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2 create in Sydney Morning Herald (22/02/2013) p.24
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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ABC failing viewers, says former TV chief in Sydney Morning Herald (1/05/2017) p.1
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Lallo, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Reporting on the essay former ABC execuitve Kim Dalton wrote for Platform Papers, where he criticises the ABC's actions and funding decisions and he suggests changes to ABC governance to allow for more transparency in decisions made
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ABC has let its audience down in Sydney Morning Herald [General News] (1/05/2017) p.19
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Academy Award Nomination for Oz's Judy Davis in Australasian Cinema (Friday, 8/2/1985) vol.14 iss.2 p.1
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Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice / William Verrone London: Bloomsbury academic, 2013.
Call No: 753.8VERAuthor: Verrone, William Source: UKPlace: LondonPublisher: Bloomsbury academicPubDate: 2013PhysDes: vi, 275 p. ; 24 cmSubject: ADAPTATIONS ; AVANT-GARDE FILMS ; EXPERIMENTAL FILMS ; GREENAWAY, PETER ; GODARD, JEAN-LUC ; MADDIN, GUY ; SVANKMAJER, JAN ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977)
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HITLER - EIN FILM AUS DEUTSCHLAND ; STREET OF CROCODILES (UK, Brothers Quay, 1986) ; DANTE QUARTET, THE (US, Stan Brakhage, 1987) ; ALICE (SZ/GW/UK, Jan Svankmajor, 1988)
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NECO Z ALENKY ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; WISCONSIN DEATH TRIP (US, James Marsh, 1999) ; SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999) ; DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002) Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --Notes: Formerly CIP. --
Includes bibliographical references and index --ISBN: 9781441163523Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --
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Adaptation needs resuscitation in The Age [AGE-News] (15/11/2012) p.20
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010.
Call No: 753(510) DEPAuthor: Deppman, Hsiu-Chuang Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: c2010PhysDes: viii, 243 p. : ill. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; LITERATURE AND THE CINEMA. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
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DAHONG DENGLONG GAOGAO GUA ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI ; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
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FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
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BALZAC ET LA PETITE TAILLEUSE CHINOISE ; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
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TONG NIEN WANG SHI ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; PERSONALS, THE (TW, Kuo-fu Chen, 1998)
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ZHENG HUN QI SHI ; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 215-233) and indexISBN: 9780824834548Donation: donated by Senses of Cinema 2013Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Adventures in the b-movie trade / Brian Trenchard-Smith [USA]:
Call No: 81 TRE TREAuthor: Trenchard-Smith, Brian Edition: 2020Place: [USA]PhysDes: 580 pages : illustrated ; 26 cmSubject: TRENCHARD-SMITH, BRIAN ; PAGE, GRANT ; LEE, BRUCE ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976) ; STUNT ROCK (NE, Brian Trenchard-Smith, 1978) ; BMX BANDITS (AT, Brian Trenchard-Smith, 1983) ; FROG DREAMING (AT, Brian Trenchard-Smith, 1985) ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurbISBN: 9798985674705
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AFI changes, approaches 80s in Filmnews (Australia) (Jun-81) vol.XI iss.6 p.1
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African American actresses : the struggle for visibility, 1900 - 1960 / Charlene Regester Bloomington: Indiana University Press, c2010.
Call No: 802.27(73)-054(=96) REGAuthor: Regester, Charlene Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2010PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cmSubject: BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; MADAME SUL-TE-WAN ; BEAVERS, LOUISE ; MCKINNEY, NINA MAE ; WASHINGTON, FREDI ; MCDANIEL, HATTIE ; HORNE, LENA ; SCOTT, HAZEL ; WATERS, ETHEL ; DANDRIDGE, DOROTHY ISBN: 9780253221926Donation: donated by Senses of Cinema, 2013Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion
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After bumper year, what's next for local films in Saturday Age (09/01/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010'sAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: AUSTRALIA ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) ; SHERPA (AT/NP, Jennifer Peedom, 2015) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; GOLDSTONE (AT, Ivan Sen, 2016) ; JASPER JONES (AT, Rachel Perkins, 2017) ; LION (AT, Garth Davis, 2016) ; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016
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L'Age d'or / Paul Hammond London: British Film Institute, 1997.
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018.
Call No: 81VAR DERAuthor: DeRoo, Rebecca J. Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: c2018PhysDes: x, 238 pages : illustrations ; 23 cmSubject: FILM ; CRITICISM ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; NOUVELLE VAGUE ; MOVEMENTS AND STYLES IN FILM HISTORY ; FRANCE ; VARDA, AGNES ; POINTE COURTE, LA (FR, Agnes Varda, 1954) ; BONHEUR, LE (FR, Agnes Varda, 1965) ; ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977) ; DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVERNotes: Includes bibliographical references and index; Also issued onlineISBN: 9780520279414Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928.
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All the burning bridges : a memoir / Steve Bisley Richmond, Victoria: Echo, a division of Bonnier Publishing Australia, 2017.
Call No: 81 BIS BISAuthor: Bisley, Steve Source: ATPlace: Richmond, VictoriaPublisher: Echo, a division of Bonnier Publishing AustraliaPubDate: 2017PhysDes: 247 pages ; 21 cmSubject: BISLEY, STEVE ; GIBSON, MEL ; DAVIS, JUDY ; MAD MAX (AT, George Miller, 1979) ; WATER RATS [TV] (AT, Hal McElroy, 1996) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; DOCTOR DOCTOR [TV] (AT, 2016) Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.ISBN: 9781760400842
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DE ALMEIDA, BRUNO
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Along film row in Australasian Cinema (10/6/1983) vol.12 iss.10 p.6-7
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Alright, alright, alright : the oral history of Richard Linklater's Dazed and Confused / Melissa Maerz New York: Harper, 02/05/2022.
Call No: 79 DAZ MAEAuthor: Maerz, Melissa Edition: 2020Place: New YorkPublisher: HarperPubDate: 02/05/2022PhysDes: 464 pages : illustrated ; 21cmSubject: DAZED AND CONFUSED (US, Richard Linklater, 1993) ; SLACKER (US, Richard Linklater, 1990) Summary: The definitive oral history of the cult classic Dazed and Confused, featuring behind-the-scenes stories from the cast, crew, and Oscar-nominated director Richard Linklater.
Dazed and Confused not only heralded the arrival of filmmaker Richard Linklater, it introduced a cast of unknowns who would become the next generation of movie stars. Embraced as a cultural touchstone, the 1993 film would also make Matthew McConaughey’s famous phrase—alright, alright, alright—ubiquitous. But it started with a simple idea: Linklater thought people might like to watch a movie about high school kids just hanging out and listening to music on the last day of school in 1976.
To some, that might not even sound like a movie. But to a few studio executives, it sounded enough like the next American Graffiti to justify the risk. Dazed and Confused underperformed at the box office and seemed destined to disappear. Then something weird happened: Linklater turned out to be right. This wasn’t the kind of movie everybody liked, but it was the kind of movie certain people loved, with an intensity that felt personal. No matter what their high school experience was like, they thought Dazed and Confused was about them.
Alright, Alright, Alright is the story of how this iconic film came together and why it worked. Combining behind-the-scenes photos and insights from nearly the entire cast, including Matthew McConaughey, Parker Posey, Ben Affleck, Joey Lauren Adams, and many others, and with full access to Linklater’s Dazed archives, it offers an inside look at how a budding filmmaker and a cast of newcomers made a period piece that would feel timeless for decades to come. -- publisher's web site
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The altering eye : contemporary international cinema / Robert Phillip Kolker Oxford: Oxford University Press, 1983.
Call No: 62 KOLAuthor: Kolker, Robert Phillip Source: USPlace: OxfordPublisher: Oxford University PressPubDate: 1983PhysDes: 428 p. : ill. ; 21 cmSubject: HISTORY OF CINEMA ; CRITICISM ; PHILOSOPHY AND THE CINEMA ; DE SICA, VITTORIO ; GODARD, JEAN-LUC Summary: " Most filmmakers, especially in the United States, have chosen not to upset their audiences. But since World War 2, an alternative cinema has emerged on a significant scale, particularly in Europe and Latin America- a cinema that challenges rather than soothes, that questions assumptions rather than reinforces them. This kind of film - "made in a spirit of resistance, rebellion, and refusal" - is the focus of this important and stimulating study. Investigating many movements and styles, Robert Phillip Kolker illuminates both their diversity and their common threads. He starts with the seminal achievements of the Italian neo-realists (Rossellini, De Sica, Visconti), examining the filmmakers who influenced them and their influence in turn on later filmmakers in Engalnd, Brazil, India and Europe. He looks at the modernist experiments of Resnais and Antonioni and pays special attention to the directors of the French New Wave (Godard, Truffaut, Chabrol, Rohmer, Rivette), who broke down the remaining traditions of cinematic storytelling and invented new ones.
With deftness and clarity, Kolker discusses the New Wave's influence on such older directors as Bresson and Bunuel, as well as on younger ones, such as Ken Russell, Nicolas Roeg, and Jean-Marie Straub. He investigates the New German Cinema of Fassbinder, Wenders, and Herzog, filmmakers who have furthered the effort to make cinema a tool of enquiry and visual invention. He concludes with a look at specific political and psychological elements in contemporary film, particularly in the work of revolutionary Latin American filmmakers, the Hungarian director Miklos Jancso, as well as Godard, Bertolucci, Fassbinder, Losey, and Bunuel." -- BOOK BLURBNotes: Includes index; Bibliography: p. 405-415ISBN: 0195033027Contents: -- introduction -- one: the vaildity of image -- two: the substance of form -- three: politics, psychology, and memory -- notes -- bibliography -- index --URL status: URL: 'http://-'
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987.
Call No: 735.2 WALAuthor: Waller, Gregory A. (Gregory Albert), 1950 Place: UrbanaPublisher: University of Illinois PressPubDate: c1987PhysDes: 228 p., [10] p. of plates : ill. ; 23 cmSubject: HORROR FILMS. USA ; DE PALMA, BRIAN ; POLANSKI, ROMAN ; HALLOWEEN (US, John Carpenter, 1978) ; HELL NIGHT (US, Thomas De Simone, 1981) ; HOWLING, THE (CN, Joe Dante, 1981) ; REPULSION (UK, Roman Polanski, 1965) ; LOCATAIRE, LE (FR, Roman Polanski, 1976) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; EXORCIST, THE (US, William Friedkin, 1973) ; EYES OF LAURA MARS (US, Irvin Kershner, 1978) ; EYES OF A STRANGER (US, Ken Wiederhorn, 1981) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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Anatole Dauman : pictures of a producer / [edited by] Jacques Gerber ; translated by Paul Willemen London: BFI Pub., 1992.
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newspaper article
And two stars are born in Weekend Australian [Review] (12/3/2016) p.19
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Animated get -Together in Stills (sep-oct 1983) iss.8 p.13
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personality microfilm collection
DE ANTONIO, EMILE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DE ANTONIO, EMILE
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Anybody can do a stunt once in Cinema Papers (Mar 1986) vol.56 p.17-20
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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Art doesn't imitate life in Davis' gossip girl role in Sun Herald (2/04/2017) p.20
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still
[As I really am : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 21 x 22 cmSubject: DE GROOT, MYRA Summary: Black and white photograph of Myra De Groot
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Astaire and Rogers / Susanne Topper New York: Nordon Publications, 1976.
Call No: 81AST TOPAuthor: Topper, Susanne Source: USPlace: New YorkPublisher: Nordon PublicationsPubDate: 1976PhysDes: 206 p. : ill. ; 18 cmSubject: DANCE FILMS ; MUSICALS ; ASTAIRE, FRED ; ROGERS, GINGER ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; TOP HAT (US, Mark Sandrich, 1935) ; SWING TIME (US, George Stevens, 1936) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) Summary: The book is about Fred Astaire and Ginger Rogers, the dance team whose films entertained America during the DepressionISBN: 0843900380Donation: donated by the family of Wayne Levy, 2006
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Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs Brisbane, Queensland: 2009.
Call No: 81:634DEH STAAuthor: Starrs, David Bruno Source: ATPlace: Brisbane, QueenslandPubDate: 2009PhysDes: 263 p. : ill. ; 30 cmSubject: AUTEUR THEORY ; DIRECTORS. AUSTRALIA ; SOUND ; THEORY ; DE HEER, ROLF ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound.
The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.
The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism.
As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015.
Call No: 732(94) SPEAuthor: Speed, Lesley Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2015PhysDes: 128 pages : illustrations ; 24 cm.Subject: COMEDIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA ; EFFTEE STUDIO ; CINESOUND STUDIOS ; HANNA, PAT ; WALLACE, GEORGE ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS (AT, F.W. Thring, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; SHOWGIRL'S LUCK (AT, Norman Dawn, 1931) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) ; HARMONY ROW (AT, F.W. Thring, 1933) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; TICKET IN TATTS, A (AT, F.W. Thring, 1934) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; STRIKE ME LUCKY (AT, Ken G. Hall, 1935) ; SPLENDID FELLOWS (AT, Beaumont Smith, 1934) ; GRANDAD RUDD (AT, Ken G. Hall, 1935) ; WHITE DEATH (AT, Edwin G. Bowen, 1936) ; RANGLE RIVER (AT, Clarence G. Badger, 1936) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; TALL TIMBERS (AT, Ken G. Hall, 1937) ; LET GEORGE DO IT (AT, Ken G. Hall, 1938) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; GONE TO THE GOGS (AT, Ken G. Hall, 1939) ; ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]ISBN: 9781876467258Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian eco-horror and Gaia's revenge : animals, eco-nationalism and the 'new nature' in Studies in Australasian cinema (2010) vol.4 iss.1 p.43-54
Author: Simpson, Catherine PhysDes: ArticleSubject: ANIMALS IN FILMS ; NATURE IN FILMS ; HORROR FILMS. AUSTRALIA ; IMPERIALISM AND THE CINEMA AUSTRALIA ; RAZORBACK (AT, Russell Mulcahy, 1984) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; ROGUE (AT, Greg Mclean, 2007) ; MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987) ; DYING BREED (AT, Jody Dwyer, 2008) Summary: This article focuses on moments in a series of key films: Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Rogue (McLean, 2007), Howling III: the Marsupials (Mora, 1987) and Dying Breed (Dwyer 2008). Using an 'eco-postcolonial' framework, the author argues that these films extend postcolonial anxieties over settler Australian notions of belonging and challenge the notion of human mastery over nature.Notes: We hear so much about extinction in debates around climate change. But what about those animals that go feral and then return – bigger, hungrier and angrier – to wreak revenge on humans who may have done them injustice? Using an eco-postcolonial framework, this article examines how a number of exploitation horror films have dealt with environmental topics and issues of trespass. In particular, I examine the agency of animals – crocs, pigs, thylacines and marsupial werewolves – in some key Australian eco-horror films from the last 30 years: Long Weekend (Eggleston,1978), Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Howling III: the Marsupials (Mora, 1987), Rogue (Greg McLean, 2007), Black Water (Nerlich & Traucki, 2007) and Dying Breed (Dwyer 2008). On the one hand, these films extend postcolonial anxieties over settler Australian notions of belonging, while on the other, they signify a cultural shift. The animals portrayed have an uncanny knack of adapting and hybridizing in order to survive, and thus they (the films and the animals) force us to acknowledge more culturally plural forms of being. In particular, these films unwittingly emphasize what Tim Low has termed the ‘new Nature’: an emerging ethic that foregrounds the complex and dynamic interrelationships of animals with humans.--Abstract
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Australian Film Institute news in Filmnews (Australia) (Nov-75) vol.V iss.10 p.5
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian radio listeners and television viewers : historical perspectives / Bridget Griffen-Foley Cham, Switzerland: Palgrave Macmillan, 2020.
Call No: 41(94) GRIAuthor: Griffen-Foley, Bridget Source: SZPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 2020PhysDes: xiii, 167 pages : illustrations ; 22 cmSeries: Palgrave studies in the history of the mediaSubject: AUDIENCES. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; CHILDREN AND THE MEDIA. AUSTRALIA ; FANS ; RATINGS FOR TV AUSTRALIA ; RATINGS. AUSTRALIA ; DATING SHOWS ; CHILDREN, PROGRAMMES FOR. AUSTRALIA Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's websiteNotes: Includes bibliographies and indexISBN: 9783030546366Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion
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Authoritative star of the local silver screen in The Australian (6/06/2017) p.29
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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[Bad Boy Bubby : stills file] Roadshow Film Distributors,
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Bad film histories : ethnography and the early archive / Katherine Groo Minneapolis; London: University of Minnesota Press, 2019.
Call No: 769[39] GROAuthor: Groo, Katherine Edition: 2019Place: Minneapolis; LondonPublisher: University of Minnesota PressPubDate: 2019PhysDes: 366 pages : illustrated ; 22 cmSubject: ANIMALS IN FILMS ; ANTHROPOLOGY AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; CAVELL, STANLEY ; DANCE IN FILMS ; DERRIDA, JACQUES ; ETHNOGRAPHIC FILMS ; FILM HISTORY ; FOUCAULT, MICHEL Summary: A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives
Bad Film Histories is a vital work that unsettles the authority of the archive, examining the imprecisions and absences that define film history and its archives. Taking ethnographic cinema as a crucial case study, Katherine Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. -- publisher's web siteISBN: 9781517900335Donation: Senses of CinemaContents: Introduction: Untimely Historiographies, Ethnographic Particularities -- 1. Of Other Archives: The Excursive Minors of La Maison Lumière and Les Archives de la Planète -- 2. Historical Figures: Dance and the Unlettered Line -- 3. Following Derrida: Ethnocinematic Animals, Death Effects, and the Supplement of Expedition Cinema -- 4. Language Games, or the World Intertitled -- 5. Ethnography Won’t Wait: New Media and Material Histories -- Acknowledgments -- Notes -- Index
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[Bal poussiere : poster]
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Ballet for film and television London: Pitman, [1950].
Call No: 751.2 FRAAuthor: Franks, A. H. (Arthur Henry), 1907 Place: LondonPublisher: PitmanPubDate: [1950]PhysDes: ix, 85 p. plates. 23 cmSubject: DANCE FILMS Notes: Bibliography: p. 73-77. "A short catalogue of dance and ballet films": p. 78-82LON: 1335577
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Ballet melodrama makes its pointe in Sunday Age [Inside Out] (9/04/2017) p.11
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DE BATTRE DE MON COEUR S'EST ARRETE : (FR, Jacques Audiard, 2005)
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Bea's gone, but show goes on : new Wentworth season is a cracker, says Da Silva in Daily Telegraph (26/11/2016) p.70
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Becoming visionary : Brian De Palma's cinematic education of the senses / Eyal Peretz, with a foreword by Stanley Cavell Stanford, California: Stanford University Press, 2008.
Call No: 630 PERAuthor: Peretz, Eyal Source: USPlace: Stanford, CaliforniaPublisher: Stanford University PressPubDate: 2008PhysDes: xvii, 224 p. : ill. ; 23 cmSeries: Cultural memory in the presentSubject: CRITICISM ; DE PALMA, BRIAN Summary: "How is one to think about the significance of the art of film for philosophy? What would it mean to introduce film as a question into the heart of the philosophical enterprise? How would this transform our understanding of film, on the one hand, and of philosophy and the philosophical tradition, on the other? These are the questions that guide this project on the hirtherto critically neglected but seminal film director Brian De Palma. Becoming Visionary: Brian De Palma's Cinematic Education of the Senses is located at the intersection of philosophy and film studies, and makes each of these disciplines productive and useful for the other in a new way. It is a concrete examination of the logic governing the work of a major American artist and, at the same time, a general philosophical examination of the logic of meaning governing all the major filmic categories, thus providing a comprehensive theory of film. Becoming Visionary develops a new matrix for thinking about the relationship between philosophy and film and, by extension, betweeen philosophy and the arts. " -- BOOK BLURBNotes: Includes bibliographical references (p. [165]-220) and indexISBN: 9780804756853Contents: Foreword: On Eyal Peretz's Becoming Visionary / Stanley Cavell -- Introduction: The Realm of the Senses and the Vision of the Beyond - Toward a New Thinking of the Image -- 1. Carrie - Film and the Wounding of Representation -- 2. Between Paranoia and Passion - Questioning the Frame and the Screen in The Fury -- 3. Film and the Memory of the Outside: Or, Cinema as Technology, Cinema as Pornography, Cinema as Scream - Blow Out -- Coda: For a New Enlightenment: Femme Fatale, A Paradoxical Happy Ending; or, The Idea of a Future.
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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Bette Davis : a biography [London]: Skelton Robinson, 1948?].
Call No: 81DAV NOBAuthor: Noble, Peter, 1917 Place: [London]Publisher: Skelton RobinsonPubDate: 1948?]PhysDes: 231 p. : portsSubject: Davis, Bette, 1908 Notes: Bibliography: p. 227-228LON: nla07041818; 6387916
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Bette Davis / by Jerry Vermilye ; general editor: Ted Sennett New York: Galahad Books, 1974] c1973.
Call No: 81DAV VERAuthor: Vermilye, Jerry Place: New YorkPublisher: Galahad BooksPubDate: 1974] c1973PhysDes: 158 p. : ill. ; 22 cmSubject: Davis, Bette, 1908 Notes: Includes index; Bibliography: p. 134ISBN: 088365167X : $4.95LON: 73090220; 529046
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Bette Davis black and white / Julia A. Stern Chicago: University of Chicago Press, 2021.
Call No: 81 DAV STEAuthor: Stern, Julia A. Edition: 2021Place: ChicagoPublisher: University of Chicago PressPubDate: 2021PhysDes: xi, 266 pages : illustratedSubject: DAVIS, BETTE ; ANDERSON, ERNIE ; BALDWIN, JAMES ; CRAWFORD, JOAN ; IN THIS OUR LIFE (US, John Huston, 1942) ; JEZEBEL (US, William Wyler, 1938) ; LITTLE FOXES, THE (US, William Wyler, 1941) ; MCDANIEL, HATTIE ; RACIAL ISSUES AND THE CINEMA ; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962) ; WYLER, WILLIAM Summary: Bette Davis’s career becomes a vehicle for a deep examination of American race relations.
Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career.
Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago.
Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways. -- publisher's web siteISBN: 9780226813868Contents: Historical Note -- Chapter 1 Introduction: Black and White -- Chapter 2 Little Foxes and Little Brown Wrens -- Chapter 3 The Poetics of Color in Jezebel -- Chapter 4 Melodramas of Blood in In This Our Life -- Chapter 5 The Whiteness of What Ever Happened to Baby Jane? -- Chapter 6 Bette Davis Black and White -- Acknowledgments -- Notes – Index.
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Billion dollar game : how three men risked it all and changed the face of television / Peter Bazalgette London: Time Warner, 2005.
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[Billy the Kid no atarashii yoake : poster]
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Biopic of the bad boy of ballet fails to take leap into the unknown in Sunday Telegraph (27/11/2016) p.104
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Black African cinema / Nwachukwu Frank Ukadike Berkeley: University of California Press, 1994.
Call No: 71(6) UKAAuthor: Ukadike, Nwachukwu Frank Place: BerkeleyPublisher: University of California PressPubDate: 1994PhysDes: x, 371 p. : ill.; 24 cmSubject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; DOCUMENTARY FILMS. AFRICAN COUNTRIES ; BLACK FILMMAKERS. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; SEMBENE, OUSMANE ; CISSE, SOULEYMANE ; ANSAH, KWAW PAINTSIL ; ESCARE, DESIRE ; BALOGUN, OLA ; FANON, FRANTZ ; HONDO, MED ; VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINZAN (ML, Cheik Omar Sissoko, 1990) ; WEND KUUNI (UV, Gaston Kabore, 1982) ; EMITAI (SG, Ousmane Sembene, 1972) ; CEDDO (SG, Ousmane Sembene, 1977) ; YEELEN (ML, Souleymane Cisse, 1987) ; DANCING IN THE DUST [BAL POUSSIERE] (IV, Henri Duparc, 1988) Notes: Includes bibliographical references (p. 343-355) and indexISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper)LON: 9270979
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Black cinema treasures : lost and found / by G. William Jones ;foreword by Ossie Davis Denton: University of North Texas, 1991.
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Bogey : the films of Humphrey Bogart / by Clifford McCarty New Jersey: Citadel Press, 1979.
Call No: 81BOG MCCAuthor: McCarty, Clifford Source: USPlace: New JerseyPublisher: Citadel PressPubDate: 1979PhysDes: 187 p. : ports. ; 28 cmSubject: BOGART, HUMPHREY ; DEAD END (US, William Wyler, 1937) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; STAND-IN (US, Tay Garnett, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; SABRINA (US, Billy Wilder, 1954) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; KEY LARGO (US, John Huston, 1948) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.ISBN: 0806500018
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001.
Call No: 71(540) KABAuthor: Kabir, Nasreen Munni Source: UKPlace: LondonPublisher: Channel 4 BooksPubDate: 2001PhysDes: 230 p., [8] p. of plates ; 24 cmSubject: BOLLYWOOD ; HEROS IN FILMS ; HEROINES IN FILMS ; MYTH AND THE CINEMA. INDIA ; TELEVISION AND THE CINEMA ; VILLAINS IN FILMS ; AKHTAR, JAVED ; ANAND, DEV ; BACHCHAN, AMITABH ; BHANSALI, SANJAY LEELA ; BURMAN, S.D ; DARSHAN, DHARMESH ; DESAI, MANMOHAN ; DIXIT, MADHURI ; DUTT, GURU ; JOHAR, KARAN ; KAPOOR, RAJ ; KHAN, MENBOOB ; KHAN, SHAHRUKH ; KUMAR, DILIP ; ROY, BIMAL ; SIPPY, RAMESH ; AAN (II, Menboob, 1952) ; BHARAT MATA (II, Mehboob, 1957) ; PYASSA (II, Guru Dutt, 1957) ; RAMAYAMA (II, Ramanand Sagar, 1987-) ; RAJA HINDUSTANI (II, Dharmesh Darshan, 1996) ; SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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The Bourne emergency in Daily Telegraph (13/04/2017) p.1
Call No: PERSONALITY CLIPPINGS FILE; HEMSWORTH, CHRISAuthor: Stephenson, Alison PhysDes: Clippings File ArticleSubject: DAMON, MATT ; HEMSWORTH, CHRIS Summary: Luciana Baroso and Matt Damon and their family have been in Byron Bay with friends Elsa Pataky and Chris Hemsworth and their famlyNotes: A
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Box-office respect for Dangerfield in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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Breaking in to the movies : film and the culture of politics / Henry A. Giroux Malden: Blackwell Publishers, 2002.
Call No: 409 GIRAuthor: Giroux, Henry A. Source: USPlace: MaldenPublisher: Blackwell PublishersPubDate: 2002PhysDes: 297 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS. USA ; CHILDREN AND THE CINEMA ; WALT DISNEY PRODUCTIONS ; WERTMULLER, LINA ; CLARK, LARRY ; NORMA RAE (US, Martin Ritt, 1979) ; LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; DANGEROUS MINDS (US, John N. Smith, 1995) ; PULP FICTION (US, Quentin Tarantino, 1994) ; ONE EIGHT SEVEN (US, Kevin Reynolds, 1997) ; FIGHT CLUB (US, David Fincher, 1999) ISBN: 0631226044Donation: donated by the family of Wayne Levy, 2006
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Breathless : A 24-page celebration of French cinema / Edited by Barry McIlheney [s.l.]: [s.n.], [19-?].
Call No: 71(44) BRESource: USPlace: [s.l.]Publisher: [s.n.]PubDate: [19-?]PhysDes: 22 p. ; ills.Subject: FRANCE ; ACTORS. FRANCE ; BARDOT, BRIGITTE ; BIRKIN, JANE ; ARLETTY ; DELON, ALAIN ; BINOCHE, JULIETTE ; KARINA, ANNA ; GIRARDOT, HIPPOLYTE ; MARAIS, JEAN ; DENEUVE, CATHERINE ; BEART, EMMANUELLE ; BELMONDO, JEAN-PAUL ; BOUQUET, CAROLE ; DEPARDIEU, GERARD ; BONNAIRE, SANDRINE ; GABIN, JEAN ; MONTAND, YVES ; AIMEE, ANOUK ; DALLE, BEATRICE Notes: Photobook insert from Premiere Magazine in association with Pernod.
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Brent's return is a bit of a Ricky ride in Sunday Telegraph (28/08/2016) p.118
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Brian De Palma's split-screen : a life in film / Douglas Keesey Jackson [Mississippi]: University Press of Mississippi, 2015.
Call No: 81DEP KEEAuthor: Keesey, Douglas Source: USPlace: Jackson [Mississippi]Publisher: University Press of MississippiPubDate: 2015PhysDes: viii, 348 pages ; 24 cmSubject: DE PALMA, BRIAN Summary: "Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life in to his films. Written in an accessible style and including a chapter on every one of his films to date, this book is one for anyone who wants to know more about De Palma's controversial fils or who wants to better understand the man who made them." - TAKEN FROM BACK COVER OF BOOKNotes: Includes bibliographical references and indexISBN: 9781628466973Donation: Senses of CinemaContents: ch. 1 The Wedding Party (1964--65) -- ch. 2 Murder a la Mod (1966) -- ch. 3 Greetings (1968) -- ch. 4 Dionysus in '69 (1970) -- ch. 5 Hi, Mom! (1970) -- ch. 6 Get to Know Your Rabbit (1972) -- ch. 7 Sisters (1973) -- ch. 8 Phantom of the Paradise (1974) -- ch. 9 Obsession (1976) -- ch. 10 Came (1976) -- ch. 11 The Fury (1978) -- ch. 12 Home Movies (1980) -- ch. 13 Dressed to Kill (1980) -- ch. 14 Blow Out (1981) -- ch. 15 Surface (1983) -- ch. 16 Body Double (1984) -- ch. 17 Wise Guys (1986) -- ch. 18 The Untouchables (1987) -- ch. 19 Casualties of War (1989) -- ch. 20 The Bonfire of the Vanities (1990) -- ch. 21 Raising Cain (1992) -- ch. 22 Carlito's Way (1993) -- ch. 23 Mission: Impossible (1996) -- ch. 24 Snake Eyes (1998) -- ch. 25 Mission to Mars (2000) -- ch. 26 Femme Fatale (2002) -- ch. 27 The Black Dahlia (2006) -- ch. 28 Redacted (2007) -- ch. 29 Passion (2012)
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British film in Movie (1962) iss.1 p.10-11
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A British film studio at work / by Roger Manvell Oxford: Oxford University Press, [1945?].
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DE BRUIT ET DE FUREUR : (FR, Jean-Claude Brisseau, 1988)
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The Budapest film school / Hungarofilm Budapest, Hungary: Interpress, [1982?].
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festival catalogue
Buenos Aires Festival Internacionale de Cine Independiente AG: 2004.
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Bumpy landing in Sun Herald [Inside Out] (13/03/2016) p.10
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Bunuel / John Baxter London: Fourth Estate, 1995.
Call No: 81BUN BAXAuthor: Baxter, John, 1939 Place: LondonPublisher: Fourth EstatePubDate: 1995PhysDes: vi, 324 p., [16] p. of plates : ill., ports. ; 20 cmSubject: BUNUEL, LUIS ; Dali, Salvador Notes: Includes bibliographical references (p. [314]-315) and indexISBN: 1857023536 (pbk.)LON: 12048079ID2: 5
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DE BURGH, CELIA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: DE BURGH, CELIA
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Cagney / John McCabe London: Aurum, 1998.
Call No: 81CAG MCCAuthor: McCabe, John Edition: 1st edSource: UKPlace: LondonPublisher: AurumPubDate: 1998PhysDes: xvi, 439 p. : ports. ; 24 cmSubject: WARNER BROS. ; CAGNEY PRODUCTIONS ; CAGNEY, JAMES ; DAY, DORIS ; JOHNNY COME LATELY (US, William K. Howard, 1943) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WHITE HEAT (US, Raoul Walsh, 1949) ; YANKEE DOODLE DANDY (US, Michael Curtiz, 1941) Notes: Includes bibliographical references (p. 425-429) and index.
Filmography: p. 397-422ISBN: 1854105450Donation: donated by the family of Wayne Levy, 2006
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The camera age : essays on television / Michael J Arlen Ringwood, Vic: Penguin Books, 1982.
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Cannes Film Festical 1982 : Australian Films in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
PhysDes: ArticleSubject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; EARLY FROST (AT, Brian McDuffie, 1981) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; LONELY HEARTS (AT, Paul Cox, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; DEAD EASY (AT, Bert Deling, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; RUNNING ON EMPTY (AT, John Clarke, 1982) ; BREAKFAST IN PARIS (AT, John Lammond, 1982) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; WINTER OF OUR DREAMS (AT, John Duigan, 1981) ; DUSTY (AT, John Richardson, 1983) ; CANNES FILM FESTIVAL Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.
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Cannes film festival 1983 Australian participation in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
PhysDes: ArticleSubject: CANNES FILM FESTIVAL ; BUSH CHRISTMAS (AT, Henri Safran, 1981) ; SETTLEMENT, THE (AT, Gillian Leahy, 1977) ; DUSTY (AT, John Richardson, 1983) ; MOVING OUT (AT, Chris Warner & Mandy Smith, 1986) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; FAR EAST (AT, John Duigan, 1982) ; CITY'S EDGE, THE (AT, Ken Quinnell, 1983) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.
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DE CARLO, YVONNE
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Carnival Stories in Romanian Film (1981) iss.2 p.22-23
Author: Grossan, I. PhysDes: ArticleSubject: ALE CARNAVALULUI, D' (RM, Lucian Pintilie, 1981) ; DE CE TRAG CLOPOTELE, MITICA? (RM, Lucian Pintilie, 1981) ; WHY ARE THE BELLS RINGING, MITICA? (RM, Lucian Pintilie, 1981) ; WHAT DO THE BELLS TOLL FOR, MITICA? (RM, Lucian Pintilie, 1981) Notes: Article written in both French and English versions. - Although the article refers to the film as "D'ale Carnavalului" it is more commonly known as "De ce trag clopotele, Mitica?" with the English translation titles of "What Do the Bells Toll For, Mitica?" or "Why Are the Bells Ringing, Mitica?"
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Cast changes on WA 'Panther' pics in Encore (9-23 Apr 1987) vol.5 iss.5 p.11
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"Chanel Solitaire" opens at Pitt Centre on May 28th in Australasian Cinema (28/5/1982) vol.11 iss.9 p.2
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Chick flicks : theories and memories of the feminist film movement / B. Ruby Rich Durham, NC: Duke University Press, 1998.
Call No: 626:396 RICAuthor: Rich, B. Ruby Source: USPlace: Durham, NCPublisher: Duke University PressPubDate: 1998PhysDes: xix, 419 p., [8] p. of plates : ill. ; 24 cm.Subject: FEMINISM AND THE CINEMA ; CRITICISM ; RICH, B. RUBY ; DAUGHTER RITE (US, Michelle Citron, 1979) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Summary: "If there was a moment during the sixties, seventies, or eighties that changed the history of the women's film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100 percent pure cultural historical odyssey, Chick Flicks- with its definitive, the-way-it-was collection of essays - captures the birth and growth of feminist film as no other book has done. For over three decades Rich has been one of the most important voices in feminist film crticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in major national publications, and her commentaries on the public radio program "The World" have secured her a place as a central figure in the remarkable history of what she deems "cinefeminism." In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women's involvement in cinema but one of its key players as well. The first book-length work from Rich - whose stature and influence in the world of film criticism and theory continue to grow- Chick Flicks exposes unexplored routes and forgotten byways of a past that's recent enough to be remembered and far away enough to be memorable. " -- BOOK BLURBNotes: A collection of the author's essays from the 1970s and 1980s; Includes indexISBN: 0822321211 (pbk. : alk. paper)LON: 98012052; 13736840Contents: acknowledgements -- preface: Jews without books xv, introduction p1 -- prologue. I found it at the movies p7-- 1: film in the sixties p13 -- prologue. Hippie chick in the Art World p19 -- 2: Carolee Schneemann's Fuses p27 -- prologue. Angst and Joy on the Women's Film Festival Circuit p29 -- 3: Leni Riefenstahl: the deceptive myth p40 -- prologue. Life, Death, and Tragic Homecoming p48 -- 4: Voodoo Verite: Maya Deren's Divine Horsemen p52 -- prologue. An Iguana, Some wolves, and the dawn of theory p57 -- 5: in the name of feminist film criticism p62 -- prologue. O brave new world p85 -- 6: One way or another: Sara Gomez and the Cuban experience p92 -- prologue. A women's declaration of secession from the avant-garde p103 -- 7: sex and the cinema p109 -- prologue. Love's labor lost p116 -- 8: Misconception: laboring under no illusions p121 -- prologue. Cows and hero-worship 125 -- 9: the films of Yvonne Rainer p129 -- prologue. Knokke-Heist and the Fury that was Edinburgh p156 -- 10: Designing desire: Chantal Akerman p169 -- prologue. Euphoria reclaims history p174 -- 11: From repressive tolerance to erotic liberation: Maedchen in Uniform p179 -- prologue. Softball, the goddess, and the lesbian film culture p207 -- 12: The right of re-vision: Michelle Citron's Daughter Rite p212 -- prologue, The allure of alchemy p220 -- 13: Femicide Investigation: Thriller p227 -- prologue. Sour Grapes p233 -- 14. She says, he says: the power of the narrator in modernist film politics p238 -- prologue. Sex, gender, and consumer culture p253 -- 15: Antiporn: soft issue, hard world (Not a Love Story?) p261 -- prologue. Unguided tours p274 -- 16: The feminist avant-garde p281 -- prologue. Attacking the sisters, or the limits of disagreement p386 -- 17: Cinemafeminism and its discontents p291 -- prologue. Libel threats and exile tactics p299 -- 18: Truth, faith and the individual: thoughts on U.S documentary film practice p305 -- Prologue. Disempoerment and the politics of rage p315 -- 19: Lady Killers: A question of silence p319 -- Prologue. Film star as outstanding human being p326 -- 20: Julie Christie goes to Washington p329 -- prologue: Blaming the victim p337 -- 21. Good girls, bad girls: Joyce Chopra's Smooth Talk p344 -- prologue. The berks and the sex wars p347 -- 22: Feminism and sexuality in the Eighties p350 -- Epilogue: charting the Eighties p376 -- notes p391 -- index 409 --
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Un chien Andalou in Sydney University Film Group Bulletin (Aug. 1971) iss.55 p.35
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Un chien andalou : (Luis Bun~uel and Salvador Dali, 1929) / Elza Adamowicz London ; New York: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2010.
Call No: 79CHI ADAAuthor: Adamowicz, Elza Source: US/UKPlace: London ; New YorkPublisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave MacmillanPubDate: 2010PhysDes: 109 p. : ill. ; 22 cmSeries: Cine´-files : the French film guidesSubject: SURREALISM AND THE CINEMA ; DALI, SALVADOR ; BUNUEL, LUIS ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Summary: "In 1929 Dali and Bunuel produced a seventeen-minute film, 'Un chien andalou'. On its first screening, Georges Bataille referred to it as 'that extraordinary film ... penetrating so deeply into horror', while Federico Garcia Lorca described it as 'a tiny little shit of a film'. Produced from a script said to be based on two dream images - a woman's eye slit by a razor, ants emerging from a hole in a man's hand - the film shocked audiences. It continues to fascinate, provoke, attract and alienate its viewers. Its eye-slitting sequence and use of dream like images have influenced filmmakers from Alfred Hitchcock to David Lynch.
Elza Adamowicz's lucid critical guide to this most enigmatic of works offers new approaches to the film, exploring how it can be seen both within and beyond the confines of Surrealism and reviewing its openness to so many readings and interpretations. She reassesses Dali and Bunuel's account of the film as a model of surrealist work and its reception by the surrealist group. She situates the film within the social and cultural contexts of the 1920s, including those of melodramatic film, Spanish culture, surrealist iconography and gender construction. She assesses the film's resistance to a single interpretation and explores the role of the viewer (detective or dreamer?)."-BOOK BLURBNotes: includes film credits; includes selected bibliographyISBN: 9781848850569Contents: -- introduction: it's dangerous to look inside -- Producing Un chien andalou : myths of origin. From scenario to screen : a close collaboration -- Premie`re and reception of Un chien andalou -- A surrealist film? -- Romantic melodrama or magic theatre? Classic film narrative subverted -- A cinema of attractions -- Psychoanalytic readings -- Symbols or material images? -- Contexts and intertexts : between Fanto^mas and the fairground. Spanish contexts -- Surrealist iconography -- A parody of 1920s' films -- Early cinema and fairground intertexts -- Destabilizing gender roles -- conclusion -- Appendix 1. Synopsis -- Appendix 2. Credits -- appendix 3. Selected bibliography --
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[Children of the revolution : stills file] Shanahan Management Pty Ltd,
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China into film : frames of reference in contemporary Chinese cinema London: Reaktion, 1999.
Call No: 71(51) SILAuthor: Silbergeld, Jerome Place: LondonPublisher: ReaktionPubDate: 1999PhysDes: 352 p. : ill. (some col.) ; 24 cmSubject: CITY OF SADNESS, A [ ; ALLEGORY IN FILMS ; WOMEN IN FILMS. CHINA ; MELODRAMA. CHINA ; CHEN, KAIGE ; XIE, JIN ; ZHANG, YIMOU ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) ; HONG GAOLIANG (CC, Zhang Yimou, 1988) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; BAWANG BIEJI (HK, Chen Kaige, 1993) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; DA YUE BING (CC, Chen Kaige, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ISBN: 1861890508(pbk.)LON: 20259534 20259534
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Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; [FIFTEEN] 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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Christian creation film gets $500,000 in The Australian (29/04/2015) p.3
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Christophe Honore : A critical introduction / David A. Gerstner and Julien Nahmias Detroit, Michigan: Wayne State University Press, 2015.
