script
48 shades / by Daniel Lapaine; based on the novel 48 shades of brown by Nick Earls AT: [2005].
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journal article
48 Shades in Empire (Australian Ed.) (September 2006) iss.66 p.29
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poster
[48 shades : poster, double-sided]
Call No: P FORPhysDes: 1 poster : col ; double sided ; 101 X 68 cm.Subject: [FORTY-EIGHT] 48 SHADES (AT, Daniel Lapaine, 2006) Summary: Full colour, glossy double-sided poster. Features main character with two female characters. Text reads: 'Romeo and Juliet... Beer... Postcards... and Sex. It was the very best time of their loves. They just didn't know it yet'. Double sided poster, reverse image on back.Notes: Fairly battered and brusied around the edges and large chunk out of top right hand corner.; Double sided
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newspaper article
Absent wives in Australian Financial Review (4/10/2014) p.51
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newspaper article
Ace of space in Sunday Herald Sun [Scene] (19/03/2017) p.4
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book
African camera : an introduction to African cinema / Australian Film Institute Sydney: Australian Film Institute,
Call No: 71 (6) AFRAuthor: Australian Film Institute Place: SydneyPublisher: Australian Film InstitutePhysDes: 32 unnumbered pages : illustrations ; 21 cmSubject: VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINYE (ML, Souleymane Cisse, 1982) ; NYMANTON (ML, Cheik Omar Sissoko, 1986) ; HARVEST: 3000 YEARS (ET, Haile Gerima, 1976) ; AFRICAN CAMERA (TI, Ferid Boughedir, 1983) ; WEST INDIES STORY (MU, Med Hondo, 1979) ; VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987) ; TOUKI BOUKI (SG, Djibril Diop Mambety, 1973) ; KADDU BEYKAT (SG, Safi Faye, 1975) ; BOPHA (US/SA, Daniel Riesenfeld, 1986) ; SONG OF THE SPEAR (UK, 1985) ; ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985) ; MANDELA (US, Peter Davis, 1986) ; CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987) ; SAMBIZANGA (AL, Sarah Maldoror, 1972) ; MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968) ; AFRICA ; AFRICA IN FILMS ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS Notes: Title from cover.
"This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2.
Includes bibliographical references (page 31)
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title clippings file
AHO...AU COEUR DU MONDE PRIMITIF : (CN, Daniel Bertolino & Francois Floquet, 1975)
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ALLES AUF ZUCKER! : (GW, DANI LEVY, 2004)
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ALLES AUF ZUCKER! : (G, Daniel Levy, 2005)
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personality microfilm collection
AMALM, DANIEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: AMALM, DANIEL
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personality clippings file
ANGEL, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ANGEL, DANIEL
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title clippings file
ANGST : (AT, Daniel Nettheim, 2000)
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script
Angst : seventh draft [1999].
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journal article
Angst in Movie Trader (June 2000) p.19
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title clippings file
APOSTASY : (UK, Daniel Kokotajlo, 2017)
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Online resource
digital clippings file
ASSISTANT, THE : (CN/UK, Daniel Petrie, 1997) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Stills; Clippings; Press kitSubject: ASSISTANT, THE (CN/UK, Daniel Petrie, 1997) URL status: URL: 'http://file://Q:/T/ASSISTANT,_THE.zip'
Checked: 31/08/2021 12:55:25 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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AUSTRALIAN DREAM, THE : (AT, Daniel Gordon, 2019)
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personality microfilm collection
AUTEUIL, DANIEL
Call No: PERSONALITY CLIPPINGS FILE
PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AUTEUIL, DANIEL
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title clippings file
BACIO DI TOSCA, IL : (SZ, Daniel Schmid, 1984)
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book
Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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personality microfilm collection
BALDWIN, DANIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BALDWIN, DANIEL
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title clippings file
BALLET RUSSES : (US, Daniel Geller/Dayna Goldfine, 2005)
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title clippings file
BALLETS RUSSES : (US, Dayna Goldfine & Daniel Keller, 2005)
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title clippings file
BAY BOY, THE : (CN/FR, Daniel Petrie, 1984)
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title clippings file
BEAT MANIFESTO, THE : (AT, Daniel Nettheim, 1995)
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still
[Beat manifesto, the : stills file]
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title clippings file
BEETHOVEN'S 2ND : (US, Rod Daniel, 1993)
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BEING EVEL : (US, Daniel Junge, 2015)
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BESO A ESTA TIERRA, UN : (MX, Daniel Goldberg, 1995)
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BETSY, THE : (US, Daniel Petrie, 1978)
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journal article
The Blair witch project in If magazine (Dec 1999-Jan 2000) iss.20 p.28-30
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book
The Blair Witch project / a dossier compiled by D.A Stern London: Boxtree, 1999.
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BLAIR WITCH PROJECT, THE : (US, Daniel Myrick & Eduardo Sanchez, 1999)
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title clippings file
BLUE VINYL : (US, Judith Helfand & Daniel B. Gold, 2001)
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title clippings file
BOPHA : (US/SA, Daniel Riesenfeld, 1986)
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personality clippings file
BRUHL, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRUHL, DANIEL
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title clippings file
BUCK ROGERS IN THE 25TH CENTURY : (US, Daniel Haller, 1979)
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BUM RAP : (US, Daniel Irom, 1988)
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BURMAN, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BURMAN, DANIEL
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title clippings file
BUSTER AND BILLIE : (US, Daniel Petrie, 1974)
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CAKE : (US, Daniel Barnes, 2014)
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CAM : (US, Daniel Goldhaber, 2018)
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journal article
Cannes market mixed bag in Encore (June 2000) vol.18 iss.5 p.16-17
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CAT AND MOUSE : (UK, Daniel Petrie, 1974)
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newspaper article
Choose life in Herald Sun [Hit] (23/03/2017) p.25
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title clippings file
CITY WITH TWO VOICES, A : (AT, Daniel Jameison, 2012)
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COCOON: THE RETURN : US, Daniel Petrie, 1988
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title clippings file
COMMANDMENTS : US, Daniel Taplitz, 1997
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personality clippings file
CONNORS, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CONNORS, DANIEL
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newspaper article
Controlled panic on space station in Sunday Canberra Times [Relax] (26/03/2017) p.9
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personality microfilm collection
CRAIG, DANIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CRAIG, DANIEL
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newspaper article
Crime caper is full of froth but tastes flat in Sunday Telegraph [Insider] (15/3/2015) p.129
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book
Cultural Borrowings : appropriation, reworking, transformation / edited by Iain Robert Smith United Kingdom: Institute of Film & TV Studies, University of Nottingham, 2009.
