Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEASON OF THE DEVIL [ANG PANAHON NG HALIMAW] (PH, Lav Diaz, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAT THE DEVIL (UK/IT, John Huston, 1953)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BEFORE THE DEVIL KNOWS YOU'RE DEAD (US, Sidney Lumet, 2007)

Call No: 81BOG MCC
Author: McCarty, Clifford
Source: US
Place: New Jersey
Publisher: Citadel Press
PubDate: 1979
PhysDes: 187 p. : ports. ; 28 cm
Subject: BOGART, HUMPHREY; DEAD END (US, William Wyler, 1937); BLACK LEGION (US, Archie L. Mayo, 1936); STAND-IN (US, Tay Garnett, 1937); ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); HIGH SIERRA (US, Raoul Walsh, 1941); MALTESE FALCON, THE (US, John Huston, 1941); BEAT THE DEVIL (UK/IT, John Huston, 1953); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); SABRINA (US, Billy Wilder, 1954); BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954); KEY LARGO (US, John Huston, 1948); IN A LONELY PLACE (US, Nicholas Ray, 1950); AFRICAN QUEEN, THE (US, John Huston, 1952); BIG SLEEP, THE (US, Howard Hawkes, 1946); CASABLANCA (US, Michael Curtiz, 1942)
Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.
ISBN: 0806500018

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL (US, John Erick Dowdle, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEVIL AND DANIEL JOHNSTON, THE (US, Jeff Feuerzeig, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL AND MAX DEVLIN, THE (US, Steven Hilliard Stern, 1981)

Author: Borst, Ron
PhysDes: Article
Subject: DEVIL BAT, THE (US, Jean Yarbrough, 1941)
Summary: Credits, short description

PhysDes: Article
Subject: DEVIL BAT'S DAUGHTER (US, Frank Wisbar, 1946)
Summary: Credits; short review

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL IN FILMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings; Publicity
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)

Author: Caputo, Rolando
PhysDes: Article
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)
Summary: Review; Credits

Author: Caputo, Rolando
PhysDes: Article
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)
Summary: Interview with director Scott Murray on his feature film 'The Devil in the flesh', which he adapted to an Australian setting.

Call No: P DEV
PhysDes: 1 poster : col. ; 94 X 68 cm.
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)
Summary: Image: A men kissed the women's neck.
Notes: Some tears on the right hand side.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 21 x 26 cm + 1 photograph : b&w ; 13 x 18 cm
Subject: CABALLERO, KATIA; SMITH, KEITH; DEVIL IN THE FLESH (AT, Scott Murray, 1986)
Summary: Three black and white photographs from the film Devil in the flesh

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: DEVIL IS A WOMAN, THE (IT, Josef von Sternberg, 1935)

PhysDes: Article
Subject: DEVIL RIDES OUT, THE (UK, Terence Fisher, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL RIDES OUT, THE (UK, Terence Fisher, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL'S ADVOCATE (GW, Guy Green, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: DEVIL'S ADVOCATE, THE (US, Taylor Hockford, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL'S CANDY, THE (US, Sean Byrne, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL'S DOORWAY (US, Anthony Mann, 1950)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL'S DUST [TV] (AT, Jessica Hobbs, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL'S GATE (UK, Stuart St. Paul, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL'S GATE (CN/US, Clay Staub, 2017)

Call No: 79DEV PHI
Author: Phillips, David
Source: AT
Place: Ringwood, Vic
Publisher: Penguin
PubDate: 1988
PhysDes: 119p. ; 20cm
Series: Touch the sun
Subject: DEVIL'S HILL[TV] (AT, Esben Storm, 1988)
ISBN: 0140110623

PhysDes: Article
Subject: DEVIL'S HOLIDAY, THE (U.S, Edmund Goulding 1930)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEVIL'S KNOT (US, Atom Egoyan, 2013)
URL status: URL: 'http://file://Q:/T/DEVIL'S_KNOT.zip' Checked: 31/08/2021 1:32:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: DEVIL'S MISTRESS, THE (U.S Orville Wanzer, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEVIL'S OWN, THE (US, Alan J. Pakula, 1997)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Press kit
Subject: DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976)
Notes: Stills in closed access. Please see staff.