Call No: 81 HON GERAuthor: Gerstner, David A. ; Nahmias, Julien Edition: 2015Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2015PhysDes: 256, xiv p. ; illus. ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: HONORE, CHRISTOPHE ; DANS PARIS (FR, Christophe Honore, 2006) ; CHANSONS D'AMOUR (FR, Christophe Honore, 2007) ; BELLE PERSONNE, LA (FR, Christophe Honore, 2008) Summary: French filmmaker Christophe Honoré challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In Christophe Honoré: A Critical Introduction, authors David A. Gerstner and Julien Nahmias invite English-speaking scholars and cinéastes to explore Honoré’s three most recognized films, Dans Paris (2006), Les Chansons d’amour (2007), and La Belle personne (2008)—"the trilogy." Gerstner and Nahmias analyze Honoré’s filmmaking as the work of a queer auteur whose cinematic engagement with questions of family, death, and sexual desire represent new ground for queer theory.
Considering each of the trilogy films in turn, the authors take a close look at Honoré’s cinematic technique and how it engages with France’s contemporary cultural landscape. With careful attention to the complexity of Honoré’s work, they consider critically contested issues such as the filmmaker’s cinematic strategies for addressing AIDS, the depth of his LGBTQ politics, his representations of death and sexual desire, and the connections between his films and the New Wave. Anchored by a comprehensive interview with the director, the authors incorporate classical and contemporary film theories to offer a range of cinematic interventions for thinking queerly about the noted film author.
Christophe Honoré: A Critical Introduction reconceptualizes the relationship between film theory and queer theory by moving beyond predominant literary and linguistic models, focusing instead on cinematic technique. Students and teachers of queer film will appreciate this thought-provoking volume. -- publisher's web siteISBN: 9780814338636
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Christopher Nolan : A critical study of the films / Darren Mooney Jefferson, North Carolina: McFarland & Company Inc., Publishers, 2018.
Call No: 81 NOL MOOAuthor: Mooney, Darren Place: Jefferson, North CarolinaPublisher: McFarland & Company Inc., PublishersPubDate: 2018PhysDes: v, 212 pages ; 26 cm.Subject: NOLAN, CHRISTOPHER ; FOLLOWING (UK, Christopher Nolan, 1998) ; MEMENTO (US, Christopher Nolan, 2000) ; INSOMNIA (US, Christopher Nolan, 2002) ; BATMAN BEGINS (US, Christopher Nolan, 2005) ; PRESTIGE, THE (US/UK, Christopher Nolan, 2006) ; DARK KNIGHT, THE (US, Christopher Nolan, 2008) ; INCEPTION (US, Christopher Nolan, 2010) ; DARK KNIGHT RISES, THE (US/UK, Christopher Nolan, 2012) ; INTERSTELLAR (US, Christopher Nolan, 2014) ; DUNKIRK (UK/NE/FR/US, Christopher Nolan, 2017) Summary: "Christopher Nolan is one of the defining directors of the 21st century. His films have a rare ability to transcend audience expectations, ranging from gritty crime thrillers to spectacular blockbusters. They push the boundaries of possibility. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur"Notes: Includes bibliographical references and indexISBN: 9781476674803Contents: Following -- Memento -- Insomnia -- Batman Begins -- The Rrestige -- The Dark Knight -- Inception -- The Dark Knight Rises -- Interstellar -- Dunkirk
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CHUVA E CANTORIA NA ALDEIA DOS MORTOS : (PO/BL, Renee Nader Messora & Joao Salaviza, 2018)
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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Cinema art nouveau / A. Ruszkowski Lyon: 1937.
Call No: 67 RUSAuthor: Ruszkoiwski, A Place: LyonPubDate: 1937Subject: CHARACTERIZATION IN FILMS ; CLAIR, RENE ; COWARD, NOEL ; DE HAVILLAND, OLIVIA ; DUVIVIER, JULIEN ; GANCE, ABEL ; GARSON, GREER ; LANG, FRITZ ; LORRE, PETER ; PIDGEON, WALTER ; PRESLE, MICHELINE ; RENOIR, JEAN ; MADAME CLAUDE (FR, Just Jaeckin, 1977) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMAN DE RENARD, LE (FR, Ladislas Starevitch, 1941 [prod. 1929-41]) ; VISITEURS DU SOIR, LES (FR, Marcel Carne, 1942) Language: French
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Le cinema de vouzotres : Films et recontres: Cinema Judeite Belgique / Editeur responsable: Jean-Pierre Hubin Brussels: Institut de la memoire audiovisuelle juive, [2006].
Call No: 71(493)-054(=924)Author: Hubin, Jean-Pierre Edition: [2006]Place: BrusselsPublisher: Institut de la memoire audiovisuelle juivePubDate: [2006]PhysDes: 108 p. ; 14cm; 52 p. ; 14cm; 1 DVD (66 min) : colour, stereo; All in box 15 x 15 x 2 cmSubject: BELGIUM ; JEWS AND THE CINEMA ; AKERMAN, CHANTAL ; DARDENNE, JEAN-PIERRE & LUC Notes: Title translates as: Your cinema: Cinema, Jewishness, Belgium. Films and encounters.; 108 page paperback book in French, 52 page booklet with English translation, with 67 min. DVD of six short documentary films.Language: French / English
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Cinema Now Adelaide: Port Film Co-Op, 2018.
Call No: Held: 2018Source: ATPlace: AdelaidePublisher: Port Film Co-OpPubDate: 2018Subject: [MISTER] MR ACCIDENT (AT, Yahoo Serious, 2000) ; MARTIN, ADRIAN ; MOUSOULIS, BILL ; MANGANINNIE (AT, John Honey, 1980) ; RESISTANCE (AT, Paul Elliot & Hugh Keays-Byrne, 1992) ; DEAD HEART (AT, Nick Parsons, 1996) ; HARD WORD, THE (AT, Scott Roberts, 2002) ; BONDI TSUNAMI (AT, Rachael Lukas, 2003) ; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996) ; DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
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The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007.
Call No: 71(93) CINSource: UKPlace: LondonPublisher: WallflowerPubDate: 2007PhysDes: xiii, 259 p. : ill. ; 24 cm.Series: 24 FramesSubject: AUSTRALIA ; NEW ZEALAND ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953) ; BACK OF BEYOND, THE (AT, John Heyer, 1954) ; JEDDA (AT, Charles Chauvel, 1955) ; FREE RADICALS (NZ, Len Lye, 1958) ; RUNAWAY (NZ, John O'Shea, 1964) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; PIANO, THE (AT, Jane Campion, 1993) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; AFTER MABO (AT, Richard Frankland, 1997) ; CHOPPER (AT, Andrew Dominik, 2000) ; GODDESS OF 1967, THE (AT, Clara Law, 2000) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.Notes: Includes filmography.
Includes bibliography and index.ISBN: 9781904764960
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The cinema of Wes Anderson : bringing nostalgia to life / by Whitney Crothers Dilley London New York: Wallflower Press, c2017.
Call No: 81AND DILAuthor: Dilley, Whitney Crothers Source: US/UKPlace: London New YorkPublisher: Wallflower PressPubDate: c2017PhysDes: vii, 246 pages ; 24 cmSeries: Directors' cutsSubject: CRITICISM ; ANDERSON, WES ; RUSHMORE (US, Wes Anderson, 1998) ; BOTTLE ROCKET (US, Wes Anderson, 1996) ; ROYAL TENENBAUMS, THE (US, Wes Anderson, 2001) ; LIFE AQUATIC WITH STEVE ZISSOU, THE (US, Wes Anderson, 2004) ; DARJEELING LIMITED, THE (US, Wes Anderson, 2007) ; FANTASTIC MR FOX (US/UK, Wes Anderson, 2009) ; MOONRISE KINGDOM (US, Wes Anderson, 2012) ; GRAND BUDAPEST HOTEL, THE (UK/G, Wes Anderson, 2014) Summary: "Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (2007) and the stop-motion animation of Fantastic Mr. Fox (2009), his films examine issues of gender, race, and class through dysfunctional family dynamics, with particular focus on masculinity and male bonding. Anderson's auteur status is enriched by his fascination with Truffaut and the French New Wave, as well as his authorship of every one of his screenplays, drawing on influences as diverse as Mark Twain, J. D. Salinger, Roald Dahl, and Stefan Zweig. Works such as Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) continue to fascinate with their postmodern, hyper-nostalgic attention to detail. This book explores the filmic and literary influences that have helped make Anderson a major voice in 21st century "indie" culture, and reveals why Wes Anderson is one of the most inventive filmmakers working in cinema today." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9780231180696Contents: -- acknowledgments -- 1 Introduction: Wes Anderson as Auteur -- A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- conclusion : memory and narrative in the works of Wes Anderson -- filmography -- bibliography -- index --
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Cinemachismo : masculinities and sexuality in Mexican film / Sergio de la Mora Austin, Texas: University of Texas Press, 2006.
Call No: 744-01(72) MORAuthor: Mora, Sergio de la Source: USPlace: Austin, TexasPublisher: University of Texas PressPubDate: 2006PhysDes: xix, 236 pages : illustrations ; 23 cmSubject: COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; DANZON (MX, Maria Novaro, 1991) ; INFANTE, PEDRO ; MEXICO ; PROSTITUTES IN FILMS ; Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001) Summary: "After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/ or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael Garciacute;a Bernal and of Arturo Ripstein's cult film El lugar sin liacute;mites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema." - taken from back coverNotes: Includes bibliographical references (pages 197-226) and index -- Lambda Literary Awards (nominated), 2007. -- Formerly CIP.ISBN: 9780292712973Contents: Preface: How I too came to love Pedro Infante – Acknowledgments -- Introduction: Macho Nation? -- Midnight virgin": melodramas of prostitution in literature and film -- Pedro Infante unveiled: masculinities in the Mexican "buddy movie" -- The last dance: (homo)sexuality and representation in Arturo Ripstein's El lugar sin limites and the fichera subgenre -- Mexico's third-wave new cinema and the cultural politics of film -- Epilogue. Mexican cinema is dead! Long live Mexican cinema! – Notes – Works Consulted -- Index
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The Classic American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1977.
Call No: 753.4 CLAAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1977PhysDes: xii, 356 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; BOGDANOVICH, PETER ; EISENSTEIN, SERGEI M. ; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938) ; ALICE ADAMS (US, George Stevens, 1935) ; BABBITT (US, Harry Beaumont, 1924) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; CARRIE (US, William Wyler, 1952) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; DODSWORTH (US, William Wyler, 1936) ; FAREWELL TO ARMS, A (US, Frank Borzage, 1933) ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; GREED (US, Erich von Stroheim, 1925) ; HEIRESS, THE (US, William Wyler, 1949) ; HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940) ; I MARRIED A DOCTOR (US, Archie L. Mayo, 1936) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; MOBY DICK (UK, John Huston, 1956) ; PRINCE AND THE PAUPER, THE (US, William Keighley, 1937) ; RED BADGE OF COURAGE, THE (US, John Huston, 1951) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; SCARLET LETTER, THE (US, Victor Sjostrom, 1926) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) ; SUN ALSO RISES, THE (US, Henry King, 1957) ; VIRGINIAN, THE (US, Stuart Gilmore, 1946) ; VIRGINIAN, THE (US, Victor Fleming, 1929) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURBNotes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95LON: qum00211939; 12437055 857055
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personality clippings file
DE CLERCQ, DIMITRI
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Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01(73) CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS. USA ; WATERS, ETHEL ; DUNNE, IRENE ; GRANT, CARY ; GAYNOR, JANET ; HEPBURN, KATHARINE ; DAVIS, BETTE ; CLIFT, MONTGOMERY ; CURTIS, TONY ; SELLERS, PETER ; Stewart, James ; Lombard, Carole ; MASON, JAMES ; BURTON, RICHARD ; LEWIS, JERRY ; POITIER, SIDNEY ; HACKMAN, GENE ; ROWLANDS, GENA ; NICHOLSON, JACK ; HOFFMAN, DUSTIN ; GOULD, ELLIOTT ; PACINO, AL ; GOLDBERG, WHOOPI ; BLANCHETT, CATE ; ISAAC, OSCAR ; STEWART, KRISTEN ; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014) ; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) ; BLUE JASMINE (US, Woody Allen, 2013) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DONNIE BRASCO (US, Mike Newell, 1997) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; RAIN MAN (US, Barry Levinson, 1988) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; GLORIA (US, John Cassavetes, 1980) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; LOLITA (US, Stanley Kubrick, 1962) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; VERTIGO (US, Alfred Hitchcock, 1958) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952) ; DANGEROUS (US, Alfred E. Green, 1935) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres.
Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.Notes: Includes bibliographical references and index.ISBN: 9781474417006Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success.
Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.ID2: 362
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[Close-up: New Iranian cinema : poster]
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[Clowning around II : stills file] / Skip Watkins Barron Films,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Barron FilmsPhysDes: 12 photographs : b&w ; 13 x 18 cmSubject: WILLIAMSON, CLAYTON ; DINGO, ERNIE ; FOUCHE, FREDERIQUE ; BLACKWELL, PAUL ; OVERTON, VERONICA ; DAGORY, JEAN-MICHEL ; KERR, BILL ; FORD, MARGARET ; CLOWNING AROUND II [TV] (AT, George Whaley, 1993) Summary: Twelve black and white photographs relating to the film Clowning around 2
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Crawford collection
still
[Cluedo : album #1] Crawford Productions [distributor], [1992?].
Call No: CRAWFORD STILL CLUSource: ATPublisher: Crawford Productions [distributor]PubDate: [1992?]PhysDes: 60 photographs : col. ; 16 x 11 cm - 10 x 9 cm + 1 photographic sheet : b&w ; 26 x 21 cm + 2 negatives ; 26 x 21 cm + 18 transparencies : col. ; 120 mm + 115 negatives : b&w and col. ; 35 mmSubject: DADDO, ANDREW ; PAULL, NICKI ; BADLER, JANE ; MCFADYEN, IAN ; TAFT, DAVID ; MORROW, GEOFF ; MOLONEY, PAUL ; SUMNER, PETER ; CLUEDO [TV] (AT, 1992 - 1993) Summary: Photographs and negatives relating to CluedoNotes: Arrangement: Images are arranged by record type (photographs, 26 x 21 cm negatives, 120 mm transparencies then 35 mm negatives -- Negatives consist of 36 strips of photographic negativesDonation: Gift of Crawford Productions
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Crawford collection
crawford publicity clu
[Cluedo. Publicity]
Call No: CRAWFORD PUBLICITY CLUPhysDes: 1 box ; 38 x 25 x 9 cmSubject: MCFADYEN, IAN ; MALLABY, GEORGE ; SUMNER, PETER ; PAULL, NICKI ; WESTMORE, JOY ; DADDO, ANDREW ; GALLACHER, FRANK ; CLUEDO [TV] (AT, 1992 - 1993) Summary: Newspaper clippings and press kit for CluedoDonation: Gift of Crawford ProductionsContents: 1 box containing the following material:
1 press kit (34 leaves) -- 1 manilla folder labelled 'Cluedo Publicity' containing Australian newspaper and magazine press clippings from February to June 1992, plus undated clippings, (37 leaves), fan mail (1 leaf), publicity card -- 1 manilla folder labelled press clippings containing Australian newspaper and magazine press clippings from February to July 1992 (38 leaves), Cluedo logos (9 leaves), panorama photo of location used for external set of Brindabella masion
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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A companion to Wong Kar-wai / edited by Martha P. Nochimson Chichester, West Sussex ; Malden, MA: Wiley-Blackwell, 2016.
Call No: 81WONG COMSource: USPlace: Chichester, West Sussex ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2016PhysDes: xvi, 627 pages : illustrations ; 25 cmSeries: Wiley Blackwell Companions to Film DirectorsSubject: CITY OF SADNESS, A [ ; WONG KAR WAI ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004) ; FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violenceNotes: Includes bibliographical references (pages 586-599) and index.
Filmography: pages 558-561ISBN: 9781118424247Donation: donated by Senses of CinemaContents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index
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COMPLEANNO, IL : (IT, Marco Filiberti, 2009)
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Connected, or What it means to live in the network society / Steven Shaviro Minneapolis: University of Minnesota Press, 2003.
Call No: 735.1 SHAAuthor: Shaviro, Steven Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2003PhysDes: xiii, 289 p. ; 22 cmSeries: Electronic Mediations ; v. 9Subject: VIDEODROME (CN, David Cronenberg, 1983) ; NEW ROSE HOTEL (US, Abel Ferrara, 1998) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; SPACE IS THE PLACE (US, Sun Ra,1972) ; MAN WHO FELL TO EARTH, THE (UK, Nicholas Roeg, 1976) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; EMPIRE (US, Andy Warhol, 1964) ; BURROUGHS, WILLIAM Summary: "Shaviro argues that our strange new world is increasingly being transformed in ways, and by devices, that seem to come out of the pages of science fiction, even while the world itself is becoming a futuristic landscape. The result is that science fiction provides the most useful social theory, the only form that manages to be as radical as reality itself. Original and compelling, Connected shows how the continual experimentation of science fiction, like science and technology themselves, conjures the invisible social and economic forces that surround us." -- BOOK BLURBNotes: Includes notes, bibliographical references, filmography and index.ISBN: 0816643636Donation: Adrian Miles
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Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CITY OF SADNESS, A [ ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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Context-free criminal in Weekend Australian [Review] (03/01/2016) p.15
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Conversations with film-makers : movie journal columns 1961-1975 / Jonas Mekas Leipzig: Spector Books, 2018.
Call No: 67-047.53 MEKAuthor: Mekas, Jonas Edition: 2018Place: LeipzigPublisher: Spector BooksPubDate: 2018PhysDes: 260 pages : illustrated ; 31 cmSubject: HILL, JEROME ; MARKOPOULOS, GREGORY ; KUCHAR, GEORGE ; KUCHAR, MIKE ; WARHOL, ANDY ; PAPATAKIS, NICO ; CHANT D`AMOUR, UN (FR, Jean Genet, 1950) ; VANDERBEEK, STAN ; MEAD, TAYLOR ; CLARKE, SHIRLEY ; MAYSLES, DAVID ; MAYSLES, ALBERT ; CONRAD, TONY ; MEKAS, JONAS ; KUBELKA, PETER ; JACOBS, KEN ; WHITNEY, JAMES ; DWOSKIN, STEPHEN ; VARDA, AGNES ; SONTAG, SUSAN ; DE ANTONIO, EMILE ; SMITH, HARRY ; CASSAVETES, JOHN ; MAKAVEJEV, DUSAN ; SNOW, MICHAEL Summary: Jonas Mekas, born in Lithuania, came to Brooklyn via Germany in 1949 and began shooting his first films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, from 1958 until 1977, he published his “Movie Journal” column in the Village Voice, conducting numerous interviews with filmmakers from all over the world. Conversations is the first time that these interviews with his filmmaker friends and associates have been put together in a book. Mekas recorded the conversations with his camera. From the films he shot with his interlocutors, Mekas selected one photo or still to introduce each interview. The collection of texts is supplemented by letters and extracts from related scenarios /scriptsand rounded out with an index of the people involved.
Jonas Mekas in conversation with Storm de Hirsch and Louis Brigante, Andy Warhol, Nico Papatakis, Albert and David Maysles, Peter Kubelka, Agnes Varda, Harry Smith, John Cassavetes, Stan Brakhage -- publisher's web siteISBN: 9783959050807
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Correction in The Australian (30/04/2015) p.2
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A COUTEAUX TIRES : (FR, Charles Gerard, 1963)
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A couteaux tires in Australian film guide vol.1 iss.10
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Creativity, culture, commerce : producing Australian childen's televison with public value / Anna Potter Bristol ; Chicago: Intellect, 2015.
Call No: 722-053.2(94) POTAuthor: Potter, Anna Edition: 2015Place: Bristol ; ChicagoPublisher: IntellectPubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: CHILDREN, PROGRAMMES FOR. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012) ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; BRITISH BROADCASTING CORPORATION ; IRWIN, BINDI ; DANCE ACADEMY [TV] (AT, 2010) ; DISNEY CHANNEL ; GURLS WURLD, A [TV](AT/G/SI, 2011) ; H [TWO OH] 2O [TV] (AT, 2006-) ; HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007) ; MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ) ; MY PLACE [TV] (AT, Kim Daiton, 2009) ; SCREEN AUSTRALIA Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web siteISBN: 9781783204410Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index
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Credits roll on a film critic's life in Weekend Australian (25/02/2017) p.14
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DE CRESPIGNY, ROBIN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DE CRESPIGNY, ROBIN
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A critical cinema : interviews with independent filmmakers / Scott MacDonald Berkeley: University of California Press, c1988-Call No: 802.25 MACAuthor: MacDonald, Scott, 1942 Place: BerkeleyPublisher: University of California PressPubDate: c1988-PhysDes: v. <1-3 > : ill. ; 24 cmSubject: FRAMPTON, HOLLIS ; IIMURA, TAKAHIKO ; B, BETH & SCOTT ; WATERS, JOHN (US) ; CONNER, BRUCE ; NELSON, ROBERT ; MANGOLTE, BABETTE ; KUCHAR, GEORGE ; DE LANDA, MANUEL ; FISHER, MORGAN ; GOTTHEIM, LARRY ; HUOT, ROBERT ; SCHNEEMANN, CAROLEE ; CHOMONT, TOM ; MURPHY, J. J. ; DICK, VIVIENNE ; BARRIE, DIANA Notes: Includes bibliographical references and index; Includes filmographiesISBN: 0520079183 (v. 2 : pbk.); 0520058011 (v. 1 : pbk.); 0520079175 (v. 2 : cloth); 0520087054 (v. 3 : cloth); 0520209435 (v. 3 : pbk.); 0520058003 (v. 1 : cloth)LON: 5271962
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Croc model the key to success in Encore (22 May- 4 Jun 1986) vol.4 iss.8 p.24-25
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`Cult movies : The classics, the sleepers, the weird, and the wonderful. - New York: Delta in F722.73 PEA (1981) p.402
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book
The Cultural studies reader / edited by Simon During London New York: Routledge, 1993.
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[Custodian, The : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 20 x 26 cm + 7 slides : col.Subject: OTTO, BARRY ; DAVIS, ESSIE ; WEAVING, HUGO ; LAPAGLIA, ANTHONY ; CUSTODIAN, THE (AT, John Dingwall, 1993) Summary: 10 black and white photographs and 7 colour slides of scenes in the film The Custodian.Notes: 2 duplicates of Anthony Lapaglia and Essie Davis sitting at the table consoling Barry Otto. 1 duplicate of Anthony Lapaglia, Hugo Weaving and Wayne Pygram in suits.
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D. A. Pennebaker / by Keith Beattie Urbana: University of Illinois Press, c2011.
Call No: 81PEN BEAAuthor: Beattie, Keith Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: c2011PhysDes: 176 p. : ill. ; 21 cmSeries: Contemporary film directorsSubject: CINEMA-DIRECT ; DOCUMENTARIES ; PENNEBAKER, D. A. ; DAYBREAK EXPRESS ; PRIMARY (US, Richard Leacock, Terry Macartney-Filgate, Albert Maysles and D.A. Pennebaker, 1961) ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; MONTEREY POP (US, D. A. Pennebaker, 1968) Summary: "This volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that empahasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of 'performing the real,' Keith Beattie's insightful analysis interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography" -- BOOK BLURBNotes: Includes bibliographical references (p.163-169) and indexISBN: 9780252078293Contents: -- acknowledgements -- performing the real -- concert film -- collaborative filmmaking -- portraiture -- rehearsal -- interview with D.A. Pennebaker -- filmography -- bibliography -- index --
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D.O.A : (US, Lech Kowalski, 1981)
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D.O.A in Cinema Score (Fall/Winter 1983) iss.11/12 p.28-31
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D.O.A.:DEAD OR ALIVE : (US/GG/UK, Corey Yuen,2006)
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D'ONOFRIO, VINCENT
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D [THREE]3: THE MIGHTY DUCKS : US, Robert Lieberman, 1996
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D-TOX : (US, Jim Gillespie, 2002)
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D [TWO]2: THE MIGHTY DUCKS : (US, Sam Weisman, 1994)
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D.U.I. : US, Spike Stewart & Cathleen Doyle, 1986
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DA : US, Matt Clark, 1988
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DA 5 BLOODS : (US, Spike Lee, 2020) Digital clippings file available
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Da ; A life ; and, Time was / Hugh Leonard Harmondsworth: Penguin, 1981.
Call No: 79DA LEOAuthor: Leonard, Hugh, 1926 ; Leonard, Hugh, 1926- Time was ; Leonard, Hugh, 1926- Life Place: HarmondsworthPublisher: PenguinPubDate: 1981PhysDes: 250 p. ; 20 cmSubject: DA (US, Matt Clark, 1988) Notes: Da. Rev. ed. Originally published: London : French, 1978 - A Life. Originally published: London : French, 1980ISBN: 0140148094 (pbk.)LON: 2093356
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DA MAOXIANJIA : (HK, Ringo Lam, 1995)
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DA SILVA, NICOLE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DA SILVA, NICOLE URL status: URL: 'http://file://Q:/P/DA_SILVA,_NICOLE.zip'
Checked: 31/08/2021 1:22:37 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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DA TAIJIAN LI LIANYING : (HK/CC, Tian Zhuangzhuang, 1991)
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DA VINCI CODE THE : (US, Ron Howard, 2006)
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DA WAN : (HK/CC, Feng Xiaogang, 2002)
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DA YUE BING : (CC, Chen Kaige, 1986)
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DA ZUI XIA : (HK, King Hu (pseud of Hu Chin-Chuan), 1966)
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DAAS kapital / Doug Anthony Allstars North Sydney: Allen & Unwin/Haynes, 1992.
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DABBA : (II/FR/GG/US, Ritesh Batra, 2013)
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Dabbel Trabbel in Kino (Export-Union des Deutschen Films) (1982) iss.2/82 p.23-24
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DABBLE ANIMATION
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DABIS, CHERIEN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DABIS, CHERIEN
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DAD : (US, Gary David Goldberg, 1989)
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[Dad and Dave come to town : stills file]
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DAD AND DAVE ON OUR SELECTION : (AT, George Whaley, 1995)
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Dad and Dave on our selection [DVD] [Northcote, Vic.]: Umbrella Entertainment, c.2006.
Call No: D Dad and Dave on our selectionPlace: [Northcote, Vic.]Publisher: Umbrella EntertainmentPubDate: c.2006PhysDes: 1 videodisc (DVD) (107 min.) : sd., col. ; 4 3/4 in.Subject: DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) Summary: "...When Dad Rudd (Leo McKern) moves his family out into the scrub to 'select' 150 acres of fly-blown land, he discovers he's surrounded by all sorts of vermin - reptiles, insects, and Riley (Barry Otto), his miserable politician neighbour. Dad decides to beat Riley at his own game and stand for parliament. Dad Rudd M.P. The Farmers Friend! Dad & Dave - on our selection is a pioneering comedy based on the larrikin yarns of Steel Rudd. Full of bush brawls, harvest dances, outback wedding celebrations and bloody good laughs, it's about a family who didn't give a damn about the authorities of the harsh conditions - and made this country what it is today. Too right!"--Umbrella Web site. -- Libraries Australia.Notes: DAVID0802; Originally released as a motion picture in 1995.; From the stories by Steele Rudd.; Rated: GContents: Special features: Behind the scenes making of featurette; Over 60 minutes of on-set interviews with cast and crew; on-set footage; original theatrical trailer; TV spots; stills and poster gallery; Umbrella trailers.Technical Details: PAL ; All regions.Credits: Director, George Whaley ; producer, Anthony Buckley, Bruce Davey ; screenplay by George Whaley.Standard Number: 3000000060964Performer: Leo McKern, Joan Sutherland, Geoffrey Rush, Ray Barrett, David Field, Noah Taylor, Essie Davis, Celia Ireland, Cathy Campbell, Murray Bartlett.
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[Dad and Dave on our selection : stills file]
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Dad Rudd, M.P. and the making of a national audience in Studies in Australasian cinema (2007) vol.1 iss.1 p.91-105
Author: Lamond, Julianne PhysDes: ArticleSubject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; AUDIENCES. AUSTRALIA ; HALL, KEN G. ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) Summary: This article contextualizes Ken G. Hall's 1940 film Dad Rudd, M.P. with the history of Dad Rudd, a fictional character who pervaded Australian popular culture throughout the first half of the twentieth century. It argues that the fiction, theatre, film, cartoon and radio narratives in which he appeared have been instrumental in the creation of the idea of a pupular Australian audience that can be defined in relation to a particular set of national symbols. Addressing Hall's film as well as the promotional material and public debate surrounding it, the article demonstrates that conceptualizations of an Australian national audience have been influenced by the genres and narratives of popular culture, historical circumstance and American cultural production. --Abstract
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Dad's army / Jimmy Perry & David Croft London: Sphere Books, 1976.
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DAD'S CLOCK : (AT, Dik Jarman, 2001)
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DADDO, ANDREW
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DADDO, ANDREW
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DADDO, CAMERON
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DADDO, CAMERON
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DADDO, LOCHIE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DADDO, LOCHIE
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DADDY AND THE MUSCLE ACADEMY : (FI, Ilppo Pohjola, 1991)
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DADDY DAY CAMP : (US, Fred Savage, 2007)
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DADDY DAY CARE : (US, Steve Carr, 2003)
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DADDY NOSTALGIE : (FR, Bertrand Tavernier, 1990)
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DADDY & PAPA : (US, Johnny Symons, 2001)
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DADDY'S BOYS : (US, Joe Minion, 1988)
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DADDY'S DYIN'...WHO'S GOT THE WILL? : (US, Jack Fisk, 1990)
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DADDY'S HOME : (US, Sean Anders, 2015)
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DADDY'S HOME 2 : (US, Sean Anders, 2017)
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DADETOWN : (US, Russ Hexter, 1995)
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DAEHAKROH : (K, Gee-woong Nam, 2000)
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DAENS : (BE/FR/NE, Stijn Coninx, 1992)
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DAFF, AL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAFF, AL
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DAFFY DUCK'S MOVIE: FANTASTIC ISLAND : (US, Fritz Freleng, 1983)
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DAFOE, WILLEM
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAFOE, WILLEM
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DAFOE, WILLIAM Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DAFOE, WILLEM
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DAG I OKTOBER, EN : (DK, Kenneth Madsen, 1991)
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DAGS : (AT, Murray Fahey, 1998)
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script
DAGS : Fifth Draft / NewVision Films [1997].
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DAHL, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAHL, JOHN
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DAHL, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAHL, JOHN
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DAHONG DENGLONG GAOGAO GUA : (CC/HK/TZ, Zhang Yimou, 1991)
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DAI SI GIN : HK/C, Johnny To, 2004
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DAILEY, DAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAILEY, DAN
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DAILY SHOW THE : [TV] (US, Andy Barsh/Chuck O'Neil/Scott Preston/Christian Santiago, 1996-)
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DAIN CURSE, THE : (US, E.W Swackhamer, 1978)
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DAINGANGAN, FRANCES
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DAINTY, PAUL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAINTY, PAUL
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DAISY AND SIMON : (HK/AT, Stasch Radwanski Jr., 1989)
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[Daisy and Simon : stills file]
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DAKOTA : (US, Fred Holmes, 1988)
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DALDRY, STEPHEN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DALDRY, STEPHEN
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DALE, ALAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DALE, ALAN
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DALE, DARREN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DALE, DARREN
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DALEKA CESTA : (CS, Alfred Radok, 1949)
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DALEKO NA ZAPADE : UR, Aleksandr Faintsimmer, 1969
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DALEKO OD OKNA : (PL, Jan Jakub Kolski, 2000)
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DALEY-JONES, DEAN
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Dali, Salvador
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: Dali, Salvador
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DALKEITH : (AT, Leigh Sheehan, 2001)
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Dalkeith : final script / Donated by John Chase (producer) [2001].
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DALKEITH : Final script / NewVision Films [2001].
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DALLAS : [TV] (US, 1978-91)
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DALLAS BUYERS CLUB : (US, Jean - Marc Vallee, 2013)
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Dallas Buyers Club wants 5000 users' income details in Sydney Morning Herald (20/06/2015) p.11
Call No: SUBJECT CLIPPINGS FILE; PIRACY. AUSTRALIAAuthor: Biggs, Tim PhysDes: Clippings File ArticleSubject: PIRACY. AUSTRALIA ; DALLAS BUYERS CLUB (US, Jean-Marc Valee, 2013) Summary: Report about the film company who produced the film 'Dallas Buyers Club' and how they want the personal details of nearly 5000 Australians who illegally downloaded the film so as to ascertain a fine for them
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DALLAS DOLL : (AT, Ann Turner, 1994)
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DALLWITZ, BURKHARD
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Dalmas : the film that freaked out in Lumiere (April, 1973) iss.22 p.22-25
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DALMAS : AT, Bert Deling, 1973
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[Dalmas: stills file] [1973].
Call No: TITLE CLIPPINGS FILESource: ATPubDate: [1973]PhysDes: 27 photographs : b&w ; 21 x 28cmSubject: DALMAS (AT, Bert Deling, 1973) Summary: Photographs relating to the film DALMAS, includes 5 proofs sheets.
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DALRYMPLE, IAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DALRYMPLE, IAN
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Dalton directs ABC to Australian yarns in The Australian [Media] (1/05/2017) p.23
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Bingemann, Mitchell PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Report on the essay written by Kim Dalton (a former executive of the Australian Broadcasting Corporation [ABC]), which is critical of the organisation's current management and direction
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DALTON, HATTIE
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DALTON, HATTIE
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DALTON, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: DALTON, KIM
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DALTON, ROBIN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DALTON, ROBIN
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DALTON, TIMOTHY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DALTON, TIMOTHY
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DALY, JIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: StillsSubject: DALY, JIM
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DALY, RAD
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DAM BUSTERS, THE : (UK, Michael Anderson, 1955)
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DAMA DO LOTACAO, A : (BL, Neville D'Almeida, 1976)
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DAMA S SOBACKOJ : (UR, Iosif Hejfic, 1960)
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DAMAGE : (UK/FR, Louis Malle, 1992)
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DAMAGES [TV] : (US, 2007-)
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DAMASCUS COVER : (UK, Daniel Zelik Berk, 2017)
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DAME EDNA EXPERIENCE, THE : [TV] (AT, 1988)
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Dame Edna's Work Experience [DVD] [Northcote, Vic]: Umbrella Entertainment, c2008.
Call No: D Dame Edna's Work ExperienceSource: UKPlace: [Northcote, Vic]Publisher: Umbrella EntertainmentPubDate: c2008PhysDes: 1 videodisc (DVD) (49 min.) : sd., col. ; 4 3/4 in.Subject: DAME EDNA EXPERIENCE, THE [TV] (AT, 1988) Summary: "Dame Edna has decided to do a grand tour of Britain's work places to report on the state of the nation. "Take me where someone works for a living, take me to Wigan, where normal people lead normal lives. Let me get my hands dirty," declares the Grande Dame to a packed room of amused factory workers at a baked bean factory in Northern England. First airing on the BBC in 1997, Dame Edna's Work Experience sees the nouveau-riche housewife and megastar from Moonee Ponds get down to the factory floor and chat wioth blue collar folk about their lives, recent developments in their relationships, and herself, of course. Another hilarious TV special from Australia's favourite matriarch." - DVD BACK COVERNotes: "DAVID1172"; Includes extras; Originally screened on the BBC in 1997; Censorship classification: G; In English. No subtitlesTechnical Details: Region 4, PAL.Credits: Written by Barry Humphries and Ian Davidson; director, Brian KleinStandard Number: 3000000063866Performer: Barry Humphries, Emily Perry, Peggy O'Keeffe
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DAMES DU BOIS DE BOULOGNE, LES : (FR, Robert Bresson, 1945)
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DAMIANI, LARA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAMIANI, LARA
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DAMIEN-OMEN II : (US, Don Taylor, 1978)
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DAMITA, LILI
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DAMNATION ALLEY : (US, Jack Smight, 1977)
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[Damnation of Harvey McHugh : stills file] / Greg Noakes
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DAMNATION OF HARVEY MCHUGH, THE : [TV] (AT, 1994?)
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The Damned / Nick Riddle Leighton Buzzard: Auteur Publishing, 2019.
Call No: 79 DAM RIDAuthor: Riddle, Nick Source: UKPlace: Leighton BuzzardPublisher: Auteur PublishingPubDate: 2019PhysDes: 120 pages : illustrations ; 19 cm.Series: ConstallationsSubject: DAMNED, THE (U.K Joseph Losey 1961) Summary: The Damned (1963) is the most intriguing of director Joseph Losey's British “journeyman” films. A sci-fi film by a director who hated sci-fi; a Hammer production that sat on the shelf for over two years before being released with almost no publicity as the second half of a double bill. Losey was a director vocal in his dislike of depictions of physical violence, but he often made films that radiate an energy produced by a violent clash of elements. The Damned catches a series of collisions — some of them inadvertent — and traps them as if in amber. Its volatile elements include Losey, the blacklisted director; Hammer, the erratic British studio, Oliver Reed, the 'dangerous' young actor, and radioactive children. This book concentrates on historical and cultural context, place, genre, and other themes in order to try to make sense of a fascinating, underappreciated film. -- publisher's web siteISBN: 9781911325529Contents: Introduction -- Chapter 1: The Journeyman -- Chapter 2: The House of Sci-Fi: Hammer and Science Fiction -- Chapter 3: ‘Forward into Battle, Dear Chaps’: The Production -- Chapter 4: ‘When The Time Comes’: The Damned and British Cold War Culture -- Chapter 5: Landscape, Seascape, Manscape -- Chapter 6: Damned Kids -- Chapter 7: Creating Woman, Falling Man -- Chapter 8: The Living, The Dead and the Damned -- Chapter 9: The Heart of Darkness -- Chapter 10: Violent Reactions and Absurd Heroics -- Chapter 11: After-Effects
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DAMNED IF YOU DON'T : (US, Su Friedrich, 1987)
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DAMNED IN THE USA : (UK, Paul Yule, 1991)
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script
The damned united : script / written by Peter Morgan; based on the novel by David Peace US: 2008.
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DAMNED UNITED, THE : (UK/US, Tom Hooper, 2009)
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digital clippings file
Damon, Matt Digital clippings file available
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DAMON, MATT URL status: URL: 'http://file://Q:/P/DAMON,_MATT.zip'
Checked: 31/08/2021 12:36:32 PM
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DAMSEL : (US, David Zellner / Nathan Zellner, 2018)
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DAMSELS BE DAMNED : (AT, Wendy Thompson, 1987)
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still
[Damsels be damned : stills file]
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DAMSELS IN DISTRESS : (US, Whit Stillman, 2011)
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DAN DA SHUANG BU DA : (TZ, Dong Cheng-Liang, 1995)
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DAN IN REAL LIFE : (US, Peter Hedges, 2007)
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DAN'S MOTEL : (US, Jerry R. Barrish, 1979)
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script
[Dance academy the comeback] Dance academy: the movie / written by Samantha Strauss. AT/GG: 2016.
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DANCE ACADEMY: THE MOVIE : (AT/GG, Jeffrey Walker, 2017)
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DANCE ACADEMY [TV] : (AT, 2010)
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DANCE BLACK AMERICA : (US, Chris Hegedus, 1985)
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DANCE, CHARLES
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANCE, CHARLES
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digital clippings file
DANCE FILMS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DANCE FILMS URL status: URL: 'http://file://Q:/S/DANCE_FILMS.zip'
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DANCE FLICK : (US, Damien Dante Wayans, 2009)
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Dance flick no routine teen movie in Daily Telegraph [Sydney Confidential] (3/04/2017) p.16
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DANCE HALL RACKET : (US, Phil Tucker, 1954)
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DANCE IN FILMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DANCE IN FILMS
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title clippings file
DANCE ME OUTSIDE : (CN, Bruce McDonald, 1994)
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DANCE ME TO MY SONG : (AT, Rolf de Heer, 1998)
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still
[Dance me to my song : stills file] / Matt Nettheim
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title clippings file
DANCE OF DEATH : (AT, Dennis Tupicoff, 1983)
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DANCE OF DEATH : (UK, David Giles, 1968)
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still
[Dance of death : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 21 x 26 cmSubject: DANCE OF DEATH (AT, Dennis Tupicoff, 1983) Summary: Black and white cartoon image of a skeleton dressed in a suit laughing.
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DANCE OF HOPE : (US, Deborah Shaffer, 1989)
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DANCE OF NATURE: THE MUSIC OF ROSS EDWARDS : (AT, Don Featherstone, 1996)
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DANCE OF THE VAMPIRES : (UK, Roman Polanski, 1967)
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DANCE, THE : (AT, Hugh Sheridan, 2021) Digital clippings file available
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DANCE WITH A STRANGER : (UK, Mike Newell, 1985)
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DANCE WITH ME : (US, Randa Haines, 1998)
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book
Dancefilm : choreography and the Moving Image / by Erin Brannigan New York: Oxford University Press, c2011.
