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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE] 1 DAY 2 TRACKS (AT, Shalom Almond & Tasmin Sharp, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWELVE O'CLOCK] 12:00 (AT, Petar Bridges, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTY] 30 FRAMES PER SECOND (US, Rustin Thompson, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE HUNDRED] 100 GIRLS (US, Michael Davis, 2000)

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE OH ONE] 101 REYKJAVIK (IC/DK/FR/NO, Baltasar Kormakur, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ABOUT ADAM (UK/IE, Gerard Stembridge, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ABOVE THE LAW (AT, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACADEMY, THE (AT, Simon Target, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACHILLES' LOVE (US, Meredith Cole, 2000)

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 753(510) DEP
Author: Deppman, Hsiu-Chuang
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: c2010
PhysDes: viii, 243 p. : ill. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) SEE DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) SEE FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002) SEE BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) SEE TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998) SEE ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998)
Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index
ISBN: 9780824834548
Donation: donated by Senses of Cinema 2013
Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ADVENTURES IN WILD CALIFORNIA (US, Greg MacGillivray, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ADVENTURES OF ROCKY AND BULLWINKLE, THE (US, Des McAnuff, 2000)

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE RAIN (AT, Jerome Ehlers, 2000)

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALIEN ADVENTURE (US/BE, Ben Stassen, 2000)

Call No: S ALL
Author: Stembridge, G.
PubDate: [1999]
PhysDes: 99 leaves
Subject: ABOUT ADAM (UK/IE, Gerard Stembridge, 2000)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALLEGRO NON TROPPO [FANTASIA] (IT, Bruno Bozzetto, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALMOST FAMOUS (US, Cameron Crowe, 2000)

Call No: 79ALM CAM
Author: Crowe, Cameron, 1957
CorpAuthor: Sight and sound; Almost famous (Motion picture)
Edition: Limited edition
Place: London
Publisher: Faber and Faber
PubDate: 2000
PhysDes: 188 p. : ill., ports. ; 17 cm
Series: Sight and sound
Subject: ALMOST FAMOUS (US, Cameron Crowe, 2000)
Summary: At the age of fifteen, rock journalist William Miller hits the road with Stillwater, the hot new band he's been asked to write a profile on
Notes: "Limited edition supplement to Sight and Sound"
ISBN: 057121245X
LON: 22704718

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMARGOSA (US, Todd Robinson, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMATI GIRLS, THE (US, Anne DeSalvo, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN GYPSY: A STRANGER IN EVERYBODY'S LAND (US, Jasmine Dellal, 2000)

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMORES PERROS (MX, Alejandro Gonzalez Inarritu, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ANATOMIE (GG, Stefan Ruzowitzky, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGEL'S LADIES (US, Doug Lindeman, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ANGST (AT, Daniel Nettheim, 2000)

Call No: S ANG
Author: O'Connor, Anthony
PubDate: [1999]
PhysDes: 107 leaves
Subject: ANGST (AT, Daniel Nettheim, 2000)
Notes: Unpublished script

PhysDes: Review; Synopsis; Credits
Subject: ANGST (AT, Daniel Nettheim, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANIMAL FACTORY (US, Steve Buscemi, 2000)

Call No: 772 (52) DRA
Author: Drazen, Patrick
Source: US
Place: Berkeley, Calif.
Publisher: Stone Bridge Press
PubDate: 2003
PhysDes: 369 p. : ill. ; 23 cm
Subject: ANIMATION; HOMOSEXUALITY IN FILMS. ASIA; MIYAZAKI, HAYAO; UTENA: THE MOVIE (JA, Kunihiko Ikuhara, 2000); MANGA
Summary: Looks at Japanese animation from the inside, from its roots in ancient Japanese culture to its major themes and motifs - war, anti-war, religion, ghosts, and reincarnation, giant robots and mecha, cute gay/girl/fanboy love, samurai, folk heroes, athletes, and mothers, diligence, duty and love of nature. He also probes the influence of manga and the works of leading directors like Hayao Miyazaka and Masamune Shirow, providing detailed commentaries on some of fandom's favourite films, including Escaflowne, Sailor Moon, Ghost in the Shell, and Evangelion.
Notes: Afterword: The Future of Anime: p.349-357 Bibliography: p.359-362 Index of Names and Titles: p.363-369 Includes Viewing Notes
ISBN: 1880656728

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ART OF FAREWELL, THE (AT, David Napier, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ART OF WAR, THE (US, Christian Duguay, 2000)

Call No: 71(5) KHO
Author: Khoo, Olivia
Edition: 2021
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 160 pages : illustrated ; 24 cm
Subject: ASIAN COUNTRIES; BLOCKBUSTERS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); DISTRIBUTION; FESTIVALS; COPRODUCTION; HOMOSEXUALITY IN FILMS; REMAKES; SHORT FILMS; 3D DIGITAL; TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; WOMEN FILMMAKERS
Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas. This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web site
ISBN: 9781474461764
Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography

Call No: TITLE CLIPPINGS FILE; BLIND AMBITION (AT, Richard Standeven, 2000)
Author: Keenan, Luke
PhysDes: Clippings File Article
Subject: SPORTS FILMS; BLIND AMBITION (UK, Richard Standeven, 2000)
Summary: Olympian Sam Rickard to play a vision impaired athelete in sporting film, Blind Ambition.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATROCITY EXHIBITION, THE (US, Jonathan Weiss, 2000)

Call No: 81:634DEH STA
Author: Starrs, David Bruno
Source: AT
Place: Brisbane, Queensland
PubDate: 2009
PhysDes: 263 p. : ill. ; 30 cm
Subject: AUTEUR THEORY; DIRECTORS. AUSTRALIA; SOUND; THEORY; DE HEER, ROLF; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); EPSILON (AT/IT, Rolf de Heer, 1995); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism. As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)
Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA: BEYOND THE FATAL SHORE [TV] (UK/US, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA BY NUMBERS [TV] (AT, 2000)

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 2000

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 409(94) MAY
Author: May, Harvey
Source: AT
Place: Queensland
PubDate: 2003
PhysDes: xi, 274 p. ; 30 cm
Subject: AUSTRALIA; DRAMAS. AUSTRALIA; MULTICULTURALISM AND TV. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA; SOCIETY AND TV; SOCIETY AND TV. AUSTRALIA; ETHNIC GROUPS ON TV. AUSTRALIA; PIZZA [TV] (AT, Paul Fenech, 2000); PIZZA [TV] (AT, Paul Fenech, 2000-)
Summary: "This thesis examines changes which have occurrred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming." -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2004. Includes bibliographical references (p. 253-274)
Contents: -- glossary of abbreviations -- statement of original authorship -- acknowledgments -- introduction -- chapter one: theory, terms and methodology -- part one: Australian policy environments -- chapter two: the multicultural project -- chapter three: the cultural diversity, television and policy -- part two: international policy and production environments -- chapter four: the United States: affirmative action, 'quotas' and diversity rights. -- chapter five: the United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- chapter six: New Zealand: biculturalism and targeted subsidies -- part three: Australian popular drama: mainstreaming the multicultural -- chapter seven: Australian drama casting and production perspectives -- chapter eight: Australian television programs: texts and contexts -- conclusion -- appendix one -- appendix two -- references --