Call No: 79DEV TSI
Author: Tsiolkas, Christos
Source: AU
Place: Strawberry Hills, N.S.W.
Publisher: Currency Press; ScreenSound Australia
PubDate: 2002
PhysDes: xi, 81p. : illus. : 19cm
Series: Australian Screen Classics
Subject: AUSTRALIA. 1970's; FILM STUDY AND RESEARCH. AUSTRALIA; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); SCHEPISI, FRED; TSIOLKAS, CHRISTOS
Notes: Includes notes, bibliography, filmography and credits
ISBN: 0868196711

Call No: D The devil's playground
Place: [Australia]
Publisher: Umbrella Entertainment
PubDate: c.2008.
PhysDes: 1 videodisc (DVD) (ca. 95 min.) : sd., col. ; 4 3/4 in.
Subject: DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976)
Summary: Tom Allen (Simon Burke) is a 13-year-old postulant at a Catholic seminary outside Melbourne. It is 1953, when boys still began training for religious orders in their early teens. Tom is constantly in trouble – for wetting his bed, showering in the nude, being late. He spends long hours in the chapel, praying for guidance, but his impure thoughts terrify him. The priests and brothers who teach him struggle with their own desires, and argue about the need for repressive discipline. Most of them, staff and boys, have doubts about their vocation. Through the loneliness, fear and shame, Tom begins to ponder his future. --Australian Screen website.
Notes: DAVID1430
Contents: Special features: Exclusive new widescreen telecine transfer -- DVD cover.; Featurette with director Fred Schepisi and key cast and crew; Interview with Fred Schepisi; Stills gallery; Theatrical trailer.
Technical Details: PAL ; All regions.
Credits: Producer/director: Fred Schepisi.
Standard Number: 3000000070123
Performer: Arthur Dignam, Nick Tate, Simon Burke.

Call No: TITLE CLIPPINGS FILE; DEVIL'S PLAYGROUND, THE [TV] (AT, 2014)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: DEVIL'S PLAYGROUND, THE [TV] (AT, 2014)
Summary: Positive review of the TV series DEVIL'S PLAYGROUND, which is a continuation of the 1976 Australian film of the same name

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 43 photographs : b&w ; 13 x 18 cm.-21 x 26 cm
Subject: SCHEPISI, FRED; DIGNAM, ARTHUR; BURKE, SIMON; TATE, NICK; HARDY, JONATHAN; FRAWLEY, JOHN; LINDSAY, DANEE; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976)
Summary: Forty three photographs relating to the film The devil's playground
Notes: Contains multiple duplicates. Single image donated by Brian McFarlane

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 17 x 22 cm
Subject: DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928)
Summary: Three black and white photographs relating to the 1928 version of The devil's playground

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL'S PLAYGROUND, THE [TV] (AT, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEVIL'S REJECTS, THE (US, Rob Zombie, 2005)
Cross Reference: HOUSE OF 1000 CORPSES 2

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL TO PAY, THE (AT, Bruce Beresford, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: DEVIL WEARS PRADA THE (US, David Frankel, 2006)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL YOU DON'T KNOW, THE (AT, Claire Calzoni, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL IN THE HEART, THE [DIABLE AU COEUR, LE] (FR, Bernard Queysanne, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: EYE FOR THE DEVIL (UK, J. Lee Thompson, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EYE OF THE DEVIL (US, J. Lee Thompson, 1966)

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; FIVE EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE (IT/GW, Luchino Visconti, 1969); CADUTA DEGLI DEI, LA (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLESH AND THE DEVIL (US, Clarence Brown, 1926)

