Search Catalogue

Call No: 749.2 ADU
Place: New York
Publisher: Pocket Books
PubDate: November, 1982
PhysDes: 18 cm ; 256 pages
Subject: PORNOGRAPHIC FILMS; DEEP THROAT (US, Jerry Gerard, 1972)
ISBN: 0671468448

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALIENS OF THE DEEP (US, James Cameron, 2005)

Author: Timms, Peter
PhysDes: Article
Subject: STORK (AT, Tim Burstall, 1971); DEEP END (GW/US, Jerzy Skolimowski, 1970); JOE (US, John G. Avildsen, 1970); KLUTE (US, Alan J. Pakula, 1971)
Summary: Reviewof Stork and discussion of recent R-Rated films including Klute, Deep End and Joe

Author: Rosser, Edward
PhysDes: Article
Subject: DOCUMENTARY FILMS. AUSTRALIA; EXPERIMENTAL FILM AND TELEVISION FUND; FESTIVALS. SYDNEY; COX, PAUL; EYE TO EYE (AT, Peter Beilby, 1971?); JUMPING JEWELLER OF LAVENDER BAY, THE (AT, Gerald Ryan, 1971); SKIN DEEP (AT, Paul Cox, 1968)
Summary: Reviews a number of experimental films produced with assistance from the Experimental Film and Television Fund, including My University, winner of the Benson and Hedges award at the Sydney Film Festival

Author: Peary, Danny
PhysDes: Article
Subject: DEEP END (GW/US, Jerzy Skolimowski, 1970)
Summary: ill; Credits, synopsis and review of each film

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAD HANDS DIG DEEP (AT/US, Jai Love, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP (AT, Rebecca McLean, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP AT HEART (CC, Chang Yan, 1985?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings; Press kit; Publicity
Subject: DEEP BLUE (UK/GG, Alastair Fothergil and Andy Byatt, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEEP BLUE SEA (US, Renny Harlin, 1999)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP BLUE SEA 3 (US, John Pogue,2020)
Cross Reference: DEEP BLUE SEA 3 (US, John Pogue,2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP BLUE SEA, THE (US/UK, Terence Davies, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP BLUES (US, Robert Mugge, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: DEEP COVER (US, Bill Duke, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEEP END OF THE OCEAN, THE (US, Ulu Grosbard, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEEP END, THE (US, Scott McGhee & David Siegel, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEEP IMPACT (US, Mimi Leder, 1997)

Call No: 79DEE KAN
Author: Kannas, Alexia
Source: US
Place: New York
Publisher: Wallflower Press
PubDate: 2017
PhysDes: 114 pages ; illustrations (black & white) ; 18cm
Series: Cultogrophies
Subject: ARGENTO, DARIO; DEEP RED [PROFONDO ROSSO] (IT, Dario Argento, 1975)
Summary: A critical evaluation of director Dario Argento's 1975 giallo cult classic Profondo rosso (Deep red).
ISBN: 9780231181211
Contents: 1.Production, Promotion, Initial Reception -- 2.The Cultification of Deep Red -- 3.Reading Deep Red -- 4.Intermittent Transcendence: The Place of Deep Red

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: DEEP RISING (US, Stephen Sommers, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP SEA 3D (CN/US, Howard Hall, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: DEEP SHIT (AT, Morgan Evans, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP STATE [TV] (UK, 2018 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP, THE (US/UK, Peter Yates, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP THROAT (US, Jerry Gerard, 1972)

Call No: S DEE
Author: Cummings, Michael; Everett, Jim
PubDate: [1997]
PhysDes: 98 leaves
Subject: DEEP WATER (AT)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP WATER (UK, Louise Osmond & Jerry Rothwell, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP WATER [TV] (AT, 2016-)