Call No: 408 CULAuthor: Smith, Iain Robert (ed) Source: UKPlace: United KingdomPublisher: Institute of Film & TV Studies, University of NottinghamPubDate: 2009PhysDes: 224 p. ; 30cmSeries: A Scope e-bookSubject: CRITICISM ; CULTURE AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; BLAIR WITCH PROJECT, THE (US, Daniel Myrick & Eduardo Sanchez, 1999) Summary: "Scope is a fully peer-reviewed online journal edited by staff and students in the Institute of Film & Television Studies at the University of Nottingham. It is published three times a year, in February, June and October. Established in 1999, the journal changed to its current format after five years of continuous publication. All issues dated between May 1999 and November 2004 are now available in our Archive. The first issue of the new series appeared in February 2005.
As our title suggests, Scope provides a forum for discussion of all aspects of film history, theory and criticism. Given contemporary film studies' varied concerns, it is our belief that we can best serve our readers interests by promoting as wide a range of approaches and critical methodologies as possible.
Scope is dedicated to publishing material of the highest scholarly interest, and to this end we have assembled a distinguished Editorial Advisory Board of academics and critics. We welcome contributions from established writers engaging with cutting-edge debates in film, media and cultural studies. However, we are also keen to act as a supportive environment within which those new to the field of film studies may publish their first work. "
-- Scope Website - http://www.scope.nottingham.ac.uk/Notes: Biography of contributors is included (pages 'i-iii'); This resource (an e-book) has been downloaded from http://www.scope.nottingham.ac.uk/ and printed offISBN: 9780956464101Contents: -- notes on contributors -- acknowledgements -- foreword: Scope's Tenth Anniversary / Mark Gallagher and Julian Stringer -- introduction / Iain Robert Smith -- Part 1: Hollywood cinema and artistic imitiation -- exploitation as adaptation / I. Q Hunter -- The character-orientated franchise: promotion and exploitation of pre-sold characters in American film, 1913-2007 / Jason Scott -- Novelty through repetition: exploring the success of artistic imitiation in the contemporary film industry, 1983-2007 / Stijn Joye -- Part II: found footage and remix culture -- A taxonomy of digital video remixing: contemporary found footage practice on the internet / Eli Horwatt -- Ethical possession: borrowing from the archives / Emma Cocker -- Music videos and reused footage / Sergio Dias Branco -- Part III: Modes of parody and pastiche -- from cult to subculture: Re imaginings of Cult films in the alternative music video / Brigid Cherry -- Queering the cult of Carrie: Appropriations of a horror icon in Charles Lum's Indeliable / Darren Elliott -- irony inc. : parodic-doc horror and The Blair Witch Project / Jordan Lavender-Smith -- Part IV: transnational screen cultures -- a Marxist's gotta do what a Marxist's gotta do: political violence on the Italian frontier / Austin Fisher -- "Tom Cruise? Tarantino? E.T.? ...Indian!" : innovation through imitiation in the cross-cultural Bollywood remake / Neelam Sidhar Wright -- "La television des professeurs?": Charles Dickens, French public service television and Oliver Twist / Pamela Atzori --
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personality microfilm collection
CUMERFORD, DANIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CUMERFORD, DANIEL
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DAMASCUS COVER : (UK, Daniel Zelik Berk, 2017)
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macpherson, daniel
Dan on a roll with TV deal in Herald Sun [Confidential] (09/01/2017) p.16
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DANIEL : (US, Sidney Lumet, 1983)
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DANIEL, CRAIG
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANIEL, CRAIG
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DANIEL, LISA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANIEL, LISA
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newspaper article
Daniel Mac reveals next move in Daily Telegraph [Sydney Confidential] (7/08/2015) p.36
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DANIEL, PAUL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANIEL, PAUL
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newspaper article
Daniel's film for justice in Herald Sun (07/07/2016) p.16
Call No: TITLE CLIPPINGS FILE in production; WHERE IS DANIEL? in productionAuthor: - PhysDes: Clippings File ArticleSubject: WHERE IS DANIEL? in production Summary: Snippet on the Kickstarter campaign to raise funds for a film about the abduction and murder of Daniel Morcombe, which is to be titled WHERE IS DANIEL?
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DANIEL, STEPHANIE
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DASEY, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DASEY, DANIEL
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DAY-LEWIS, DANIEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAY-LEWIS, DANIEL
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DEADWOOD: THE MOVIE : (US, Daniel Minahan, 2019)
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journal article
December Boys in Empire (Australian Ed.) (October 2007) iss.79 p.35
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journal article
December Boys in Empire (Australian Ed.) (March 2008) iss.84 p.108
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journal article
The decline of A.I.P in Interview (1970) vol.1 iss.5 p.25-26
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DEROBADE, LA : (FR, Daniel Duval, 1979)
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DEVIL AND DANIEL JOHNSTON, THE : (US, Jeff Feuerzeig, 2005)
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DEVINE, DANIEL HUGH
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DIAMANTINO : (PO/FR/BL, Gabriel Abrantes & Daniel Schmidt, 2018)
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DIMARCO, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DIMARCO, DANIEL
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DONAI, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DONAI, DANIEL
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newspaper article
Dvd letterbox in Weekend Australian [Review] (15/08/2015) p.14
Call No: TITLE CLIPPINGS FILE; CAKE, (US, Daniel Barnes, 2014)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: Aniston, Jennifer ; CAKE, (US, Daniel Barnes, 2014) Summary: Review of the film, Cake, starring Jenifer Anniston
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newspaper article
dvd letterbox in Weekend Australian [Review] (13/02/2016) p.16
Call No: TITLE CLIPPINGS FILE; BEING EVEL (US, Daniel Junge, 2015)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: BEING EVEL (US, Daniel Junge, 2015) Summary: Positive review of documentary about famous stuntman Evel Knievel titled BEING EVEL
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title clippings file
ENCHANTED BILLABONG, THE : (AT, Daniel Waddington, 2002)
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book
Encore Hollywood : remaking French cinema / Lucy Mazdon London: British Film Institute, 2000.
