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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWLEN, KATHY
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOX, JOHN
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BROCK, PETER
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in Velvet Light Trap (Fall 2005) iss.56
Call No: DVD RESEARCH FOLDERSubject: DVD ; DVD, FILMS ON ; HOME EQUIPMENT ; HOME EXHIBITION ; PRESERVATION OF FILMS ; CRITERION COLLECTION ; MANGA ; BROOKER, WILL ; AROSTEGUY, SUSAN ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) ; FIGHT CLUB (US, David Fincher, 1999) Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.
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in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Rating of films at the box-office, two weeks ending Thursday, 31/10/1974, for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle.
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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10
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blinky bill the movie in production
in Sunday Herald Sun [Arts & entertainment] (20 Sep 15) p.89
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$1m boon for writers in Sunday Telegraph (07/08/2016) p.108
Call No: PERSONALITY CLIPPINGS FILE; BRENNAN, SHANEAuthor: Byrnes, Holly PhysDes: Clippings File ArticleSubject: SCRIPTED INK ; BRENNAN, SHANE Summary: Report that successful Australian (and US based) screenwriter Shane Brennan is to create a $1m a year philanthropic fund for Australian screenwriters with colleague Tim Pye. Brennan's career included show running hit TV show NCIS and creating NCIS: LOS ANGELES
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3-d effects taken to the people in Australasian Cinema (18/6/1982) vol.11 iss.10 p.8
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3 exceptional films released GUO/FD in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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10 9 8 7 6 5.... in Video Age (April 1985) vol.4 iss.4 p.12-13
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11 down, 5 to go with features distribution in Australian Film Review (18th-31st August 1983) vol.1 iss.14 p.9
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20 years from the waist up : tales of a TV news anchor / by Richard Morecroft Sydney: HarperCollins, 2002.
Call No: 81MOR MORAuthor: Morecroft, Richard Source: ATPlace: SydneyPublisher: HarperCollinsPubDate: 2002PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cmSubject: AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; MORECROFT, RICHARD Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift...
Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations.
... and what does he wear under the newsdesk?" -- BOOK BLURBISBN: 0732275105Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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78Britannia Mews in Film Index iss.28
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100 Anime / Brophy, Philip London: British Film Institute, 2005.
Call No: 772 (52) BROAuthor: Brophy Philip CorpAuthor: BFIPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 17 cm; 262 ppSeries: BFI Screen GuidesSubject: NEON GENESIS EVANGELION (JA, 199?) ; AKIRA (JA, Katsuhiro Otomo, 1989) ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; STEAMBOY (JA, Katsuhiro Otomo, 2004) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; JAPAN ; ANIMATION ; MANGA Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]ISBN: 1844570843
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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2007 Heroes of the year : Emma Booth in Empire (Australian Ed.) (February 2008) iss.83 p.96
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120,000 admissions in 5 days for 'Breathless' in France in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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"A hero for our times" : Foreign Correspondent, Hero, and The Bonfire of the Vanities in Hitchcock annual (1995-96) p.3-22
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The A to Z of Australian Radio and Television / by Albert Moran and Chris Keating Lanham, MD: Scarecrow Press, c2007. Available at ProQuest (RMIT login required)
Call No: REFERENCE SECTION; 03 KEAAuthor: Keating, Chris ; Moran, Albert Place: Lanham, MDPublisher: Scarecrow PressPubDate: c2007PhysDes: xlii, 505 p. ; 22 cm.Series: A to Z guide seriesSubject: BROADCASTING ; BROADCASTING. AUSTRALIA Summary: " The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations. " BOOK BLURBNotes: Originally published in 2007 as Historical dictionary of Australian radio and television.; Includes bibliographical references (p. 399-504)ISBN: 9780810868564Contents: -- editors foreword: Jon Woronoff -- preface -- reader's note -- acronyms and abbreviations -- chronology -- introduction -- the dictionary -- bibliography -- about the authors --URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=467209'
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The ABA's general approach to planning / Australian Broadcasting Authority [Australia]: Australian Broadcasting Authority, March 1998.
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The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981.
