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PhysDes: Article
Subject: BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982); SHOOT THE MOON (US, Alan Parker, 1982); TICKET TO HEAVEN (CN, Ralph Thomas, 1981); GREATER UNION; DISTRIBUTION
Summary: Article on latest films distributed by Greater Union.

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL DOGS GO TO HEAVEN (US, Don Bluth, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALL DOGS GO TO HEAVEN 2 (US, Larry Leker, 1996)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955)

Author: Turner, Adrian
PhysDes: Article
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980)
Summary: Brief synopsis; ill.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: AUF DER ANDEREN SEITE (G/TU/IT, Fatih Akin, 2007); EDGE OF HEAVEN, THE (G/TU/IT, Fatih Akin, 2007)
ID2: 62

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
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PhysDes: Article
Subject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); FESTIVALS; INDUSTRY, FILM. AUSTRALIA
Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEING IN HEAVEN (AT, Michael Domeyko Rowland, 2009)

Author: Moynihan, Maura; Warhol, Andy
PhysDes: Article
Subject: HEAVEN (US)
Summary: Ill

Author: Crawley, Tony
PhysDes: Article
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980)

Call No: 626(73) COR
Author: Corrigan, Timothy, 1951
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: x, 258 p. : ill. ; 23 cm
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980); PLATOON (US, Oliver Stone, 1986); FULL METAL JACKET (UK, Stanley Kubrick, 1987); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); BLUE VELVET (US, David Lynch, 1986); CHOOSE ME (US, Alan Rudolph, 1984); AFTER HOURS (US, Martin Scorsese, 1985); COPPOLA, FRANCIS FORD; KLUGE, ALEXANDER; RUIZ, RAUL; BONNIE AND CLYDE (US, Arthur Penn, 1967); BADLANDS (US, Terrence Malick, 1973); PARIS, TEXAS (GW/FR, Wim Wenders, 1984); KING OF COMEDY, THE (US, Martin Scorsese, 1983); THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979); DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979)
Notes: Includes index; Bibliography: p. [233]-250
ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00
LON: bnb41507133; 8595450

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COLD HEAVEN (US, Nicholas Roeg, 1992)

Call No: 633.22 COL
Author: Dalle Vacche, Angela; Brian Price
Source: US
Place: New York, London
Publisher: Routledge
PubDate: 2006
PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cm
Series: In focus - Routledge film readers
Subject: COLOUR; AESTHETICS; CINEMATOGRAPHY; TECHNICOLOR; BAZIN, ANDRE; ARNHEIM, RUDOLF; ROHMER, ERIC; BATCHELOR, JOHN; OSHIMA, NAGISA; BRAKHAGE, JANE; HITCHCOCK, ALFRED; ANDERSON, PAUL THOMAS; HOU HSIAO-HSIEN; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO; JARMAN, DEREK; MAMOULIAN, ROUBEN; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); GIGI (US, Vincente Minnelli, 1958); IMITATION OF LIFE (US, Douglas Sirk, 1959); REBECCA (US, Alfred Hitchcock, 1940); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]
Notes: Bibliography: (p [202]-205); Includes index
ISBN: 0415324424; 9780415324427

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAYS OF HEAVEN (US, Terrence Malick, 1978)

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

Subject: MADE IN HEAVEN (US, Alan Rudolph, 1987); CHORUS LINE (US, Richard Attenborough, 1985)
Summary: Report on the current projects for Embassy Pictures inclduing; 'Flying Tigers', 'Perfect Partners' et al

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FAR FROM HEAVEN (US, Todd Haynes, 2002)