Call No: 753.8 MAZAuthor: Mazdon, Lucy CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: [vi], 169 p. : ill. ; 24 cmSubject: FRANCE ; REMAKES ; CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM. US ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA. FRANCE ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; SOMMERSBY (US, Jon Amiel, 1993) ; NIKITA (FR/IT, Luc Besson, 1990) ; LEON (FR, Luc Besson, 1994) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; TRUE LIES (US, James Cameron, 1994) ; SORCERER (US, William Friedkin, 1977) ; MON PERE, CE HEROS (FR, Gerard Lauzier, 1991) ; MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976) ; TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985) ; TOTALE!, LA (FR, Claude Zidi, 1991) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; WOMAN IN RED, THE (US, Gene Wilder, 1984) ; ALGIERS (US, John Cromwell, 1938) ; CASBAH (US, John Berry, 1948) ; SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953) ; GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972) Notes: Includes bibliographical references and indexISBN: 0851708005(cased) : ¦45.00; 0851708005LON: 21532807
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still
[Escape from Jupiter : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 26 cmSubject: ROSNIAK, JUSTIN ; TAYLOR, DANIEL ; KANTS, IVAR ; WILKINSON, LINDEN ; BABA, SAEMI ; MUROYAMA, KAZUHIRO ; BISLEY, STEVE ; DIGNAM, ARTHUR ; TENNEY, ANNE ; RADLEY, KEN ; CHOY, ANNA ; ESCAPE FROM JUPITER [TV] (AT/JA, Kate Wood & Fumitaka Tamura, 1994) Summary: Three black and white photographs from the television series Escape from Jupiter
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book
Fade out : the calamitous final days of MGM / Peter Bart New York: Morrow, 1990.
Call No: 19MET BARAuthor: Bart, Peter Edition: 1st edPlace: New YorkPublisher: MorrowPubDate: 1990PhysDes: 304 p. : ill. ; 24 cmSubject: Metro-Goldwyn-Mayer ; UNITED ARTISTS ; PARAMOUNT STUDIOS ; AUBREY, JAMES T. ; YABLANS, FRANK ; KERKORIAN, KIRK ; ARMSTRONG, GILLIAN ; BROOKS, RICHARD ; CIMINO, MICHAEL ; FIELDS, FREDDIE ; GOLDBERG, LEONARD ; HUTTON, TIMOTHY ; LADD, ALAN, Jr. ; SKASE, CHRISTOPHER ; LOWE, ROB ; MELNICK, DANIEL ; MUDOCH, RUPERT ; NICHOLSON, JACK ; ROSENBERG, STUART ; STEENBURGEN, MARY ; WEINTRAUB, JERRY ; WARGAMES (US, John Badham, 1983) ; RED DAWN (US, John Milius, 1984) ; RAIN MAN (US, Barry Levinson, 1988) ; MRS SOFFEL (US, Gillian Armstrong, 1984) Notes: Includes indexISBN: 0688084605 (acid-free paper)LON: 6934383
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Family's ruffled feathers end up all over the place in The Australian [Review] (28/12/2013) p.12
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UNE FEMME OU DEUX : (FR, Daniel Vigne, 1985)
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book
Film 68/69 : An anthology by the National Society of Film Critics / edited by Hollis Alpert aand Andrew Sarris Indianapolis [etc.]: Bobbs-Merrill Co. [etc.],
Call No: 67(04) FILAuthor: Alpert, Hollis (ed) ; Sarris, Andrew (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PhysDes: 281 p. ; 22 cmSubject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; FOR LOVE OF IVY (US, Daniel Mann, 1968) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BULLITT (US, Peter Yates, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; FACE OF WAR, A (US, Eugene S. Jones, 1968) ; MERCENARIES, THE (UK/US, Jack Cardiff, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; INSIDE NORTH VIETHAM (US, Felix Greene, 1967) ; JOANNA (UK, Michael Same, 1968) ; ODD COUPLE, THE (US, Gene Saks, 1968) ; OLIVER (UK, Carol Reed, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PETULIA (US, Richard Lester, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; TARGETS (US, Peter Bogdanovich, 1968) ; TELL ME LIES (UK/US, Peter Brook, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; UP TIGHT! (US, Jules Dassin, 1968) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) ; TANTE ZITA (FR, Robert Enrico, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; STAR (US, Robert Wise, 1968) Summary: Review of Films produced in the years 1968-69Notes: Includes indexISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris
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journal article
Flat triangle in Freeze Frame (May 1987) vol.1 iss.2 p.47
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book
Florida on film : the essential guide to Sunshine State cinema and locations / written by Susan Doll and David Morrow Gainesville, FL: University Press of Florida, 2007.
