Search Catalogue

Subject: TOO MANY WAYS TO BE NO.1 (HK, Wai Kar-Fai, 1997) SEE JAT GO ZI TAU DI DAAN SANG
Cross Reference: TOO MANY WAYS TO BE NO.1 (HK, Wai Kar-Fai, 1997) SEE JAT GO ZI TAU DI DAAN SANG
CrossTag: 1

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABBOTT AND COSTELLO GO TO MARS (US, Charles Lamont, 1953)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL DOGS GO TO HEAVEN (US, Don Bluth, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALL DOGS GO TO HEAVEN 2 (US, Larry Leker, 1996)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL DRESSED UP WITH NO PLACE TO GO (US, Peter Schwartz, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO FOR ZUCKER [ALLES AUF ZUCKER!] (GG, Daniel Levy, 2005)
Cross Reference: GO FOR ZUCKER: AN UNORTHODOX COMEDY

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: GO FOR ZUCKER [ALLES AUF ZUCKER!] (GG, Daniel Levy, 2005)

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AS TEARS GO BY (HK, Wong Kar-Wai, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AWAY WE GO (US/UK, Sam Mendes, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD GIRLS GO TO HELL (US, Doris Wishman, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD NEWS BEARS GO TO JAPAN (US, John Berry, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEFORE I GO TO SLEEP (UK/FR, Rowan Joffe, 2014)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BEGINNING (GO/FR, Dea Kulumbegashvili, 2020)

PhysDes: Article
Subject: BIRDS GO TO PERU TO DIE, THE (FR, Romain Gary, 1967)

PhysDes: Article
Subject: BIRDS GO TO PERU TO DIE, THE (FR, Romain Gary, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIGANDS : CHAPITRE VII (FR/RU/GO/IT/SZ, Otar Ioseliani, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY HAPPY FAMILY [CHEMI BEDNIERI OJAKHI] (GO/GG/FR, Nana Ekvtimishvili & Simon Groß, 2017)

Call No: 81DEN MAY
Author: Mayne, Judith
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2005
PhysDes: xiv, 167 p. : ill., ports ; 21 cm
Series: Contemporary film directors
Subject: DENIS, CLAIRE; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); S'EN FOUT LA MORT (FR/GW, Claire Denis, 1990); U.S. GO HOME (US, Claire Denis, 1994); NENETTE ET BONI (FR, Claire Denis, 1996); J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); VENDREDI SOIR (FR, Claire Denis, 2002)
Summary: Denis has proven herself to be a key figure in the development of contemporary French cinema beyond its New Wave background and into new directions that explore race, sexuality, desire, postcoloniality, urban life, and everyday culture. [taken from back cover]
Notes: Filmography: p147-153. Includes bibliographical references and index
ISBN: 0252072383

Call No: 71(430):45:32 COL
Author: Fisher, Jaimey (ed.); Prager, Brad (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2010
PhysDes: vi, 431 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GERMANY; AESTHETICS; HISTORY AND THE CINEMA. GERMANY; HISTORY OF CINEMA. GERMANY; STALINGRAD (GG, Joseph Vilsmaier, 1992); DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE UNTERGANG, DER; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004); ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004); NO PLACE TO GO (GG, Oskar Rohler, 2000) SEE UNBERUHRBARE, DIE; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000); LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006); LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006)
Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc Silberman
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9780814333778
Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --

Call No: 81WONG COM
Source: US
Place: Chichester, West Sussex ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2016
PhysDes: xvi, 627 pages : illustrations ; 25 cm
Series: Wiley Blackwell Companions to Film Directors
Subject: CITY OF SADNESS, A [; WONG KAR WAI; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence
Notes: Includes bibliographical references (pages 586-599) and index. Filmography: pages 558-561
ISBN: 9781118424247
Donation: donated by Senses of Cinema
Contents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index