Call No: 79ANG COT
Author: Cottingham, Laura
Edition: 1st ed.
Source: UK
Place: London UK
Publisher: British Film Institute
PubDate: 2005
PhysDes: 86 p. : col, b&w, ill. ; 19 cm
Series: BFI film classics
Subject: RACIAL ISSUES IN FILMS; RACIAL ISSUES AND THE CINEMA; HUMAN RELATIONS IN FILMS; MARRIAGE IN FILMS; REALISM IN FILMS; GERMAN FEDERAL REPUBLIC; SEXUALITY AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; FEMINISM AND THE CINEMA; WOMEN IN FILMS; FALLEN WOMEN IN FILMS; BIOGRAPHICAL FILMS; DRUGS IN FILMS; FASSBINDER, RAINER WERNER; WARHOL, ANDY; SIRK, DOUGLAS; RIEFENSTAHL, LENI; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982); FAUSTRECHT DER FREIHEIT (GW, Rainer Werner Fassbinder, 1975); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972)
Summary: Set in Munich in the 1970s, Fear Eats the Soul melds the convention of melodrama with a radical sensibility in order to present a portrait of racism and everyday hypocrisy in post-war Germany. Laura Cottingham celebrates Fassbinder’s achievement, placing Fear Eats the Soul in relation to his extraordinary prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. [Taken from back cover].
Notes: includes film credits
ISBN: 1844570711

Call No: 631.19 PIP
Author: Pippin, Robert B.
Source: US
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2020
PhysDes: 271 pages : illustrations (some colour) ; 32 cm
Subject: PHILOSOPHY AND THE CINEMA; SPECTATORSHIP; REAR WINDOW (US, Alfred Hitchcock, 1954); TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); CHINATOWN (US, Roman Polanski, 1974); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); JOHNNY GUITAR (US, Nicholas Ray, 1954); IN A LONELY PLACE (US, Nicholas Ray, 1950); THIN RED LINE, THE (US, Terrence Malick, 1998); DARDENNE, JEAN-PIERRE & LUC
Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226672007
Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne Brothers
ID2: 343

Call No: 81SIR RYA
Author: Ryan, Tom
Source: US
Place: Jackson, Mississippi
Publisher: University Press of Mississippi
PubDate: [2019]
PhysDes: 309 pages : illustrations ; 23 cm
Subject: FILM; GERMANY; CRITICISM; DIRECTORS; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Summary: "Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day." -- Provided by publisher.
Notes: Includes bibliographical references and index. Filmography: pages 257-265.
ISBN: 9781496822376
Contents: Chapter One: Detlef Sierck in Europe -- Chapter Two: American Beginnings: The European Legacy -- Chapter Three: In the Shadows: Sirk and the Noir Inclination -- Chapter Four: The Uncomfortable Comedies -- Chapter Five: Sirk and God: 'The Pure Ambiguity of Experience' -- Chapter Six: Pastoral Yearnings: Sirk and the Musical -- Chapter Seven: Hollywood, Rock Hudson, and the Idea of the Hero -- Chapter Eight: Sirk, the Family Melodrama, and the Production Code -- Chapter Nine: Sirk and John M. Stahl: Adaptations and Remakes -- Chapter Ten: Out of the Past -- Chapter Eleven: Into the Future: Sirk's Legacy.

Author: O'Hara, John
PhysDes: Article
Subject: CARTOGRAPHER AND THE WAITER, THE (AT, Ian Pringle, 1977?); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); WRONG WORLD (AT, Ian Pringle, 1985); WRONSKY (AT, Ian Pringle, 1980)
Summary: Includes discussion of some of his films

Call No: 79HEA BAC
Author: Bach, Steven
Edition: updated edition
Source: US
Place: New York
Publisher: Newmarket Press
PubDate: c1999
PhysDes: 432 p. ; 24cm
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980)
Notes: American cinema films: Heaven's gate. Production (BNB/PRECIS); Originally published: London : Cape, 1985; Includes index
ISBN: 1557043744

