journal article
The 1933 in National Film Theatre (Sept/Oct 1983) p.10-15
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Abbott and Costello in Hollywood (1945) in Australian film guide vol.1 iss.10 p.1-2
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ALAN SMITHEE FILM - BURN, HOLLYWOOD, BURN, AN : (US, Arthur Hiller, 1997?)
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Alex Massis to produce, Mizrahi to direct "Sutter's Gold" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8
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ALMOST HOLLYWOOD : (US, Mike Weaver, 1994)
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American-Australian cinema : transnational connections / edited by Adrian Danks, Stephen Gaunson and Peter C. Kunze Cham, Switzerland: Palgrave Macmillan, c2018. Available at ProQuest (RMIT login required)
Call No: 408.3 (73/94) AMEAuthor: Danks, Adrian (ed.) ; Gaunson, Stephen (ed.) ; Kunze, Peter C. (ed.) Source: SZ/ATPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: c2018PhysDes: xvii, 333 pages : illustrations ; 22 cmSubject: TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL CULTURE IN FILMS ; AUSTRALIA ; USA ; GLOBALISATION ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; MAD MAX (AT, George Miller, 1979) ; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; PETER PAN (US, P.J. Hogan, 2003) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9783319666754Donation: Stephen GaunsonContents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --
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festival catalogue
American film institute national video festival US: 1993-.
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Barbara hale in Films in review (May 1979) p.294
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BILLY'S HOLLYWOOD SCREEN KISS : (US, Tommy O'Haver, 1997)
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Cinema cities, media cities : The contemporary international studio complex / Australian Film Commission Sydney: Australian Film Commission, 2003.
Call No: 210.31 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Place: SydneyPublisher: Australian Film CommissionPubDate: 2003PhysDes: 28 cm; 117 ppSeries: Screen Industry, Culture and Policy ResearchSubject: STUDIOS, FILM. AUSTRALIA ; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES ; STUDIOS, FILM. AUSTRALIA: VICTORIA ; STUDIO SYSTEM ; STUDIO SHOOTING ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION. AUSTRALIA ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. UK ; PRODUCTION. USA ; PRODUCTION COMPANIES & STUDIOS ; GOVERNMENT AID ; FOX STUDIOS AUSTRALIA Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]ISBN: 0958015279
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Coronavirus capitalism goes to the movies / Eugene Nulman Abingdon, Oxon, UK: Routledge,
Call No: 409.5 NULAuthor: Nulman, Eugene Edition: 2022Place: Abingdon, Oxon, UKPublisher: RoutledgePhysDes: 144 pages ; 25cmSeries: Routledge Advances in SociologySubject: AVENGERS: ENDGAME (US, Anthony Russo/Joe Russo, 2019) ; ONCE UPON A TIME IN HOLLYWOOD (US, Quentin Tarantino, 2019) ; PARASITE [GISAENGCHUNG ] (KO, Bong Joon Ho, 2019) ; [NINETEEN SEVENTEEN] 1917 (UK/US, Sam Mendes, 2019) ; JOJO RABBIT (CZ/NZ/US, Taika Waititi, 2019) ; INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009) ; COVID NINETEEN ; TRUMP, DONALD Summary: Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age.
By exploring numerous films including Avengers: Endgame, Once Upon a Time… In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past.
