing The Unit for CBS), but that doesn't mean he has any great love for the industry—his Hollywood is the stereotypically corrupt and cutthroat world where screenwriters willingly change their stories to accommodate every stupid suggestion from producers, who are blatantly lining their own pockets, while stars bicker over who has the bigger trailer.
Notes: Includes index
ISBN: 97803754422539
Language: English

PhysDes: Article
Subject: FALCON IN HOLLYWOOD, THE (US, Gordon Douglas, 1944)
Summary: The Falcon investigates the murder of an actor on a Hollywood backlot.

Call No: 465.2(05) BEG
Author: Bego, Mark
Source: UK
Place: London
Publisher: Columbus
PubDate: 1986
PhysDes: 224 p. : ill., ports ; 27cm
Subject: STARS; HOLLYWOOD; ACTORS. USA; FAN MAGAZINES. USA
Notes: California. Los Angeles. Hollywood. Cinema films. Acting. Stars,. ca 1930-1970 (BNB/PRECIS)
ISBN: 0862873045 (pbk)
LON: 4795627

Call No: 46(794) WAG
Author: Wagner, Walter
Edition: 1976
Place: New York
Publisher: Grosset & Dunlap
PubDate: 1976
PhysDes: 240 p. : illus. ; 24cm
Subject: HOLLYWOOD; STARS. USA
Notes: An intimate portrait of the most fascinating and highly publicized enclave for the rich in America - and the world! Including 32 pages of inside photographs. -- front cover blurb; ex AFTRS Library
ISBN: 0448021633

Call No: 451-02(73) SAL
Author: Salzberg, Ana
Source: US
Place: New York : Oxford
Publisher: Berghahn Books
PubDate: 2014
PhysDes: viii, 197 pages ; illustrations
Subject: WOMEN IN FILMS; STUDIOS, FILM. USA; HOLLYWOOD; STARS. USA; HISTORY OF CINEMA. USA; FEMININITY IN FILMS
Summary: "As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience's engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her onscreen ideal. Exploring the fan's desire for a material connection to the performer - as well as the star's own dialogue between embodied experience and idealized image - this book traces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star." -- BOOK BLURB
Notes: Includes bibliographical references and index -- Includes filmography
ISBN: 9781782383994
Donation: donated by Senses of Cinema, 2014
Contents: Introduction: The Narcissistic Woman: Reflections and Projections -- 1. Garbo Talks: Expectation and Realization -- 2. Katharine Hepburn and a Hollywood Story -- 3. Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945) -- 4. One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code -- 5. "Wherever There's Magic": Performance Time in Sunset Boulevard (1950) and All About Eve (1950) -- 6. Marilyn Monroe: "The Last Glimmering of the Sacred" -- 7. Neo-Screen Tests, Part One: Grace Kelly and Elizabeth Taylor -- 8. Neo-Screen Tests, Part Two: The Search for Scarlett Continues --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BILLY'S HOLLYWOOD SCREEN KISS (US, Tommy O'Haver, 1997)

Author: White, Eric
PhysDes: Article
Subject: HOLLYWOOD; BONNIE AND CLYDE (US, Arthur Penn, 1967); PENN, ARTHUR; DUNAWAY, FAYE; PARAMOUNT STUDIOS; Metro-Goldwyn-Mayer; VIOLENCE IN FILMS; SEX IN FILMS
Summary: Essay discusses the 'New Hollywood', influenced by young, new directors, often from overseas. Emphasis on "Bonnie and Clyde" as an example of a 'watershed picture' in that it signalled a new style in filmmaking. Adapted from Time, by Eric White.

Call No: 409 GIR
Author: Giroux, Henry A.
Source: US
Place: Malden
Publisher: Blackwell Publishers
PubDate: 2002
PhysDes: 297 p. ; 24 cm
Subject: CULTURE AND THE CINEMA. USA; POLITICS AND THE CINEMA. USA; GENDER AND THE CINEMA; VIOLENCE IN FILMS. USA; CHILDREN AND THE CINEMA; HOLLYWOOD; WALT DISNEY PRODUCTIONS; WERTMULLER, LINA; CLARK, LARRY; NORMA RAE (US, Martin Ritt, 1979); LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977); DEAD POETS SOCIETY (US, Peter Weir, 1989); DANGEROUS MINDS (US, John N. Smith, 1995); PULP FICTION (US, Quentin Tarantino, 1994); ONE EIGHT SEVEN (US, Kevin Reynolds, 1997); FIGHT CLUB (US, David Fincher, 1999)
ISBN: 0631226044
Donation: donated by the family of Wayne Levy, 2006

Call No: 451 (-01) (-055.52) BRU
Author: Bruzzi, Stella
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 217 p. ; 23 cm
Subject: MASCULINITY IN FILMS; MEN IN FILMS. USA; HOLLYWOOD; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); CAPE FEAR (US, J. Lee Thompson, 1961); KRAMER VS. KRAMER (US, Robert Benton, 1979); DIE HARD (US, John McTiernan, 1988); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); BOYZ N THE HOOD (US, John Singleton, 1991); MAGNOLIA (US, Paul Thomas Anderson, 1999)
Summary: The father is one of the central figures of Hollywood narrative. Despite this, this is the first book to examine cinematic representations of the father. Brining Up Daddy offers a broad perspective on the Hollywood dad looking at important Hollywood fathers from World War II to the present and discusses films for a variety of genres. The book looks at films decade by decade and adopts a multi-faceted theoretical approach, making use of psychoanalysis, sociology and masculinity studies and contextualising the father figure within both Hollywood and American history. Key films include Since You Went Away, The Search, Rebel without a Cause, The Man in the Gray Flannel Suit, Cape Fear, Kramer vs Kramer, Die Hard, Three Men and a Baby, Boyz n the Hood and Magnolia. In its treatment of the father this unique study discusses why the father is such a seminal character in so many narratives and what he has come to symbolise and represent. [Taken from back cover]
ISBN: 1844571106

Call No: 206[792] MCL
Author: McLaughlin, Robert
Source: US
Place: New York
Publisher: Arno Press
PubDate: 1974
PhysDes: 302 p. ; 24 cm
Series: Dissertations on film series (Arno Press cinema program)
Subject: THEATRE AND THE CINEMA; HOLLYWOOD; ECONOMICS AND THE CINEMA
Notes: Originally presented as the author's thesis, University of Wisconsin, 1970.; Bibliography: p. 290-302
ISBN: 0405048734
Contents: -- list of tables -- introduction -- 1: the rise of the motion picture industry: the external economic impact on the theatre -- 2: internal involvement and reaction: the early development of economic interrelationships, 1912-13 to 1926-27 -- 3: the advent of the talkies: further economic adjustments, 1927-28 to 1934-35 -- 4: a trend toward peaceful coexistence: growing economic interaction, 1935-36 to 1945-46 -- 5: the age of television, part 1: economic change and adjustment, 1946-47 to 1969-70 -- the age of television, part 2: broadway - hollywood interaction, 1946-47 to 1969-70 -- conclusion -- appendix -- bibliography --

Call No: 67(44) CAH
Author: Hillier, Jim
CorpAuthor: British Film Institute
Place: London
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1985
PhysDes: xiii, 312 p. ; 25cm
Subject: NEOREALISM; HOLLYWOOD; NOUVELLE VAGUE
Notes: Translations from the French; Includes bibliographies and index
LON: 3696097 3696097

Call No: 67(44) CAH
Author: Hillier, Jim
CorpAuthor: British Film Institute
Place: London
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1986
PhysDes: xiv, 363 p. ; 24 cm
Subject: NEOREALISM; NOUVELLE VAGUE; HOLLYWOOD
Notes: Translations from the French; Includes index; Bibliography: p. 335-353
ISBN: 0710203063 : ª18.95 : CIP rev
LON: 4501613

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: HOLLYWOOD; DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; BLACKS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

Call No: 62(04) SAM
Author: Samuels, Charles Thomas
Source: US
Place: New York
Publisher: Van Nostrand Reinhold
PubDate: 1970
PhysDes: 250 p. ; 24 cm
Subject: THEORY; AESTHETICS; CRITICISM; ACTING; SCRIPTWRITERS; CINEMATOGRAPHY; GANGSTERS IN FILMS; HOLLYWOOD; GRADUATE, THE (US, Mike Nichols, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY CLIPPINGS FILE; MILLIKEN, SUE
Author: Neill, Rosemary
PhysDes: Clippings File Article
Subject: PRODUCTION. USA; HOLLYWOOD; CASTING; BERESFORD, BRUCE; MILLIKEN, SUE
Summary: Preview of a longer article in the same paper about the relationship between director Bruce Beresford and producer Sue Milliken and their trials and tribulations in trying to get films made in Hollywood. Their correspondence has been compiled into a book titled 'There's a fax from Bruce'

Call No: 71(73) RAY
Author: Ray, Robert B. (Robert Beverley), 1943
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1985
PhysDes: x, 411 p. : ill. ; 25 cm
Subject: HOLLYWOOD; WESTERNS; WORLD WAR II FILMS. USA; CULT FILMS. USA; FILM NOIR. USA; MUSICALS. USA; CASABLANCA (US, Michael Curtiz, 1942); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); GODFATHER, THE (US, Francis Ford Coppola, 1972); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes index; Bibliography: p. [389]-397
ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)
LON: 3400531

Call No: 62 BRA
Author: Branston, Gill
Source: US
Place: Philadelphia
Publisher: Open University Press
PubDate: 2000
PhysDes: p. cm
Series: Issues in cultural and media studies
Subject: POPULAR CULTURE AND THE CINEMA; MODERNISM AND THE CINEMA; AUTHORSHIP; STAR SYSTEM; AUDIENCES; GLOBALISATION; CAPITALISM AND THE CINEMA; CLASS AND THE CINEMA; WALT DISNEY PRODUCTIONS; CULTURE AND THE CINEMA; HOLLYWOOD; INTERNET AND THE CINEMA; PERCEPTION; NARRATIVE IN FILMS; GENDER AND THE CINEMA; TYPE CHARACTERS IN FILMS; STUDIO SYSTEM; GAZE IN FILMS; CONSUMERISM AND THE CINEMA; MULVEY, LAURA; THELMA & LOUISE (US, Ridley Scott, 1991)
Summary: "Cinema and Cultural Modernity carves a path through the complex histories and issues of film and cinema studies and vividly explores these in their social and political contexts. It focuses on selected topics such as Hollywood's histories and how authorship, stardom and globalized blockbuster cinema, its pleasures and disappointments, might be thought out. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. She shows how such debates and histories might connect both the very real pleasures of 'consuming' cinema with the need for a critical politics to address the persistent social and cultural inequalities of modernity." -- BOOK COVER
Notes: Includes bibliographical references and index
ISBN: 033520077X (HB); 0335200761 (PB)
LON: 21519736

Call No: 70(04) CIN
Author: Cook, Pam; Bernink, Mieke
Edition: 2nd ed
Place: London
Publisher: British Film Institute
PubDate: 1999
PhysDes: x, 406 p. : ill. ; 30 cm
Subject: USA; STUDIOS, FILM. USA; STUDIO SYSTEM; STARS; NARRATIVE IN FILMS; EXPRESSIONISM; GERMANY; USSR; NEOREALISM; NOUVELLE VAGUE; UNITED KINGDOM; HOLLYWOOD; ART CINEMA; ASIAN COUNTRIES; AVANT-GARDE FILMS; THIRD CINEMA; THIRD WORLD; GENRES; WESTERNS; MELODRAMA; GANGSTER FILMS; FILM NOIR; HORROR FILMS; MUSICALS; YOUNG PEOPLE IN FILMS; COMEDIES; ACTION FILMS; AUTHORSHIP; AUTEUR THEORY; STRUCTURALISM; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RESEARCH; SARRIS, ANDREW
Notes: Previous ed.: 1985
ISBN: 0851707297; 0851707262 (pbk.) ª23.99; 0851707297; 0851707262 (pbk.)
LON: 14510520

Call No: 210.31 GOL
Author: Goldsmith, Ben; O'Regan, Tom
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2003
PhysDes: 28 cm; 117 pp
Series: Screen Industry, Culture and Policy Research
Subject: STUDIOS, FILM. AUSTRALIA; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES; STUDIOS, FILM. AUSTRALIA: VICTORIA; STUDIO SYSTEM; STUDIO SHOOTING; PRODUCTION CENTRES : HOLLYWOOD; PRODUCTION. AUSTRALIA; PRODUCTION. EUROPEAN COUNTRIES; PRODUCTION. UK; PRODUCTION. USA; PRODUCTION COMPANIES & STUDIOS; GOVERNMENT AID; FOX STUDIOS AUSTRALIA; HOLLYWOOD
Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]
ISBN: 0958015279

Call No: 70 BUS
Author: Buscombe, Edward
Place: London
Publisher: Phaidon Press
PubDate: 2003
PhysDes: 512 p. : ill. ; 30 cm.
Subject: HISTORY OF CINEMA; SCIENCE-FICTION FILMS; HORROR FILMS; GENRES; WOMEN AND THE CINEMA; HOLLYWOOD; EASTERN EUROPEAN COUNTRIES; BOLLYWOOD; AUSTRALIA; LATIN AMERICAN COUNTRIES
Summary: "Fully illustrated with over 700 images including film stills, posters and behind-the-scenes shots, this book also features in-depth case studies on a wide range of films. Cinema Today provides an unparalleled insight into the heart of the film industry."
Notes: Includes bibliographical references and index.
ISBN: 0714840815; 0714845167

Author: Finney, Alan
PhysDes: Article Review
Subject: LEWIS, JERRY; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); STAR SYSTEM; HOLLYWOOD; COMEDIANS; COMEDIES
Summary: Detailed analysis of Jerry Lewis's comic style as an actor and director, with sequence-by-sequence references to his film "The Patsy".

Call No: 203 CON
Author: Charles C. Moul (ed.)
Place: New York
Publisher: Cambridge University Press
PubDate: 2005
PhysDes: 23 cm ; 214 p
Subject: EXHIBITION; EXHIBITION. USA; INDUSTRY, FILM; INDUSTRY, FILM. USA; FINANCING. USA; ADVERTISING FOR FILMS; ADVERTISING. USA; HOLLYWOOD; USA; PRODUCTION; PRODUCTION COSTS; DIGITAL TECHNOLOGY; INCOME; AWARDS. ACADEMY; STUDIO SYSTEM; GOVERNMENT CONTROL. USA; BOX OFFICE. USA
Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].
ISBN: 0521843847

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; HOLLYWOOD; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACKS, FILMS MADE BY. USA; BLACKS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: HOLLYWOOD; INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883

Call No: 802.27 HOW
Author: Howson, John-Michael
Place: Rowville, Vic
Publisher: The Five Mile Press
PubDate: 2005
Subject: HOWSON, JOHN-MICHAEL; ACTORS. USA; STARS; HOLLYWOOD; BRETTELL, ANDREW; ELDER, BRUCE; IMWOLD, DENISE; KENNEDY, DAMIEN; LEONARD, WARREN; VON ROHR, HEATHER
Summary: "For over 100 years, many movie makers have sought to explore the worst facets of human nature in their films. But in the strange world of Hollywood, sordid scandals and gruesome deaths are not limited to the silver screen. From the premature demise of some of Hollywood's brightest child stars to the terrible accidents that have occurred on film sets, the book features gripping true stories of death and despair in Hollywood. Contains hundreds of colour and black & white images accompanying intriguing text, fascinating facts and information about the stars' final resting places."
Notes: Includes index
ISBN: 1741247322

Call No: TITLE CLIPPINGS FILE; NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012)
Author: Matchett, Stephen
PhysDes: Clippings File Article
Subject: NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012)
Summary: Postive review of TV show Next Stop Hollyhwood, suggesting that it is a real-life 'The Day of the Locust' featuring six Australian actors looking to make it big in Hollywood

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Posters; Clippings; Press kit; Stills
Subject: DOC HOLLYWOOD (US, Michael Caton-Jones, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOORS: LIVE AT THE HOLLYWOOD BOWL, THE (US, Ray Manzarek, 1987)

Call No: 721.3(73) BIS
Author: Biskind, Peter
Place: London
Publisher: Bloomsbury
PubDate: 2004
PhysDes: 24 cm ; 545 p
Subject: DIRECTORS. USA; HOLLYWOOD; USA; AWARDS. ACADEMY; INDEPENDENT DISTRIBUTION; INDEPENDENT FILMS. USA; INDEPENDENT PRODUCTION; INDEPENDENT PRODUCTION. USA; DISTRIBUTION. USA; FESTIVALS. PARK CITY. SUNDANCE; MIRAMAX FILMS; AFFLECK, BEN; ALTMAN, ROBERT; ANDERS, ALLISON; ANDERSON, PAUL THOMAS; ANDERSON, WES; ARAKI, GREGG; ARONOFSKY, DARREN; ARTETA, MIGUEL; WEINSTEIN, BOB; WEINSTEIN, HARVEY; ALLEN, WOODY; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000); FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001); APOSTLE, THE (US, Robert Duvall, 1997); AMERICAN BEAUTY (US, Sam Mendes, 1999); RESERVOIR DOGS (US, Quentin Tarantino, 1992)
Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].
ISBN: 0747565708
ID2: 341

Author: Robertson, Michael
PhysDes: Article
Subject: HOLLYWOOD; ROBERTSON, MICHAEL; INDUSTRY, FILM. USA
Summary: First of a two-part article on current-day Hollywood. Looks at the wider American film industry.