Call No: 61:793 BRAAuthor: Brannigan, Erin Source: USPlace: New YorkPublisher: Oxford University PressPubDate: c2011PhysDes: xvi, 224 p. : ill. ; 24 cmSubject: DANCE FILMS ; DANCE IN FILMS ; THEORY Summary: "Dancefilm: Choreography and the Moving Image is a rich exploration of the choreography in cinema. It traces the history of the dancefilm form from some of its earliest manifestations in the silent film era, through the historic avant garde, musicals and music videos, to contemporary experimental short dancefilms. In so doing it also traverses some of the most significant collaborations between dancers, choreographers, and filmmakers. Bringing film theory and dance theory into dialogue, the book argues that the combination of dance and film produces cine-choreographic practices that are specific to the dancefilm form. As whole, the book thus presents new models of cinematic movement that are historically informed and interdisciplinary in nature. An extensive companion Web site provides key video illustrations and links to online resources." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and index; Includes filmographyISBN: 9780195367249Contents: -- Introduction : between dance and film -- Modern movement, dance, and the birth of cinema -- The close-up: micro-choreographies -- Gesture-dance -- Maya Deren : strategies for dancefilm -- Anarchic moves, experimental cinema -- The musical : moving into the dance -- Dancefilm as gestural exchange -- filmmography -- bibliography -- index --
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DANCEMAKER : (US, Matthew Diamond, 1998)
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DANCER : (UK/RU/UE/US, Steven Cantor, 2016)
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title clippings file
DANCER IN THE DARK : (FR/DK/SW, Lars von Trier, 2000)
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title clippings file
DANCER, TEXAS POP. 81 : (US, Tim McCanlies, 1998)
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DANCER, THE : (FR, Fred Garson, 2000)
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DANCER UPSTAIRS, THE : (US/SP, John Malkovich, 2002)
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DANCERS : (US, Herbert Ross, 1987)
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title clippings file
DANCERS : UK, John Chesworth, 1978
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newspaper article
Dances away with your heart in Sunday Telegraph [Insider] (2/04/2017) p.99
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title clippings file
DANCES OF ECSTASY : (AT, Michelle Mahrer, 2003)
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DANCES WITH WOLVES : (US, Kevin Costner, 1990)
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book
Dances with wolves : the illustrated story of the epic film / by Kevin Costner...[et al.] New York: Newmarket Press, 1990.
Call No: 792DAN COSAuthor: Costner, Kevin ; Blake, Michael ; Wilson, Jim ; Glass, Ben ; Landau, Diana Source: UKPlace: New YorkPublisher: Newmarket PressPubDate: 1990PhysDes: xvi, 144 p. : col. ill. ; 28 cm.Subject: COSTNER, KEVIN ; DANCES WITH WOLVES (US, Kevin Costner, 1990) Summary: "Here is the full story behind Dances With Wolves, told through its adapted screenplay, exclusive location photographs, and commentaries by director/star Kevin Costner, co-producer Jim Wilson ,and screenwriter Michael Blake. Fascinating sidebars detail the creation fo authentic costumes, sets and action, including the first full-scale buffalo hunt mounted on the Great Plains in more than a century. Excerpts from the history and literature of the frontier, along with period art and photographs, enrich the background of the story." -- BOOK BLURBISBN: 1557040885Donation: Simon WincerContents: Introduction -- Producer's notes -- Author's notes -- Prologue: the killing field -- Part I: the frontier -- Part II: the real natural human beings -- Part III: buffalo hunt -- Part IV: dances with wolves -- Part V: like the stars -- Film credits -- For further reading -- About the authors -- Acknowledgements
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DANCIN' THRU THE DARK : (UK, Mike Ockrent, 1990)
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still
[Dancin' thru the dark : stills file]
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title clippings file
DANCING AT LUGHNASA : (IR/UK/US, Pat O'Connor, 1998)
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title clippings file
DANCING DAZE : (AT, Geoffrey Nottage, Peter Fisk and Jane Campion, 1986)
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title clippings file
DANCING FOOT AND A PRAYING KNEE, A : (AT, Andrew Sully, 1994)
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still
[Dancing foot and a praying knee, a : stills file]
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title clippings file
DANCING IN THE DARK : (CN, Leon Marr, 1986)
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title clippings file
DANCING IN THE DARK : [TV] (AT, Maria Chilcott, 1993)
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title clippings file
DANCING IN THE MOONLIGHT : (AT, Trevor Graham and Ned Lander, 1988)
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book
Dancing in the sun : Hollywood choreographers, 1915-1937 / by Naima Prevots Ann Arbor, Mich.: UMI Research Press, c1987.
Call No: 802 PREAuthor: Prevots, Naima, 1935 Place: Ann Arbor, Mich.Publisher: UMI Research PressPubDate: c1987PhysDes: viii, 281 p. : ill. ; 24 cmSeries: Theater and dramatic studies ; no. 44Subject: CHOREOGRAPHY ; DANCE IN FILMS ; GOULD, NORMA ; BELCHER, ERNEST ; KOSLOFF, THEODORE ; OUKRAINSKY, SERGE ; BOLM, ADOLPH ; ITO, MICHIO ; ZEMACH, BENJAMIN ; HORTON, LESTER Notes: Revision of the author's thesis--University of Southern California, 1983; Includes index; Bibliography: p. [255]-273ISBN: 0835718255 (alk. paper)LON: 5332146
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DANCING MACHINE : (FR, Gilles Behat, 1990)
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newspaper article
Dancing onto the big screen in Sun Herald [Inside Out] (2/04/2017) p.1
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journal article
Dancing partners in The Czechoslovak film (1964) iss.6 p.11-12
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poster
[Dancing the invisible : poster] / Faraway Productions, Soundfilm 2017.
Call No: P DANPubDate: 2017PhysDes: 1 poster : black and white ; 100 X 69 cm.Subject: DANCING THE INVISIBLE (AT, Axel Grigor, 2017) Summary: Image: profile of a female face, black background, film reel.Notes: 1 copyDonation: Cinema Nova
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book
Dancing to his song : the singular cinema of Rolf de Heer / by Jane Freebury Straberry Hills, NSW: Currency Press, 2015.
Call No: 81DEH FREAuthor: Freebury, Jane Source: ATPlace: Straberry Hills, NSWPublisher: Currency PressPubDate: 2015PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cmSubject: DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER (AT, Tina Dalton & Gary Steer, 1996) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; KING IS DEAD, THE (AT, Rolf de Heer, 2012) ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]Notes: Includes bibliographical references (pages 287-348)ISBN: 9781925005585Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap
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newspaper article
Dancing up a storm in Daily Telegraph [BW Magazine] (1/04/2017) p.18
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DANCING WITH DICTATORS : (AT, Hugh Piper, 2011)
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journal article
Dancing with the Prime Minister in Studies in Australasian cinema (2008) vol.2 iss.1 p.5-13
Author: Cole, Anna PhysDes: ArticleSubject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; AUSTRALIA ; DANCING WITH THE PRIME MINISTER (AT, Lara Cole, 2010) Summary: This article reflects on the process of making a preview for a proposed one-hour documentary film about the first national Aboriginal debutante ball, held to celebrate the 1967 referendum. Forty years after the event, an indigenous and non-indigenous cast and crew explore the memories and life stories of those women who debuted in front of the prime minister of Australia in 1968. In doing so the film, and the making of it, moves from the genocidal fantasy of extermination masquerading as assimilation, into the heart of the complexities of survival and identity in contemporary Australia.--Abstract
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DANCING WITH THE STARS [TV] : (AT, 2004)
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personality clippings file
DANCY, HUGH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANCY, HUGH
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DANCYGER, KEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANCYGER, KEN
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personality microfilm collection
DANDO, CLARE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANDO, CLARE
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DANDRIDGE, DOROTHY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANDRIDGE, DOROTHY
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DANDY : (GW, Peter Sempel, 1988)
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DANEMAN, PAUL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANEMAN, PAUL
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DANES, CLAIRE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANES, CLAIRE
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personality clippings file
DANEY, SERGE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANEY, SERGE
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DANGAN RANNA : (JA, Sabu, 1997)
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DANGER 5 [TV] (AT, 2011) : (AT, 2011)
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DANGER CLOSE THE BATTLE OF LONG TAN : (AT, Kriv Stenders, 2019)
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[Danger close : the battle of Long Tan : poster] AT: 2019.
Call No: P DANPlace: ATPubDate: 2019PhysDes: 1 poster : colour illustrations ; 101 x 70 cmSubject: DANGER CLOSE THE BATTLE OF LONG TAN (AT, Kriv Stenders, 2019) Summary: Text: Outnumbered Outgunned Never Out Of Courage
Depicts four soldiers with military-grade weapons standing in a field of tall grass while four helicopters fly overhead.
Text beneath title: The most feroucious ANZAC battle of the Vietnam War.Notes: Double-sided. Tears, creases, and worn edges.
Three copies.
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title clippings file
DANGER DOWN UNDER : AT/US, Russ Mayberry, 1988
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script
Danger five : episode 202 - Johnny Hitler / written by Dario Russo and David Ashby 22-Jul-13. Digital clippings file available
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script
Danger five : episode 203 - revenge of the lizardmen / written by Dario Russo and David Ashby 25-Jul-13. Digital clippings file available
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script
Danger five : episode 206 - back to the fuhrer / written by Dario Russo and David Ashby 6 Spetember 2013. Digital clippings file available
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DANGER FREAKS [TV] : (AT, Brian Trenchard-Smith, 1975)
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DANGERFIELD, RODNEY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANGERFIELD, RODNEY
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DANGEROUS BEAUTY : (US, Marshall Herskovitz, 1998)
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DANGEROUS GAME : (AT, Steve Hopkins, 1988)
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DANGEROUS GROUND : (US, Darrell Roodt, 1997)
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DANGEROUS LIAISONS : (US, Stephen Frears, 1988)
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DANGEROUS LIAISONS : (US, Stephen Frears, 1988)
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DANGEROUS LIAISONS : (C/K/SI, Jin-ho Hur, 2012)
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DANGEROUS LIFE, A : (AT, Bob Markowitz, 1988)
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Dangerous Loves: Tales of Marquez [SBS] : (?, ?, ?)
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DANGEROUS METHOD, A : (UK/G/CN/SZ, David Cronenberg, 2011)
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DANGEROUS MINDS : (US, John N. Smith, 1995)
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DANGEROUS PROPOSITION : (US, Brad Sanders, 1998)
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DANGEROUS REMEDY [TV] : (AT, Ken Cameron, 2012)
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book
A dangerous summer / Richard Butler Adelaide: Rigby, 1982.
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DANGEROUS SUMMER, A : (AT, Quentin Masters, 1982)
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dvd
A Dangerous Summer [DVD] [Northcote, Vic]: Umbrella, [2006].
Call No: D A Dangerous SummerSource: ATPlace: [Northcote, Vic]Publisher: UmbrellaPubDate: [2006]PhysDes: 1 videodisc (DVD) (85 min) : sd., col. ; 4 3/4 inSubject: DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) Summary: " Hollywood stars James Mason (The Boys from Brazil) and Tom Skerritt (Alien) star in this gripping drama about Howard Anderson, an American architect struggling to stop a deranged arsonist from setting ablaze his multi-million dollar resort in the picturesque Blue Mountains. In a climax as fast and explosive as the bushfire raging thorugh the mountains, Anderson races to save his property, and his daughter's life from the madman whose crime has escalated from arson to murder! Packed with action, intrigue and exciting set pieces (including a runaway locomotive engulfed in a blazing inferno), and boasting a supporting cast of top class Australian talent (including Wendy Hughes and Ray Barret), A Dangerous Summer is a first-rate, home-grown thriller" - DVD BACK COVERNotes: Censorship classification: M; Special featuresTechnical Details: Region: All, PAL formatCredits: Producer, James McElroy ; director, Quentin Master; screenplay by David Ambrose and Quentin MastersStandard Number: 3000000060759Performer: James Mason, Tom Skerrit, Ian Gilmour, Wendy Hughes.
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DANGEROUS [TV] : (AT, 2007)
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DANGEROUS WOMAN, A : (US, Stephen Gyllenhaal, 1993)
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DANGEROUSLY CLOSE : (US, Albert Pyun, 1986)
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DANIEL : (US, Sidney Lumet, 1983)
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DANIEL, CRAIG
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANIEL, CRAIG
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personality clippings file
DANIEL, LISA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANIEL, LISA
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DANIEL, PAUL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANIEL, PAUL
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personality clippings file
DANIEL, STEPHANIE
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DANIELL, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANIELL, JOHN
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DANIELS, ANTHONY
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DANIELS, JEFF
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANIELS, JEFF
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DANIELS, LEE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANIELS, LEE
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DANIELS, ROSS
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANIELS, ROSS
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DANIELS, WILLIAM
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DANIELSEN, SHANE
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DANILOVA, ALEXANDRA
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title clippings file
DANISH GIRL, THE : (UK/US/BE/DK/GG, Tom Hooper, 2015)
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DANN, TROY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANN, TROY
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DANNA, ANTHONY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANNA, ANTHONY
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DANNOUN, BUDDY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANNOUN, BUDDY
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journal article
Danny in Filmviews (Spring 1985) vol.30 iss.125 p.18-20
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title clippings file
DANNY AND THE COUGARS : (AT, Jim Stevens, 1998)
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DANNY DECKCHAIR : (AT, Jeff Balsmeyer, 2002)
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script
Danny deckchair / an original screenplay by Jeff Balsmeyer 2002.
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journal article
Danny Deckchair in Empire (Australian Ed.) (September 2003) iss.30 p.41
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DANNY'S EGG : (AT, David Haythornthwaite, 1986)
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journal article
Danny's Egg in Filmviews (Autumn 1985) vol.30 iss.123 p.29-37
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journal article
Danny's Egg film update in Encore (Jul 19 - Aug 1 1984) vol.2 iss.11 p.6
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journal article
'Danny's Egg' starts hatching in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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still
[Danny's egg : stills file]
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personality clippings file
DANO, PAUL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DANO, PAUL
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digital clippings file
DANS LA MAISON : (FR, Francois Ozon, 2012) Digital clippings file available
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title clippings file
DANS LA VIE : (CN, Pierre Veilleux, 1973)
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title clippings file
DANS LA VILLE BLANCHE : (SZ/PO, Alain Tanner, 1983)
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journal article
Dans la ville Blanche in Stills (Jul/Aug 1983) vol.7 p.75-77
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DANS PARIS : (FR, Christophe Honore, 2006)
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DANSEN MED REGITZE : (DK, Kaspar Rostrup, 1989)
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DANSEUSE, LA [DANCER, THE] : (FR/BE/CZ, Stephanie di Giusto, 2016)
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DANSON, TED
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANSON, TED
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DANTE - AKTA'RE FOR HAJEN! : (SW, Gunnar Hoglund, 1978)
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DANTE, JOE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANTE, JOE
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DANTE'S PEAK : (US, Roger Donaldson, 1997)
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DANTON : (FR/PL, Andrzej Wajda, 1982)
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DANZA, TONY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DANZA, TONY
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DANZON : (MX, Maria Novaro, 1991)
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DAPHNE AND OLLIE (AT, Emma Freeman, 1998)
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DAPHNE [TV] : (UK, Peter Mackie Burns, 2017)
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DAQIAO XIAMIAN : (CC, Bai Chen, 1983)
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DARABONT, FRANK
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DARABONT, FRANK
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DARATT : (CH/FR/BE/AU, Mahamet-Saleh Haroun, 2007)
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DARBAREYE ELLY : (IR, Asghar Farhadi, 2009)
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DARBAREYE ELLY : (IR, Asghar Farhadi, 2009)
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DARBY AND JOAN : (AT, Phillip Gwynne/Glenys Rowe, 2022) Digital clippings file available
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DARBYSHIR, GRAEME
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DARBYSHIR, GRAEME
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DARCY-SMITH, KIERAN
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DARDAY, ISTVAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: StillsSubject: DARDAY, ISTVAN
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DARDENNE, JEAN-PIERRE & LUC
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DARE AND CO
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DARE TO BE DIFFERENT : (US, Ellen Goldfarb, 2017)
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DARE TO BE WILD : (IE, Vivienne DeCourcy, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: DARE TO BE WILD (IE, Vivienne DeCourcy, 2015) URL status: URL: 'http://file://Q:/T/DARE_TO_BE_WILD.zip'
Checked: 31/08/2021 1:46:57 PM
Status: Error
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DAREDEVIL : (US, Mark Steven Johnson, 2003)
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DAREDEVIL [TV] : (US, 2015-)
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DAREMO SHIRANAI : (JA, Hirokazu Kore-eda, 2004)
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DARIN, BOBBY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DARIN, BOBBY
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still
[Darin : stills file]
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title clippings file
DARJEELING LIMITED, THE (US, Wes Anderson, 2007) : (US, Wes Anderson, 2007)
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title clippings file
DARK AGE : (AT/US, Arch Nicholson, 1988)
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DARK BACKWARD, THE : (US, Adam Rifkin, 1991)
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DARK BLOOD : (US/UK/NE, George Dix, 2012)
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DARK BLUE : (US, Ron Shelton, 2003)
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DARK CIRCLE : (US, Judy Irving, Chris Beaver and Ruth Landy, 1982)
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title clippings file
DARK CITY : (US, Alex Proyas, 1997)
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title clippings file
DARK CRIMES : (US/PL/UK, Alexandros Avranas, 2016)
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journal article
'Dark Crystal' lights up fashion in Australasian Cinema (10/6/1983) vol.12 iss.10 p.2
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title clippings file
DARK CRYSTAL, THE : (US, Jim Henson and Frank Oz, 1982)
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journal article
The Dark Crytal in Prevue (Dec/Jan 1983) vol.2 iss.10 p.28-31
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DARK DAYS : (US, Marc Singer, 2000)
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DARK END OF THE STREET, THE : (US, Jan Egelson, 1981)
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DARK HALF, THE : (US, George A. Romero, 1993)
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title clippings file
DARK HORSE : (UK, Louise Osmond, 2015)
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digital clippings file
DARK HORSE, THE : (NZ, James Napier Robertson, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: DARK HORSE, THE (NZ, James Napier Robertson, 2014) URL status: URL: 'http://file://Q:/T/DARK_HORSE,_THE.zip'
Checked: 31/08/2021 1:32:19 PM
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title clippings file
DARK KNIGHT RISES, THE : (US/UK, Christopher Nolan, 2012)
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title clippings file
DARK KNIGHT, THE : (US, Christopher Nolan, 2008)
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title clippings file
DARK LULLABIES : (CN, Irene Lilienheim Angelico and Abbey Jack Neidik, 1985)
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title clippings file
DARK MATTER [TV] : (CN, 2015-2017)
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title clippings file
DARK MISSION : (SP/FR, Jesus Franco, 1988)
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title clippings file
DARK MONEY : (US, Kimberly Reed, 2018)
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title clippings file
[DARK NIGHT] : (TZ/HK, Fred Tan, 1986)
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journal article
The Dark Night in Empire (Australian Ed.) (September 2008) iss.90 p.41
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digital clippings file
DARK NOISE, THE : (AT, Clara Chong, 2022) Digital clippings file available
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title clippings file
DARK ODYSSEY : (US, William Kyrtakis & Radley Metzger, 1957)
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title clippings file
DARK OF THE NIGHT, THE : (US, Gaylene Preston, 1986)
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title clippings file
DARK PASSAGE : (US, Delmer Daves, 1947)
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title clippings file
DARK REDEMPTION : (AT, Peter Mether, 1999)
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title clippings file
DARK RIVER : (UK, Clio Barnard, 2017)
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title clippings file
DARK ROOM, THE : (AT, Paul Harmon, 1982)
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still
[Dark room, the : stills file]
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title clippings file
DARK SCIENCE : [TV](AT, 2007)
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script
DARK SEED : Sixth draft / NewVision Films [1996].
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title clippings file
DARK SHADOWS : (US, Tim Burton, 2012)
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title clippings file
DARK SIDE OF GENIUS : (US, Phedon Papamichael, 1994)
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book
The dark side of the screen : film noir / Foster Hirsch San Diego London: A. S. Barnes Tantivy Press, 1981.
Call No: 734 HIRAuthor: Hirsch, Foster Edition: 1st edPlace: San Diego LondonPublisher: A. S. Barnes Tantivy PressPubDate: 1981PhysDes: 229 p. : ill. ; 29 cmSubject: FILM NOIR ; BAD GUYS ; EXPRESSIONISM ; WOMEN IN FILMS ; BOGART, HUMPHREY ; CHANDLER, RAYMOND ; DASSIN, JULES ; HITCHCOCK, ALFRED ; LANG, FRITZ ; HAMMETT, DASHIELL ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; SORRY, WRONG NUMBER (US, Anatole Litvak, 1948) ; BIG CLOCK, THE (US, John Farrow, 1947) ; BIG HEAT, THE (US, Fritz Lang, 1953) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KILLERS, THE (US, Robert Siodmak, 1946) ; MALTESE FALCON, THE (US, John Huston, 1941) ; NIGHT AND THE CITY (US, Jules Dassin, 1950) ; PROWLER, THE (US, Joseph Losey, 1950) ; EDGE OF DOOM (US, Mark Robson, 1950) ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; BIG COMBO, THE (US, Joseph H. Lewis, 1955) Notes: Includes index; Bibliography: p. 211-212; Filmography: p. 213-220ISBN: 049802234XLON: 80028955; 1868575
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title clippings file
DARK STAR : (US, John Carpenter, 1974)
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still
[Dark : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 12 x 8 cm - 10 x 11 cmSubject: DARK (AT, Paul Winkler, 1974) Summary: Two black and white photographs relating to the film Dark
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DARK TOURIST [TV] : (NZ, 2018-)
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DARK TOWER, THE : (US, Nikolaj Arcel, 2017)
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title clippings file
DARK WATER : (US, Walter Salles, 2005)
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digital clippings file
DARK WATERS : (US, Andre de Toth, 1944) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DARK WATERS (US, Andre de Toth, 1944) URL status: URL: 'http://file://Q:/T/DARK_WATERS.zip'
Checked: 31/08/2021 1:05:12 PM
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title clippings file
DARK WATERS : (US, Todd Haynes, 2019)
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digital clippings file
DARK WHISPERS : (AT, Megan Riakos &c, 2019) Digital clippings file available
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title clippings file
DARK WIND, THE : (US, Errol Morris, 1991)
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title clippings file
DARKER SIDE OF BLACK, THE : (UK, Isaac Julien, 1994)
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title clippings file
DARKEST ENGLAND : (UK, Michael Eaton, 1984)
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DARKEST HOUR : (UK, Joe Wright, 2017)
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DARKEST HOUR, THE : (US/RU, Chris Golak, 2011)
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DARKEST MINDS, THE : (US, Jennifer Yuh Nelson, 2018)
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title clippings file
DARKEST UNIVERSE, THE : (UK, Tom Kingsley & Will Sharpe, 2016)
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title clippings file
DARKLINGS, THE : (US, Jeffrey Reiner, 1999)
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title clippings file
DARKMAN : (US, Sam Raimi, 1990)
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title clippings file
DARKNESS FALLS : (US, Jonathon Liebesman, 2003)
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DARKNESS, THE : (US, Greg McLean, 2016)
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DARKSIDE, THE : (AT, Warwick Thornton, 2013)
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DARLING : (UK, John Schlesinger, 1965)
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DARLING, IAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DARLING, IAN
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personality clippings file
DARLING, JOHN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DARLING, JOHN
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journal article
Darling mixes mediums to lift the grade in Encore (July 2000) vol.18 iss.6 p.24
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still
[Darling river kids : stills file]
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title clippings file
DARLINGS OF THE GODS : [TV] (AT/UK, Catherine Millar, 1990)
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book
Darlings of the gods / Garry O'Connor ; a novel based on scripts by Roger Simpson and Graeme Farmer and on Garry O'Connor's 'Darlings of the gods: one year in the lives of Laurence Olivier and Vivien Leigh'. London: Coronet, 1989.
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title clippings file
DARRA DOGS, THE : (AT, Dennis Tupicoff, 1993)
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still
[Darra dogs, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cmSubject: DARRA DOGS, THE (AT, Dennis Tupicoff, 1993) Summary: One black and white image from the short ten minute animation The darra dogs
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personality microfilm collection
DARREN, JAMES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DARREN, JAMES
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personality microfilm collection
DARROUZET, ANN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DARROUZET, ANN
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title clippings file
DARWIN'S EVOLUTIONARY STAKES : (AT, Andrew Horne, 1999)
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DARWIN'S NIGHTMARE : (AU/BE/FR, Hubert Sauper, 2004)
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DARWIN: THE VOYAGE THAT SHOOK THE WORLD : (AT, Steve Murray, 2009)
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DASEY, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DASEY, DANIEL
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DASGUPTA, BUDDHADEB
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DASH, JULIE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DASH, JULIE
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title clippings file
DASI : (II, B. Narasinga Rao, 1988)
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personality microfilm collection
DASSIN, JULES
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DASSIN, JULES
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subject clippings file
DATA BROADCASTING
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subject clippings file
DATACASTING
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DATACASTING
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subject clippings file
DATACASTING. AUSTRALIA
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title clippings file
DATE MOVIE : (US, Aaron Seltzer, 2006)
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DATE NIGHT : (US, Shawn Levy, 2010)
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Date with an Angel in Cinefantastique p.48-49
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DATE WITH AN ANGEL : US, Tom McLoughlin, 1987
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title clippings file
DATE WITH DESTINY, A : (AT, Mark Hartley, 1990)
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[Date with destiny, a : stills file]
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DATELINE : [TV], (AT, 1984 -)
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digital clippings file
DATING AMBER : (IE/UK/US/BE, David Freyne, 2020) Digital clippings file available
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subject clippings file
DATING SHOWS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DATING SHOWS
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title clippings file
DATING THE ENEMY : (AT, Megan Simpson [Huberman], 1996)
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dvd
Dating the enemy [DVD] [Australia]: Umbrella Entertainment, 2002.
Call No: D Dating the enemyPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: 2002PhysDes: 1 videodisc (DVD ) (ca. 97 min.) : sd., col. ; 4 3/4 in.Subject: DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996) Summary: Brett is good-looking, confident and perhaps a tad on the egotistical side. Tash is intellectual, reserved and maybe a little too smart for her own good. When these two meet it is love at first sight, but when a lack of compromise threatens to break up their relationship, the natural forces of the universe decide to intervene, and Brett and Tash wake up - in each other's body! -- Libraries Australia.Notes: DAVID0034Contents: Special features: Scene access; Profiles; Music video clip; Television commercials; Motion menus; Umbrella propaganda -- disc cover.; TrailersTechnical Details: PAL ; All regions.Credits: Producer, Sue Milliken ; director/writer, Megan Simpson Huberman ; music, David Hirschfelder.Standard Number: 9322225009349Performer: Claudia Karvan, Guy Pearce, Lisa Hensley, Matt Day.
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still
[Dating the enemy : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 17 photographs : b&w ; 20 x 25 cm - 30 x 21 cmSubject: PEARCE, GUY ; KARVAN, CLAUDIA ; ANU, CHRISTINE ; GRANDISON, PIPPA ; HOWARD, JOHN ; HENSLEY, LISA ; DAY, MATT ; LOWE, SCOTT ; SIMPSON-HUBERMAN, MEGAN ; DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996) Summary: Seventeen black and white photographs relating to the film Dating the enemyNotes: Contains some duplicates (photocopies of original photographs)
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title clippings file
DAU : (RU/FR/G/SW/NE/UE, Ilya Khrzhanovskiy, 2019)
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digital clippings file
DAU NATASHA : (G/UE/UK/RU, Ilya Khrzhanovskiy, Jekaterina Oertel, 2020) Digital clippings file available
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script
The daughter / by Simon Stone; developed with the assistance of Screen NSW & Waking Dream Productions Woollahra, NSW: Sep-14. Digital clippings file available
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title clippings file
DAUGHTER RITE : (US, Michelle Citron, 1979)
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DAUGHTER, THE : (AT, Simon Stone, 2015)
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DAUGHTERS OF MICHENBURY, THE : (AT, Gabrielle McKinlay, 1996)
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title clippings file
DAUGHTERS OF THE COUNTRY: IKWE : (CN, Norma Bailey 1987)
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title clippings file
DAUGHTERS OF THE DUST : (US, Julie Dash, 1991)
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personality microfilm collection
DAUMAN, ANATOLE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAUMAN, ANATOLE
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personality clippings file
DAVALOS, ALEXA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVALOS, ALEXA
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title clippings file
DAVANDEH : (IR, Amir Nader, 1985)
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DAVE : (US, Ivan Reitman, 1993)
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DAVE CHAPPELLE'S BLOCK PARTY : (US, MICHAEL GONDRY, 2006)
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personality microfilm collection
DAVERN, JAMES
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVERN, JAMES
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personality microfilm collection
DAVEY, BRUCE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVEY, BRUCE
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personality clippings file
DAVEY, BRUCE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVEY, BRUCE
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personality clippings file
DAVEY, DITCH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVEY, DITCH
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personality microfilm collection
DAVI, ROBERT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVI, ROBERT
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personality microfilm collection
DAVIAU, ALLEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIAU, ALLEN
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title clippings file
DAVID : (GW, Peter Lilienthal, 1979)
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title clippings file
DAVID ATTENBOROUGH'S GREAT BARRIER REEF[TV] : (AT, 2015-)
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DAVID BRENT: LIFE ON THE ROAD : (UK/US, Ricky Gervais, 2016)
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digital clippings file
DAVID BYRNES AMERICAN UTOPIA : (US, Spike Lee, 2020) Digital clippings file available
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title clippings file
DAVID GULPILIL ONE RED BLOOD : (AT, Darlene Johnson, 2002)
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personality microfilm collection
DAVID, IAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVID, IAN
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title clippings file
DAVID LYNCH: THE ART LIFE : (US/DK, Rick Barnes & Olivia Neergaard-Holm, 2016)
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newspaper article
David's country in Saturday Age [Spectrum] (18/07/2015) p.8-9
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title clippings file
DAVID SEARCHING : (US, Leslie L. Smith, 1997)
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digital clippings file
DAVID STRATTON: A CINEMATIC LIFE : (AT, Sally Aitken, 2017) Digital clippings file available
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digital clippings file
DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [TV] : (AT, Sally Aitken, 2017) Digital clippings file available
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personality clippings file
DAVIDSON, IAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIDSON, IAN
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personality microfilm collection
DAVIDSON, JAYE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIDSON, JAYE
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digital clippings file
DAVIDSON, MICHELLE LIM Digital clippings file available
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personality clippings file
DAVIDSON, NATHANIEL
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personality clippings file
DAVIDSON, ROBYN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIDSON, ROBYN
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personality clippings file
DAVIDSON, SHANNON
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personality microfilm collection
DAVIDTZ, EMBETH
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIDTZ, EMBETH
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personality microfilm collection
DAVIE, GORDON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIE, GORDON
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personality clippings file
DAVIES, ALEXANDRA
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personality microfilm collection
DAVIES, ANDREW
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIES, ANDREW
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personality clippings file
DAVIES, BRIAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, BRIAN
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personality clippings file
DAVIES, CHAR
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, CHAR
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personality clippings file
DAVIES, IVA
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, IVA
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personality clippings file
DAVIES, JEREMY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, JEREMY
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personality clippings file
DAVIES, KIMBERLEY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, KIMBERLEY
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personality clippings file
DAVIES, LINDY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, LINDY
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personality clippings file
DAVIES, LUKE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, LUKE
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personality clippings file
DAVIES, MARION
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, MARION
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personality clippings file
DAVIES, MORGANA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, MORGANA
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personality microfilm collection
DAVIES, PAUL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIES, PAUL
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personality clippings file
DAVIES, TERENCE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIES, TERENCE
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personality microfilm collection
DAVIS, ANDREW
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, ANDREW
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personality microfilm collection
DAVIS, ARTHUR
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, ARTHUR
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personality microfilm collection
DAVIS, BETTE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, BETTE
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personality microfilm collection
DAVIS, CARL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, CARL
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digital clippings file
DAVIS, ESSIE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: DAVIS, ESSIE URL status: URL: 'http://file://Q:/P/DAVIS,_ESSIE.zip'
Checked: 31/08/2021 12:43:28 PM
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personality clippings file
DAVIS, GARTH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIS, GARTH
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personality microfilm collection
DAVIS, GEENA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, GEENA
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personality clippings file
DAVIS, HEATH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIS, HEATH
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personality microfilm collection
DAVIS, HOPE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, HOPE
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personality microfilm collection
DAVIS, JUDY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; Slides; StillsSubject: DAVIS, JUDY
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personality clippings file
DAVIS, KRISTIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIS, KRISTIN
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newspaper article
Davis looks to Somalia for next film in The Age (20/04/2017) p.24
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personality clippings file
DAVIS, MARK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIS, MARK
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personality clippings file
DAVIS, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIS, MICHAEL
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personality microfilm collection
DAVIS, NEIL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, NEIL
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personality microfilm collection
DAVIS, PHILIP
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, PHILIP
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personality microfilm collection
DAVIS, ROBIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, ROBIN
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personality microfilm collection
DAVIS, SAMMY, Jr.
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, SAMMY, Jr.
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personality microfilm collection
DAVIS, SANDRA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, SANDRA
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personality clippings file
DAVIS, SHAREN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIS, SHAREN
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personality microfilm collection
DAVIS, TAMRA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, TAMRA
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personality clippings file
DAVIS, VIOLA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIS, VIOLA
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personality microfilm collection
DAVIS, WARWICK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAVIS, WARWICK
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personality clippings file
DAVIS, WILLIAM B.
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personality clippings file
DAVISON, PIERCE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVISON, PIERCE
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personality clippings file
DAVVA, BYAMBASUREN
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personality clippings file
DAWBER, PAUL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAWBER, PAUL
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personality clippings file
DAWE, BRYAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAWE, BRYAN
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personality microfilm collection
DAWES, NATHAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAWES, NATHAN
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script
Dawn [1977?].
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title clippings file
DAWN! : (AT, Ken Hannam, 1979)
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book
Dawn! / Kate Hansford Adelaide: Rigby, 1979.
Call No: 79DAW HANAuthor: Hansford, Kate Source: ATPlace: AdelaidePublisher: RigbyPubDate: 1979PhysDes: 160p. : ill. ; 18cmSubject: DAWN! (AT, Ken Hannam, 1979) ISBN: 0727010549Donation: donated by the family of Wayne Levy, 2006
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title clippings file
DAWN FLIGHT : (US, Lawrence Lansburgh, 1976)
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personality microfilm collection
DAWN, GLORIA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAWN, GLORIA
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DAWN, NORMAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAWN, NORMAN
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title clippings file
DAWN OF THE DEAD : (US, Zack Snyder, 2004)
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journal article
Dawn of the dead in Foreign Sales Italian Movie Trade (Oct 1978) vol.Year 4 iss.10 p.16
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journal article
Dawn of the dead in Cinefantastique vol.8 iss.1 p.32, 33
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journal article
Dawn of the dead in Film and broadcasting review (1979) vol.44 p.49
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book
Dawn of the dead / George A. Romero; Susanna Sparrow New York: St. Martin's Press, 1978.
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title clippings file
DAWN OF THE DMF'S (AT, Chris Summers, 1992)
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title clippings file
DAWN OF THE PLANET OF THE APES : (US, Matt Reeves, 2014)
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book
DAWN PATROL, THE
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digital clippings file
DAWN RAID : (NZ, Oscar Kightley, 2021) Digital clippings file available
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title clippings file
DAWNING, THE : UK, Robert Knights, 1988
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personality clippings file
DAWSON, CHARLOTTE
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title clippings file
DAWSON CITY: FROZEN TIME : (US, Bill Morrison, 2016)
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personality clippings file
DAWSON, COURTENAY
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title clippings file
DAWSON J : (UK, Don Mason and Nicky Malleson, 1980)
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journal article
Dawson J in Monthly Film Bulletin (Aug 1980) vol.XLVII iss.559 p.165
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personality microfilm collection
DAWSON, JAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAWSON, JAN
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personality clippings file
DAWSON, JONATHAN
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personality microfilm collection
DAWSON, JONATHON
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAWSON, JONATHON
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personality microfilm collection
DAWSON, JULIE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAWSON, JULIE
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personality clippings file
DAWSON, ROSARIO
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAWSON, ROSARIO
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personality clippings file
DAWSON, STEF
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAWSON, STEF
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personality microfilm collection
DAWSON, VANESSA
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAWSON, VANESSA
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title clippings file
THE DAY AFTER : US, Nicholas Meyer, 1983
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journal article
The day after is 12th most watched show in Australian Film Review (Dec 8-16 1983) vol.1 iss.22 p.14
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title clippings file
DAY AFTER TOMORROW, THE : (US, Roland Emmerich, 2004)
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journal article
The day after trinity: J. Robert Oppenheimer and the atomic bomb in Fed News (Summer 1981) vol.38 iss.2 p.38-39
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title clippings file
DAY AFTER TRINITY, THE: J. ROBERT OPPENHEIMER AND THE ATOMIC BOMB : (US, John Else, 1981)
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title clippings file
DAY AT THE BEACH : (US, Nick Veronis, 1998)
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title clippings file
DAY AT THE OASIS, A : (AT, Tim Lethbridge, 2010)
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title clippings file
DAY AT THE RACES, A : (US, Sam Wood, 1937)
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personality microfilm collection
DAY, DORIS
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAY, DORIS
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personality microfilm collection
DAY, GARY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAY, GARY
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title clippings file
DAY I WILL NEVER FORGET, THE : (UK, Kim Longinotto, 2002)
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journal article
A day in the life of Bonnie Consolo in Federation News (Mar-Jun 1978) vol.95 iss.96 p.42
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title clippings file
DAY IN THE NIGHT OF JONATHAN MOLE, A : (CN, Donald Brittain, 1959)
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personality microfilm collection
DAY-LEWIS, DANIEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAY-LEWIS, DANIEL
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title clippings file
DAY LIKE TOMORROW, A : (AT, Graham Shirley, 1974)
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digital clippings file
DAY, MATT Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Stills; TransparencySubject: DAY, MATT
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title clippings file
DAY NEIL ARMSTRONG WALKED ON THE MOON, THE : (AT, Michael J. Rivette, 1998)
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still
[Day Neil Armstrong walked on the moon, the : stills file]
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title clippings file
DAY NIGHT DAY NIGHT : (US/G/FR, JULIA LOKTEV, 2007)
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title clippings file
DAY OF THE ASSASSIN : (US/SP/MX, Brian Trenchard-Smith, 1979)
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title clippings file
DAY OF THE BROKEN, THE : (AT, Simon J. Dutton, 2014)
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title clippings file
DAY OF THE DEAD : US, George A. Romero, 1985
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book
The day of the dog / Archie Weller Sydney: Pan Books, 1982.
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title clippings file
DAY OF THE JACKAL, THE : UK/FR, Fred Zinnemann, 1973
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book
The day of the locust / Nathanael West New York: Bantam Books, 1975.
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title clippings file
DAY OF THE PANTHER, THE : (AT, Brian Trenchard Smith, 1987)
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dvd
The day of the roses [DVD] [Kew, Vic.]: Umbrella Entertainment, [2010].
Call No: D The day of the rosesPlace: [Kew, Vic.]Publisher: Umbrella EntertainmentPubDate: [2010]PhysDes: 2 videodiscs (DVD) (226 min.) : sd., col. ; 4 3/4 in.Subject: DAY OF THE ROSES, THE [TV] (AT, Peter Fisk, 1998) Summary: A dramatic reconstruction of the Granville rail crash in 1977, and the aftermath. -- Libraries Australia.Notes: DAVID0442Technical Details: PAL ; All regions.Credits: Written by John Misto; directed by Peter Fisk.Standard Number: 9322225026063Performer: Rebecca Gibney, Paul Mercurio, Peter O'Brien.
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title clippings file
DAY OF THE ROSES, THE : [TV] (AT, Peter Fisk, 1998)
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title clippings file
DAY OF THE WOMAN : US, Meir Zarchi, 1978
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journal article
The Day off in Facets Features (May 1983) p.8-10
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title clippings file
DAY ON THE GRAND CANAL WITH THE EMPEROR OF CHINA OR SURFACE IS ILLUSION BUT SO IS DEATH, A : (US, Philip Haas, 1988)
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personality clippings file
DAY, PHILLIP
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAY, PHILLIP Cross Reference: DAY, PHILIP
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digital clippings file
DAY SHIFT : (US, J.J. Perry, 2022) Digital clippings file available
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title clippings file
DAY THE EARTH STOOD STILL, THE : (US, Scott Derickson, 2008)
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title clippings file
DAY THEY ROBBED THE BANK OF ENGLAND, THE : (UK, John Guillermin, 1959)
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personality microfilm collection
DAYAN, NISSIM
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DAYAN, NISSIM
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book
Daybreak : the book of the film / by Arnold Merdith London: World Film Publications, 1948.
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title clippings file
DAYBREAK EXPRESS
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title clippings file
DAYBREAKERS : (US, Michael Spierig and Peter Spierig, 2008)
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script
Daybreakers / written by Michael Spierig and Peter Spierig AT: [2007].