Call No: 71(94) FOC
CorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)
Place: Hendon, S. Aust.
Publisher: Australian Council of Government Film Libraries
PubDate: 1990
PhysDes: 64 p. : ill. ; 30 cm
Subject: AUSTRALIA; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928); ENEMY WITHIN, THE (AT, Rowland Stavely, 1918); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); SILKS AND SADDLES (AT, John K. Wells, 1921); NATION IS BUILT, A (AT, Frank Hurley, 1937); PEARLS AND SAVAGES (AT, Frank Hurley, 1921); CHEATERS, THE (AT, Paulette McDonagh, 1931); HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915); HOME OF THE BLIZZARD (AT, Frank Hurley, 1913)
Notes: Includes bibliographies
ISBN: 0730817245 : price unknown
LON: abn90241521; 7460866

Call No: 81SCH FRE
Author: Ryan, Tom (ed.)
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: c2017
PhysDes: xxxvi, 200 pages : illustrations ; 24 cm
Series: Conversations with filmmakers series
Subject: FILM; AUSTRALIA; SCHEPISI, FRED; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); BARBAROSA (US, Fred Schepisi, 1982); EVIL ANGELS (AT, Fred Schepisi, 1988); LAST ORDERS (UK, Fred Schepisi, 2001); IT RUNS IN THE FAMILY (US, Fred Schepisi, 2003)
Summary: In the New Yorker, Stephen Schiff has described Fred Schepisi (b. 1939) as "probably the least-known great director working in the mainstream American cinema--a master storyteller with a serenely muscular style that can make more flamboyant moviemakers look coarse and overweening." Schepisi's launch in Australia during the country's film renaissance of the 1970s and his ongoing international work have rightfully earned him a reputation as an actors' director. But he has also become a skillful stylist, forging his own way as he works alongside a talented team of collaborators. This volume includes twenty interviews with Schepisi and two with longtime collaborators, cinematographer Ian Baker and composer Paul Grabowsky. The interviews trace the filmmaker's career from his beginnings in advertising, through his two early Australian features--The Devil's Playground and The Chant of Jimmie Blacksmith--to his subsequent work in the United States and beyond on films as various as Plenty, Roxanne, A Cry in the Dark, The Russia House, Six Degrees of Separation, Empire Falls, Last Orders, and Eye of the Storm. Schepisi's films are diverse thematically and visually. In what is effectively a master class on film direction, Schepisi discusses his creative choices and his work with actors and collaborators behind the scenes. In the process, he provides a goldmine of insights into his films, his filmmaking style, and what makes him tick as an artist." -- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index; Includes filmography; Also published electronically
ISBN: 9781496811479
Contents: -- foreword by Gillian Armstrong -- introduction -- chronology -- filmology -- Fred Schepisi / Sue Mathews (1984) -- Devil's playground: an interview with Fred Schepisi / Brian McFarlane ( 2015) -- Playboy interview: Fred Schepisi / Rennie Ellis (1982) -- Fred Schepisi: the Australian director talks about his new controversial film, Barbarosa / Michael Sragow (1982) -- Altered states in The great white north / James Verniere (1983) -- Fred Schepisi: taking Hollywood by drizzle / David Edelstein (1984) -- Man of plenty / Brent Lewis (1985) -- Man of plenty / David Stratton (1986) -- Dialogue on film: Fred Schepisi / American film (1987) -- The making of Evil angels: director Fred Schepisi talks about private moments, public realities and dingoes / Philippa Hawker (1988) -- The man Meryl Streep trusts / Rennie Ellis (1989) -- Fred Schepisi / Peter Malone (1998) -- Fred Schepisi: pushing the boundaries / Scott Murray (1990) -- A cinematic gallant / Stephen Schiff (1993) -- Last orders: an interview with Fred Schepisi / Cynthia Fuchs ( 2001) -- Fred Schepisi on last orders / Tom Ryan (2001) -- Fred Schepisi on It runs in the family / Tom Ryan (2003) -- Shooting dialogue as action: an interview with Fred Schepisi / Fincina Hopgood ( 2011) -- All against one and one against all: Fred Schepisi's outsiders / Dan Callahan (2014) -- Fred Schepisi on making movies, "what I'm most interested in 'always" is the humanity of the piece" / Tom Ryan ( 2015) -- appendicies -- planning and problem solving : an interview with Ian Baker / Tom Ryan (2016) -- key notes: an interview with Paul Grabowsky / Tom Ryan (2016) -- additional resources -- index --