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: HOLLYWOOD; USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; HOLLYWOOD; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Author: Clancy, Jack
PhysDes: Article
Subject: HOLLYWOOD; AUDIENCES USA; FONDA, PETER; EASY RIDER (US, Dennis Hopper, 1969); FIVE EASY PIECES (US, Bob Rafelson, 1970)
Summary: Essay examines films targeted at American (anarchic) youth, and calculates their success.

Call No: TITLE CLIPPINGS FILE; HOLLYWOOD ADVENTURES (US/CC, Timothy Kendall, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: HOLLYWOOD ADVENTURES (US/CC, Timothy Kendall, 2015)
Summary: Review of the film HOLLYWOOD ADVENTURES
Rating: 2.5 out of 5 stars

Call No: 81PUT YUL
Author: Yule, Andrew
Source: US
Place: New York
Publisher: Delacorte Press
PubDate: c1989
PhysDes: viii, 376 pages : black and white illustrations ; 25 cm
Subject: COLUMBIA PICTURES; HOLLYWOOD; INDUSTRY, FILM. USA; KAUFMAN, VICTOR A.; PUTTNAM, DAVID; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); KILLING FIELDS, THE (UK, Roland Joffe, 1984)
Summary: "FAST FADE is the story of David Puttnam's meteoric rise to the top of the Hollywood heap, and of his equally precipitous descent. It is also a very personal look at the man himself, from young boy growing up in middle-class London suburb, feasting on a steady diet of Hollywood-made movies, to successful producer of small, thoughtful films such as LOCAL HERO, as well as epic, "important" features like THE MISSION. Along the way, Puttnam has made a number of enemies, but he also has made many loyal friends, and he has earned the respect of a great portion of the world's most visible - and, perhaps, most powerful - industry. FAST FADE is an honest, balanced look at the man and his career, and especially his turbulent tenure as head of one of Hollywood's most powerful studios." [Taken from book jacket]
Notes: Includes index
ISBN: 0440501776; 9780440501770
Donation: Simon Wincer

Call No: 744.7 FEM
Author: Radner, Hilary; Stringer, Rebecca
Source: US
Place: London ; New York
Publisher: Routledge
PubDate: 2011
PhysDes: ix, 310 pages : illustrations ; 23 cm
Subject: BISEXUALITY IN FILMS; FEMINISM AND THE CINEMA; GENRES; HOLLYWOOD; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; IDENTITY IN FILMS; JAMES BOND IN FILMS; MARRIAGE IN FILMS; MASCULINITY IN FILMS; MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; RACE AND THE CINEMA; SEXUALITY AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; 13 GOING ON 30 (US, Gary Winick, 2004); BABY MAMA (US, Michael McCullers, 2008); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); BRIDE WARS (US, Gary Winick, 2009); CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006); ENCHANTED (US, KEVIN LIMA, 2007); FORTY YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005); FRIENDS WITH MONEY (US, Nicole Holofcener, 2006); HARD CANDY (US, David Slade, 2005); JUNO (US/CN, Jason Reitman 2007); KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001); MARIE ANTOINETTE (US, Sofia Coppola, 2006); MICHAEL CLAYTON (US, Tony Gilroy, 2007); MISS CONGENIALITY (US, Donald Petrie, 2000); SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008); SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008); SINGLE MAN, A (US, Tom Ford, 2009); SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005); WAR OF THE WORLDS (US, Steven Spielberg, 2005)
Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURB
Notes: Includes list of figures, bibliographical references and index
ISBN: 9780415895880
Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. SAN FRANCISCO. SONOMA VALLEY; FESTIVALS. SAN FRANCISCO. INTERNATIONAL VIDEO; FESTIVALS. SAN FRANCISCO. MILL VALLEY; FESTIVALS. USA. BLACK HOLLYWOOD; FESTIVALS. USA. ISRAELI; FESTIVALS. USA. MTV; FESTIVALS. USA. SOUTH BY SOUTHWEST

Call No: 62 FIE
Author: Devereaux, Leslie; Hillman, Roger
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: xiv, 362 p. : ill. ; 24 cm
Subject: MONTAGE; ETHNOGRAPHIC FILMS; PHOTOGRAPHY AND THE CINEMA; WAR AND THE CINEMA; WAR IN FILMS; MODERNISM AND THE CINEMA; HORROR FILMS; BODY IN FILMS; MEN IN FILMS; SPECTATORSHIP; CARNIVAL AND THE CINEMA; WOMEN AND THE CINEMA; NARRATIVE IN FILMS; SOUND; ADAPTATIONS; AUSTRALIAN ABORIGINES AND THE CINEMA; DOCUMENTARY FILMS; HOLLYWOOD; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); RIVERS OF SAND (US, Robert Gardner, 1974)
Notes: Includes bibliographical references and index
ISBN: 0520085248 (pbk. : alk. paper); 0520085221 (alk. paper)
LON: 10726537

Call No: 46(794) GOO
Author: Goodman, Ezra.
Source: US
Place: New York
Publisher: Simon & Schuster
PubDate: 1961
PhysDes: 465 p. ; 22 cm.
Subject: INDUSTRY, FILM. USA; STAR SYSTEM; HOLLYWOOD; ACTORS

Call No: 70 SKL
Author: Sklar, Robert, 1936-
Place: London
Publisher: Thames & Hudson
PubDate: 1993
PhysDes: 560 p. : ill.(some col.) ; 30 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; HOLLYWOOD; EUROPEAN COUNTRIES; AVANT-GARDE FILMS; NOUVELLE VAGUE; WORLD WAR II AND THE CINEMA; EASTERN EUROPEAN COUNTRIES
Notes: Bibliography: p. 518-522; Includes index and glossary; Filmography: P. 528-539
ISBN: 0500016011
LON: 10361074

Call No: 408 TUR
Author: Graeme Turner (ed.)
Place: London; New York
Publisher: Routledge
PubDate: 2002
PhysDes: 524 p. ; 24 cm
Subject: CULTURE AND THE CINEMA; GENRES; AESTHETICS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCE RESEARCH; SOUND; THEORY; CREED, BARBARA; KUHN, ANNETTE; NATIONAL CULTURE AND THE CINEMA; POSTMODERNISM AND THE CINEMA; HONG KONG; HOLLYWOOD; GLOBALISATION; USA; MONROE, MARILYN; SEX IN FILMS; HORROR FILMS; ACTION FILMS; HOMOSEXUALITY IN FILMS; THRILLERS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); PIANO, THE (AT, Jane Campion, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); TECHNOLOGY AND THE CINEMA; INDUSTRY, FILM
Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.
ISBN: 0415252822

Call No: 46(794) PAU
Author: Paul, Elliot
Source: UK
Place: London
Publisher: Frederick Muller Ltd.
PubDate: 1956
PhysDes: 160p. : illus. : 19cm.
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1950's; STAR SYSTEM