Call No: 721.217 DOLAuthor: Doll, Susan ; Morrow, David Edition: 1st ed.Source: USPlace: Gainesville, FLPublisher: University Press of FloridaPubDate: 2007PhysDes: xiv, 394 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; USA ; LOCATION SHOOTING. USA: FLORIDA ; BATTLE ROYALE (JA, Kinji Fukasaku, 2000) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; KEY LARGO (US, John Huston, 1948) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) ; BODY HEAT (US, Lawrence Kasdan, 1981) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINA MOON (US, John Bailey, 1994) ; FLASH OF GREEN, A (US, Victor Nunez, 1984) ; NIGHT MOVES (US, Arthur Penn, 1975) ; OUT OF TIME (US, Carl Franklin, 2003) ; PALMETTO (US, Volker Schlondorff, 1998) ; WILD THINGS (US, John McNaughton, 1998) ; ABSENCE OF MALICE (US, Sydney Pollack, 1981) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; FLIPPER (US, Alan Shapiro, 1996) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; MEAN SEASON, THE (US, Phillip Borsos, 1985) ; MIAMI BLUES (US, George Armitage, 1990) ; SCARFACE (US, Brian DePalma, 1984) ; BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]) ; HEALTH (US, Robert Altman, 1980) ; JAWS 3-D (US, Joe Alves, 1983) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; BLOOD AND WINE (US, Bob Rafelson, 1996) ; COCOON (US, Ron Howard, 1985) ; CROSS CREEK (US, Martin Ritt, 1983) ; DAYS OF THUNDER (US, Tony Scott, 1990) ; JUST CAUSE (US, Arne Glimcher, 1995) ; ROSEWOOD (US, John Singleton, 1997) ; STICK (US, Burt Reynolds, 1985) ; SUNSHINE STATE (US, John Sayles, 2002) ; ULEE'S GOLD (US, Victor Nunez, 1997) ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; BAD BOYS (US, Michael Bay, 1995) ; MATINEE (CN, Richard Wayne Martin, 1989) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STRIPTEASE (US, Andrew Bergman, 1996) ; TRUE LIES (US, James Cameron, 1994) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; RUBY IN PARADISE (US, Victor Nunez, 1993) ; RUNNING SCARED (US, Peter Hyams, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; SUMMER RENTAL (US, Carl Reiner, 1985) ; AIR FORCE (US, Howard Hawks, 1943) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; PARENTHOOD (US, Ron Howard, 1989) Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKETNotes: Includes bibliographical references (p. 369-382) and indexISBN: 9780813030456Donation: Donated by Senses Of Cinema, 2009
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FORT APACHE, THE BRONX : (US, Daniel Petrie, 1981)
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FORTY EIGHT 48 SHADES : (AT, Daniel Lapaine, 2006)
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book
Found footage horror films : Fear and the appearance of reality / Heller-Nicholas, Alexandra Jefferson, NC: McFarland & Company Inc, 2014.
Call No: 735.2 HELAuthor: Heller-Nicholas, Alexandra Place: Jefferson, NCPublisher: McFarland & Company IncPubDate: 2014PhysDes: 244 p ; 23 cmSubject: HORROR FILMS ; HEALTH AND SAFETY FILMS ; SNUFF FILMS ; REALISM IN FILMS ; BLAIR WITCH PROJECT, THE (US, Daniel Myrick & Eduardo Sanchez, 1999) ; PARANORMAL ACTIVITY (US, Oren Peli, 2007) Summary: As the horror subgenre du jour, found footage horror’s amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror’s dark and tantalizing fantasies.
Found Footage Horror Films explores the subgenre’s stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube’s popular rise in sparking the subgenre’s recent renaissance. -- publisher's blurbISBN: 9780786470778Contents: -- Preface -- Introduction -- Part 1: Expanding the Prehistory: 1938-1998 --
One. Safety Films -- Two. Snuff-Fictions -- Three. Television -- Part 2: A Critical Chronology: 1998-2009 -- Four. Revisiting The Blair Witch Project -- Five. The Vanishing of the Real -- Six. Approaching Paranormal Activity -- Part 3: Further Discoveries: 2007-2013 -- Seven. Exorcism Films --Eight. The Family -- Nine. Nation, History and Identity -- Conclusion: The Specter of Commercialism -- Notes -- Bibliography -- Index --ID2: 179
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journal article
Fox product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
PhysDes: ArticleSubject: TWENTIETH CENTURY-FOX ; PIRATE MOVIE, THE (AT, Ken Annakin, 1982) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; I OUGHT TO BE IN PICTURES (US, Herbert Ross, 1982) ; MODERN PROBLEMS (US, Ken Shapiro, 1981) ; VISITING HOURS (CN, Jean-Claude Lord, 1981) ; SIX PACK (US, Daniel Petrie, 1982) ; CONAN THE BARBARIAN (US, John Milius, 1982) ; AUTHOR! AUTHOR! (US, Arthur Hiller, 1982) ; VERDICT, THE (US, Sidney Lumet, 1982) ; MONSIGNOR (US, Frank Perry, 1982) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; TOUGH ENOUGH (US, Richard Fleischer, 1983) ; ENTITY, THE (US, Sidney J. Furie, 1982) Summary: List of current, coming, and completed Fox films.
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FREDERIKSEN, DANIEL
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FROSH: NINE MONTHS IN A FRESHMAN DORM : (US, Daniel Gellar & Danya Goldfine, 1994)
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GAME OF THEIR LIVES, THE : (UK, Daniel Gordon, 2003)
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GET ME ROGER STONE : (US, Dylan Bank /Daniel DiMauro /Morgan Pehme, 2017)
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GIRLFRIEND FROM HELL : (US, Daniel M. Peterson, 1989)
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GLASS CASTLE, THE : (US, Destin Daniel Cretton, 2017)
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GLASS HOUSE, THE : (US, Daniel Sackheim, 2001)
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GORDON, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: GORDON, DANIEL
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GREETINGS FROM TIM BUCKLEY : US, Daniel Algrant, 2012
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HABEDANK, DANIEL & CHEREE
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HAK NAP : (HK, Daniel Lee[pseud. of Lee Yan Kong], 1996)
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HALLELUJAH : (US, Daniel Geller/Dayna Goldfine, 2021) Digital clippings file available
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HAMEUAD : (IS, Daniel Wachsman, 1990)
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HAROLD AND LILLIAN : (US, Daniel Raim, 2015) Digital clippings file available
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HARRY BROWN : (UK, Daniel Barber, 2009)
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HELFER, DANIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HELFER, DANIEL
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HENSHALL, DANIEL
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still
[Home and away : stills file] / Julia Morrell The Seven Network,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: The Seven NetworkPhysDes: 16 photographs : b&w ; 22 x 17 cm - 20 x 25 cmSubject: BRUMMER, DIETER ; FISHER, ISLA ; COARD, DENNIS ; AMMANN, SHANE ; GEORGE, MELISSA ; DECKERT, TEMPANY ; CRAIG, DIANE ; AMALM, DANIEL ; TESTONI, NIC ; QUILTER, NICOLA ; LEE, ADRIAN ; GLAISTER, COREY ; HOME AND AWAY [TV] (AT, 1988 -) Summary: Sixteen black and white photographs, including a number of publicity stills, for 'Home and away'
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HOUGHTON, DANIEL Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HOUGHTON, DANIEL
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script
The hunter / written by Marieka Walsh AT: c2012.
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script
The hunter : based on the book by Julia Leigh / final pass by Daniel Nettheim ; written by Alice Addison AT: 2010 Jul. 15.