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title clippings file
DAYDREAM BELIEVER : (AT, Kathy Mueller, 1992)
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still
[Daydream believer : stills file]
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title clippings file
DAYEREH : (IR/IT, Jafar Panahi, 2000)
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title clippings file
DAYEREH MINA : (IR, Dariush Mehrjui, [prod. 1974] 1977)
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title clippings file
DAYLIGHT : (US, Rob Cohen, 1996)
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title clippings file
DAYS AND NIGHTS OF MOLLY DODD, THE : [TV] (US, 1987-91)
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title clippings file
DAYS OF BEING : (AT, Chi Yen Ooi, 2000)
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still
[Days of being : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 11 x 16 cmSubject: DAYS OF BEING (AT, Chi Yen Ooi, 2000) Summary: Two black and white photographs relating to the film Days of being
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title clippings file
DAYS OF HEAVEN : (US, Terrence Malick, 1978)
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title clippings file
DAYS OF OUR LIVES [TV] : (US, 1965 - )
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title clippings file
DAYS OF THUNDER : US, Tony Scott, 1990
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title clippings file
DAYS OF WAITING : (US, Steven Okazaki, 1990)
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journal article
Days of Whisky Gap in Filmviews (Sep 1981) vol.26 iss.3/109 p.26
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title clippings file
DAYS OF WHISKY GAP, THE : (CN, Colin Low, 1961)
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journal article
Days of wine and roses in Movie (Jul/Aug 1963) vol.11 p.14-17
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title clippings file
DAYTRIPPERS, THE : (US, Greg Mottola, 1996)
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title clippings file
DAZED AND CONFUSED : (US, Richard Linklater, 1993)
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title clippings file
DC LEGENDS OF TOMORROW [TV] : (US, 2016 - )
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title clippings file
DCI BANKS[TV] : (UK, 2010-)
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still
[De Crespigny, Robin : headshot of Robin de Crespigny]
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journal article
A de Laurentiis profile in Australasian Cinema (Friday, 8/2/1985) vol.14 iss.2 p.5
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title clippings file
DE-LOVELY : (US, Irwin Winkler, 2004)
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DEAD AGAIN : (US, Kenneth Branagh, 1991)
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title clippings file
DEAD AND BURIED : (US, Gary Sherman, 1981)
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title clippings file
DEAD BANG : (US, John Frankenheimer, 1989)
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title clippings file
DEAD BEAT : (US, Adam Dubov, 1994)
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title clippings file
DEAD BODIES : (IR, Robert Quinn, 2003)
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title clippings file
DEAD BOYZ CAN'T FLY : (US, Howard Winters, 1992)
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digital clippings file
DEAD CALM : (AT, Phillip Noyce, 1989) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kit; PublicitySubject: DEAD CALM (AT, Phillip Noyce, 1989) URL status: URL: 'http://file://Q:/T/DEAD_CALM.zip'
Checked: 31/08/2021 12:55:12 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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poster
[Dead calm : poster] US: 1989.
Call No: P DEAPlace: USPubDate: 1989PhysDes: 1 poster : colour ; 69 x 34 cmSubject: DEAD CALM (AT, Phillip Noyce, 1989) Summary: Text: High Seas. Deep Terror. Try To Stay Calm.
A Voyage Into Fear (beneath the title)
Image: Rae Ingram's head (played by Nicole Kidman) partially submerged under a body of water coloured red and purple.Notes: There are several folds.
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still
[Dead calm : stills file]
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title clippings file
DEAD CAN'T LIE, THE : (US, Lloyd Fonvielle, 1988)
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title clippings file
DEAD CERT : (UK, Tony Richardson, 1974)
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title clippings file
DEAD DON'T DIE, THE : (US/SW, Jim Jarmusch, 2019)
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title clippings file
DEAD EASY : (AT, Bert Deling, 1982)
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still
[Dead easy : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 13 photograph : b&w ; 21 x 26 cmSubject: BURGESS, SCOTT ; O'LEARY, JACK ; PHIPPS, MAX ; NOBLE, BOBBY ; COMBES, BARNEY ; PAUL, ROSEMARY ; BARRY, TONY ; FYFIELD, STEPHEN ; DEAD EASY (AT, Bert Deling, 1982) Summary: Twelve black and white photographs relating to the film 1982 version of Dead easy
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still
[Dead easy : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 12 x 17 cmSubject: DEAD EASY (AT, Nigel Buesst, 1970) Summary: One black and white photograph relating to the 1970 version of Dead easy
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title clippings file
DEAD END : (AT, Iren Koster, 1999)
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title clippings file
DEAD-END DRIVE-IN : (AT, Brian Trenchard-Smith, 1986)
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journal article
'Dead End Drive-In' : irony in setting in Encore (18-31 Jul 1985) vol.3 iss.11 p.20
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journal article
Dead end drive-in in Cinefantastique (Oct 1986) vol.16 iss.4/5 p.20
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poster
[Dead-end drive in : poster] [1986].
Call No: P DEAPubDate: [1986]PhysDes: 1 poster : col. ; 90 X 64 cm.Subject: DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) Summary: Image: Illustrated picture of a man (holding a gun) and woman holding hands with the drive-in and flames behind them and a car above them.Text: 'Getting in was easy... Getting out is hell on wheels.'Notes: General wear and tear and blu-tack stains on back corners. Slight tear on top.
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title clippings file
DEAD END KIDS : (US, Jo Anne Akalaitis, 1986)
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digital clippings file
DEAD EUROPE : (AT/UK, Tony Krawitz, 2012) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: DEAD EUROPE (AT/UK, Tony Krawitz, 2012) URL status: URL: 'http://file://Q:/T/DEAD_EUROPE.zip'
Checked: 31/08/2021 1:24:55 PM
Status: Error
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script
Dead Europe / by Louise Fox 2011.
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script
Dead famous : formerly drugs, death & betrayal AT: c2009.
Call No: S DEACorpAuthor: ABC TelevisionEdition: production scriptPlace: ATPubDate: c2009PhysDes: 48 leavesSubject: DEAD FAMOUS [TV] (AT, 2009) Notes: Unpublished script -- Donated by AFI -- Production script -- Credit: produced by Screen Australia, DD & B Productions & Film Victoria.
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title clippings file
DEAD FUNNY : (US, John Feldman, 1995)
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title clippings file
DEAD GIRL, THE : (US, Karen Moncrieff, 2006)
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title clippings file
DEAD HANDS DIG DEEP : (AT/US, Jai Love, 2016)
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book
Dead heart / Nicholas Parsons Sydney: Currency Press, 1994, c1990.
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title clippings file
DEAD HEART : (AT, Nick Parsons, 1996)
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title clippings file
DEAD HEAT : (US, Mark Goldblatt, 1988)
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journal article
Dead Heat in Cinefantastique (May 1988) vol.18 iss.4 p.8-11
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DEAD IN A WEEK : (UK, Tom Edmunds, 2018)
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DEAD INNOCENT : (CA, Sara Botsford, 1996)
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title clippings file
DEAD LEAVES : (JA, Hiroyuki Imaishi, 2004)
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poster
[Dead leaves : poster]
Call No: P DEAPhysDes: 1 poster : col. ; 60 X 42 cm.Subject: DEAD LEAVES (JA, Hiroyuki Imaishi, 2004) Summary: Image: has photo of characters who are fighting. Text: ' Breaking out of prison was never this much...fun?'Notes: Has some fold lines; Double sided; Texhnolyze on the other side.
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title clippings file
DEAD LETTER OFFICE : (AT, John Ruane, 1998)
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poster
[Dead letter office : poster] AT: 1998.
Call No: P DEAPlace: ATPubDate: 1998PhysDes: 1 poster : colour ; 98cm x 68cmSubject: DEAD LETTER OFFICE (AT, John Ruane, 1998) Summary: Depicts Kate (Miranda Otto) and Frank Lopez (George DelHoyo) dancing together. There is a postmark image of the Dead Letter Office -- Text: A story of love and lost letters.Notes: Creased copy, numerous pin holes, coffee stains and a few tears. Fair condition.Donation: Nicole Benson
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still
[Dead letter office : stills file]
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still
[Dead lucky: stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 5 photograph : b&w ; 13 x 18 cm -17 x 22 cmSubject: DEAD LUCKY (UK, Montgomery Tully, 1960) ; BALL, VINCENT Summary: Vincent Ball, Betty McDowell and John Le Mesurier star in DEAD LUCKYNotes: Image donated by Brian McFarlane
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title clippings file
DEAD LUCKY [TV] : (AT, 2018 - )
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title clippings file
DEAD MAN : (US, Jim Jarmusch, 1995)
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title clippings file
DEAD MAN DOWN : (US, Niels Arden Oplev, 2013)
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title clippings file
DEAD MAN ON CAMPUS : (US, Alan Cohn, 1998)
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title clippings file
DEAD MAN'S CURVE : (US, Dan Rosen, 1997)
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title clippings file
DEAD MAN'S SHOES : (UK, Shane Meadows, 2004)
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title clippings file
DEAD MAN WALKING : (UK/US, Richard Pearce, 1989)
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title clippings file
DEAD MAN WALKING : (US, Tom Robbins, 1995)
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title clippings file
DEAD MEN DON'T WEAR PLAID : (US, Carl Reiner, 1982)
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book
Dead men running / D'Arcy Niland London: Hodder Paperbacks, 1971.
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journal article
Dead men walk in Photon iss.19 p.29
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journal article
Dead of Night in Classic Images (Oct 1984) vol.112 p.33
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title clippings file
DEAD OF WINTER : (US, Arthur Penn, 1987)
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book
Dean & me / Jerry Lewis and James Kaplan London, UK: Pan Books, 2007.
Call No: 81 MAR LEWAuthor: Lewis, Jerry ; Kaplan, James Source: UKPlace: London, UKPublisher: Pan BooksPubDate: 2007PhysDes: 340 pages : illustrations, portraits ; 24 cmSubject: MARTIN, DEAN ; LEWIS, JERRY ; ARTISTS AND MODELS (US, Frank Tashlin, 1955) ; DAVIS, SAMMY, Jr. ; PARAMOUNT STUDIOS ; SINATRA, FRANK Summary: "Before the Rat Pack, the hit songs and the stellar movie career, Dean Martin spent ten years partnering Jerry Lewis in one of the most successful double acts of show-business history. In this wise-cracking yet candid memoir, Lewis recalls with crystal clarity the highs and lows of his relationship with Dean: their first meeting on a New York street corner one spring afternoon, the early improvised performances in Mob-owned nightclubs, and the giddy days of Hollywood super-stardom, when it seemed the couple's high-rolling lifestyle would last for ever. It didn't. On July 24 1956, Dean and Jerry split and the two men didn't speak to one another for twenty years." - taken from back coverNotes: Originally published: New York: Doubleday, 2005; London: Macmillan, 2006.
Includes index.ISBN: 9780330443531
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book
The decline and fall of the love goddesses / Patrick Agan Los Angeles: Pinnacle Books, c1976.
Call No: 465.15 AGAAuthor: Agan, Patrick Place: Los AngelesPublisher: Pinnacle BooksPubDate: c1976PhysDes: ix, 286 p. : illus. ; 28 cmSubject: STARS ; DANDRIDGE, DOROTHY ; DARNELL, LINDA ; FARMER, FRANCES ; GRABLE, BETTY ; HAYWARD, SUSAN ; HAYWORTH, RITA ; HUTTON, BETTY ; LAKE, VERONICA ; MANSFIELD, JAYNE ; MONROE, MARILYN Summary: The stories of ten Hollywood actresses whose fame and glamorous onscreen personas hid troubles within their private lives.
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digital clippings file
DEERSKIN [LE DAIM] : (FR, Quentin Dupieux,2019) Digital clippings file available
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title clippings file
DEI, KTORY NEUMRIE : (CS, Martin Tapak, 1974)
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book
Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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title clippings file
DI YI LEI XING WEI XIAN
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title clippings file
DIA EN EL SOLAR, UN : (CU, Eduardo Manet, 1965)
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book
Dickens and film / by A. L. Zambrano New York: Gordon Press, 1976.
Call No: 753DIC ZAMAuthor: Zambrano, A. L Place: New YorkPublisher: Gordon PressPubDate: 1976PhysDes: 442 pages : illustrations ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; LITERATURE AND THE CINEMA ; MUSICALS ; SURREALISM AND THE CINEMA ; THEATRE AND THE CINEMA ; GRIFFITH, DAVID WARK ; EISENSTEIN, SERGEI M. ; DAVID COPPERFIELD (US, George Cukor, 1935) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GREAT EXPECTATIONS (UK, Joseph Hardy, 1975) ; OLIVER TWIST (UK, David Lean, 1948) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; TALE OF TWO CITIES, A (US, Jack Conway, 1935) Summary: This book discusses the works of Charles Dickens that has been adapted into film up until the mid 1970s. It discusses Dickens's relationship to the theatre (cinema's closest ancestor), the Victorian values of Dickens's work, the cinematic elements of Dickens's writing, and modern filmic adaptations of his work.Notes: Includes filmography -- collection's copy is fragile, handle with careISBN: 0879684569LON: 76016479; 174074
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still
[Dingo : stills file]
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newspaper article
Director praises his lionheart in Sunday Herald Sun [Gossip Queen] (7/05/2017) p.16
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book
Distant voices, still lives / Paul Farley London: British Film Institute, 2006.
Call No: 79DIS FARAuthor: Farley, Paul Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 95 p. : col. ill. ; 19 cmSeries: BFI modern classicsSubject: DAVIES, TERENCE ; DISTANT VOICES, STILL LIVES (UK, Terence Davies, 1988) Summary: Set in "a world before Elvis, in a Liverpool before the Beatles", Terence Davies' film Distant Voices, Still Lives is an elegiac and intensely autobiographical meditation on a post-War working-class childhood [taken from back cover]Notes: Includes bibliographical references and indexISBN: 1844571394
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journal article
Diving into the virtual : Kathy Cleland immersed in the translucent worlds of Char Davies in Realtime (Dec 1999-Jan 2000) iss.34 p.14
Author: Cleland, Kathy PhysDes: Article; Illustration(s)Subject: MULTIMEDIA ; DAVIES, CHAR Summary: Discussion of the multimedia works "Osmose" and "Ephemere" by Canadian filmmaker Char Davies.
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title clippings file
DNY ZRADY : (CS, Otakar Vavra, 1973)
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newspaper article
'Dob in a pirate' : Dallas Buyers Club in Saturday Age (20/06/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; PIRACY. AUSTRALIAAuthor: Ramli, David PhysDes: Clippings File ArticleSubject: PIRACY. AUSTRALIA ; DALLAS BUYERS CLUB (US, Jean-Marc Valee, 2013) Summary: Report on the deadline facing Australian's who illegally downloaded the film 'Dallas Buyers Club'. Those who have downloaded the film illegally will be receiving notice from the copyright holders of the film 'Voltage Pictures' and will be expected to negotiate a settlement with the company
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book
The documentary : politics, emotion, culture / Belinda Smaill Basingstoke, England: Palgrave Macmillan, 2010.
Call No: 761 SMAAuthor: Smaill, Belinda Source: UKPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2010PhysDes: vii, 221 p. : ill. ; 23 cmSubject: ASIAN COUNTRIES ; CHILDREN AND THE CINEMA ; CHILDREN IN FILMS ; CULTURE AND THE CINEMA ; DOCUMENTARIES ; DOCUMENTARIES. AUSTRALIA ; EMOTION IN FILMS ; FEMINISM AND THE CINEMA ; IDENTITY IN FILMS ; IDEOLOGY AND THE CINEMA ; IMMIGRATION IN FILMS AND TELEVISION ; PSYCHOLOGY AND THE CINEMA ; REALITY TV ; SEX IN FILMS ; SOCIAL PROBLEMS IN FILMS ; THEORY ; VIEWERS ; WOMEN FILMMAKERS ; LOVELACE, LINDA ; BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004) ; CORPORATION, THE (CN, Jennifer Abbott & Mark Achbar, 2003) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998) ; ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005) ; FINISHED PEOPLE, THE (AT, Khoa Do, 2003) ; FIX: THE STORY OF AN ADDICTED CITY (CN, Nettie Wild, 2002) ; INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005) ; LETTERS TO ALI (AT, Clara Law, 2004) ; SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999) ; SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999) Summary: "The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and it is crucial to how we engage with the vicissitudes of the public sphere. In the past documentary has been popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smail analyses various different kinds of individuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, and the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queer theory, cultural theories of affect, critical race studies, political theory and pyschoanalysis. " -- BOOK BLURBNotes: Includes bibliographical references (p. 200-209) and indexISBN: 9780230237513 (hbk.)Contents: -- list of illustrations -- acknowledgments -- part one: documentary and pleasure -- 1: introduction: representation and documentary emotion -- 2: pleasure and disgust: desire and the female porn star -- part two: pain and the other -- 3: Injury, identity and recognition: Rize and Fix: the story of an addicted city -- 4: women, pain and the documentaries of Kim Longinotto -- part three: the labour of authorship: caring and mourning -- 5: loss and care: Asian Australian documentary -- 6: civic love and contemporary dissent documentary -- part four: past, present and future: hope and nostalgia -- 7: children, futurity and hope: Born into Brothels -- 8:nostalgia, historical time and reality television: the idol series -- epilogue -- notes -- bibliography -- index --
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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Documenting the documentary : close readings of documentary films and video / edited by Barry Keith Grant and Jeannette Sloniowski, forward by Bill Nichols Detroit MI: Wayne State University Press, 1998.
Call No: 761 DOCAuthor: Grant, Barry Keith ; Sloniowski, Jeanette Place: Detroit MIPublisher: Wayne State University PressPubDate: 1998PhysDes: 488 p. ; 23 cmSubject: DOCUMENTARY FILMS ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; EISENSTEIN, SERGEI M. ; BUNUEL, LUIS ; WRIGHT, BASIL ; RIEFENSTAHL, LENI ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; HURDES, LAS (SP, Luis Bunuel, 1933) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942) ; BLOOD OF THE BEASTS (FR, Georges Franju,1949) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; MAITRES FOUS, LES (FR, Jean Rouch, 1955) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968) ; ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971) ; AMERICAN FAMILY, AN [TV](US, 1973) ; DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982) ; THIS IS SPINAL TAP (US, Rob Reiner, 1984) ; SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]) ; I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986) ; JOURNEY, THE (CN, Peter Watkins, 1987) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; ROGER AND ME (US, Michael Moore, 1989) ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; FINDING CHRISTA (US, Camille Billops/James Hatch, 1991) Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITENotes: includes bibliiographic references and indexISBN: 0814326390Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage
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Doing the rounds in Filmnews (Nov-Dec 1984) vol.14 iss.11 p.19,22
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[Doing time for Patsy Cline : stills file]
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Dolce vita confidential : Fellini, Loren, Pucci, paparazzi, and the swinging high life of 1950s Rome / Shawn Levy London: Weidenfeld & Nicolson, 2018.
Call No: 79 DOL LEVAuthor: Levy, Shawn Source: UKPlace: LondonPublisher: Weidenfeld & NicolsonPubDate: 2018PhysDes: xxiii, 447 pages, 16 pages of unnumbered plates : Illustrations ; 20 cmSubject: DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; CINECITTA FILM STUDIO ; ANTONIONI, MICHELANGELO ; DE LAURENTIIS, DINO ; DE SICA, VITTORIO ; EKBERG, ANITA ; FASHION AND THE CINEMA ; FELLINI, FEDERICO ; LOREN, SOPHIA ; MASTROIANNI, MARCELLO ; ROSSELLINI, ROBERTO ; VISCONTI, LUCHINO Summary: "From the ashes of war, the Eternal City is reborn as the epicentre of film, style, boldfaced libertinism and titillating journalism. It’s the heyday of fashion icons such as Pucci and Brioni, and the height of ‘Hollywood on the Tiber’, when a dizzying array of stars flock to Cinecittà, the huge movie studio on the outskirts of Rome. At the bars on Via Veneto the likes of Ingrid Bergman, Audrey Hepburn and Elizabeth Taylor mix with blue bloods and bohemians, while behind them trail street photographers in pursuit of the most unflattering and dramatic portraits of fame. In a fast-paced, kaleidoscopic narrative, Shawn Levy shows how all roads lead to Federico Fellini’s world-conquering movie La Dolce Vita, starring Marcello Mastroianni and the Swedish bombshell Anita Ekberg. He recreates Rome’s stunning ascent with vivid and compelling tales of its glitterati and artists, down to every last outrageous detail of the city’s magnificent transformation." - taken from publisher's websiteNotes: Includes bibliographical references and index.ISBN: 9781474606158Contents: 1. Buzzing Through Ruins -- 2. "An Old River Among the Great Hotels" -- 3. Made in Italy -- 4. "The Three-Sided Mirror" -- 5. "Paris Didn't Move Us Like This" -- 6. "Motion Pictures Are the Most Powerful Weapon" -- 7."Hollywood on the Tiber" -- 8. Scattini and Fumetti -- 9. A Girl on a Beach -- 10. A Nose for the Shot -- 11. The Curvy Girls -- 12. "She Will Be a Sensation" -- 13. "She's Impossible to Photograph" -- 14. "I'm a Peasant" -- 15. Signor Sigarone -- 16. "Sit Down, If You Dare" -- 17. "Florence Is a Lost Cause" -- 18. "A Fine Race Horse and a Ghost" -- 19. "A Charnel House Under a Green Marque" -- 20. "Poor Starving Devils" -- 21. "We Take Their Pictures, and They Beat Us Up" -- 22. "The Most Sinful, Transgressive Thing" -- 23. Babylon, 2000 Years After Christ -- 24. "Poor You" -- 25. "I Am Not a Sexy Pot" -- 26. "You've Done It. You've Won"-- 27. "A Ravenous Wolf Pack" -- 28. "Everybody Becomes a Roman Within Three Days" -- 29. "There's No Erotic Charge in Me" -- 30. "We Are on Stage All the Time" -- 31. "Please Stop Crying"
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Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L' (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
SEE
MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
SEE
AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
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Downloading a whole lot of grief in Sun Herald [Sydney] [Letters] (12/04/2015) p.34
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Dream days in News (Jugoslavija film) (Sep 1980) iss.130 p.4
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Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.
Call No: 81DEH STAAuthor: Starrs, D. Bruno Source: GPlace: Saarbrucken, GermanyPublisher: VDM, Verlag Dr MullerPubDate: 2009PhysDes: 105 p. ; 23 cmSubject: AUTEUR THEORY ; DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURBNotes: Includes bibliographical references (p. 90-104)ISBN: 9783639168341
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"Easy Money" finishes shooting in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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English high court grants Lorimar Prods. injustion in copyright infringement action in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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The English novel and the movies / edited by Michael Klein and Gillian Parker New York: Ungar, c
1981.
Call No: 753.4 ENGAuthor: Klein, Michael, 1939 ; Parker, Gillian Place: New YorkPublisher: UngarPubDate: c
1981PhysDes: xi, 383 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955) ; LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ADVENTURES OF ROBINSON CRUSOE ; ADVENTURES OF ROBINSON CRUSOE ; BARRY LYNDON (UK, Stanley Kubrick, 1975) ; BECKY SHARP (US, Rouben Mamoulian, 1935) ; [DOCTOR] DR JEKYLL AND MR HYDE (US, Rouben Mamoulian, 1931) ; DAVID COPPERFIELD (US, George Cukor, 1935) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; FRANKENSTEIN (US, James Whale, 1931) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; JANE EYRE (US, Robert Stevenson, 1944) ; JANE EYRE (UK, Delbert Mann, 1971) ; JOSEPH ANDREWS (UK, Tony Richardson, 1977) ; MAN WHO WOULD BE KING, THE (US, John Huston, 1975) ; NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979) ; OF HUMAN BONDAGE (US, John Cromwell, 1934) ; OF HUMAN BONDAGE (UK, Ken Hughes, 1964) ; PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965) ; PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977) ; PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940) ; SABOTAGE (UK, Alfred Hitchcock, 1936) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SONS AND LOVERS (UK, Jack Cardiff, 1960) ; TIME MACHINE, THE (US, George Pal, 1960) ; TOM JONES (UK, Tony Richardson, 1963) ; ULYSSES (UK/US, Joseph Strick, 1967) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; WUTHERING HEIGHTS (US, William Wyler, 1939) Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURBNotes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95LON: 80005342; 1937478
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DE ESO NO SE HABLA : (AG/IT, Maria Luisa Bemberg, 1993)
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[Everynight, everynight : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 13 photographs : b&w ; 13 x 18 cm - 28 x 21 cmSubject: MOTHERWELL, PHIL ; DALY, JIM ; FIELD, DAVID [actor] ; MORGAN, ROBERT ; HUNTER, BILL ; WOODWARD, SIMON ; SHAW, JAMES ; OLIVER, TOBY ; EVERYNIGHT, EVERYNIGHT (AT, Alkinos Tsilimidos, 1994) Summary: Thirteen black and white photographs relating to the film Everynight, everynight (including two photocopies of original files which are under the Oliver, Toby and Shaw, James files)Notes: Contains duplicates
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Ex-ABC chief Dalton queries broadcaster's purpose in The Age (1/05/2017) p.2
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Lallo, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Report on the essay written by Kim Dalton for Platform Papers in which he critiques the management and direction of the Australian Broadcasting Corporation
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Experimental cinema : the film reader / edited by Wheeler Winston Dixon and Gwendolyn Audrey Foster London: Routledge, 2002.
Call No: 385.83 DIXAuthor: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey Source: UKPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 356 p. : ill.; 23 cmSubject: EXPERIMENTAL FILMS ; AVANT-GARDE FILMS. USA ; AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; STRUCTURALISM ; DEREN, MAYA ; ANGER, KENNETH ; SMITH, JACK ; WARHOL, ANDY ; BRAKHAGE, STAN ; CONNER, BRUCE ; SNOW, MICHAEL ; FRAMPTON, HOLLIS ; JULIEN, ISAAC ; DASH, JULIE ; HAMMER, BARBARA Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas.ISBN: 0415277876
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The export of meaning : cross - cultural readings of Dallas / Tamar Liebes and Elihu Katz Cambridge: Polity Press, c1993.
Call No: 79DAL LIEAuthor: Liebes, Tamar Edition: 2ndPlace: CambridgePublisher: Polity PressPubDate: c1993PhysDes: xii, 188 p. ; 23 cmSubject: SOCIETY AND TV ; DALLAS [TV] (US, 1978-91) Notes: Previous ed : Oxford: Oxford University Press, 1990; includes index; Bibliography : p. 175 - 180ISBN: 0745612954Donation: donated by the family of Wayne Levy, 2006Contents: On viewing Dallas overseas: introduction to the study. -- Reading television: television as text and viewers as decoders -- The research design. -- One Moroccan group: a transcript and commentary. -- Cultural differences in the retelling of an episode. -- Mutual aid in the decoding of Dallas. -- Referential reading. -- Critical reading. -- Neither here nor there: why Dallas failed in Japan (with Sumiko Iwao) -- Dallas and Genesis: primordiality and seriality in popular culture. -- Dallas as an educational game
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The eyes have it : cinema and the reality effect / Murray Pomerance New Jersey: Rutgers University Press, c2013.
Call No: 630.3 POMAuthor: Pomerance, Murray Source: USPlace: New JerseyPublisher: Rutgers University PressPubDate: c2013PhysDes: xii, 268 pages : illustrations ; 23 cmSeries: Techniques of the moving imageSubject: ART DIRECTION ; CINEMATOGRAPHY ; COMPUTER GENERATED IMAGERY ; MOTION CONTROL ; REALISM IN FILMS ; SET DECORATING ; SET DESIGNING ; SPECIAL EFFECTS ; HITCHCOCK, ALFRED ; KELLY, GENE ; Metro-Goldwyn-Mayer ; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002) ; ANNIE HALL (US, Woody Allen, 1977) ; ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992) ; BRIGADOON (US, Vincente Minnelli, 1954) ; CLOVERFIELD (US, Matt Reeves, 2008) ; DARK PASSAGE (US, Delmer Daves, 1947) ; DEFIANCE (US, Edward Zwick, 2008) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; IN HARM'S WAY (US, Otto Preminger, 1965) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; RANDOM HARVEST (US, Mervyn LeRoy, 1942) ; SIGNS (US, M. Night Shyamalan, 2002) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURBNotes: Contains illustrations, bibliographic references and indexISBN: 9780813560588
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The Fabulous thirties : Italian cinema 1929-1944 / edited by Incontri Internazionali d'Arte Roma ; coordination by Adriano Apra, Patrizia Pistagnesi ; introduction by Alberto Arbasino Milan: Electra International, c1979.
Call No: 71(45) FABAuthor: Apra, Adriano ; Pistagnesi, Patrizia CorpAuthor: Incontri Internazionali d'Arte RomaPlace: MilanPublisher: Electra InternationalPubDate: c1979PhysDes: 113 p. : ill. ; 24 cmSubject: ITALY ; BLASETTI, ALESSANDRO ; CASTELLANI, RENATO ; DE SICA, VITTORIO ; ROSSELLINI, ROBERTO ; VISCONTI, LUCHINO ; GENINA, AUGUSTO ; MATARAZZO, RAFFAELLO ; MATTOLI, MARIO ; PALERMI, AMLETO ; POGGIOLI, FERDINANDO MARIA ; ALESSANDRINI, GOFFREDO ; CAMERINI, MARIO ; CHIARINI, LUIGI ; GALLONE, CARMINE ; SOLDATI, MARIO LON: 1570161
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Fall-guy Ferrell meets his match in Sunday Age [M] (20/12/2015) p.11
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Family secret in Australian Cinematographer (March 2016) iss.69 p.16 - 23
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Farewell my lovely memories in Stills vol.1 iss.5 p.87
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Interim
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Fashioning film stars / Rachel Moseley ed. London: British Film Institute, 2005.
Call No: 226.4 MOSAuthor: Moseley, Rachel Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 188 p. ; 23 cmSubject: FASHION AND THE CINEMA ; SHEARER, NORMA ; DIETRICH, MARLENE ; PECK, GREGORY ; DAY, DORIS ; PITT, BRAD ; CLOONEY, GEORGE ; JACKSON, SAMUEL L. ; HEPBURN, AUDREY ; KENDALL, KAY ; BARDOT, BRIGITTE ; CONNERY, SEAN ; BEMBERG, MARIA LUISA Summary: Brings together a range of theoretical and methodological frameworks from textual analysis, archival research and audience study to offer, for the first time, a detailed consideration of the importance of the fashioning of film stars. Fashioning Film Stars asks: how does film costume operate in relation to stardom to articulate particular identities – gendered, national, classed, ethnic, sexual?Notes: Includes: index p.181-188;
bibliography p.172-180ISBN: 1844570681
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fear has a face in Empire (Australian Ed.) (March 2008) iss.84 p.48-50
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Featuring film : film study in the classroom / Peter Cox and Fred Goldsworthy Melbourne: Oxford University Press, 1995.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Place: MelbournePublisher: Oxford University PressPubDate: 1995PhysDes: vi, 202 p. : ill. ; 26 cmSubject: MACBETH (US/UK, Roman Polanski, 1971) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; MAN WITHOUT A FACE, THE (US, Mel Gibson, 1993) ; MASK (US, Peter Bogdanovich, 1985) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PLAYING BEATIE BOW (AT, Donald Crombie, 1986) ; POWER OF ONE, THE (US, John G. Avildsen, 1992) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PROJECT X (US, Johnathan Kaplan, 1987) ; RADIO FLYER (US, Richard Donner, 1992) ; SILVER BRUMBY, THE (AT, John Tatoulis, 1993) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; BENNY AND JOON (US, Jeremiah S. Chechick, 1993) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; BREAKFAST CLUB, THE (US, John Hughes, 1985) ; CHOCOLATE WAR, THE (US, Keith Gordon, 1988) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DANNY THE CHAMPION OF THE WORLD (UK/US, Gavin Millar, 1989) ; EDWARD SCISSORHANDS (US, Tim Burton, 1990) ; FLIRTING (AT, John Duigan, 1991) ; FREE WILLY (US, Simon Wincer, 1993) ; HAMLET (US, Franco Zeffirelli, 1990) ; INTO THE WEST (UK/US, Mike Newell, 1992) ; LADYHAWKE (US, Richard Donner, 1985) ; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992) ; LEAN ON ME (US, John G. Avildsen, 1989) Notes: CIP confirmed; Includes index; For secondary school students; BibliographyISBN: 0195536452LON: 11238278
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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Federation of New South Wales and associated Film societies in Filmviews (Autumn 1986) vol.31 iss.127 p.48
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Feminism and film / Maggie Humm Edinburgh: Edinburgh University Press, 1997.
Call No: 626:396 HUMAuthor: Humm, Maggie Place: EdinburghPublisher: Edinburgh University PressPubDate: 1997PhysDes: x, 246 p. ; 24 cmSubject: FEMINISM AND THE CINEMA ; AUTEUR THEORY ; ETHNIC GROUPS IN FILMS ; POSTMODERNISM AND THE CINEMA ; CRONENBERG, DAVID ; MULVEY, LAURA ; KUHN, ANNETTE ; KAPLAN, E. ANN ; ALTHUSSER, LOUIS ; ROSE, JACQUELINE ; WOOLF, VIRGINIA ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; DEAD RINGERS (CN, David Cronenberg, 1988) ; KLUTE (US, Alan J. Pakula, 1971) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ISBN: 0748609008Order Received: 1998LON: abn97233530; 13317515
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Feminist auteurs : reading women's films / Geetha Ramanathan London: Wallflower Press,
Call No: 626:396 RAMAuthor: Ramanathan, Geetha Edition: 2006Place: LondonPublisher: Wallflower PressPhysDes: viii,240 pages : illustrations ; 24 cmSubject: FEMINISM AND THE CINEMA ; BORDEN, LIZZIE ; KAPLAN, NELLY ; CHADHA, GURINDER ; DURAS, MARGUERITE ; DENIS, CLAIRE ; VARDA, AGNES ; SANS TOIT NI LOI (FR, Agnes Varda, 1985) ; INDIA SONG (FR, Marguerite Duras, 1975) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; DANZON (MX, Maria Novaro, 1991) ; MALOU (GW, Jeanine Meerapfel, 1981) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) Summary: Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while paying close attention to what might be regarded as feminist in different cultural contexts. The films chosen expand our ideas of feminism covering as they do film from Africa, Latin America, Europe, Asia and the US. Full-length interpretations of twenty-four films, both older and contemporary, including Vagabond, India Song, Bhaji on the Beach, Chocolat, and Daughters of the Dust lay out a complete and powerful framework for reading women's film. - publisher's web siteISBN: 9781904764694
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Feminist film theorists : Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed / Shohini Chaudhuri London ; New York: Routledge, 2006.
Call No: 626:396 CHAAuthor: Chaudhuri, Shohini Source: UKPlace: London ; New YorkPublisher: RoutledgePubDate: 2006PhysDes: x, 148 p. ; 20 cmSeries: Routledge critical thinkersSubject: FEMINISM AND THE CINEMA ; CRITICISM ; MULVEY, LAURA ; CREED, BARBARA ; SILVERMAN, KAJA ; DE LAURETIS, TERESA Summary: "Since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators can be understood. This book focuses on the groundbreaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis, and Barbara Creed. Each of these thinkers has opened up a new and distinctive approach to the study of film and this book provides the most detailed account so far of their ideas. It illuminates six key concepts and demonstrates their value as tools for film analysis."--BOOK JACKET.Notes: Includes bibliographical references and index.ISBN: 9780415324335Contents: Why Mulvey, Silverman, de Lauretis, and Creed? -- 1. Beginnings -- The eternal feminine -- Psychoanalysis and feminism -- The tools of film theory -- 2. The male gaze -- Sexual politics -- Lust of the eyes -- The female spectator -- 3. The female voice -- Female confessions -- Fantasies of the maternal voice -- The 'homosexual-maternal fantasmatic' -- Female authorship -- 4. Technologies of gender -- Beyond the paradox of woman -- The technology of sex -- The technology of gender -- Rethinking women's cinema -- Desire in narrative -- 5. Queering desire -- Film and the visible -- Sexual indifference -- Lesbian fetishism -- 6. The monstrous-feminine -- The abject -- The archaic mother -- Medusa's head -- The deadly femme castratrice -- Crisis TV -- 7. Masculinity in crisis -- The dominant fiction -- Historical trauma -- The screen and the gaze -- Male masochism -- After Mulvey, Silverman, de Lauretis, and Creed.
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Festival shorts in Filmnews (July 1983) vol.XIII iss.7 p.4
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FIGLIA MIA : (IT/GG/SZ, Laura Bispuri, 2018)
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Figures of desire : a theory and analysis of surrealist film / Linda Williams Urbana: University of Illinois Press, 1981.
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Film : the front line, 1983 / by Jonathan Rosenbaum Denver, Colo.: Arden, 1983.
Call No: 771 ROSAuthor: Rosenbaum, Jonathan Place: Denver, Colo.Publisher: ArdenPubDate: 1983PhysDes: 238 p. : ill. ; 24 cmSubject: EXPERIMENTAL FILMS ; MEKAS, JONAS ; AKERMAN, CHANTAL ; B, BETH & SCOTT ; BENNING, JAMES ; GIDAL, PETER ; JOST, JON ; OTTINGER, ULRIKE ; RAINER, YVONNE ; RAPPAPORT, MARK ; RIVETTE, JACQUES ; SNOW, MICHAEL ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; BREER, ROBERT ; DE LANDA, MANUEL ; DRIVER, SARA ; HOCK, LOUIS ; RAYNAL, JACKIE ; THORNTON, LESLIE ; GIDAL, PETER Notes: Includes indexesISBN: 0912869038LON: 3461214
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Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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Film 1962 / a cura di Vittorio Spinzzola Milano: Feltrinelli, 1962.
Call No: 67(04) FILAuthor: Spinazzola, Vittorio Place: MilanoPublisher: FeltrinelliPubDate: 1962PhysDes: 273 p. 24 plates, 18 cm.Subject: ITALY ; SPAIN ; BUNUEL, LUIS ; BROOK, PETER ; DAMIANI, DAMIANO ; DE SICA, VITTORIO ; MORIN, EDGAR ; OLMI, ERMANNO ; PETRI, ELIO ; PONTECORVO, GILLO ; ROGOSIN, LIONEL ; WEISS, JIRI ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; BREVE VACANZA, UNA (IT/SP, Vittorio De Sica, 1973) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) Language: Italian
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Film 1964 / a cura di Vittorio Spinazzola Milano: Feltrinelli, 1964.
Call No: 67(04) FILAuthor: Spinazzola, Vittorio Place: MilanoPublisher: FeltrinelliPubDate: 1964PhysDes: 236 p. 24 plates, 18cm.Subject: BOLOGNINI, MAURO ; DE SICA, VITTORIO ; MONICELLI, MARIO ; ROSI, FRANCESCO ; VISCONTI, LUCHINO ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; NOTTI BIANCHE, LE (IT/FR, Luchino Visconti, 1957) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; SENSO (IT, Luchino Visconti, 1954) ; TERRA TREMA, LA (IT, Luchino Visconti, 1948) Language: Italian
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Film adaptation / edited and with an introduction by James Naremore New Brunswick, N.J: Rutgers University Press, c2000.