Call No: 62 FIL
Author: MacKenzie, Scott (ed.)
Source: US
Place: Berkeley London
Publisher: University of California Press
PubDate: 2014
PhysDes: xxi, 651 p. ; 26 cm
Subject: AVANT-GARDE FILMS; CONSTRUCTIVISM; SURREALISM AND THE CINEMA; STRUCTURALISM; NOUVELLE VAGUE; IMPERIALISM AND THE CINEMA; GENDER AND THE CINEMA; FEMINISM AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; DOCUMENTARY FILMS; DOCUMENTARIES; PHILOSOPHY AND THE CINEMA; WORLD CINEMA; LATIN AMERICAN COUNTRIES; AESTHETICS; HOLLYWOOD; ARCHIVES & INSTITUTES, FILM
Summary: Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture. -- extract taken from the back of the book
Notes: Includes index -- Includes bibliographical references and index.
ISSN: 9780520276741
Contents: Introduction. “An Invention without a Future” -- 1. The Avant-Garde(s) -- The Futurist Cinema (Italy, 1916) F.T. Marinetti, Bruno Corra, et al. -- Lenin Decree (USSR, 1919) Vladimir Ilyich Lenin -- The ABCs of Cinema (France, 1917–1921) Blaise Cendrars -- WE: Variant of a Manifesto (USSR, 1922) Dziga Vertov -- The Method of Making Workers’ Films (USSR, 1925) Sergei Eisenstein -- Constructivism in the Cinema (USSR, 1928) Alexei Gan -- Preface: Un chien Andalou (France, 1928) Luis Buñuel -- Manifesto of the Surrealists Concerning L’Age d’or (France, 193) The Surrealist Group -- Manifesto on “Que Viva Mexico” (USA, 1933) The Editors of Experimental Film -- Spirit of Truth (France, 1933) Le Corbusier -- An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934) László Moholy-Nagy -- Light*Form*Movement*Sound (USA, 1935) Mary Ellen Bute -- Prolegomena for All Future Cinema (France, 1952) Guy Debord -- No More Flat Feet! (France, 1952) Lettriste International -- The Lettristes Disavow the Insulters of Chaplin (France, 1952) Jean-Isidore Isou, Maurice Lemaître, and Gabriel Pomerand -- The Only Dynamic Art (USA, 1953) Jim Davis -- A Statement of Principles (USA, 1961) Maya Deren -- The First Statement of the New American Cinema Group (USA, 1961) New American Cinema Group -- Foundation for the Invention and Creation of Absurd Movies (USA, 1962) Ron Rice -- From Metaphors on Vision (USA, 1963) Stan Brakhage -- Kuchar 8mm Film Manifesto (USA, 1964) George Kuchar -- Film Andepandan [Independents] Manifesto (Japan, 1964) Takahiko Iimura, Koichiro Ishizaki, et al. -- Discontinuous Films (Canada, 1967) Keewatin Dewdney -- Hand-Made Films Manifesto (Australia, 1968) Ubu Films, Thoms -- Cinema Manifesto (Australia, 1971) Arthur Cantrill and Corinne Cantrill -- For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971) Hollis Frampton -- Elements of the Void (Greece, 1972) Gregory Markopoulos -- Small Gauge Manifesto (USA, 1980) JoAnn Elam and Chuck Kleinhans -- Cinema of Transgression Manifesto (USA, 1985) Nick Zedd -- Modern, All Too Modern (USA, 1988) Keith Sanborn -- Open Letter to the Experimental Film Congress: Let’s Set the Record Straight (Canada, 1989) Peggy Ahwesh, Caroline Avery, et al. -- Anti-1 Years of Cinema Manifesto (USA, 1996) Jonas Mekas -- The Decalogue (Czech Republic, 1999) Jan Švankmajer -- Your Film Farm Manifesto on Process Cinema (Canada, 212) Philip Hoffman -- 2. National and Transnational Cinemas -- From “The Glass Eye” (Italy, 1933) Leo Longanesi -- The Archers’ Manifesto (UK, 1942) Michael Powell and Emeric Pressburger -- What Is Wrong with Indian Films? (India, 1948) Satyajit Ray -- Buñuel the Poet (Mexico, 1951) Octavio Paz -- French Cinema Is Over (France, 1952) Serge Berna, Guy Debord, et al. -- Some Ideas on the Cinema (Italy, 1953) Cesare Zavattini -- A Certain Tendency in French Cinema (France, 1954) François Truffaut -- Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955) Juan Antonio Bardem -- Free Cinema Manifestos (UK, 1956–1959) Committee for Free Cinema -- The Oberhausen Manifesto (West Germany, 1962) Alexander Kluge, Edgar Reitz, et al. -- Untitled [Oberhausen 1965] (West Germany, 1965) Jean-Marie Straub, Rodolf Thome, Dirk Alvermann, et al. -- The Mannheim Declaration (West Germany, 1967) Joseph von Sternberg, Alexander Kluge, et al. -- Sitges Manifesto (Spain, 1967) Manuel Revuelta, Antonio Artero, Joachin Jordà, and Julián Marcos -- How to Make a Canadian Film (Canada, 1967) Guy Glover -- How to Not Make a Canadian Film (Canada, 1967) Claude Jutra -- From “The Estates General of the French Cinema, May 1968” (France, 1968) Thierry Derocles, Michel Demoule, Claude Chabrol, and Marin Karmitz -- Manifesto of the New Cinema Movement (India, 1968) Arun Kaul and Mrinal Sen -- What Is to Be Done? (France, 1970) Jean-Luc Godard -- The Winnipeg Manifesto (Canada, 1974) Denys Arcand, Colin Low, Don Shebib, et al. -- Hamburg Declaration of German Filmmakers (West Germany, 1979) Rainer Werner Fassbinder, Werner Herzog, Wim Wenders, et al. -- Manifesto I (Denmark, 1984) Lars von Trier -- Manifesto II (Denmark, 1987) Lars von Trier -- Manifesto III: I Confess! (Denmark, 199) Lars von Trier -- The Cinema We Need (Canada, 1985) R. Bruce Elder -- Pathways to the Establishment of a Nigerian Film Industry (Nigeria, 1985) Ola Balogun -- Manifesto of 1988 (German Democratic Republic, 1988) Young DEFA Filmmakers -- In Praise of a Poor Cinema (Scotland, 1993) Colin McArthur -- Dogme ’95 Manifesto and Vow of Chastity (Denmark, 1995) Lars von Trier and Thomas Vinterberg -- I Sinema Manifesto (Indonesia, 1999) Dimas Djayadinigrat, Enison Sinaro, et al. -- 3. Third Cinemas, Colonialism, Decolonization, and Postcolonialism -- Manifesto of the New Cinema Group (Mexico, 1961) El grupo nuevo cine -- Cinema and Underdevelopment (Argentina, 1962) Fernando Birri -- The Aesthetics of Hunger (Brazil, 1965) Glauber Rocha -- For an Imperfect Cinema (Cuba, 1969) -- Julio García Espinosa Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World (Argentina, 1969) Fernando Solanas and Octavio Getino -- Film Makers and the Popular Government Political Manifesto (Chile, 1970) Comité de cine de la unidad popular -- Consciousness of a Need (Uruguay, 1970) Mario Handler -- Militant Cinema: An Internal Category of Third Cinema (Argentina, 1971) Octavio Getino and Fernando Solanas -- For Colombia 1971: Militancy and Cinema (Colombia, 1971) Carlos Alvarez -- The Cinema: Another Face of Colonised Québec (Canada, 1971) Association professionnelle des cinéastes du Québec -- 8 Millimeters versus 8 Millions (Mexico, 1972) Jaime Humberto Hermosillo, Arturo Ripstein, Paul Leduc, et al. -- Manifesto of the Palestinian Cinema Group (Palestine, 1973) Palestinian Cinema Group -- Resolutions of the Third World Filmmakers Meeting (Algeria, 1973) Fernando Birri, Ousmane Sembene, Jorge Silva, et al. -- The Luz e Ação Manifesto (Brazil, 1973) Carlos Diegues, Glauber Rocha, et al. -- Problems of Form and Content in Revolutionary Cinema (Bolivia, 1976) Jorge Sanjinés -- Manifesto of the National Front of Cinematographers (Mexico, 1975) Paul Leduc, Jorge Fons, et al. -- The Algiers Charter on African Cinema (Algeria, 1975) FEPACI (Fédération panafricaine des cinéastes) -- Declaration of Principles and Goals of the Nicaraguan Institute of Cinema (Nicaragua, 1979) Nicaraguan Institute of Cinema -- What Is the Cinema for Us? (Mauritania, 1979) Med Hondo -- Niamey Manifesto of African Filmmakers (Niger, 1982) FEPACI (Fédération panafricaine des cinéastes) -- Black Independent Filmmaking: A Statement by the Black Audio Film Collective (UK, 1983) John Akomfrah -- From Birth Certificate of the International School of Cinema and Television in San Antonio de Los Baños, Cuba, Nicknamed the School of Three Worlds (Cuba, 1986) Fernando Birri -- FeCAViP Manifesto (France, 1990) Federation of Caribbean Audiovisual Professionals -- Final Communique of the First Frontline Film Festival and Workshop (Zimbabwe, 1990) SADCC (South African Development Coordination Conference) -- Pocha Manifesto #1 (USA, 1994) Sandra Peña-Sarmiento -- Poor Cinema Manifesto (Cuba, 24) Humberto Solás -- Jollywood Manifesto (Haiti, 28) Ciné Institute -- The Toronto Declaration: No Celebration of Occupation (Canada, 29) John Greyson, Naomi Klein, et al. -- 4. Gender, Feminist, Queer, Sexuality, and Porn Manifestos -- Woman’s Place in Photoplay Production (USA, 1914) Alice Guy-Blaché -- Hands Off Love (France, 1927) Maxime Alexandre, Louis Aragon, et al. -- The Perfect Filmic Appositeness of Maria Montez (USA, 1962) Jack Smith -- On Film No. 4 (In Taking the Bottoms of 365 Saints of Our Time) (UK, 1967) Yoko Ono -- Statement (USA, 1969) Kenneth Anger -- Wet Dream Film Festival Manifesto (The Netherlands, 1970) S.E.L.F. (Sexual Egalitarianism and Libertarian Fraternity) -- Women’s Cinema as Counter-Cinema (UK, 1973) Claire Johnston -- Manifesto for a Non-sexist Cinema (Canada, 1974) FECIP (Fédération européenne du cinéma progressiste) -- Womanifesto (USA, 1975) Feminists in the Media -- Visual Pleasure and Narrative Cinema (UK, 1975) Laura Mulvey -- An Egret in the Porno Swamp: Notes of Sex in the Cinema (Sweden, 1977) Vilgot Sjöman -- For the Self-Expression of the Arab Woman (France, 1978) Heiny Srour, Salma Baccar, and Magda Wassef -- Manifesto of the Women Filmmakers (West Germany, 1979) Verband der Filmarbeiterinnen -- Wimmin’s Fire Brigade Communiqué (Canada, 1982) Wimmin’s Fire Brigade -- Thoughts on Women’s Cinema: Eating Words, Voicing Struggles (USA, 1986) Yvonne Rainer -- The Post Porn Modernist Manifesto (USA, 1989) Annie Sprinkle, Veronica Vera, et al. -- Statement of African Women Professionals of Cinema, Television and Video (Burkina Faso, 1991) FEPACI (Fédération panafricaine des cinéastes) -- Puzzy Power Manifesto: Thoughts on Women and Pornography (Denmark, 1998) Vibeke Windeløv, Lene Børglum, et al. -- Cinema with Tits (Spain, 1998) Icíar Bollaín -- My Porn Manifesto (France, 22) Ovidie -- No More Mr. Nice Gay: A Manifesto (USA, 29) Todd Verow -- Barefoot Filmmaking Manifesto (UK, 29) Sally Potter -- Dirty Diaries Manifesto (Sweden, 29) Mia Engberg -- 5. Militating Hollywood -- Code to Govern the Making of Talking, Synchronized and Silent Motion Pictures (Motion Picture Production Code) (USA, 193) Motion Picture Producers and Distributors of America -- Red Films: Soviets Spreading Doctrine in U.S. Theatres (USA, 1935) William Randolph Hearst -- Statement of Principles (USA, 1944) Motion Picture Alliance for the Preservation of American Ideals -- Screen Guide for Americans (USA, 1947) Ayn Rand -- White Elephant Art vs. Termite Art (USA, 1962) Manny Farber -- Super Fly: A Summary of Objections by the Kuumba Workshop (USA, 1972) Kuumba Workshop -- The World Is Changing: Some Thoughts on Our Business (USA, 1991) Jeffrey Katzenberg -- Full Frontal Manifesto (USA, 21) Steven Soderbergh -- 6. The Creative Treatment of Actuality-- Towards a Social Cinema (France, 1930) Jean Vigo -- From “First Principles of Documentary” (UK, 1932) John Grierson -- Manifesto on the Documentary Film (UK, 1933) Oswell Blakeston -- Declaration of the Group of Thirty (France, 1953) Jean Painlevé, Jacques-Yves Cousteau, Alain Resnais, et al. -- Initial Statement of the Newsreel (USA, 1967) New York Newsreel -- Nowsreel, or the Potentialities of a Political Cinema (USA, 1970) Robert Kramer, New York Newsreel -- Documentary Filmmakers Make Their Case (Poland, 1971) Bohdan Kosinski, Krzysztof Kieslowski, and Tomasz Zygadlo -- The Asian Filmmakers at Yamagata YIDFF Manifesto (Japan, 1989) Kidlat Tahimik, Stephen Teo, et al. -- Minnesota Declaration: Truth and Fact in Documentary Cinema (Germany, 1999) Werner Herzog -- Defocus Manifesto (Denmark, 2) Lars von Trier -- Kill the Documentary as We Know It (USA, 22) Jill Godmilow -- Ethnographic Cinema (EC): A Manifesto{ths}/{ths}A Provocation (USA, 23) Jay Ruby -- Reality Cinema Manifesto (Russia, 25) Vitaly Manskiy -- Documentary Manifesto (USA, 28) Albert Maysles -- China Independent Film Festival Manifesto: Shamans * Animals (People’s Republic of China, 211) By several documentary filmmakers who participated and also who did not participate in the festival -- 7. States, Dictatorships, the Comintern, and Theocracies -- Capture the Film! Hints on the Use of, Out of the Use of, Proletarian Film Propaganda (USA, 1925) Willi Münzenberg -- The Legion of Decency Pledge (USA, 1938) Archbishop John McNicholas -- Creative Film (Germany, 1935) Joseph Goebbels -- Vigilanti Cura: On Motion Pictures (Vatican City, 1936) Pope Pius XI -- Four Cardinal Points of A Revolução de Maio (Portugal, 1937) António Lopes Ribeiro -- From On the Art of Cinema (North Korea, 1973) Kim Jong-il -- 8. Archives, Museums, Festivals, and Cinematheques -- A New Source of History: The Creation of a Depository for Historical Cinematography (Poland/France, 1898) Boleslaw Matuszewski -- The Film Prayer (USA, c. 192) A. P. Hollis -- The Film Society (UK, 1925) Iris Barry -- Filmliga Manifesto (The Netherlands, 1927) Joris Ivens, Henrik Scholte, Men’no Ter Bbaak, et al. -- Statement of Purposes (USA, 1948) Amos Vogel, Cinema 16 -- The Importance of Film Archives (UK, 1948) Ernest Lindgren -- A Plea for a Canadian Film Archive (Canada, 1949) Hye Bossin -- Open Letter to Film-Makers of the World (USA, 1966) Jonas Mekas -- A Declaration from the Committee for the Defense of La Cinémathèque française (France, 1968) Committee for the Defense of La Cinémathèque française -- Filmmakers versus the Museum of Modern Art (USA, 1969) Hollis Frampton, Ken Jacobs, and Michael Snow -- Anthology Film Archives Manifesto (USA, 1970) P. Adams Sitney -- Toward an Ethnographic Film Archive (USA, 1971) Alan Lomax -- Brooklyn Babylon Cinema Manifesto (USA, 1998) Scott Miller Berry and Stephen Kent Jusick -- Don’t Throw Film Away: The FIAF 7th Anniversary Manifesto (France, 28) Hisashi Okajima and La fédération internationale des archives du film Manifesto Working Group -- The Lindgren Manifesto: The Film Curator of the Future (Italy, 21) Paolo Cherchi Usai -- Film Festival Form: A Manifesto (UK, 212) Mark Cousins -- 9. Sounds and Silence -- A Statement on Sound (USSR, 1928) Sergei Eisenstein, Vsevolod Pudovkin, and Grigori Alexandrov -- A Rejection of the Talkies (USA, 1931) Charlie Chaplin -- A Dialogue on Sound: A Manifesto (UK, 1934) Basil Wright and B. Vivian Braun -- Amalfi Manifesto (Italy, 1967) Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, et al. -- 10. The Digital Revolution -- Culture: Intercom and Expanded Cinema: A Proposal and Manifesto (USA, 1966) Stan VanDerBeek -- The Digital Revolution and the Future Cinema (Iran, 2) Samira Makhmalbaf -- The Pluginmanifesto (UK, 21) Ana Kronschnabl -- Digital Dekalogo: A Manifesto for a Filmless Philippines (The Philippines, 23) Khavn de la Cruz -- 11. Aesthetics and the Futures of the Cinema -- The Birth of the Sixth Art (France, 1911) Ricciotto Canudo -- Memo from Walt Disney to Don Graham (USA, 1935) Walt Disney -- The Birth of a New Avant Garde: La caméra-stylo (France, 1948) Alexandre Astruc -- From Preface to Film (UK, 1954) Raymond Williams -- The Snakeskin (Sweden, 1965) Ingmar Bergman -- Manifesto (Italy, 1965) Roberto Rossellini, Bernardo Bertolucci, Tinto Brass, et al. -- Manifesto on the Release of La Chinoise (France, 1967) Jean-Luc Godard -- Direct Action Cinema Manifesto (USA, 1985) Rob Nilsson -- Remodernist Film Manifesto (USA, 28) Jesse Richards -- The Age of Amateur Cinema Will Return (People’s Republic of China, 21) Jia Zhangke --

Call No: 205 FIL
Author: Moran, Albert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 285 p
Subject: GOVERNMENT CONTROL; STATE AND THE CINEMA; HOLLYWOOD; INDUSTRY, VIDEO. USA; DISTRIBUTION; INDUSTRY, FILM; COPRODUCTION. FRANCE; COPRODUCTION. UK; INDUSTRY, FILM. UK; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. CANADA; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. INDONESIA; INDUSTRY, FILM. SINGAPORE; AUSTRALIAN ABORIGINAL CINEMA; MAORI CINEMA; INDIGENOUS PEOPLE'S CINEMA. CANADA
Notes: Includes bibliographical references and index
ISBN: 0415097916 (pbk.); 0415097908 (hardcover)
LON: 12158074

Call No: 753.81 VER
Author: Verevis, Constantine
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2006
PhysDes: 198 p. ; 24 cm
Subject: REMAKES; HOLLYWOOD
Summary: This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking, Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, investigates issues of reception, including audiences and institutions. The film remake emerges as a particular case of repetition, a function of cinematic and discursive fields that is maintained by historically specific practices, such as copyright law and authorship, canon formation and media literacy, film criticism and re-viewing. These points are made through the lively discussion of numerous historical and contemporary examples, including the remaking of classics (Double Indemnity, All That Heaven Allows, Psycho), foreign art-films (Yojimbo, Solaris, Le Samourai), cult movies (Gun Crazy, Planet of the Apes, Dawn of the Dead), and television properties (Batman, The Addams Family, Charlie’s Angels). [Taken from back cover.]
ISBN: 9780748621873

Call No: 753.83 JES
Author: Jess-Cooke, Carolyn
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2009
PhysDes: viii, 166 p. ; 24 cm
Subject: SEQUELS; FILM; CRITICISM; ADAPTATIONS; HOLLYWOOD; THEORY; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001)
Summary: "The film sequel has been maligned in popular culture as a vampirish corporative exercise in profit-making and narrative regurgitation. Drawing upon a wide range of examples from early cinema to the twenty-first century, this volume reveals the increasing popularity of, and experimentation with, film sequels as a central dynamic of Hollywood cinema. Now creeping into world cinemas and independent film festivals, the sequel is persistently employed as a vehicle for cross-cultural dialogue and as a structure by which memories and cultural narratives can be circulated across geographical and historical locations. This book aims to account for some of the major critical contexts within which sequelisation operates by exploring sequel production beyond box office figures. Its account ranges from sequels in recent mainstream cinema, art-house and 'indie' sequels, non-Hollywood sequels, the effects of the domestic market on sequelisation, and the impact of the video game industry on Hollywood." --BACK COVER BLURB
Notes: Includes bibliographical references and index
ISBN: 9780748626045
Contents: -- preface -- acknowledgments -- Introduction: The age of the $equel: beyond the profit principle -- 1 Before and after the blockbuster: a brief history of the film sequel -- 2 Screaming, slashing, sequelling: what the sequel did to the horror movie -- 3 "It's all up to you!": sequelisation and user-generated content --4 Adventures in Indiewood: sequels in the independent film marketplace -- 5 Signifying Hollywood: sequels in the global economy -- 6 Sequelisation and secondary memory: Steven Spielberg's Artificial intelligence: A. I. (2001) -- references -- index --

PhysDes: Article
Subject: BERESFORD, BRUCE; NOUVELLE VAGUE; HOLLYWOOD; EDITING
Summary: Second part of Bruce Beresford's articles on the development of film theories and techniques, and the influences they still have today. Here Beresford discusses Technical Developments and Style, the use of Portable Gear, Sound Mixing, Horiontal Editing Tables, Recording, the Prying Camera, Film Themes, and Penetrating Commentaries.

Call No: 79HEA BAC
Author: Bach, Steven
Source: US
Place: New York
Publisher: William Morrow & Co., Inc.
PubDate: c1985
PhysDes: 432 pages ; 25 cm
Subject: BUDGETING; FINANCING; BOX OFFICE; HOLLYWOOD; INDUSTRY, FILM. USA; STUDIOS, FILM. USA; UNITED ARTISTS; ALLEN, WOODY; CIMINO, MICHAEL; FIELD, DAVID; DEER HUNTER, THE (US, Michael Cimino, 1978); HEAVEN'S GATE (US, Michael Cimino, 1980)
Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]
Notes: Includes index
ISBN: 0688043828
Donation: Simon Wincer

Call No: FESTIVAL CATALOGUE SHELVES
Source: US
Place: US
Publisher: [s.n]
PubDate: 1971
PhysDes: 40 p. : ill. ; 24 cm
Subject: FESTIVALS. LOS ANGELES [VARIOUS]; FESTIVALS. USA [VARIOUS]; GRAUMAN, SID; HOLLYWOOD; HITCHCOCK, ALFRED
Notes: Contains black and white film stills; Contains summary of each film; Festival includes an Alfred Hitchcock marathon

Call No: REFERENCE SECTION; 003 FOO
Author: Davy, Charles
Source: UK
Place: London
Publisher: Lovat Dickson Ltd; Readers' Union
PubDate: 1938
PhysDes: 334 p. : ill. ; 21 cm
Subject: PRODUCTION; INDUSTRY, FILM; DIRECTION; ACTING; CINEMATOGRAPHY; SCRIPTWRITING; COMEDIES; CARTOONS; COSTUMES; COSTUME DESIGNING; SET DESIGNING; SETS; ART DIRECTION; MUSIC IN FILMS; COLOUR; REALISM IN FILMS; UNITED KINGDOM; HOLLYWOOD; USA; THEATRE AND THE CINEMA; AUDIENCES; CRITICISM; CENSORSHIP; SOCIETIES, FILM
Notes: Includes contributor biographies and index
Donation: donated by the family of Wayne Levy, 2006
Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy

Call No: 81MON LEM
Author: Hallmundson, Hallberg (translator); Lembourne, Hans Jorgen
Edition: Arrow
Source: UK
Place: Fitzroy Square, London
Publisher: Arrow
PubDate: 1980
PhysDes: 214p ; 18cm
Subject: HOLLYWOOD; MONROE, MARILYN
Summary: "It has taken Hans Jorgen Lembourn nearly twenty years to bring himself to write the story of his passionate, yet tragic, love affair with Marilyn Monroe. Their love stripped bare the glitter and the pretence to reveal the true Marilyn - her attitude to men, her career, her drinking and her drug taking." -- BOOK BLURB
Notes: American cinema films. Acting. Monroe, Marilyn, 1960. Personal observations (BNB/PRECIS); This translation originally published: London : Hutchinson, 1979. - Translation of: '40 dage med Marilyn'. Kobenhavn : Schonberg, 1977
ISBN: 009922690
Donation: Donated by Wayne Levy, 2006