Call No: 203(94) CUN
Author: Cunningham, Stuart; Jacka, Elizabeth
Place: Cambridge Melbourne
Publisher: Cambridge University Press
PubDate: 1996
PhysDes: xix, 284 p. : ill. ; 23 cm
Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991)
Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover
Notes: Includes index; CIP confirmed; Bibliography: p. 254-270
ISBN: 052147003X; 0521469740 (pbk.)
LON: 11853714

Call No: 203(94) CUN
Author: Cunningham, Stuart; Jacka, Elizabeth
Place: Cambridge Melbourne
Publisher: Cambridge University Press
PubDate: 1996
PhysDes: xix, 284 p. : ill. ; 23 cm
Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991)
Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover
Notes: Includes index; CIP confirmed; Bibliography: p. 254-270
ISBN: 052147003X; 0521469740 (pbk.)
LON: 11853714
Donation: Counihan donation

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUTUMN IN NEW YORK (US, Joan Chen, 2000)

PhysDes: Article
Subject: BABAOUO (SP, Manuel Cusso-Ferrer, 2000)
Summary: Listed under "Unfilmed Scenarios" in the journal based on a Salvador Dali novel

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BACKSTAGE (US, Chris Fiore, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: BAISE-MOI (FR, Virginie Despentes, 2000)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAIT (US, Antoine Fuqua, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BALLAD OF RAMBLIN' JACK, THE (US, Aiyana Elliott, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAMBOOZLED (US, Spike Lee, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BANCHIK WANG (KO, Kim Ji-wun, 2000)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Press kit
Subject: BARE (AT, Deborah Strutt, 2000)
URL status: URL: 'http://file://Q:/T/BARE.zip' Checked: 31/08/2021 1:07:26 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARTLEBY (AT, Miro Bilbrough, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BATTLE ROYALE (JA, Kinji Fukasaku, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BATTLEFIELD EARTH (US, Roger Christian, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL (US, Sally Field, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL CREATURES (UK, Bill Eagles, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEDAZZLED (US, Harold Ramis, 2000)

Call No: S TAL
Author: Wesker, Arnold
Place: UK
PubDate: [2000]
PhysDes: 16 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 4.
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Casci, Sergio
Place: UK
PubDate: [2000]
PhysDes: 22 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 1.
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Watts, Murray
Place: UK
PubDate: [2000]
PhysDes: 19 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 7. Stone & Watts revision of Atkins revision - taken from running title
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Forde, Nigel
Place: UK
PubDate: [2000]
PhysDes: 18 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 5 released with the title 'Pilate's Wife' Revised as shot and edited
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Di Mambro, Ann Marie
Place: UK
PubDate: [2000]
PhysDes: 21 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 3.
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Robinson, Tony
PubDate: [2000]
PhysDes: 19 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 2 released with the title 'The Best Friend.' Version 2
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Forde, Nigel
Place: UK
PubDate: [2000]
PhysDes: 19 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 8.
Notes: Unpublished script
ID2: 340

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEFORE NIGHT FALLS (US, Julian Schnabel, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEHIND THE EYES OF WAR (JN, Hiroyuki Kitakubo, 2000)

Author: Matt Coyte
PhysDes: Article
Subject: MENDELSOHN, BEN; MULLET (AT, David Caesar, 2000)
Summary: Interview with Ben Mendelsohn about his career and the making of Mullet

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BENJAMIN SMOKE (US, Jem Cohen & Peter Sillen, 2000)

Author: Colbert, Mary
PhysDes: Festival report; Illustration(s)
Subject: MY MOTHER FRANK (AT, Mark Lamprell, 2000); CHRISSY [TV] (AT, Jacqui North, 1999); FESTIVALS. BERLIN
Summary: Colbert discusses the Australian presence at the 2000 Berlin Film Festival.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEST IN SHOW (US, Christopher Guest, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Publicity
Subject: BETTER THAN SEX (AT, Jonathan Teplitzky, 2000)

Author: Rebecca Wallwork
PhysDes: Article
Subject: PORTER, SUSIE; WENHAM, DAVID; BETTER THAN SEX (AT, Jonathan Teplitzky, 2000)
Summary: Review of Better Than Sex

Call No: S BEW
Author: Galbraith, Tom
PubDate: [1999]
PhysDes: 101 leaves
Subject: BEWARE OF GREEKS BEARING GUNS (AT/GR, John Tatoulis, 2000)
Notes: Unpublished script

Call No: S BEW
Author: Galbraith, T.
PubDate: [1999]
PhysDes: 107 leaves
Subject: BEWARE OF GREEKS BEARING GUNS (AT/GR, John Tatoulis, 2000)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Author: Michael Adams
PhysDes: Article
Subject: BEWARE OF GREEKS BEARING GUNS (AT/GR, John Tatoulis, 2000)
Summary: Review of Beware of Greeks Bearing Guns

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BEWARE OF GREEKS BEARING GUNS (AT/GR, John Tatoulis, 2000)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : col ; 13 x 19 cm
Subject: BEWARE OF GREEKS BEARING GUNS (AT/GR, John Tatoulis, 2000)
Summary: 1 colour photograph of 2 men - 1 smoking and 1 pointing a gun.

Call No: 744.9 HAR
Author: Harris, Geraldine
Source: US
Place: Manchester ; New York
Publisher: Manchester University Press, distributed exclusively in the USA by Palgrave
PubDate: 2006
PhysDes: 210 p. ; 23 cm
Subject: DRAMAS; REALISM ON TV; AESTHETICS; RACIAL ISSUES AND TV; MARXISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; FEMINISM AND THE CINEMA; IMPERIALISM AND THE CINEMA; HOMOSEXUALITY AND TV; GLOBALISATION; ALLY MCBEAL [TV] (US, 1997-); BILL, THE [TV] (UK, 1984-); STAR TREK [TV] [...] (US, 1966-69, 1987-); QUEER AS FOLK [TV] (UK, 1999-2000); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-); DYNASTY [TV] (AT, 1970); PRIME SUSPECT 3 [TV] (UK, David Drury, 1993); SOPRANOS, THE [TV] (US, 1999); TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002); WILL & GRACE[TV] (US, 1998-); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]
Notes: Bibliography: p.191-20; Includes index
ISBN: 0719074584 (hdbk)
Donation: Donated by Senses Of Cinema, 2009