This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism. -- publisher's web siteISBN: 9781032002750Contents: 1. Coronavirus Capitalism -- 2. The Pseudo-Superheroes -- 3. Medical Trench Warfare -- 4. Our Own Little Shitlers -- 5. If I Can’t Dance, It’s Not My Liberation -- 6. Fairy Tales and False Freedoms -- 7. The Great Equalizer -- 8. Macroparasites and Microaggressions -- 9. Fighting the Elements -- 10. I Can’t Breathe -- References -- Index
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newspaper article
The day of the cicadas in The Australian [Review] (05/01/2013) p.18
Call No: TITLE CLIPPINGS FILE; NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012)Author: Matchett, Stephen PhysDes: Clippings File ArticleSubject: NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012) Summary: Postive review of TV show Next Stop Hollyhwood, suggesting that it is a real-life 'The Day of the Locust' featuring six Australian actors looking to make it big in Hollywood
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DOC HOLLYWOOD : (US, Michael Caton-Jones, 1991)
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THE DOORS: LIVE AT THE HOLLYWOOD BOWL : US, Ray Manzarek, 1987
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The farce and the furious in Sydney Morning Herald [Spectrum] (27/06/2015) p.13
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FESTIVALS. USA [GENERAL]
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journal article
Four take awards at Taipei in Encore (28 Aug-10 Sep 1986) vol.4 iss.15 p.17
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FROM HOLLYWOOD TO DEADWOOD : (US, Rex Pickett, 1988)
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FROM HOLLYWOOD TO HANOI : (US, Tiana Thi Thanh Nga, 1992)
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Genre Benders in Empire (Australian Ed.) (September 2008) iss.90 p.66-69
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Global Hollywood 2 / Toby Miller...[et al.] London: British Film Institute, 2005.
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GOING HOLLYWOOD : (US, Raoul Walsh, 1933)
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HECK WITH HOLLYWOOD, THE : (US, Doug Block, 1991)
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HEIDI FLEISS: HOLLYWOOD MADAM : (UK, Nick Broomfield, 1995)
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A history of the movies / Benjamin B. Hampton London: Noel Douglas, 1932.
Call No: 71(73) HAMAuthor: Hampton, Benjamin B. (Benjamin Bowles), 1875-1932 Place: LondonPublisher: Noel DouglasPubDate: 1932PhysDes: 456 p., 125 p. of illus. 23 cmSubject: BIOGRAPH ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; CHAPLIN, CHARLES ; DEMILLE, CECIL B. ; FAIRBANKS, DOUGLAS ; GOLDWYN, SAMUEL ; GRIFFITH, DAVID WARK ; HART, WILLIAM S. ; HOLLYWOOD MEMORY IN FILMS ; LAEMMLE, CARL ; LASKY, JESSE ; PARAMOUNT STUDIOS ; PICKFORD, MARY ; SCHENCK, JOSEPH M ; SELZNICK, DAVID O. ; SENNETT, MACK ; ZUKOR, ADOLPH LON: 13776404 13776404
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HOLLYWOOD : [TV](UK, 1980)
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HOLLYWOOD ADVENTURES : (US/CC, Timothy Kendall, 2015)
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HOLLYWOOD BOULEVARD : (US, Joe Dante & Allan Arkush, 1976)
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HOLLYWOOD ENDING : (US, Woody Allen, 2002)
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The Hollywood film musical / Barry Keith Grant West Sussex, UK: Wiley-Blackwell, 2012.
Call No: 751.1(73) GRAAuthor: Grant, Barry Keith Source: UKPlace: West Sussex, UKPublisher: Wiley-BlackwellPubDate: 2012PhysDes: xiii ; 182 p. ; 23cmSeries: New approaches to film genreSubject: USA ; MUSICALS ; MUSIC AND THE CINEMA ; HOLLYWOOD IN FILMS ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; TOP HAT (US, Mark Sandrich, 1935) ; PIRATE, THE (US, Vincente Minnelli, 1948) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURBNotes: inc. references and indexISBN: 9781405182522Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index
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HOLLYWOOD GOLD : (US, Ben Lewin, 2003)
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HOLLYWOOD HOMICIDE : (US, Ron Shelton, 2003)
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HOLLYWOOD HOT TUBS : (US, Chuck Vincent, 1984)
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HOLLYWOOD HOTEL : (AT, Fiona Hergstrom, 1995)
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HOLLYWOOD IN FILMS
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HOLLYWOOD INC. [TV] : (UK, Philip Day, 2002)
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Hollywood Knights in International Photographer (September 1980) p.15
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HOLLYWOOD MAVERICKS : (US, Florence Dauman & Dale Anne Stieber, 1990)
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HOLLYWOOD ON TRIAL : (US, David Helpern Jr., 1976)
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journal article
Hollywood out-takes and reare footage in Facets Features (August 1983) p.7
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HOLLYWOOD OUT-TAKES & RARE FOOTAGE : (US, Ronald Blackman & Bruce Goldstein, 1983)
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journal article
Hollywood revue of 1929 in Films in Review (May 1979) p.280
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journal article
Hollywood rhythm in Toronto Film Society Program (4-5 December 1978) iss.4 p.3
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HOLLYWOOD SHUFFLE : (US, Robert Townsend, 1987)
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[ Hollywood shuffle : Robert Townsend as Bobby Taylor holds on to Anne-Marie Johnson as Lydia] Hoyts Distribution, [1987?].