Call No: 81FOS WAS
Author: Wasson, Sam
Source: US
Place: Boston ; New York
Publisher: Houghton Mifflin Harcourt
PubDate: 2013
PhysDes: 723 pages : illustrations ; 24 cm
Subject: ACADEMY AWARDS; BURLESQUE; CHOREOGRAPHY; CULTURE AND THE CINEMA. USA; DANCE IN FILMS; DIRECTORS; HOLLYWOOD; INDUSTRY, FILM. USA; MUSICALS. USA; UNITED ARTISTS; FOSSE, BOB; ASTAIRE, FRED; CHAYEFSKY, PADDY; DREYFUSS, RICHARD; HEIM, ALAN; MINNELLI, LIZA; SONDHEIM, STEPHEN; ALL THAT JAZZ (US, Bob Fosse, 1979); CABARET (US, Bob Fosse, 1972); LENNY (US, Bob Fosse, 1974); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); STAR 80 (US, Bob Fosse, 1983); SWEET CHARITY (US, Bob Fosse, 1969)
Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVE
Notes: Contains photos and index
ISBN: 9780547553290

Author: Lee, Sheridan
PhysDes: Article
Subject: DOT IN GOOD OLD HOLLYWOOD (AT, Yoram Gross, 1986)
Summary: Location report on 'Dot in Good old Hollywood'

Call No: 19TWE SIL
Author: Silverman, Stephen M.
Source: US
Place: Secaucus, New Jersey
Publisher: Lyle Stuart Inc.
PubDate: c1988
PhysDes: 356 pages : black and white illustrations ; 24 cm
Subject: HOLLYWOOD; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; INDUSTRY, FILM. USA; TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; ZANUCK, RICHARD; CLEOPATRA (US, Joseph L. Mankiewicz, 1963)
Summary: "A powerful man and his determined son, an internationally famous dream factory where money is no object, and a battle between egos staged on the most lavish playgrounds in the world. This is the inside story of a family torn from within by greed, envy and a blind need to control. Movie mogul Darryl F. Zanuck believed that the kingdom he had built - 20th Century Fox - was impregnable to outside conquest. Little did he dream that the power who would eventually dethrone him in one of the nastiest battles in Hollywood history would be none other than his own son, Richard Zanuck. In the best Hollywood tradition, this drama was played out on a larger than life scale against a glamorous international setting. There is a cast of supporting players that formed a Zanuck coterie - from their innumerable "yes men" to the old man's many mistresses [...] THE FOX THAT GOT AWAY is filled with high drama. It is a story that will not be soon forgotten, and a look at the workings of an industry that never fails to fascinate." [Taken from book jacket]
Notes: Includes bibliography and index
ISBN: 081840485X
Donation: Simon Wincer

Call No: 81COP MEN
Author: Menne, Jeff
Edition: 1st ed.
Source: US
Place: Urbana, Illinois.; Chicago, Illinois.; Springfield, Illinois.
Publisher: University of Illinois Press
PubDate: 2014
PhysDes: 168 pages ; 21 cm
Series: Contemporary Film Directors
Subject: AUTEUR THEORY; DIRECTORS. USA; HOLLYWOOD; COPPOLA, FRANCIS FORD
Summary: "Analyzing films like The Godfather (1972) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family - and how his studio, American Zoetrope, came to represent a new brand of auteurism and the model for post-Fordist Hollywood." -- BOOK BLURB
Notes: Contains twenty black and white photographs. -- Includes contents, bibliographic references and index
ISBN: 9780252080371

Call No: 81CAP MCB
Author: McBride, Joseph
Source: US
Place: New York
Publisher: Simon & Schuster
PubDate: 1992
PhysDes: 768 p. : ill. ; 26 cm
Subject: COMEDIES; AUTHORSHIP; COLUMBIA PICTURES; HOLLYWOOD; DIRECTORS; COMMUNISM AND THE CINEMA. USA; Metro-Goldwyn-Mayer; CAPRA, FRANK; COHN, HARRY; RISKIN, ROBERT; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); LADY FOR A DAY (US, Frank Capra, 1933); LOST HORIZON (US, Frank Capra, 1937); MEET JOHN DOE (US, Frank Capra, 1941); MR. DEEDS GOES TO TOWN (US, Frank Capra, 1936); MR. SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); WHY WE FIGHT SERIES (US, 1942-44); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938)
Summary: "FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the first major biography of one of the greatest directors in Hollywood history, the man behind such classic films as IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE [...] FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the result of more than seven years of work. It is drawn from extensive archival research and interviews with 175 people who knew or worked with Capra, as well as many hours of interviews with Capra himself. In this biography, Joseph McBride gives us the definitive portrait of one of our greatest filmmakers." [Taken from book jacket]
Notes: Filmography: p. [117]-731; Includes bibliographical references and index
ISBN: 0671797883 (pbk.); 0671734946 : $27.50
LON: abn92038576; 8711584

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROM HOLLYWOOD TO DEADWOOD (US, Rex Pickett, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROM HOLLYWOOD TO HANOI (US, Tiana Thi Thanh Nga, 1992)

Call No: 64GEN GEN
Author: Neale, Steve
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: 264p. : illus. : 24cm.
Subject: GENRES; HOLLYWOOD; INDUSTRY, FILM. USA; YOUNG PEOPLE IN FILMS; BLOCKBUSTERS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ROMANTIC FILMS; FILM NOIR; ADAPTATIONS. GRISHAM, JOHN
Notes: Includes notes and index.
ISBN: 0851708870

Author: Luke Goodsell
PhysDes: Article
Subject: NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)
Summary: Article on the fimls mentioned in Hartley's documentary, Not Quiet Hollywood

Call No: 201(73) GLO MIL
Author: Miller, Toby; Nitin, Govin; McMurria, John; Maxwell, Richard; Wang, Ting
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 441 p. : ill., tables ; 23 cm
Subject: INDUSTRY, FILM. USA; GATT; DISTRIBUTION. USA; CULTURAL IMPERIALISM. US; PRODUCTION; PRODUCTION CENTRES : HOLLYWOOD
Summary: An analysis of why and how Hollywood cinema has a massive influence over the movie industries and public throughout the world. This version of Global Hollywood takes into account the changes that have affected Hollywood in more recent times (such as the September 11, 2001 attacks) and has new sections on India and China.
ISBN: 1844570398

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOING HOLLYWOOD (US, Raoul Walsh, 1933)

Call No: 46(794) FIN
Author: Finch, Christopher; Rosenkrantz, Linda
Source: UK
Place: London
Publisher: George Weindenfeld and Nicolson Limited.
PubDate: 1980
PhysDes: xii, 396p. ; illus. ; 24cm.
Subject: HOLLYWOOD; HISTORY OF CINEMA; STAR SYSTEM
Notes: Includes index and bibliography.
ISBN: 0297778609

Call No: 71(73) SEN
Author: Sennett, Ted
Place: New York
Publisher: Abradale Press/H.N. Abrams
PubDate: 1986
PhysDes: p. cm
Subject: USA; HOLLYWOOD; COMEDIES. USA; MUSICALS. USA; ROMANTIC FILMS. USA; WESTERNS; WAR FILMS. USA; HORROR FILMS. USA; SCIENCE-FICTION FILMS; CRIME FILMS. USA; ADAPTATIONS. USA; DETECTIVE FILMS. USA
Notes: Includes index; Bibliography: p
ISBN: 0810980754
LON: 4492757

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HECK WITH HOLLYWOOD, THE (US, Doug Block, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HEIDI FLEISS: HOLLYWOOD MADAM (UK, Nick Broomfield, 1995)

Call No: 81OBS OBS
Author: Obst, Lynda Rosen
Place: Pymble, N.S.W.
Publisher: HarperCollins
PubDate: 1997
PhysDes: x, 246 p., [8] p. of plates : ill. ; 24 cm
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; PRODUCERS; PRODUCING; STUDIOS, FILM. USA; OBST, LYNDA; BAD GIRLS (US, Jonathan Kaplan, 1994); CONTACT (US, Robert Zemeckis, 1997); FISHER KING, THE (US, Terry Gilliam, 1991); SLEEPLESS IN SEATTLE (US, Nora Ephron, 1993)
Summary: Welcome to the world of Hollywood - a constantly spinning cyclone of glamour, money, and gossip where there is no glossary and people play by rules discernible only to those on the inside. It is a world that Lynda Obst, one of the most successful producers in Hollywood today, entered two decades ago as a neophyte and where through resolve, determination, and quick wit, she has been able to produce some of today's biggest movies, including The Fisher King and Sleepless in Seattle. Now in Hello, He Lied, Lynda Obst takes us on a behind-the-scenes tour of her world - onto sound stages with Tom Hanks and Meg Ryan, inside meetings with David Geffen and Peter Guber, on location in New York City with George Clooney and Michelle Pfeiffer, and into negotiations over The Hot Zones. She shares what she has learned in over twenty years in the business, about how to pitch an idea, impress a suit, win a bidding war over a hot script, and massage egos, as well as the all consuming issue of how to dress on location, what to say to skittish directors, where to eat lunch - whether in New York, LA, or a town you've never heard of - and most important, how to produce successful, critically acclaimed movies.
Notes: First published: Boston : Little, Brown, c1996
ISBN: 0732258618 : $16.95
LON: abn97006410; 12942780

PhysDes: Article
Subject: SAMUEL GOLDWYN CO.; GOLDWYN, SAMUEL; GOLDWYN, SAMUEL, Jr.; HOLLYWOOD
Summary: Article on the Samuel Goldwyn Co. moving offices, and a history of the company and its Hollywood location.

Call No: 71(73) HAM
Author: Hampton, Benjamin B. (Benjamin Bowles), 1875-1932
Place: London
Publisher: Noel Douglas
PubDate: 1932
PhysDes: 456 p., 125 p. of illus. 23 cm
Subject: BIOGRAPH; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CHAPLIN, CHARLES; DEMILLE, CECIL B.; FAIRBANKS, DOUGLAS; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; HART, WILLIAM S.; HOLLYWOOD MEMORY IN FILMS; LAEMMLE, CARL; LASKY, JESSE; PARAMOUNT STUDIOS; PICKFORD, MARY; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SENNETT, MACK; ZUKOR, ADOLPH
LON: 13776404 13776404

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD

Call No: 71(73) KAN
Author: Kanin, Garson
Source: UK
Place: St Albans, UK
Publisher: Hart Davis, MacGibbon
PubDate: 1975, c1967
PhysDes: 350 p. ; 24 cm
Subject: HOLLYWOOD; STARS; GOLDWYN, SAMUEL; KANIN, GARSON
ISBN: 024610862X
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(73) BRO
Author: Brownlow, Kevin
Source: UK
Place: London
Publisher: Collins
PubDate: 1979
PhysDes: 268 p. ; 26 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; PIONEER FILM WORKERS; HOLLYWOOD
ISBN: 0002160471
Donation: donated by the family of Wayne Levy, 2006

Call No: 45:32 WHE
Author: Wheeler, Mark
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 188p. : b+w ill. ; 24cm
Subject: HOLLYWOOD; POLITICS AND THE CINEMA. USA; HISTORY AND THE CINEMA. USA
ISBN: 184457136X

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD [TV](UK, 1980)

Call No: 71(73) COW
Author: Cowie, Peter
Source: US
Place: New York
Publisher: A. S. Barnes
PubDate: [1977]
PhysDes: 286 pages : illustrations ; 35 cm
Subject: HOLLYWOOD
Notes: Includes index.
ISBN: 9780498014000
Contents: Introduction by Peter Cowie -- The Twenties by David Robinson -- The Thirties by John Baxter -- The Forties by Charles Higham and Joel Greenberg -- The Fifties by Gordon Gow -- The Sixties by John Baxter -- Index

Call No: 71(73) "1938" JUR
Author: Jurca, Catherine
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: c2012
PhysDes: x, 272 p. : ill. ; 23 cm
Subject: USA; USA. 1930's; INDUSTRY, FILM. USA; FILM; HOLLYWOOD; HISTORY OF CINEMA. 1930's; FOUR DAUGHTERS (US, Michael Curtiz, 1938); BOYS TOWN (US, Norman Taurog, 1938); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938); MARIE ANTOINETTE (US, W.S. Van Dyke, 1938)
Summary: "In Hollywood 1938, Catherine Jurca brings to light a tumultuous year of crisis that has been neglected in histories of the studio era. With attendance in decline, negative publicity about stars who were "poison at the box office", and a spate of bad films, industry executives decided that the public was fed up with the movies. Jurca describes their desperate attempt to win back audiences by launching Motion Pictures' Greatest Year, a massive, and unsuccessful, public relations campaign conducted in theaters and newspapers across North America. Drawing on the records of studio personnel, independent exhibitors, movie-goers, and the motion pictures themselves, she analyzes what was wrong - and right - with Hollywood at the end of a heralded decade and how the industry's troubles changed the making and marketing of films in 1938 and beyond." -- BOOK BLURB
Notes: Formerly CIP; "Fletcher Jones Foundation humanities imprint"; Includes bibliographical references (p. 231-261), index and filmography
ISBN: 9780520271807
Donation: Donated by Senses of CInema, 2013
Contents: -- list of illustrations -- acknowledgments -- Introduction: Hollywood looks at its audience -- The campaign -- Annus horribilis -- Goldwyn's folly -- Such a thing as bad publicity -- The moviegoing habit -- Exhibitors, the movie quiz contest, and a divided industry -- the minds of exhibitors -- The carrot and the stick -- The quiz contest on the ground -- What the contest did for me -- Independents rebel -- The campaign and the press -- The film industry speaks its mind -- Marginal moviegoers -- The gossip columnists -- The dailies have their say -- The films -- "The finest array of productions" -- Ninety-four films -- The death of glamour -- Human films -- The human side of screwball -- You can't take it with you -- Four daughters -- Boys town -- Marie Antoinette -- That's entertainment -- The fourth estate -- Conclusion: motion pictures' worst year -- appendix 1 -- appendix 2 -- notes -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD ADVENTURES (US/CC, Timothy Kendall, 2015)

Call No: 465.1(092.1) KEY
Author: Keylin, Arleen; Fleischer, Suri
Place: New York
Publisher: Arno Press
PubDate: 1977
PhysDes: v, 311 p. : ill. ; 29 cm
Subject: HOLLYWOOD; OBITUARIES; STARS
Summary: Obituaries of over 200 Hollywood stars as they appeared in the New York Times.
ISBN: 0405103115

Call No: 915 HOL
Source: UK
Place: London
Publisher: Ian Allan
PubDate: 1970
PhysDes: 28 cm ; 224 p.
Subject: HOLLYWOOD; FAN MAGAZINES; FAN MAGAZINES. USA; GOSSIP COLUMNISTS
Donation: donated by the family of Wayne Levy, 2006

Call No: 765.1 DON
Author: Donald, Ralph
Source: US
Place: Amherst
Publisher: [University Microfilms International]
PubDate: c1987
PhysDes: ix, 277 leaves.
Subject: HOLLYWOOD; WORLD WAR II AND THE CINEMA; PROPAGANDA FILMS
Notes: Is a Dissertation submitted to the Graduate School of the University of Massachusetts in partial fulfilment of the requirements for the degree of Doctor of Philosophy.
Contents: -- dedication -- acknowledgements -- about the author -- abstract -- chapter 1: introduction -- goals -- focus and limitations -- methods -- chapter 2: Hollywood and Washington -- the Last War -- before the 'day of infamy' -- the War begins -- Chapter 3: The analysis -- guilt -- satanism -- illusion of victory -- apocalypticism and Typology -- territoriality -- chapter 4: conclusions -- appendix -- bibliography --

Call No: 49:930.2 HOL
Author: Rollins, Peter C.
Source: US
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: 1983
PhysDes: x, 276 p. : ill. ; 24 cm.
Subject: HOLLYWOOD; HISTORY AND THE CINEMA. USA; FOX STUDIOS; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CITY LIGHTS (US, Charles Chaplin, 1931); MODERN TIMES (US, Charles Chaplin, 1936); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); GRAPES OF WRATH, THE (US, John Ford, 1940); WILSON (US, Henry King, 1944); NEGRO SOLDIER, THE (US, Frank Capra, 1944); SNAKE PIT (US, Anatole Litvak, 1948); CULTURE AND THE CINEMA. USA; ON THE WATERFRONT (US, Elia Kazan, 1954); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADAPTATiONS. CONRAD, JOSEPH; CHAPLIN, CHARLES; VIETNAM WAR IN FILMS; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); CENSORSHIP. USA; RIVER, THE (US, Lorentz Pare, 1937)
Notes: Includes bibliographical references.
ISBN: 0813101549 (pbk.)