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BEYOND THE MAT (US, Barry W. Blaustein, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG BRASS RING, THE (US, Thomas Bezucha, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG EDEN (PL, Jerzy Stuhr, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG HOUSE, THE (AT, Rachel Ward, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG HOUSE, THE (AT, Rachel Ward, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG MOMMA'S HOUSE (US, Raja Gosnell, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BILLY ELLIOT (UK, Stephen Daldry, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BIRD IN THE WIRE (AT, Phillip Donnellon, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BIRD LAND (TZ, MIN-CHEN HUANG, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BITTERSWEET MOTEL (US, Todd Phillips, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK BOOKS [TV] (UK, 2000-2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLAIR WITCH 2: BOOK OF SHADOWS (US, Joe Berlinger, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLESS THE CHILD (US, Chuck Russell, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND AMBITION (UK, Richard Standeven, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINDMAN'S BLUFF (AT, Rachel Ward, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOOD AND ASH (AT, Emma Freeman, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOSSOMS OF FIRE, THE (US, Maureen Gosling and Ellen Osborne, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLUE MOON (US, John Gallagher, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BLUES BROTHERS 2000 (US, John Landis, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOILER ROOM (US, Ben Younger, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOMBA: DANCING THE DRUM (US, Ashley James, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BONDI BANQUET [TV] (AT, Ray Argall & Stuart McDonald & Kay Pavlou, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOOKWARS (US, Jason Rosette, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit
Subject: BOOTMEN (AT, Dein Perry, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOOYE KAFOOR, ATRE YAS (IR, Bahman Farmonara, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BORDER PATROL [TV] (AT, Michael Haber, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BORICVA'S BOND (US, Val Lik, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BOUNCE (US, Don Roos, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BOUND (AT, Serhat Caradee, 2000)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm
Subject: BOUND (AT, Serhat Caradee, 2000)
Summary: Four black and white photographs relating to the film Bound
Notes: Contains duplicates of the one photograph

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BOYS AND GIRLS (US, Robert Iscove, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS LIFE 3 (FR/US, Gregory Cooke & David Fourier & Jason Gould & Bradley Rust Gray & Lane Janger, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRAT 2 (RU, Aleksej Balabanov, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAD AND ROSES (IT/UK/FR/GG/SP/S, Ken Loach, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BREAKING BOWS AND ARROWS (AT, Liz Thompson, 2000)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : col. ; 10 x 16 cm
Subject: BREAKING BOWS AND ARROWS (AT, Liz Thompson, 2000)
Summary: 4 colour photographs relating to the film Breaking bows and arrows

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BRING IT ON (US, Peyton Reed, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BROKEN HEARTS CLUB, THE (US, Greg Berlanti, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BROTHER (US/UK/FR, Takeshi Kitano, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BULLS' NIGHT OUT, THE (US, Lindley Farley, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Study guide
Subject: BURIED COUNTRY (AT, Andy Nehl, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURNING BOY, THE (AT, Kieran Galvin, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURNOUT (AT, Gavin Barbey, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BUSINESS BEHIND BARS - PART ONE: USA (AT, Catherine Scott, 2000)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : col. ; 10 x 16 cm
Subject: BUSINESS BEHIND BARS - PART ONE: USA (AT, Catherine Scott, 2000)
Summary: Six colour photographs relating to part one of the documentary Business behind bars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CALLE 54 (SP/FR, Fernando Trueba, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I CAN'T EVEN THINK STRAIGHT [TV] (AT, Dean Francis, 2000)

Author: Prisk, Tracey
PhysDes: Article; Illustration(s)
Subject: FESTIVALS. CANNES; MALLBOY (AT, Vincent Giarrusso, 2000); ANGST (AT, Daniel Nettheim, 2000)
Summary: Sale of Australian films at the Cannes 2000 market were slow.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPTIVE, THE [CAPTIVE, LA] (FR/BE, Chantal Akerman, 2000)

Call No: 629 CON
Author: Conley, Tom
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2007
PhysDes: viii, 265 p. : ill. ; 23 cm
Subject: IMAGE ANALYSIS; CARTOGRAPHY AND THE CINEMA; BAZIN, ANDRE; DELEUZE, GILLES; RENOIR, JEAN; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932); AMANTS, LES (FR, Louis Malle, 1958); CASABLANCA (US, Michael Curtiz, 1942); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); DESPERATE JOURNEY (US, Raoul Walsh, 1942); [FOUR HUNDRED] 400 BLOWS, THE [; GLADIATOR (US, Ridley Scott, 2000); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); HIGH SIERRA (US, Raoul Walsh, 1941); MISTONS, LES (FR, François Truffaut, 1957); PARIS QUI DORT (FR, Rene Clair, 1923); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); THELMA & LOUISE (US, Ridley Scott, 1991)
Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]
ISBN: 0816643571
Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: CAST AWAY (US, Robert Zemeckis, 2000)

Call No: S CEC
Author: Waters, J.
PubDate: [1998]
PhysDes: 111 leaves
Subject: CECIL B. DEMENTED (US, John Waters, 2000)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CECIL B. DEMENTED (US, John Waters, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CELL, THE (US, Tarsem Singh, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CENTER STAGE (US, Nicholas Hytner, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHAMELEON 3: DARK ANGEL [TV] (US/AT, John Lafia, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CHARLIE'S ANGELS (US, McG, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHARTBUSTING 80'S [TV] (AT, Josh Egan, 2000-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHEQUERBOARD REVISITED [TV] (AT, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHERRY FALLS (US, Geoffrey Wright, 2000)

Call No: 79CHI SIB
Author: Sibley, Brian
Place: New York
Publisher: Abrams
PubDate: 2000
PhysDes: 191 p. : col. ill. ; 26 cm
Subject: CHICKEN RUN (UK/US, Peter Lord & Nick Park, 2000); ANIMATION; 3-D ANIMATION; AARDMAN ANIMATIONS; PARK, NICK; LORD, PETER
ISBN: 0810941244
LON: 21377070 21377070

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CHICKEN RUN (UK/US, Peter Lord & Nick Park, 2000)
ID2: 77
URL status: URL: 'http://file://Q:/T/CHICKEN_RUN.zip' Checked: 31/08/2021 1:04:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CHIEDIMI SE SONO FELICE (IT, Giovanni Storti & Massimo Venier & Aldo Baglio & Giacomo Poretti, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CHILDREN UNDERGROUND (US, Edet Belzberg, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINESE COFFEE (US, Al Pacino, 2000)

Call No: 71(51) CHI
Author: Berry, Chris
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: viii, 216 p.. ill.. 24 cm.
Subject: CITY OF SADNESS, A [; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); TOU-PEN NU-HAI (HK, Ann Hui, 1982); BOAT PEOPLE (HK, Ann Hui, 1982); BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); WO HU ZANG LONG (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover]
Notes: Includes bibliographical references and index
ISBN: 0851709869. v. pbk.
ID2: 150