Call No: 19ABC ABCAuthor: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting CommissionSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1981PhysDes: 3 v.Subject: STATE AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING CORPORATION ; HISTORY OF TV. AUSTRALIA ; MEDIA AUSTRALIA ; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) --Donation: donated by M. S. CounihanContents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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ABC sinks controvesial dolphin show in The Australian [Media] (11/05/2015) p.23
Call No: TITLE CLIPPINGS FILE; BLUE ZOO [TV] (AT, 2014)Author: King, Simon PhysDes: Clippings File ArticleSubject: BLUE ZOO [TV] (AT, 2014) Summary: Second series of Blue Zoo cancelled
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Academy : the journal of the British Academy of Film & Television Arts London: 2000-.
Call No: held no.1- February 2000-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film & Television ArtsSource: UKPlace: LondonPubDate: 2000-Subject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Missing Issues: Issue 3 June 2000, also Issue 9 June 2001Order Notes: current
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Accent on origins for Weaver : Chameleonic star Jacki Weaver's latest film - a comedy about euthanasia - brought a welcome return to home soil in The Age [Spectrum] (1/08/2015) p.10
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005.
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Actor breaking the mould in Saturday Age [Careers] (23/01/2016) p.15
Call No: PERSONALITY CLIPPINGS FILE; BIRD MATHESON, GEMMAAuthor: Dondio, Karen PhysDes: Clippings File ArticleSubject: BIRD MATHESON, GEMMA Summary: Profile of Australian based actor Gemma Bird Mathieson and her thoughts on her career and opportunities working in Australia's media industries
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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014.
Call No: 753.1(73) SLEAuthor: Slethaug, Gordon E. Source: USPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: vi, 275 p. : ill. ; 23 cm.Subject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CRITICISM ; USA ; THEORY ; POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA. USA ; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993) ; SHORT CUTS (US, Robert Altman, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; SMOKE (US, Wayne Wang, 1995) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) ; SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURBNotes: Includes bibliographical references (p. [255]-269) and indexISBN: 9781623564407Donation: Senses of CinemaContents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adapting Australian film : Ray Lawrence from Bliss to Jindabyne in Studies in Australasian cinema (2009) vol.3 iss.3 p.295-308
Author: Rayner, Jonathan PhysDes: ArticleSubject: ADAPTATIONS. AUSTRALIA ; LAWRENCE, RAY ; BLISS (AT, Ray Lawrence, 1985) ; LANTANA (AT, Ray Lawrence, 2001) ; JINDABYNE (AT, Ray Lawrence, 2005) Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract
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Additional dialogue : letters of Dalton Trumbo 1942- 1962 / Helen Manfull (editor) Toronto: Bantam Books, 1972.
Call No: 81TRU MANAuthor: Trumbo, Dalton Source: CNPlace: TorontoPublisher: Bantam BooksPubDate: 1972PhysDes: 620 p. ; 18cmSubject: TRUMBO, DALTON ; GUY NAMED JOE, A (US, Victor Fleming, 1943) ; EXODUS (US, Otto Preminger, 1960) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; SPARTACUS (US, Stanley Kubrick, 1960) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971) Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]Notes: Includes indexISBN: 55306951195
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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Adriano Celentano starts "Bingo-Bongo" in September in Foreign Sales (Jul-Aug 1982) vol.7-8 p.2
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Adventures in the b-movie trade / Brian Trenchard-Smith [USA]:
Call No: 81 TRE TREAuthor: Trenchard-Smith, Brian Edition: 2020Place: [USA]PhysDes: 580 pages : illustrated ; 26 cmSubject: TRENCHARD-SMITH, BRIAN ; PAGE, GRANT ; LEE, BRUCE ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976) ; STUNT ROCK (NE, Brian Trenchard-Smith, 1978) ; BMX BANDITS (AT, Brian Trenchard-Smith, 1983) ; FROG DREAMING (AT, Brian Trenchard-Smith, 1985) ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurbISBN: 9798985674705
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6
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Affaire Blum (1948) in Australian film guide vol.1 iss.12 p.44
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African American actresses : the struggle for visibility, 1900 - 1960 / Charlene Regester Bloomington: Indiana University Press, c2010.