Call No: TITLE CLIPPINGS FILE; GO - BETWEENS , THE : RIGHT HERE (AT, Kriv Stenders, 2017)
Author: None
PhysDes: Clippings File Article
Subject: GO-BETWEENS, THE: RIGHT HERE (AT, Kriv Stenders, 2017)
Summary: THE GO-BETWEENS: RIGHT HERE I M, 95 minutes, now showing Director: Kriv Stenders Stars: Robert Forster, Lindy Morrison Review by CRAIG MATHIESON At one point in this documentary about the now revered Australian band The Go Betweens, their drummer Lindy Morrison is describing events that happened 35 years ago when she unexpectedly pauses. For a few seconds the usually forthright musician is lost in the memory, as if experiencing it anew.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DID WE GO? (US, Aron Ranen, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DO NOT PASS GO (AT, Phil de Montignie, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOCUMENTARY AKB48: SHOW MUST GO ON (JA, Eiki Takahashi, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T GO IN THE WOODS (US, James Bryan, [prod. 1980] 1983)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T MAKE ME GO (US, Hannah Marks, 2022)

Call No: 408.3(44) DUR
Author: Durham, Carolyn A
Place: Hanover, NH
Publisher: Dartmouth University Press of New England
PubDate: c1998
PhysDes: xi, 246 p. : ill. ; 24 cm
Series: Contemporary French culture and society
Subject: BIRDCAGE, THE (US, Mike Nichols, 1996); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); HOMOSEXUALITY IN FILMS; MARRIAGE IN FILMS; REMAKES; NATIONAL CULTURE AND THE CINEMA. FRANCE; NATIONAL CULTURE AND THE CINEMA. USA; GENDER AND THE CINEMA. USA; GENDER AND THE CINEMA. FRANCE; BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); COUSINS (US, Joel Schumacher, 1989); COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); I WANT TO GO HOME (FR, Alain Resnais, 1989)
Notes: Filmography: p. 231-235; Includes bibliographical references (p. 221-229) and index
LON: 13921589

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EASY COME, EASY GO (AT/UK, Peter Clifton, 1967)

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ET MAINTENANT ON VA OU? (FR/LE/IT, Nadine Labaki, 2011); WHERE DO WE GO NOW? (FR/LE/IT, Nadine Labaki, 2011)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: WHERE DO WE GO NOW [ET MAINTENANT ON VA OU?] (FR/LE/UA/IT/QA, Nadine Labaki, 2011)
Cross Reference: WHERE DO WE GO NOW [ET MAINTENANT ON VA OÙ?]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAIR GO, A [TV] (AT, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: FAIR GO: YOUR RIGHTS AT WORK (AT, Victorian Trades Hall Council [prod.], 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAMOUS FIVE GO TO KIRRIN ISLAND (US, ?, ?)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA [VARIOUS]; FESTIVALS. AUSTRALIA. SIDE ON AUSTRALIA NETFEST; FESTIVALS. AUSTRALIA. SHORTS OUTBACK; FESTIVALS. AUSTRALIA. SCI-FI; FESTIVALS. AUSTRALIA. SITCOM; FESTIVALS. AUSTRALIA. SNOWYFEST; FESTIVALS. AUSTRALIA. SUNSCREEN INDEPENDENT MUSIC VIDEO; FESTIVALS. AUSTRALIA. TRASHARAMA A-GO-GO; FESTIVALS. AUSTRALIA. WHAT'S UP SKIP; FESTIVALS. AUSTRALIA. LA SCALA OPERA SERIES; FESTIVALS. AUSTRALIA. HOPE AWARDS; FESTIVALS. AUSTRALIA. IN THE BIN; FESTIVALS. AUSTRALIA. OPTUS SCHOOL STUDENT; FESTIVALS. BLUE MOUNTAINS. SHORT FILM; FESTIVALS. BATHURST; FESTIVALS. BUNINYONG

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRLS OF THE SUN [FILLES DU SOLEIL, LES] (FR/ BE/ GO/ SZ, Eva Husson, 2018)