Call No: 761 SMA
Author: Smaill, Belinda
Source: UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2010
PhysDes: vii, 221 p. : ill. ; 23 cm
Subject: ASIAN COUNTRIES; CHILDREN AND THE CINEMA; CHILDREN IN FILMS; CULTURE AND THE CINEMA; DOCUMENTARIES; DOCUMENTARIES. AUSTRALIA; EMOTION IN FILMS; FEMINISM AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IMMIGRATION IN FILMS AND TELEVISION; PSYCHOLOGY AND THE CINEMA; REALITY TV; SEX IN FILMS; SOCIAL PROBLEMS IN FILMS; THEORY; VIEWERS; WOMEN FILMMAKERS; LOVELACE, LINDA; BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004); CORPORATION, THE (CN, Jennifer Abbott & Mark Achbar, 2003); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998); ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005); FINISHED PEOPLE, THE (AT, Khoa Do, 2003); FIX: THE STORY OF AN ADDICTED CITY (CN, Nettie Wild, 2002); INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999)
Summary: "The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and it is crucial to how we engage with the vicissitudes of the public sphere. In the past documentary has been popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smail analyses various different kinds of individuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, and the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queer theory, cultural theories of affect, critical race studies, political theory and pyschoanalysis. " -- BOOK BLURB
Notes: Includes bibliographical references (p. 200-209) and index
ISBN: 9780230237513 (hbk.)
Contents: -- list of illustrations -- acknowledgments -- part one: documentary and pleasure -- 1: introduction: representation and documentary emotion -- 2: pleasure and disgust: desire and the female porn star -- part two: pain and the other -- 3: Injury, identity and recognition: Rize and Fix: the story of an addicted city -- 4: women, pain and the documentaries of Kim Longinotto -- part three: the labour of authorship: caring and mourning -- 5: loss and care: Asian Australian documentary -- 6: civic love and contemporary dissent documentary -- part four: past, present and future: hope and nostalgia -- 7: children, futurity and hope: Born into Brothels -- 8:nostalgia, historical time and reality television: the idol series -- epilogue -- notes -- bibliography -- index --

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: 44(41) PHE
Author: Phelps, Guy,
Place: London
Publisher: Gollancz
PubDate: 1975
PhysDes: 319 p. ; 23 cm
Subject: CENSORSHIP; CENSORSHIP. UK; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEEP THROAT (US, Jerry Gerard, 1972); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972)
Notes: Includes bibliographical references and index
ISBN: 0575019875 : ª5.50
LON: 187052

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FREEDOM DEEP (AT, Aaron Stevenson, 1997)

Call No: 735.2(450) KAN
Author: Kannas, Alexia
Edition: 2021
Place: New York
Publisher: State University of New York Press
PhysDes: 168 pages : illustrated ; 23 cm
Series: Horizons of cinema
Subject: ARGENTO, DARIO; BAVA, MARIO; DEEP RED [PROFONDO ROSSO] (IT, Dario Argento, 1975)
Summary: Italian giallo films have a peculiar allure. Taking their name from the Italian for “yellow”— reflecting the covers of pulp crime novels—these genre movies were principally produced between 1960 and the late 1970s. These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and experimental soundtracks. Using critical frameworks drawn from genre theory, reception studies, and cultural studies, Giallo! traces this historically marginalized genre’s journey from Italian cinemas to the global cult-film canon. Through close textual analysis of films including The Girl Who Knew Too Much (1963), Blood and Black Lace (1964), The Bird with the Crystal Plumage (1970), The Black Belly of the Tarantula (1971), and The Case of the Bloody Iris (1972), Alexia Kannas considers the rendering of urban space in the giallo and how it expresses a complex and unsettling critique of late modernity.
Notes: List of Illustrations -- Acknowledgments -- Introduction -- 1. The Problem of Genre -- 2. The Cultification of the Italian Giallo -- 3. No Place like Home: The Late-Modern City -- 4. Those Who Wait: Tourists, Detectives, and Urban Experience in the Giallo City-- 5. The Most Unnatural Kind of Death -- Conclusion -- Works Cited -- Filmography -- Index
ISBN: 9781438480329

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GLOCKEN AUS DERTIEFE : GLAUBE UND ABERGLAUBE IN RUSSLAND (GG/US, Werner Herzog, 1993); BELLS FROM THE DEEP (GG/US, Werner Herzog, 1993)

Call No: 210.31(73) BAR
Author: Bart, Peter
Edition: First Edition
Source: US
Place: New York
Publisher: St. Martin's Griffin
PubDate: February 2000
PhysDes: 337 p. ; 24 cm
Subject: BART, PETER; INDUSTRY, FILM. USA; BOX OFFICE. USA; STUDIOS, FILM. USA; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; SONY CORPORATION; WARNER BROS.; UNIVERSAL PICTURES; SPIELBERG, STEVEN; ARMAGEDDON (US, Michael Bay, 1998); BULWORTH (US, Warren Beatty, 1998); DEEP IMPACT (US, Mimi Leder, 1997); HORSE WHISPERER, THE (US, Robert Redford, 1998); LETHAL WEAPON 4 (US, Richard Donner, 1998); MASK OF ZORRO (US, Martin Campbell, 1998); MULAN (US, Barry Cook & Tony Bancroft, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); SMALL SOLDIERS (US, Joe Dante, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998); GODZILLA (US/JA, Roland Emmerich, 1998); THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998)
Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURB
ISBN: 0312253915