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Hoyts DistributionPubDate: [1987?]PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; TOWNSEND, ROBERT Summary: In front of a white background a man with a moustache holds onto a woman who is slightly taller and who has shoulder length hair.Notes: White border surrounds image; Information below image
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HOLLYWOOD TEN, MELBOURNE ONE : (AT, Daryl Dellora, 1985)
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HOLLYWOOD [TV] : (US, 2020) Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HOLLYWOOD [TV] (US, 2020) Cross Reference: HOLLYWOOD [TV] (US, 2020)
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HOLLYWOOD VICE SQUAD : (US, Penelope Spheeris, 1986)
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I'M FROM HOLLYWOOD : (US, Lynne Margulies, 1991)
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IT CAME FROM HOLLYWOOD : (US, Malcolm Leo & Andrew Solt, 1982)
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JIMMY HOLLYWOOD : (US, Barry Levinson, 1994)
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KENNETH ANGAR'S HOLLYWOOD BABYLON : (US, Nigel Finch, 1991)
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journal article
Kurtis, the Hollywood stuntboy in Sightlines (Spring 1983) vol.XVI iss.3 p.18f
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Interim
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L.A. Confidential / Manohla Dargis London: British Film Institute,
Call No: 79LAC DARAuthor: Dargis, Manohla CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePhysDes: 95 p. : ill. ; 19 cmSeries: BFI Modern ClassicsSubject: L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; HANSON, CURTIS ; HOLLYWOOD IN FILMS ; PEARCE, GUY ; CROWE, RUSSELL ; SPACEY, KEVIN ; BASINGER, KIM ; DEVITO, DANNY ; DIRECTORS. USA Summary: Explores the careers of Curtis Hanson, director, and James Ellroy, novelist, drawing on interviews with both men, to dig deep into the film's obssession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.Notes: Notes: p.85-87
Credits: p.88-93
Bibliography: p.94-95ISBN: 0851709443
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LEGACY OF THE HOLLYWOOD BLACKLIST : [TV] (US, Judy Chaikin, 1987)
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The men who would be king : an almost epic tale of moguls, movies, and a company called DreamWorks / Nicole LaPorte Boston ; New York: Mariner Books, 2011.
Call No: 19DRE LAPAuthor: LaPorte, Nicole Source: USPlace: Boston ; New YorkPublisher: Mariner BooksPubDate: 2011PhysDes: xix, 491 pages ; 21 cmSubject: DREAMWORKS SKG ; PRODUCERS ; PRODUCTION CENTRES : HOLLYWOOD ; EISNER, MICHAEL ; GEFFEN, DAVID ; KATZENBERG, JEFFREY ; SPIELBERG, STEVEN ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; AMISTAD (US, Steven Spielberg, 1997) ; PRINCE OF EGYPT, THE (US, Brenda Chapman, Steve Hickner & Simon Wells, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SHREK (US, Kelly Asbury & Andrew Adamson, 2001) Summary: "For sixty years, the lineup of Hollywood's major studios varied little. Then came the Circus Maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave the world The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of THE GODFATHER. Nicole LaPorte reveals for the first time the delicious truths of what happened behind the scenes. Readers will feel they are part of the creative calamities of moviemaking as LaPorte's fly-on-the-wall detail shows us Hollywood's bizarre rules of business. We see clashes between the often otherworldly Spielberg's troops and Katzenberg's warriors, the debacles and disasters, but also the Oscar-winning triumphs, such as SAVING PRIVATE RYAN. We see Geffen seducing investors and watch as the studio burns through billions while its rich owners get richer and everybody else suffers. Here is Hollywood - up close, glamorous, and gritty." [TAKEN FROM BOOK BLURB]Notes: Includes indexISBN: 9780547520278Donation: Simon Wincer
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MONTY PYTHON LIVE AT THE HOLLYWOOD BOWL : (UK, Terry Hughes, 1982)
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"Monty Python's the Meaning of Life" in Australasian Cinema (15/7/1983) vol.12 iss.12 p.32
PhysDes: ArticleSubject: MONTY PYTHON ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON LIVE AT THE HOLLYWOOD BOWL (UK, Terry Hughes, 1982) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; CLEESE, JOHN ; CHAPMAN, GRAHAM ; GILLIAM, TERRY ; JONES, TERRY ; PALIN, MICHAEL Summary: History of Monty Python, its members, and its films.