Call No: 753 FILAuthor: Naremore, James Source: USPlace: New Brunswick, N.JPublisher: Rutgers University PressPubDate: c2000PhysDes: x, 258 p. : ill. ; 23 cm.Series: Rutgers depth of field seriesSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. DOSTOEVSKIJ, FEDOR MIHAJLOVIC ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; CENSORSHIP ; LITERATURE AND THE CINEMA ; KUROSAWA AKIRA ; RENOIR, JEAN ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; CLUELESS (US, Amy Heckerling, 1995) ; DAVID COPPERFIELD (US, George Cukor, 1935) ; DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]) ; DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]) ; EMMA (UK, Douglas McGrath, 1996) ; HOW TASTY WAS MY LITTLE FRENCHMAN (BL, Nelson Pereira dos Santos, 1971) Summary: "The essays in this volume, most of which have never before been published, raise fundamental questions about cinema and adaptation: what is the nature of the "literary" and the "cinematic"? Why do so many of the films described as adaptations seem to derive from canonical literature rather than from other sources? How do the different media affect the ways stories are told? Film Adaptation offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term "adaptation" itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. James Naremore's introduction provides an accessible historical overview of the field and reveals the importance of adaptation study to the many different academic disciplines now attracted to the analysis of film as commodity, document, and cultural artifact." -- BOOK BLURB
(Contributors are André Bazin, Dudley Andrew, Robert B. Ray, Robert Stam, Richard Maltby, Guerric DeBona, O. M. B., Gilberto Perez, Michael Anderegg, Matthew Bernstein, Darlene J. Sadlier, Jonathan Rosenbaum, and Lesley Stern.)Notes: Includes bibliographical references (p. 239-243) and indexISBN: 0813528135Contents: -- introduction: film and the reign of adaptation -- adaptation, or the cinema as digest -- adaptation -- The field of "literature and film" -- The dialogics of adaptation -- "to prevent the prevalent type of book" Censorship and adaptation in Hollywood, 1924-1934 -- Dickens, the Depression and MGM's David Copperfield -- Landscape and fiction: A day in the country -- Welles/Shakespeare/film an overview -- high and low: Art cinema and pulp fiction in Yokohama -- The politics of adaptation: how tasty was my little frenchman -- Two forms of adaptation: housekeeping and naked lunch -- Emma in Los Angeles: remaking the book and the city -- annotated bibliography -- contributors -- index --ID2: 291
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Film analysis : a Norton reader / edited by Jeffrey Geiger and R.L. Rutsky New York : London: W. W. Norton & Company, Inc.,
Call No: 66(049.3)Author: Geiger, Jeffrey ; Rutsky, R.L. Edition: 2013Place: New York : LondonPublisher: W. W. Norton & Company, Inc.PhysDes: 1152 pp ; 23 cmSubject: VOYAGE A PAIMPOL, LE (FR, John Berry, 1985) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; NANIWA EREJI NANIWA HIKA (JA, Kenji Mizoguchi, 1936) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953) ; SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; DO MA DAN (HK, Tsui Hark, 1986) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) Notes: Fifty essays on fifty films—by a who’s-who of film studies. Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms. -- publisher's web site.ISBN: 9780393923247Contents: Preface -- Introduction -- Arrival of a Train at La Ciotat (1895-1897), Lumière Brothers / Karin Littau -- A Trip to the Moon (1902), Georges Méliès / Tom Gunning -- The Birth of a Nation (1915), D. W. Griffith / Daniel Bernardi -- The Cabinet of Dr. Caligari (1920), Robert Wiene / Paul Coates -- Nanook of the North (1922), Robert J. Flaherty / Jeffrey Geiger -- Sherlock, Jr. (1924), Buster Keaton / Hal Gladfelder -- Battleship Potemkin (1926), Sergei Eisenstein / Bill Nichols -- Metropolis (1927), Fritz Lang / R. L. Rutsky -- Un chien andalou (1929), Luis Buñuel and Salvador Dalí / Tom Conley -- It Happened One Night (1934), Frank Capra / Richard Maltby -- Modern Times (1936), Charlie Chaplin / Charles J. Maland -- Osaka Elegy (1936), Mizoguchi Kenji / Joanne Bernardi -- Bringing Up Baby (1938), Howard Hawks / S. I. Salamensky -- The Rules of the Game (1939), Jean Renoir / Christopher Faulkner -- Stagecoach (1939), John Ford / Matthew Bernstein -- Citizen Kane (1941), Orson Welles / James Naremore -- Casablanca (1942), Michael Curtiz / Dana Polan -- Meshes of the Afternoon (1943), Maya Deren and Alexander Hammid / Juan A. Suarez -- Double Indemnity (1944), Billy Wilder / Gaylyn Studlar -- Rome Open City (1945), Roberto Rossellini / Marcia Landy -- Bicycle Thieves (1948), Vittorio De Sica / Geoffrey Nowell-Smith -- The Red Shoes (1948), Michael Powell and Emeric Pressburger / Ian Christie -- Rashomon (1950), Kurosawa Akira / Aaron Kerner -- Singin’ in the Rain (1952), Stanley Donen and Gene Kelly / Jane Feuer -- Tokyo Story (1953), Ozu Yasujiro / David Desser -- Rear Window (1954), Alfred Hitchcock / Elizabeth Cowie -- Seven Samurai (1954), Kurosawa Akira / Mitsuhiro Yoshimoto -- Pather Panchali (1955), Satyajit Ray / Neepa Majumdar -- The Seventh Seal (1956), Ingmar Bergman / Marilyn Johns Blackwell -- The 400 Blows (1959), François Truffaut / Alastair Phillips -- Breathless (1960), Jean-Luc Godard / Richard Neupert -- 8 1/2 (1963), Federico Fellini / Kriss Ravetto-Biagioli -- 2001: A Space Odyssey (1968), Stanley Kubrick / Robert Kolker -- The Godfather (1972), Francis Ford Coppola / Jon Lewis -- Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder / Shohini Chaudhuri -- Chinatown (1974), Roman Polanski / Steve Neale -- The Last Supper (1976), Tomás Gutiérrez Alea / Gilberto M. Blasini -- Taxi Driver (1976), Martin Scorsese / Cynthia Fuchs -- Ceddo (1977), Ousmane Sembene / Philip Rosen -- Peking Opera Blues (1986), Tsui Hark / Jenny Kwok Wah Lau -- Yeelen (1987), Souleymane Cissé / N. Frank Ukadike -- Do the Right Thing (1989), Spike Lee / Sharon Willis -- Close-up (1989), Abbas Kiarostami / Hamid Naficy -- To Sleep with Anger (1990), Charles Burnett / Valerie Smith -- Raise the Red Lantern (1991), Zhang Yimou / Shuqin Cui -- Daughters of the Dust (1991), Julie Dash / Anna Everett -- Pulp Fiction (1994), Quentin Tarantino / A. J. Haynes -- All About My Mother (1999), Pedro Almodóvar / Paul Julian Smith -- In the Mood for Love (2000), Wong Kar Wai / Gina Marchetti -- Caché (Hidden) (2005), Michael Haneke / Kevin Sherman -- / Film Analysis: Approaches and Strategies -- Glossary of Critical TermsID2: 182
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Film at the intersection of high and mass culture / Paul Coates Cambridge [England] New York: Cambridge University Press, 1994.
Call No: 408 COAAuthor: Coates, Paul, 1953 Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1994PhysDes: xvii, 201 p. ; 24 cmSeries: Cambridge studies in filmSubject: POPULAR CULTURE AND THE CINEMA ; SCIENCE-FICTION FILMS ; MELODRAMA ; WESTERNS ; FILM NOIR ; ETHNIC GROUPS IN FILMS ; STARS ; GENRES ; HORROR FILMS ; VOICE OVER ; MUSIC TELEVISION ; SIRK, DOUGLAS ; MARKER, CHRIS ; TARKOVSKY, ANDREI ; KIESLOWSKI, KRZYSZTOF ; FRANJU, GEORGES ; STALLONE, SYLVESTER ; VALENTINO, RUDOLPH ; LANG, FRITZ ; LEE, SPIKE ; MADONNA ; MONROE, MARILYN ; POTTER, DENNIS ; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986) ; FLY, THE (US, David Cronenberg, 1986) ; JETEE, LA (FR, Chris Marker, 1963) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) ; ROCKY IV (US, Sylvester Stallone, 1985) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) ; SEARCHERS, THE (US, John Ford, 1956) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; WESELE (PL, Andrzej Wajda, 1972) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Notes: Includes bibliographical references (p. 182-194) and indexISBN: 0521444721 (hardback)LON: 10419843
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The film director as superstar London: Secker and Warburg, 1971.
Call No: 802.25 GELAuthor: Gelmis, Joseph, 1935 Place: LondonPublisher: Secker and WarburgPubDate: 1971PhysDes: xx, 316 p., 12 plates; illus., ports. 22 cmSubject: MCBRIDE, JIM ; DE PALMA, BRIAN ; DOWNEY, ROBERT ; MAILER, NORMAN ; WARHOL, ANDY ; CASSAVETES, JOHN ; ANDERSON, LINDSAY ; BERTOLUCCI, BERNARDO ; FORMAN, MILOS ; POLANSKI, ROMAN ; CORMAN, ROGER ; COPPOLA, FRANCIS FORD ; PENN, ARTHUR ; LESTER, RICHARD ; NICHOLS, MIKE ; KUBRICK, STANLEY ISBN: 0436173700LON: 210670 210670
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Film fans caught in iiNet in Daily Telegraph [Edition Changes] (08/04/2015) p.1
Call No: TITLE CLIPPINGS FILE; DALLAS BUYERS CLUB (US, Jean-Marc Valee, 2013)Author: Dale, Amy PhysDes: Clippings File ArticleSubject: PIRACY. AUSTRALIA ; DALLAS BUYERS CLUB (US, Jean-Marc Valee, 2013) Summary: A Federal Court ruling grants the studio behind Dallas Buyers Club access to the names and addresses of more than 4500 customers who illegally downloaded the film and potentially fine them. Companies involved in the claim were iiNet, Internode, Dodo and Amnet Broadband, Adam Internet and Wideband Networks.
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Film fans caught in legal web in Daily Telegraph (08/04/2015) p.1
Call No: SUBJECT CLIPPINGS FILE; PIRACY. AUSTRALIAAuthor: Dale, Amy PhysDes: Clippings File ArticleSubject: PIRACY. AUSTRALIA ; DALLAS BUYERS CLUB (US, Jean-Marc Valee, 2013) Summary: Federal Court has ordered internet service providers to hand over customer details of those who have illegally downloaded the film Dallas Buyers Club to the film's copyright holders.
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Film fatales : independent women directors / Judith M. Redding and Victoria A. Brownworth Seattle: Seal Press, 1997.
Call No: 802.253 REDAuthor: Redding, Judith M ; Brownworth, Victoria A Place: SeattlePublisher: Seal PressPubDate: 1997PhysDes: 293 p. : ill. ; 24 cmSubject: DIRECTORS ; CAMPION, JANE ; LIGHT, ALLIE ; PARMAR, PRATIBHA ; Lupino, Ida ; PARKERSON, MICHELLE ; SAALFIELD, CATHERINE ; HAMMER, BARBARA ; FRIEDRICH, SU ; TRINH, T. MINH-HA ; NEGRON-MUNTANER, FRANCES ; MOHABEER, MICHELLE ; TAIT, MARGARET ; WELBON, YVONNE ; AYOKA, CHENZIRA ; BENNING, SADIE ; BORDEN, LIZZIE ; SEIDELMAN, SUSAN ; NAIR, MIRA ; GORRIS, MARLEEN ; ANDERS, ALLISON ; DASH, JULIE ; ROZEMA, PATRICIA ; PORTILLO, LOURDES ; DAVIS, ZEINABU IRENE ; DEITCH, DONNA ; BHARADWAJ, RADHA ; OXENBERG, JAN ; MEHTA, VIJAYA ; BALLETBO-COLL, MARTA ; ZIMMERMAN, DEBRA ; VACHON, CHRISTINE ; GRIFFIN, ADA GAY ; GRIER, BARBARA Notes: Filmography: p; Includes bibliographical referencesISBN: 1878067974LON: 97029205; 13395017
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Interim
book
Film in Finland 1986 / Erkki Astala (editor-in-chief) / Taneli Eskola (art director) / Kirsi Tykkylainen (editorial) / Satu Pusa (editorial) Helsinki, Finland: Suomen elokuvasaatio, Finnish Film Foundation, 1986.
Call No: 71(480)FILAuthor: Astala, Erkki CorpAuthor: Suomen elokuvasaatio; Finnish Film FoundationSource: FIPlace: Helsinki, FinlandPublisher: Suomen elokuvasaatio; Finnish Film FoundationPubDate: 1986PhysDes: 55 p. : ill. ; 28 cmSubject: FINLAND ; NATIONAL CULTURE AND THE CINEMA ; TRAVEL IN FILMS ; DONNER, JORN ; ENGSTROM, INGEMO ; HALLSTROM, ARTO AF ; HARTZELL, PAIVI ; HONKASALO, PIRJO ; HUMANLOJA, TIMO ; KASSILA, MATTI ; KAURISMAKI, AKI ; KAURISMAKI, MIKA ; KURKVAARA, MAUNU ; KYRONSEPPA, KARI ; LEHMUSKALLIO, MARKKU ; LEHTINEN, VIRKE ; MANTTARI, ANSSI ; MOLLBERG, RAUNI ; NISKANEN, MIKKO ; NISKANEN, TUIJA-MAIJA ; PAKKASVIRTA, JAAKKO ; PARTANEN, HEIKKI ; PEIPPO, ANTTI ; PYHALA, JAAKKO ; ROSMA, JUHA ; TORHONEN, LAURI ; VAANANEN, KARI ; TUNTEMATON SOTILAS (FI, Rauni Mollberg, 1986) ; SININEN IMETTAJA (FI, Markku Lehmuskallio, 1986) ; FLUCHT IN DEN NORDEN (FI, Ingemo Engstrom, 1986) ; NYKYTAITEEN MUSEO (FI, Antti Peippo, 1986) ; MORENA (FI, Anssi Manttari, 1986) ; YLOSNOUSEMUS (FI, Anssi Manttari, 1985) ; RIISUMINEN (FI, Lauri Torhonen, 1986) ; ROSSO (FI, Mika Kaurismaki, 1985) ; HUOMENNA (FI, Juha Rosma, 1986) ; HARMAGEDON (FI, Juha Rosma, 1986) ; VALKOINEN KAAPIO (FI, Timo Humanloja, 1986) ; DA CAPO (FI, Pirjo Honkasalo, 1985) ; SUURI ILLUSIONI (FI, Tuija-Maija Niskanen, 1985) ; LAULU (FI, Arto af Hallstrom, 1986) ; PERHOSEN UNI (FI, Maunu Kurkvaara, 1986) ; NISKAVUORI (FI, Matti Kassila, 1984) ; CALAMARI UNION (FI, Aki Kaurismaki, 1985) ; PESSI JA ILLUSIA (FI, Heikki Partanen, 1983) ; En SMUTSIG HISTORIA (FI, Jorn Donner, 1984) ; KLAANI TARINA SAMMAKOITTEN SUVUSTA (FI, Mika Kaurismaki, 1984) ; JON - KERTOMUS MAAILMAN LOPUSTA (FI, Jaakko Pyhala, 1983) ; RIKOS JA RANGAISTUS (FI, Aki Kaurismaki, 1983) ; ARVOTTOMAT (FI, Mika Kaurismaki, 1982) ; SKIERRI, VAIVAISKOIVUJEN MAA (FI, Markku Lehmuskallio, 1982) ; RAKKAUSELOKUVA (FI, Anssi Manttari, 1984) ; KUNINGAS JOLLA EI OLLUT SYDANTA (FI, Paivi Hartzell, 1982) ; KOLME MIESTA (FI, Virke Lehtinen, 1984) ; LINNA (FI, Jaakko Pakkasvirta, 1986) ; KUNINGAS LAHTEE RANSKAAN (FI, Anssi Manttari, 1986) ; LUMIKUNINGATAR (FI, Paivi Hartzell, 1986) ; URSULA (FI, Jaakko Pyhala, 1986) ; JAAN KAABTOPIIRI (FI, Lauri Torhonen, 1987) ; VARJOJA PARATIISISSA (FI, Aki Kaurismaki, 1986) ; ELAMAN VONKAMIES (FI, Mikko Niskanen, 1986) ; V.Y. VIHDOINKIN YHDESSA (FI, Kari Kyronseppa, 1986) Notes: Translation: Ukka and Mark ShackletonISBN: 9519349421
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Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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Film reviews in Sequential (Summer 1989) iss.1 p.26-32
PhysDes: ArticleSubject: INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; JOE LEAHY'S NEIGHBOURS (AT, Robin Anderson & Bob Connolly, 1989) ; BODYWORK (AT, David Caesar, 1989) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MULL (AT, Don McLennan, 1988) ; SWEETIE (AT, Jane Campion, 1989) ; SPIRITS OF THE AIR, GREMLINS OF THE CLOUDS (AT, Alex Proyas, 1988) ; DEAD CALM (AT, Phillip Noyce, 1989) Summary: Review, credits and images of Australian releases
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Film rhythm after sound : technology, music, and performance / Lea Jacobs Oakland, California: University of California Press, [2015].
Call No: 70"1" JACAuthor: Jacobs, Lea Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: [2015]PhysDes: xii, 266 pages : illustrations, music ; 24 cmSubject: DAWN PATROL, THE (US, Edmund Goulding, 1938) ; DIALOGUE ; EISENSTEIN, SERGEI M. ; HAWKS, HOWARD ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; SCARFACE (US, Howard Hawks, 1932) ; TWENTIETH CENTURY (US, Howard Hawks, 1934) ; WALT DISNEY PRODUCTIONS ; SOUND Summary: The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney's Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian.- from Publisher website.Notes: Includes bibliographical references (pages 245-252, filmography (pages 253-256) and index.ISBN: 9780520279650Contents: Introduction : film rhythm and the problem of sound -- A lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I -- Mickey Mousing reconsidered -- Lubitsch and Mamoulian -- Dialogue timing and performance in Hawks.
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Film world : interviews with cinema's leading directors / Michel Ciment; translated by Julie Rose New York: Berg, 2009.
Call No: 802.25 CIMAuthor: Ciment, Michel Source: USPlace: New YorkPublisher: BergPubDate: 2009PhysDes: viii, 372 p. ; 25 cmSeries: Talking images seriesSubject: BERTOLUCCI, BERNARDO ; BOORMAN, JOHN ; BRESSON, ROBERT ; CAMPION, JANE ; CASSAVETES, JOHN ; CRONENBERG, DAVID ; EGOYAN, ATOM ; FELLINI, FEDERICO ; GODARD, JEAN-LUC ; GREENAWAY, PETER ; HERZOG, WERNER ; HOU HSIAO-HSIEN ; WONG KAR WAI ; KAURISMAKI, AKI ; KIAROSTAMI, ABBAS ; KIESLOWSKI, KRZYSZTOF ; KITANO TAKESHI ; IM KWON-TAEK ; LEIGH, MIKE ; DE OLIVEIRA, MANOEL ; RAY, SATYAJIT ; SCORSESE, MARTIN ; TARKOVSKY, ANDREI ; VON TRIER, LARS ; ZHANG YIMOU Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back coverNotes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes indexISBN: 9781845204577Language: English, translated from the FrenchContents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.ID2: 291
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Filmed thought : cinema as reflective form / Robert B. Pippin Chicago: University of Chicago Press, 2020.
Call No: 631.19 PIPAuthor: Pippin, Robert B. Source: USPlace: ChicagoPublisher: University of Chicago PressPubDate: 2020PhysDes: 271 pages : illustrations (some colour) ; 32 cmSubject: PHILOSOPHY AND THE CINEMA ; SPECTATORSHIP ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; CHINATOWN (US, Roman Polanski, 1974) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; THIN RED LINE, THE (US, Terrence Malick, 1998) ; DARDENNE, JEAN-PIERRE & LUC Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9780226672007Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne BrothersID2: 343
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Filming feminist frontiers/frontier feminisms 1979-1993 / Kathleen Cummins Toronto, Ontario: York University, [2014].
Call No: 626[396] CUMAuthor: Cummins, Kathleen Source: CNPlace: Toronto, OntarioPublisher: York UniversityPubDate: [2014]PhysDes: 344 pages : illustrations ; 30 cmSubject: FEMINISM AND THE CINEMA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BEDEVIL (AT, Tracey Moffat, 1993) ; MY AMERICAN COUSIN (US, Sandy Wilson, 1985) ; LOYALTIES (CN, Anne Wheeler, 1986) ; PIANO, THE (AT, Jane Campion, 1993) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; THOUSAND PIECES OF GOLD (US/UK, Nancu Kelly, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) Summary: "A dissertation submitted to the faculty of graduate studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy." - taken from title page.Notes: Bibliography: pages 330-344.Contents: Introduction: Filming Feminist Frontiers/Frontier Feminisms (1979-1993) -- Why These Ten Films? -- Secondary Literature on Films -- Methodology -- Chapter 1: Women's Storytelling: Narrative, Genre and Voice -- Women's Storytelling and Feminism -- Genre: An Overview -- Conclusion -- Chapter 2 - Filming Homes on the Range: Revisioning Melodrama, the Western and Horror -- Revisioning and Deconstructing Frontier Stories -- The Decolonizing Frontier Films -- The Revisionist Frontier Films -- Revisioning the Myth of the Frontier Through a Decolonizing Lens: White Complicity -- Conclusion -- Chapter 3: Filming Frontier Spaces Through the Lens of Motherhood -- The Motherhood Debates -- Frontier Narratives Through a Maternal Gaze -- The Anti-Racist/Colonial Motherhood Narrative: Subaltern Mothers Saving the Threatened Subaltern Family/Community -- The Anti-Patriarchal Maternal Narratives -- Conclusion -- Chapter 4: Filming "Women's Work" in Gendered Frontier Economies -- Feminist Scholarship on Women's Work and Gendered Economies -- The White Settler Household Narrative -- The Wage Labour Narrative -- Subaltern Settlement Narrative -- Conclusion -- Chapter 5: Filming Female Sexuality in a "Women-less Milieu": Through Her Desiring Gaze -- Feminist Scholarship on Sexuality and Desire -- Frontier Sexuality and Desire Narratives -- Conclusion -- Conclusion: Filming Feminist Frontiers/Frontier Feminisms -- Recommendations for Future Research -- Notes
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 2 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.2Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: LEAR, NORMAN ; LEVINE, JOSEPH E. ; RENOIR, JEAN ; TOWNE, ROBERT ; HESTON, CHARLTON ; DAVIS, BETTE ; GOLDSMITH, JERRY ; HEAD, EDITH ; SELZNICK, DAVID O. ; BRAKHAGE, STAN ; DE HAVILLAND, OLIVIA ; MORRISSEY, PAUL ; NICHOLSON, JACK ; POLANSKI, ROMAN ; SCHAFFNER, FRANKLIN J. ; WYLER, WILLIAM ; ALONZO, JOHN ; HORNER, HARRY ; GOOD TIMES (US, William Friedkin, 1967) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; CHINATOWN (US, Roman Polanski, 1974) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HEIRESS, THE (US, William Wyler, 1949) ; HUSTLER, THE (US, Robert Rossen, 1961) ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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Films and values / Peter Malone MSC [Melbourne]: Chevalier Press, [1979].
Call No: 412.53 MALAuthor: Malone, Peter Edition: [1979]Place: [Melbourne]Publisher: Chevalier PressPubDate: [1979]PhysDes: 192 pages ; 20 cmSubject: ETHICS IN FILMS ; ETHICS AND THE CINEMA ; POINT BLANK (US, John Boorman, 1967) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ISBN: 0869400169Donation: SFC LibraryContents: A study of what the author terms high quality entertainment films, which provide some ethical and moral challenges for audiences whilst also being popular. An essay from the author where he examines a number of ideas pertaining to: Christianinty, religion, Athienists, Humanism, and Future Shock preceeds the film reviewsAFIRC Location: Stacks
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The films of Claire Denis : intimacy on the border / edited by Marjorie Vecchio ; with a foreword by Wim Wenders New York: I.B. Tauris, 2014.
Call No: 81DEN FILAuthor: Vecchio, Marjorie ; Wenders, Wim Source: USPlace: New YorkPublisher: I.B. TaurisPubDate: 2014PhysDes: xxiii, 237 pages : illustrations ; 24 cmSubject: AESTHETICS ; AFRICA ; ART CINEMA ; CANNIBALISM IN FILMS ; CRITICISM ; DANCE IN FILMS ; DIRECTORS ; DIRECTORS. FRANCE ; FAMILY IN FILMS ; IMPERIALISM AND THE CINEMA ; LANDSCAPES IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; TIME IN FILMS ; WORKERS IN FILMS ; WORKING CLASS IN FILMS ; DENIS, CLAIRE ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; INTRUDER, THE (FR, Claire Denis, 2004)
SEE
INTRUS, L' ; INTRUS, L' (FR, Claire Denis, 2004) ; J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994) ; I CAN'T SLEEP (FR/SZ, Claire Denis, 1994) ; NENETTE AND BONI (FR, Claire Denis, 1996)
SEE
NENETTE ET BONI ; NENETTE ET BONI (FR, Claire Denis, 1996) ; BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999) ; FRIDAY NIGHT (FR, Claire Denis, 2002)
SEE
VENDREDI SOIR ; VENDREDI SOIR (FR, Claire Denis, 2002) ; WHITE MATERIAL (FR/CM, Claire Denis, 2009) Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURBNotes: Includes list of illustrations, bibliographic references and indexISBN: 9781848859548Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen'
--Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy --
-- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams --
-- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy --
--Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy
--Bibliography -- Index
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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First watch : stolid coppers in Weekend Australian [Review] (22/10/2016) p.23
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Fitting tribute for the doyen of Australian film history in Sunday Telegraph (05/03/2017) p.128
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Five directors : auteurism from Assayas to Ozon / edited by Kate Ince Manchester, UK ; New York: Manchester University Press, 2008.
Call No: 621 INCSource: UK/USPlace: Manchester, UK ; New YorkPublisher: Manchester University PressPubDate: 2008PhysDes: viii, 157 p. ; 21 cmSubject: NOUVELLE VAGUE ; AUTEUR THEORY ; EUROPEAN CINEMA ; ASSAYAS, OLIVIER ; AUDIARD, JACQUES ; DARDENNE, JEAN-PIERRE & LUC ; HANEKE, MICHAEL ; OZON, FRANCOIS Summary: "This new appraisal of the continuing relevence of the auteur to filmmmaking in French will reinvigorate debate about the historic place of auteurism in both French and European cinema.
Auteurism - the ideea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French 'nouvelle vague' of the late 1950s, and the adoption of the term auteur by Andrew Sarris.
Through the work of five important contemporary directors working in the French language, this book explores the ways in which the meaning of auteur has changed over this half-century. Its five dense and wide-ranging introductory essays to the films of Olivier Assayas, Jacques Audiard, the Dardenne brothers, Michael Haneke and Francois Ozon combine French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.
This volume will be of interest to researchers working in French and European cinema and to students of film studies, European cinema, and French and Francophone studies, as well as to film enthusiasts."-BOOK BLURBNotes: includes bibliographical references
includes filmography; includes indexISBN: 9780719086410Contents: Olivier Assayas and the cinemna of catastrophe / Paul Sutton -- Jacques Audiard : contesting filiations / Julia Dobson -- Ethics in the ruin of politics : the Dardenne brothers / Martin O'Shaughnessy -- Close encounters with distant suffering : Michael Haneke's disarming visions / Libby Saxton -- Franc¸ois Ozon's cinema of desire / Kate Ince
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Fleshing out the debate on porn in Australian Financial Review (30/01/2007) p.28
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: INDUSTRY, VIDEO ; BLU-RAY ; HIGH DEFINITION DVD ; HIGH DEFINITION DVD, PORNOGRAPHIC ; DAVOUDIAN, ALI Summary: The war between the High definition DVD formats (Blu-ray and HD-DVD) have effected the adult industry as to which direction the industry will take in pressing their adult content DVDs. The article suggests that the adult industry cemented the prominence of the VHS video format when home video porn films were pressed on VHS instead of Betamax. The adult industry could also have the same effect on the Blu-ray and HD-DVD war.
Ali Davoudian, founder of the adult entertainment company digital playground – stated his company would go with the HD-DVD as the technology of choice for high definition porn films, because Sony was against the use of Blu-ray format for such purposes. However he has also been quoted as saying that he prefers Blu-ray technology as Blu-ray disks have a higher capacity than HD-DVD.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
The Rescuers
Big booty Revenge 2
Strap Attack 5
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Florida on film : the essential guide to Sunshine State cinema and locations / written by Susan Doll and David Morrow Gainesville, FL: University Press of Florida, 2007.
Call No: 721.217 DOLAuthor: Doll, Susan ; Morrow, David Edition: 1st ed.Source: USPlace: Gainesville, FLPublisher: University Press of FloridaPubDate: 2007PhysDes: xiv, 394 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; USA ; LOCATION SHOOTING. USA: FLORIDA ; BATTLE ROYALE (JA, Kinji Fukasaku, 2000) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; KEY LARGO (US, John Huston, 1948) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) ; BODY HEAT (US, Lawrence Kasdan, 1981) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINA MOON (US, John Bailey, 1994) ; FLASH OF GREEN, A (US, Victor Nunez, 1984) ; NIGHT MOVES (US, Arthur Penn, 1975) ; OUT OF TIME (US, Carl Franklin, 2003) ; PALMETTO (US, Volker Schlondorff, 1998) ; WILD THINGS (US, John McNaughton, 1998) ; ABSENCE OF MALICE (US, Sydney Pollack, 1981) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; FLIPPER (US, Alan Shapiro, 1996) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; MEAN SEASON, THE (US, Phillip Borsos, 1985) ; MIAMI BLUES (US, George Armitage, 1990) ; SCARFACE (US, Brian DePalma, 1984) ; BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]) ; HEALTH (US, Robert Altman, 1980) ; JAWS 3-D (US, Joe Alves, 1983) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; BLOOD AND WINE (US, Bob Rafelson, 1996) ; COCOON (US, Ron Howard, 1985) ; CROSS CREEK (US, Martin Ritt, 1983) ; DAYS OF THUNDER (US, Tony Scott, 1990) ; JUST CAUSE (US, Arne Glimcher, 1995) ; ROSEWOOD (US, John Singleton, 1997) ; STICK (US, Burt Reynolds, 1985) ; SUNSHINE STATE (US, John Sayles, 2002) ; ULEE'S GOLD (US, Victor Nunez, 1997) ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; BAD BOYS (US, Michael Bay, 1995) ; MATINEE (CN, Richard Wayne Martin, 1989) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STRIPTEASE (US, Andrew Bergman, 1996) ; TRUE LIES (US, James Cameron, 1994) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; RUBY IN PARADISE (US, Victor Nunez, 1993) ; RUNNING SCARED (US, Peter Hyams, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; SUMMER RENTAL (US, Carl Reiner, 1985) ; AIR FORCE (US, Howard Hawks, 1943) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; PARENTHOOD (US, Ron Howard, 1989) Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKETNotes: Includes bibliographical references (p. 369-382) and indexISBN: 9780813030456Donation: Donated by Senses Of Cinema, 2009
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Focus shifts to star critic's cinematic life in Weekend Australian (25/02/2017) p.9
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De Forsvunna in News S.F.I (Jan 1980) vol.2 iss.20
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Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013.
Call No: 81FOS WASAuthor: Wasson, Sam Source: USPlace: Boston ; New YorkPublisher: Houghton Mifflin HarcourtPubDate: 2013PhysDes: 723 pages : illustrations ; 24 cmSubject: ACADEMY AWARDS ; BURLESQUE ; CHOREOGRAPHY ; CULTURE AND THE CINEMA. USA ; DANCE IN FILMS ; DIRECTORS ; INDUSTRY, FILM. USA ; MUSICALS. USA ; UNITED ARTISTS ; FOSSE, BOB ; ASTAIRE, FRED ; CHAYEFSKY, PADDY ; DREYFUSS, RICHARD ; HEIM, ALAN ; MINNELLI, LIZA ; SONDHEIM, STEPHEN ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; CABARET (US, Bob Fosse, 1972) ; LENNY (US, Bob Fosse, 1974) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; STAR 80 (US, Bob Fosse, 1983) ; SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVENotes: Contains photos and indexISBN: 9780547553290
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Levy Collection
book
The Fox Girls / by James Robert Parish Castle Books, 1972.
Call No: 802.27 PARAuthor: Parish, James Robert Publisher: Castle BooksPubDate: 1972PhysDes: 722 p. : ill. ; 26 cmSubject: ACTORS ; TWENTIETH CENTURY-FOX ; BARA, THEDA ; GAYNOR, JANET ; TEMPLE, SHIRLEY ; FAYE, ALICE ; YOUNG, LORETTA ; HENIE, SONJA ; DARNELL, LINDA ; GRABLE, BETTY ; TIERNEY, GENE ; BAXTER, ANNE ; MIRANDA, CARMEN ; HAVER, JUNE ; CRAIN, JEANNE ; MONROE, MARILYN ; NORTH, SHEREE ; WELCH, RAQUEL Summary: Biographical information and filmographies of sixteen film actresses associated with Twentieth Century Fox.ISBN: 0870001280
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journal article
Fox trot in Australian Film Review (Dec 1983) vol.1 iss.22 p.20
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personality clippings file
DE FRANCE, CECILE
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book
Fred Astaire : Hollywood's magic people / Howard Thompson New York: Falcon Enterprises, 1970.
Call No: 81AST THOAuthor: Thompson, Howard Source: USPlace: New YorkPublisher: Falcon EnterprisesPubDate: 1970PhysDes: 154 p . ill.Subject: MUSICALS. USA ; ASTAIRE, FRED ; DADDY LONG LEGS (US, Jean Negulesco, 1955) ; DAMSEL IN DISTRESS, A (US, George Stevens, 1937) ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; SECOND CHORUS (US, H.C. Potter, 1941) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; SILK STOCKINGS (US, Rouben Mamoulian, 1957) ; SWING TIME (US, George Stevens, 1936) ; TOP HAT (US, Mark Sandrich, 1935) ; YOU WERE NEVER LOVELIER (US, William A. Seiter, 1942) Donation: donated by the family of Wayne Levy, 2006
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personality clippings file
DE FRIEST, MARK
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From Hollywood : the careers of 15 great American stars / DeWitt Bodeen South Brunswick [N.J.]: A. S. Barnes, c1976.
Call No: 802.27 BODAuthor: Bodeen, DeWitt, Place: South Brunswick [N.J.]Publisher: A. S. BarnesPubDate: c1976PhysDes: 352 p. : ill. ; 26 cmSubject: BARA, THEDA ; FARRAR, GERALDINE ; BARRYMORE, JOHN ; CHANEY, LON ; DANIELS, BEBE ; FAIRBANKS, DOUGLAS ; CLARK, MARGUERITE ; LOCKWOOD, HAROLD ; ALLSION, MAY ; REID, WALLACE ; STEWART, ANITA ; TALMADGE, CONSTANCE ; COSTELLO, DOLORES ; BRADY, ALICE ; COMPSON, BETTY ; DEL RIO, DOLORES ; DIX, RICHARD Notes: Includes filmographies and indexISBN: 0498013464 : $15.00LON: 724351
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book
From reverence to rape : the treatment of women in the movies / Molly Haskell Harmondsworth Eng. Baltimore: Penguin, 1974.
Call No: 451-02 HASAuthor: Haskell, Molly Place: Harmondsworth Eng. BaltimorePublisher: PenguinPubDate: 1974PhysDes: xiv, 388 p., [12] leaves of plates : ill. ; 20 cmSubject: WOMEN IN FILMS ; ASTOR, MARY ; BERGMAN, INGMAR ; BOW, CLARA ; Crawford, Joan ; CUKOR, GEORGE ; DAY, DORIS ; DIETRICH, MARLENE ; HAWKS, HOWARD ; HEPBURN, KATHARINE ; HOLLIDAY, JUDY ; LUBITSCH, ERNST ; MONROE, MARILYN ; RUSSELL, ROSALIND ; VON STERNBERG, JOSEF ; WILDER, BILLY ; DUNNE, IRENE ; WOMEN, THE (US, George Cukor, 1939) ; BEYOND THE FOREST (US, King Vidor, 1949) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; DESIGN FOR LIVING (US, Ernst Lubitsch, 1933) ; ADAM'S RIB (US, George Cukor, 1949) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) Notes: Includes indexISBN: 0140039465 : ª0.95 ($3.95 U.S.)LON: 74194670; 352052
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still
[Frontline : Neil Davis filming a man lying in the trenches]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 22 X 17 cm.Subject: FRONTLINE (AT, David Bradbury, 1979) ; DAVIS, NEIL Summary: Image of Neil Davis filming a man lying in the grass with a rifle. There are other men lying on the ground in the background.
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The garden in the machine : a field guide to independent films about place / Scott MacDonald Berkeley, California: University of California Press, 2001.
Call No: 738(71) MACAuthor: MacDonald, Scott Place: Berkeley, CaliforniaPublisher: University of California PressPubDate: 2001PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cmSubject: INDEPENDENT FILMS ; NATURE IN FILMS ; PLACE IN FILMS ; PLACE IN FILMS. USA ; CITIES IN FILMS ; NEW YORK IN FILMS ; GOTTHEIM, LARRY ; COLE, THOMAS ; MURPHY, J. J. ; ANGER, KENNETH ; MENKEN, MARIE ; SCHNEEMANN, CAROLEE ; BRAKHAGE, STAN ; KELLER, MARJORIE ; ROBERTSON, ANNE CHARLOTTE ; LOWDER, ROSE ; MANGOLTE, BABETTE ; BENNING, JAMES ; STONE, OLIVER ; SPIRO, ELLEN ; DEBONT, JAN ; KUCHAR, GEORGE ; BURCKHARDT, RUDY ; WEEGEE ; THOMPSON, FRANCIS ; MENKEN, MARIE ; HARRIS, HILARY ; LEE, SPIKE ; STAUFFACHER, FRANK ; BAILLIE, BRUCE ; RUDNICK, MICHAEL ; GEHR, ERNIE ; O'NEILL, PAT ; MARTIN, EUGENE ; MEKAS, JONAS ; GREAVES, WILLIAM ; FRAMPTON, HOLLIS ; HUOT, ROBERT ; DORSKY, NATHANIEL ; HUTTON, PETER ; DASH, JULIE ; FRANKLIN, CARL ; CONNER, BRUCE ; HERZOG, WERNER ; LANZMANN, CLAUDE ; STRAND, CHICK ; NOREN, ANDREW ; PIERCE, LEIGHTON ; GATTEN, DAVID Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."Notes: Includes distribution sources for films and videos (in US), notes and indexISBN: 0520227387
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DE GARIS, KIRSTY
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personality clippings file
DE GARIS, KIRSTY
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book
Gender and knowledge : elements of a postmodern feminism / Susan J. Hekman Oxford: Polity, 1990.
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personality clippings file
DE GENERES, ELLEN
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book
Genre, the musical : a reader / edited by Rick Altman London Boston: Routledge & Kegan Paul in association with the British Film Institute, 1981.
Call No: 751 GENAuthor: Altman, Rick Place: London BostonPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1981PhysDes: vii, 228 p., [4] leaves of plates : ill. ; 23 cmSeries: British Film Institute readers in film studiesSubject: MUSICALS ; WOMEN IN FILMS ; SEX IN FILMS ; SEMIOLOGY ; METZ, CHRISTIAN ; MINNELLI, VINCENTE ; BERKELEY, BUSBY ; SIDNEY, GEORGE ; GIGI (US, Vincente Minnelli, 1958) ; SILK STOCKINGS (US, Rouben Mamoulian, 1957) ; DAMES (US, Ray Enright, 1934) Notes: Includes index; Bibliography: p. 208-215ISBN: 0710008163 : $21.00; 0710008171 (pbk.) : $10.50LON: 2061102
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newspaper article
Gervais' pathetic alter ego hits rock bottom in The Age (25/08/2016) p.27
Call No: TITLE CLIPPINGS FILE; DAVID BRENT: LIFE ON THE ROAD (UK/US, Ricky Gervais, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: DAVID BRENT: LIFE ON THE ROAD (UK/US, Ricky Gervais, 2016) Summary: Review of the film DAVID BRENT: LIFE ON THE ROADNotes: similar article in Sydney Morning Herald, title: 'One-hit wonder doesn't deserve more stage time', same date, page 20Rating: 1 out of 5 stars
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GEU HU : (KO, Sang-soo Hong, 2018)
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newspaper article
Gone Fission : A documentary on uranium and nuclear power has all the force of a good thriller in Weekend Australian [review] (8/8/2015) p.23
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Gospel of the living dead : George Romero's visions of hell on earth / Kim Paffenroth Waco, Texas: Baylor University Press, 2006.
Call No: 81ROM PAFAuthor: Paffenroth, Kim Source: USPlace: Waco, TexasPublisher: Baylor University PressPubDate: 2006PhysDes: 219 p. ; 24 cmSubject: USA ; HORROR FILMS ; MONSTERS IN FILMS ; ZOMBIES IN FILMS AND TV ; SOCIAL ISSUES IN FILMS. USA ; SOCIETY IN FILMS. USA ; RELIGION IN FILMS. USA ; CONSUMERISM IN FILMS. USA ; VIOLENCE IN FILMS. USA ; RACIAL PROBLEMS IN FILMS. USA ; GENDER AND THE CINEMA. USA ; ROMERO, GEORGE ; SNYDER, ZACK ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; DAWN OF THE DEAD (US, George A. Romero, 1978) ; DAY OF THE DEAD (US, George A. Romero, 1985) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; LAND OF THE DEAD (CN/FR/US, George Romero, 2005) Summary: "For nearly forty years the zombie films of George A. Romero have presented viewers with hellish visions of our world overrun by flesh-eating ghouls. This rigorous but entertaining study shows how these films use Christian imagery from the Bible and Dante to probe deeper questions of human nature and purpose, while also giving a chilling and darkly humorous critique of modern, secular America that should be heeded by Christian and humanist alike." (Taken from the back cover)Notes: Includes bibliography, indexISBN: 9781932792652Donation: Donated by Senses of Cinema, 2009
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digital clippings file
DE GOUW, JESSICA Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DE GOUW, JESSICA
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book
Great Italian films / Jerry Vermilye Secaucus, N.J.: Carol Pub. Group, 1994.
Call No: 71(45) VERAuthor: Vermilye, Jerry Place: Secaucus, N.J.Publisher: Carol Pub. GroupPubDate: 1994PhysDes: 254 p. : ill. ; 28 cmSubject: ITALY ; RISO AMARO (IT, Guiseppe de Santis, 1949) ; BELLISSIMA (IT, Luchino Visconti, 1951) ; AIDA (IT, Clemente Fracassi, 1953) ; SENSO (IT, Luchino Visconti, 1954) ; STRADA, LA (IT, Federico Fellini, 1954) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; AMARCORD (IT/FR, Frederico Fellini, 1973) ; PANE E CIOCCOLATA (IT, Franco Brusati, 1974) ; PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976) ; INNOCENTE, L' (IT/FR, Luchino Visconti, 1976) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; OTELLO (IT, Franco Zeffirelli, 1986) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; FABIOLA (IT, Alessandro Blasetti, 1947) ; ROMA ORE 11 (IT, Giuseppe De Santis, 1951) ; AMICI PER LA PELLE (IT, Franco Rossi, 1955) ; BIG DEAL ON MADONNA STREET [SOLITI IGNOTI, I] (IT, Mario Monicelli, 1958) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; TOSCA [TV] (IT, 1992) ; STANNO TUTTI BENE (IT/FR, Guiseppe Tornatore, 1990) Notes: "A Citadel Press book."ISBN: 0806514809 (pbk.) : $17.95LON: 93045771; 10646564
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personality microfilm collection
DE GREGORIO, EDUARDO
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DE GREGORIO, EDUARDO
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personality clippings file
DE GREY, SLIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DE GREY, SLIM
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personality microfilm collection
DE GROOT, ANDREW
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DE GROOT, ANDREW
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personality microfilm collection
DE GROOT, MYRA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: DE GROOT, MYRA
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[Guilty by suspicion : Robert DeNiro as David Merril is in a room with Martin Scorsese as Joe Lesser] [1991?].
Call No: TITLE STILL INTERNATIONALSource: ATPubDate: [1991?]PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: GUILTY BY SUSPICION (US, Irwin Winkler, 1991) ; DE NIRO, ROBERT ; SCORSESE, MARTIN Summary: Two men are standing in a room that is used to store film reels. The man on the left is dressed in a dark sweater and the man on the right is dressed in a tweed coat.Notes: White border surrounds image; No bibliographic details on photograph
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[Guilty by suspicion : Robert DeNiro as David Merril stands holding a camera] [1991?].