Call No: 802.27 ANG
Author: Anger, Kenneth.
Source: US
Place: San Francisco
Publisher: Straight Arrow Books
PubDate: 1975
PhysDes: 292 p. : ill. ; 27 cm.
Subject: HOLLYWOOD; ANGER, KENNETH
Notes: Includes index.
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD BOULEVARD (US, Joe Dante & Allan Arkush, 1976)

Call No: 46(794) MIN
Author: Minney, R.J.
Source: UK
Place: London
Publisher: Chapman & Hall
PubDate: 1935
PhysDes: 264p. : illus. : 19cm.
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1930's; STAR SYSTEM
Notes: Includes index.

Call No: 46(794) HAM
Author: Hamblett, Charles
Source: US
Place: New York
Publisher: Hart Publishing Company
PubDate: 1969
PhysDes: 435 p. : ill., ports ; 24 cm
Series: Includes index
Subject: HOLLYWOOD; Metro-Goldwyn-Mayer; TYPE CHARACTERS IN FILMS; TWENTIETH CENTURY-FOX; WARNER BROS.; ANDERSON, ERNIE; ARMSTRONG, LOUIS; BACALL, LAUREN; BARRYMORE, JOHN; BOGART, HUMPHREY; BRANDO, MARLON; BURTON, RICHARD; CLIFT, MONTGOMERY; DAVIS, SAMMY, Jr.; DEAN, JAMES; FLYNN, ERROL; GABLE, CLARK; HATHAWAY, HENRY; HUSTON, JOHN; LOREN, SOPHIA; MONROE, MARILYN; MILLER, ARTHUR; NOVAK, KIM; PECK, GREGORY; PONTI, CARLO; SENNETT, MACK; SINATRA, FRANK; TAYLOR, ELIZABETH; THALBERG, IRVING; WARNER, JACK L.; WAYNE, JOHN; WOOD, NATALIE; WOODWARD, JOANNE
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(73) MAL
Author: Maltby, Richard
Edition: 2nd
Source: UK
Place: Oxford, UK
Publisher: Blackwell Publishing
PubDate: 2003
PhysDes: 696 p. ; 25 cm
Subject: HOLLYWOOD; USA
Notes: Appendix 1: The motion picture production code (as Published 31 March 1930); Appendix 2: Code and rating system, 1968: The code of self........; Appendix 3: The Classification and rating system: "What the Ratings Mean"; Includes ntes, bibliography and index.
ISBN: 0631216154

Call No: 802.27(084.2) KOB
Author: Kobal, John
Edition: 1st Quill ed.
Source: US
Place: New York
Publisher: Quill
PubDate: c1981
PhysDes: 159 p. : col. ill. ; 30cm
Subject: ACTORS; PHOTOGRAPHY; PHOTOGRAPHY AND THE CINEMA; HOLLYWOOD; FIELDS, W.C.; WEST, MAE; COLBERT, CLAUDETTE; DIETRICH, MARLENE; LAMOUR, DOROTHY; SWANSON, GLORIA; SOTHERN, ANN; MACDONALD, JEANETTE; Stewart, James; YOUNG, LORETTA; COOPER, GARY; LEIGH, VIVIEN; TURNER, LANA; GARLAND, JUDY; ROONEY, MICKEY; MONTEZ, MARIA; DE HAVILLAND, OLIVIA; FONTAINE, JOAN; FAIRBANKS, DOUGLAS; DAVIS, BETTE; BOGART, HUMPHREY; LAMARR, HEDY; SHERIDAN, ANN; TIERNEY, GENE; LAKE, VERONICA; LADD, ALAN; CAGNEY, JAMES; BERGMAN, INGRID; GODDARD, PAULETEE; WAYNE, JOHN; Grable, Betty; COOPER, GARY; TAYLOR, ROBERT; POWER, TYRONE; HUTTON, BETTY; ASTAIRE, FRED; DARNELL, LINDA; SINATRA, FRANK; ROGERS, ROY; TRIGGER (Horse); PAL (Canine actor); BACALL, LAUREN; LANCASTER, BURT; SCOTT, LIZABETH; DOUGLAS, KIRK; MIRANDA, CARMEN; JONES, JENNIFER; FORD, GLENN; BALL, LUCILLE; OBERON, MERLE; PECK, GREGORY; DIETRICH, MARLENE; GRAHAME, GLORIA; GRANT, CARY; HAYWORTH, RITA; VALLI, ALIDA; JOURDAN, LOUIS; TAYLOR, ELIZABETH; ROBERT, RYAN; MITCHUM, ROBERT; CHARISSE, CYD; BARKER, LEX; RUSSELL, JANE; GARBO, GRETA; CLIFT, MONTGOMERY; GARDNER, AVA; TURNER, LANA; MONROE, MARILYN; CRAWFORD, JOAN; DEAN, JAMES; NOVAK, KIM; MANSFIELD, JAYNE; PRESLEY, ELVIS; BRANDO, MARLON
Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull. The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKET
Notes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actors
ISBN: 0688007538

Call No: 465.1 AME
Author: Amende, Coral
Source: US
Place: New York
Publisher: Plume
PubDate: c1997
PhysDes: xiii, 321 p. : ill. ; 23 cm
Subject: ACTORS; HOLLYWOOD; CELEBRITIES
Summary: "Tinseltown has always been the mecca for image and ego, the Babylon of outlandish wealth and outrageous acts. Now Hollywood Confidential serves up the dish, rumors, lists, firsts, and worsts about the glitziest, trashiest, most megalomaniacal celebrities of our time. From how they got their start and how much they're worth to their rich fantasy lives and who's been with whom, you'll read it all here: hundreds of our favorite stars, from Demi, Sharon, and Arnold to Keanu, Winona, and Quentin. Here are the "Most Embarrassing Oscar Moments," "Coming Apart at the Scenes," "Shortest Marriages in Hollywood History," "The Anti-Social Register," and "Odd Couples." Completely unauthorized, uncensored, and unabashed, Hollywood Confidential unveils the secrets of the stars, proving once and for all that there really is no business like show business. " -BOOK BLURB
Notes: Includes index
ISBN: 0452277914
Donation: donated by the family of Wayne Levy, 2006

Call No: 203 DEV
Author: De Vany, Arthur
Source: UK/US
Place: London; New York
Publisher: Routledge
PubDate: 2005
PhysDes: 308 p. : 23 cm.
Series: Contemporary Political Economy
Subject: ECONOMICS AND THE CINEMA. USA; HOLLYWOOD; BUSINESS AND THE CINEMA; GLOBALISATION; INDUSTRY, FILM; DE VANEY, ARTHUR
Summary: Just how risky is the movie industry? Is screenwriter William Goldman’s claim that “nobody knows anything” really true? Can a star and a big opening change a movie’s risks and return? Do studio executives really earn their huge paychecks? These and many other questions are answered in Hollywood Economics. The book uses powerful analytical models to uncover the wild uncertainty that shapes the industry. The centerpiece of the analysis is the unpredictable and often chaotic dynamic behavior of motion picture audiences. This unique and important book will be of interest to students and researchers involved in the economics of movies, industrial economics and business studies. The book will also be a real eye-opener for film-writers, movie executives, finance and risk management professionals as well as more general movie fans. [Taken from first page of book.]
ISBN: 9780415312615

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD ENDING (US, Woody Allen, 2002)

Call No: 751.1(73) GRA
Author: Grant, Barry Keith
Source: UK
Place: West Sussex, UK
Publisher: Wiley-Blackwell
PubDate: 2012
PhysDes: xiii ; 182 p. ; 23cm
Series: New approaches to film genre
Subject: HOLLYWOOD; USA; MUSICALS; MUSIC AND THE CINEMA; HOLLYWOOD IN FILMS; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); TOP HAT (US, Mark Sandrich, 1935); PIRATE, THE (US, Vincente Minnelli, 1948); WEST SIDE STORY (US, Robert Wise, 1961); SATURDAY NIGHT FEVER (US, John Badham, 1977); WOODSTOCK (US, Michael Wadleigh, 1970); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); ACROSS THE UNIVERSE (US, Julie Taymor, 2007)
Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURB
Notes: inc. references and index
ISBN: 9781405182522
Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index

Call No: 64GEN SCH
Author: Schatz, Thomas, 1948
Edition: 1st ed
Place: New York, N.Y.
Publisher: Random House
PubDate: c1981
PhysDes: xiv, 297 p. : ill. ; 24 cm
Subject: GENRES; HOLLYWOOD; STUDIO SYSTEM
Notes: Includes index; Bibliography: p. 275-284
ISBN: 039432255X : $7.95
LON: 1823206 1823206

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD GOLD (US, Ben Lewin, 2003)

Author: Salter, Denbeigh
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); INDUSTRY, FILM; HOLLYWOOD
Summary: Pieces of news in relation to Hollywood with mention of Mad Max III

Author: Salter, Denbeigh
Subject: INDUSTRY, FILM; HOLLYWOOD
Summary: Pieces of news relatin to Hollywood

Author: Salter, Denbeigh
Subject: HOLLYWOOD; INDUSTRY, FILM. USA
Summary: Pieces of news from Hollywood

Author: Salter, Denbeigh
Subject: HOLLYWOOD; INDUSTRY, FILM. USA
Summary: Australian-related news items in Hollywood

Author: Salter, Denbeigh
Subject: INDUSTRY, FILM. USA; HOLLYWOOD
Summary: Pieces of news from Hollywood

Call No: 741.9 FRA
Author: Fraser, George MacDonald
Source: US
Place: London
Publisher: Penguin
PubDate: 1988
PhysDes: xix, 268 p. : ill. ; 25 cm
Subject: HOLLYWOOD; HISTORY AND THE CINEMA. USA; RELIGIOUS FILMS; CITIES IN FILMS; WESTERNS
Summary: The book looks at the history of mankind, divided into seven stages ranging from the Creation to the Vietnam war, and attempts to compare historical fact with the way history is presented by Hollywood, and shows where Hollywood got it right and where it got it wrong.
Notes: Includes index
ISBN: 0718129970
Donation: donated by the family of Wayne Levy, 2006
Contents: Introduction -- First age: the ancient world -- Second age: knights and barbarians -- Third age: Tudors and sea-dogs -- Fourth age: romance and royalty -- Fifth age: rule Britannia -- Sixth age: new world, old west -- Seventh age: the violent century -- References -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD HOMICIDE (US, Ron Shelton, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD HOT TUBS (US, Chuck Vincent, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD HOTEL (AT, Fiona Hergstrom, 1995)

Call No: 408.3(4) HOL
Author: Ellwood, David W; Kroes, Rob; Brunetta, Gian Piero
Place: Amsterdam
Publisher: VU University Press
PubDate: 1994
PhysDes: 302 p. : ill. ; 24 cm
Series: European contributions to American studies ; 28
Subject: EUROPEAN COUNTRIES; EUROPEAN COUNTRIES. 1927-1932; ITALY; HOLLYWOOD; NETHERLANDS; GERMANY; FRANCE; COLD WAR AND THE CINEMA; HISTORY OF TV. UK; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; POPULAR CULTURE AND THE CINEMA
Notes: Includes bibliographical references
ISBN: 905383303X
LON: 11278383

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD IN FILMS

Call No: 302(73:729.1)
Author: Feeney, Megan
Source: US
Place: Chicago
Publisher: The University of Chicago Press
PubDate: 2019
PhysDes: viii, 320 pages: black and white illustrations; 23 cm.
Subject: HOLLYWOOD; CUBA; CHAPLIN, CHARLES; CAPRA, FRANK; DISTRIBUTION; EXHIBITION; FILM NOIR; KAZAN, ELIA; Metro-Goldwyn-Mayer; PARAMOUNT STUDIOS; WARNER BROS.; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); VIVA ZAPATA (US, Elia Kazan, 1952); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); MR. SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); FACE IN THE CROWD, A (US, Elia Kazan, 1957)
Summary: "From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political." -- Back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226593692
Contents: Introduction. Looking up: Hollywood and revolutionary Cuban nationalism -- The film business that unites: early US cinema in Havana, 1897-1928 -- Teaching eyes to see: the advent of Cuban film criticism, 1928-1934 -- Our men in Havana: Hollywood and good neighborly bonds, 1934-1941 -- You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains: Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue: the show goes on: Hollywood in Havana after 1958.

Call No: 203(73) BAL
Author: Balio, Tino
Edition: 2013
Place: London
Publisher: Palgrave macmillan [on behalf of the] bfi
PubDate: 2013
PhysDes: 184 p. ; 24 cm
Series: International Screen Industries
Subject: HOLLYWOOD; INDUSTRY, FILM. USA
Summary: Hollywood is facing unprecedented challenges – and is changing rapidly and radically as a result. In this major new study of the contemporary film industry, leading film historian Tino Balio explores the impact of the Internet, declining DVD sales and changing consumer spending habits on the way Hollywood conducts its business. Today, the major studios play an insignificant role in the bottom lines of their conglomerate parents and have fled to safety, relying on big-budget tentpoles, franchises and family films to reach their target audiences. Comprehensive, compelling and filled with engaging case studies (TimeWarner, DreamWorks SKG, Spider Man, The Lord of the Rings, IMAX, Netflix, Miramax, Sony Pictures Classics, Lionsgate and Sundance), Hollywood in the New Millennium is a must-read for all students of film studies, cinema studies, media studies, communication studies, and radio and television. -- publisher's blurb
Contents: Introduction 1 Mergers and Acquisitions: The Quest for Synergy 2 Production: Tentpoles and Franchises 3 Distribution: Open Wide 4 Exhibition: Upgrading Moviegoing 5 Ancillary Markets: Shattered Windows 6 Independents: 'To the Rear and Back End' Conclusion References and Further Reading Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD INC. [TV] (UK, Philip Day, 2002)

Call No: 46(794) BRE
Author: Breitbart, Andrew; Ebner, Mark
Edition: 2004
Place: Hoboken, New Jersey
Publisher: John Wiley and Sons
PubDate: 2004
PhysDes: 394 pages : illustrations ; 22 cm
Subject: HOLLYWOOD; CELEBRITIES; LOVE, COURTNEY; MADONNA; JACKSON, MICHAEL; SPIELBERG, STEVEN
Summary: Hollywood, Interrupted is a sometimes frightening, occasionally sad, and frequently hysterical odyssey into the darkest realms of showbiz pathology, the endless stream of meltdowns and flameouts, and the inexplicable behavior on the part of show business personalities. Charting celebrities from rehab to retox, to jails, cults, institutions, near-death experiences and the Democratic Party, Hollywood, Interrupted takes readers on a surreal field trip into the amoral belly of the entertainment industry. Each chapter — covering topics including warped Hollywood child-rearing, bad medicine, hypocritical political maneuvering and the complicit media — delivers a meticulously researched, interview-infused, attitude heavy dispatch which analyzes and deconstructs the myths created by the celebrities themselves. Celebrities somehow believe that it's their god-given right to inflict their pathology on the rest of us. Hollywood, Interrupted illustrates how these dysfunctional dilettantes are mad as hell... And we're not going to take it any more. -- publisher's web site
ISBN: 9780471706243

PhysDes: Article
Subject: HOLLYWOOD KNIGHTS (US, Floyd Mutrux, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD MAVERICKS (US, Florence Dauman & Dale Anne Stieber, 1990)

Call No: 201.1(794) FAD
Author: Fadiman, William
Source: US
Place: New York
Publisher: Liveright
PubDate: 1972
PhysDes: 174 p. ; 22cm
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; AGENTS; DIRECTION; DIRECTORS. USA; ACTORS; ACTORS. USA; STARS; SCRIPTWRITERS; SCRIPTWRITERS. USA; PRODUCERS; PRODUCERS. USA
Summary: This book deals with all aspects of movie making and the film community in Hollywood
ISBN: 0871405563

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: HOLLYWOOD ON TRIAL (US, David Helpern Jr., 1976)

PhysDes: Article
Subject: HOLLYWOOD OUT-TAKES & RARE FOOTAGE (US, Ronald Blackman & Bruce Goldstein, 1983)
Summary: breif review; ill.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD OUT-TAKES & RARE FOOTAGE (US, Ronald Blackman & Bruce Goldstein, 1983)

PhysDes: Focus Issue
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. USA; ACTORS. USA; COSTUMES; MUSIC, FILM; Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; COLUMBIA PICTURES
Summary: A special edition of The Hollywood Reporter dedicated to Hollywood's centenary. Magazine looks at the formation of Hollywood, silent cinema, the Studio system, noted personalities, and the current industry. Articles focus on changing attitudes, costumes, actors, the coming of sound and musical scores and industry modernisation.