Call No: 792 PIN
Author: Pinter, Harold, 1930
Edition: [1st Evergreen ed.]
Place: New York
Publisher: Grove Press
PubDate: [1973]
PhysDes: 367 p. 21 cm
Subject: QUILLER MEMORANDUM, THE (UK/US, Michael Anderson, 1966); ACCIDENT (UK, Joseph Losey, 1967); SERVANT, THE (UK, Joseph Losey, 1963); PUMPKIN EATER, THE (UK, Jack Clayton, 1964); GO-BETWEEN, THE (UK, Joseph Losey, 1971)
ISBN: 0394178025
LON: 502530

Call No: TITLE CLIPPINGS FILE; GO BACK TO WHERE YOU CAME FROM [TV] (AT, 2011)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: GO BACK TO WHERE YOU CAME FROM [TV] (AT, 2011)
Summary: Positive review for the 2015 season of GO BACK TO WHERE YOU CAME FROM

Call No: TITLE CLIPPINGS FILE; GO - BETWEENS , THE : RIGHT HERE (AT, Kriv Stenders, 2017)
Author: Stephen Romei
PhysDes: Clippings File Article
Subject: GO-BETWEENS, THE: RIGHT HERE (AT, Kriv Stenders, 2017)
Summary: The Go-Betweens: Right Here (M) Limited national release. Kriv Stenders is a busy man. The writer-director-producer best known for the Red Dog adventures has two films showing as we speak, the urban drama Australia Day, which David Stratton reviewed last week, and the one I am reviewing today, the rock 'n' roll documentary The Go-Betweens: Right Here.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FREDD BEAR'S BREAKFAST A-GO-GO [TV] (AT, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GO (US, Doug Liman, 1999)

Call No: S GO
Author: August, John
PubDate: 1998
PhysDes: 118p
Subject: GO (US, Doug Liman, 1999)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO! (AT, Owen Trevor, 2020)

Call No: DIGITAL FILE
Author: Worland, Steve
Edition: combined continuity and spotting list
PhysDes: 255 leaves
Subject: GO! (AT, Owen Trevor, 2020)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO BACK TO WHERE YOU CAME FROM [TV] (AT, 2011)
ID2: 77

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO BEFORE YOU COME (AT, Wendy Rawady, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: GO-BETWEEN, THE (UK, Joseph Losey, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO-BETWEENS, THE: RIGHT HERE (AT, Kriv Stenders, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO BIG (AT, Tony Tilse, 2003)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GO BIG (AT, Lachlan Ross, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: GO FISH (US, Rose Troche, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO FOR BROKE (CC, Wang Guangli, 2001)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: GO GO BOYS (IS, Hilla Medalia, 2014)
Cross Reference: GO GO BOYS

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GO GO'S, THE (US, Alison Ellwood,2020)
Cross Reference: GO GO'S, THE (US, Alison Ellwood,2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO GO TALES (IT/US, Abel Ferrara, 2007)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GO KARTS (AT, Owen Trevor, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO, MAN, GO (US, James Wong Howe, 1954)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: GO NAKED INTO THE WORLD (US, Ranald MacDougall, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: GO NOW (UK, Michael Winterbottom, 1995)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO TELL IT ON THE MOUNTAIN (US, Stan Lathan, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO TELL THE SPARTANS (US, Ted Post, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: GO WEST (US, Buster Keaton, 1925)

PhysDes: Article
Subject: GO WEST (US, Edward Buzzell, 1940)

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

PhysDes: Article
Subject: GOOD GIRLS GO TO PARIS (US, Alexander Hall, 1939)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRZELI NATELI DGEEBI (GO/GG/FR, Nana Ekvtimishvilli &Simon Gross, 2013); IN BLOOM (GO/GG/FR, Nana Ekvtimishvilli &Simon Gross, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GZA SHINISAKEN (GO/UR, Aleksandre Rekhviashvili , 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: HAPPY-GO-LUCKY (UK, Mike Leigh, 2008)