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Movies about the movies : Hollywood reflected / Christopher Ames Lexington, Ky.: University Press of Kentucky, c1997.
Call No: 750.1 AMEAuthor: Ames, Christopher, 1956 Place: Lexington, Ky.Publisher: University Press of KentuckyPubDate: c1997PhysDes: ix, 254 p. : ill. ; 24 cmSubject: FILMS IN FILMS ; HOLLYWOOD IN FILMS ; STAR IS BORN, A (US, William Wellman, 1937) ; STAR IS BORN, A (US, George Cukor, 1954) ; WHAT PRICE HOLLYWOOD (US, George Cukor, 1932) ; STAND-IN (US, Tay Garnett, 1937) ; BOY MEETS GIRL (US, Lloyd Bacon, 1938) ; STAR, THE (US, Stuart Heisler, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) ; PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985) ; LAST ACTION HERO (US, John McTiernan, 1993) ; BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; PLAYER, THE (US, Robert Altman, 1992) Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studiosNotes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and indexISBN: 0813120187 (cloth : alk. paper)LON: 12952826
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Movies from the mansion : a history of Pinewood Studios / George Perry London: Elm Tree Books, 1976.
Call No: 19PIN PERAuthor: Perry, George, 1935 Source: UKPlace: LondonPublisher: Elm Tree BooksPubDate: 1976PhysDes: 186, [5] p. : ill. (some col.), ports. (some col.) ; 29 cmSubject: PINEWOOD STUDIOS ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION COMPANIES & STUDIOS ; STUDIOS, FILM ; WORLD WAR II AND THE CINEMA Summary: "George Perry surveys Pinewood's not always certain progress from its beginnings through the bleak war years, post-war austerity, dollar crises and the encroachment of television to the resurgence of the '60s and '70s. In doing so, he tells the story of the people who made Pinewood : of stars as varied as Jack Buchanan, Jack Hawkins and Roger Moore, Glenda Jackson and Jessie Matthews; of great directors such as Lean, Reed, Neame, Huston, Truffaut, Hitchcock, and even Chaplin; of the talented craftsmen whose skills have attracted film-makers from all over the world." [Taken from book jacket]Notes: Includes index; Bibliography: p. 182ISBN: 0241895006 : ª6.95LON: 866478
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journal article
New World (Aust) signs deal with Jackie Collins in Encore (24 September - 7 October 1987) vol.5 iss.17 p.3-4
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NEXT STOP HOLLYWOOD [TV] : (AT, Gary Doust, 2012)
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NOT QUITE HOLLYWOOD : (AT, Mark Hartley, 2008) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Publicity; Press kitSubject: NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) URL status: URL: 'http://file://Q:/T/NOT_QUITE_HOLLYWOOD.zip'
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journal article
Not Quite Hollywood in Empire (Australian Ed.) (September 2008) iss.90 p.43
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[Not quite Hollywood : poster]
Call No: P NOTPhysDes: 1 poster : col. ; 101 X 70 cm.Subject: NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) Summary: Text: "The wild, untold story of OZploitation!/Finally an Aussie film packed full of boobs, pubes, tubes...and a bit of kung fu." Image: Caricature images from various Australian movies including Alvin Purple, Barry McKenzie. Wide cream toned border.Notes: We have two copies.