PhysDes: Article
Subject: HOLLYWOOD REVUE OF 1929 (US, Charles Reisner, 1929)

PhysDes: Article
Subject: HOLLYWOOD RHYTHM (US, Herbert Moulton, 1934)

Call No: 432.4 DEC
Author: Decherney, Peter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2013
PhysDes: xii, 287 pages : illustrations ; 23 cm
Subject: AUTHORSHIP; COPYRIGHT; COPYRIGHT. USA; HISTORY OF CINEMA; HOLLYWOOD; HOME VIDEO; INTERNET; INTERNET AND THE CINEMA; LAW AND THE CINEMA; LAW AND TV; PARODY; PIRACY; PLAGIARISM; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; LUCAS, GEORGE; MOTION PICTURE ASSOCIATION OF AMERICA; YOUTUBE
Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURB
Notes: Contains list of illustrations and index
ISBN: 9780231159470

Call No: 302 JAR
Author: Jarvie, Ian
Source: US
Place: New York, N.Y.
Publisher: Cambridge University Press
PubDate: 1992
PhysDes: xvii, 473p. : ill. ; 23cm
Subject: INDUSTRY, FILM; INDUSTRY, FILM. USA; HISTORY OF CINEMA. USA; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HOLLYWOOD
Summary: Documents the US movie industry in the 1920-50's and how it dealt with overseas resistance to its product.
Notes: Includes bibliographical references and index
ISBN: 9780521041430
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987)

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Hoyts Distribution
PubDate: [1987?]
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); TOWNSEND, ROBERT
Summary: In front of a white background a man with a moustache holds onto a woman who is slightly taller and who has shoulder length hair.
Notes: White border surrounds image; Information below image

Call No: 210.31 PIC
Author: Pickard, Roy
Source: UK
Place: London
Publisher: Viscount Books
PubDate: 1986
PhysDes: 256 p. : ill. (some col.) ; 32cm.
Subject: HOLLYWOOD; BLOCKBUSTERS; WARNER BROS.; UNIVERSAL PICTURES; PARAMOUNT STUDIOS; RKO; COLUMBIA PICTURES; UNITED ARTISTS; WALT DISNEY PRODUCTIONS; Metro-Goldwyn-Mayer; TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.
Summary: A book about Hollywood; through the superstars, films, scandals and stories of the great studios that made Hollywood what it is. It is the story of Hollywood in its golden years, covering the period from sound cinema in the 1920s, up to the 1980s.
ISBN: 0603038077

Call No: 210.31(73) GOM
Author: Gomery, Douglas
Place: Basingstoke
Publisher: Macmillan
PubDate: 1986
PhysDes: 213 p. : ill
Series: British Film Institute cinema series
Subject: HOLLYWOOD; STUDIO SYSTEM; PARAMOUNT STUDIOS; Metro-Goldwyn-Mayer; WARNER BROS.; RKO; UNIVERSAL PICTURES; COLUMBIA PICTURES; UNITED ARTISTS; MONOGRAM; REPUBLIC PICTURES
Notes: Includes index
ISBN: 0333325486 (pbk); 0333325478 (cased)
LON: 3893007

Call No: 210.31(73) GOM
Author: Douglas Gomery
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 333 p. ; 23 cm
Subject: Metro-Goldwyn-Mayer; WARNER BROS.; COLUMBIA PICTURES; UNITED ARTISTS; RKO; HOLLYWOOD; STUDIOS, FILM. USA; PRODUCTION COMPANIES & STUDIOS. USA; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; ZUKOR, ADOLPH; WASSERMAN, LEW; HISTORY OF CINEMA
Summary: Despite being one of the most influential industries in the United States, indeed the world, the internal workings of the “dream factory” that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch…Gomery’s history tells the story of a “tale of two systems” using primary materials from a score of archives using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time, together with a range of photographs never before published. [Taken from back cover.]
ISBN: 1844570649

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: HOLLYWOOD TEN, MELBOURNE ONE (AT, Daryl Dellora, 1985)

Call No: 46(794) POW
Author: Powdermaker, Hortense
Source: US
Place: Boston MA
Publisher: Little Brown & Co.
PubDate: 1951
PhysDes: 342p. : 20cm.
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1950's; ANTHROPOLOGY AND THE CINEMA; STAR SYSTEM
Notes: Includes index.

Call No: 71(73) TOR
Author: Torrence, Bruce T
Place: New York, N.Y.
Publisher: New York Zoetrope
PubDate: 1982, c1979
PhysDes: 288 p. : ill. ; 24 cm
Subject: HOLLYWOOD
Notes: Includes index
ISBN: 0918432448; 0918432308 (pbk.)
LON: 2227809

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD VICE SQUAD (US, Penelope Spheeris, 1986)

Call No: 409.1(73) MED
Author: Medved, Michael
Edition: 1st ed
Source: US
Place: New York, NY [Grand Rapids, Mich.]
Publisher: HarperCollins Zondervan
PubDate: 1992
PhysDes: xiii, 386 p. ; 25 cm
Subject: HOLLYWOOD; POPULAR CULTURE AND THE CINEMA. USA; CENSORSHIP. USA; JEWS AND THE CINEMA. USA; FAMILY IN FILMS. USA; MARRIAGE IN FILMS. USA; RELIGION AND THE CINEMA. USA; VIOLENCE IN FILMS. USA; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988)
Summary: "Why does popular culture seem so consistently hostile to the values most Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism? In this explosive book, one of the nation's best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbates every serious social problem we face, from teenage pregnancies to violence in the streets." [Taken from book jacket]
Notes: Includes bibliographical references (p. [347]-370) and index
ISBN: 006016882X
LON: 92052604; 9162681

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M FROM HOLLYWOOD (US, Lynne Margulies, 1991)

Call No: 465.1(084.2) TRE
Author: Trent, Paul
Edition: 1973
Place: London
Publisher: Octopus Books
PhysDes: 328 p. ; illus. ; 32 cm
Subject: HOLLYWOOD; STARS
ISBN: 0706402448

Call No: 19COL MCC
Author: McClintick, David
Place: New York
Publisher: William Morrow & Co., Inc.
PubDate: c1982
PhysDes: 544 pages : black and white illustrations ; 25 cm
Subject: COLUMBIA PICTURES; FINANCING; HOLLYWOOD; INDUSTRY, FILM; LAW AND THE CINEMA; BEGELMAN, DAVID; JAFFE, LEO; ROBERTSON, CLIFF; STARK, RAY; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977)
Summary: "Here is the brilliantly rendered story of the greatest scandal and most bitter power struggle in Hollywood's history. It began in the middle of 1977 with what seemed a serious but completely contained incident of embezzlement: David Begelman's forgery of Cliff Robertson's name on a $10,000 check. But by the time a year had gone by, the lives of these men and dozens of other very powerful Hollywood figures would be engulfed in a holocaust of controversy and pain that would rock the foundations of the world's most glamorous industry for years to come." [TAKEN FROM BOOK JACKET]
Notes: Includes index
ISBN: 068801349X
Donation: Simon Wincer

Call No: 46(794) WIN
Author: Winchester, Clarence
Source: UK
Place: London
Publisher: Cassell and Company, Limited.
PubDate: 1936
PhysDes: xiv, 145p. : illus. : 20cm.
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1930's; STAR SYSTEM
Notes: Includes index.

Call No: 19WAR BEH
Author: Behlmer, Rudy
Source: UK
Place: London
Publisher: Weidenfield and Nicolson
PubDate: 1987
PhysDes: xix, 358p, [16]p of plates : ill., 1facsim, ports ; 24cm
Subject: FILMMAKING; HOLLYWOOD; INDUSTRY, FILM. USA; PRODUCERS. USA; PRODUCTION COMPANIES & STUDIOS. USA; PRODUCTION. USA; STAR SYSTEM; STUDIO SYSTEM; WARNER BROS.; BOGART, HUMPHREY; HUSTON, JOHN
Summary: "Few books offer as direct and intimate a portrait of the tumult, trauma and glory of making films as this fascinating collection. Culled from Warner Bros's voluminous files, these memos and letters recapture - from inspiration to filming, through fights and reconciliations - the creation of some of the most popular films ever made: Casablanca, Mildred Pierce, Yankee Doodle Dandy, The Maltese Falcon, Johnny Belinda, A Streetcar Named Desire and many, many more."--BOOK BLURB
Notes: California. Los Angeles. Hollywood. Cinema industries: Warner Brothers,. to 1951 (BNB/PRECIS) Originally published: New York : Viking, 1985 ; London : Weidenfeld and Nicolson, 1986. Includes index.
ISBN: 0297792423
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT CAME FROM HOLLYWOOD (US, Malcolm Leo & Andrew Solt, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JIMMY HOLLYWOOD (US, Barry Levinson, 1994)

Call No: 802.27(4) JOU
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 512 p. ; 25 cm
Subject: ACTORS; ACTORS. FRANCE; GLOBALISATION; HISTORY OF CINEMA. SILENT PERIOD; EXTRAS; STUDIOS, FILM. USA; CHEVALIER, MAURICE; PARAMOUNT STUDIOS; JEWS AND THE CINEMA. USA; NAZIS IN FILMS; GABIN, JEAN; ACTORS. UK; HOLLYWOOD; TYPE CHARACTERS IN FILMS
Summary: Journeys of Desire offers for the first time a comprehensive critical guide to European Actors in American film, bringing together 15 overview chapters and a-z entries on over 900 individuals in one accessible and scholarly volume. Since the early days of the US film industry, European actors have consistently been a major force in Hollywood. Screen idols such as Charlie Chaplin, Greta Garbo, Marlene Dietrich, Charles Boyer, Audrey Hepburn, Maurice Chevalier, Arnold Schwarzenegger and Antonio Banderas, as well as scores of more modest players, have profoundly shaped ‘American’ cinema. They have also contributed to the propagation of European types and stereotypes such as the ‘Russian’ and Nordic queens played by Garbo and Dietrich, the French Roues popularized by Chevalier, the fiery Latinos depicted by Banderas and the British arch-villain played by Steven Berkoff, Anthony Hopkins and Tim Roth. Films such as Casablanca (1942), Gigi (1958), Green Card (1990) and Vanilla Sky (2001), among many others, would not be the same without them. Contributions from a team of 70 international experts provide ground-breaking case studies of prominent individuals and phenomena associated with the émigrés, such as the retired Russian officers who played crowds in silent films, the stereotyping of European actresses in ‘bad women’ roles, and the ultimate irony of Jewish actors playing Nazis. Individual entries chart the careers and performances of the European actors – from Victoria Abril to Mai Zetterling – who appeared in American movies. [Taken from back cover].
ISBN: 1844571246

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KENNETH ANGAR'S HOLLYWOOD BABYLON (US, Nigel Finch, 1991)

Call No: 802.27 ANG
Author: Anger, Kenneth
Source: UK
Place: London
Publisher: Arrow Books
PubDate: 1984
PhysDes: 323 p. : ill., ports ; 25cm.
Subject: HOLLYWOOD; ANGER, KENNETH
Summary: "Originally published in the early '60s. Hollywood Babylon became an underground legend and bestseller throughout the world. Here at last is the all-new sequel from the man who turned filmland gossip into an art form."- BOOK BLURB
Notes: Originally published: New York : Dutton, 1984.; Includes index.; also titled "Hollywood Babylon II"
ISBN: 0-09-945110-7

Call No: 81LOO LOO
Author: Loos, Anita
Source: UK
Place: Harmondsworth
Publisher: Penguin Books
PubDate: 1979, c1974
PhysDes: 217 p. ; 18 cm
Subject: Metro-Goldwyn-Mayer; SCRIPTWRITERS. USA; HOLLYWOOD; LOOS, ANITA
Summary: An autobiographical account of Anita Loos' career in scriptwriting and her recollections of Hollywood from the 1920's onwards.
Notes: Filmography: p. 205-216
ISBN: 014004602X

Author: Prolsdorfer, Richard
PhysDes: Article
Subject: KURTIS THE HOLLYWOOD STUNTBOY (CN, Peter Rowe & Paul Quigley, 1981)
Summary: Short review; credits

Call No: 79LAC DAR
Author: Dargis, Manohla
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PhysDes: 95 p. : ill. ; 19 cm
Series: BFI Modern Classics
Subject: L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); HANSON, CURTIS; HOLLYWOOD IN FILMS; PEARCE, GUY; CROWE, RUSSELL; SPACEY, KEVIN; BASINGER, KIM; DEVITO, DANNY; DIRECTORS. USA
Summary: Explores the careers of Curtis Hanson, director, and James Ellroy, novelist, drawing on interviews with both men, to dig deep into the film's obssession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.
Notes: Notes: p.85-87 Credits: p.88-93 Bibliography: p.94-95
ISBN: 0851709443

Call No: SUBJECT CLIPPINGS FILE; SOCIAL MEDIA AND THE CINEMA
Author: Swan, David
PhysDes: Clippings File Article
Subject: TECHNOLOGY AND THE CINEMA. USA; SOCIAL MEDIA AND THE CINEMA; SNAP [company]; HOLLYWOOD
Summary: Looking at Los Angeles as a new key location for high level social media and tech companies with reference to the cities strong links to media (Hollywood film and tv)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: LEGACY OF THE HOLLYWOOD BLACKLIST [TV] (US, Judy Chaikin, 1987)

Call No: 81WIL WIL
Author: Orrison, Katherine; Wilcoxon, Henry
Source: US/UK
Place: Metuchen, NJ
Publisher: Scarecrow Press, Inc
PubDate: 1991
PhysDes: xviii, 364 p. : ill. ; 22 cm
Series: Filmmakers, No.27
Subject: HOLLYWOOD; USA; FILM; DEMILLE, CECIL B.; WILCOXON, HENRY
Summary: "This autobiography of actor/producer Henry Wilcoxin's career during his almost thirty-year association with the legendary Cecil B. DeMille is for anyone who relishes an eyewitness account of Hollywood history in the golden era of moviemaking" -- BOOK JACKET
Notes: Includes filmography and index; Includes filmography (p. 352-354) and index
ISBN: 0810824760
Contents: -- editor's foreword -- acknowledgments -- prologue -- chapter one -- chapter two -- chapter three -- chapter four -- chapter five -- chapter six -- chapter seven -- chapter eight -- chapter nine -- chapter ten -- chapter eleven -- chapter twelve -- chapter thirteen -- chapter fourteen -- chapter fifteen -- chapter sixteen -- chapter seventeen -- chapter eighteen -- chapter nineteen -- the films of Henry Wilcoxon -- index --

Call No: 212.1(73:94) GOL
Author: Goldsmith, Ben; O'Regan, Tom; Ward, Susan
Source: AT
Place: St Lucia, Qld
Publisher: University of Queensland Press
PubDate: 2010
PhysDes: 296 p. ; 23 cm
Subject: AUSTRALIA; FILM AUSTRALIA; HOLLYWOOD; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; PRODUCTION CENTRES. GOLD COAST; COPRODUCTION
Summary: "...This book gives an unprecedented insight into how the Gold Coast became the first outpost of Hollywood in Australia. When a combination of forces drove studios and producers to work outside California, the Gold Coast's unique blend of government tax support, innovative entrepreneurs and diverse natural settings made it a perfect choice to host Hollywood producations. Local Hollywood makes an essential contribution to the field of film and media studies, as well as giving movie bufffs a behind-the-scenes tour of the film industry. " -- BOOK BLURB
ISBN: 9780702237799
Contents: -- contents -- chapter 1: global and local Hollywood -- chapter 2: inventing a local Hollywood -- chapter 3: the Greenfields location -- chapter 4: the Junior partner -- chapter 5: film friendliness -- chapter 6: local Hollywood's location space -- chapter 7: learning from a local Hollywood -- acknowledgements -- notes -- list of productions -- index --

Call No: JOURNAL SHELVES. VARIETY
PubDate: 16 November 1998
Subject: HOLLYWOOD; INDUSTRY, TV/USA; INDUSTRY, FILM/USA
Language: English