Call No: 79HEA BAC
Author: Bach, Steven
Source: US
Place: New York
Publisher: William Morrow & Co., Inc.
PubDate: c1985
PhysDes: 432 pages ; 25 cm
Subject: BUDGETING; FINANCING; BOX OFFICE; INDUSTRY, FILM. USA; STUDIOS, FILM. USA; UNITED ARTISTS; ALLEN, WOODY; CIMINO, MICHAEL; FIELD, DAVID; DEER HUNTER, THE (US, Michael Cimino, 1978); HEAVEN'S GATE (US, Michael Cimino, 1980)
Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]
Notes: Includes index
ISBN: 0688043828
Donation: Simon Wincer

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FINAL CUT: THE MAKING AND UNMAKING OF HEAVEN'S GATE (US, Michael Epstein, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIVE] 5 MINUTES OF HEAVEN (UK/IE, Oliver Hirschbiegel, 2009)

PhysDes: Article
Subject: REDS (US, Warren Beatty, 1981); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAGTIME (US, Milos Forman, 1980); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); ACADEMY AWARDS
Summary: List of nominations received for 'Reds', 'Raiders of the Lost Ark', 'Ragtime', and 'Pennies from Heaven'.

Call No: 451-02 HAS
Author: Haskell, Molly
Place: Harmondsworth Eng. Baltimore
Publisher: Penguin
PubDate: 1974
PhysDes: xiv, 388 p., [12] leaves of plates : ill. ; 20 cm
Subject: WOMEN IN FILMS; ASTOR, MARY; BERGMAN, INGMAR; BOW, CLARA; Crawford, Joan; CUKOR, GEORGE; DAY, DORIS; DIETRICH, MARLENE; HAWKS, HOWARD; HEPBURN, KATHARINE; HOLLIDAY, JUDY; LUBITSCH, ERNST; MONROE, MARILYN; RUSSELL, ROSALIND; VON STERNBERG, JOSEF; WILDER, BILLY; DUNNE, IRENE; WOMEN, THE (US, George Cukor, 1939); BEYOND THE FOREST (US, King Vidor, 1949); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); DESIGN FOR LIVING (US, Ernst Lubitsch, 1933); ADAM'S RIB (US, George Cukor, 1949); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955)
Notes: Includes index
ISBN: 0140039465 : ª0.95 ($3.95 U.S.)
LON: 74194670; 352052

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GATES OF HEAVEN (US, Errol Morris, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings; Press kit
Subject: HEAVEN (US, Diane Keaton, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HEAVEN (NZ, Scott Reynolds, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVEN (AT, Tracey Moffat, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HEAVEN (US/GG, Tom Tykwer, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HEAVEN AND EARTH (US, Oliver Stone, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVEN CAN WAIT (US, Warren Beatty & Buck Henry, 1978)

Call No: N79HEA NEW
Author: Newman, Michael
Source: US
Place: California
Publisher: Fotonovel
PubDate: c1978
PhysDes: 18 cm
Subject: HEAVEN CAN WAIT (US, Warren Beatty & Buck Henry, 1978)
Summary: This book is a visual re-creation of the film 'Heaven Can Wait'. It contains over 400 action photographs from the actual film arranged much like a comic book.
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVEN CAN WAIT (US, Ernst Lubitsch, 1943)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVEN HELP US (US, Michael Dinner, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVEN HELP US [CATHOLIC BOYS] (US, Michael Dinner, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVEN IS A PLAYGROUND (US, Randall Fried, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVEN KNOWS, MR. ALLISON (US, John Huston, 1957)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVEN KNOWS WHAT (US, Benny Safdie/Josh Safdie, 2014)
Notes: Simon import_04/07/19

PhysDes: Article
Subject: HEAVEN ON EARTH (US, Phil Rosen, 1927)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HEAVEN'S A DRAG (UK, Peter Mackenzie Litten, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Transparency
Subject: HEAVEN'S BURNING (AT, Craig Lahiff, 1997)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Publicity; Clippings; Press kit
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980)
URL status: URL: 'http://file://Q:/T/HEAVENS_GATE.zip' Checked: 31/08/2021 12:50:54 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: HEAVEN'S PRISONER (US, Phil Joanou, 1996)