Call No: S HUNAuthor: Nettheim, David ; Addison, Alice Edition: 6th draft, final passPlace: ATPubDate: 2010 Jul. 15PhysDes: 114 leavesSubject: HUNTER, THE (AT, Daniel Nettheim, 2011) Notes: Unpublished script -- Developed with the assistance of Screen Australia and Screen Tasmania -- Copyright Porchlight Films Pty Ltd 2010 -- Director - Daniel Nettheim -- Producer - Vincent SheehanDonation: Australian Film Institute
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HUNTER, THE : (AT, Daniel Nettheim, 2011)
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I, DANIEL BLAKE : (UK/FR/BE, Ken Loach, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: I, DANIEL BLAKE (UK/FR/BE, Ken Loach, 2016) URL status: URL: 'http://file://Q:/T/I_DANIEL_BLAKE.zip'
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I'LL CRY TOMMOROW : (US, Daniel Mann, 1955)
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ILIC, DANIEL
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IN THE ARMY NOW : (US, Daniel Petrie Jr., 1994)
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book
Indelible shadows : film and the Holocaust / Annette Insdorf Cambridge New York: Cambridge University Press, 1989.
Call No: 744(=924) INSAuthor: Insdorf, Annette Edition: 2nd edPlace: Cambridge New YorkPublisher: Cambridge University PressPubDate: 1989PhysDes: xix, 293 p. : ill. ; 24 cmSubject: GENOCIDE IN FILMS ; BRECHT, BERTOLT ; CHAPLIN, CHARLES ; LANZMANN, CLAUDE ; MALLE, LOUIS ; OPHULS, MARCEL ; BERGMAN, INGMAR ; IMHOOF, MARKUS ; JARVIK, LAURENCE ; LILIENTHAL, PETER ; LUBITSCH, ERNST ; WERTMULLER, LINA ; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980) ; WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89) ; RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976) ; SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981) ; MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760 ; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976) ; OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965) ; PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979) ; GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974) ; BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981) ; CHILDREN FROM NUMBER 67, THE [KINDER AUS NO. 67, DIE] (GW, Usch Barthelmess-Weller & Werner Meyer, 1980) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; DAVID (GW, Peter Lilienthal, 1979) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282ISBN: 0521372798; 0521378109 (pbk.)LON: 6081353
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journal article
The Invasion in Empire (Australian Ed.) (August 2007) iss.77 p.10-12
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ISTER, THE : (AT, Daniel Ross & David Barison, 2003)
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newspaper article
It's life as we already know it in Weekend Australian [Review] (1/04/2017) p.14
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JENATSCH : (SZ/FR/GW, Daniel Schmid, 1987)
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JOHNNY MONTANA : (US, John Daniel Gavin, 2006)
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JONES, DANIEL P
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: JONES, DANIEL P
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JOURNEY INTO FEAR : (CN, Daniel Mann, 1974)
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JUDITH : (US, Daniel Mann, 1965)
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JUST MERCY : (US, Destin Daniel Cretton, 2019)
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K- [NINE] 9 : (US, Rod Daniel, 1989)
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KASH, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KASH, DANIEL
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KIDNAPPING MR HEINEKEN : (UK/BE/NE, Daniel Alfredson, 2015)
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KIDS OF SURVIVAL : THE ART AND LIFE OF TIM ROLLINS & K.O.S. : (US, Daniel Geller & Danya Goldfine, 1996)
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KING, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KING, DANIEL
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KRIGE, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KRIGE, DANIEL
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LAPAINE, DANIEL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LAPAINE, DANIEL
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LASSIE : (US, Daniel Petrie, 1994)
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LAST EXORCISM, THE : (US/FR, Daniel Stamm, 2010)
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LIFE : (US, Daniel Espinosa, 2017)
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LIFE OF CRIME : (US, Daniel Schechter, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: LIFE OF CRIME (US, Daniel Schechter, 2013) URL status: URL: 'http://file://Q:/T/LIFE_OF_CRIME.zip'
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LIFEGUARD : (US, Daniel Petrie, 1976)
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LIKE FATHER LIKE SUN : (US, Rod Daniel, 1987)
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LISSING, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LISSING, DANIEL
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LITTLE MO : (US, Daniel Haller, 1978)
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LOGAN, DANIEL
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LOVE IS A FOUR LETTER WORD [TV] : (AT, Tony Tilse, Daniel Nettheim, Kay Pavlou, 2001)
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journal article
Love Patrol in Australian Cinematographer (March 2013) iss.57 p.20-25
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still
[Lucinda, 31 : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w ; 20 x 25 cmSubject: SMITHERS, JOY ; COOPER, WAYNE ; TURNER, JANE ; BROINOWSKI, ANNA ; KENEALLY, LAURA ; LAPAINE, DANIEL ; ROBINSON, KEITH ; LUCINDA, 31 (AT, Cherie Nowlan, 1994) Summary: Four black and white photographs from the film 'Lucinda, 31'
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MACPHERSON, DANIEL
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macpherson, daniel
MacPherson excited over Strike Back role in Daily Telegraph [Sydney Confidential] (09/01/2017) p.16
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MAIN ATTRACTION, THE : (UK, Daniel Petrie, 1962)
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MANN, DANIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MANN, DANIEL
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journal article
Marketing an aussie film - Angst in Movie Trader (July 2000) p.12-13
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MASSEY, DANIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MASSEY, DANIEL
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MATILDA : (US, Daniel Mann, 1978)
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MEME LES MOMES ONT DU VAGUE A L`AME : (FR, Jean-Louis Daniel, 1980)
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MINAHAN, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MINAHAN, DANIEL
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MISS VIRGINIA : (US, R.J. Daniel Hanna, 2019) Digital clippings file available
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MISTERIO DE LA FELICIDAD, EL : (AG/BL, Daniel Burman , 2014)
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MITCHELL, DANIEL
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MORBIUS : (US, Daniel Espinosa, 2022) Digital clippings file available
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MOST DANGEROUS MAN IN AMERICA, THE: DANIEL ELLSBERG AND THE PENTAGON PAPERS : (US, Judith Ehrlich & Rick Goldsmith, 2009)
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MOUSE, THE : (US, Daniel Adams, 1996)
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MULAMNA : (AT, Daniel Riley, 2021) Digital clippings file available
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still
[Muriel's wedding : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 13 photographs : b&w ; 13 x 18 - 26 x 21cmSubject: COLLETTE, TONI ; GRIFFITHS, RACHEL ; LEE, SOPHIE ; HUNTER, BILL ; HAYWOOD, CHRIS ; LAPAINE, DANIEL ; BYRON, ANNIE ; DAY, MATT ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) Summary: 13 black and white photographs of scenes from the film plus the director and the producer.