PhysDes: Article
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)

Author: Reid, John Howard
PhysDes: Article
Subject: BROWN, CLARENCE; GABLE, CLARK; GARBO, GRETA; GILBERT, JOHN; FLESH AND THE DEVIL (US, Clarence Brown, 1926); ANNA CHRISTIE (US, Clarence Brown, 1930); GRAND HOTEL (US, Edmund Goulding, 1932); INSPIRATION (US, Clarence Brown, 1931); LOVE (US, Edmund Goulding, 1927); ROMANCE (US, Clarence Brown, 1930); WOMAN OF AFFAIRS, A (US, Clarence Brown, 1928)
Summary: Despite writer John Howard Reid's vaunted focus on Greta Garbo, this article does meander about discussing the careers of other people ranging from director Clarence Brown to actors such as John Gilbert and Clark Gable
Notes: John Howard Reid's exploration of Greta Garbo is both continued from the previous issue and is continued on in the next issue of the Australian Film Guide

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HANDSOME DEVIL ( IE, John Butler, 2016)

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION , THE (US, David Wark Griffith, 1915); CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: 81HUS MAD
Author: Madsen, Axel
Source: UK
Place: London
Publisher: Robson
PubDate: 1979
PhysDes: vii,280p,[24]p of plates : ill, ports ; 23cm
Subject: DIRECTORS; LOCATION SHOOTING; Metro-Goldwyn-Mayer; HUSTON, JOHN; AFRICAN QUEEN, THE (US, John Huston, 1952); BEAT THE DEVIL (UK, John Huston, 1953); FREUD (US, John Huston, 1962); MISFITS, THE (US, John Huston, 1961); MOBY DICK (UK, John Huston, 1956); MOULIN ROUGE (US, John Huston, 1952); NIGHT OF THE IGUANA, THE (US, John Huston, 1964); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: "JOHN HUSTON is a colourful biography of one of Hollywood's most celebrated and prolific film-makers. An epic tale of a man whose own life has been as vivid and dramatic as any of his films, it takes the reader from the family vaudeville tours of his youth, through his five marriages and world-wide travels up to the present day." [Taken from book jacket]
Notes: Originally published: Garden City, N.Y. : Doubleday, 1978; Bibl.: p.266-267. - List of films: p.258-265. - Index
ISBN: 0860510743
LON: isb86051074; 2613950

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE AND LOVES OF A SHE DEVIL, THE (UK, Philip Saville, 1986) [TV]

Call No: 753(04) WEL
Author: Walsh, James M.; Lev, Peter
Source: US
Place: Maryland
Publisher: Scarecrow Press
PubDate: 2007
PhysDes: xxviii, 361p. ; 23cm
Subject: ADAPTATIONS; ADAPTATIONS. SHAKESPEARE, WILLIAM; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); MOBY DICK (UK, John Huston, 1956); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996); HOUSE OF MIRTH, THE (UK, Terence Davies, 2000); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); VERTIGO (US, Alfred Hitchcock, 1958); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); RIDE WITH THE DEVIL (US, Ang Lee, 1999)
Summary: From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history—often a separate category of film study—can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.
Notes: Includes index and bibliographic references
ISBN: 9780810859494
Contents: Introduction: Issues of screen adaptation : what is truth? / James M. Welsh -- It wasn't like that in the book-- / Brian McFarlane -- Literature vs. literacy : two futures for adaptation studies / Thomas M. Leitch -- Adaptation studies and the history of ideas : the case of Apocalypse now / Donald M. Whaley -- Adaptation studies revisited : purposes, perspectives, and inspiration / Sarah Cardwell -- The Cold War's "undigested apple-dumpling" : imaging Moby-Dick in 1956 and 2001 / Walter C. Metz -- Trying harder : probability, objectivity, and rationality in adaptation studies / David L. Kranz -- What is a "Shakespeare film," anyway? / James M. Welsh -- Returning to Naples : seeing the end in Shakespeare film adaptation / Yong Li Lan -- Pop goes the Shakespeare : Baz Luhrmann's William Shakespeare's Romeo and Juliet / Elsie Walker -- Reframing adaptation : representing the invisible (on The house of mirth, directed by Terence Davies, 2000) / Wendy Everett -- Sucking Dracula : mythic biography into fiction into film, or Why Francis Ford Coppola's Dracula is not really Bram Stoker's Dracula or Wallachia's Dracula / James M. Welsh -- Vertigo, novel and film / Peter Lev -- Heinlein, Verhoeven, and the problem of the real : Starship troopers / J. P. Telotte -- Literary hardball : the novel-to-screen complexities of The Manchurian candidate / Linda Constanzo Cahir -- The oak : a balancing act from page to screen / Odette Caufman-Blumenfeld -- Adaptation and the Cold War : Mankiewicz's The quiet American / Brian Neve -- All the quiet Americans / C. Kenneth Pellow -- Camille Claudel : biography constructed as melodrama / Joan Driscoll Lynch -- W. C. Handy goes uptown : Hollywood constructs the American blues musician / John C. Tibbetts -- Memoir and the limits of adaptation / William Mooney -- Getting it right : the Alamo on film / Frank Thompson -- "Plains" speaking : sound, sense, and sensibility in Ang Lee's Ride with the devil / John C. Tibbetts -- Where are we going, where have we been? / Thomas M. Leitch -- The future of adaptation studies / Peter Lev.