Call No: S HEA
Author: Harley Peyton; Scott Frank
Place: US
PubDate: [1994]
PhysDes: 120 leaves
Subject: HEAVEN'S PRISONER (US, Phil Joanou, 1996)
Notes: Unpublished script; Based on a novel

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVEN & THE SUICIDE KING (US, Todd Spoor, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: HEAVEN TONIGHT (AT, Pino Amenta, 1996)

Call No: 751.1(73) GRA
Author: Grant, Barry Keith
Source: UK
Place: West Sussex, UK
Publisher: Wiley-Blackwell
PubDate: 2012
PhysDes: xiii ; 182 p. ; 23cm
Series: New approaches to film genre
Subject: USA; MUSICALS; MUSIC AND THE CINEMA; HOLLYWOOD IN FILMS; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); TOP HAT (US, Mark Sandrich, 1935); PIRATE, THE (US, Vincente Minnelli, 1948); WEST SIDE STORY (US, Robert Wise, 1961); SATURDAY NIGHT FEVER (US, John Badham, 1977); WOODSTOCK (US, Michael Wadleigh, 1970); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); ACROSS THE UNIVERSE (US, Julie Taymor, 2007)
Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURB
Notes: inc. references and index
ISBN: 9781405182522
Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index

Call No: 71(73) WOO
Author: Wood, Robin, 1931
Place: New York
Publisher: Columbia University Press
PubDate: 1986
PhysDes: x, 328 p. : ill., ports. ; 24 cm
Subject: USA; HORROR FILMS; NARRATIVE IN FILMS; WOMEN IN FILMS. USA; BUDDY FILMS; HORROR FILMS. USA; ALTMAN, ROBERT; COHEN, LARRY; SCORSESE, MARTIN; CIMINO, MICHAEL; ROMERO, GEORGE; DE PALMA, BRIAN; LUCAS, GEORGE; SPIELBERG, STEVEN; CHASE, THE (US, Arthur Penn, 1966); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); DEER HUNTER, THE (US, Michael Cimino, 1978); HEAVEN'S GATE (US, Michael Cimino, 1980); BLADE RUNNER (US, Ridley Scott, 1982); POLTERGEIST (US, Tobe Hooper, 1982)
Notes: Includes index; Bibliography: p. [319]-320
ISBN: 0231057768 (alk. paper); 0231057776 (pbk)
LON: 3796463

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN HEAVEN THERE IS NO BEER (US, Les Blank, 1984)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: IT MUST BE HEAVEN (FR/G/CN/TU/PA, Elia Suleiman, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: JERUSALEM OF HEAVEN AND EARTH (AT, John Jacob & Richard Tombelson, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST LIKE HEAVEN (US, Mark Waters, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KALAUPAPA HEAVEN (AT, Paul Cox, 2007)

PhysDes: Clippings; Press kit
Subject: KINGDOM OF HEAVEN (US/SP/UK, Ridley Scott, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KNOCKIN' ON HEAVEN'S DOOR (GG, Thomas Jahn, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAVE HER TO HEAVEN (US, John M. Stahl, 1945)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONG ROAD TO HEAVEN (IO, Enison Sinaro, 2007)

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: White, Brian
PhysDes: Clippings File Article
Subject: DAYS OF HEAVEN (US, Terrence Malick, 1978); MAD MAX (AT, George Miller, 1979)
Summary: Review of Mad Max with mention of Days of Heaven and violence in film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MADE IN HEAVEN (US, Alan Rudolph, 1987)

Author: Routt, Bill; Diane, Routt
PhysDes: Article
Subject: MADE IN HEAVEN (US, Alan Rudolph, 1987)
Summary: Review; credits