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MY LIFE'S IN TURNAROUND : (US, Eric Schaeffer & Daniel Lardner Ward, 1993)
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MY MOTHER, MY HERO [TV] : (CA, prod: Daniel Leipnick, 2002)
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MYRICK, DANIEL
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NAKED IN NEW YORK : (US, Daniel Algrant, 1993)
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NATIVE : (UK, Daniel Fitzsimmons, 2016)
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NAVALNY : (US, Daniel Roher, 2022) Digital clippings file available
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LA [NINETY-TWO] 92 : (US, Daniel Lindsay / T.J. Martin, 2017)
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newspaper article
No tool can fix this one in The Age (14/07/2016) p.27
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OBJECTIVE, THE : (US, Daniel Myrick, 2008)
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OBSCENE : (US, Daniel O'Connor/Neil Ortenberg, 2007)
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journal article
Obsessive becomings in Metro (1997) iss.111 p.59-61
Author: Ball, Steven PhysDes: Article; Bio-filmography; CreditsSubject: MEN IN FILMS ; EXPERIMENTAL FILMS. UK ; REEVES, DANIEL ; LE GRICE, MALCOLM ; DWOSKIN, STEPHEN ; OBSESSIVE BECOMING (UK, Daniel Reeves, 1995) ; CHRONOS FRAGMENTED (UK, Malcolm Le Grice, 1995) ; TRYING TO KISS THE MOON (UK, Stephen Dwoskin, 1994) Summary: Ball's essay explores the personal avant-garde video works of Daniel Reeves, Malcolm Le Grice and Stephen Dwoskin. Includes Reeves and Le Grice filmography.
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ODD JOBS : (AT, Daniel Nettheim, 1994)
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OPPORTUNIST, THE : (AT, Daniel King, 2000)
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OUT IN THE COLD : (NZ, Daniel Vendramini, 1986)
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book
Pacific island images 1994 : A festival of indigenous Pacific Islander films and video / Presented by Pacific Islanders in Communications and the Film and Video Summer Institute, University of Hawai'i, Manoa. Honolulu: Pacific Islanders in Communications,
Call No: 71(96) MCGCorpAuthor: Pacific Islanders in CommunicationsPlace: HonoluluPublisher: Pacific Islanders in CommunicationsPhysDes: 8 p. : illus. ; 22 cmSubject: TEI KORONEIHANA (NZ, Merata Mita, 1993) ; BACK TO THE ROOTS (US, Victoria Keith, 1994) ; NGA PAIAKA: PACIFIC ROOTS (NZ/CI, Tamatekapua Poata, 1992) ; TRIBUNAL, THE (US, Puhipau & Joan Lander, 1994) ; WITH THE FIRST CANOE (GA/FM, Jim Kallet, 1993) ; TE RUA (NZ, Barry Barclay, 1991) ; FA'ASAMOA (AS, Daniel F. Aga, 1993) ; SHOOTING OF DOMINICK KAIWHATA (NZ, Merata Mita, 1992)
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PALOMA, LA : (SZ/FR, Daniel Schmid, 1974)
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Interim
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Perverse spectators : the practices of film reception / Janet Staiger New York: New York University Press, c2000.
Call No: 630.5 STAAuthor: Staiger, Janet Source: USPlace: New YorkPublisher: New York University PressPubDate: c2000PhysDes: vi, 242 p. ; 24 cmSubject: AUDIENCE RESEARCH ; AUDIENCE RECEPTION ; PERCEPTION ; AUDIENCES
THEORY ; AESTHETICS ; GENRES ; VIOLENCE IN FILMS ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) Summary: A book on film studies, with interpretation on films using different theories. The history of film is provided and the role media plays in culture and in the world today. Different topics in films are discussed with the descpition of various films that are applied to those certain topics.ISBN: 081478139X
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PETRIE, DANIEL
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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Predictable pleasure in AFR Weekend (1/04/2017) p.36
Call No: TITLE CLIPPINGS FILE; MAN CALLED OVE, A [MAN SOM HETER OVE, EN] (SW, Hannes Holm, 2015)Author: McDonald, John PhysDes: Clippings File ArticleSubject: MAN CALLED OVE, A [MAN SOM HETER OVE, EN] (SW, Hannes Holm, 2015) ; LIFE (US, Daniel Espinosa, 2017) Summary: Review of the film A MAN CALLED OVE, with the author stating it is sentimental but charming. He dislikes the film LIFE.
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PRIZEFIGHTER : (UK, Daniel Graham, 2022) Digital clippings file available
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RAISIN IN THE SUN, A : (US, Daniel Petrie, 1961)
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REDD INC [INHUMAN RESOURCES] : (AT, Daniel Krige, 2012)
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Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
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RESURRECTION : (US, Daniel Petrie, 1980)
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RETOUR DE MARTIN GUERRE, LE : (FR, Daniel Vigne, 1982)
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REVENGE INC. : (AT, Daniel Einfeld & Sam de Brito, 1998)
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EL REY DEL ONCE : AG, Daniel Burman, 2016
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REY DEL ONCE, EL [TENTH MAN, THE] : (AG, Daniel Burman, 2016) Digital clippings file available
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The ritual of desire / by Rudolph Jula Zurich: Pro Helvetia, 1991.