Call No: TITLE STILL INTERNATIONALSource: ATPubDate: [1991?]PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: GUILTY BY SUSPICION (US, Irwin Winkler, 1991) ; DE NIRO, ROBERT Summary: A man wearing a suit stands outdoors in the shade holding an old style SLR camera.Notes: No bibliographic information on the photograph; White border surrounds image
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newspaper article
Happy hacker in Sydney Morning Herald (13/10/2012) p.18
Call No: TITLE CLIPPINGS FILE; DAMAGES [TV] (US, 2007-)Author: Ritchie, Ruth PhysDes: Clippings File ArticleSubject: DAMAGES [TV] (US, 2007-) Summary: Review of an episode of US drama 'Damages', which features a Julian Assange-like hacker
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personality microfilm collection
DE HAVILLAND, OLIVIA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DE HAVILLAND, OLIVIA
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journal article
Hearing is believing : directional prerogative and ethical dilemmas in documentary sound design in Australian screen education (Autumn 2000) iss.22 p.104-111
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still
[Heatwave : stills file]
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DE HEER, ROLF
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: DE HEER, ROLF
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book
The hell of war comes home : imaginative texts from the conflicts in Afghanistan and Iraq / Owen W. Gilman Jr. Jackson: University Press of Mississippi, 2018.
Call No: 737(73) GILAuthor: Gilman, Owen W. Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2018PhysDes: x, 252 pages ; 24 cmSubject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS. USA ; WAR IN FILMS. AFGHANISTAN ; WAR IN FILMS. IRAQ ; AMERICAN SNIPER (US, Clint Eastwood, 2014) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; AVATAR (US, James Cameron, 2009) ; BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016) ; BODY OF LIES (US, Ridley Scott, 2008) ; BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007) ; DA VINCI CODE, THE (US, Ron Howard, 2006) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016) ; FAHRENHEIT 9/11 (US, Michael Moore, 2004) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GRACE IS GONE (US, James C. Strouse, 2007) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; JARHEAD (US, Sam Mendes, 2005) ; INFERNO (US/JA/TU/HU, Ron Howard, 2016) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; REDACTED (US, Brian De Palma, 2007) ; UP (US, Pete Docter and Bob Peterson, 2009) ; WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Notes: Includes bibliographical references and index.ISBN: 9781496815767Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.
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journal article
Heroic times in Hungarofilm Bulletin (1983) iss.1 p.16-17
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newspaper article
Heroin to Hollywood : the amazing rise of the Lion screenwriter in Sun Herald (29/01/2017) p.18
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[High tide : stills file]
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journal article
Hills is alive: a defence of I Spit On Your Grave in Video Age (Mar 1985) vol.4 iss.3 p.8, 36
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A history of films / John Fell New York: Holt, Rinehart and Winston, 1979.
Call No: 70 FELAuthor: Fell, John Source: USPlace: New YorkPublisher: Holt, Rinehart and WinstonPubDate: 1979PhysDes: 588 p. : ill. ; 23 cmSubject: HISTORY AND THE CINEMA ; PRODUCTION ; ALEXANDROV, GROGORIO ; ANTONIONI, MICHELANGELO ; BRECHT, BERTHOLD ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DE SICA, VITTORIO ; COCTEAU, JEAN ; DEMILLE, CECIL B. ; DREYER, CARL TH. ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FRANJU, GEORGES ; LANG, FRITZ ; MURNAU, FRIEDRICH WILHEL ; Pasolini, Pier Paolo ; PAUL, ROBERT ; PORTER, EDWIN S. ; PUDOVKIN, VSEVELOD ; RENOIR, JEAN ; RESNAIS, ALAIN ; ROSSELLINI, ROBERTO ; THALBERG, IRVING ; TRUFFAUT, FRANCOIS ; VERTOV, DZIGA ; VIGO, JEAN ; VISCONTI, LUCHINO ; ZAVATTINI, CESARE ; WELLES, ORSON ; WYLER, WILLIAM ; ZUKOR, ADOLPH ; L'AGE D'OR (FR, Luis Bruñell, 1930) ; L'ATALANTE (FR, Jean Vigo, 1930) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; METROPOLIS (G, Fritz Lang, 1926) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) Notes: Bibliography: p.546-548
Includes indexISBN: 0030363160Donation: donated by the family of Wayne Levy, 2006
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Interim
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Hollywood : the haunted house / by Paul Mayersberg London: Penguin, 1967.
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Hollywood : the haunted house / Paul Mayersberg Harmondsworth: Penguin Books, 1969.
Call No: New Holdings ShelvesAuthor: Mayersberg, Paul Source: UKPlace: HarmondsworthPublisher: Penguin BooksPubDate: 1969PhysDes: 172 p ; 18 cmSubject: INDUSTRY, FILM. USA ; HISTORY OF CINEMA. 1960's ; FILM WORKERS ; BROOKS, RICHARD ; CUKOR, GEORGE ; DAVES, DELMER ; HITCHCOCK, ALFRED ; KRAMER, STANLEY ; STURGES, JOHN Summary: This book by a young British critic is an experience of Hollywood today, and an inside account of the process of modern film-making - how Hollywood movies are planned, financed, written, directed, shot, cut and publicized... -- Book coverNotes: Includes bibliographyDonation: donated by the family of Wayne Levy, 2006Contents: 1. The haunted house -- 2. The big break -- 3. Above and below the thin red line -- 4. The wench is dead -- 5. The world's greatest train set -- 6. The great rewrite -- 7. The conscience of the crowd -- 8. The formula for failure -- 9. The paper cup -- 10. Epilogue
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Hollywood androgyny / Rebecca Bell-Metereau New York: Columbia University Press, 1993.
Call No: 749.5 BELAuthor: Bell-Metereau, Rebecca Louise Edition: 2nd edPlace: New YorkPublisher: Columbia University PressPubDate: 1993PhysDes: xxii, 345 p. : ill. ; 23 cmSubject: TRANSVESTISM ; AIDS IN FILMS ; ART CINEMA. EUROPEAN COUNTRIES ; UNDERGROUND FILMS ; HOMOSEXUALITY IN FILMS ; SEX IN FILMS ; WESTERNS ; WILDER, BILLY ; GARBO, GRETA ; HEPBURN, KATHARINE ; CURTIS, TONY ; DIETRICH, MARLENE ; MADONNA ; MONROE, MARILYN ; SCOTT, RIDLEY ; ADLER, LOU ; DAY, DORIS ; CROSBY, BING ; EDWARDS, BLAKE ; GRANT, CARY ; LEMMON, JACK ; REA, STEPHEN ; SHERIDAN, ANN ; YENTL (US, Barbara Streisand, 1983) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; ALIEN [...] (UK/US, 1979-92) ; CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978) ; CALAMITY JANE (US, David Butler, 1953) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; PSYCHO (US, Alfred Hitchcock, 1960) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; BLUE VELVET (US, David Lynch, 1986) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; TOOTSIE (US, Sydney Pollack, 1982) ; SYLVIA SCARLETT (US, George Cukor, 1935) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; QUEEN CHRISTINA (US, Rouben Mamoulian, 1934) ; PLAINSMAN, THE (US, Cecil B. DeMille, 1936) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) Notes: Includes bibliographical references (p. [315]-327) and indexISBN: 0231084676 (acidb-sfree paper)LON: 10110408
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The Hollywood cage / Charles Hamblett New York: Hart Publishing Company, 1969.
Call No: 46(794) HAMAuthor: Hamblett, Charles Source: USPlace: New YorkPublisher: Hart Publishing CompanyPubDate: 1969PhysDes: 435 p. : ill., ports ; 24 cmSeries: Includes indexSubject: Metro-Goldwyn-Mayer ; TYPE CHARACTERS IN FILMS ; TWENTIETH CENTURY-FOX ; WARNER BROS. ; ANDERSON, ERNIE ; ARMSTRONG, LOUIS ; BACALL, LAUREN ; BARRYMORE, JOHN ; BOGART, HUMPHREY ; BRANDO, MARLON ; BURTON, RICHARD ; CLIFT, MONTGOMERY ; DAVIS, SAMMY, Jr. ; DEAN, JAMES ; FLYNN, ERROL ; GABLE, CLARK ; HATHAWAY, HENRY ; HUSTON, JOHN ; LOREN, SOPHIA ; MONROE, MARILYN ; MILLER, ARTHUR ; NOVAK, KIM ; PECK, GREGORY ; PONTI, CARLO ; SENNETT, MACK ; SINATRA, FRANK ; TAYLOR, ELIZABETH ; THALBERG, IRVING ; WARNER, JACK L. ; WAYNE, JOHN ; WOOD, NATALIE ; WOODWARD, JOANNE Donation: donated by the family of Wayne Levy, 2006
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Hollywood cameramen : sources of light / Charles Higham London: Thames and Hudson in association with the British Film Institute, 1970.
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Hollywood color portraits / by John Kobal, Introduction by Carlos Clarens New York: Quill, c1981.
Call No: 802.27(084.2) KOBAuthor: Kobal, John Edition: 1st Quill ed.Source: USPlace: New YorkPublisher: QuillPubDate: c1981PhysDes: 159 p. : col. ill. ; 30cmSubject: ACTORS ; PHOTOGRAPHY ; PHOTOGRAPHY AND THE CINEMA ; FIELDS, W.C. ; WEST, MAE ; COLBERT, CLAUDETTE ; DIETRICH, MARLENE ; LAMOUR, DOROTHY ; SWANSON, GLORIA ; SOTHERN, ANN ; MACDONALD, JEANETTE ; Stewart, James ; YOUNG, LORETTA ; COOPER, GARY ; LEIGH, VIVIEN ; TURNER, LANA ; GARLAND, JUDY ; ROONEY, MICKEY ; MONTEZ, MARIA ; DE HAVILLAND, OLIVIA ; FONTAINE, JOAN ; FAIRBANKS, DOUGLAS ; DAVIS, BETTE ; BOGART, HUMPHREY ; LAMARR, HEDY ; SHERIDAN, ANN ; TIERNEY, GENE ; LAKE, VERONICA ; LADD, ALAN ; CAGNEY, JAMES ; BERGMAN, INGRID ; GODDARD, PAULETEE ; WAYNE, JOHN ; GRABLE, BETTY ; COOPER, GARY ; TAYLOR, ROBERT ; POWER, TYRONE ; HUTTON, BETTY ; ASTAIRE, FRED ; DARNELL, LINDA ; SINATRA, FRANK ; ROGERS, ROY ; TRIGGER (Horse) ; PAL (Canine actor) ; BACALL, LAUREN ; LANCASTER, BURT ; SCOTT, LIZABETH ; DOUGLAS, KIRK ; MIRANDA, CARMEN ; JONES, JENNIFER ; FORD, GLENN ; BALL, LUCILLE ; OBERON, MERLE ; PECK, GREGORY ; DIETRICH, MARLENE ; GRAHAME, GLORIA ; GRANT, CARY ; HAYWORTH, RITA ; VALLI, ALIDA ; JOURDAN, LOUIS ; TAYLOR, ELIZABETH ; ROBERT, RYAN ; MITCHUM, ROBERT ; CHARISSE, CYD ; BARKER, LEX ; RUSSELL, JANE ; GARBO, GRETA ; CLIFT, MONTGOMERY ; GARDNER, AVA ; TURNER, LANA ; MONROE, MARILYN ; CRAWFORD, JOAN ; DEAN, JAMES ; NOVAK, KIM ; MANSFIELD, JAYNE ; PRESLEY, ELVIS ; BRANDO, MARLON Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull.
The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKETNotes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actorsISBN: 0688007538
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Hollywood economics : how extreme uncertainty shapes the film industry / Arthur De Vany New York: Routledge, 2005.
Call No: 203 DEVAuthor: De Vany, Arthur Source: UK/USPlace: London; New YorkPublisher: RoutledgePubDate: 2005PhysDes: 308 p. : 23 cm.Series: Contemporary Political EconomySubject: ECONOMICS AND THE CINEMA. USA ; BUSINESS AND THE CINEMA ; GLOBALISATION ; INDUSTRY, FILM ; DE VANEY, ARTHUR Summary: Just how risky is the movie industry? Is screenwriter William Goldman’s claim that “nobody knows anything” really true? Can a star and a big opening change a movie’s risks and return? Do studio executives really earn their huge paychecks? These and many other questions are answered in Hollywood Economics. The book uses powerful analytical models to uncover the wild uncertainty that shapes the industry. The centerpiece of the analysis is the unpredictable and often chaotic dynamic behavior of motion picture audiences. This unique and important book will be of interest to students and researchers involved in the economics of movies, industrial economics and business studies. The book will also be a real eye-opener for film-writers, movie executives, finance and risk management professionals as well as more general movie fans. [Taken from first page of book.]ISBN: 9780415312615
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Hollywood from Vietnam to Reagan / Robin Wood New York: Columbia University Press, 1986.
Call No: 71(73) WOOAuthor: Wood, Robin, 1931 Place: New YorkPublisher: Columbia University PressPubDate: 1986PhysDes: x, 328 p. : ill., ports. ; 24 cmSubject: USA ; HORROR FILMS ; NARRATIVE IN FILMS ; WOMEN IN FILMS. USA ; BUDDY FILMS ; HORROR FILMS. USA ; ALTMAN, ROBERT ; COHEN, LARRY ; SCORSESE, MARTIN ; CIMINO, MICHAEL ; ROMERO, GEORGE ; DE PALMA, BRIAN ; LUCAS, GEORGE ; SPIELBERG, STEVEN ; CHASE, THE (US, Arthur Penn, 1966) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; BLADE RUNNER (US, Ridley Scott, 1982) ; POLTERGEIST (US, Tobe Hooper, 1982) Notes: Includes index; Bibliography: p. [319]-320ISBN: 0231057768 (alk. paper); 0231057776 (pbk)LON: 3796463
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Hollywood here there and everywhere in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.28
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The Hollywood interviews / Cahiers du Cinéma; translated by John Flower Oxford, UK: Berg, 2006.
Call No: 802.25 CAHSource: UKPlace: Oxford, UKPublisher: BergPubDate: 2006PhysDes: v, 154 p. ; 19 cmSubject: AUTEUR THEORY ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SCORSESE, MARTIN ; EASTWOOD, CLINT ; BURTON, TIM ; COEN, JOEL & ETHAN Summary: Interviews with Francis Ford Coppola, Brian de Palma, Martin Scorsese, Clint Eastwood, and Tim Burton.Notes: Formerly CIP.; Includes filmographies.; Translated from the French.ISBN: 1845204417
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Hollywood meets Hollywood in Am. Classic Scr (1982) vol.6 iss.3 p.32
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The Hollywood musical / by Ethan Mordden Newton Abbot: David & Charles, 1982, c1981.
Call No: 751.1(73) MORAuthor: Mordden, Ethan, 1947 Place: Newton AbbotPublisher: David & CharlesPubDate: 1982, c1981PhysDes: xii, 261 p, [18] p of plates : ill. ; 24 cmSubject: MUSICALS. USA ; ASTAIRE, FRED ; BERKELEY, BUSBY ; CHEVALIER, MAURICE ; CROSBY, BING ; GARLAND, JUDY ; JOLSON, AL ; KEELER, RUBY ; MACDONALD, JEANETTE ; MAMOULIAN, ROUBEN ; ROGERS, GINGER ; EDDY, NELSON ; CANTOR, EDDIE ; POWELL, DICK ; DANIELS, BEBE ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) Notes: Originally published: New York : St. Martin's Press, 1981; Bibliography: p. 239-242. - Includes indexISBN: 0715383191 : ª7.95 : CIP revLON: 2211755
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Hollywood romantic comedy : states of the union 1934-65 Oxford Road, Manchester, UK: Manchester University Press, 2006.
Call No: 732 HOLAuthor: Glitre, Kathrina Source: UKPlace: Oxford Road, Manchester, UKPublisher: Manchester University PressPubDate: 2006PhysDes: 199 p. : ill. ; 25 cmSubject: COMEDIES ; ROMANTIC FILMS ; LOY, MYRNA ; POWELL, WILLIAM ; HEPBURN, AUDREY ; TRACY, SPENCER ; DAY, DORIS ; HUDSON, ROCK Notes: Includes index and bibliographical references ([p.] 188-195).
Includes bibliographical references (p. [188]-195) and indexISBN: 0719070791Donation: Donated by Senses Of Cinema, 2009Contents: 1. Hollywood romantic comedy -- Genre, cycles and critical conditions --
2. Marriage -- The same but different: marriage, remarriage, and screwball comedy -- Making marriage fun: Myrna Loy and William Powell -- 3. Equality -- A little difference: equality and the career woman comedy -- Economy and excess: Katharine Hepburn and Spencer Tracy -- 4. Desire -- Possess me: consuming desires in the sex comedy -- There must be a boy! Doris Day and Rock Hudson
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Hollywood's dirtiest secret : the hidden environmental costs of the movies / Hunter Vaughan New York: Columbia University Press, 2019.
Call No: 738.1 VAUAuthor: Vaughan, Hunter Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2019PhysDes: 243 pages : illustrations ; 23 cmSeries: Film and culture seriesSubject: ENVIRONMENTAL ISSUES IN FILMS ; AVATAR (US, James Cameron, 2009) ; DAY AFTER TOMORROW, THE (US, Roland Emmerich, 2004) ; DISASTER FILMS ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; TWISTER (US, Jan De Bont, 1996) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Summary: "In an era when many businesses have come under scrutiny for their environmental impact, the film industry has for the most part escaped criticism and regulation. Its practices are more diffuse; its final product, less tangible; and Hollywood has adopted public-relations strategies that portray it as environmentally conscious. In Hollywood's Dirtiest Secret, Hunter Vaughan offers a new history of the movies from an environmental perspective, arguing that how we make and consume films has serious ecological consequences." - taken from back cover.Notes: Includes bibliographical references, filmography and index -- subtitle on verso 'the hidden environmental costs of our screen culture'ISBN: 9780231182416Contents: Introduction: The Big Picture -- Chapter 1: Burning down the house: fire, the eco-ethics of destruction, and authorship in the film spectacle -- Chapter 2: "Five Hundred Thousand Kilowatts of Stardust:" resource use and the formula for packaging nature in Singin' in the rain -- Chapter 3: Winds of change: twister and the visualization of environmental disaster in the digital age -- Chapter 4: Apocalypse tomorrow: Avatar and the myth of Earth's end in the digital era -- Chapter 5: The fifth element: production culture studies, relational values, and the human side of environmental media -- Conclusion: An element of hope
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The Hollywood social problem film : madness, despair, and politics from the Depression to the fifties / Peter Roffman and Jim Purdy Bloomington: Indiana University Press, 1981.
Call No: 744 ROFAuthor: Roffman, Peter, 1950 ; Purdy, Jim, Place: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cmSubject: SOCIAL PROBLEMS IN FILMS. USA ; DEPRESSION IN FILMS ; DRUGS IN FILMS ; MENTAL HEALTH ISSUES IN FILMS ; BAD GUYS ; FASCISM AND THE CINEMA ; FALLEN WOMEN IN FILMS ; DELINQUENTS IN FILMS ; ETHNIC GROUPS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; BLACKLISTING. USA ; JOURNALISTS IN FILMS ; POLITICAL PERSONALITIES IN FILMS ; POPULISM AND THE CINEMA. USA ; RACIAL ISSUES IN FILMS ; RURAL LIFE IN FILMS ; WARNER BROS. ; Metro-Goldwyn-Mayer ; LANG, FRITZ ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; GARFIELD, JOHN ; CAPRA, FRANK ; VIDOR, KING ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932) ; DEAD END (US, William Wyler, 1937) ; FORCE OF EVIL (US, Abraham Polonsky, 1948) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; STATE'S ATTORNEY (US, George Archainbaud, 1932) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; THREE COMRADES (US, Frank Borzage, 1938) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951) ; LAWLESS, THE (US, Joseph Losey, 1950) ; LAWYER MAN (US, Wilhelm Dieterle, 1932) ; LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934) ; MASSACRE (US, Alan Crosland, 1933) ; MEET JOHN DOE (US, Frank Capra, 1941) ; MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932) ; OUR DAILY BREAD (US, King Vidor, 1934) ; PINKY (US, Elia Kazan, 1949) ; PRESIDENT VANISHES, THE (US, William Wellman, 1934) ; RIFFRAFF (US, J. Walter Ruben, 1936) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MORTAL STORM, THE (US, Frank Borzage, 1940) ; MY MAN GODFREY (US, Gregory La Cava, 1936) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; BODY AND SOUL (US, Robert Rossen, 1947) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; HEROES FOR SALE (US, William A. Wellman, 1933) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351ISBN: 0253127076; 0253202612 (pbk.)LON: 1763505
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Hollywood utopia : ecology in contemporary American cinema / Pat Brereton Bristol, UK: Intellect Books, 2004.
Call No: 738.1 BREAuthor: Brerton, Pat Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2004PhysDes: 270 p. ; 24 cmSubject: NATURE IN FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; WESTERNS ; LANDSCAPES IN FILMS ; ROAD MOVIES ; CONSPIRACY FILMS ; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BLADE RUNNER (US, Ridley Scott, 1982) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; EASY RIDER (US, Dennis Hopper,1969) ; INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957) ; JAWS (US, Steven Spielberg, 1975) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; MEN IN BLACK (US, Barry Sonnenfeld, 1997) ; SOYLENT GREEN (US, Richard Fleischer, 1973) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TITANIC (US, James Cameron, 1997) ; YEARLING, THE (US, Clarence Brown, 1947) Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "Notes: Bibliography: p. 241-267
Filmography: p. 9-10ISBN: 1841501174Donation: donated by Senses of Cinema, 2009
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Hong Kong film festival official catalogue : Sydney 6-9 Aug Melbourne 21-23 Aug '98 / Hong Kong Economic & Trade Office in association with the Australian Film Institute Sydney: Hong Kong Economic & Trade Office, July 1998.
Call No: FESTIVAL CATALOGUE SHELVES; FESTIVALS. AUSTRALIA. VARIOUSCorpAuthor: Hong Kong Economic & Trade Office; Australian Film InstitutePlace: SydneyPublisher: Hong Kong Economic & Trade OfficePubDate: July 1998PhysDes: [26] p. : illus. ; 30 cmSubject: FESTIVALS. AUSTRALIA. HONG KONG ; [EIGHTEEN] 18 SPRINGS [BAN SHENG YUAN] (CC, Ann Hui On Wah, 1997) ; DAY THE SUN TURNED COLD, THE (HK, Yim Ho, 1994) ; TIAN MIMI (HK, Peter Chan, 1997) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; XIANGGANG ZHIZAO (HK, Chan Fruit, 1997) Notes: Data taken from colophon on page 24
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Horror in the cinema New York: A.S. Barnes, 1970.
Call No: 735.2 BUTAuthor: Butler, Ivan Edition: 2nd edPlace: New YorkPublisher: A.S. BarnesPubDate: 1970PhysDes: 208p. : illus., portsSubject: HORROR FILMS ; LEWTON ,VAL ; CORMAN, ROGER ; PSYCHO (US, Alfred Hitchcock, 1960) ; REPULSION (UK, Roman Polanski, 1965) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; INNOCENTS, THE (UK, Jack Clayton, 1962) Notes: First ed. pub. under title: The horror film, 1967ISBN: 0498076512LON: 6093891 6093891
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How sound can sell a movie...and a lab in Encore (5-18 June 1986) vol.4 iss.9 p.11
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Humphrey Bogart / Alan Frank London: Wattle Books, 1982.
Call No: 81BOG FRAAuthor: Frank, Alan Source: UKPlace: LondonPublisher: Wattle BooksPubDate: 1982PhysDes: 80 p. : ill. (some col) ; 29 cmSubject: BOGART, HUMPHREY ; BLACK LEGION (US, Archie L. Mayo, 1936) ; DEAD END (US, William Wyler, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; WE'RE NO ANGELS (US, Neil Jordan, 1989) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; SABRINA (US, Billy Wilder, 1954) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; KEY LARGO (US, John Huston, 1948) Summary: A detailed book on Bogart’s life that reveals him as a man and as an actor. Descriptions of all his films are provided, from stage to acting in films.ISBN: 0600390543
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The Idiots / John Rockwell London: British Film Institute, 2003.
Call No: 79 IDI ROCAuthor: Rockwell, John CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: 87 p. : ill. ; 19 cm; Press kitSeries: BFI Modern ClassicsSubject: IDIOTERNE (DK, Lars Von Trier, 1998) ; TRIER, LARS VON ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000) ; DOGMA Summary: Shows how The Idiots relates to the other two films in the trilogy 'Good Woman', Breaking the Waves, and Dancer in the Dark. Shows how The Idiots relates to von Trier's celebrated early work in Danish television and his foray into directing Wagner's Ring cycle at the Bayreuth Festival. The result is a rich and illuminating interpretation of the key work of one of the most fascinating and misunderstood filmmakers of recent yearsNotes: The Dogma 95, Manifesto and the Vow of Chastity: p.81-84
Credits: p.85-86
Bibliography: p.87ISBN: 0851709559
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Imagined landscapes : geovisualizing Australian spatial narratives / Jane Stadler, Peta Mitchell and Stephen Carleton Bloomington: Indiana University Press, 2016.
Call No: 756(94) STAAuthor: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: 2016PhysDes: x, 226 pages ; 23 cmSeries: The spatial humanitiesSubject: ABORIGINAL AUSTRALIANS IN FILMS ; LANDSCAPES IN FILMS. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES ; LOCATION SHOOTING. AUSTRALIA: VICTORIA ; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: TASMANIA ; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY ; CULTURE AND THE CINEMA. AUSTRALIA ; CRIMINALS IN FILMS. AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; DAWN, NORMAN ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008) ; RED DOG (AT, Kriv Stenders, 2011) ; SAMSON AND DELILAH (AT, Warwick Thornton, 2009) ; VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVERISBN: 9780253018458Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown
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In the thick of Nazi 'canp' in Interview (1969) vol.1 iss.4 p.11-23
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Indelible shadows : film and the Holocaust / Annette Insdorf Cambridge New York: Cambridge University Press, 1989.
Call No: 744(=924) INSAuthor: Insdorf, Annette Edition: 2nd edPlace: Cambridge New YorkPublisher: Cambridge University PressPubDate: 1989PhysDes: xix, 293 p. : ill. ; 24 cmSubject: GENOCIDE IN FILMS ; BRECHT, BERTOLT ; CHAPLIN, CHARLES ; LANZMANN, CLAUDE ; MALLE, LOUIS ; OPHULS, MARCEL ; BERGMAN, INGMAR ; IMHOOF, MARKUS ; JARVIK, LAURENCE ; LILIENTHAL, PETER ; LUBITSCH, ERNST ; WERTMULLER, LINA ; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980) ; WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89) ; RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976) ; SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981) ; MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760 ; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976) ; OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965) ; PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979) ; GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974) ; BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981) ; CHILDREN FROM NUMBER 67, THE [KINDER AUS NO. 67, DIE] (GW, Usch Barthelmess-Weller & Werner Meyer, 1980) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; DAVID (GW, Peter Lilienthal, 1979) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282ISBN: 0521372798; 0521378109 (pbk.)LON: 6081353
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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inhuman screens : Journal of Asia-Pacific pop culture special issue / guest editor: Stefan Octavian Popescu The Pennsylvania State University Press, 2019.
Call No: 403 (5/9) POPAuthor: Popescu, Stefan Octavian Publisher: The Pennsylvania State University PressPubDate: 2019PhysDes: 119 pages, illustrations, 23cmSeries: Journal of Asia-Pacific pop culture; 4.1 (2019)Subject: ASIAN COUNTRIES ; SEN, IVAN ; GOLDSTONE (AT, Ivan Sen, 2016) ; OTHERLIFE (AT, Ben C. Lucas, 2017) ; HITCHCOCK, ALFRED ; ARGENTO, DARIO ; DE PALMA, BRIAN ISSN: 00787469Contents: Mediations of Xinjiang: For an Aesthetic Politics, Sean Cubitt -- Dronopoetics: Unmanned Aerial Cinematography and Ivan Sen's Goldstone, Daniel Binns -- Becoming Caregivers: Companion Robots and Instructions for Use, Catherine Barbara Caudwell -- Pleated Time and Posthuman Temporalities in OtherLife, Steen Christiansen -- The Part is Greater Than the Whole: Montage as Fragment in Hitchcock, Argento and De Palma, Bruce Isaacs -- Faith and Spirituality in Naoko Takeuchi's Bishojo Senshi Sera Mun, Francesca Puglia
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Int'l marketing meeting in London for United International Pictures in Australasian Cinema (29/10/1982) vol.11 iss.19 p.23
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International film : a selection of award-winning motion pictures in 16mm / Audio Film Centre New York: Audio Film Centre, 1969.
Call No: 027 (73) INTCorpAuthor: Audio Film CentreEdition: 1969Place: New YorkPublisher: Audio Film CentrePubDate: 1969PhysDes: [24 p.] : illus. ; 21 cmSubject: DARLING (UK, John Schlesinger, 1965) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; JULIET OF THE SPIRITS [GIULIETTA DEGLI SPIRITI] (IT, Federico Fellini, 1965) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965) ; MIRACOLO A MILANO (IT, Vittorio de Sica, 1951) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960)
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International film guide 2012 : the definitive annual review of world cinema / edited by Ian Haydn Smith Brighton: International Film Guide, 2012.
Call No: REFERENCE SECTION; 058 INT "2012"Author: Smith, Ian Haydn Edition: 48th ed.Source: UKPlace: BrightonPublisher: International Film GuidePubDate: 2012PhysDes: 339 p . : ill. ; 24 cmSubject: FESTIVALS ; CRITICISM ; INDUSTRY, FILM ; ALFREDSON, TOMAS ; DARDENNE, JEAN-PIERRE & LUC ; DAVIES, TERENCE ; MALICK, TERRENCE ; REFN, NICHOLAS WINDING Notes: 48th editionISBN: 9781908215017Contents: : -- Directors of the Year -- Tomas Alfredson -- Jean-Pierre and Luc Dardenne -- Terence Davies -- Terrence Malick -- Nicolas Winding Refn -- DVD Focus -- World Survey -- Algeria -- Argentina -- Armenia -- Australia -- Austria -- Belgium -- Bolivia -- Bosnia & Herzegovina -- Brazil -- Bulgaria -- Canada -- Chile -- China -- Colombia -- Croatia -- Cuba -- Cyprus -- Czech Republic -- Denmark -- Ecuador -- Egypt -- Estonia -- Finland -- France -- Georgia -- Germany -- Greece -- Hong Kong -- Hungary -- Iceland -- India -- Iran -- Israel -- Italy -- Japan -- Kazakhstan -- Lithuania -- Mexico -- Morocco -- Netherlands -- New Zealand -- Nigeria -- Norway -- Poland -- Portugal -- Romania -- Russia -- Serbia -- Singapore -- Slovakia -- South Africa -- South Korea -- Spain -- Sweden -- Switzerland -- Taiwan -- Thailand -- Tunisia -- Turkey -- Ukraine -- United Kingdom -- United States -- Additional Countries -- Burkina Faso -- Cambodia -- Cameroon -- Chad -- Costa Rica -- Gabon -- Guatemala -- Iraq -- Ivory Coast -- Kyrgyzstan -- Lebanon -- Malaysia -- Mali -- Mauritania -- Nepal -- Palestine -- Qatar -- Senegal -- Tajikistan -- Uzbekistan -- Festival News -- Festival Director Profiles -- Film Festival Calendar -- Leading Festivals -- Festivals and Markets of Note -- index to advertisers --
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It's a long way ahead in Polish film (1980) iss.2
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"It's only a movie, Ingrid" : encounters on and off screen / Alexander Walker London: Headline Book Publishing, 1989.
Call No: 67(04) WALAuthor: Walker, Alexander Source: UKPlace: LondonPublisher: Headline Book PublishingPubDate: 1989PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cmSubject: CRITICISM ; FESTIVALS. CANNES ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; BOGARDE, DIRK ; BURTON, RICHARD ; CHAPLIN, CHARLES ; COPPOLA, FRANCIS FORD ; COOPER, GARY ; Crawford, Joan ; CRAWFORD, NOEL ; DAVIS, BETTE ; EVANS, EDITH ; Fellini, Federico ; FORBES, BRYAN ; GARBO, GRETA ; GIELGUD, JOHN ; GRANT, CARY ; GREENE, GRAHAM ; HARVEY, LAURENCE ; HEPBURN, KATHARINE ; HITCHCOCK, ALFRED ; HOWARD, TREVOR ; HUSTON, JOHN ; KAZAN, ELIA ; KUBRICK, STANLEY ; Lean, David ; LEIGH, VIVIEN ; LOSEY, JOSEPH ; Shakespeare, William ; TRACY, SPENCER ; TYNAN, KENNETH ; VON STERNBERG, JOSEF ; WELLES, ORSON ; ZINNEMANN, FRED ISBN: 0747230218Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?"
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Italian cinema : from neorealism to the present / Peter Bondanella New York: F. Ungar Pub. Co., c1983.
Call No: 71(45) BONAuthor: Bondanella, Peter E., 1943 Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1983PhysDes: viii, 440 p. : ill. ; 22 cmSeries: Ungar film librarySubject: ITALY ; NEOREALISM ; WESTERNS. ITALY ; CAVANI, LILIANA ; WERTMULLER, LINA ; COMENCINI, LUIGI ; ROSSELLINI, ROBERTO ; DE SICA, VITTORIO ; VISCONTI, LUCHINO ; ANTONIONI, MICHELANGELO ; Fellini, Federico ; BERTOLUCCI, BERNARDO ; LEONE, SERGIO ; Pasolini, Pier Paolo ; FERRERI, MARCO ; GERMI, PIETRO ; LATTUADA, ALBERTO ; MONICELLI, MARIO ; PONTECORVO, GILLO ; RISI, DINO ; ROSI, FRANCESCO ; TAVIANI, PAOLO & VITTORIO ; OLMI, ERMANNO ; PETRI, ELIO ; BRUSATI, FRANCO ; BELLOCCHIO, MARCO Notes: Includes index; Bibliography: p. 413-421ISBN: 0804420645 : $17.95; 0804460612 (pbk.) : $10.95LON: 2315799 2315799
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The Italian cinema book / edited by Peter Bondanella London: British Film Institute ; Palgrave Macmillan, 2014.
Call No: 71(45) ITAAuthor: Bondanella, Peter Source: UKPlace: LondonPublisher: British Film Institute ; Palgrave MacmillanPubDate: 2014PhysDes: xi, 380 pages : illustrations ; 25 cmSubject: ITALY ; ITALY IN FILMS ; NEOREALISM ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; FASCISM AND THE CINEMA. ITALY ; HISTORY OF CINEMA. ITALY ; REALISM IN FILMS ; SCRIPTWRITING ; HOLOCAUST IN FILMS ; FASHION AND THE CINEMA ; GANGSTER FILMS ; WESTERNS. ITALY ; WOMEN FILMMAKERS. ITALY ; BLASETTI, ALESSANDRO ; CAMERINI, MARIO ; DE SICA, VITTORIO ; LOREN, SOPHIA ; LOLLOGRIGIDA, GINA ; MONICELLI, MARIO ; MORETTI, NANNI Summary: "The Italian Cinema Book is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections [...] Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism." -- BOOK BLURBNotes: Includes bibliographic references and index -- "A BFI book published by Palgrave Macmillan." - title page.ISBN: 9781844574049Contents: Introduction / Peter Bondanella; PART ONE THE SILENT ERA -- Silent Italian Cinema: An International Story / Giorgio Bertellini -- The Beginnings of Film Stardom and the Print Media of Divismo / John P. Welle -- The Diva Film: Context, Actresses, Issues / Angela Dalle Vacche -- Italian Silent Film Genres: Comics, Serials, Historical Epics and Strongmen / Jacqueline Reich; PART TWO THE BIRTH OF THE TALKIES AND THE FASCIST ERA -- Fascism and Italian Cinema / David Forgacs -- Italian Matinee Idols in the Era of the Talkies / Marcia Landy -- The First Comedy, Italian Style: Blasetti, Camerini and De Sica / Vito Zagarrio -- Censorship from the Fascist Period to the Present / Guido Bonsaver; PART THREE POSTWAR CINEMATIC CULTURE – REALISM AND BEYOND -- Neorealism and Left-wing Culture / Stephen Gundle -- Cityscapes and Cinematic Space / Mark Shiel -- Dislocated Spaces for New Thought: Paths of Nomadic Wandering in Neorealist Film and Literature / Torunn Haaland -- Seeing Anew: Children in Italian Cinema, 1944 to the Present / Giovanna De Luca -- Italian Cinema from the Perspective of Female Friendship / Danielle Hipkins --The Maggiorata or Sweater Girl of the 1950s: Mangano, Lollobrigida, Loren / Pauline Small -- Hollywood and Italy: Industries and Fantasies / Robert S. C. Gordon; PART FOUR THE GOLDEN AGE OF ITALIAN CINEMA -- Material Dreams: Costume and Couture Italian Style: From Hollywood on the Tiber to the Italian Screen / Reka Buckley --Italian Film Music / M. Thomas Van Order -- Production around 1960 / Christopher Wagstaff -- The Muscleman Peplum: From Le fatiche di Ercole (1958) to Hercules and the Princess of Troy (1965) / Jon Solomon -- Mondo Cane and the Invention of the Shockumentary / Gino Moliterno -- Spaghetti Westerns and Their Audience / Flavia Brizio-Skov -- Chronicles of a Hastened Modernisation: The Cynical Eye of the Commedia all'italiana / Remi Fournier Lanzoni -- The Political Film / Gaetana Marrone -- The Giallo and the Spaghetti Nightmare Film / Mikel J. Koven -- European Co-productions and Artistic Collaborations: The Italian Response to the Hollywood Studio System / Jean A. Gili -- How the Italians Happened to Cherish and Then to Disdain Their Cinema / Pierre Sorlin; PART FIVE AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION -- Scriptwriting, Italian Style: Scriptwriting for Fellini / Gianfranco Angelucci -- Modern Mob Movies: Twenty Years of Gangsters on the Italian Screen / Dana Renga -- Screening Terrorism: Cinematic Portrayals of the Italian Armed Struggle / Giancarlo Lombardi -- Italian Cinema and Holocaust Memory / Millicent Marcus -- Italian National Cinema: The Cinepanettone / Alan O'Leary -- Stars and Masculinity in Contemporary Italian Cinema / Catherine O'Rawe -- Women behind the Camera: New Horizons in Contemporary Cinema / Flavia Laviosa; PART SIX NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA -- Italian Cinema in the Post-national Age / Laura Rascaroli -- Post-colonial Theory and Italy's `Multicultural' Cinema / Aine O'Healy -- Italian Film Genres and Mario Bava / Mary P. Wood -- The Unwanted Guest: Some Remarks on Italian Cinema's Love Affair with Psychoanalysis / Fabio Vighi -- Fellini and Contemporary International Cinema / Peter Bondanella -- The Heritage of the Past and New Frontiers for the History of Italian Cinema / Gian Piero Brunetta.
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Italian national cinema, 1896-1996 / Pierre Sorlin New York: Routledge, 1996.
Call No: 71(45) SORAuthor: Sorlin, Pierre Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: viii, 202 p. : ill. ; 23 cmSeries: National cinemas seriesSubject: ITALY ; NEOREALISM ; TELEVISION AND THE CINEMA. ITALY ; FASCISM AND THE CINEMA. ITALY ; DOCUMENTARY FILMS. ITALY ; ANTONIONI, MICHELANGELO ; BLASETTI, ALESSANDRO ; PAGANO, BARTOLOMEO ; NAZZARI, AMEDEO ; ROSSELLINI, ROBERTO ; DE SICA, VITTORIO ; VISCONTI, LUCHINO ; Pasolini, Pier Paolo ; Fellini, Federico Notes: Filmography: p. (181)-202; Includes bibliographical references and indexISBN: 0415116988 (pbk. : alk. paper); 041511697X (hbk. : alk. paper)LON: 12008493
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The Italian Neo-Realists in Montage (September 1967) p.17-20
Author: Russell, Edward PhysDes: ArticleSubject: NEOREALISM ; ROSSELLINI, ROBERTO ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; VISCONTI, LUCHINO ; TERRA TREMA, LA (IT, Luchino Visconti, 1948) ; DE SICA, VITTORIO ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) Summary: Essay on the beginnings of Italian Neorealism, and filmographies of the three main directors of the period: Rossellini, Visconti and De Sica.
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The Jack Davey story / by Lew Wright ; foreword by Bob Dyer Sydney: Ure Smith, 1961.
Call No: 81DAV WRIAuthor: Wright, Lew Place: SydneyPublisher: Ure SmithPubDate: 1961PhysDes: 279 p. : ill. ; 23 cmSubject: DAVEY, JACK
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Jean Renoir : the world of his films / Leo Braudy Garden City, N.Y.: Doubleday, 1972.
Call No: 81REN BRAAuthor: Braudy, Leo Edition: 1st EditionSource: USPlace: Garden City, N.Y.Publisher: DoubledayPubDate: 1972PhysDes: 286 p. : ill. ; 22 cmSubject: RENOIR, JEAN ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CHIENNE, LA (FR, Jean Renoir, 1931) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936) ; DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; DIARY OF A CHAMBERMAID, A [JOURNAL D'UNE FEMME CHAMBRE, LE] (FR/IT, Luis Bunuel, 1964) ; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952) ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; ELENA ET LES HOMMES (FR, Jean Renoir, 1956) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) Summary: Leo Braudy examines the films of Jean Renoir, and the variety of different forms these films take - farces, epics, detective stories, and paradoxes. He examines each of the thirty six films individually, but also in the context of Jean Renoir's overall visionNotes: Bibliography: p. [272]-276
Filmography: p. 219-271
Includes indexISBN: 0860510050LON: 71171280; 558387
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Jim Henson, Gary Kurtz tour Oz for "The Dark Crystal" in Australasian Cinema (29/4/1983) vol.12 iss.7 p.2
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Jim Jarmusch / Juan A. Suarez Urbana and Chicago: University of Illinois Press, 2007.