Call No: 79HEA SIN
Author: Singer, Michael; Stone, Oliver, 1946; Hayslip, Le Ly; Le, Thi Hiep
Place: Frenchs Forest, N.S.W.
Publisher: Tower Books
PubDate: 1993
PhysDes: 153 p. : ill. (col.) ; 28 cm
Subject: HEAVEN AND EARTH (US, Oliver Stone, 1993)
Summary: Screenplay based on the autobiographical books by Le Ly Hayslip, When heaven and earth changed places, written with Jay Wurts, and Child of war, woman of peace, written with James Hayslip
ISBN: 0646152592 (pbk.)
LON: abn94125657; 10834717

Call No: 744(4) BRE
Author: Breger, Claudia
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2020
PhysDes: 8 unumbered pages, 336 pages : illustrations ; 23 cm
Subject: WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009); BIUTIFUL (MX/SP, Alejandro Inarritu, 2010); EDGE OF HEAVEN, THE (G/TU/IT, Fatih Akin, 2007); JODAEIYA NADER AZ SIMIN (IR, Asghar Farhadi, 2011); HAVRE, LE (FI/FR/GG, Aki Kaurismäki, 2011); MIES VAILLA MENNEISYYTTA (FI/GG/FR, Aki Kaurismaki, 2002); OTHER SIDE OF HOPE, THE [TOIVON TUOLLA PUOLEN] (GG/FI, Aki Kaurismäki , 2017); VIE DE BOHEME, LA (FI/FR, Aki Kaurismaki, 1992); AESTHETICS; AUDIENCES; BRECHT, BERTHOLD; DELEUZE, GILLES; EUROPEAN COUNTRIES; FASSBINDER, RAINER WERNER; GODARD, JEAN-LUC; IMMIGRATION IN FILMS AND TELEVISION; REFUGEES
Summary: The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends. Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akin’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred -- publisher's website
Notes: Includes bibliographical references (page 293-324) and index.
ISBN: 9780231194198
Contents: Affects in Configuration: Controversy and Conviviality in Fatih Akin's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akin's The Cut and Ari Kaurisma¨ki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World -- Epilogue: Reconfiguring Resistance.

Call No: 81ALM ALM
Author: Almendros, Nestor
Source: US
Place: London
Publisher: Faber
PubDate: 1985
PhysDes: viii, 306 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; PHOTOGRAPHY; ALMENDROS, NESTOR; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984); COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969); WILD CHILD (US/UK/FR, Nick Moore, 2008); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974); GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975); COCKFIGHTER (US, Monte Hellman, 1974); STORY OF ADELE H, THE (FR, Francois Truffaut, 1975); MAITRESSE (FR, Barbet Schroeder, 1976); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); DAYS OF HEAVEN (US, Terrence Malick, 1978); MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978); KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978); MADAME ROSA (FR, Moshe Mizrahi, 1977); GOIN' SOUTH (US, Jack Nicholson, 1978); PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978); LOVE ON THE RUN (FR, Francois Truffaut, 1979); AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); BLUE LAGOON, THE (US, Randal Kleiser, 1980); CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983); LAST METRO, THE (FR, Francois Truffaut, 1980); DERNIER METRO, LE (FR, Francois Truffaut, 1980); PAULINE A LA PLAGE (FR, Eric Rohmer, 1983); PAULINE AT THE BEACH (FR, Eric Rohmer, 1983); STILL OF THE NIGHT (US, Robert Benton, 1982); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982)
Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]
Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304
ISBN: 0571135897 (pbk.)
LON: abn85231033; 3994651

Call No: 408.3 MED
Author: Skovmand, Michael; Schrªder, Kim
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: viii, 222 p. ; 22 cm
Subject: MEDIA; NATIONAL IDENTITY AND TV. EUROPEAN COUNTRIES; NEWS PROGRAMMES; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; AUDIENCES; CULT FILMS; INTERNATIONAL BROADCASTING; NATIONAL CULTURE AND TV; SYDICATION; POSTMODERNISM AND TV/VIDEO; PUBLIC BROADCASTING; GULF WAR ON TV; BRITISH BROADCASTING CORPORATION; CABLE NEWS NETWORK; NORSK RIKSKRINGKASTING; BOGART, HUMPHREY; POTTER, DENNIS; CASABLANCA (US, Michael Curtiz, 1942); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); WHEEL OF FORTUNE [TV] (US, 1975-); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); PENNIES FROM HEAVEN (US, Herbert Ross, 1981)
Notes: Includes bibliographical references and index
ISBN: 0415063841; 041506385X (pbk.)
LON: 8457888