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Off-Hollywood : the making and marketing of independent films / David Rosen, with Peter Hamilton New York: Grove Weidenfeld, 1990.
Call No: 210.2(73) ROSAuthor: Rosen, David (David M.) ; Hamilton, Peter Edition: 1st edPlace: New YorkPublisher: Grove WeidenfeldPubDate: 1990PhysDes: xx, 326 p. : ill. ; 24 cmSubject: INDEPENDENT PRODUCTION ; INDEPENDENT DISTRIBUTION ; ADVERTISING FOR FILMS ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983) ; COLD FEET (US, Bruce van Dusen, 1983) ; EATING RAOUL (US, Paul Bartel, 1982) ; NORTE, EL (US, Gregory Nava, 1983) ; GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984) ; HEARTLAND (US, Richard Pearce, 1979) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; MY DINNER WITH ANDRE (US, Louis Malle, 1981) ; OLD ENOUGH (US, Marisa Silver, 1984) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; WEAVERS - WASN'T THAT A TIME, THE (US, James B. Brown, 1981) ; WILD STYLE (US/GW, Charlie Ahearn, 1983) Notes: "Based on a study originally commissioned by the Sundance Institute and the Independent Feature Project."ISBN: 0802131875 (pa)LON: 6416531
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ONCE UPON A TIME IN HOLLYWOOD : (US, Quentin Tarantino, 2019)
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ONE OF THE HOLLYWOOD TEN : (US/SP, Karl Francis, 2000)
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OTHER HOLLYWOOD, THE : (US, Anders Dalgaard, 1999)
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Ozploitation compared to what? : A challenge to contemporary Australian film studies. in Studies in Australasian Cinema (2010) vol.4 iss.1 p.9-21
Author: Martin, Adrian PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GENRES. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) Summary: Discussion of critical attention given to 'Ozploitation' films particularly after 'Not Quite Hollywood'. Martin argues suggests current focus on this repressed strain of national cinema excludes many genres and therefore provides limited insight into Australian cinema.Notes: Australian exploitation cinema of the 1970s and 1980s has swiftly become a fashionable topic for analysis, rehabilitation and celebration, especially in the wake of the popular documentary Not Quite Hollywood featuring Quentin Tarantino. Is this Australian cinema's ‘return of the repressed’, at last, in the form of tough, vulgar, anarchic genre pictures – and does this show the way forward for our national cinema? This essay questions many aspects of the ‘Ozploitation’ craze, including its exclusion of art, intellectual or experimental cinema, and its peculiar streamlining of an extremely variegated and still obfuscated national film history. In particular, I argue for a comparative approach to national film cultures – which, in this case, would compel us to ask other, more stringent questions about the ultimate value of the currently baptized Ozploitation ‘classics’. -- ABSTRACT
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The Paramount story / John Douglas Eames London: Octopus Books, 1985.
Call No: 19PAR EAM; FOLIOAuthor: Eames, John Douglas, 1915 Source: UKPlace: LondonPublisher: Octopus BooksPubDate: 1985PhysDes: 368 pages : illustrations ; 33 cmSubject: HISTORY OF CINEMA ; INDUSTRY, FILM. USA ; PRODUCTION CENTRES : HOLLYWOOD ; PARAMOUNT STUDIOS ; STAR SYSTEM Summary: "The endless parade of Paramount hits, ranging from the first full-length film made in Hollywood - THE SQUAW MAN in 1913 - and the first winner of an Academy Award - WINGS in 1928 - to the blockbusters of the Eighties, and the blazing galaxy of Paramount stars, from Mary Pickford to Meryl Streep, Rudolph Valentino to Eddie Murphy, are fully documented in this indispensable book. Its lavish illustrations, in themselves a collection of collector's items, are an irresistable added attraction." [Taken from book jacket]Notes: Includes indexes; Filmography: p. 323-344ISBN: 0706420578LON: 4496946 4496946Contents: Preface and acknowledgements -- Introduction - the men who made Paramount --; 1916-1925: the best show in town -- 1926-1935: revolution and downfall -- 1936-1957: the mountain rises again -- 1958-1984: the big money --; The rest of 'the best shows in town' (1916-1925) -- Academy nominations and awards -- Index of films -- Index of personnelID2: 229
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PEOPLE'S HOLLYWOOD, THE [TV] : (UK, 2003)
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PLANET HOLLYWOOD
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RED HOLLYWOOD : (US, Thom Anderson, 1995)
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Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
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Reeltime : Oddball catches up with high-flying Planes in The Australian [Arts & Entertainment] (14/10/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; AWARDS. HOLLYWOODAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: AWARDS. HOLLYWOOD Summary: The 2015 Hollywood Film Awards are soon to commence, a promotional event, unofficially marking the film award season.