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMANOIDS FROM THE DEEP [MONSTER] (US, Barbara Peeters, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity
Subject: IN TOO DEEP (AT, Colin South & John Tatoulis, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN TOO DEEP (US, Michael Rymer, 1999)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph: b&w ; 13 x 14 cm
Subject: IN TOO DEEP (AT, Colin South & John Tatoulis, 1990)
Summary: Black and white photograph of a young naked couple looking stressed

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005)

Call No: 79DEE GUB
Author: Guber, Peter
Source: US
Place: New York
Publisher: Bantam Books
PubDate: 1977
PhysDes: xxiii, 181 p., [24] leaves of plates : ill. ; 18 cm
Subject: DEEP, THE (US/UK, Peter Yates, 1977)
ISBN: 0553111361

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INTO THE DEEP (US, Howard Hall, 1998)

Author: Andrews, Nigel
PhysDes: Article
Subject: DEEP END (GW/US, Jerzy Skolimowski, 1970)
Summary: Review; port; ill

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: LOVERS AND LUGGERS (AT, Ken G. Hall, 1937); VENGEANCE OF THE DEEP (AT, Ken G. Hall, 1937)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVERS AND LUGGERS (AT, Ken G. Hall, 1937); VENGEANCE OF THE DEEP (AT, Ken G. Hall, 1937)

Call No: 749.2(73) MCN
Author: McNeil, Legs; Osborne, Jennifer; Pavia, Peter
Place: New York
Publisher: HarperCollins
PubDate: 2005
PhysDes: 640 p. ; 23 cm.
Subject: PORNOGRAPHIC FILMS; FRIEDMAN, DAVID F.; DEEP THROAT (US, Jerry Gerard, 1972); BEHIND THE GREEN DOOR (US, Artie Mitchell & Jim Mitchell, 1972); LOVELACE, LINDA
Notes: Includes bibliographical references.
ISBN: 9780060096601

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PEARLS OF THE DEEP [PERLICKY NA DNE] (CS, Vera Chytilová / Jaromil Jires / Jirí Menzel / Jan Nemec / Evald Schorm, 1965)

Call No: 67(081) PLA
Author: Rosenbaum, Jonathan
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: ix, 337 p. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; BARTHES, ROLAND; CASSAVETES, JOHN; TATI, JACQUES; WELLES, ORSON; RESNAIS, ALAIN; RUIZ, RAUL; ALLEN, WOODY; ANTONIONI, MICHELANGELO; FARBER, MANNY; TARR, BELA; RIVETTE, JACQUES; GERTRUD (DK, Carl Th. Dreyer, 1964); OHAYO (JA, Ozu Yasujiro, 1959); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); OTHELLO (MR, Orson Welles, 1951); MELO (FR, Alain Resnais, 1986); HARDLY WORKING (US, Jerry Lewis, 1980); AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979); BIRD (US, Clint Eastwood, 1988); WHITE DOG (US, Samuel Fuller, 1982); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974); RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); DEEP COVER (US, Bill Duke, 1992); PANAMA DECEPTION, THE (US, Barbara Trent, 1992); SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953); BARTON FINK (US, Joel Cohen, 1991); ATALANTE, L' (FR, Jean Vigo, 1934); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); KING LEAR (US/SZ, Jean-Luc Godard, 1987); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981)
Notes: Includes bibliographical references (p. 315-321) and index
ISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper)
LON: 93042954; 10612641
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP RED [PROFONDO ROSSO] (IT, Dario Argento, 1975)

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: TITLE CLIPPINGS FILE in production; KILLING OFF THE BEAT in production
Author: Robin, Myriam
PhysDes: Clippings File Article
Subject: COPYCAT SHOWS; SPECIAL BROADCASTING SERVICE; KILLING OFF THE BEAT in production; DEEP WATER in production
Summary: Report on the makers of the Australian documentary KILLING OFF THE BEAT and how they believe that their documentary's subject of the gay hate murders in Sydney in the 1980s has been taken on as a subject by SBS for their DEEP WATER 4 part crime drama