Call No: 626:396(94) WRI
Author: Wright, Robin, 1963
PubDate: 1992
PhysDes: 110 leaves : col. ill. ; 30 cm
Subject: LANDSCAPES IN FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982)
Summary: This thesis examins the representation of the Australian landscape in five Australian films released between 1975 and 1982. The films are 'The Man From Snowy River', 'Sunday Too Far Away', 'We of the Never Never', 'Picnic at Hanging Rock' and 'The Plains of Heaven'. These five texts are examined in light of feminist theories dealing with subjectivity and representation. The analysis of the place and role of femininity within the texts is conducted through the examination of symbols and metaphors associated with the landscape which operate within the film structure. The thesis concludes that the Australian landscape is constructed within these films in such a way as to support the concept of a white, masculine Australian identity..." -- taken from summary
Notes: Submitted in partial fulfilment of the requirements for the degree of Master of Arts, Centre for Womens Studies; Summary: [unpaged] at front of text; Typescript; Includes bibliographical references (leaves 104-110)
LON: abn93171145; 10039377
Contents: 1. Introduction -- 2. Feminist strategies -- 3. The production context -- 4. The man from Snowy River -- 5. Sunday too far away -- 6. We of the never never -- 7. Picnic at hanging rock -- 8. The plains of heaven -- 9. Ideological position and Australian identity

Call No: 736.1 MOV
Author: Cameron, Ian; Pye, Douglas
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: 320 p.: ill. ; 26 cm
Subject: WESTERNS; FORD, JOHN; CIMINO, MICHAEL; CUKOR, GEORGE; DIETRICH, MARLENE; Peckinpah, Sam; WAYNE, JOHN; DAVES, DELMER; MANN, ANTHONY; BOETTICHER, BUDD; COSTNER, KEVIN; BROKEN ARROW (US, Delmer Daves, 1950); DRUM BEAT (US, Delmer Daves, 1954); HANGING TREE, THE (US, Delmer Daves, 1958); JUBAL (US, Delmer Daves, 1956); LAST WAGON, THE (US, Delmer Daves, 1956); [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); FORT APACHE (US, John Ford, 1948); DUEL IN THE SUN (US, King Vidor, 1946); HEAVEN'S GATE (US, Michael Cimino, 1980); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); HUD (US, Martin Ritt, 1962); JOHNNY GUITAR (US, Nicholas Ray, 1954); LEFT-HANDED GUN, THE (US, Arthur Penn, 1958); MISFITS, THE (US, John Huston, 1961); ONE-EYED JACKS (US, Marlon Brando, 1961); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RIO BRAVO (US, Howard Hawks, 1959); SHANE (US, George Stevens, 1953); VERA CRUZ (US, Robert Aldrich, 1954); WESTWARD THE WOMEN (US, William Wellmann, 1951); LONELY ARE THE BRAVE (US, David Miller, 1962); UNFORGIVEN (US, Clint Eastwood, 1992); SEARCHERS, THE (US, John Ford, 1956); DANCES WITH WOLVES (US, Kevin Costner, 1990); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962)
Notes: Includes index
ISBN: 0289801400
LON: abn95121731; 11553420

Call No: 721.303.311 BAR
Author: Barraclough, David
Place: London
Publisher: New Burlington Books
PubDate: 1992
PhysDes: 128 p. : ill. (some col.) ; 29 cm
Subject: BOX OFFICE; STARS; HEAVEN'S GATE (US, Michael Cimino, 1980); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes index
ISBN: 1853483966
LON: abn92256397; 9219298