Call No: 71(73) MIL
Author: Mills, Jane
Source: AT
Place: Crows Nest, N.S.W
Publisher: Allen & Unwin
PubDate: 2009
PhysDes: xii, 249 p. ; 21 cm
Subject: HOLLYWOOD
Summary: " Jane Mills challenges the widespread notion of a Hollywood bounded and fixed at the centre of a stable cultural landscape, to propose a new way of understanding inter-cinematic relationships. Placing her close readings of films within the framework of globalising processes she shows the cultural flows between cinemas are more fluid and their borders are more porous than commonly assumed. Loving and Hating Hollywood puts globalisation firmly on the agenda for cinema studies. It challenges filmmakers, critics and audiences to see the film world afresh and to recognise the power of dissident imagination wherever its geographical homeland may be. " --BOOK BLURB
Notes: Includes bibliographical references (p. 216-235) and index.
ISBN: 9781741756647
Donation: Donated by Senses Of Cinema, 2009
Contents: -- acknowledgments -- cover girl -- preface -- part 1: loving and hating Hollywood -- chapter 1: locating Hollywood -- chapter 2: thinking outside the frame -- part 2: mapping the global screenscape -- introduction: mapping boundaries -- chapter 3: avant-garde cinema -- chapter 4: national cinema -- chapter 5: the French wave -- chapter 6: first nation cinema -- chapter 7: women's cinema -- conclusion -- notes -- bibliography -- index

Call No: 935 REN
Author: Rensin, David
Edition: First Trade paperback edition
Source: US
Place: New York
Publisher: Ballantine Books
PubDate: c2003
PhysDes: xxiii, 439 p. ; 25 cm
Subject: HISTORY OF CINEMA; HOLLYWOOD; INDUSTRY, FILM; INDUSTRY, FILM. USA
Summary: "It's like a plot from a Hollywood potboiler: start out in the mailroom, end up a mogul. But for many, it happens to be true. Some of the biggest names in entertainment- including David Geffen, Barry Diller, and Michael Ovitz started their dazzling careers in the lowly mailroom. Based on more than two hundred interviews, David Rensin unfolds the never-before-told history of an American institution - in the voices of the people who lived it. Through nearly seven decades of glamour and humiliation, lousy pay and incredible perks, killer egos and a kill-or-be-killed ethos, you'll go where the trainees go, learn what they must do to get ahead, and hear the best insider stories from the Hollywood everyone knows about but no one really knows. A vibrant tapestry of dreams, desire, and exploitation, The Mailroom is not only an engrossing read but a crash course, taught by the experts, on how to succeed in Hollywood." -- BACK COVER BOOK BLURB
ISBN: 9780345442352
Contents: -- Kids at Work -- Kids at Work: William Morris Agency, New York, 1937-1951 -- A Charmed Life, or A Thirty-Six Short Makes It Big: Norman Brokaw: William Morris Agency, Los Angeles, 1943 -- The Thrill of It All -- Traffic: Music Corporation of America, Los Angeles, 1942-1958 -- the thrill of It All: William Morris Agency, New York, 1955-1958 -- The Mentor: William Morris Agency, Los Angeles, 1957-1959 -- Ambition -- The Man Who Loved Show Business: Sandy Gallin: General Artists Corporation, New York, 1962 -- Sons of the Triple Cross: William Morris Agency, Los Angeles, 1961-1963 -- Everybody Loves Ronnie: Ron Meyer: Paul Kohner Agency, Los Angeles, 1963 -- Ambition: William Morris Agency, New York, 1961-1967 -- The Good Mike: Michael Peretzian: William Morris Agency, Los Angeles, 1969 -- Ties that Bind -- Ties That Bind: William Morris Agency, Los Angeles, 1974-1977 -- The Guinea Pig: Michael Menchel: Creative Artists Agency, Los Angeles, 1976 -- The Wild East: International Creative Management, New York, 1978-1981 -- Thoughtfully Political: Sam Haskell: William Morris Agency, Los Angeles, 1978; Rob Carlson: William Morris Agency, Los Angeles, 1989 -- If I Do Say So Myself: Jeremy Zimmer: William Morris Agency, New York, 1979 -- Pressure, Pressure, Pressure -- Our Job is to Say Yes: Judy Hofflund: Creative Artists Agency, Los Angeles, 1982 -- For the Love of Mike: Assisting Michael Ovitz: Stuart Griffen: Creative Artists Agency, Los Angeles, 1982; David "Doc" O'Connor: Creative Artists Agency, Los Angeles, 1983 -- Pressure, Pressure, Pressure: Creative Artists Agency, Los Angeles, 1984-1990 -- As the mailroom Turns -- Outpost on Sixth Avenue: William Morris Agency, New York, 1981-1986 -- Came and Gone: William Morris Agency, Los Angeles, 1980-1986 -- Brothers in Arms: Brian Medavoy and Kevin Misher: Creative Artists Agency, International Creative Management, InterTalent, Los Angeles, 1986-1990 -- As The Mailroom Turns: International Creative Management, Los Angeles, 1989-1993 -- In Your Face! ... With Love -- Jeremy's Kids: United Talent Agency, Los Angeles, 1991-1994 -- In Your Face! ... With Love: Adriana Alberghetti: Endeavor, Los Angeles, 1995 -- Stairway to Heaven: Creative Artists Agency, Los Angeles, 1994-1996 -- The Second Hundred Years -- Kids at Work: William Morris Agency, Los Angeles, 1997-1999 -- Acknowledgments --

Call No: 81WIL HOF
Author: Hofler, Robert
Edition: 1st ed.
Source: US
Place: Minneapolis, MN
Publisher: University of Minnesota Press
PubDate: 2014
PhysDes: 468 p. : ill. ; 22 cm
Subject: HOLLYWOOD; GENDER AND THE CINEMA.USA; HOMOSEXUALITY AND THE CINEMA; AGENTS; WILLSON, HENRY; HUDSON, ROCK
Summary: "Henry Willson was one of the quintessential power brokers in Hollywood during the late 1940s and 1950s when he launched the careers of Rock Hudson, Lana Turner, Tab Hunter, Natalie Wood, and many others. He was also a true casting couch agent, brokering sex for opportunity on the silver screen. While this practice was rampant across Hollywood, for gay actors and film professionals the casting couch was a dangerous cliff: a public revelation could and would ruin a career. The Man Who Invented Rock Hudson is an incredible biography as well as a harrowing look into Hollywood at a time of great sexual oppression, roaming vice squads searching for gay and/ or communist activity, and the impossibilities for gay actors of the era." -- BOOK BLURB
Notes: Includes index and bibliographical references -- Originally published New York : Carroll & Graf Publishers, 2005.
ISBN: 9780816691296
Donation: donated by Senses of Cinema, 2014

Call No: 19DRE LAP
Author: LaPorte, Nicole
Source: US
Place: Boston ; New York
Publisher: Mariner Books
PubDate: 2011
PhysDes: xix, 491 pages ; 21 cm
Subject: DREAMWORKS SKG; HOLLYWOOD; PRODUCERS; PRODUCTION CENTRES : HOLLYWOOD; EISNER, MICHAEL; GEFFEN, DAVID; KATZENBERG, JEFFREY; SPIELBERG, STEVEN; AMERICAN BEAUTY (US, Sam Mendes, 1999); AMISTAD (US, Steven Spielberg, 1997); PRINCE OF EGYPT, THE (US, Brenda Chapman, Steve Hickner & Simon Wells, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SHREK (US, Kelly Asbury & Andrew Adamson, 2001)
Summary: "For sixty years, the lineup of Hollywood's major studios varied little. Then came the Circus Maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave the world The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of THE GODFATHER. Nicole LaPorte reveals for the first time the delicious truths of what happened behind the scenes. Readers will feel they are part of the creative calamities of moviemaking as LaPorte's fly-on-the-wall detail shows us Hollywood's bizarre rules of business. We see clashes between the often otherworldly Spielberg's troops and Katzenberg's warriors, the debacles and disasters, but also the Oscar-winning triumphs, such as SAVING PRIVATE RYAN. We see Geffen seducing investors and watch as the studio burns through billions while its rich owners get richer and everybody else suffers. Here is Hollywood - up close, glamorous, and gritty." [TAKEN FROM BOOK BLURB]
Notes: Includes index
ISBN: 9780547520278
Donation: Simon Wincer

Call No: 802.091.11 ZIE
Author: Zierold, Norman
Edition: 1969
Place: New York
Publisher: Coward-McCann
PubDate: 1969
PhysDes: 22 cm ; 354 pages
Subject: HOLLYWOOD; SELZNICK, DAVID O.; LAEMMLE, CARL; GOLDWYN, SAMUEL; PARAMOUNT STUDIOS; WARNER BROS.; TWENTIETH CENTURY-FOX; Metro-Goldwyn-Mayer; MAYER, LOUIS B.; DEMILLE, CECIL B.; COHN, HARRY; SCHULBERG, BUDD
AFIRC Location: Stacks

Call No: 81DUN DUN
Author: Dunne, John Gregory
Edition: First edition
Source: US
Place: New York
Publisher: Random House
PubDate: c1997
PhysDes: 203 p. ; 22 cm
Subject: HOLLYWOOD; INDUSTRY, FILM; INDUSTRY, FILM. USA; SCRIPTS; DUNNE, JOHN GREGORY; UP CLOSE AND PERSONAL (US, Jon Avnet, 1996)
Summary: "Monster is John Gregory Dunne's mordantly funny account of life on the Hollywood food chain. Dunne and his wife, Joan Didion, have been working in the movies for over twenty-five years, and have written, rewritten, brainstormed, and developed two dozen scripts, seven of which have been produced. Monster is the candid chronicle of how one of those scripts finally got made into Up Close & Personal, starring Robert Redford and Michelle Pfeiffer. The Up Close screenplay started out as the story of Jessica Savitch, the television news anchorwoman whose history included drugs, opportunistic sex, and an early, violent death. Over the years it was refined into a story that would "make the audience walk out feeling uplifted, good about something, and good about themselves," as one executive put it in an early script meeting. The tale of how this happened is a hilarious saga that Dunne relates with a wicked eye and perfect pitch for the absurdities and savage infighting of the film industry." -- BOOK JACKET
ISBN: 0679455795

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONTY PYTHON LIVE AT THE HOLLYWOOD BOWL (UK, Terry Hughes, 1982)

PhysDes: Article
Subject: MONTY PYTHON; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON LIVE AT THE HOLLYWOOD BOWL (UK, Terry Hughes, 1982); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); CLEESE, JOHN; CHAPMAN, GRAHAM; GILLIAM, TERRY; JONES, TERRY; PALIN, MICHAEL
Summary: History of Monty Python, its members, and its films.

Call No: 721.303.311 STR
Author: Stinger, Julian (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 276 p. : ill. ; 24 cm
Subject: BLOCKBUSTERS; INDUSTRY, FILM. USA; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. KOREA; INDUSTRY, FILM. ARGENTINA; AWARDS. ACADEMY; HOLLYWOOD; SPIELBERG, STEVEN; CAMERON, JAMES; JAWS (US, Steven Spielberg, 1975); JAZZ SINGER, THE (US, Alan Crosland, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TITANIC (US, James Cameron, 1997); CONTACT (US, Robert Zemeckis, 1997); FUGITIVE, THE (US, Andrew Davis, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); STAR WARS (US, George Lucas, 1977)
Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.
ISBN: 0415256097

Call No: 802.25 FIN
Author: Finler, Joel W. (Joel Waldo), 1938
Source: UK
Place: London
Publisher: Octopus Books
PubDate: 1985
PhysDes: 272 p. : ill. ; 33 cm
Subject: DIRECTORS; FILM WORKERS; HISTORY OF CINEMA; HOLLYWOOD; INDUSTRY, FILM. USA; STAR SYSTEM
Summary: "Since the earliest days of cinema, the director has combined and controlled all the elements of film-making. His status and independence have waxed and waned but he has always - rightly or wrongly - been credited with a film's success or blamed for its failure. Here is the absorbing account of 140 careers, ranging across the spectrum from studio work-horse to acknowledged genius. The famous director-star partnerships, such as Clarence Brown and Greta Garbo, John Ford and John Wayne, Josef von Sternberg, and Marlene Dietrich, Martin Scorsese and Robert de Niro are all here, as are the unknown but invaluable contract directors, the great innovators, the writer-directors and the rebels. Each entry is generously illustrated with pictures of the directors themselves, as well as scenes from their most characteristic movies. The selection has been made to give a has been made to give a varied and representative view of the director's contribution to the English speaking cinema in general and Hollywood in particular." [Taken from book jacket]
Notes: Includes indexes
ISBN: 0706422880
LON: 4458266 4458266

Call No: 79MOV NOR
Author: Norman, Barry
Source: UK
Place: London
Publisher: Hodder and Stoughton
PubDate: 1981
PhysDes: 319 p. ; 24 cm
Subject: HOLLYWOOD; MONROE, MARILYN; FINCH, PETER; MARX, GROUCHO; HAWKINS, JACK; ROBINSON, EDWARD G.; DONAT, ROBERT; FIELDS, GRACIE; HOWARD, LESLIE; CHAPLIN, CHARLES
Notes: Includes index pp. 309-319
ISBN: 0340259728
Contents: 1. Marilyn Monroe -- 2. Peter Finch -- 3. Groucho Marx -- 4. Jack Hawkins -- 5. Edward G. Robinson -- 6. Robert Donat -- 7. Gracie Fields -- 8. Leslie Howard -- 9. Charlie Chaplin -- 10. Hollywood

Call No: 802.091.11 FRE
Author: French, Philip
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1971
PhysDes: 208 p., [16] p. of plates ; 18 cm
Subject: HISTORY AND THE CINEMA. USA; HOLLYWOOD; INDUSTRY, FILM; Metro-Goldwyn-Mayer; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; UNITED ARTISTS; WARNER BROS.; COHN, HARRY; DEMILLE, CECIL B.; DISNEY, WALT; KATZ, SAM; KENNEDY JOSEPH P.; LAEMMLE, CARL; LASKY, JESSE; SCHARY, DORE; SCHULBERG, BUDD; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SHEARER, NORMA; SKOURAS, SPYROS; SINCLAIR, UPTON; THALBERG, IRVING; WANGER, WALTER; STROHEIN, ERICH VON; ZANUCK, DARRYL F.; ZANUCK, RICHARD; ZUKOR, ADOLPH
Notes: includes bibliographical references and index
ISBN: 297762664
Donation: donated by the family of Wayne Levy, 2006

Call No: F465.1 GRI
Author: Griffith, Richard
Source: US
Place: Garden City, N.Y.
Publisher: Doubleday & Co., Inc.
PubDate: 1970
PhysDes: 498 p. ; 32 cm
Subject: STARS; HOLLYWOOD; STAR SYSTEM; HISTORY OF CINEMA
ISBN: 0385023537

Call No: 750.1 AME
Author: Ames, Christopher, 1956
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: c1997
PhysDes: ix, 254 p. : ill. ; 24 cm
Subject: FILMS IN FILMS; HOLLYWOOD IN FILMS; STAR IS BORN, A (US, William Wellman, 1937); STAR IS BORN, A (US, George Cukor, 1954); WHAT PRICE HOLLYWOOD (US, George Cukor, 1932); STAND-IN (US, Tay Garnett, 1937); BOY MEETS GIRL (US, Lloyd Bacon, 1938); STAR, THE (US, Stuart Heisler, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); LAST ACTION HERO (US, John McTiernan, 1993); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); SUNSET BOULEVARD (US, Billy Wilder, 1950); PLAYER, THE (US, Robert Altman, 1992)
Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios
Notes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and index
ISBN: 0813120187 (cloth : alk. paper)
LON: 12952826

Call No: 19PIN PER
Author: Perry, George, 1935
Source: UK
Place: London
Publisher: Elm Tree Books
PubDate: 1976
PhysDes: 186, [5] p. : ill. (some col.), ports. (some col.) ; 29 cm
Subject: PINEWOOD STUDIOS; PRODUCTION CENTRES : HOLLYWOOD; PRODUCTION COMPANIES & STUDIOS; STUDIOS, FILM; WORLD WAR II AND THE CINEMA
Summary: "George Perry surveys Pinewood's not always certain progress from its beginnings through the bleak war years, post-war austerity, dollar crises and the encroachment of television to the resurgence of the '60s and '70s. In doing so, he tells the story of the people who made Pinewood : of stars as varied as Jack Buchanan, Jack Hawkins and Roger Moore, Glenda Jackson and Jessie Matthews; of great directors such as Lean, Reed, Neame, Huston, Truffaut, Hitchcock, and even Chaplin; of the talented craftsmen whose skills have attracted film-makers from all over the world." [Taken from book jacket]
Notes: Includes index; Bibliography: p. 182
ISBN: 0241895006 : ª6.95
LON: 866478