Call No: 71(51) CHI
Author: Berry, Chris
Edition: Second Edition
Source: UK
Place: Basingstoke [England] ; New York
Publisher: British Film Institute/Palgrave Macmillan
PubDate: 2008
PhysDes: 287 pages : illustrations ; 24 cm
Subject: CITY OF SADNESS, A [; TAIWAN; CULTURE AND THE CINEMA. CHINA; [FIFTEEN] 15 (SI, Royston Tan, 2003); BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002); DA WAN (HK/CC, Feng Xiaogang, 2002); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); MANG JING (CC/G/HK, Yang Li, 2003); BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003); BOAT PEOPLE (HK, Ann Hui, 1982); TOU-PEN NU-HAI (HK, Ann Hui, 1982); CENTER STAGE (HK, Stanley Kwan, 1991); RUAN LINGYU (HK, Stanley Kwan, 1991); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); GODDESS, THE (C, Yonggang Wu, 1934); HERO (HK/C, Yimou Zhang, 2002); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YELLOW EARTH (CC, Chen Kaige, 1985); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000)
Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURB
Notes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titles
ISBN: 9781844572373
Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CHOCOLAT (US, Lasse Hallstrom, 2000)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Publicity
Subject: CHOPPER (AT, Andrew Dominik, 2000)
URL status: URL: 'http://file://Q:/T/CHOPPER.zip' Checked: 31/08/2021 1:04:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Pearce, David
PhysDes: Review; Synopsis; Credits
Subject: CHOPPER (AT, Andrew Dominik, 2000)

Call No: 79CHO DOM
Author: Dominik, Andrew
Source: AT
Place: Strawberry Hills, N.S.W.
Publisher: Currency Press
PubDate: 2001
PhysDes: xi, 88 p. : ill., ports. ; 21 cm
Subject: CHOPPER (AT, Andrew Dominik, 2000)
ISBN: 0868196428 : $19.95; 0868196428; 0868196428
LON: 22215790 22215790

Author: Russell Edwards
PhysDes: Article
Subject: BANA, ERIC; Lyndon, Simon; COLOSIMO, VINCE; CHOPPER (AT, Andrew Dominik, 2000)
Summary: Review of Chopper

Author: Michael Hutak
PhysDes: Article
Subject: CHOPPER (AT, Andrew Dominik, 2000)
Summary: Review of Chopper

Call No: S CHO
Author: Dominik, Andrew
Place: AT
PubDate: 1998 Jan. 22
PhysDes: 110 leaves
Subject: CHOPPER (AT, Andrew Dominik, 2000)
Notes: Unpublished script -- tabbed annotations throughout script -- based on the books by Mark Brandon Read

Call No: N79CHO REA
Author: Read, Mark Brandon
Source: AT
Place: [Kilmore, Vic.]
Publisher: Floradale Productions
PubDate: 1992
PhysDes: xii, 212 p., [14] p. of plates : ill., ports. ; 20 cm
Subject: CHOPPER (AT, Andrew Dominik, 2000)
ISBN: 0646109871
Donation: donated by the family of Wayne Levy, 2006

Call No: DVD CHOPPER
Source: AT
Publisher: Prism Leisure
PhysDes: 1 videodisc (DVD) (93min.) : sd., col. ; 4 3/4 in
Subject: CHOPPER (AT, Andrew Dominik, 2000)

PhysDes: Article
Subject: CHOPPER (AT, Andrew Dominik, 2000)
Summary: Palace Films announces it will co-distribute "Chopper" in Australia with 20th Century Fox Film Distributors.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 25 x 20 cm
Subject: BANA, ERIC; CHOPPER (AT, Andrew Dominik, 2000)
Summary: One black and white photograph relating to the film Chopper

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: CHRISTIE MALRY'S OWN DOUBLE-ENTRY (UK/NL, Paul Tickell, 2000)
Notes: Simon Strong import_191126

Call No: 81 NOL MOO
Author: Mooney, Darren
Place: Jefferson, North Carolina
Publisher: McFarland & Company Inc., Publishers
PubDate: 2018
PhysDes: v, 212 pages ; 26 cm.
Subject: NOLAN, CHRISTOPHER; FOLLOWING (UK, Christopher Nolan, 1998); MEMENTO (US, Christopher Nolan, 2000); INSOMNIA (US, Christopher Nolan, 2002); BATMAN BEGINS (US, Christopher Nolan, 2005); PRESTIGE, THE (US/UK, Christopher Nolan, 2006); DARK KNIGHT, THE (US, Christopher Nolan, 2008); INCEPTION (US, Christopher Nolan, 2010); DARK KNIGHT RISES, THE (US/UK, Christopher Nolan, 2012); INTERSTELLAR (US, Christopher Nolan, 2014); DUNKIRK (UK/NE/FR/US, Christopher Nolan, 2017)
Summary: "Christopher Nolan is one of the defining directors of the 21st century. His films have a rare ability to transcend audience expectations, ranging from gritty crime thrillers to spectacular blockbusters. They push the boundaries of possibility. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur"
Notes: Includes bibliographical references and index
ISBN: 9781476674803
Contents: Following -- Memento -- Insomnia -- Batman Begins -- The Rrestige -- The Dark Knight -- Inception -- The Dark Knight Rises -- Interstellar -- Dunkirk

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHUCK & BUCK (US, Miguel Arteta, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHUCK FINN [TV] (AT, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHUNHYANG (KO, Im Kwon-Taek, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHUNHYANG (KO, Im Kwon-Taek, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: CIELO CADE, IL (IT, Andrea and Antonio Frazzi, 2000)

Call No: Held: 2018
Source: AT
Place: Adelaide
Publisher: Port Film Co-Op
PubDate: 2018
Subject: [MISTER] MR ACCIDENT (AT, Yahoo Serious, 2000); MARTIN, ADRIAN; MOUSOULIS, BILL; MANGANINNIE (AT, John Honey, 1980); RESISTANCE (AT, Paul Elliot & Hugh Keays-Byrne, 1992); DEAD HEART (AT, Nick Parsons, 1996); HARD WORD, THE (AT, Scott Roberts, 2002); BONDI TSUNAMI (AT, Rachael Lukas, 2003); LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996); DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 735.7 GAR
Author: Garcia, Maria
Edition: 2015
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: 2015
PhysDes: 274 pages ; illustrations ; 24 cm
Subject: PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945); SEARCHERS, THE (US, John Ford, 1956); DEER HUNTER, THE (US, Michael Cimino, 1978); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); BRINGING UP BABY (US, Howard Hawks, 1938); LADY EVE, THE (US, Preston Sturges, 1941); SECRET OF ROAN INISH, THE (US, John Sayles, 1994); NATURAL, THE (US, Barry Levinson, 1984); MONEYBALL (US, Bennet Miller, 2011); FAT GIRL (FR/IT/SP, Catherine Breillat, 2000) SEE A MA SOEUR; BREILLAT, CATHERINE; BRESSON, ROBERT
Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies. In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc. Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web site
ISBN: 9781442246973