Call No: 81SCH JULAuthor: Jula, Rudolph CorpAuthor: Pro Helvetia (Foundation)Place: ZurichPublisher: Pro HelvetiaPubDate: 1991PhysDes: 39 p. : illSubject: SCHMID, DANIEL Notes: Cover titleOrder Received: 1999Order Type: DonationLON: abn93024937; 9780755
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ROCKET GIBRALTAR : (US, Daniel Petrie, 1988)
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ROOKIE OF THE YEAR : (US, Daniel Stern, 1993)
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SAFE HOUSE : (US/SA, Daniel Espinosa, 2012)
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SAVING FACE : (US/PK, Daniel Junge & Sharmeen Obaid-Chinoy, 2012)
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SCHATTEN DER ENGEL : (SW/GW, Daniel Schmid, 1976)
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SCOTTS BORO: AN AMERICAN TRAGEDY : (US, Daniel Ankar & Barak Goodman, 2000)
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SERIES 7: THE CONTENDERS : (US, Daniel Minahan, 2001)
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SHANG-CHI AND THE LEGEND OF THE TEN RINGS : (US/AT, Destin Daniel Cretton,2021) Digital clippings file available
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Short Cuts : Morecombe film to be 'uplifing' in Sydney Morning Herald [Arts & Entertainment] (26/03/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; WHERE IS DANIEL? in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: WHERE IS DANIEL? in production Summary: Film about the real life case of the disappearance of school boy Daniel Morcombe is to be directed by Peter Cousens and is titled Where Is Daniel?
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Short Cuts : Morecombe film to be 'uplifing' in The Age [Arts & Entertainment] (26/03/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; WHERE IS DANIEL? in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: WHERE IS DANIEL? in production Summary: Film about the real life case of the disappearance of school boy Daniel Morcombe is to be directed by Peter Cousens and is titled Where Is Daniel?
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Short cuts : the scandal that Tropfest skirted in Sydney Morning Herald (18/02/2016) p.30
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Short cuts : prior screening 'a special case' in The Age (18/02/2016) p.20
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SHORT TERM 12 : (US, Destin Daniel Cretton, 2013) Digital clippings file available
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SILVER BULLET : (US, Daniel Attias, 1985)
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SIX PACK : (US, Daniel Petrie, 1982)
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SKINHEAD ATTITUDE : (SZ/GG/FR, Daniel Schweizer, 2003)
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SONDAGSBARN : (SW, Daniel Bergman, 1992)
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SPOON MAN : (AT, Heath Davis & Daniel Di Marco, 2003)
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SQUARE DANCE : (US, Daniel Petrie, 1987)
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Square Eye : Lissing in action in Sun Herald [Sydney] (17/02/2013) p.1
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A standard tear-jerker, but Loach's thesis resonates in The Age (17/11/2016) p.26
Call No: TITLE CLIPPING FILE; I, DANIEL BLAKE (UK/FR/BE, Ken Loach, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: I, DANIEL BLAKE (UK/FR/BE, Ken Loach, 2016) Summary: Review of the fiulm I, DANIEL BLAKENotes: similar review in The Age and Canberra Times on same dateRating: 3.5 out of 5 stars
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STATE OF MIND, A : (KO/UK, Daniel Gordon, 2004)
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STERN, DANIEL
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Still angry at the underdog's plight in Weekend Australian [Review] (19/11/2016) p.15
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SUBSTANCE OF FIRE, THE : (US, Daniel Sullivan, 1996)
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SUPER, THE : (US, Rod Daniel, 1991)
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SWISS ARMY MAN : (US, Dan Kwan/Daniel Scheinert, 2016) Digital clippings file available
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SYBIL : (US, Daniel Petrie, 1978)
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SZERENCSES DANIEL : (HU, Pal Sandor, 1983)
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TARNATION : (AT, Daniel Armstrong, 2017)
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TEEN WOLF : (US, Rod Daniel, 1985)
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Ten questions in The Australian [The Australian] (11/05/2015) p.24
Call No: PERSONALITY CLIPPINGS FILE; MACPHERSON, DANIELAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: MACPHERSON, DANIEL Summary: Michael Bodey interviews Daniel MacPherson
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Tennessee Williams and film / Maurice Yacowar New York: Frederick Ungar Pub. Co., 1977.
Call No: 753WIL YACAuthor: Yacowar, Maurice Place: New YorkPublisher: Frederick Ungar Pub. Co.PubDate: 1977PhysDes: viii, 168 p. : ill. ; 21 cmSeries: Ungar film librarySubject: ADAPTATIONS. WILLIAMS, TENNESSEE ; BABY DOLL (US, Elia Kazan, 1956) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; SWEET BIRD OF YOUTH (US, Richard Brooks, 1961) ; NIGHT OF THE IGUANA, THE (US, John Huston, 1964) ; THIS PROPERTY IS CONDEMNED (US, Sidney Pollack, 1966) ; BOOM (UK, Joseph Losey, 1968) ; LAST OF THE MOBILE HOT-SHOTS (US, Sidney Lumet, 1969) ; SUDDENLY LAST SUMMER (UK, Joseph L. Mankiewicz, 1959) ; FUGITIVE KIND, THE (US, Sidney Lumet, 1960) ; ROMAN SPRING OF MRS. STONE, THE (UK, Jose Quintero, 1961) ; PERIOD OF ADJUSTMENT (US, George Roy Hill, 1962) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) Summary: Tennessee Williams on the screen has been a touchstone of the growing maturity of American ilm production. Film versions of his plays have had a profound and lasting influence on the movies, beginning with A Streetcar Named Desire in 1961. This is the first book-length study of all the films made from his plays- The Glass Menagerie, The Rose Tattoo and others. Maurice Yacowar deals with them in purely cinematic terms. Each film is considered as a new work in a new medium, not merely as a less than faithful version of a play. [Taken from BOOK JACKET]Notes: Includes index; Filmography: p. 149-154; Bibliography: p. 155-160ISBN: 0804429928; 0804469903 (pbk.)LON: abn86012714; 4246677Contents: Introduction -- The glass menagerie (1950) -- A streetcar named desire (1951) -- The rose tattoo (1955) -- Baby doll (1956) -- Cat on a hot tin roof (1958) -- Suddenly last summer (1959) -- The fugitive kind (1960) -- Summer and smoke (1961) -- The Roman spring of Mrs. Stone (1961) -- Sweet bird of youth (1962) -- Period of adjustment (1962) -- The night of the iguana (1964) -- This property is condemned (1966) -- BOOM (1968)( -- Last of the mobile hot-shots (1969) -- Conclusion.
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That's Anarchy / Chrissie Macdonald Hartwell, Vic: Sid Harta Publishers, 2002.