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLAT (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LOVE IS THE DEVIL (UK, John Maybury, 1998)

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); ROSIE'S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Author: Maddox, Garry
PhysDes: Article
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)

Call No: 735.2 CLO
Author: Clover, Carol J., 1940
Place: London
Publisher: B.F.I. Publishing
PubDate: 1992
PhysDes: 260 p. : ill. ; 25 cm
Subject: HORROR FILMS; SLASHER FILMS; CRIME IN FILMS; AUDIENCES; BISEXUALITY IN FILMS; DEVIL IN FILMS; ENDINGS OF FILMS; EXPLOITATION FILMS; FAMILY IN FILMS; LOOK IN FILMS; HOMOSEXUALITY IN FILMS; IDENTIFICATION; REPRODUCTION IN FILMS; SADISM / MASOCHISM IN FILMS; SUPERNATURAL IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); ALIEN [...] (UK/US, 1979-92); DELIVERANCE (US, John Boorman, 1972); EXORCIST, THE (US, William Friedkin, 1973); FRIDAY THE 13TH [...] (US, 1980-); HALLOWEEN (US, John Carpenter, 1978); HILLS HAVE EYES, THE (US, Wes Craven, 1978); HUNTER'S BLOOD (US, Robert C. Hughes, 1986); MS. 45 (US, Abel Ferrara, 1981); PEEPING TOM (UK, Michael Powell, 1960); POLTERGEIST (US, Tobe Hooper, 1982); PSYCHO (US, Alfred Hitchcock, 1960); SCANNERS (CN, David Cronenberg, 1981); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); WITCHBOARD (US, Kevin S. Tenney, 1987)
Notes: Includes bibliographical references (p. [237]-253) and index
ISBN: 0851704190 (pbk.); 0851703313
LON: 8882059