Call No: 220.1(-5) KEA
Author: Keane, Stephen
Source: US/UK
Place: New York; Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: viii, 181 pages ; 22 cm
Subject: TIMECODE (US, Mike Figgis, 2000); MY LITTLE EYE (UK/US/FR, Marc Evans, 2003); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005); SIN CITY (US, Frank Miller and Robert Rodriguez, 2005); RESIDENT EVIL (US, Paul W.S. Anderson, 2002); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); FANS; TECHNOLOGICAL DEVELOPMENTS; INTERNET; CONVERGENCE
Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.
Notes: Includes bibliographical references (p. 162-176) and index.
ISBN: 9781403936943
Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CIRCUS (US/UK, Rob Walker, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CITY LOOP (AT, Belinda Chayko, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: CITY OF DREAMS (AT, Belinda Mason, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CLAIM, THE (UK/CN, Michael Winterbottom, 2000)

Call No: 741.931 BLA
Author: Blanshard, Alastair -- Shahabudin, Kim
Source: UK
Place: London
Publisher: Bristol Classical Press
PubDate: 2011
PhysDes: vii, 264 p. : ill. ; 24 cm
Subject: EPIC FILMS; HISTORY AND THE CINEMA; HISTORY AND THE CINEMA. GREECE; HISTORY AND THE CINEMA. ITALY; HISTORICAL FILMS. USA; HISTORICAL FILMS. GREECE; HISTORICAL FILMS. ITALY; CLEOPATRA (US, Cecil B. DeMille, 1934); QUO VADIS (US, Mervyn LeRoy, 1951); SPARTACUS (US, Stanley Kubrick, 1960); THREE HUNDRED [300] SPARTANS, THE (US, Rudolph Mate, 1962); JASON AND THE ARGONAUTS (UK/US, Don Chaffey, 1963); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); HERCULES (US, John Musker & Ron Clements, 1997); GLADIATOR (US, Ridley Scott, 2000)
Summary: Publishers description: 'Through analysis of ten influential films, this book examines the representation of Greece and Rome in popular and art-house cinema. Arranged by cinematic genre and theme, this book offers an accessible introduction to the depiction of antiquity in cinema. Key scenes are discussed and each film is located in its historical context
ISBN: 9780715637241
Donation: donated by Senses of Cinema, 2013
Contents: 1. Establishing the conventions: Cleopatra (1934) -- 2. The Roman epics of classical Hollywood: Quo Vadis (1951) -- 3. Peplum traditions: Hercules (1958) -- 4. Roman history on Screen: Spartacus (1960) -- 5. Greek history on screen: The 300 Spartans (1962) -- 6. Myth and the fantastic: Jason and the Argonauts (1963) -- 7. Art Cinema: Fellini-Satyricon (1969) -- 8. Satirising cine-antiquity: Monty Python's Life of Brian (1979) -- 9. The Disney version: Hercules (1997) -- 10. The return of the epic? Gladiator (2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASSROOM AT THERESIENSTADT, A (AT, Sandra Lepore, 2000)

Call No: 71(55) DAB
Author: Dabashi, Hamid
Source: UK / US
Place: London; New York
Publisher: Verso
PubDate: 2001
PhysDes: xii, 302 p. : ill. ; 20 cm
Subject: IRAN; NATIONAL CULTURE IN FILMS. IRAN; KIAROSTAMI, ABBAS; MAKHMALBAF, MOHSEN; FARMANARA, BAHMAN; BEIZI, BAHRAM; MIX (IR, Dariush Mehrjui, 2000); SHAZDEH EHTEJAB (IR, Bahman Farmanara, 1974); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999); BOOYE KAFOOR, ATRE YAS (IR, Bahman Farmonara, 2000); TAKHTE SIAH (IR/IT, Samira Makhmalbaf, 2000); SIB (IR/FR, Samira Makhmalbaf, 1998); ZAMANI BARAYE MASTI ASBHA (IR, Bahman Ghobadi, 2000); DJOMEH (IR, Hasan Yektapanah, 2000); ETERAZ (IR, Massoud Kimiayi, 2000)
Notes: Includes filmographies (p. [283]-290). Includes bibliographical references (p. [291]-297)
ISBN: 1859843328

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLOSER YOU GET, THE (IE, Aileen Ritchie, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLOUDS (US, Don Thompson, 2000)

Call No: 81 COE NAY
Author: Nayman, Adam
Source: US
Place: New York
Publisher: Abrams Books
PubDate: 2018
PhysDes: 320 pages : illustrations (some colour) ; 32 cm
Subject: COEN, JOEL & ETHAN; BLOOD SIMPLE (US, Joel Coen, 1984); RAISING ARIZONA (US, Joel Coen, 1987); MILLER'S CROSSING (US, Joel Cohen, 1990); BARTON FINK (US, Joel Cohen, 1991); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); FARGO (US, Ethan Coen, 1996); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009); TRUE GRIT (US, Coen Brothers, 2010); HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016)
Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.
Notes: Includes bibliographical references.
ISBN: 9781419727405
Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography

Call No: 71(430):45:32 COL
Author: Fisher, Jaimey (ed.); Prager, Brad (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2010
PhysDes: vi, 431 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GERMANY; AESTHETICS; HISTORY AND THE CINEMA. GERMANY; HISTORY OF CINEMA. GERMANY; STALINGRAD (GG, Joseph Vilsmaier, 1992); DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE UNTERGANG, DER; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004); ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004); NO PLACE TO GO (GG, Oskar Rohler, 2000) SEE UNBERUHRBARE, DIE; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000); LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006); LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006)
Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc Silberman
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9780814333778
Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMEDIE DE L'INNOCENCE (FR, Raoul Ruiz, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMMITTED (US, Lisa Krueger, 2000)

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: 81WONG COM
Source: US
Place: Chichester, West Sussex ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2016
PhysDes: xvi, 627 pages : illustrations ; 25 cm
Series: Wiley Blackwell Companions to Film Directors
Subject: CITY OF SADNESS, A [; WONG KAR WAI; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence
Notes: Includes bibliographical references (pages 586-599) and index. Filmography: pages 558-561
ISBN: 9781118424247
Donation: donated by Senses of Cinema
Contents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMPANY MAN (US, Douglas McGrath & Peter Askin, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMPUTER BOY (AT, Abe Forsythe, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFESSIONS OF A HEADHUNTER (AT, Sally Riley, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFUSION DES GENRES, LA (FR, Ilan Duran Cohen, 2000)

Call No: 81COE RED
Author: Redmon, Allen H.
Source: US/UK
Place: New York : London
Publisher: Rowman & Littlefield
PubDate: c2015
PhysDes: xviii, 173 pages ; 24 cm
Subject: CRITICISM; COEN, JOEL & ETHAN; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); BARTON FINK (US, Joel Cohen, 1991); RAISING ARIZONA (US, Joel Coen, 1987); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009)
Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and index
ISBN: 9781442244849
Donation: Sense of cinema
Contents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --

Call No: 71(6) PRA
Author: Prabhu, Anjali
Edition: 2014
Place: Chichester
Publisher: Wiley Blackwell
PhysDes: 262 p. : illus. ; 25 cm
Subject: AFRICA; AFRICAN COUNTRIES; EXPERIMENTAL FILMS; SEMBENE, OUSMANE; SISSOKO, CHEIK OMAR; PECK, RAOUL; FORGIVENESS (SA, Ian Gabriel, 2004); LUMUMBA (FR/BE/GG/HT, Raouel Peck, 2000); FAAT-KINE (SG, Ousmane Sembene, 2000); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); BLOOD DIAMOND (US, Edward Zwick, 2006)
Notes: Analyzing art house films from the African continent and the African diaspora, this book showcases a new generation of auteurs with African origins from political, aesthetic, and spectatorship perspectives. - Focuses on art house cinema and discusses commercial African cinema - Enlarges our understanding of African film to include thematic and aesthetic influence - Highlights aesthetic and political aspects including racial identity, women’s issues, and diaspora - Heavily illustrated with over 90 film stills - Features selected stills integral to the filmic analysis in full color - Moves beyond Western-oriented analytical paradigm -- publisher's web site
ISBN: 9781405193047
Contents: Acknowledgments ix 1 AfricaWatch: Parameters and Contexts 1 Part I Space 33 2 The Postcolonial City: Education of the Spectator in Harrikrisna Anenden's The Cathedral 35 3 Framing the City: Africanizing Viewer and Viewed through Angle, Distance, Genre, and Movement 55 Part II Character 77 4 Models of African Femininity 79 5 African Masculinity: "We Don't Need Another Hero" 113 6 Revolutionary Personhood: Revolutionize the Spectator, or Stop,Thief! 133 Part III Narrative 155 7 Documentary Film: Situating a Style 157 8 African Narration: Narration of Africa 172 9 Jean-Marie Teno: Creating an African Repertoire 187 10 Conclusion: Inside/Outside or How to Make a Film about Africa Today 216 Filmography 234 References 238 Glossary 246 Index 251

Call No: 751.1 CON
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2019
PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.
Series: Music and the moving image series
Subject: MUSICALS; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004); ACROSS THE UNIVERSE (US, Julie Taymor, 2007); FROZEN (US, Chris Buck & Jennifer Lee, 2013); MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008); MISERABLES, LES (UK, Tom Hooper, 2012); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004)
Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).
Notes: Includes bibliographical references and index.
ISBN: 9781474431682
Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CONTENDER, THE (US, Rod Lurie, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CORNER, THE [TV] (US, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: COSENZA VECCHIA (AT, David Pledger, 2000)

Author: Harty, Jason
PhysDes: Production report; Illustration(s)
Subject: GRASS ROOTS [TV] (AT, 2000)
Summary: First series of suburban drama, "Grass roots", is in production in Sydney.

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: GRASS ROOTS [TV] (AT, 2000)
Summary: Discusses the production of the first series of Grass Roots.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: COYOTE UGLY (US, David McNally, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Press kit
Subject: CRACK (AT, Evan Clarry, 2000)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm
Subject: FORDHAM, BARBARA; CRACK (AT, Evan Clarry, 2000)
Summary: Photographs relating to the film Crack

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CREW, THE (US, Michael Dinner, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRIME AU PARADIS, UN (FR, Jean Becker, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRIME + PUNISHMENT IN SUBURBIA (US, Rob Schmidt, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRONICAMENTE INVIAVEL (BL, Sergio Bianchi, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRUEL INTENTIONS 2 (US, Roger Kumble, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRY FROM THE HEART (AT, Jeni Kendel, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-)

Call No: 79CSI CSI
Author: Byers, Michele; Johnson, Val Marie
Place: Lanham, Maryland
Publisher: Lexington Books
PubDate: c2009
PhysDes: xxvi, 273 p. ; 23 cm
Subject: CRIME DRAMAS; CRIME ON TV; CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-); CSI: MIAMI [TV] (US, 2002-)
Notes: Includes bibliographical references and index
ISBN: 9780739124710
Contents: CSI as neoliberalism: an introduction / Michele Byers and Val Marie Johnson -- Producing justice, science, and television drama. Science fiction or social fact?: an exploratory content analysis of popular press reports / Liz Harvey and Linda Derksen -- The science and careers of CSI / Sherah VanLaerhoven and Gail Anderson -- CSI and Law & order: dueling representations of science and the law in the criminal justice system / Kurt Hohenstein -- Generic difference and hybridisation in CSI / Nichola Dobson -- Bodies of evidence. The body as abject and object in CSI / Basil Glynn and Jeongmee Kim -- The city of our times: Space, identity and the body in CSI: Miami / Patrick West -- Crime scene investigation as applied environmental history / William Turkel -- Late modern subjects. Not the usual suspects: the obfuscation of political economy and race in CSI / Kevin Bonnycastle -- Troping Mr. Johnson: reading phallic mastery and anxiety on season one of CSI: crime scene investigation / Mythili Rajiva -- Forensic music: channeling the dead on Post-9/11 television / Lawrence Kramer

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CTHULHU (AT, Damian Heffernan, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CUNNAMULLA (AT, Dennis O'Rourke, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit
Subject: CUT (AT, Kimble Rendall, 2000)

Author: Balakrishnan, Geetha
PhysDes: Review; Illustration(s)
Subject: CUT (AT, Kimble Rendall, 2000)

Call No: S CUT
Author: Warner, Dave
PubDate: [2000]
PhysDes: 92 leaves
Subject: CUT (AT, Kimble Rendall, 2000)
Notes: Unpublished script

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 - 20 x 26 cm
Subject: CUT (AT, Kimble Rendall, 2000)
Summary: 2 black and white photographs of a man and a woman by a lake and a man having his throat slit by the Scarman.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CYBERWORLD 3-D (US, Colin Davies and Elaine Despins, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAEHAKROH (K, Gee-woong Nam, 2000); TEENAGE HOOKER BECAME A KILLING MACHINE IN DAEHAKROH (K, Gee-woong Nam, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DALEKO OD OKNA (PL, Jan Jakub Kolski, 2000); KEEP AWAY FROM THE WINDOW (PL, Jan Jakub Kolski, 2000)
ID2: 78

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANCER, THE (FR, Fred Garson, 2000)

Call No: 81DEH FRE
Author: Freebury, Jane
Source: AT
Place: Straberry Hills, NSW
Publisher: Currency Press
PubDate: 2015
PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cm
Subject: DE HEER, ROLF; TAIL OF THE TIGER (AT, Rolf de Heer, 1984); INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); DINGO (AT/FR, Rolf de Heer, 1991); BAD BOY BUBBY (AT, Rolf de Heer, 1993); EPSILON (AT/IT, Rolf de Heer, 1995); QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996); DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); TRACKER (AT, Tina Dalton & Gary Steer, 1996); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); TEN CANOES (AT, Rolf De Heer, 2006); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); KING IS DEAD, THE (AT, Rolf de Heer, 2012); CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013)
Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]
Notes: Includes bibliographical references (pages 287-348)
ISBN: 9781925005585
Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DARK DAYS (US, Marc Singer, 2000)