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Remapping cinema, remaking history : XIVth Biennial Conference of the Film and History Association of Australia and New Zealand: Refereed Abstracts / edited by Catherine Fowler and Rochelle Simmons Dunedin, NZ: University of Otago - Department of Media, Film & Communication, 2008.
Call No: 45:93HISAuthor: Film and History Associationof Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ) Source: NZPlace: Dunedin, NZPublisher: University of Otago - Department of Media, Film & CommunicationPubDate: 2008PhysDes: v, 223 p. ; 21 cmSubject: CONFERENCES. AUSTRALIA. FILM AND HISTORY ; HOLLYWOOD MEMORY IN FILMS ; MOTION PICTURES - EUROPEAN ; MOTION PICTURES - HISTORY ; NEW ZEALAND ; ASHBY, HAL ; SCHLESINGER, JOHN ; HALL, CONRAD ; COPPOLA, FRANCIS FORD ; NICHOLS, MIKE ; CIMINO, MICHAEL ; ALTMAN, ROBERT ; KUBRICK, STANLEY ; HILL, WALTER ; SPIELBERG, STEVEN ; KAURISMAKI, AKI ; MILLER, GEORGE ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; ONE FROM THE HEART (US, Francis Ford Coppola, 1982) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; WITCHES OF EASTWICK, THE (US, George Miller, 1987) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; GRADUATE, THE (US, Mike Nichols, 1967) ; STREETS OF FIRE (US, Walter Hill, 1984) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; KENNY (AT, Clayton Jacobson, 2006) ; SYLVIA (NZ, Michael Firth, 1985) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; THIS IS ENGLAND (UK, Shane Meadows, 2006) ; STALINGRAD (GG, Joseph Vilsmaier, 1992) ; BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001) Summary: The film and history conference is held every two years and is an opportunity for international scholars, archivists and filmmakers to present their thoughts on recent debates and events in the fields of film history, history and film, national and transnational cinemas, film theory, film practice, and the importance of cinema to specific communitiesNotes: "27-30 November 2008"- cover includes bibliographical reference and indexISBN: 9780473138899; 9780473148867Contents: v.1 refereed abstracts/ edited by Catherine Fowler and Rochelle Simmons- v. 2 select refereed papers/ edited by Hilary Radner and Pam fosser; Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker
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REPORT FROM HOLLYWOOD : (US, Ed Lachman, 1982)
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The RKO story / Richard B. Jewell with Vernon Harbin London: Octopus, 1982.