Call No: 734.1 NAR
Author: Naremore, James
Place: Berkeley
Publisher: University of California Press
PubDate: c1998
PhysDes: xiv, 345 p. : ill. ; 24 cm
Subject: FILM NOIR; BLACKLISTING. USA; B-MOVIES; ASIANS IN FILMS; BLACKS IN FILMS; CENSORSHIP; HERO IN FILMS; MODERNISM AND THE CINEMA; FILMS IN FILMS; DRUGS IN FILMS; POLITICS AND THE CINEMA; POSTMODERNISM AND THE CINEMA; DETECTIVE FILMS; SOCIAL-REALISM IN FILMS; CRIMINALS IN FILMS; VIOLENCE IN FILMS; WAR VETERANS IN FILMS; SOCIAL PROBLEMS IN FILMS; WASHINGTON, DENZEL; ALDRICH, ROBERT; CHANDLER, RAYMOND; DUNAWAY, FAYE; MUSURACA, NICHOLAS; FRANKLIN, CARL; FRANKENHEIMER, JOHN; GREENE, GRAHAM; HAMMETT, DASHIELL; JACKSON, SAMUEL L.; LADD, ALAN; BLUE DAHLIA, THE (US, George Marshall, 1946); PULP FICTION (US, Quentin Tarantino, 1994); CHINATOWN (US, Roman Polanski, 1974); CROSSFIRE (US, Edward Dmytryk, 1947); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DOUBLE INDEMNITY (US, Billy Wilder, 1944); KISS ME DEADLY (US, Robert Aldrich, 1955); MALTESE FALCON, THE (US, John Huston, 1941); OUT OF THE PAST (US, Jacques Tourneur, 1947)
Notes: Includes bibliographical references (p. 309-318) and indexes
ISBN: 0520212932 (alk. paper); 0520212940 (pbk. : alk. paper)
LON: 13441055

Call No: 45:2 MAL
Author: Malone, Peter (Peter R.)
Source: AT
Place: Eastwood, N.S.W.
Publisher: Parish Ministry Publications
PubDate: 1988
PhysDes: 167 p. : ill. ; 24 cm
Subject: RELIGION AND THE CINEMA; JESUS CHRIST IN FILMS; DEVIL IN FILMS
Notes: Includes index
ISBN: 0949807567 : price unknown
LON: 5999820 5999820

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); LE MARIEE ETAIT EN NOIR (FR/IT, Francois Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); DAMNED, THE (IT/GW, Luchino Visconti, 1969); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR, CLaude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); LA CINA E VICINA (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR,/IT/US, Christian Marquand, 1968); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 632.51 WIL
Author: Wilson, M. George
Source: US
Place: Baltimore
Publisher: The John Hopkins University Press
PubDate: 1986
PhysDes: x, 223 p. : ill. ; 24 cm
Subject: POINT-OF-VIEW; NARRATIVE IN FILMS; COMMENTARY; SPECTATORSHIP; PERCEPTION; MCCABE, COLIN; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); DEVIL IS A WOMAN, THE (IT, Josef von Sternberg, 1935); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955)
Notes: Includes index; Bibliography: p. 209-219
ISBN: 0801831377
Contents: Film, perception, and point of view -- Fritz Lang's You only live once -- Coherence and transparency in classical narrative film -- Alfred Hitchcock's North by Northwest -- Some modes of nonomniscience -- Max Ophuls' Letter from an unknown woman -- On narrators and narration in film -- Josef von Sternberg's The devil is a woman -- Nicholas Ray's Rebel without a cause -- Morals for method