Call No: 81JAR SUAAuthor: Suarez, Juan A Place: Urbana and ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: 196 p. : ill. ; 22 cmSeries: Contemporary film directorsSubject: INDEPENDENT FILMMAKERS ; CULTURE AND THE CINEMA ; MUSIC AND THE CINEMA ; JARMUSCH, JIM ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; DOWN BY LAW (US, Jim Jarmusch, 1986) ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; COFFEE AND CIGARETTES (US, Jim Jarmusch, 2003) ; DEAD MAN (US, Jim Jarmusch, 1995) ; YEAR OF THE HORSE, THE (US, Jim Jarmush, 1997) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) Summary: This volume of the Contemporary Film Directors series is a concise introduction to Jim Jarmusch and contains amongst other things an incisive critical commentary of his work and an interview. It identifies and describes an abundance of aesthetic influences on Jarmusch... while analyzing the director's work... in relation to independent filmmaking in the 1980s to the present; as a form of cultural production...; and as an instance of postmodern politics. [Taken from the back cover].Notes: Includes filmography; Bibliography: p. 185-191; Includes index.ISBN: 9780252074431
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John Harrison on scoring "Day of the Dead" in Cinema Score (Winter/Summer 1984-1985) vol.13 iss.14 p.18-19
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Joy in the bubble in Weekend Australian [Review] (09/04/2016) p.23
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Judge's ruling aids happy ending in AFR Weekend (15/08/2015) p.7
Call No: SUBJECT CLIPPINGS FILE; PIRACY. AUSTRALIAAuthor: Durkin, Patrick PhysDes: Clippings File ArticleSubject: PIRACY. AUSTRALIA ; DALLAS BUYERS CLUB (US, Jean-Marc Valee, 2013) Summary: Report on the Federal Court rulings on the DALLS BUYERS CLUB stating that repayments to the company that owns copyright to the film by those who illegally downloaded the film will be the retail price of the film plus costs. The fines that downloaders would be paying look to be significantly lower than what the copyright holders are asking
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Judgement day for Australian web pirates in Sydney Morning Herald (07/04/2015) p.27
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Katalog 1970-1995 film + video Copenhagen: Danish Film Institute Workshop, 1995.
Call No: REFERENCE SECTION; 027(489) DANCorpAuthor: Danish Film Institute WorkshopSource: DKPlace: CopenhagenPublisher: Danish Film Institute WorkshopPubDate: 1995PhysDes: 382 p. ills.Subject: DENMARK ; DANISH FILM INSTITUTE WORKSHOP ISBN: 8798479040
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Ken Hall presents 43 years old "Dad Rudd, M.P." in Australasian Cinema (29/10/1982) vol.11 iss.19 p.23
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KIEVLYANKA : (UR, Timofei Levchuk, 1960)
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The kiss of life in Weekend Australian [Review] (12/09/2015) p.12
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Knots Landing / Nick Salvato Detroit: Wayne State University Press, 2015.
Call No: 79KNO SALAuthor: Salvato, Nick Place: DetroitPublisher: Wayne State University PressPubDate: 2015PhysDes: ix, 139 pages : illustrations ; 18 cm.Series: TV milestones seriesSubject: SOAP OPERAS. USA ; SUBURBS ON TV ; MIDDLE CLASS ON TV ; QUALITY TELEVISION ; BALDWIN, ALEC ; HARRIS, JULIE ; GARDNER, AVA ; JACOBS, DAVID ; DALLAS [TV] (US, 1978-91) ; KNOTS LANDING [TV] (US, David Jacobs, 1979) Summary: A study of the television show Knots Landing. It looks at; how the show was able to prosper (even as a spin-off of the hugely popular Dallas series), how it offered a soap opera examination of middle class life, why the show was more popular than critically acclaimed shows of it's era, and how it was a star making and star perpetuating vehicle for actors like Alec Baldwin, Ava Gardner and Julie HarrisNotes: Includes bibliographical references (pages 125-133) and indexISBN: 9780814340332Contents: Introduction: The little engine that did -- Funny time, stranger space -- Middle-class movements -- Extending the discourse of quality -- Stars in their eyes -- Conclusion: "Will the circle be unbroken?"
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personality microfilm collection
DE KOVEN, ROGER
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DE KOVEN, ROGER
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Lars von Trier / by Jack Stevenson London: bfi Publishing, 2002.
Call No: 81TRI STEAuthor: Stevenson, Jack Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: 216p. : illus. [b&w, colour] : 19cm.Series: World directorsSubject: DOGMA ; TRIER, LARS VON ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000) ; EPIDEMIC (DK, Lars von Trier, 1987) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; IDIOTERNE (DK, Lars Von Trier, 1998) ; RIGET (DK, Lars von Trier, 1994) ; RIGET II (DK, Lars Von Trier & Morten Arnfred, 1997) ISBN: 0851709036
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Lars von Trier's Women / edited by Rex Butler and David Denny New York: Bloomsbury Academic, 2018. Available at ProQuest (RMIT login required)
Call No: 81TRI LARAuthor: Butler, Rex (ed.) ; Denny, David (ed.) Edition: paperback editionSource: USPlace: New YorkPublisher: Bloomsbury AcademicPubDate: 2018PhysDes: vi, 264 pages ; 24 cmSubject: WOMEN AND THE CINEMA ; WOMEN IN FILMS ; VON TRIER, LARS ; DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000) ; DOGVILLE (DK, Lars Von Trier, 2002) ; ANTICHRIST (DK, Lars von Trier, 2009) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; NYMPHOMANIAC [VOL. I AND VOL. II] (DK/G/BE/UK/FR, Lars von Trier, 2013) Summary: "The Danish director Lars von Trier is undoubtedly one of the world's most important and controversial filmmakers, and arguably so because of the depiction of women in his films. He has been criticized for subjecting his female characters to unacceptable levels of violence or reducing them to masochistic self-abnegation (Bess in Breaking the Waves, "She" in Antichrist and Joe in Nymphomaniac). At other times, it is the women in his films who are dominant or break out in violence, such as in his adaptation of Euripides' Medea, the conclusion of Dogville and perhaps throughout Nymphomaniac. Lars von Trier's Women confronts these dichotomies head on. Editors Rex Butler and David Denny do not take a position either for or against von Trier, but rather considers how both attitudes fall short of the real difficulty of his films, which may simply not conform to any kind of feminist or indeed anti-feminist politics as they are currently configured. Using Lacanian psychoanalysis and the work of prior scholars on the films, Lars von Trier's Women reveals hidden resources for a renewed "feminist" politics and social practice. "--Bloomsbury Publishing (Book back Cover)Notes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9781501342097Contents: -- acknowledgements -- introduction: the feminine act and the question of woman in Lars von Trier's films / Rex Butler and David Denny -- 1 Performing the feminine / Linda Badley -- 2 Femininity between Goodness and Act / Slavoj Zizek -- 3 Listening to Dancer in the Dark: Singing as recalling the world / Ulrike Hanstein -- 4 A woman's smile / Rex Butler -- 5 Female fight club: Lars von Trier's women and the paradox of Being / Sheila Kunkle -- 6 Cruelty and the real: The female figure in Orchidegartneren, Menthe - la bienheureuse and Befrielsesbilleder / Angelos Koutsourakis -- 7 What is the gift of Grace? On Dogville / Lorenzo Chiesa -- 8 Manderlay: The gift, Grace's desire and the collapse of ideology / Ahmed Elbeshlawy -- 9 Violent affects: Nature and the feminine in Antichrist / Magdalena Zolkos -- 10 A postmodern family romance: Antichrist / David Denny -- 11 Not melancholic enough: Triumph of the feminine in Melancholia / Todd McGowan -- 12 How to face nothing: Melancholia and the feminine / Jennifer Friedlander -- 13 Lars von Trier's fantasy of femininity in Nymphomaniac / Hilary Neroni -- 14 Mea maxima vulva: Appreciation and aesthetics of chance in Nymphomaniac / Tarja Laine -- list of contributors -- bibliography -- index --
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DE LAURENTIIS, DINO
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DE LAURENTIS ENTERTAINMENT
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DE LAURENTIS ENTERTAINMENT
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DE LEON, MIKE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DE LEON, MIKE
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newspaper article
A life through the lens of Australian film in The Age (9/03/2017) p.25
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Loser sequel triumphs in AFR Weekend (27/08/2016) p.36
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Losing touch? in Weekend Australian [Review] (10/06/2017) p.1
Call No: SUBJECT CLIPPINGS FILE; DRAMAS. AUSTRALIAAuthor: Neill, Rosemary PhysDes: Clippings File ArticleSubject: DRAMAS. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Piece on Australian tv drama production and questioning the amount of production that has been undertaken by the Australian Broadcasting Corporation. Mentions former ABC executive Kim Dalton and his essay 'Missing in action: the ABC and Australian Screen Culture'. Quotes from Penny Chapman, Screen Producers Australia, Freeview and the Australian Childrens Television Foundation
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Love in the film / William K. Everson Seacaucus: Citadel Press, 1979.
Call No: 747.5 EVEAuthor: Everson, William K. Source: USPlace: SeacaucusPublisher: Citadel PressPubDate: 1979PhysDes: 251 p. : ill. ; 29 cmSubject: ALGIERS (US, John Cromwell, 1938) ; ANNIE HALL (US, Woody Allen, 1977) ; BERKELEY SQUARE (US, Frank Lloyd, 1933) ; BRIEF ECSTASY (UK, Edmond T. Greville, 1937) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920) ; DADDY LONG LEGS (US, Jean Negulesco, 1955) ; DESIRE (US, Frank Borzage, 1936) ; DON JUAN (US, Alan Crosland, 1926) ; ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933) ; FIRST LOVE (US, Henry Koser, 1939) ; HALLELUJAH I'M A BUM (US, Lewis Milestone, 1933) ; HOT SATURDAY (US, William A. Seiter, 1932) ; I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; LOST HORIZON (US, Frank Capra, 1937) ; MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944) ISBN: 080650644XDonation: donated by the family of Wayne Levy, 2006
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Lovers / Linda Sunshine Atlanta, Ga.: Turner Pub., c1992.
Call No: 802.27 SUNAuthor: Sunshine, Linda Edition: 1st edPlace: Atlanta, Ga.Publisher: Turner Pub.PubDate: c1992PhysDes: 204 p. : ill. ; 24 cmSubject: LOVE IN FILMS ; GARBO, GRETA ; GILBERT, JOHN ; GABLE, CLARK ; HARLOW, JEAN ; Crawford, Joan ; ASTAIRE, FRED ; ROGERS, GINGER ; LOY, MYRNA ; MACDONALD, JEANETTE ; EDDY, NELSON ; FLYNN, ERROL ; DE HAVILLAND, OLIVIA ; POWELL, WILLIAM ; PIDGEON, WALTER ; GARLAND, JUDY ; ROONEY, MICKEY ; GARSON, GREER ; BOGART, HUMPHREY ; BACALL, LAUREN ; LEIGH, VIVIEN ; OLIVIER, LAURENCE ; TAYLOR, ELIZABETH ; BURTON, RICHARD ; NEWMAN, PAUL ; WOODWARD, JOANNE ; TRACY, SPENCER ; HEPBURN, KATHARINE ; ALLEN, WOODY ; Keaton, Diane ; FARROW, MIA Notes: Includes bibliographical references (p. 201), filmographies, and indexISBN: 1878685031 : $29.95LON: 8931051
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DE LUCA, MICHAEL
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Mad Max - crazed and bloody violence : but at the box office it will be the sound of music... in Daily Mirror (09/07/1979) p.14
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The Mad Max effect : road warriors in international exploitation cinema / James Newton New York: Bloomsbury Academic,
Call No: 79 MAD NEWAuthor: Newton, James Edition: 2021Place: New YorkPublisher: Bloomsbury AcademicPhysDes: 216 pages : illustrated ; 23 cmSubject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983) ; ANDERSON, WES ; AUTOMOBILES IN FILMS ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) ; DEATH RACE 2000 (US, Paul Bartel, 1975) ; DEATH RUN (UK, Michael J. Murphy, 1987) ; DEATH WISH (US, Michael Winner, 1974) ; EXPLOITATION FILMS ; EXTERMINATOR, THE (US, James Glickenhaus, 1980) ; HOME VIDEO ; MAD MAX (AT, George Miller, 1979) ; MAD MAX [...] (AT, 1979-85) ; MILLER, GEORGE ; MASCULINITY IN FILMS ; ZOMBIES IN FILMS AND TV Summary: The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction of a number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chase cinema of the 1970s), to eventually inspiring a fresh cycle of international low budget 'road warrior' movies that appeared on home video in the 1980s.
The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, and examines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape. -- publisher's web siteISBN: 9781501342295Contents: Acknowledgements -- Introduction -- Chapter One: Origins of the Road Warrior -- Chapter Two: The Death Race Lineage -- Chapter Three: Contextualising Mad Max -- Chapter Four: The Politics of Mad Max -- Chapter Five: MadMaxploitation! Transnational Road Warriors -- Chapter Six: Fury Road and the Imitation of Exploitation -- Chapter Seven: Mad Max and the metatext: Fan Engagement and Online Culture -- Conclusion: A Few Years From Now -- List of Films -- Reference List -- Index
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Making and remaking horror in the 1970s and 2000s : why don't they do it like they used to? / David Roche Jackson: University Press of Mississippi, c2014.
Call No: 735.2 ROCAuthor: Roche, David Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2014PhysDes: vii, 335 pages : illustrations ; 24 cmSubject: HORROR FILMS ; REMAKES ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TEXAS CHAINSAW MASSACRE [...] (US, 1974-) ; TEXAS CHAINSAW MASSACRE, THE (US, Marcus Nispel, 2003) ; TEXAS CHAINSAW MASSACRE: THE BEGINNING, THE (US, Jonathan Liebesman, 2006) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; HILLS HAVE EYES, THE (US, Wes Craven, 1978) ; HILLS HAVE EYES, THE (US, Alexandre Aja, 2006) ; HILLS HAVE EYES PART II, THE (UK/US, Wes Craven, 1986) Summary: An expansive treatment of the meanings and qualities of original and remade American horror moviesNotes: Includes bibliographical references (317-328), filmography and index.ISBN: 9781617039621Contents: Introduction -- Text, subtext, and context -- (Dis)connecting race, ethnicity, and class -- The (dys)functional American nuclear family -- Gender and sexual troubles -- (Re)situating and (re)playing the genre -- Monsters and masks (horror and terror, part 1) -- Strategies and style (horror and terror, part 2) -- Constraints and verisimilitude: a tentative conclusion.
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Making film and television histories : Australia and New Zealand / edited by James E. Bennett and Rebecca Beirne London: I.B. Tauris, 2012.
Call No: 49[930.2](93/94) MAKSource: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: xxiii, 296 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; HISTORY AND TV. AUSTRALIA ; HISTORY AND THE CINEMA. NEW ZEALAND ; HISTORY AND TV. AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; BRA BOYS (AT, Sunny Abberton, 2007) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; CAMERA NATURA (AT, Ross Gibson, 1986) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; REVEALING GALLIPOLI (AT, Wain Fimeri, 2005) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980) ; LOVE THE BEAST (AT, Eric Bana, 2009) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966) ; ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987) ; SERENADES (AT, Mojgan Khadem, 2000) ; PACIFIC SOLUTION (AT/NZ, James Frankham, 2005) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; ROSIE'S SECRET (AT, Lisa Matthews, 1994) ; OUTBACK HOUSE [AT] (AT, 2005-) ; COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005) ; NGATI (NZ, Barry Barclay, 1987) ; UTU (NZ, Geoffrey Murphy, 1983) ; RIVER QUEEN (NZ/UK, Vincent Ward, 2005) Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVERContents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past
Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie
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Malcolm's Movies in NFT (Sep/Oct 1983) p.16-20
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A man with a camera / Nestor Almendros ; translated from the Spanish by Rachel Phillips Belash London: Faber, 1985.
Call No: 81ALM ALMAuthor: Almendros, Nestor Source: USPlace: LondonPublisher: FaberPubDate: 1985PhysDes: viii, 306 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; PHOTOGRAPHY ; ALMENDROS, NESTOR ; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984) ; COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969) ; WILD CHILD (US/UK/FR, Nick Moore, 2008) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974) ; GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975) ; COCKFIGHTER (US, Monte Hellman, 1974) ; STORY OF ADELE H, THE (FR, Francois Truffaut, 1975) ; MAITRESSE (FR, Barbet Schroeder, 1976) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978) ; KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978) ; MADAME ROSA (FR, Moshe Mizrahi, 1977) ; GOIN' SOUTH (US, Jack Nicholson, 1978) ; PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978) ; LOVE ON THE RUN (FR, Francois Truffaut, 1979) ; AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; BLUE LAGOON, THE (US, Randal Kleiser, 1980) ; CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983) ; LAST METRO, THE (FR, Francois Truffaut, 1980) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; PAULINE A LA PLAGE (FR, Eric Rohmer, 1983) ; PAULINE AT THE BEACH (FR, Eric Rohmer, 1983) ; STILL OF THE NIGHT (US, Robert Benton, 1982) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304ISBN: 0571135897 (pbk.)LON: abn85231033; 3994651
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Marion Davies : a biography / by Fred Lawrence Guiles London: W.H. Allen, 1973, c1972.
Call No: 81DAV GUIAuthor: Guiles, Fred Lawrence Edition: 1st British edPlace: LondonPublisher: W.H. AllenPubDate: 1973, c1972PhysDes: xii, 419 p., [48] p. of plates : ill., ports. ; 24 cmSubject: DAVIES, MARION Notes: Includes index; Bibliography: p. [405]-406ISBN: 0491005040LON: abn83008070; 2411238
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Martin Gies, author and director of "Danni" on his film in Kino/films of FRG (1982) iss.4 p.16-18
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Martine Geis, author and director of "Danni" on his film. in Kino (Export Union des Deutschen Film) vol.4 iss.82 p.16-18
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The material ghost : films and their medium / Gilberto Perez Baltimore: Johns Hopkins University Press, 1998.
Call No: 62 PERAuthor: Perez, Gilberto, 1943 Place: BaltimorePublisher: Johns Hopkins University PressPubDate: 1998PhysDes: xi, 465 p. : ill. ; 24 cmSubject: AESTHETICS ; CRITICISM ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BAZIN, ANDRE ; BRECHT, BERTOLT ; CHAPLIN, CHARLES ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; COLLEGE (US, James W. Horne, 1927) ; DOVZENKO, ALEKSANDR ; FLAHERTY, ROBERT ; FORD, JOHN ; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976) ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HUILLET, DANIELE ; KARINA, ANNA ; Keaton, Buster ; KIAROSTAMI, ABBAS ; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972) ; MURNAU, FRIEDRICH WILHELM ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]) ; RENOIR, JEAN ; STRAUB, JEAN-MARIE ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) Summary: Summary: In The Material Ghost, Perez draws on his life-long love of the movies as well as his work as a film scholar to write an engaging study of films and filmmakers and the nature of the art form.Notes: Includes bibliographical references (p. [417]-448) and indexesISBN: 0801856736 (alk. paper)LON: 21392968
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De Mayerling a Sarajevo in Filmviews (Sep 1981) vol.26 iss.3/109 p.8-9
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The Media reader / edited by Manuel Alvarado and John O. Thompson London: BFI Pub., 1990.
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Melbourne Film Festival 1970 in Melbourne Film Bulletin (August 1970) iss.13 p.18-23
Author: Williams, Ross PhysDes: Article
ReviewSubject: ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; ROCHA, GLAUBER ; QUE LA BETE MEURE (FR/IT, Claude Chabrol, 1969) ; CHABROL, CLAUDE ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; ROHMER, ERIC ; SHONEN (JA, Nagisa Oshima, 1969) ; OSHIMA, NAGISA ; WSZYSTKO NA SPRZEDAZ (PL, Andrzej Wajda, 1968) ; WAJDA, ANDRZEJ ; DE ANTONIO, EMILE ; SPRY, ROBIN ; MEDIUM COOL (US, Haskell Wexler, 1969) ; WEXLER, HASKELL Summary: Review of the highlights of the 1970 Melbourne Film Festival. To be continued in M.F.B. No. 14.
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Memory, phantasy, identity: 'Days of Hope' and the politics of the past in Edinburgh (1977) vol.77 iss.2 p.13-17
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The Merry Widow in Metro (1997) iss.111 p.56
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The mission : a film journal / Daniel Berrigan, S.J. San Francisco: Harper and Row, c1986.
Call No: 79MIS BERAuthor: Berrigan, Daniel Source: USPlace: San FranciscoPublisher: Harper and RowPubDate: c1986PhysDes: 160 pages ; 22 cmSubject: FILMMAKING ; LOCATION SHOOTING ; PRODUCTION ; RELIGION AND THE CINEMA ; DE NIRO, ROBERT ; JOFFE, ROLAND ; MISSION, THE (UK, Roland Joffe, 1986) Summary: This is the rich account of the making of "The Mission", the feature film directed by Roland Joffe that recreates the utopian splendor and ultimate demise of the "Jesuit republic" in South America [...] Daniel Berrigan spent four months with the cast and crew as a behind-the-scenes consultant on Jesuit life and history. In THE MISSION: A FILM JOURNAL, he shares his candid insights on the making of the film and on its meaning and message for us today [...] Warm, personal, and very wise, THE MISSION re-creates the rhythm of the making of the film and raises provocative and incisive questions for our times." [TAKEN FROM BOOK JACKET]ISBN: 0062500562Donation: Simon Wincer
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The Modern American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1978.
Call No: 753.4 MODAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1978PhysDes: xii, 461 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CATCH 22 (US, Mike Nichols, 1970) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; DELIVERANCE (US, John Boorman, 1972) ; FOUNTAINHEAD, THE (US, King Vidor, 1949) ; FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; HUMAN COMEDY, THE (US, Clarence Brown, 1943) ; IN THIS OUR LIFE (US, John Huston, 1942) ; INTRUDER IN THE DUST (US, Clarence Brown, 1949) ; LAST HURRAH, THE (US, John Ford, 1958) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LOLITA (US, Stanley Kubrick, 1962) ; LONELYHEARTS (US, Vincent J. Donehue, 1958) ; MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955) ; NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958) ; NATIVE SON (AG, Pierre Chenal, 1951) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; OF MICE AND MEN (US, Lewis Milestone, 1939) ; OLD MAN AND THE SEA, THE (US, John Sturges, 1958) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; RABBIT, RUN (US, Jack Smight, 1970) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; TARNISHED ANGELS, THE (US, Douglas Sirk, 1957) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TOBACCO ROAD (US, John Ford, 1941) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; WET PARADE, THE (US, Victor Fleming, 1932) Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURBNotes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the CollectionISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95LON: 78004373; 1250638
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personality clippings file
DE MOL, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DE MOL, JOHN
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personality clippings file
DE MONTALEMBERT, HUGUES
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personality microfilm collection
DE MORNAY, REBECCA
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DE MORNAY, REBECCA
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Mother Goddam : the story of the career of Bette Davis / by Whitney Stine ; with a running commentary by Bette Davis New York: Hawthorn Books, 1974].
Call No: 81DAV STIAuthor: Stine, Whitney, 1930 ; Davis, Bette, 1908 Place: New YorkPublisher: Hawthorn BooksPubDate: 1974]PhysDes: 374 p. : ill. ; 25 cmSubject: DAVIS, BETTE Notes: Includes index; Filmography: p. 343-360ISBN: 0491015046LON: 73010265; 506016
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Mother goddam : The story of the career of Bette Davis / Whitney Stine and Bette Davis (commentary) London: Virgin, 1990, c1975.
Call No: 81DAV STIAuthor: Stine, Whitney ; Davis, Bette Source: UKPlace: LondonPublisher: VirginPubDate: 1990, c1975PhysDes: 18 cm ; 309 p.Subject: DAVIS, BETTE ISBN: 0352311428Donation: donated by the family of Wayne Levy, 2006
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journal article
Motion picture mission : dance screen in Europe captures Erin Brannigan in Realtime (Oct-Nov 1999) iss.33 p.7
Author: Brannigan, Erin PhysDes: Article; Illustration(s)Subject: DANCE FILMS Summary: The author recounts her visits to various dance screen events in Europe and discusses the developments of the genre.
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Movie acting, the film reader / edited by Pamela Robertson Wojcik New York: Routledge, 2004.
Call No: 227 WOJPlace: New YorkPublisher: RoutledgePubDate: 2004PhysDes: viii, 240 p. ; 24 cm.Series: In focusSubject: ACTING ; ACTORS STUDIO METHOD ; CHARACTER ACTORS ; TYPE CHARACTERS IN FILMS ; GISH, LILLIAN ; TRUE HEART SUSIE (US, David Wark Griffith, 1919) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; DEAN, JAMES ; POITIER, SIDNEY ; MOOREHEAD, AGNES ; WATERS, ETHEL ; DANDRIDGE, DOROTHY Summary: A colelction of classic essays and recent scholarly articles about acting. A look at the history of screen acting and types of acting methods with some reference to specific actors and their styles.Notes: Includes bibliographical references and index.ISBN: 0415310245
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The movie book of the western / edited by Ian Cameron and Douglas Pye London: Cassell, 1996.
Call No: 736.1 MOVAuthor: Cameron, Ian ; Pye, Douglas Place: LondonPublisher: CassellPubDate: 1996PhysDes: 320 p.: ill. ; 26 cmSubject: WESTERNS ; FORD, JOHN ; CIMINO, MICHAEL ; CUKOR, GEORGE ; DIETRICH, MARLENE ; Peckinpah, Sam ; WAYNE, JOHN ; DAVES, DELMER ; MANN, ANTHONY ; BOETTICHER, BUDD ; COSTNER, KEVIN ; BROKEN ARROW (US, Delmer Daves, 1950) ; DRUM BEAT (US, Delmer Daves, 1954) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; JUBAL (US, Delmer Daves, 1956) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; FORT APACHE (US, John Ford, 1948) ; DUEL IN THE SUN (US, King Vidor, 1946) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; HUD (US, Martin Ritt, 1962) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LEFT-HANDED GUN, THE (US, Arthur Penn, 1958) ; MISFITS, THE (US, John Huston, 1961) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RIO BRAVO (US, Howard Hawks, 1959) ; SHANE (US, George Stevens, 1953) ; VERA CRUZ (US, Robert Aldrich, 1954) ; WESTWARD THE WOMEN (US, William Wellmann, 1951) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; SEARCHERS, THE (US, John Ford, 1956) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) Notes: Includes indexISBN: 0289801400LON: abn95121731; 11553420
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newspaper article
Movie pirates escape Dallas Buyers Club in Weekend Australian (15/08/2015) p.10
Call No: SUBJECT CLIPPINGS FILE; PIRACY. AUSTRALIAAuthor: Swan, David PhysDes: Clippings File ArticleSubject: PIRACY. AUSTRALIA ; DALLAS BUYERS CLUB (US, Jean-Marc Valee, 2013) Summary: Report on the Federal Court's ruling to prevent the copyright holders of the film DALLAS BUYERS CLUB to obtain the details of Australian's who illegally downloaded copies of the film. Intellectual property lawyer Mark Vincent comments on the ruling
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Movie star : a look at the women who made Hollywood / by Ethan Mordden New York: St. Martin's Press, 1983.
Call No: 451-02 MORAuthor: Mordden, Ethan, 1947 Place: New YorkPublisher: St. Martin's PressPubDate: 1983PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cmSubject: WOMEN IN FILMS ; STAR SYSTEM ; ACTORS ; BOW, CLARA ; SWANSON, GLORIA ; PICKFORD, MARY ; GISH, LILLIAN ; GAYNOR, JANET ; SHEARER, NORMA ; GARBO, GRETA ; Crawford, Joan ; LOY, MYRNA ; GARSON, GREER ; DIETRICH, MARLENE ; HARLOW, JEAN ; WEST, MAE ; Lombard, Carole ; DAVIES, MARION ; BALL, LUCILLE ; HEPBURN, KATHARINE ; RUSSELL, ROSALIND ; FAYE, ALICE ; Stanwyck, Barbara ; DAVIS, BETTE ; TEMPLE, SHIRLEY ; GARLAND, JUDY ; TAYLOR, ELIZABETH ; HAYWORTH, RITA ; GRABLE, BETTY ; GARDNER, AVA ; MONROE, MARILYN ; MANSFIELD, JAYNE ; NOVAK, KIM ; HOLLIDAY, JUDY ; HEPBURN, AUDREY ; DAY, DORIS ; ANDREWS, JULIE ; STREISAND, BARBRA ; MINNELLI, LIZA ; BERGMAN, INGRID ; WELCH, RAQUEL ; Keaton, Diane ; FONDA, JANE ; DRESSLER, MARIE ; DUNNE, IRENE ; LAWRENCE, FLORENCE ; BARA, THEDA ; MURRAY, MAE ; MOORE, COLLEEN ; ALLEN, GRACIE ; BLONDELL, JOAN ; TOMLIN, LILY Notes: Includes index; Bibliography: p. [285]-289ISBN: 0312550502 (pbk.); 0312550499LON: 83003024; 2457302
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Movie wars : how Hollywood and the media conspire to limit what films we can see / by Jonathan Rosenbaum Chicago: A Capella, 2000.
Call No: 409 ROSAuthor: Rosenbaum, Jonathan Place: ChicagoPublisher: A CapellaPubDate: 2000PhysDes: v, 234 p. ; 24 cmSubject: DISTRIBUTION ; EXHIBITION ; GLOBALISATION ; AUDIENCES ; American Film Institute ; FESTIVALS ; AUDIENCE RECEPTION ; FESTIVALS. CANNES ; NATIONAL IDENTITY AND THE CINEMA. US ; MIRAMAX FILMS ; BEST FILMS ; BEST FILMS. US ; CRITICISM ; PERIODICALS, FILM ; WELLES, ORSON ; DANTE, JOE ; BRESSON, ROBERT ; EBERT, ROGER ; WEINSTEIN, HARVEY ; KIAROSTAMI, ABBAS ; MASLIN, JANET ; SMALL SOLDIERS (US, Joe Dante, 1998) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; STARSHIP TROOPERS (US, Paul Verhoeven, 1997) ; STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999) ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes indexISBN: 1556524064LON: 21468355
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Moviemakers at work : interviews / David Chell Redmond, Wash: Microsoft Press, 1987.
Call No: 802 CHEAuthor: Chell, David Source: USPlace: Redmond, WashPublisher: Microsoft PressPubDate: 1987PhysDes: ix, 357 p. : ill. ; 24 cmSubject: CINEMATOGRAPHY ; EDITING ; SOUND ; ART DIRECTION ; MAKE-UP ; SPECIAL EFFECTS ; ANIMATION ; COMPUTER GRAPHICS ; COSTUME DESIGNING ; FILM WORKERS ; DAVIAU, ALLEN ; MENGES, CHRIS ; LITTLETON, CAROL ; NOBLE, THOM ; NEWMAN, CHRIS ; VARNEY, BILL ; ISHIOKA, EIKO ; BRANDENSTEIN, PATRIZIA VON ; ZEA, KRISTI ; WESTMORE, MICHAEL ; CRUIKSHANK, SALLY ; PICKER, JIMMY ; ABEL, ROBERT ; DEMOS, GARY ; ARBOGAST, ROY ; MUREN, DENNIS ; EVANS, CHRIS ; FULMER, MIKE ; ERLAND, JONATHAN Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft.ISBN: 1556150032Donation: donated by the family of Wayne Levy, 2006
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Movies and mass culture / edited and with an introduction by John Belton New Brunswick, NJ: Rutgers University Press, 1996.
Call No: 408.1(73) MOVAuthor: Belton, John Place: New Brunswick, NJPublisher: Rutgers University PressPubDate: 1996PhysDes: viii, 279 p. : ill. ; 24 cmSeries: Rutgers depth of field seriesSubject: NATIONAL IDENTITY IN FILMS. USA ; CULTURE AND THE CINEMA. USA ; POPULAR CULTURE AND THE CINEMA. USA ; FILM NOIR. USA ; FAMILY IN FILMS. USA ; POSTMODERNISM AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; POLITICS AND THE CINEMA. USA ; SOCIETY AND THE CINEMA. USA ; CONSUMERISM IN FILMS. USA ; FASHION AND THE CINEMA. USA ; NOSTALGIA IN FILMS. USA ; POPULISM AND THE CINEMA. USA ; GRIFFITH, DAVID WARK ; BERKELEY, BUSBY ; Lombard, Carole ; DAMES (US, Ray Enright, 1934) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes bibliographical references (p. 265-269) and indexISBN: 0813522277 (cloth : alk. paper); 0813522285 (pbk.)LON: 11604013
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Movies and Methods : an anthology volume II / edited by Bill Nichols Berkeley: University of California Press, c1985.
Call No: 62(082) MOV v.2Author: Nichols, Bill (ed.) Source: US/UKPlace: BerkeleyPublisher: University of California PressPubDate: c1985PhysDes: xii, 753 p. : ill. ; 24 cmSubject: CRITICISM ; GENRES ; FEMINISM AND THE CINEMA ; STRUCTURALISM ; SEMIOLOGY ; PSYCHOANALYSIS AND THE CINEMA ; SADISM / MASOCHISM IN FILMS ; PHILOSOPHY AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; AVANT-GARDE FILMS ; NARRATIVE IN FILMS ; IDEOLOGY AND THE CINEMA ; HORROR FILMS ; CINEMA VERITE ; BAZIN, ANDRE ; WALSH, RAOUL ; GODARD, JEAN-LUC ; DAUGHTER RITE (US, Michelle Citron, 1979) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975) ; SEARCHERS, THE (US, John Ford, 1956) ; MILDRED PIERCE (US, Michael Curtiz, 1945) ; STAGECOACH (US, John Ford, 1939) Summary: "The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights." -- BOOK BLURBNotes: This is volume IIISBN: 0520054091Contents: -- historical criticism -- genre criticism -- feminist criticism -- structuralist semiotics -- psychoanalytic semiotics -- countercurrents --
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Movies of the forties / edited by Ann Lloyd ; consultant editor David Robinson London: Orbis Publishing, 1982.
Call No: 70 MOVAuthor: Robinson, David, 1930 ; Lloyd, Ann, 1945 Place: LondonPublisher: Orbis PublishingPubDate: 1982PhysDes: 219 p. : ill. (some col.) ; 30 cm.Subject: HISTORY OF CINEMA. 1940's ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; HAWKS, HOWARD ; BERGMAN, INGRID ; ROSSELLINI, ROBERTO ; VISCONTI, LUCHINO ; DE SICA, VITTORIO ; WELLES, ORSON ; CITIZEN KANE (US, Orson Welles, 1941) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; WYLER, WILLIAM ; GOLDWYN, SAMUEL ; REED, CAROL ; THIRD MAN, THE (UK, Carol Reed, 1949) ; Powell, Michael ; GUINNESS, ALEC ; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949) ; Lean, David ; HUSTON, JOHN ; MALTESE FALCON, THE (US, John Huston, 1941) ; BOGART, HUMPHREY ; GARFIELD, JOHN ; HAYWORTH, RITA ; KELLY, GENE ; DONEN, STANLEY ; GARLAND, JUDY ; BALCON, MICHAEL ; DISNEY, WALT ; MCLAREN, NORMAN ; WELLMAN, WILLIAM ; STURGES, PRESTON ; HEPBURN, KATHARINE ; WALSH, RAOUL Summary: A look at film in the 1940s with short chapters devoted to films, filmmakers, actors and genres of the period, as well as reports on non-US cinemas.Notes: Includes index.
Includes filmographies.ISBN: 0856134546
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Multiple voices in feminist film criticism / Diane Carson,Linda Dittmar, and Janice R. Welsch, editors Minneapolis: University of Minnesota Press, 1994.
Call No: 626:396 MULAuthor: Carson, Diane ; Dittmar, Linda, 1938 ; Welsch, Janice R Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1994PhysDes: ix, 547 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; WOMEN IN FILMS. MEXICO ; WOMEN IN FILMS. CHINA ; WOMEN IN FILMS. THIRD WORLD ; WOMEN IN FILMS. CUBA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; ETHNIC GROUPS IN FILMS ; BORDEN, LIZZIE ; DASH, JULIE ; DIETRICH, MARLENE ; DOANE, MARY ANN ; GARBO, GRETA ; GORRIS, MARLEEN ; GUY-BLACHE, ALICE ; MULVEY, LAURA ; TRINH, T. MINH-HA ; BAHTIN, MIHAIL ; ARZNER, DOROTHY ; FIELD, CONNIE ; CHENZIRA, AYOKA ; SAYONARA (US, Joshua Logan, 1957) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; SWING SHIFT (US, Jonathan Demme, 1984) ; SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982) ; RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; DRY WHITE SEASON, A (US, Euzhan Palcy, 1989) ; MARRYING KIND, THE (US, George Cukor, 1952) ; MARTY (US, Delbert Mann, 1954) ; MOROCCO (US, Josef von Sternberg, 1930) ; PILLOW TALK (US, Michael Gordon, 1959) ; RETRATO DE TERESA (CU, Pastor Vega, 1979) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989) ; BLACK FURY (US, Michael Curtiz, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Notes: Includes bibliographical references and indexISBN: 0816622728(acid-free paper); 0816622736 (pbk.)LON: 10052767
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still
[Muriel's wedding : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 13 photographs : b&w ; 13 x 18 - 26 x 21cmSubject: COLLETTE, TONI ; GRIFFITHS, RACHEL ; LEE, SOPHIE ; HUNTER, BILL ; HAYWOOD, CHRIS ; LAPAINE, DANIEL ; BYRON, ANNIE ; DAY, MATT ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) Summary: 13 black and white photographs of scenes from the film plus the director and the producer.
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The musicality of narrative film / Danijela Kulezic-Wilson London ; New York: Palgrave Macmillan, 2015.
Call No: 632.2 KULAuthor: Kulezic-Wilson, Danijela Edition: 2015Place: London ; New YorkPublisher: Palgrave MacmillanPubDate: 2015PhysDes: 218 pages ; illustrations ; 21 cmSeries: Palgrave studies in audio-visual cultureSubject: DEAD MAN (US, Jim Jarmusch, 1995) ; PI (US, Darren Aronosky, 1998) ; ANNA KARENINA (UK, Joe Wright, 2012) ; NARRATIVE IN FILMS ; MUSIC, FILM Summary: Film is often compared to music, explained by the use of musical terms and even conceived and structured using music as a model. The Musicality of Narrative Film is the first book to offer an in-depth examination of the film/music analogy through comparative analysis of both arts' common denominators: time, rhythm and movement. Drawing on a number of examples from contemporary art-house and mainstream cinema, Kulezic-Wilson argues that film's musical potential can be realized through various cinematic devices, with or without music. The book's final section contains detailed case studies of Darren Aronofsky's p, Jim Jarmusch's Dead Man and Joe Wright's Anna Karenina, which demonstrate how various factors contribute to achieving the effect of musicality in a large-scale form and how contrasting approaches to film time, rhythm and movement can create very different examples of film musicality. -- publisher's web site.ISBN: 9781137489982Contents: List of Figures
Acknowledgments
1. Introduction
2. Music as Model and Metaphor
3. The Musicality of Film Rhythm
4. The Rhythm of Rhythms
5. Musical and Film Kinesis
6. The Symbolic Nature of Musical and Film Time
7. Jim Jarmusch's Dead Man and the Rhythm of Musical Form
8. Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's p
9. Audio-Visual Musicality and Reflexivity in Joe Wright's Anna Karenina
Conclusion
Bibliography
Filmography
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Mussolini's dream factory : film stardom in fascist Italy / Stephen Gundle New York: Berghahn Books, 2013.
Call No: 411.1(45) GUNAuthor: Gundle, Stephen Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 2013PhysDes: xii, 320 pages : illustrations ; 24 cmSeries: Berghahn on film.Subject: FASCISM AND THE CINEMA. ITALY ; STAR SYSTEM ; DE SICA, VITTORIO ; NAZZARI, AMEDEO ; VALLI, ALIDA Summary: Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari and Alida Valli, are closely analysed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final shapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.-- [Extract taken from the back of the book.]Notes: Includes bibliographical references (pages 297-309) and indexISBN: 9781782382447Contents: Introduction -- Fascism, cinema and stardom. Italian cinema under fascism -- The creation of a star system -- Stars and commercial culture -- The public and the stars -- Italian stars of the Fascist Era. The national star: Isa Miranda -- The matine idol: Vittorio De Sica -- Everybody's fiance: Assia Noris -- The star as hero: Amedeo Nazzari -- The uniformed role model: Fosco Giachetti -- The photogenic beauty: Alida Valli -- The Duce's whim: Miria Di San Servolo -- The aftermath of stardom. Civil war, liberation and reconstruction -- Survival, memory and forgetting.