Call No: P HAP
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: HAPPY GO LUCKY (Mike Leigh, AT, 2008).
Summary: Image: Has photo of Sally Hawkins.
Notes: Have 2 copies

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HAROLD AND KUMAR GO TO WHITE CASTLE (US, Danny Leiner, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARRY AND WALTER GO TO NEW YORK (US, Mark Rydell, 1976)

Call No: 736.35(512.317) LOG
Author: Logan, Bey
Place: London
Publisher: Titan Books
PubDate: 1995
PhysDes: 191 p. ; ill. (some col.) ; 28cm
Subject: ACTION FILMS. HONG KONG; WOMEN IN FILMS. HONG KONG; CHAN, JACKIE; WOO, JOHN [pseud. of Wu Yusen]; CHOW, YUN-FAT; LEE, BRUCE; LAU KAR LEUNG; HUNG, SAMO; CHENG PEI PEI; ROTHROCK, CYNTHIA; PENN, KIM MAREE; CRAWFORD, SOPHIA; ACES GO PLACES (HK, Tsang Chi Wai, 1982); ARMOUR OF GOD, THE [; JINGCHA GUSHI (HK, Jackie Chan [pseud. of Cheng Long], 1985); [BIG BOSS, THE] (HK, Lo Wei, 1971); [FIST OF FURY] (HK, Lo Wei, 1972); LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); [CITY ON FIRE] (HK, Ringo (Ling-Tung) Lam, 1987); [DRUNKEN MASTER, THE] (HK, Yuen Woo-Ping, 1978); [EASTERN CONDORS] (HK, Samo Hung, 1987); [PEDICAB DRIVER] (HK, Samo Hung, 1990); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); WAY OF THE DRAGON, THE (HK, Bruce Lee, 1973); YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986); [BULLET IN THE HEAD] (HK, John Woo [pseud. of Wu Yusen], 1990); DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989)
Notes: Includes index; Bibliography: p. 188
ISBN: 1852865407 (pbk)
LON: 11245180

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW LOW CAN YOU GO (AT, Destiny Deacon & Fiona Hall, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: HWASAN GO (KO, Kim Tae-Gyun, 2002)

Call No: P I W
PhysDes: 1 poster : col. ; 156 X 115 cm
Subject: I WANT TO GO HOME (FR, Alain Resnais, 1989)
Summary: Image: cartoon of a cat in a waistcoat shouting the title in a speech bubble with small images of stills from the film surrounding him. Text: AFFICHE EUROPEENNE RC B 308 340 108 Visa12177 SONIS SA 91943 LES ULIS (1) 69.28.01.31. SSK Photo Jeanne Lousie Bulliard - Jacques Prayer MK2 Marin Karmitz
Language: French

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IF YOU DON'T STOP IT...YOU'LL GO BLIND! (US, Bob Levy & Keefe Brasselle, 1974)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JACK REACHER: NEVER GO BACK (US/CC, Edward Zwick, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JAT GO ZI TAU DI DAAN SANG (HK, Wai Kar-Fai, 1997); TOO MANY WAYS TO BE NO.1 (HK, Wai Kar-Fai, 1997)
ID2: 149

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: JERRY AND MARGE GO LARGE (US, David Frankel, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIGHT NOW, WRONG THEN [JI-GEUM-EUN-MAT-GO-GEU-DDAE-NEUN-TEUL-LI-DA] (KO, Sang-soo Hong, 2016)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: JUST BEFORE I GO (US, Courteney Cox, 2014)
Cross Reference: JUST BEFORE I GO

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KEVIN & PERRY GO LARGE (UK, Ed Bye, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LATIN BOYS GO TO HELL (US/GG/SP, Ela Troyano, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LENINGRAD COWBOYS GO AMERICA (FI/SW, Aki Kaurismaki, 1989)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LET HIM GO (US, Thomas Bezucha, 2020)