Call No: 750.1 AME
Author: Ames, Christopher, 1956
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: c1997
PhysDes: ix, 254 p. : ill. ; 24 cm
Subject: FILMS IN FILMS; HOLLYWOOD IN FILMS; STAR IS BORN, A (US, William Wellman, 1937); STAR IS BORN, A (US, George Cukor, 1954); WHAT PRICE HOLLYWOOD (US, George Cukor, 1932); STAND-IN (US, Tay Garnett, 1937); BOY MEETS GIRL (US, Lloyd Bacon, 1938); STAR, THE (US, Stuart Heisler, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); LAST ACTION HERO (US, John McTiernan, 1993); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); SUNSET BOULEVARD (US, Billy Wilder, 1950); PLAYER, THE (US, Robert Altman, 1992)
Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios
Notes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and index
ISBN: 0813120187 (cloth : alk. paper)
LON: 12952826

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MY BLUE HEAVEN (US, Herbert Ross, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NORTH AND SOUTH III: HEAVEN AND HELL [TV] (US, Larry Peerce, 1994)

Call No: 451-02 FRE
Author: French, Brandon, 1944
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xxiv, 165 p. : ill. ; 22 cm
Subject: WOMEN IN FILMS. USA; SUNSET BOULEVARD (US, Billy Wilder, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); MARRYING KIND, THE (US, George Cukor, 1952); SHANE (US, George Stevens, 1953); COUNTRY GIRL, THE (US, George Seaton, 1954); MARTY (US, Delbert Mann, 1954); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); PICNIC (US, Joshua Logan, 1955); HEAVEN KNOWS, MR. ALLISON (US, John Huston, 1957); SOME LIKE IT HOT (US, Billy Wilder, 1959); FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); TENDER TRAP, THE (US, Charles Walters, 1955); NUN'S STORY, THE (US, Fred Zinneman, 1958)
Notes: Includes index; Bibliography: p. 155-157
ISBN: 0804422206; 0804461589 (pbk.)
LON: 78004294; 1220409

Author: Schwartz, Eric
PhysDes: Article
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PENNIES FROM HEAVEN (US, Herbert Ross, 1981)

Call No: S PLA
Author: Pringle, Ian
PubDate: [1982?]
PhysDes: 72 leaves
Subject: PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982)
Notes: Unpublished script

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 19 - 21 x 26 cm
Subject: MOIR, RICHARD; EVANS, REG; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982)
Summary: 6 black and white photographs of scenes from the film
Notes: 1 duplicate. 1 image donated by Brian McFarlane

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982)

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND; INDUSTRY, FILM. AUSTRALIA; FAST TALKING (AT, Ken Cameron, 1984); SILVER CITY (AT, Sophia Turkiewicz, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); UNDERCOVER (AT, David Stevens, 1983); WINDS OF JARRAH (AT, Mark Egerton, 1983); FLUTEMAN (AT, Peter Maxwell, 1982); MOVING OUT (AT, Chris Warner & Mandy Smith, 1986); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); ON GUARD (AT, Susan Lambert, 1984); PIANOFORTE: PUSSY PUMPS UP (AT, Antoinette Starkiewicz, 1987); CLEANING, THE (AT, Robert Grant, 1984); BOXER (AT, Laurie McInnes, 1984)
Summary: List of films approved for Australian Film Commission funding.

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. MELBOURNE. 2015
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: FESTIVALS. MELBOURNE; HEAVEN KNOWS WHAT (US, Benny Safdie/Josh Safdie, 2014)
Summary: Review of the film HEAVEN KNOWS WHAT, which is screening at the 2015 Melbourne International Film Festival. The author gives the film a luke-warm reception, likening it to one of Oliver Assayas's weaker efforts