Call No: 71(411) MAR
Author: Martin-Jones, David
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c2010
PhysDes: ix, 254 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; SCOTLAND IN FILMS; LOCATION SHOOTING. SCOTLAND; LANDSCAPES IN FILMS. SCOTLAND; AE FOND KISS (UK, Ken Loach, 2004); AMERICAN COUSINS (UK, Don Coutts, 2003); BEAUTIFUL CREATURES (UK, Bill Eagles, 2000); CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996); DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004); UNLEASHED (FR/UK/US, Louis Leterrier, 2004); DOG SOLDIERS (UK/LU, Neil Marshall, 2001); FESTIVAL (UK, Annie Griffin, 2005); GOVERNESS, THE (US, Sandra Goldbacher, 1998); GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999); KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000); KUCH KUCH HOTA HAI (II, Karan Johar, 1998); LOCH NESS (UK, John Henderson, 1996); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001); RED ROAD (UK/DK, Andrea Arnold, 2006); SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934); SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993); TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005); WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007); WILD COUNTRY (UK, Craig Strachan, 2005); WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999); YOUNG ADAM (UK/FR, David Mackenzie, 2003)
Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland. This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVER
ISBN: 9780748633920
Donation: donated by Senses of Cinema, 2013
Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)

Call No: 749 WIL
Author: Williams, Linda
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: x, 412 p. : ill. ; 25 cm
Series: A John Hope Franklin Center book
Subject: SEX AND THE CINEMA; SEX FILMS; SEX IN FILMS; PORNOGRAPHIC FILMS; PORNOGRAPHIC VIDEO; FONDA, JANE; BREILLAT, CATHERINE; FLESH AND THE DEVIL (US, Clarence Brown, 1926); SHORTBUS (US, John Cameron Mitchell, 2006); INTIMACY (FR, Patrice Chereau, 2001); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); DEEP THROAT (US, Jerry Gerard, 1972); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); BLUE VELVET (US, David Lynch, 1986); EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976)
Summary: "For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema "grew up" in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations." "Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the "tasteful" Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies."--BOOK JACKET.
Notes: Formerly CIP.; Includes bibliographical references (p. [379]-395) and index.
ISBN: 9780822342854
Contents: Of kisses and ellipses : the long adolescence of American movies (1896/1963) -- Going all the way : carnal knowledge on American screens (1961/1971) -- Going further : Last tango in Paris, Deep throat, and Boys in the sand (1971/1972) -- Make love, not war : Jane Fonda comes home (1968/1978) -- Hard-core eroticism : In the realm of the senses -- Primal scenes on American screens (1986/2005) -- Philosophy in the bedroom : hard-core art since the 1990s -- Conclusion: now playing on a small screen near you!

Call No: TITLE CLIPPINGS FILE in production; DEEP WATER in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: DEEP WATER in production
Summary: Australian producer Gary Hamilton is looking to shoot an Australian-China co-production of a film Deep Water. He has success with the film Bait.

PhysDes: Article
Subject: DEEP IN THE WORKS (US, Ron Underwood, 1980)
Summary: ill;

Call No: N79SKI WIL
Author: Williams, Robert J
Place: Wellington
Publisher: Reed
PubDate: 1979
PhysDes: 194 p.; 18 cm
Subject: SKIN DEEP (NZ, Geoff Steven, 1978)
ISBN: 0589012649 (pbk.)
LON: 8439920

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: SKIN DEEP (NZ, Geoff Steven, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SKIN DEEP (US, Blake Edwards, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SKIN DEEP (US, Frances Reid, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SKIN DEEP [TV] (AT, Franco Di Chiera, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SKIN DEEP (AT, Jon Leahy, 2014)