Call No: P LET
Place: AT
PhysDes: 1 poster : col. ; 34 x 75cm
Subject: LET THE BALLOON GO (AT, Oliver Howes, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LET THE BALLOON GO (AT, Oliver Howes, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAMMA MIA! HERE WE GO AGAIN (UK/ US, Ol Parker, 2018)

Call No: P MAN
PhysDes: 1 poster : col. ; 97 X 69cm
Subject: TANGERINES [MANDARIINID] (ES/GO, Zaza Urushadze, 2013)
Summary: Image: Man sitting obscured in the dark on the left. A basket of tangerines sits on the floor next to him. Text: 'Academy Award nominee. Best foreign language film. Golden Globe Award nominee. Best foreign language film. "Profoundly touching and enormously enjoyable. Truly stunning." Patryk Czeaj. Twitch.' Title and awards list at the bottom.
Notes: Minor tears and creasing top right
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TANGERINES [MANDARIINID] (ES/GO, Zaza Urushadze, 2013)

Call No: 736.35 RAN
Author: Rance, P.T.J
Source: UK
Place: London
Publisher: Virgin Books
PubDate: 2005
PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cm
Subject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949); TU-PEI TAO (HK, Chang Cheh, 1967); LUNG-MEN K'O CHAN (TZ, King Hu, 1966); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977); A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983); WONG FEI-HUNG (HK, Tsui Hark, 1991); WO HU ZANG LONG (HK, Ang Lee, 2000); YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002); SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004); HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004); KARATE KID, THE (US, John G. Avildsen, 1984); KICKBOXER (US, Mark DiSalle & David Worth, 1989); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967); HWASAN GO (KO, Kim Tae-Gyun, 2002); ONG-BAK (TH, Prachya Pinkaew, 2003); GREEN HORNET, THE (US, Norman Foster, 1966); WATER MARGIN, THE (TV) (JP/C, 1976-78); SAIYUKI (TV) (JA, 1978-80); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.
Notes: Includes, bibliographic references, index and index of quotations ERATA: ISBN on verso not correct. See back cover.
ISBN: 0753510782
ID2: 150

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARTIANS GO HOME (US, David Odell, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MERRILY WE GO TO HELL (US, Dorothy Arzner, 1932)

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 737 NAT
Author: Hurd, Geoff
Place: London
Publisher: BFI Books
PubDate: 1984
PhysDes: 77 p. : ill. ; 30 cm
Subject: WORLD WAR II FILMS. UK; WORLD WAR II ON TV. UK; NATIONAL IDENTITY IN FILMS. UK; YANKS (US, John Schlesinger, 1979); DEMI-PARADISE, THE (UK, Anthony Asquith, 1943); FRIEDA (UK, Basil Dearden, 1947); BELLS GO DOWN, THE (UK, Basil Dearden, 1943); GENTLE SEX, THE (UK, Leslie Howard, 1943); MILLIONS LIKE US (UK, Frank Launder & Sidney Gilliat, 1943); THIS HAPPY BREED (UK, David Lean, 1944); BUILDERS (UK, Pat Jackson, 1942); IMITATON GAME, THE [TV] (UK, Richard Eyre, 1980); BATTLE FOR THE FALKLANDS [TV] (UK, 198?); FALKLANDS EXPERIENCE [TV] (UK, 198?)
Notes: Includes bibliographical references
ISBN: 0851701779
LON: 3923288

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION. AUSTRALIA
Author: Idato, Michaek
PhysDes: Clippings File Article
Subject: INDUSTRY, TELEVISION. AUSTRALIA; SCREEN NSW; NETWORK TEN; APPLE; HILL, DAVID; BIG BANG THEORY, THE [TV] (US, 2007-); GO BACK TO WHERE YOU CAME FROM [TV] (AT, 2011)
Summary: Snippets on various aspects of the Australian television industry. Stories reported upon this week are: Seven Network buys screening rights for the first seven season of the BIG BANG THEORY, David Hill to produce 2016 Academy Awards, Courtney Gibson is new Chief Executive of Screen NSW, GO BACK TO WHERE YOU CAME FROM to be made in Holland, Network Ten staff changes