Call No: 19RKO JEW; FOLIOAuthor: Jewell, Richard B ; Harbin, Vernon Source: USPlace: LondonPublisher: OctopusPubDate: 1982PhysDes: 320 p. : ill. (some col.), ports. ; 33 cmSubject: INDUSTRY, FILM ; PRODUCTION CENTRES : HOLLYWOOD ; RKO Summary: "RKO Pictures existed in an atmosphere of almost continual chaos, from its optimistic beginnings in 1928, until it collapsed into ruins in the hands of the megalomaniac Howard Hughes nearly 30 years later. In its comparatively short and always turbulent history RKO made some of the greatest films and nurtured some of the finest talents ever to emerge from Hollywood - and allowed others, such as David O. Selznick, to slip disastrously through its fingers. It was the studio that immortalized Fred Astaire and Ginger Rogers, and almost succeeded in ruining Katharine Hepburn's career. It brought to stardom Irene Dunne, Bette Davis, Robert Mitchum and Cary Grant among others, unveiled the genius of Orson Wells [sic] and established KING KONG and TARZAN in popular mythology. They are all here in a detailed account of their triumphs and their failures, together with a fully illustrated description and assessment of all the films they made." [Taken from book jacket]Notes: Includes indexISBN: 0706412850 : ª11.95; 0706424700LON: 2628574Contents: Acknowledgements -- Preface -- Introduction -- 1929-1939 -- 1940-1949 -- 1950-1960 -- RKO British production and distribution -- RKO nominations and awards -- Index of film titles -- Index of personnelID2: 229
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Scenes from a revolution : the birth of the new Hollywood / Mark Harris Edinburgh: Canongate, 2008.
Call No: 71 (73) HARAuthor: Harris Mark Place: EdinburghPublisher: CanongatePubDate: 2008PhysDes: 490 p., [16] p. of plates : ill. ; 25 cmSubject: COLUMBIA PICTURES ; CRITICISM ; CRITICS ; DIRECTORS. USA ; HISTORY AND THE CINEMA. USA ; HOLLYWOOD IN FILMS ; JAMES BOND IN FILMS ; TWENTIETH CENTURY-FOX ; WALT DISNEY PRODUCTIONS ; ALLEN, WOODY ; ANTONIONI, MICHELANGELO ; ASHBY, HAL ; BANCROFT, ANNE ; BEATTY, WARREN ; BENTON, ROBERT ; BERGMAN, INGRID ; BLAKE, ROBERT ; BRANDO, MARLON ; BURTON, RICHARD ; CAINE, MICHAEL ; CARON, LESLIE ; CUKOR, GEORGE ; COLLINS, JOAN ; CONNERY, SEAN ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DANIELS, WILLIAM ; DAVIS, SAMMY, Jr. ; DAY, DORIS ; DUNAWAY, FAYE ; DUVALL, ROBERT ; FELLINI, FEDERICO ; FLEISCHER, RICHARD ; FONDA, JANE ; FRANKOVICH, MIKE ; GODARD, JEAN-LUC ; HARRISON, REX ; HENRY, BUCK ; HEPBURN, KATHARINE ; HOFFMAN, DUSTIN ; NEWMAN, DAVID ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CAMELOT (US, Joshua Logan, 1967) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; KAEL, PAULINE ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover]Notes: Includes bibliographical references (p. [432]-438) and index.ISBN: 9781847671028ID2: 277
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Short film reviews : 1985 Swinburne graduate films reviewed in Filmviews (Autumn 1986) vol.31 iss.127 p.26-29
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Short Reviews in Cinema Papers (November 1986) iss.60 p.51-54
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TRUE HOLLYWOOD STORY MEL GIBSON [TV] : (US, 2004)
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United International Pictures in Australasian Cinema (29/10/1982) vol.11 iss.19 p.18
PhysDes: ArticleSubject: UNITED INTERNATIONAL PICTURES ; DEAD MEN DON'T WEAR PLAID (US, Carl Reiner, 1982) ; STRANGER IS WATCHING, A (US, Sean S. Cunningham, 1981) ; BLACK STALLION RETURNS, THE (US, Robert Dalva, 1983) ; IT CAME FROM HOLLYWOOD (US, Malcolm Leo & Andrew Solt, 1982) Summary: Current, coming, and in-production films from United International Pictures.
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WHAT PRICE HOLLYWOOD? : (US, George Cukor, 1932)
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Who's who in filmmaking : James C Gutman and David Helpern Jr. in Sightlines (Fall 1979) vol.13 iss.1 p.19-22
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WILD BILL: HOLLYWOOD MAVERICK : (US, Todd Robinson, 1995)
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Women in film : International film festival US: 1994-.
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WOMEN WHO RUN HOLLYWOOD, THE : (US, Julia Kuperberg & Clara Kuperberg, 2016) Digital clippings file available
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