Call No: 759.3(41) MACAuthor: Macdonald, Chrissie Source: ATPlace: Hartwell, VicPublisher: Sid Harta PublishersPubDate: 2002PhysDes: ix, 297 p. : ill., ports. ; 21 cmSubject: COMEDY PROGRAMMES. UK ; HUMOUR ON TV ; RICHARDSON, PETER ; MAYALL, RIK ; PLANER, NIGEL ; SAUNDERS, JENNIFER ; FRENCH, DAWN ; ALLEN, KEITH ; COLTRANE, ROBBIE ; EDMONDSON, ADRIAN ; PEACOCK, DANIEL ; YOUNG ONES, THE [TV] (UK, 1982-84) ; COMIC STRIP PRESENTS..., THE [TV] (UK, 1982-) ; RED DWARF [TV] (UK, 1988-93, 97) ; FILTHY RICH AND CATFLAP [TV] (UK, 1987) ; BOTTOM [TV] (UK, 1991-) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; HAPPY FAMILIES [TV] (UK, 1992) ; FRENCH AND SAUNDERS [TV] (UK, 1987-) ; VICAR OF DIBLEY, THE [TV] (UK, 1994) ; BLACKADDER [TV] (UK, 1983) Summary: Some called it “alternative comedy”. Others called it “the new rock ‘n’ roll”. Whatever it was, it spawned “The Young Ones”. Comedy changed on the 9th November 1982 when Rick, Vyvyan, Neil and Mike infiltrated the safe world of the television sitcom. They farted, swore, hit each other and shouted a lot and comedy hasn’t been the same since. They weren’t nice; they were NASTY! This is the story of the conception and birth of “The Young Ones”, their ancestors, their playmates and, eventually, their offspring. [Taken from back cover]Notes: Cover subtitle: The story of a revolution in the world of TV comedy.
Includes index.
Includes some short biographies of British comedians, producers and writers: p. 259-281.
Bibliography: p. 283-4.ISBN: 1877059242Language: English
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Crawford collection
still
[The feds : album #1] Crawford Productions [distributor],
Call No: CRAWFORD STILL FEDSource: ATPublisher: Crawford Productions [distributor]PhysDes: 10 photographs : b&w ; 26 x 21 cm + 37 photographic proof sheets : b&w ; 26 x 21 cm - 31 x 24 cm + 107 slides : col. + 8 transparencies : col. ; 120 mmSubject: TAYLOR, ROBERT ; THORNTON, SIGRID ; LAWRENCE, BRUNO ; WENDT, NICKI ; GRIFFITHS, RACHEL ; HOSKING, PETER ; MENGLET, ALEX ; GOW, PETER ; CHEN, STEPHANIE ; RIGNEY, DANIEL ; DELANEY, CON ; SCEALY, GREG ; FIANDER, LEWIS ; D'AMICO, VINCE Summary: Photographs and slides relating to 'The Feds'Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographic proof sheets, slides with accompanying promotional sheets, slides without accompanying promotional sheets then transparencies. The larger 31 x 24 cm photographic proof sheets are held with the album in a separate archival pocketDonation: Gift of Crawford Productions
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title clippings file
THIRD STROKE, THE : (AT, Daniel Nettheim, 1995)
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title clippings file
TIC TAC : (SW, Daniel Alfredson, 1997)
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journal article
Timothy Hutton in Interview (1983) vol.13 iss.9 p.28-32
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Online resource
digital clippings file
TINA : (US, Daniel Lindsay, T.J. Martin, 2021) Digital clippings file available
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personality microfilm collection
TOSCAN DU PLANTIER, DANIEL
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title clippings file
TOY SOLDIERS : (US, Daniel Petrie Jr., 1991)
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title clippings file
TRANSIT : (IR, Daniel Wachsman, 1980)
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personality microfilm collection
TRAVANTI, DANIEL J.
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[Une femme Francaise : Daniel Auteuil as Louis kneels before Emmanuelle Beart as Jeanne] Palace entertainment corporation, [1995?].
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Palace entertainment corporationPubDate: [1995?]PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: FEMME FRANCAISE, UNE (FR/UK/GG, Regis Wargnier, 1995) ; AUTEUIL, DANIEL ; BEART, EMMANUELLE Summary: Daniel Auteil in french military uniform kneels before Emanuelle Beart wearing a long coat and a hat. She looks away from his attention and there is a colonnade in the background.Notes: White border surrounds image; 2 adhesive labels on reverse of photograph
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[Une femme Francaise : production still of wedding scene from the film 'Une Femme Francaise' ] Palace entertainment corporation, [1995?].
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book
Variety international film guide 1992 / edited by Peter Cowie London Hollywood: Andre Deutsch Samuel French, c1991.
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title clippings file
VIETNAM EXPERIENCE, THE : (US, Daniel Keller & Country Joe McDonald, 1987)
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personality microfilm collection
VIGNE, DANIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: VIGNE, DANIEL
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newspaper article
Visuals speak louder than words in a familiar space thriller in Sydney Morning Herald (23/03/2017) p.19
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title clippings file
VOYAGE D'AMELIE, LE : (FR, Daniel Duval, 1974)
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title clippings file
WEST : (AT, Daniel Krige, 2007)
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script
West : shooting script / written and directed by Daniel Krige AT: [2005].
Call No: S WESAuthor: Krige, Daniel Place: ATPubDate: [2005]PhysDes: 96 leavesSubject: WEST (AT, Daniel Krige, 2007) Notes: Developed with financial assistance from the Australian Film Commission; Production script; Donated by the Australian Film Institute
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poster
[West : poster]
Call No: P WESPhysDes: 1 poster : col. ; 99 X 70 cm.Subject: WEST (AT, Daniel Krige, 2007) Summary: Text: 'Some places can break your heart'. Image : Has a silhouette of a young couple about to kiss on it.
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title clippings file
WHERE'S MARLOWE? : (US, Daniel Pyne, 1999)
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newspaper article
A whole new orbit in Canberra Times [Panorama] (25/03/2017) p.12
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title clippings file
WILD IRIS : (US, Daniel Petrie, 2001)
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personality clippings file
WYLLIE, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: WYLLIE, DANIEL
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