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEVER LET ME GO (UK/US, Mark Romanek, 2010)

Call No: 760-032 RIC
Author: Rich, B. Ruby
Source: US
Place: Durham [North Carolina]
Publisher: Duke University Press
PubDate: 2013
PhysDes: xxx, 322 pages : illustrations ; 24 cm
Subject: AESTHETICS; BISEXUALITY AND THE CINEMA; DOCUMENTARIES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; SAN FRANCISCO IN FILMS; SEXUALITY AND THE CINEMA; SEX IN FILMS; THEORY; CHEANG, SHU-LEA; CONDON, BILL; DEITCH, DONNA; DUNYE, CHERYL; FASSBINDER, RAINER WERNER; JARMAN, DEREK; LEE, ANG; RIPSTEIN, ARTURO; TECHINE, ANDRE; VACHON, CHRISTINE; VAN SANT, GUS; WONG KAR WAI; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BOYS DON'T CRY (US, Kimberly Peirce, 1999); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); GO FISH (US, Rose Troche, 1994); KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010); MILK (US, Gus Van Sant, 2008); MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004); TARNATION (US, Jonathan Caouette, 2003); TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984); WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996)
Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURB
Notes: Includes bibliographic references and index -- includes filmography
ISBN: 9780822354284
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONE DOWN, TWO TO GO (US, Fred Williamson, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OUT THEY GO (AT, Michael Edols, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: PARADAISU BYU (JA, Go Takamine, 1985); PARADISE VIEW (JA, Go Takamine, 1985)

Call No: P PAR
PhysDes: 1 poster : col. ; 73 X 52 cm.
Subject: PARADAISU BYU (JA, Go Takamine, 1985); PARADISE VIEW (JA, Go Takamine, 1985)
Summary: Image: painted dog
Notes: Signs of wear and tear around the edges, fold lines and blu-tack stains on the back.
Language: Japanese

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRESIDENT, THE (GO/FR/UK/GG, Mohsen Makhmalbaf, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RUGRATS GO WILD (US, Norton Virgien & John Eng, 2003)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: SEARCH, THE (FR/GO, Michel Hazanavicius, 2014)
Cross Reference: SEARCH, THE

PhysDes: Article
Subject: FAIR GO: YOUR RIGHTS AT WORK (AT, Victorian Trades Hall Council [prod.], 1985)
Summary: The issue of workers' right,wage,compensation accessible to a young, possibly poorly educated audience.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CORN ISLAND [SIMINDIS KUNDZULI] (GO/GG/FR/CZ/KA/HU, George Ovashvili, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SING AS WE GO! (UK, Basil Dean, 1934)

Call No: 210.2(73) PIE
Author: Pierson, John
Place: London
Publisher: Faber and Faber
PubDate: 1996, c1995
PhysDes: 374 p., [16] p. of plates : ill., ports ; 24 cm
Subject: INDEPENDENT FILMS. USA; INDEPENDENT PRODUCTION. USA; FESTIVALS. PARK CITY. SUNDANCE; WARNER BROS.; MIRAMAX FILMS; SMITH, KEVIN; WEISS, ROB; MOORE, MICHAEL; TROCHE, ROSE; TURNER, GUINEVERE; LEE, SPIKE; LINKLATER, RICHARD; BORDEN, LIZZIE; Pierson, John; GOMEZ, NICK; JARMUSCH, JIM; MORRIS, ERROL; AMONGST FRIENDS (US, Rob Weiss, 1993); ANNA (US, Yurek Bogayevicz, 1987); CLERKS (US, Kevin Smith, 1994); MALLRATS (US, Kevin Smith, 1995); GO FISH (US, Rose Troche, 1994); PARTING GLANCES (US, Bill Sherwood, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); WORKING GIRLS (US, Lizzie Borden, 1986); ROGER AND ME (US, Michael Moore, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); HOOP DREAMS (US, Steve James, 1994); SLACKER (US, Richard Linklater, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988)
Notes: First published in the USA in 1995 by Hyperion/Miramax; Includes index
ISBN: 0571179142 (pbk.)
LON: 13149590