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; AMERICAN FILM MARKET; MALCOLM (AT, Nadia Tass, 1986); BLISS (AT, Ray Lawrence, 1985); ARCHER (AT, Denny Lawrence, 1985); AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); DEVIL IN THE FLESH (AT, Scott Murray, 1986); DOT AND KEETO (AT, Yoram Goss, 1986); FAIR GAME (AT, Mario Andreacchio, 1986); KANGAROO (AT, Tim Burstall, 1986); PERFECTIONIST, THE (AT, Chris Thomson, 1985); TWELFTH NIGHT (AT, Neil Armfield, 1986)
Summary: List of Australian productions screening at the American Film Market. Later pages include posters for MALCOM and BLISS.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OH GOD, YOU DEVIL (US, Paul Bogart, 1984)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); FIVE EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988); ANGST DES TORMANNS BEIM ELFMETER, DIE (GW/AU, Wim Wenders, 1972); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: 81LEE PHI
Author: Arp, Robert; Barkman, Adam; McRae, James
Source: US
Place: Lexington: Kentucky
Publisher: University Press of Kentucky
PubDate: 2013
PhysDes: 303 pages ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; LEE, ANG; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); LUST, CAUTION (US/CC/TZ/HK, Ang Lee, 2007); SE, JEI (US/CC/TZ/HK, Ang Lee, 2007); SENSE AND SENSIBILITY (US, Ang Lee, 1995); TAKING WOODSTOCK (US, Ang Lee, 2009); ICE STORM (US, Ang Lee, 1997); RIDE WITH THE DEVIL (US, Ang Lee, 1999); BROKEBACK MOUNTAIN (US, Ang Lee, 2005)
Summary: The Philosophy of Ang Lee draws from both Eastern and Western philosophical traditions to examine the director’s works. The first section focuses on Taoist, Confucian, and Buddhist themes in his Chinese-language films, and the second examines Western philosophies in his English-language films; but the volume ultimately explores how Lee negotiates all of these traditions, strategically selecting from each in order to creatively address key issues. With interest in this filmmaker and his work increasing around the release of his 3-D magical adventure The Life of Pi (2012), The Philosophy of Ang Lee serves as a timely investigation of the groundbreaking auteur and the many complex philosophical themes that he explores through the medium of motion pictures. [Taken from the publishers website]
Notes: Includes bibliographical references and index.
ISBN: 9780813141664
Contents: Conquering the self: Daoism, Confucianism, and the price of freedom in Crouching tiger, hidden dragon / James McRae -- What do you know of my heart? The role of sense and sensibility in Ang Lee's Sense and sensibility and Crouching tiger, hidden dragon / Rene´e Ko¨hler-Ryan and Sydney Palmer -- The Confucian cowboy aesthetic / Michael Thompson -- East meets western: the eastern philosophy of Ang Lee's Brokeback Mountain / Jeff Bush -- Landscape and gender in Ang Lee's Sense and sensibility and Brokeback Mountain / Misty Jameson and Patricia Brace -- Can't get no satisfaction: desires, rituals, and the search for harmony in Eat drink man woman / Carl J. Dull -- Paternalism, virtue ethics, and Ang Lee: does father really know best? / Ronda Lee Roberts -- Lust, caution: a case for perception, unimpeded / Basileios Kroustallis -- The power to go beyond God's boundaries? Hulk, human nature, and some ethical concerns thereof / Adam Barkman -- Displacement, deception, and disorder: Ang Lee's discourse of identity / Timothy M. Dale and Joseph J. Foy -- Subverting heroic violence: Ang Lee's Taking Woodstock and Hulk as antiwar narratives / David Zietsma -- Homo migrans: desexualization in Ang Lee's Taking Woodstock / Nancy Kang -- Because of the molecules: The ice storm and the philosophy of love and recognition / Susanne Schmetkamp -- It's existential: negative space and nothingness in The ice storm / David Koepsell -- The ice storm: what is impending? / George T. Hole -- All's fair in love and war? Machiavelli and Ang Lee's Ride with the devil / James Edwin Mahon.

Call No: 792 PRO
Author: McFarlane, Peter, 1940-, comp
Place: Adelaide
Publisher: Rigby
PubDate: 1977
PhysDes: viii,133p. : ill. ; 23cm
Subject: PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); CADDIE (AT, Donald Crombie, 1976); STORM BOY (AT, Henri Safran, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); FOURTH WISH, THE (AT, Don Chaffey, 1976)
ISBN: 072700560X : $4.95 Aust
LON: 1361887

Call No: TITLE CLIPPINGS FILE
PhysDes: Press Sheet
Subject: RACE WITH THE DEVIL (US, Jack Starrett, 1975)
Notes: Import Simon Strong_Batch 8

Call No: TITLE CLIPPINGS FILE; DEVIL'S KNOT (US, Atom Egoyan, 2013)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: DEVIL'S KNOT (US, Atom Egoyan, 2013)
Summary: Review
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REDEMPTION OF THE DEVIL, THE (US, Alex Hoffman, 2015)