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journal article
My Brilliant Career in Empire (Australian Ed.) (March 2004) iss.36 p.99
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still
[My brilliant career : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photograph : b&w ; 13 x 18 cm.-21 x 26 cm ; 1 photograph : col. ; 21 x 26 cmSubject: DAVIS, JUDY ; NEILL, SAM ; KENNEDY, PATRICIA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) Summary: 1 colour photograph of Ptricia Kennedy holding a dog and 1 black and white photograph of Patricia with Sam Neill and Judy Davis and 1 black and white image of Judy Davis and Carole SkinnerNotes: 1 image donate by Brian McFarlane
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Mysteries of cinema : reflections on film theory, history and culture 1982-2016 / Adrian Martin Amsterdam: Amsterdam University Press,
Call No: 62(081) MARAuthor: Martin, Adrian Edition: 2018Place: AmsterdamPublisher: Amsterdam University PressPhysDes: 424 pages ; 24 cmSeries: film culture in transitionSubject: AVANT-GARDE FILMS ; CINEPHILIA ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; THEORY. AUSTRALIA ; FILM HISTORY ; AKERMAN, CHANTAL ; ALMODOVAR, PEDRO ; CASSAVETES, JOHN ; DE PALMA, BRIAN ; FULLER, SAMUEL ; GARREL, PHILIPPE ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; POLANSKI, ROMAN ; RESNAIS, ALAIN ; RUIZ, RAUL ; SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; COTTON CLUB, THE (US, Francis Ford Coppola, 1984) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; HATEFUL EIGHT, THE (US, Quentin Tarantino, 2015) ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) Summary: The essays of distinguished film critic Adrian Martin have long been difficult to access, so this anthology, which collects his work in one volume, will be welcomed throughout film studies. He offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. -- publisher's web siteISBN: 9789462986831Contents: PART I - LETTERS OF INTRODUCTION -- 1. Retying the Threads -- 2. The Path and the Passeur -- 3. That Summer Feeling
PART II – SCENOGRAPHIES -- 4. Scenes -- 5. Wishful Thinking -- 6. Entities and Energies -- 7. Entranced
PART III - A CINEPHILE IN AUSTRALIA -- 8. No Flowers for the Cinephile: The Fates of Cultural Populism
PART IV - THE LYRICAL IMPULSE -- 9. Refractory Characters, Shards of Time and Space -- 10. The Trouble with Fiction -- 11. Ball of Fire: The Mysteries -- 12. The Ever-Tested Limit: Cinematic Apparitions -- 13. Delirious Enchantment
PART V - GENRE GAMES -- 14. Mr Big: Gangsters and Power -- 15. Unlawful Entries: Anatomy of a Film Cycle -- 16. Lady, Beware: Paths of the Female Gothic -- 17. Live to Tell: Teen Movies Yesterday, Today and Tomorrow -- 18. In the Mood for (Something Like) Love -- 19. Shivers, Surprise and Discomfort: Sadism and Sublimation in Contemporary Cinema
PART VI – INTERVENTIONS -- 20. Making a Bad Script Worse: The Curse of the Scriptwriting Manual -- 21. The Offended Critic: Film Reviewing and Social Commentary -- 22. Wild Psychoanalysis of a Precarious, Unstable Reality
PART VII - ENVOI -- 23. No Direction Home: Creative Criticism -- 24. Farewells, Full Circles and Ellipses -- 25. My Back Pages -- 26. The File We Accompany, with Cristina lvarez Lopez
Notes -- Sources of Texts -- Index
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Myth & meaning : Australian film directors in their own words / Peter Malone Sydney: Currency Press, 2000.
Call No: 802.25(94) MALAuthor: Malone, Peter (Peter J.) Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2000PhysDes: 1 vSubject: DIRECTORS. AUSTRALIA ; ARMSTRONG, GILLIAN ; BERESFORD, BRUCE ; BURSTALL, TIM ; CROMBIE, DONALD ; DE HEER, ROLF ; HICKS, SCOTT ; MILLER, GEORGE ; NOYCE, PHIL ; PARSONS, NICHOLAS ; RUANE, JOHN ; SCHEPISI, FRED ; STORM, ESBEN ; TASS, NADIA ; THORNHILL, MICHAEL ; WALLACE, STEPHEN ; WINCER, SIMON Notes: Includes indexISBN: 0868196096 : $27.50LON: 21841061
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The name of this book is Dogme95 / Richard Kelly London: Faber, 2000.
Call No: 64DOG KELAuthor: Kelly, Richard Place: LondonPublisher: FaberPubDate: 2000PhysDes: ix, 230 p. : ill., ports. ; 22 cmSubject: DOGMA ; VON TRIER, LARS ; VINTERBERG, THOMAS ; KORINE, HARMONY ; KRAGH-JACOBSEN, SOREN ; LEVRING, KRISTIAN ; JENSEN, PETER AALBAEK ; SCHERFIG, LONE ; BREMNER, EWEN ; LOVERS (FR, Jean-Marc Barr, 1999) ; KING IS ALIVE, THE (DK, Kristian Levring, 2000) ; IDIOTERNE (DK, Lars Von Trier, 1998) ; FESTEN (DK, Thomas Vinterberg, 1998) ; MIFUNE (DK/SW, Soren Kragh-Jacobsen, 1999) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; DANISH FILM INSTITUTE WORKSHOP ISBN: 0571203329(pbk.) : No priceLON: 22099308
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New approaches to contemporary adaptation / edited by Betty Kaklamanidou Detroit, Michigan: Wayne State University Press, 2020.
Call No: 753 NEWAuthor: Kaklamanidou, Betty Edition: 2020Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2020PhysDes: xii, 238 pages : illustrated ; 24 cmSeries: contemporary approache to film and media seriesSubject: PORTUGAL ; [TWELVE] 12 YEARS A SLAVE (US/UK, Steve McQueen, 2013) ; DA VINCI CODE, THE (US, Ron Howard, 2006) ; WESTWORLD [TV] (US, 2016-) ; GREECE Summary: In New Approaches to Contemporary Adaptation, editor Betty Kaklamanidou defiantly claims that "all films are adaptations." The wide-ranging chapters included in this book highlight the growing and evolving relevance of the field of adaptation studies and its many branding subfields. Armed with a wealth of methodologies, theoretical concepts, and sophisticated paradigms of case-studies analyses of the past, these scholars expand the field to new and exciting realms.
With chapters on data, television, music, visuality, and transnationalism, this anthology aims to complement the literature of the field by asking answers to outstanding questions while proposing new ones: Whose stories have been adapted in the last few decades? Are films that are based on "true stories" simply adaptations of those real events? How do transnational adaptations differ from adaptations that target the same national audiences as the texts they adapt? What do long-running TV shows actually adapt when their source is a single book or novel? To attempt to answer these questions, New Approaches to Contemporary Adaptation is organized in three parts. Part 1, "External Influences on Adaptation," delves into matters surrounding film adaptations without primarily focusing on textual analysis of the final cinematic product. Part 2, "Millennial TV and Franchise Adaptations," demonstrates that the contemporary television landscape has become fruitful terrain for adaptation studies. Part 3, "ElasTEXTity and Adaptation," explores different thematic approaches to adaptation studies and how adaptation extends beyond traditional media. Spanning media and the globe, contributors complement their research with tools from sociology, psychoanalysis, gender studies, race studies, translation studies, and political science.
Kaklamanidou makes it clear that adaptation is vital to sharing important stories and mythologies, as well as passing knowledge to new generations. The aim of this anthology is to open up the field of adaptation studies by revisiting the object of analysis and proposing alternative ways of looking at it. Scholars of cultural, gender, film, literary, and adaptation studies will find this collection innovative and thought-provoking. -- publisher's web siteISBN: 9780814346259
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New Line's clock work with Proyas in Encore (12 Feb, 1999) vol.17 iss.2 p.14
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New vampire cinema / Ken Gelder London: British Film Institute ; Palgrave Macmillan, 2012.
Call No: 735.23 GELAuthor: Gelder, Ken Source: UKPlace: LondonPublisher: British Film Institute ; Palgrave MacmillanPubDate: 2012PhysDes: ix, 155 pages : illustrations ; 24 cmSubject: DRACULA IN FILMS ; HORROR FILMS ; REMAKES ; VAMPIRE FILMS ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008) ; LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008) ; LET ME IN (UK/US, Matt Reeves, 2010) ; NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004) ; DAY WATCH (RU, Timur Bekmambeton, 2006) ; DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006) ; IRMA VEP (FR, Oliver Assayas, 1996) ; VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; THIRST (SK, Park Chan-wook, 2009) ; BAKJWI (SK, Park Chan-wook, 2009) ; NADJA (US, Michael Almereyda, 1994) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; HABIT (US, Larry Fessenden, 1996) ; VAMPIRE IN BROOKLYN (US, Wes Craven, 1995) ; TWILIGHT (US, Catherine Hardwicke, 2008) ; ECLIPSE: TWILIGHT 3 (US, David Slade, 2010) ; CRONOS (MX, Guillermo del Toro, 1993) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; BLADE (US, Stephen Norrington, 1998) ; BLADE II (US, Guillermo Del Toro, 2002) ; BLADE: TRINITY (US, David S. Goyer, 2004) ; UNDERWORLD (US, Len Wiseman, 2003) ; UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005) ; PERFECT CREATURE (NZ/UK, Glenn Standring, 2006) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844574407
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Nicole Kidman / by Pam Cook London: Palgrave macmillan [on behalf of the] bfi, 2012.
Call No: 81KID COOAuthor: Cook, Pam Source: UKPlace: LondonPublisher: Palgrave macmillan [on behalf of the] bfiPubDate: 2012PhysDes: 148 p. : ill., ports. ; 19 cmSeries: Film stars (British Film Institute)Subject: ACTORS. AUSTRALIA ; AUSTRALIA ; KIDMAN, NICOLE ; DEAD CALM (AT, Phillip Noyce, 1989) ; TO DIE FOR (US, Gus Van Sant, 1995) ; EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999) ; HOURS, THE (US, Stephen Daldry, 2002) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) Summary: "Nicole Kidman is much more than a high-profile actress; she is a successful example of contemporary globalised stardom and a product of fundamental changes in the media industries over the last two decades. In this enthralling account of Kidman's career, Pam Cook traces her journey from Australian actress to global superstar, looking at her persona across a variety of forms: film and television, fashion, commercials, charity work and the internet.
Pam Cook's analysis of Kidman's performance in key films such as Dead Calm (1989), To Die For (1995), Eyes Wide Shut (1999) and The Hours (2002) reveals her development of an 'actorly' style that enables her to combine celebrity with award winning-roles. Cook explores the intricate media networks that circulate Kidman's image and story , assessing the contribution of her Australian identity to her personal brand, the Botox controversy, her recent move into production, and her cultural impact. This absorbing case study unveils a star narrative as compelling as any of those in Kidman's films. " -- BOOK BLURBNotes: Includes filmography; Includes bibliographic references (p. 137-140) and indexISBN: 9781844574889Contents: -- acknowledgments -- introduction -- 1: stardom -- 2: performance -- 3: persona -- notes -- bibliography -- filmography -- index --
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Nightmare movies : a critical history of the horror films, 1968-88 / Kim Newman London: Bloomsbury, 1988.
Call No: 735.2 NEWAuthor: Newman, Kim Edition: The new edPlace: LondonPublisher: BloomsburyPubDate: 1988PhysDes: xiii, 255 p. : ill. ; 25 cmSubject: CRITICISM ; HORROR FILMS ; ADAMSON, AL ; ANTONIONI, MICHELANGELO ; ALLEN, NANCY ; ARGENTO, DARIO ; BAVA, MARIO ; CAINE, MICHAEL ; CARPENTER, JOHN ; CARRADINE, JOHN ; COHEN, LARRY ; CRONENBERG, DAVID ; DE PALMA, BRIAN ; FULCI, LUCIO ; HARPER, JESSICA ; HITCHCOCK, ALFRED ; HOOPER, TOBE ; KING, STEPHEN ; LEE, CHRISTOPHER ; LEWIS, HERSCHELL GORDON ; LYNCH, RICHARD ; LUCAS, GEORGE ; Perkins, Anthony ; PLEASENCE, DONALD ; ROMERO, GEORGE ; WARHOL, ANDY ; WATERS, JOHN (US) ; ALIEN (UK, Ridley Scott, 1979) ; ALONE IN THE DARK (US, Jack Sholder, 1982) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) ; AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984) ; DAY OF THE WOMAN (US, Meir Zarchi, 1978) ; HALLOWEEN (US, John Carpenter, 1978) ; JAWS (US, Steven Spielberg, 1975) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; SHIVELS (CA, David Cronenberg, 1975) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THING, THE (US, John Carpenter, 1982) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88) ; THING, THE (US, John Carpenter, 1982) Notes: Includes bibliographical references (p. 216-217) and indexISBN: 0747502951
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DE NIRO, DRENA
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DE NIRO, ROBERT Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DE NIRO, ROBERT URL status: URL: 'http://file://Q:/P/DENIRO,_ROBERT.zip'
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De Niro signed for 'The Mission' in Australasian Cinema (Friday, 8-14/3/1985) vol.14 iss.4 p.8
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DE NISOF, ALEXIS
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Not quite Mad Max : Brian Trenchard-Smith's Dead end drive-in in Studies in Australasian cinema (2009) vol.3 iss.3 p.309-320
Author: Johinke, Rebecca PhysDes: ArticleSubject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) Summary: This article suggests that Dead End Drive-In (1986), Brian Trenchard-Smith's little-known Ozploitation film, deserves reconsideration from Australasian film scholars because it offers a valuable contribution to discussions about Australian masculinity, car culture, phobic narratives and the White Australia Policy. It is argued that the drive-in as detention centre foreshadows later Australian anxieties about immigration and border protection. Clearly a phobic narrative full of white panic (Morris, 1989, 1998), it exhibits many of the anxieties about Australians and auto-immobility that Catherine Simpson (2006) discusses, and fits neatly into Tranter's (2003) discussion of cars and governance and Bode's (2006a) arguments about whiteness and Australian masculinity in crisis. -- Abstract
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Notes on Bicycle Thieves in Montage (1966) iss.2 p.10
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Novel to film : an introduction to the theory of adaptation / Brian McFarlane Oxford New York: Clarendon Press Oxford University Press, 1996.
Call No: 753 MCFAuthor: McFarlane, Brian, 1934 Place: Oxford New YorkPublisher: Clarendon Press Oxford University PressPubDate: 1996PhysDes: viii, 279 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CAPE FEAR (US, Martin Scorsese, 1991) ; SCARLET LETTER, THE (US, Victor Sjostrom, 1926) ; RANDOM HARVEST (US, Mervyn LeRoy, 1942) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; DAISY MILLER (US, Peter Bogdanovich, 1974) Summary: "'It wasn't as good as the book' is a view often expressed about film adaptations and the starting point of many a film review or conversation. Novel to Film is the first systematic theoretical account of the process by which works of literature are transformed into the good, bad (sometimes ugly) but always distinctive medium of cinema. This book proposes a concise and carefully constructed account of how this metamorphosis may be analysed in depth. Drawing upon modern and literary film theory this book proposes a methodology for considering novels and the films made from them. In the first serious account of its kind, the book begins with a firm theoretical basis for a study of adaptation and then shows how this might be applied to five case studies representing a range of fiction and cinematic practice. The Scarlet Letter, Random Harvest, Great Expectations, Daisy Miller, and Cape Fear are the films, ranging from the silent era to the modern thriller. Uniquely wide ranging, this book provides an important new analysis of a much discussed but little understood topic.' [Taken from BOOK BLURB]Notes: Filmography: p. [262]-263; Includes bibliographical references (p. [264]-274) and indexISBN: 0198711514 (acid-free paper); 0198711506 (pbk. : acid-free paper)LON: 12096255
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OCI CIORNIE : (IT/UR, Nikita Mihalkov, 1987)
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Offscreen onscreen : the inside stories of 60 great films / Peter van Gelder London: Aurum, 1990.
Call No: 792(047.1) GELAuthor: Van Gelder, Peter Place: LondonPublisher: AurumPubDate: 1990PhysDes: 288 p. : ill. ; 24 cmSubject: FLYING HIGH II [ ; ANNIE HALL (US, Woody Allen, 1977) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BATMAN (US, Tim Burton, 1989) ; BEVERLY HILLS COP (US, Martin Brest, 1984) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CARRY ON CLEO (UK, Gerald Thomas, 1964) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; DAM BUSTERS, THE (UK, Michael Anderson, 1955) ; DIRTY HARRY (US, Don Siegel, 1971) ; DUCK SOUP (US, Leo McCarey, 1933) ; EASY RIDER (US, Dennis Hopper, 1969) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; EXORCIST, THE (US, William Friedkin, 1973) ; FANTASIA (US, Walt Disney, 1940) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; FRANKENSTEIN (US, James Whale, 1931) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; GENEVIEVE (UK, Henry Cornelius, 1953) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; GOLDFINGER (UK, Guy Hamilton, 1964) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GREASE (US, Randal Kleisner, 1978) ; HARD DAY'S NIGHT, A (UK, Richard Lester, 1964) ; HENRY V (UK, Laurence Olivier, 1944) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH SOCIETY (US, Charles Walters, 1956) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MALTESE FALCON, THE (US, John Huston, 1941) ; M*A*S*H (US, Robert Altman, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; ROAD TO MOROCCO (US, David Butler, 1942) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; STAGECOACH (US, John Ford, 1939) ; STAR WARS (US, George Lucas, 1977) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; TOOTSIE (US, Sydney Pollack, 1982) ; TOP HAT (US, Mark Sandrich, 1935) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmedLON: bnc85410161; 7335916
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DE OLIVEIRA, ZHANE
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[On my own : stills file] Ronin Films,
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Ondine: Ondine reviews in Interview (1969) vol.1 iss.2
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One crowded hour : Neil Davis, combat cameraman, 1934-1985 / Tim Bowden Sydney: Collins, 1988, c1987.
Call No: 81DAV BOWAuthor: Bowden, Tim, 1937 Place: SydneyPublisher: CollinsPubDate: 1988, c1987PhysDes: xi, 436 p., [16] p. of plates : ill., 1 map, ports. ; 20 cmSubject: Davis, Neil, 1934-1985 Notes: Previously published: Sydney : Collins, 1987; Includes indexISBN: 0732224187 (pbk.) : $14.95LON: anb73222418; 5785591
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Online movie pirates face fines in The Australian (08/04/2015) p.1
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Our children's TV tops the class in Video Age (August 1984) vol.3 iss.8 p.19
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Our First Million Words : Or How I Learned To Stop Apologising and Love Bellbird in Lumiere (July 1970) vol.1 iss.2 p.3-5, 7
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The Oxford handbook of the American musical / Edited by Raymond Knapp, Mitchell Morris, Stacy Wolf Oxford ; New York: Oxford University Press, 2011, 2013.
Call No: 751.1(73) OXFAuthor: Knapp, Raymond ; Morris, Mitchell ; Wolf, Stacy Edition: paperbackSource: US/UKPlace: Oxford ; New YorkPublisher: Oxford University PressPubDate: 2011, 2013PhysDes: x, 470 pages : illustrations ; 25 cmSubject: AUDIENCES ; AUTHORSHIP ; BLACK CINEMA. US ; BOX OFFICE. USA ; COMEDIES ; DANCE IN FILMS ; GENDER AND THE CINEMA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA ; IDENTITY IN FILMS ; IDEOLOGY IN FILMS ; MEDIA AND THE CINEMA ; MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSICALS. USA ; RACIAL ISSUES AND THE CINEMA ; THEATRE AND THE CINEMA ; ANDREWS, JULIE ; ASTAIRE, FRED ; BERLIN, IRVING ; FOSSE, BOB ; HAMMERSTEIN, OSCAR, II ; KERN, JEROME ; MERMAN, ETHEL ; ROBBINS, JEROME ; SONDHEIM, STEPHEN ; BLACK CROOK, THE (US, Robert G. Vignola, 1916) ; CABARET (US, Bob Fosse, 1972) ; CHICAGO (US, Rob Marshall, 2002) ; CHORUS LINE (US, Richard Attenborough, 1985) ; FIDDLER ON THE ROOF (US, Norman Jewison, 1971) ; GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955) ; GYPSY (US, Emile Ardolino, 1994) ; MY FAIR LADY (US, George Cukor, 1964) ; OKLAHOMA! (US, Fred Zinneman, 1955) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; SHOWBOAT (US, George Sidney, 1951) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; WEST SIDE STORY (US, Robert Wise, 1961) Summary: "The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today." - GOOGLE BOOKSNotes: Includes bibliographic references and indexISBN: 9780199987368Contents: Part I: Historiography. Narratives and values / Mitchell Morris -- Texts and authors / Jim Lovensheimer -- Musical styles and song conventions / Paul R. Laird -- Evolution of dance in the golden age of the American "book musical" / Liza Gennaro; Part II: Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis -- Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris -- Integration / Geoffrey Block -- After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman; Part III: Media. Theater / Tamsen Wolff -- The filmed musical / Raymond Knapp and Mitchell Morris -- The television musical / Robynn J. Stilwell -- The animated film musical / Susan Smith -- The evolution of the original cast album / George Reddick; Part IV: Identities. Race, ethnicity, performance / Todd Decker -- Gender and sexuality / Stacy Wolf -- The politics of region and nation in American musicals / Chase A. Bringardner -- Class and culture / David Savran; Part V: Performance. The institutional structure of the American musical theater / David Sanjek -- Orchestration and arrangement : creating the Broadway sound / Dominic Symonds -- Musical theater directors / Barbara Wallace Grossman -- Sets, costumes, lights, and spectacle / Virginia Anderson -- Acting / John M. Clum -- Singing / Mitchell Morris and Raymond Knapp -- Dance and choreography / Zachary A. Dorsey; Part VI: Audiences. Box office / Steven Adler -- Audiences and critics / Michelle Dvoskin -- Stars and fans / Holley Replogle-Wong -- Knowing your audience / Jennifer Chapman -- Performance, authenticity, and the reflexive idealism of the American musical / Raymond Knapp
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DE PALMA, BRIAN
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Pannonia films '82 in Hungarofilm Bulletin (1983) iss.1 p.29-34
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The Panther takes a plunge in Cinema Papers (Jul 1987) vol.64 p.66-67
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DE PARIS, ALEXANDRE
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DE PARTICULIER A PARTICULIER : (FR, Brice Cauvin, 2006)
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The passion and pain of a dream in Weekend Australian [Review] (15/04/2017) p.15
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Passion project jazzes up the life of a trumpet legend in Sunday Telegraph (12/06/2016) p.128
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Pat and Roald / by Barry Farrell London: Hutchinson, 1969.
Call No: 81NEA FARAuthor: Farrell, Barry Place: LondonPublisher: HutchinsonPubDate: 1969PhysDes: 241p. : ill., ports. ; 22 cm.Subject: NEAL, PATRICIA ; Dahl, Roald ISBN: 0091030307LON: qsl03397661; 8812904
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DE PAUW, JOSSE
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Personal visions : conversations with contemporary film directors / by Mario Falsetto Los Angeles: Silman-James, 2000.
Call No: 802.25 FALAuthor: Falsetto, Mario Edition: 1st ed.Source: USPlace: Los AngelesPublisher: Silman-JamesPubDate: 2000PhysDes: xviii, 529 p. ; 23 cmSubject: INDEPENDENT DIRECTORS ; STOPKEWICH, LYNNE ; RADFORD, MICHAEL ; HYTNER, NICHOLAS ; ALMEREYDA, MICHAEL ; CAMPION, ANNA ; DAVIES, TERENCE ; DICILLO, TOM ; EGOYAN, ATOM ; GORDON, KEITH ; JORDAN, NEIL ; LINKLATER, RICHARD ; MACLEAN, ALISON ; MCNAUGHTON, JOHN ; RIDLEY, PHILIP ; ROSS, BENJAMIN ; RUDOLPH, ALAN ; TOLKIN, MICHAEL Summary: A collection of interviews with seventeen contemporary independent filmmakers, who discuss their creative visions, careers, and the film industry.ISBN: 9781879505513Contents: -- Michael Almereyda -- Anna Campion -- Terence Davies -- Tom DiCillo -- Atom Egoyan -- Keith Gordon -- Nicholas Hytner -- Neil Jordan -- Richard Linklater -- Alison Maclean -- John McNaughton -- Michael Radford -- Philip Ridley -- Benjamin Ross -- Alan Rudolph -- Lynne Stopkewich -- Michael Tolkin
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Peter Lawford : the man who kept the secrets / James Spada New York: Bantam Books, 1992.
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[Phar lap : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 19 photographs : b&w ; 14 x 9 - 26 x 21 cmSubject: WOODCOCK, TOMMY ; BURLINSON, TOM ; VAUGHAN, MARTIN ; DE BURGH, CELIA ; MORRIS, JUDY ; MORGAN, RICHARD ; PHAR LAP (AT, Simon Wincer, 1983) Summary: 19 black and white photographs of scenes from the film and the director. Includes Lachlan McKinnon, Dave Davis, and Harry Telford.
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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The philosophy of tv noir / edited by Steven M. Sanders and Aeon J. Skoble Lexington, KN: University of Kentucky Press, c2008.
Call No: 734.1 PHIAuthor: Sanders, Steven M. ; Skoble, Aeon J. Place: Lexington, KNPublisher: University of Kentucky PressPubDate: c2008PhysDes: viiii, 272 p. ; 24 cmSeries: the philosophy of popular culureSubject: AESTHETICS ; ALIENS IN FILMS ; CHARACTERIZATION IN FILMS ; ETHICS AND TV ; FILM NOIR ; RELIGION AND TV ; CARTER, CHRIS ; FOUCAULT, MICHEL ; GREENE, GRAHAM ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-) ; DARK CITY (US, Alex Proyas, 1997) ; D.O.A. (US, Ruldolph Mate, 1950) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; FUGITIVE, THE (US, Andrew Davis, 1993) ; HE WALKS BY NIGHT (US, Alfred Werker, 1948) ; LEVIATHAN (US/IT, George Pan Cosmatos, 1989) ; NAKED CITY [TV] (US, 1958-1963) ; X-FILES, THE [TV] (US, 1993-) Summary: Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention." "With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 9780813124490Contents: Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked city: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland: noir themes in Secret agent / Sander Lee -- Action and integrity in The fugitive / Aeon J. Skoble -- Noir et blanc in color: existentialism and Miami vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carniva`le knowledge: give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness: autonomy and conspiracy in The X-files and Millennium / Michael Valdez Moses -- The prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt.
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A piece of the action : race and labor in post-civil rights Hollywood / Eithne Quinn New York: Columbia University Press, 2020.
Call No: 744.6(73) QUIAuthor: Quinn, Eithne Edition: 2020Place: New YorkPublisher: Columbia University PressPubDate: 2020PhysDes: x, 278 pages : illustrations ; 24cmSubject: RACIAL ISSUES AND THE CINEMA ; BLACK FILMMAKERS. US ; POITIER, SIDNEY ; DAVIS, OSSIE ; VAN PEEBLES, MELVIN ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) ; SUPER FLY (US, Gordon Parks Jr., 1972) ; BLUE COLLAR (US, Paul Schrader, 1978) Summary: Hollywood is often thought of—and certainly by Hollywood itself—as a progressive haven. However, in the decade after the passage of the Civil Rights Act, the film industry grew deeply conservative when it came to conflicts over racial justice. Amid black self-assertion and white backlash, many of the most heated struggles in film were fought over employment. In A Piece of the Action, Eithne Quinn reveals how Hollywood catalyzed wider racial politics, through representation on screen as well as in battles over jobs and resources behind the scenes.
Based on extensive archival research and detailed discussions of films like In the Heat of the Night, Sweet Sweetback’s Baadasssss Song, Super Fly, Claudine, and Blue Collar, this volume considers how issues of race and labor played out on the screen during the tumultuous early years of affirmative action. Quinn charts how black actors leveraged their performance capital to force meaningful changes to employment and film content. She examines the emergence of Sidney Poitier and other African Americans as A-list stars; the careers of black filmmakers such as Melvin Van Peebles and Ossie Davis; and attempts by the federal government and black advocacy groups to integrate cinema. Quinn also highlights the limits of Hollywood’s liberalism, showing how predominantly white filmmakers, executives, and unions hid the persistence of racism behind feel-good stories and public-relations avowals of tolerance. A rigorous analysis of the deeply rooted patterns of racial exclusion in American cinema, A Piece of the Action sheds light on why conservative and corporate responses to antiracist and labor activism remain pervasive in today’s Hollywood. -- publisher's web siteISBN: 9780231164375
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Piracy cases highlight film dilemma in Sydney Morning Herald [Business News] (11/04/2015) p.5
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Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; DAMON, MATT ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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Popcorn Venus / Marjorie Rosen New York: Avon, 1974, c1973.
Call No: 451-02 ROSAuthor: Rosen, Marjorie Place: New YorkPublisher: AvonPubDate: 1974, c1973PhysDes: 448 p. : ill. ; 18 cmSubject: WOMEN IN FILMS ; ACTORS ; ARZNER, DOROTHY ; BOW, CLARA ; Crawford, Joan ; DAVIS, BETTE ; DIETRICH, MARLENE ; GARBO, GRETA ; GISH, LILLIAN ; GRIFFITH, DAVID WARK ; HAYWORTH, RITA ; Lupino, Ida ; MONROE, MARILYN ; NEGRI, POLA ; PICKFORD, MARY ; WEST, MAE Notes: Includes index; Bibliography: p.412-424ISBN: 0380001772LON: 1231170
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Post Bob Hawke, pre Mad Max in Encore (10-23 Oct 1985) vol.3 iss.17 p.24-25
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A postillion struck by lightning / Dirk Bogarde St Albans: Triad, 1978.
Call No: 81BOG BOGAuthor: Bogarde, Dirk Source: UKPlace: St AlbansPublisher: TriadPubDate: 1978PhysDes: 302 p., [8] p. of plates : ill., ports. ; 18cmSubject: BOGARDE, DIRK ; SERVANT, THE (UK, Joseph Losey, 1963) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; VICTIM (UK, Basil Dearden, 1961) ; PROVIDENCE (FR, Alain Resnais, 1977) Summary: The book presents Dirk Bogard as a serious film actor, as well as a gifted writer, and artistNotes: Cinema films. Acting. Bogarde, Dirk, to ca 1960. Autobiographies (BNB/PRECIS); Originally published: London : Chatto and Windus, 1977; Includes indexISBN: 0586045694
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The president's ladies : Jane Wyman and Nancy Davis / Dick F. Bernard Jackson [Mississippi]: University Press of Mississippi, 2014.
Call No: 802.27 DICAuthor: Dick, Bernard F. Source: USPlace: Jackson [Mississippi]Publisher: University Press of MississippiPubDate: 2014PhysDes: viii, 278 pages : illustrations ; 23 cmSubject: WYMAN, JANE ; DAVIS, NANCY ; REAGAN RONALD ; ACTORS ; POLITICAL PERSONALITIES IN FILMS Summary: "Ronald Reagan, a former actor and one of America's most popular presidents, married not one but two Hollywood actresses. This book is three biographies in one, discovering fascinating connections among Jane Wyman (1917-2007), Ronald Reagan (1911-2004), and Nancy Davis (b. 1921). Jane Wyman, who married Reagan in 1940 and divorced him seven years later, knew an early life of privation. She gravitated to the movies and made her debut at fifteen as an unbilled member of the chorus, then toiled as an extra for four years until she finally received billing. She proved herself as a dramatic actress in The Lost Weekend, and the following year, she was nominated for an Oscar for The Yearling and soon won for her performance in Johnny Belinda, in which she did not speak a single line. Other Oscar nominations followed, along with a Golden Globe for her portrayal of Angela Channing in Falcon Crest.Conversely, Nancy Davis led a relatively charmed life, the daughter of an actress and the stepdaughter of a neurosurgeon. Surrounded by her mother's friends--Walter Huston, Spencer Tracy, Katharine Hepburn, Lillian Gish, and Alla Nazimova, her godmother--Davis started in the theater, then moved on to Hollywood, where she enjoyed modest success, and finally began working in television. When she married Reagan in 1952, she unwittingly married into politics, eventually leaving acting to concentrate on being the wife of the governor of California, and then the wife of the president of the United States. In her way, Davis played her greatest role as Reagan's friend, confidante, and adviser in life and in politics. This book considers three actors who left an indelible mark on both popular and political culture for more than fifty years." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781617039805Donation: donated by Senses of Cinema, 2014Contents: 1.The Abandoned Child -- 2.The Name below the Title -- 3.Jane and Ronnie -- 4.Slouching toward Stardom -- 5.Reaganless for the Duration---and Beyond -- 6.Angel in the Wings -- 7.Highs and Lows -- 8.Going for the Gold -- 9.Frontier Gal -- 10.Strange Interlude -- 11.And the Winner Is -- 12.The Non-Marrying Kind -- 13.These Three -- 14.The Rest---and Best---of Reagan -- 15.Stars in Her Eyes -- 16.Twinkie, Twinkle, Little Starlet -- 17.Nancy at Tiffany's -- 18.The Empress of Ice Cream -- 19.Post-Oscar Blues -- 20.The Last Picture Shows -- 21.A Cathedral and a Conversion -- 22.Zinging with Bing -- 23.Glass Animals and Blue Veils, Cabbages and Couture -- 24.Addio del passato -- 25.I Do, I Don't, I Do, I Don't -- 26.The Actress and the Octopus -- 27.The Actress and the Auteur -- 28.The Beginning of the End -- 29.Worlds Elsewhere -- 30.From the Hearth to the Vineyards -- 31.Unholy Families
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Press play in Sydney Morning Herald [The Shortlist] (15/05/2015) p.1
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. SYDNEYAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014] ; FESTIVALS. SYDNEY ; RUBEN GUTHRIE (AT, Brendan Cowell, 2015) ; HOLDING THE MAN (AT, Neil Armfield, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) Summary: Report on Australian features showing at the Sydney Film Festival, with a focus on four adaptations of plays that have been adapted for the cinema screenNotes: located in the FESTIVALS. SYDNEY. 2015-2019 file
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Primary producer in The Saturday Paper (19/03/2016) p.18
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Private cash comes to 'Dead End' in Encore (Jan 28, 1998) vol.15 iss.21 p.5
Author: Mauric, Adriana PhysDes: Production report; CreditsSubject: DEAD END (AT, Iren Koster, 1999) Summary: Melbourne investors have bankrolled the more than a million dollar 35mm "Dead End", described as a "contemporary Hitchcock-ian thriller."
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Private screenings : television and the female consumer / Lynn Spigel and Denise Mann, editors Minneapolis: University of Minnesota Press, 1992.
Call No: 722-02 PRIAuthor: Spigel, Lynn ; Mann, Denise Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1992PhysDes: xiii, 293 p. : ill. ; 24 cmSeries: Camera obscura bookSubject: WOMEN AND TV ; WOMEN, PROGRAMMES FOR ; CONSUMERS AND TV ; SITUATION COMEDY ; POSTMODERNISM AND TV/VIDEO ; MELODRAMA ; SOAP OPERAS ; ETHNIC GROUPS ON TV ; FAMILY ON TV ; MARRIAGE ON TV ; STARS ; ETHNIC GROUPS ON TV ; CLASS AND TV ; FEMINISM AND TV ; TELEVISION AND THE CINEMA ; HOMOSEXUALITY ON TV ; GENDER AND TV ; GLESS, SHARON ; FOSTER, MEG ; DALY, TYNE ; CARROLL, DIAHANN ; KANTNER, HAL ; RAYE, MARTHA ; MARTHA RAYE SHOW, THE [TV] (US, 195?-55) ; JULIA [TV] (US, 1968-71) ; CAGNEY AND LACY [TV] (US, 1982-88) ; KATE AND ALLIE [TV] (US, 1984-88) ; GENERAL HOSPITAL [TV] (US, 1963-) ; GOLDBERGS, THE [TV] (1949-55?) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and indexISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)LON: 91040919; 8544849
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Producers' News in News (Jugoslavija film) (March 1980) iss.129 p.3
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Projections 2 : a forum for film-makers / edited by John Boorman and Walter Donohue London: Faber and Faber, 1993.
Call No: 802 PRO v.2Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1993PhysDes: ix, 380 p. : ill. ; 24 cmSubject: MILLER, GEORGE ; VAN SANT, GUS ; LOWENSTEIN, RICHARD ; ALTMAN, ROBERT ; ROUSSELOT, PHILIPPE ; MACLEAN, ALISON ; JARMAN, DEREK ; DAFOE, WILLEM ; GILLIAT, SIDNEY ; ROBBINS, TIM ; TAVERNIER, BERTRAND ; DORMAEL, JACO VAN ; MOORHOUSE, JOCELYN ; WARD, VINCENT ; ROEG, NICOLAS ; BOB ROBERTS (US, Tim Robbins, 1992) Notes: Cover title: Projections; Includes filmography: p 379-380ISBN: 0571168280 (pbk.) : $24.95LON: abn93202273; 10101541
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Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
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Projections 5 : Film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1996.
Call No: 802 PRO v.5Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: viii, 312 p. : ill. ; 24 cmSubject: CURTIS, JAMIE LEE ; DE PALMA, BRIAN ; Tarantino, Quentin ; Stewart, James ; VACHON, CHRISTINE ; CURTIS, TONY ; HARRYHAUSEN, RAY ; PARK, NICK ; SELICK, HENRY ; WELLMAN, WILLIAM ; MALLE, LOUIS ; STAREVITCH, LADISLAS ; PUMMELL, SIMON ; ANNAUD, JEAN-JACQUES ; ZINNEMANN, FRED ; HAYNES, TODD ; MOORE, JULIEANNE ; WINGS (US, William Wellmann, 1927) ; SAFE (US, Todd Haynes, 1995) ; BEYOND RANGOON (US, John Boorman, 1995) Notes: Includes filmographyISBN: 0571178111 (pbk.)LON: abn96281398; 12597197
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Projections 6 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1996.
Call No: 802 PRO v.6Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: 346 p. : ill., ports. ; 24 cmSubject: DICILLO, TOM ; KIESLOWSKI, KRZYSZTOF ; HAWKS, HOWARD ; VERTOV, DZIGA ; BOORMAN, JOHN ; FIGGIS, MIKE ; BENDER, LAWRENCE ; COPPOLA, ELEANOR ; DONEN, STANLEY ; IMAMURA, SHOHEI ; TOWNE, ROBERT ; COEN, JOEL & ETHAN ; MURCH, WALTER ; DAVIES, TERENCE ; MARTIN, STEVE ; MACKINNON, GILLIES ; BROWN, KARL ; YOUNG, FREDDIE ; KELBER, MICHEL ; STORARO, VITTORIO ; EDWARDS, ERIC ALAN ; CECCHI D'AMICO, SUSO ; KIDS (US, Larry Clark, 1995) ; BOX OF MOONLIGHT (US, Tom DiCillo, 1996) ISBN: 0571178537(pbk)LON: abn96395771; 12885714
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Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997.
Call No: 802 PRO v.7Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber & FaberPubDate: 1997PhysDes: x, 301 p. : ill., ports. ; 24 cmSubject: SCORSESE, MARTIN ; CAPRA, FRANK ; BARRON, BEBE ; DORMAEL, JACO VAN ; SCHOONMAKER, THELMA ; DE NIRO, ROBERT ; FORD, JOHN ; ROCHA, GLAUBER ; BERTOLUCCI, BERNARDO ; RENOIR, JEAN ; OPHULS, MAX ; MASTROIANNI, MARCELLO ; FERRARA, ABEL ; ASSAYAS, OLIVIER ; CURTIS, JAMIE LEE ; LEIGH, JANET ; BURNS, LILLIAN ; GIRARDOT, HIPPOLYTE ; MCDORMAND, FRANCES ; MITCHUM, ROBERT ; HODGSON, PIERRE ; COX, BRIAN ; CARON, LESLIE ; SYMS, SYLVIA ; WRIGHT, TERESA ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; Tarantino, Quentin ; WALSH, RAOUL ; HUSTON, JOHN ; MCCAREY, LEO ; Lupino, Ida ; CASSAVETES, JOHN ; WELLES, ORSON ; HITCHCOCK, ALFRED ; WOO, JOHN [pseud. of Wu Yusen] ; DAFOE, WILLEM ; SIRK, DOUGLAS ; ALMEREYDA, MICHAEL ; BOORMAN, JOHN ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; CASINO (US, Martin Scorsese, 1995) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MANHUNTER (US, Michael Mann, 1986) ; L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962) ; VICTIM (UK, Basil Dearden, 1961) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; CAHIERS DU CINEMA Notes: Filmography: p. 300-301ISBN: 0571190332LON: abn97280608; 13386768
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Projections 15 : European cinema / edited by Peter Cowie and Pascal Edelmann London: Faber and Faber, 2007.
Call No: 802 PRO v.15Author: Cowie, Peter; Edelmann, Pascal Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2007PhysDes: xxxii, 356 pages : illustrations ; 21 cmSubject: DOGMA ; EUROPEAN CINEMA ; FILMMAKING ; FILM STUDY AND RESEARCH ; HOMOSEXUALITY AND THE CINEMA ; INDEPENDENT FILMS ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; ALMODOVAR, PEDRO ; ANGELOPOULOS, THEO ; BARDEM, JAVIER ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; CANTET, LAURENT ; DARDENNE, JEAN-PIERRE & LUC ; HOLLAND, AGNIESZKA ; JACOB, IRENE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; MOREAU, JEANNE ; DE OLIVEIRA, MANOEL ; OZON, FRANCOIS ; RIKLIS, ERAN ; STORARO, VITTORIO ; STEEN, PAPRIKA ; SZABO, ISTVAN ; TANOVIC, DANIS ; THOMAS, JEREMY ; ULLMANN, LIV ; Wenders, Wim ; WINTERBOTTOM, MICHAEL ; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997) Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurbNotes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film AcademyISBN: 9780571235292Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA
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Queensland to have $15m film studio in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
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Rape or Romance in Filmviews (1987) iss.spring 133 p.22-24
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DE RAVIN, EMILIE
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Reality or illusion? : pre-millennial anxieties and the hero myth in Dark City, The Truman Show and The Matrix / A thesis presented by Fincina Hopgood Melbourne: University of Melbourne, 2000.
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Recent releases in Cinema d'oggi (8 Feb 1984) vol.XVIII iss.3 p.12
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Red planet's Robinson Crusoe in Sydney Morning Herald [Spectrum] (3/10/2015) p.15
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Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
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A reel deal for cultural change in The Australian (5/04/2017) p.14
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