Call No: S SKI
Author: Zanetti, Monica
Place: AT
PubDate: [2014]
PhysDes: 87 leaves ; 30 cm.
Subject: SKIN DEEP (AT, Jon Leahy, 2014)
Summary: "Skin Deep is a heart warming urban adventure following Leah, straight-laced and scared after being diagnosed with terminal melanoma, as she becomes lost and befriended by an unpredictable Newtown local, Caitlin. Their unlikely new friendship leads them on a tumultuous journey where both are pushed beyond their comfort zones and finally decide to choose life... while they still can." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: 81EDW WAS
Author: Wasson, Sam
Source: US
Place: Middletown, Connecticut
Publisher: Wesleyan University Press
PubDate: 2009
PhysDes: xii, 353 p. : ill. ; 24 cm
Subject: EDWARDS, BLAKE; CRITICISM; BLIND DATE (US, Blake Edwards, 1987); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CAREY TREATMENT, THE (US, Blake Edwards, 1972); CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983); FINE MESS, A (US, Blake Edwards, 1986); GREAT RACE, THE (US, Blake Edwards, 1965); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); MICKI AND MAUDE (US, Blake Edwards, 1984); PARTY, THE (US, Blake Edwards, 1968); PINK PANTHER, THE (US, Blake Edwards, 1964); REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978); SHOT IN THE DARK, A (UK, Blake Edwards, 1964); SKIN DEEP (US, Blake Edwards, 1989); S.O.B. (US, Blake Edwards, 1981); SON OF THE PINK PANTHER (US, Blake Edwards, 1993); SUNSET (US, Blake Edwards, 1988); SWITCH (US, Blake Edwards, 1991); TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982)
Summary: "With one of the longest and most controversial careers in Hollywood history, it's about time for Blake Edwards, a director of raving chutzpuh, to take hist seat at the table of greats. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Chaplin, Lubitsch, Sturges, and Wilder. Like Wilder, Edward's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, The Pink Panther, and even days of Wine and Roses, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk both of them and brought Paramount Pictures to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, and allowed him to simultaneously fight the Hollywood tide as he rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known." - BOOK JACKET
Notes: Includes filmography.; Includes bibliographical references and index.
ISBN: 9780819569158
Donation: Donated by Senses Of Cinema, 2009
Contents: Prologue: Breaking in, 1922-1955 -- Blake begins, 1955-1959 -- Blake builds, 1959-1962 -- Blake blossoms, 1963-1968 -- Blake burns, 1968-1974 -- Panther pictures (Blake banks) -- Blake booms, 1979-1982 -- Blake breaks, 1983-1988 -- Blake bows, 1988-1991 -- Epilogue: Making out, October 24, 1993.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: STAR TREK: DEEP SPACE NINE [TV] (US, 1993-)

Call No: 79 STA BAC
Author: Baker, Djoymi
Edition: 2018
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2018
PhysDes: 298 pages ; illustrated ; 23cm
Subject: STAR TREK; STAR TREK (US/G, J.J. Abrams, 2009); STAR TREK [ GENERAL]; STAR TREK [TV] [...] (US, 1966-69, 1987-); STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); STAR TREK GENERATIONS (US, David Carson, 1994); STAR TREK: DEEP SPACE NINE [TV] (US, 1993-); STAR TREK VOYAGER
Summary: Today's media, cinema and TV screens are host to new manifestations of myth, their modes of storytelling radically transformed from those of ancient Greece. They present us with narratives of contemporary customs and belief systems: our modern-day myths. This book argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. J. Abrams' `reboot' films. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base. Fusing key theory from film, TV, media and folklore studies, as well as anthropology and other specialisms, To Boldly Go is an authoritative guide to the function of myth across the whole Star Trek enterprise. -- publisher's web site
ISBN: 9781788310086
Contents: Introduction -- Chapter 1: Myth & Early US TV -- Chapter 2: The New Mythology -- Chapter 3: Star Trek Title Sequences As Cosmology -- Chapter 4: Fans, Bards, & Rituals -- Conclude… Then Reboot

Call No: 911(71) VAL
CorpAuthor: Craig Scott Gallery
Source: CN
Place: Canada
PubDate: 2008
PhysDes: 34 pages (unnumbered) : colour illustrations ; 21cm
Subject: ART AND THE CINEMA; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); GOLD RUSH, THE (US, Charles Chaplin, 1925); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); DEEP THROAT (US, Jerry Gerard, 1972)
Summary: This booklet covers the exhibition by Raymond Waters (19 January - 29 February 2008) which looks at the values and symbols of American life and of the United States presence in the world. It also includes two essays related to the themes and works of Raymond Waters.
Notes: Includes essays by Michael Zryd and Norman Dorsen -- includes forward by Craig Scott
Contents: Forward: The art of American values by Craig Scott -- Raymond Waters by Michael Zryd -- Flag desecration in courts, congress and country by Norman Dorsen -- Notes

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WAIST DEEP IN HEAVEN (AT, Kate Dowsett, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007)

Call No: TITLE CLIPPINGS FILE; SKIN DEEP (AT, Jon Leahy, 2014)
Author: Cartwright, Darren
PhysDes: Clippings File Article
Subject: ZANETTI, MONICA; SKIN DEEP (AT, Jon Leahy, 2014)
Summary: Interview with Monica Zanetti about the film she wrote and co-starred in SKIN DEEP, a story based on her experiences of being diagnosed with melanoma at the age of 23