Call No: TITLE CLIPPINGS FILE; GO - BETWEENS , THE : RIGHT HERE (AT, Kriv Stenders, 2017)
Author: Paul Byrnes
PhysDes: Clippings File Article
Subject: GO-BETWEENS, THE: RIGHT HERE (AT, Kriv Stenders, 2017)
Summary: FILM THE GO-BETWEENS: RIGHT HERE (M) Selected cinemas (99 minutes) Reviewed by Paul Byrnes The muso bio-doco is having a renaissance in Australia - at least if you loved punk. We've had Autoluminescent (2011) about the late Rowland S Howard and the rise of punk in Melbourne; Cosmic Psychos (2013) about country punks who drank a lot of beer just north of Melbourne; 20,000 Days (2014) about Nick Cave, the punk who came from Melbourne and this year, Descent into the Maelstrom, about Radio Birdman, who were sort of punks (but not really) from Sydney.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TEEN TITANS GO! TO THE MOVIES (US, Aaron Horvath / Peter Rida Michail, 2018)

Call No: P GOB
Place: AT
PubDate: [2017]
PhysDes: 1 poster : colour ; 101 x 71cm
Subject: GO-BETWEENS, THE: RIGHT HERE (AT, Kriv Stenders, 2017)
Summary: "An emotional rolling thunder of a film" Padraig Collins, THE GUARDIAN Text: Three Friends Two Friends One Band Image: A black and white photograph of varying clarities of two men playing guitar in the background and an amp in the foreground. Four photographs of different musicians, and laurels signifying that the film was officially selected at multiple film festivals are near the lower part of the poster.
Notes: Good condition.
ID2: 337

Call No: TITLE CLIPPINGS FILE; THUNDERBIRDS ARE GO! [TV] (UK/NZ, 2015-)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: THUNDERBIRDS ARE GO! [TV] (UK/NZ, 2015-)
Summary: Interview with Thomas Brodie-Sangster

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THUNDERBIRDS ARE GO! [TV] (UK/NZ, 2015-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIME TO GO JOHN (AT, 2004)

Call No: TITLE CLIPPINGS FILE; GO - BETWEENS , THE : RIGHT HERE (AT, Kriv Stenders, 2017)
Author: Leigh Paatsch
PhysDes: Clippings File Article
Subject: GO-BETWEENS, THE: RIGHT HERE (AT, Kriv Stenders, 2017)
Summary: It's about bloody time there was a documentary made to properly explore and exalt the rich musical legacy of the one and only The Go-Betweens. Though they never troubled the keepers of the sales charts across a career spanning three decades - and multiple line-up changes - The Go-Betweens modestly shaped an incredible body of work that remains held in the highest regard right around the globe.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOUCH AND GO (US, Robert Mandel, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit (with flexi-disc)
Subject: TOUCH AND GO (AT, Peter Maxwell, 1980)
ID2: 355

Call No: N79TOU HET
Author: Hetherington, Keith
Source: AT
Place: Collingwood, Victoria
Publisher: Circus Books
PubDate: 1980
PhysDes: 18 cm; 142 p.
Subject: TOUCH AND GO (AT, Peter Maxwell, 1980)
Summary: "Who said crime doesnt pay? When Eva, Gina, Fiona, Helen, Sue and Millicent decide to make a killing, fund-raising takes on a whole new meaning. A luxury resort full of beautiful people - and money - is just what the doctor ordered to revive the girls' ailing charity. This safe cracking, bank robbing bunch of broads make Charlie's Angels look like rejects from the girl guides. Raising hell, skirts and eyebrows is the name of their game, and when they need half a million it's touch and go -in a hurry. Romp your way throug this fun-filled movie blockbuster that goes all the way. " -BOOK BLURB
ISBN: 0868260681
Donation: donated by the family of Wayne Levy, 2006