Author: Jaivin, Linda
PhysDes: Article
Subject: LONG BOW TRILOGY, THE (US, Carma Hinton and Richard Gordon, 1984); LONG BOW TRILOGY: ALL UNDER HEAVEN (US, Carma Hinton & Richard Gordon, 1985); LONG BOW TRILOGY: SMALL HAPPINESS (US, Carma Hinton & Richard Gordon, 1985); LONG BOW TRILOGY: TO TASTE 100 HERBS (US, Carma Hinton & Richard Gordon, 1985)
Notes: Review. - credits. - illus.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AS IT IS IN HEAVEN 2 [SA OCK PA JORDEN] (SW, Kay Pollak, 2015)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: SA SOM I HIMMELEN (SW, Kay Pollak, 2004); AS IT IS IN HEAVEN [SASOM I HIMMELEN] (SW, Kay Pollak, 2004)
URL status: URL: 'http://file://Q:/T/AS_IT_IS_IN_HEAVEN.zip' Checked: 31/08/2021 1:15:21 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEVEN MINUTES IN HEAVEN (US, Linda Fefferman, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEVENTH HEAVEN (UA, Saad Hendawy, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHAUN MICALLEF'S STAIRWAY TO HEAVEN [TV] (AT, 2017)

PhysDes: Article
Subject: HEAVEN HELP (US, Michael Dinner, 1985)
Summary: Production reports with synopsis

Call No: TITLE CLIPPINGS FILE; AS IT IS IN HEAVEN 2 [SA OCK PA JORDEN] (SW, Kay Pollak, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: AS IT IS IN HEAVEN 2 [SA OCK PA JORDEN] (SW, Kay Pollak, 2015)
Summary: Stratton reviews the Swedish film AS IT IS IN HEAVEN 2
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STEALING HEAVEN (UK/YU, Clive Donner, 1988)

Call No: TITLE CLIPINGS FILE; MIRACLES FROM HEAVEN (US, Patricia Riggen, 2016)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: MIRACLES FROM HEAVEN (US, Patricia Riggen, 2016)
Summary: Bodey reviews the film Miracles from Heaven
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STATION TO HEAVEN [TENGOKU NO EKI: HEAVEN STATION] (JA, Deme Masanobu, 1984)

Call No: P LON
PhysDes: 1 poster : col. ; 71 X 33 cm.
Series: 6474
Subject: LONG BOW TRILOGY, THE (US, Carma Hinton and Richard Gordon, 1984); LONG BOW TRILOGY: ALL UNDER HEAVEN (US, Carma Hinton & Richard Gordon, 1985); LONG BOW TRILOGY: SMALL HAPPINESS (US, Carma Hinton & Richard Gordon, 1985); LONG BOW TRILOGY: TO TASTE 100 HERBS (US, Carma Hinton & Richard Gordon, 1985)
Summary: Image: Has a photo of a building with someone on scaffolding painting a Chinese character on the wall. Text: 'Three one-hour films about the village of Long Bow in northern China.'

Call No: P PLA
PhysDes: 1 poster : col. ; 80 X 61 cm.
Subject: PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982)
Summary: Image: man in a big land.
Notes: Has blu-tack on the back side.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TICKET TO HEAVEN (CN, Ralph Thomas, 1981)

Author: Joannides, Paul
PhysDes: Article
Subject: ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); TIME TO LOVE AND A TIME TO DIE, A (US, Douglas Sirk, 1958)
Summary: Looks at devices and style in two Douglas Sirk directed films: "A Time to Love and a Time to Die" and "All That Heaven Allows"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNDER HEAVEN (US, Meg Richman, 1998)

Author: Stratton, David
PhysDes: Article
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980)
Summary: Ill

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WAIST DEEP IN HEAVEN (AT, Kate Dowsett, 2000)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: MONKEY KING HAVOC IN HEAVEN'S PALACE, THE [XI YOU JI DA NAO TIAN GONG] (CC/HK, Pou-Soi Cheang, 2014)
Cross Reference: Monkey King Havoc in Heavens Palace, The [XI YOU JI DA NAO TIAN GONG]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YOSEMITE: THE FATE OF HEAVEN (US, Jon Else, 1989?)