Call No: 71(73) KUH
Author: Kuhns, William
Source: US
Place: Dayton, Ohio
Publisher: Pflaum/Standard
PubDate: 1972
PhysDes: 247 p. : illus. ; 21 x 28 cm
Subject: HOLLYWOOD; USA
Notes: Bibliography: p. [244]-[245]
ISBN: 0827800452
Contents: -- chapter one: the earliest years -- chapter two: two giants: griffith and chaplin -- chapter three: golden era of the silent film: 1917-1928 -- chapter four: from boffo to belly laugh: the silent comedians -- chapter five: the thirties -- chapter six: society good and bad -- chapter seven: directors of the thirties -- chapter eight: a hollywood odyssey: 1941-1960 -- chapter nine: where the past meets the future -- bibliography -- index --

Call No: 46(794) KEN
Author: Kent, Nicolas
CorpAuthor: Naked Hollywood (Television program)
Place: London
Publisher: BBC Books
PubDate: 1991
PhysDes: 256 p. : ill. ; 24 cm
Subject: HOLLYWOOD; DIRECTORS. USA; STARS. USA; PRODUCERS. USA; SCRIPTWRITERS. USA; STUDIOS, FILM. USA; SCHWARZENEGGER, ARNOLD; SELZNICK, DAVID O.; POLLACK, SYDNEY; CREATIVE ARTISTS AGENCY; SONY CORPORATION
Notes: Companion book to the television series Naked Hollywood; Includes bibliographical references (p. 250-251) and index
ISBN: 0563360828
LON: 7714013

Call No: 81CAP CAP
Author: Capra, Frank, 1897
Place: New York
Publisher: Macmillan
PubDate: c1971
PhysDes: xii, 513 p. illus., ports. 24 cm
Subject: DIRECTORS; HISTORY OF CINEMA; HOLLYWOOD; CAPRA, FRANK; COHN, HARRY; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); WHY WE FIGHT SERIES (US, 1942-44)
Summary: "THE NAME ABOVE THE TITLE provides a star vehicle for one of the few really great men of moviedom. The history of Hollywood and the story of Frank Capra's forty-year career there run parallel: the rise of the motion picture from Mack Sennett's Keystone Klown Kollege through the triumphant years of the best and most loved movies ever made - many of them with Capra's name above the title." [Taken from book jacket]
Notes: Contains index
LON: 72135643; 602321

Call No: 465.1 WEI
Author: Weis, Elisabeth
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1981
PhysDes: 402 p. : ill., 24 cm
Subject: STARS; ACTORS. USA; HOLLYWOOD
ISBN: 0140059474
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(73) KIN
Author: King, Geoff
Source: USA
Place: New York
Publisher: I.B. Tauris
PubDate: 2002
PhysDes: 296 p. ; 23 cm
Subject: HOLLYWOOD; BLOCKBUSTERS; GENRES; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; USA. 1950's; USA. 1960's; USA. 1970's
Summary: Recent Hollywood is examined from three main perspectives: film style, industry and social-historical context. Each is considered in its own right, sometimes resulting in different ways of defining New Hollywood. One of the book's central arguments is that a combination of these approaches is needed if we are to understand the latest incarnations of the cinema that continues to dominate the global market. Issues covered include: the Hollywood Renaissance from the late 1960s to the mid late 1970s; industrial factors shaping the construction of the corporate blockbuster; the role of auteur directors, genre and stardom in New Hollywood; narrative spectacle in the contemporary blockbuster and the relationship between production for the big and small screen.
Notes: Bibliography: p.274-284 Index: p.285-296
ISBN: 1860647499 (hbk.) 1860647502 (pbk.)

PhysDes: Article
Subject: HOLLYWOOD HUSBANDS (AT, [pre-production 1987])
Summary: New World Pictures (Aust) first prod will be "Hollywood Husbands"as mini series

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)

Author: Luke Goodsell
PhysDes: Article
Subject: HARTLEY, MARK; Tarantino, Quentin; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)
Summary: Review of Not Quite Hollywood

Call No: P NOT
PhysDes: 1 poster : col. ; 101 X 70 cm.
Subject: NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)
Summary: Text: "The wild, untold story of OZploitation!/Finally an Aussie film packed full of boobs, pubes, tubes...and a bit of kung fu." Image: Caricature images from various Australian movies including Alvin Purple, Barry McKenzie. Wide cream toned border.
Notes: We have two copies.

Call No: 210.2(73) ROS
Author: Rosen, David (David M.); Hamilton, Peter
Edition: 1st ed
Place: New York
Publisher: Grove Weidenfeld
PubDate: 1990
PhysDes: xx, 326 p. : ill. ; 24 cm
Subject: INDEPENDENT PRODUCTION; INDEPENDENT DISTRIBUTION; ADVERTISING FOR FILMS; STAND AND DELIVER (US, Ramon Menendez, 1988); BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983); COLD FEET (US, Bruce van Dusen, 1983); EATING RAOUL (US, Paul Bartel, 1982); NORTE, EL (US, Gregory Nava, 1983); GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984); HEARTLAND (US, Richard Pearce, 1979); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); MY DINNER WITH ANDRE (US, Louis Malle, 1981); OLD ENOUGH (US, Marisa Silver, 1984); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); WEAVERS - WASN'T THAT A TIME, THE (US, James B. Brown, 1981); WILD STYLE (US/GW, Charlie Ahearn, 1983)
Notes: "Based on a study originally commissioned by the Sundance Institute and the Independent Feature Project."
ISBN: 0802131875 (pa)
LON: 6416531

Call No: 71(73) SCO
Author: Scott, Allen J.
Source: US
Place: Princeton, New Jersey
Publisher: Princeton University Press
PubDate: 2005
PhysDes: xiii, 200 p. : ill., maps ; 24 cm
Subject: HOLLYWOOD; HISTORY OF CINEMA. USA
Summary: "Why is the U.S. motion picture industry concentrated in Hollywood and why does it remain there in the age of globalization? Allen Scott uses the tools of economic geography to explore these questions and to provide a number of highly original answers. The conceptual roots of his analysis go back to Alfred Marshall's theory of industrial districts and pick up on modern ideas about business clusters as sites of efficient and innovative production.". "On Hollywood builds on this work by adding major new empirical elements. By examining the history of motion picture production from the early twentieth century to the present through this analytic lens, Scott is able to show why the industry (which was initially focused on New York) had shifted the majority of its production to Southern California by 1919. He also addresses in detail the bases of Hollywood's long-standing creative energies and competitive advantages. At the same time, the book explores the steady globalization of Hollywood's market reach as well as the cultural and political dilemmas posed by this phenomenon." "On Hollywood will appeal not only to general readers with an interest in the motion picture industry, but also to economic geographers, business professionals, regional development practitioners, and cultural theorists as well."--BOOK JACKET.
Notes: Formerly CIP; Includes bibliographical references (p. [177]-188) and index
ISBN: 0691116830
Contents: -- list of figures -- list of tables -- preface -- chapter one: preliminary arguments: culture, economy, and the city -- chapter two: origins and early growth of the Hollywood motion picture industry -- chapter three: a new map of Hollywood -- chapter four: the other Hollywood: television program production -- chapter five: dream factories: studios, soundstages, and sets -- chapter six: the digital visual effects industry -- chapter seven: local labor markets in Hollywood -- chapter eight: Hollywood in America and the world: distribution and markets -- chapter nine: cinema, culture, globalization -- references -- index --

Call No: 62 BOR
Author: Bordwell, David
Place: Cambridge, Mass.
Publisher: Harvard University Press
PubDate: 1997
PhysDes: x, 322 p. : ill. ; 25 cm
Subject: THEORY; EDITING; CAHIERS DU CINEMA; HOLLYWOOD; LENSES; MODERNISM AND THE CINEMA; MONTAGE; REALISM IN FILMS; WIDE-SCREEN SYSTEMS; BAZIN, ANDRE; BURCH, NOEL; ASTRUC, ALEXANDRE; BARDECHE, MAURICE; BENJAMIN, WALTER; BRASILLACH, ROBERT; COMOLLI, JEAN-LOUIS; GUNNING, TOM; KULESOV, LEV; LEENHARDT, ROGER; LUMIERE, LOUIS; WYLER, WILLIAM; MELIES, GEORGES; TOLAND, GREGG; WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941)
Notes: Includes bibliographical references and index
ISBN: 0674634284 (cloth : alk. paper); 0674634292 (pbk. : alk. paper)
LON: 97004016; 13106257
Contents: 1. The Way Movies Look: The Significance of Stylistic History -- 2. Defending and Defining the Seventh Art: The Standard Version of Stylistic History -- 3. Against the Seventh Art: Andre Bazin and the Dialectical Program -- 4. The Return of Modernism: Noel Burch and the Oppositional Program -- 5. Prospects for Progress: Recent Research Programs -- 6. Exceptionally Exact Perceptions: On Staging in Depth

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONCE UPON A TIME IN HOLLYWOOD (US, Quentin Tarantino, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: ONE OF THE HOLLYWOOD TEN (US/SP, Karl Francis, 2000)

Call No: 303.31 HAY
Author: Hayes, Dade; Bing, Jonathan
Edition: 1st ed
Source: US
Place: New York
Publisher: Hyperion
PubDate: C2004
PhysDes: x, 432 p. : ill, facsims., ports. ; 22 cm
Subject: FILMMAKING; HOLLYWOOD; FILM CULTURE; FILM WORLD; BOX OFFICE. USA
Summary: "Illuminates the quest for box office supremacy shining a bright light on the inner workings of Hollywood's vast sales and marketing machine."
Notes: Bibliography: p.[385]-400; Includes index
ISBN: 140135985

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OTHER HOLLYWOOD, THE (US, Anders Dalgaard, 1999)

Call No: 79TWI FAR
Author: Farber, Stephen; Green, Marc, 1943
Edition: 1st ed
Place: New York
Publisher: Arbor House/Morrow
PubDate: 1988
PhysDes: 394 p., [8] p. of plates : ill. ; 24 cm
Subject: HOLLYWOOD; SAFETY; LAWSUITS; STUNTS; LANDIS, JOHN; SPIELBERG, STEVEN; TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983)
Summary: "Death in the movies isn't supposed to be real. But on July 23, 1982, a spectacular explosion on the set of TWILIGHT ZONE: THE MOVIE knocked a helicopter out of the sky and into the path of two small children and veteran actor Vic Morrow, crushing one child and decapitating Morrow and the other youngster. How could this tragedy occur? Was anyone to blame? OUTRAGEOUS CONDUCT reveals the facts behind the accident, when skilled movie-makers exceeded the bounds of safety; the anxiety, when Hollywood closed ranks to protect its own; and the raucous and very public trial, when countercharges of "outrageous conduct" flew between the publicity-conscious district attorney and the furious film director, John Landis." [Taken from book jacket]
Notes: Includes index
ISBN: 087795948X : $18.95
LON: 88010432; 5821084

Call No: 751.1(73) OXF
Author: Knapp, Raymond; Morris, Mitchell; Wolf, Stacy
Edition: paperback
Source: US/UK
Place: Oxford ; New York
Publisher: Oxford University Press
PubDate: 2011, 2013
PhysDes: x, 470 pages : illustrations ; 25 cm
Subject: AUDIENCES; AUTHORSHIP; BLACKS AND THE CINEMA. US; BOX OFFICE. USA; COMEDIES; DANCE IN FILMS; GENDER AND THE CINEMA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA; HOLLYWOOD; IDENTITY IN FILMS; IDEOLOGY IN FILMS; MEDIA AND THE CINEMA; MUSIC IN FILMS; MUSIC AND THE CINEMA; MUSICALS. USA; RACE AND THE CINEMA; THEATRE AND THE CINEMA; ANDREWS, JULIE; ASTAIRE, FRED; BERLIN, IRVING; FOSSE, BOB; HAMMERSTEIN, OSCAR, II; KERN, JEROME; MERMAN, ETHEL; ROBBINS, JEROME; SONDHEIM, STEPHEN; BLACK CROOK, THE (US, Robert G. Vignola, 1916); CABARET (US, Bob Fosse, 1972); CHICAGO (US, Rob Marshall, 2002); CHORUS LINE (US, Richard Attenborough, 1985); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955); GYPSY (US, Emile Ardolino, 1994); MY FAIR LADY (US, George Cukor, 1964); OKLAHOMA! (US, Fred Zinneman, 1955); PRODUCERS, THE (US, Mel Brooks, 1967); SHOWBOAT (US, George Sidney, 1951); SOUND OF MUSIC, THE (US, Robert Wise, 1965); WEST SIDE STORY (US, Robert Wise, 1961)
Summary: "The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today." - GOOGLE BOOKS
Notes: Includes bibliographic references and index
ISBN: 9780199987368
Contents: Part I: Historiography. Narratives and values / Mitchell Morris -- Texts and authors / Jim Lovensheimer -- Musical styles and song conventions / Paul R. Laird -- Evolution of dance in the golden age of the American "book musical" / Liza Gennaro; Part II: Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis -- Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris -- Integration / Geoffrey Block -- After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman; Part III: Media. Theater / Tamsen Wolff -- The filmed musical / Raymond Knapp and Mitchell Morris -- The television musical / Robynn J. Stilwell -- The animated film musical / Susan Smith -- The evolution of the original cast album / George Reddick; Part IV: Identities. Race, ethnicity, performance / Todd Decker -- Gender and sexuality / Stacy Wolf -- The politics of region and nation in American musicals / Chase A. Bringardner -- Class and culture / David Savran; Part V: Performance. The institutional structure of the American musical theater / David Sanjek -- Orchestration and arrangement : creating the Broadway sound / Dominic Symonds -- Musical theater directors / Barbara Wallace Grossman -- Sets, costumes, lights, and spectacle / Virginia Anderson -- Acting / John M. Clum -- Singing / Mitchell Morris and Raymond Knapp -- Dance and choreography / Zachary A. Dorsey; Part VI: Audiences. Box office / Steven Adler -- Audiences and critics / Michelle Dvoskin -- Stars and fans / Holley Replogle-Wong -- Knowing your audience / Jennifer Chapman -- Performance, authenticity, and the reflexive idealism of the American musical / Raymond Knapp

Author: Martin, Adrian
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; GENRES. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)
Summary: Discussion of critical attention given to 'Ozploitation' films particularly after 'Not Quite Hollywood'. Martin argues suggests current focus on this repressed strain of national cinema excludes many genres and therefore provides limited insight into Australian cinema.
Notes: Australian exploitation cinema of the 1970s and 1980s has swiftly become a fashionable topic for analysis, rehabilitation and celebration, especially in the wake of the popular documentary Not Quite Hollywood featuring Quentin Tarantino. Is this Australian cinema's ‘return of the repressed’, at last, in the form of tough, vulgar, anarchic genre pictures – and does this show the way forward for our national cinema? This essay questions many aspects of the ‘Ozploitation’ craze, including its exclusion of art, intellectual or experimental cinema, and its peculiar streamlining of an extremely variegated and still obfuscated national film history. In particular, I argue for a comparative approach to national film cultures – which, in this case, would compel us to ask other, more stringent questions about the ultimate value of the currently baptized Ozploitation ‘classics’. -- ABSTRACT

Call No: 19PAR EAM
Author: Eames, John Douglas, 1915
Source: UK
Place: London
Publisher: Octopus Books
PubDate: 1985
PhysDes: 368 pages : illustrations ; 33 cm
Subject: HISTORY OF CINEMA; HOLLYWOOD; INDUSTRY, FILM. USA; PRODUCTION CENTRES : HOLLYWOOD; PARAMOUNT STUDIOS; STAR SYSTEM
Summary: "The endless parade of Paramount hits, ranging from the first full-length film made in Hollywood - THE SQUAW MAN in 1913 - and the first winner of an Academy Award - WINGS in 1928 - to the blockbusters of the Eighties, and the blazing galaxy of Paramount stars, from Mary Pickford to Meryl Streep, Rudolph Valentino to Eddie Murphy, are fully documented in this indispensable book. Its lavish illustrations, in themselves a collection of collector's items, are an irresistable added attraction." [Taken from book jacket]
Notes: Includes indexes; Filmography: p. 323-344
ISBN: 0706420578
LON: 4496946 4496946
Contents: Preface and acknowledgements -- Introduction - the men who made Paramount --; 1916-1925: the best show in town -- 1926-1935: revolution and downfall -- 1936-1957: the mountain rises again -- 1958-1984: the big money --; The rest of 'the best shows in town' (1916-1925) -- Academy nominations and awards -- Index of films -- Index of personnel
ID2: 229

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PEOPLE'S HOLLYWOOD, THE [TV] (UK, 2003)