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); FIVE HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: 755.71(94) MAY
Author: May, Josephine
Edition: 2013
Place: Bern, Switzerland
Publisher: Peter Lang
PubDate: 2013
PhysDes: x, 286 pages : illustrated ; 23 cm
Subject: EDUCATION IN FILMS. AUSTRALIA; CHILDREN IN FILMS. AUSTRALIA; CELIA (AT, Ann Turner, 1988); FAST TALKING (AT, Ken Cameron, 1984); HEY, HEY, ITS ESTHER BLUE BURGER (AT, Cathy Randall, 2007); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); MULL (AT, Don McLennan, 1988); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); EVERLASTING SECRET FAMILY, THE (AT, Michael Thornhill, 1988); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987)
Summary: Reel Schools takes a fresh look at the history of Australian schooling through the lens of Australian cinema from the silent era until 2010. In exploring the relationship between cinematic representation and educational history, Josephine May shows how numerous Australian feature and documentary films offer access to powerful vernacular imaginings about school education in Australia. May argues that the cinematic school is a pervasive metaphor for the Australian nation. She demonstrates that, while Australian films about schooling have consistently commented on the relationship of schooling to the Australian class structure, they also increasingly explored gender, race and ethnicity at school, especially after the 1970s. From then on the egalitarian dream of school education and the nation’s capacity to generate meaningful futures for the young became increasingly contested. -- publisher's web site
ISBN: 9783034306324

Call No: 45:2 MAY
Author: Bird, Michael (Michael S.), 1941; May, John R
Edition: 1st ed
Place: Knoxville
Publisher: University of Tennessee Press
PubDate: c1982
PhysDes: xviii, 257 p. : ill. ; 23 cm
Subject: RELIGION AND THE CINEMA; RELIGIOUS FILMS; DEVIL IN FILMS; CENSORSHIP; ALLEGORY IN FILMS; ALTMAN, ROBERT; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; Fellini, Federico; HITCHCOCK, ALFRED; JUTRA, CLAUDE; KUBRICK, STANLEY; Peckinpah, Sam; RUSSELL, KEN; TRUFFAUT, FRANCOIS; WERTMULLER, LINA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COOL HAND LUKE (US, Stuart Rosenberg, 1967); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); EXORCIST, THE (US, William Friedkin, 1973); NASHVILLE (US, Robert Altman, 1975); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); QUINTET (US, Robert Altman, 1979); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: Includes index; Bibliography: p. 242-244
ISBN: 0870493523
LON: 2165498

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CURSE OF THE DEVIL [RETORNO DE WALPURGIS, EL] (SP/MX, Carlos Aured, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIDE WITH THE DEVIL (US, Ang Lee, 1999)

Call No: 749 WIL
Author: Williams, Linda
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: x, 412 p. : ill. ; 25 cm
Series: A John Hope Franklin Center book
Subject: SEX AND THE CINEMA; SEX FILMS; SEX IN FILMS; PORNOGRAPHIC FILMS; PORNOGRAPHIC VIDEO; FONDA, JANE; BREILLAT, CATHERINE; FLESH AND THE DEVIL (US, Clarence Brown, 1926); SHORTBUS (US, John Cameron Mitchell, 2006); INTIMACY (FR, Patrice Chereau, 2001); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); DEEP THROAT (US, Jerry Gerard, 1972); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); BLUE VELVET (US, David Lynch, 1986); AI NO CORRIDA (JA/FR, Nagisa Oshima, 1976)
Summary: "For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema "grew up" in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations." "Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the "tasteful" Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies."--BOOK JACKET.
Notes: Formerly CIP.; Includes bibliographical references (p. [379]-395) and index.
ISBN: 9780822342854
Contents: Of kisses and ellipses : the long adolescence of American movies (1896/1963) -- Going all the way : carnal knowledge on American screens (1961/1971) -- Going further : Last tango in Paris, Deep throat, and Boys in the sand (1971/1972) -- Make love, not war : Jane Fonda comes home (1968/1978) -- Hard-core eroticism : In the realm of the senses -- Primal scenes on American screens (1986/2005) -- Philosophy in the bedroom : hard-core art since the 1990s -- Conclusion: now playing on a small screen near you!

Author: Brownlow, Kevin
PhysDes: Article
Subject: FLESH AND THE DEVIL (US, Clarence Brown, 1926)
Summary: Ill

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHAKE HANDS WITH THE DEVIL (UK/US, Michael Anderson, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: SHE-DEVIL (US, Susan Seidelman, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968)