Call No: 81 ARO SKO
Author: Skorin-Kapov, Jadranka
Edition: 2016
Place: London; New York
Publisher: Bloomsbury
PubDate: 2016
PhysDes: xxxii, 184 p. : illus. ; 24 cm
Subject: ARONOFSKY, DARREN; PI (US, Darren Aronosky, 1998); REQUIEM FOR A DREAM (US, Darren Aronofsky, 2000); FOUNTAIN, THE (US, Darren Aronofsky, 2006); WRESTLER, THE (US, Darren Aronofsky, 2008); BLACK SWAN (US, Darren Aronofsky, 2010); NOAH (US, Darren Aronofsky, 2014)
Summary: Darren Aronofsky's Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including Pi (1998), Requiem for a Dream (2000), The Fountain (2006), The Wrestler (2008), Black Swan (2010), and Noah (2014), Aronofsky's filmography is discussed with respect to his style and the themes of his films, making astute connections with the work of other directors, other movies and works of art, and connecting his films with other disciplines such as math, philosophy, psychology, and art history. Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an individual voice, working on both independent productions and big-budget Hollywood films. Aronofsky is revealed to be a philosopher's director, considering the themes of life and death, addiction and obsession, sacrifice, and the fragility of hope. Skorin-Kapov discusses his ability to visually present challenging intersections between art and philosophy. Concluding with a transcript of a conversation between the author and Aronofsky himself, Darren Aronofsky's Films and the Fragility of Hope is a much-needed study on this American auteur.
ISBN: 9781501306976
Contents: Introduction 1. Pi: Is Mathematics “the Language of Nature”? 2. Requiem for a Dream: Addiction and Broken Dreams 3. The Fountain: Death and the Authenticity of Existence 4. The Wrestler: Melodrama and the Gift of Death 5. Black Swan: Limit Experience and Artistic Perfection 6. Noah: Responsibility, Love, and the Moment of Choice 7. Aronofsky's Themes and Auteur's Signature Appendix: Conversation with Aronofsky Notes Bibliography Index Reviews
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=4000419' Checked: 31/08/2021 1:48:10 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DAYEREH (IR/IT, Jafar Panahi, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DAYS OF BEING (AT, Chi Yen Ooi, 2000)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 11 x 16 cm
Subject: DAYS OF BEING (AT, Chi Yen Ooi, 2000)
Summary: Two black and white photographs relating to the film Days of being

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: DEAR BERT (AT, Christina Heristanidis, 2000)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w and col. ; 13 x 18 cm
Subject: DEAR BERT (AT, Christina Heristanidis, 2000)
Summary: Two black and white photographs and two colour photographs relating to the film Dear Bert

Call No: TITLE CLIPPINGS FILE
PhysDes: 4 photographs: b&w and col.
Subject: DEAR BERT (AT, Christina Heristanidis, 2000)
Summary: 4 images relating to the film DEAT BERT

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEATH IN THE FAMILY, A (AT, Terry Carlyon, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESIRE (AT, Bill Mousoulis, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESTINATION (AT, Tracie Mitchell, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DID WE GO? (US, Aron Ranen, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIGIMON: THE MOVIE (JA/US, Mamoru Hosoda & Shigeyasu Yamauchi, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DINNER RUSH (US, Bob Giraldi, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: DINOSAUR (US, Ralph Zondag & Eric Leighton, 2000)

Author: Zubrycki, Tom; Browning, Sally
PhysDes: Production notes; Illustration(s)
Subject: DOCUMENTARIES; BROWNING, SALLY; ZUBRYCKI, TOM; DIPLOMAT, THE (AT, Tom Zubrycki, 2000)
Summary: The director and producer of "The diplomat", detail their experiences making the documentary.

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings; Press kit; Publicity
Subject: DIPLOMAT, THE (AT, Tom Zubrycki, 2000)

Author: Conlan, Pat
PhysDes: Review
Subject: DISH, THE (AT, Rob Sitch, 2000)

Author: Russell Edwards
PhysDes: Article
Subject: DISH, THE (AT, Rob Sitch, 2000)
Summary: Review of The Dish

PhysDes: Article
Subject: DISH, THE (AT, Rob Sitch, 2000)
Summary: In its opening weekend "The Dish" took just under $3 million

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DISH, THE (AT, Rob Sitch, 2000)
URL status: URL: 'http://file://Q:/T/DISH,_THE.zip' Checked: 31/08/2021 1:04:12 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors (distributor)
PhysDes: 4 photographs : b&w ; 14 x 19 cm
Subject: WARBURTON, PATRICK; NEILL, SAM; HARRINGTON, KEVIN; LONG, TOM; DISH, THE (AT, Rob Sitch, 2000)
Summary: Four black and white photographs from the film The Dish

Call No: 19WAL DIS
Author: Smoodin, Eric Loren
Place: New York
Publisher: Routledge
PubDate: 1994
PhysDes: x, 270 p. ; 24 cm
Subject: DISNEY, WALT; WALT DISNEY PRODUCTIONS; MERCHANDISING; FANTASIA (US, Walt Disney, 1940)
Notes: Includes bibliographical references (p. 237-255) and index
ISBN: 0415906156 (hb : acid-free paper); 0415906164 (pb : acid-free paper)
LON: 93032366; 10475200

Call No: 19WAL HOL; FOLIO
Author: Holliss, Richard; Sibley, Brian, 1949
Place: London, [England]
Publisher: Octopus
PubDate: c1988
PhysDes: 256 p. : ill. ; 33 cm
Subject: WALT DISNEY PRODUCTIONS; DISNEY, WALT; MICKEY MOUSE; FANTASIA (US, Walt Disney, 1940)
Notes: Includes index; Bibliography: p.239-242
ISBN: 0706430409; 0706431405 (jacket)
LON: 6092038 6092038

Call No: S DIV
Place: AT
PubDate: [2000]
PhysDes: 58 leaves
Subject: MUSIME SI POMAHAT (CZ, Jan Hrebejk, 2000)
Notes: Unpublished script -- Total HelpArt, Czech Television
Donation: Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [DOCTOR] DR T AND THE WOMEN (US, Robert Altman, 2000)