Call No: S TOU
Author: Yeldham, Peter; Maxwell, Peter
Place: AT
PubDate: c1977
PhysDes: 275 leaves
Subject: TOUCH AND GO (AT, Peter Maxwell, 1980)
Summary: A group of attractive young women take to crime to financially support a school for underprivileged children. A series of mix-ups causes the women to lose the loot, their dignity, but not their freedom.
Notes: Final draft 1978

Call No: TITLE CLIPPINGS FILE; JACK REACHER: NEVER GO BACK (US/CC, Edward Zwick, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: JACK REACHER: NEVER GO BACK (US/CC, Edward Zwick, 2016)
Summary: Review of the film JACK REACHER: NEVER GO BACK
Notes: similar review in The Age and Canberra Times

Call No: TITLE CLIPPINGS FILE; GO BACK TO WHERE YOU CAME FROM [TV] (AT, 2011)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: GO BACK TO WHERE YOU CAME FROM [TV] (AT, 2011)
Summary: Detailed preview of the latest season of the Australian tv series GO BACK TO WHERE YOU CAME FROM, to screen shortly on SBS

Call No: TITLE CLIPPINGS FILE
Subject: EVERYBODY GO HOME [TUTTI A CASA] (IT, Luigi Comencini, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVERYBODY GO HOME [TUTTI A CASA] (IT, Luigi Comencini, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: U.S. GO HOME (US, Claire Denis, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNTAMA GIRU (JA, Go Takamine, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VILLAGE PEOPLE: GO NORTH DOWN UNDER (AT, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WE CAN'T GO HOME AGAIN (US, Nicholas Ray, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WE GO WAY BACK (US, Lynn Shelton, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: WHERE ANGELS GO TROUBLE FOLLOWS (US, James Neilson, 1967)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WHERE DID YOU GO, BERNADETTE (US, Richard Linklater, 2019)
Cross Reference: WHERE DID YOU GO, BERNADETTE (US, Richard Linklater, 2019)

Call No: 81WON POW; FOLIO
Author: Kar Wai, Wong; Powers, John
Source: US
Place: New York
Publisher: Rizzoli
PubDate: 2016
PhysDes: 303 pages : illustrations (colour), portraits ; 32 cm
Subject: WONG KAR-WAI; HONG KONG CINEMA; LEUNG, TONY; CHEUNG, LESLIE; CHEUNG, MAGGIE; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); AS TEARS GO BY (HK, Wong Kar-Wai, 1989); WONG GOK KA MOON (HK, Wong Kar-Wai, 1988); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); MY BLUEBERRY NIGHTS (HK/C/FR, Kar Wai Wong, 2007); LOST IN TRANSLATION (US, Sofia Coppola, 2003)
Summary: "The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films." [Publisher's website]
ISBN: 9780847846177
Contents: Perhaps, perhaps, perhaps / 37 views of Wong Kar Wai -- Six conversations -- Conversation one : Amarcord -- Conversation two : not Hitchcock -- Conversation three : Hong Kong nocturne -- Conversation four : Perfidia -- Conversation five : Pan-American highway -- Conversation six : North, South, East and West -- Captions -- Timeline -- Acknowledgments

Call No: 81KAR TEO
Author: Teo, Stephen
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2005
Series: World directors
Subject: WONG KAR-WAI; DIRECTORS. HONG KONG; CRITICISM; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: A study of film director Wong Kar-wai, looking at his films, advertising work, and music videos he has directed. It explores how he draws from various film and literary elements that influence his work and examines his legacy amongst Hong Kong, and world, cinema.
ISBN: 1844570290
ID2: 291