Call No: 761 BEA
Author: Beattie, Keith
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2004
PhysDes: 276 p ; 21cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; IMPERIALISM AND THE CINEMA; CINEMA VERITE; CINEMA-DIRECT; JOURNALISTS, FILM; POPULAR CULTURE AND TV; REALITY TV; TABLOID JOURNALISM; POPULAR CULTURE AND THE CINEMA; AUSTRALIAN BROADCASTING CORPORATION; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; NATIONAL FILM BOARD OF CANADA; NATIONAL INDIGENOUS DOCUMENTARY FUND; NBC TELEVISION NETWORK; PUBLIC BROADCASTING SERVICE; NETWORK TEN; VIDEODISCS; GRANADA; IMAX; INDEPENDENT TELEVISION COMMISSION; INTERACTIVE TV; MUSIC TELEVISION; TELEVISION JOURNALISTS; BUERK, MICHEAL; CAVADINI, ALESSANDRO; DE ANTONIO, EMILE; DREW, ROBERT; DYLAN, BOB; FLAHERTY, ROBERT; GRIERSON, JOHN; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT; MAYSLES, DAVID; MCELWEE, ROSS; MOORE, MICHAEL; MORIN, EDGAR; O'ROURKE, DENNIS; PENNEBAKER, D. A.; PILGER, JOHN; ROUCH, JEAN; RUTTMAN, WALTER; TAJIRI, REA; VERTOV, DZIGA; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CHEQUER-BOARD [TV] (AT, 1969-1975); [FOUR] 4 CORNERS [TV] (AT, 1961-); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); BIG BROTHER [TV] (AT, 2001-); BIGGIE AND TUPAC (US, Nick Broomfield, 2001); BILL, THE [TV] (UK, 1984-); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002); BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999); CAMBODIA: YEAR ZERO (AT, John Pilger, 1989); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987); CATHY COME HOME (UK, Ken Loach, 1966); COPS AND ROBBERSONS (US, Michael Ritchie, 1994); CROCODILE DUNDEE (AT, Peter Faiman, 1986); CUNNAMULLA (AT, Dennis O'Rourke, 2000); DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MONTEREY POP (US, D. A. Pennebaker, 1968); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); POLICE STATE (AT, Chris Noonan, 1989); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); WALKING WITH DINOSAURS[TV] (UK, 1999); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].
ISBN: 033374117X
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: May, Anthony
PhysDes: Article
Subject: TWO ROADS TO HELIDON (AT, Anthony Mullins & Kris Kneen, 2000?)
Summary: Discussion of the ethnographic filmmaking style of a documentary about the religious community Magnificat Meal Movement for SBS's Space Stories series.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOGWOMAN: DEAD DOG WALKING [TV] (AT, Rowan Woods, 2000)

Author: Lawrie Masterson
PhysDes: Article
Subject: JACKMAN, HUGH; SWORDFISH (US, Dominic Sena, 2001); X-MEN (US, Bryan Singer, 2000); KATE & LEOPOLD (US, James Mangold, 2001)
Summary: Interview with Hugh Jackman on his career, focusing on Swordfish, X-men, and Kate & Leopold

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOPE (AT, J. Harkness, 2000)

Call No: S DOP
Author: Harkness, J
PubDate: [1999]
PhysDes: 160 leaves
Subject: DOPE (AT, J. Harkness, 2000)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DORA THE EXPLORER [TV] (US/CN, 2000-)

Call No: 721.3(73) BIS
Author: Biskind, Peter
Place: London
Publisher: Bloomsbury
PubDate: 2004
PhysDes: 24 cm ; 545 p
Subject: DIRECTORS. USA; USA; AWARDS. ACADEMY; INDEPENDENT DISTRIBUTION; INDEPENDENT FILMS. USA; INDEPENDENT PRODUCTION; INDEPENDENT PRODUCTION. USA; DISTRIBUTION. USA; FESTIVALS. PARK CITY. SUNDANCE; MIRAMAX FILMS; AFFLECK, BEN; ALTMAN, ROBERT; ANDERS, ALLISON; ANDERSON, PAUL THOMAS; ANDERSON, WES; ARAKI, GREGG; ARONOFSKY, DARREN; ARTETA, MIGUEL; WEINSTEIN, BOB; WEINSTEIN, HARVEY; ALLEN, WOODY; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000); FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001); APOSTLE, THE (US, Robert Duvall, 1997); AMERICAN BEAUTY (US, Sam Mendes, 1999); RESERVOIR DOGS (US, Quentin Tarantino, 1992)
Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].
ISBN: 0747565708
ID2: 341

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOWN TO EARTH [TV] (UK, 2000-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOWN TO YOU (US, Kris Isacsson, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: GRINCH, THE [HOW THE GRINCH STOLE CHRISTMAS] (US, Ron Howard, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRAFT, THE (AT, Klaus Toft, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRAGONHEART: A NEW BEGINNING (US, Doug Lefler, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: I DREAMED OF AFRICA (US, Hugh Hudson, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAMTRIPS (HK/CN, Kal Ng, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DROLE DE FELIX (FR, Olivier Ducastle & Jacques Martineau, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DROWNING MONA (US, Nick Gomez, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DUDE, WHERE'S MY CAR? (US, Danny Leiner, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DUETS (US, Bruce Paltrow, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DUNGEONS AND DRAGONS (US, Courtney Solomon, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DUST (AT, Ivan Sen, 2000)

Call No: 81DEH STA
Author: Starrs, D. Bruno
Source: G
Place: Saarbrucken, Germany
Publisher: VDM, Verlag Dr Muller
PubDate: 2009
PhysDes: 105 p. ; 23 cm
Subject: AUTEUR THEORY; DE HEER, ROLF; TAIL OF THE TIGER (AT, Rolf de Heer, 1984); INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); DINGO (AT/FR, Rolf de Heer, 1991); BAD BOY BUBBY (AT, Rolf de Heer, 1993); EPSILON (AT/IT, Rolf de Heer, 1995); QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996); DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); TRACKER, THE (AT, Rolf de Heer, 2002); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); TEN CANOES (AT, Rolf De Heer, 2006); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007)
Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURB
Notes: Includes bibliographical references (p. 90-104)
ISBN: 9783639168341

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: E-MAIL (GR, Markos Holevas, 2000)

Call No: P EAS
PhysDes: 1 poster : colour, illustrations ; 85 x 60cm
Subject: MADMAN ENTERTAINMENT; AV CHANNEL; GALAXY ANGEL [TV] (JA, 2000); TWELVE KINGDOMS, THE (JA, 2002) SEE12 KOKUKI (JA, 2002); AVALON (JA, Mamoru Oshii, 2001)
Summary: Double-sided poster by Madman Entertainment and The AV Channel. Eastern Eye: Asian Cinema on one side and The Twelve Kingdoms & Galaxy Angel advertisements on the reverse side. Two copies. Eastern Eye: Asian cinema side: Promotional material for Eastern Eye Asian Cinema movies. Text: Live action Asian Cinema - Yours to own on DVD. Princess Blade June 2004 Volcano High June 2004 The Grudge June 2004 Bichunmoo July 2004 Internal Affairs August 2004 Avalon September 2004 The Twelve Kingdoms/Galaxy Angel side: Center of the poster text: ARRIVING 23.06.2004. Upper half: advertisement for the Twelve Kingdoms with illustrations of its characters. Text: "Anime's epic answer to the Lord of the Rings, Based on the fantasy novels of Fuyumi Ono" Lower half: advertisement for Galaxy Angel with illustrations of five characters looking out of the poster. Text: "Galaxy angels reporting for duty!" "7 hilarious episodes per DVD"
Notes: Fair condition, folds, small tears.
ID2: 337