Call No: 802.27(73)-054(=96) REGAuthor: Regester, Charlene Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2010PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cmSubject: BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; MADAME SUL-TE-WAN ; BEAVERS, LOUISE ; MCKINNEY, NINA MAE ; WASHINGTON, FREDI ; MCDANIEL, HATTIE ; HORNE, LENA ; SCOTT, HAZEL ; WATERS, ETHEL ; DANDRIDGE, DOROTHY ISBN: 9780253221926Donation: donated by Senses of Cinema, 2013Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion
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African camera : an introduction to African cinema / Australian Film Institute Sydney: Australian Film Institute,
Call No: 71 (6) AFRAuthor: Australian Film Institute Place: SydneyPublisher: Australian Film InstitutePhysDes: 32 unnumbered pages : illustrations ; 21 cmSubject: VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINYE (ML, Souleymane Cisse, 1982) ; NYMANTON (ML, Cheik Omar Sissoko, 1986) ; HARVEST: 3000 YEARS (ET, Haile Gerima, 1976) ; AFRICAN CAMERA (TI, Ferid Boughedir, 1983) ; WEST INDIES STORY (MU, Med Hondo, 1979) ; VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987) ; TOUKI BOUKI (SG, Djibril Diop Mambety, 1973) ; KADDU BEYKAT (SG, Safi Faye, 1975) ; BOPHA (US/SA, Daniel Riesenfeld, 1986) ; SONG OF THE SPEAR (UK, 1985) ; ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985) ; MANDELA (US, Peter Davis, 1986) ; CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987) ; SAMBIZANGA (AL, Sarah Maldoror, 1972) ; MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968) ; AFRICA ; AFRICA IN FILMS ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS Notes: Title from cover.
"This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2.
Includes bibliographical references (page 31)
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The age of uncertainty in Weekend Australian [Review] (16/05/2015) p.3
Call No: TITLE CLIPPINGS FILE; CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014) ; BINOCHE, JULIETTE ; ASSAYAS, OLIVIER ; STEWART, KRISTEN Summary: Interview with Olivier Assayas about his film Clouds of Sils Maria and the performances of the two main actresses, French superstar Juliette Binoche, and Kristen Stewart (of Twilight fame).
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Agency to assist scriptwriters in The Australian (31/08/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; SCRIPTED INKAuthor: Ritchie, Emily PhysDes: Clippings File ArticleSubject: SCRIPTED INK ; AUSTRALIAN WRITERS GUILD ; BRENNAN, SHANE Summary: Some information about the newly formed Scripted Ink, an organisation to assist with Australian film and tv script development. The funding by Australian writer Shane Brennan has been instrumental for setting the organisation up with the Australian Writers Guild. The three scripts to receive development fudning are CATGOD, THE PEACMAKER, and BLACK CREEK
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018.
Call No: 81VAR DERAuthor: DeRoo, Rebecca J. Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: c2018PhysDes: x, 238 pages : illustrations ; 23 cmSubject: FILM ; CRITICISM ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; NOUVELLE VAGUE ; MOVEMENTS AND STYLES IN FILM HISTORY ; FRANCE ; VARDA, AGNES ; POINTE COURTE, LA (FR, Agnes Varda, 1954) ; BONHEUR, LE (FR, Agnes Varda, 1965) ; ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977) ; DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVERNotes: Includes bibliographical references and index; Also issued onlineISBN: 9780520279414Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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AIMC looks for AWOL audiences in Encore (Online) (Sept 26, 2005)
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The airways belong to you? in Lumiere (March-April, 1972) iss.14 p.28-29
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Alfred Hitchcock and the making of Psycho / Stephen Rebello London: Mandarin, 1992.
Call No: 79 PSY REBAuthor: Rebello, Stephen Place: LondonPublisher: MandarinPubDate: 1992PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.Subject: BLOCH, ROBERT ; HITCHCOCK, ALFRED ; BASS, SAUL ; STEFANO, JOEY ; HERRMANN, BERNARD ; MILES, VERA ; PSYCHO (US, Alfred Hitchcock, 1960) ; DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955) Notes: Originally published: London : Boyars, 1990.
Bibliography: p. 207-211. Includes index.ISBN: 0749309709Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath
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Alien has a successful landing in The Age [Arts & Entertainment] (18/05/2017) p.28
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Alien zone : cultural theory and contemporary science fiction cinema / edited by Annette Kuhn London New York: Verso, 1990.
Call No: 735.1 KUHAuthor: Kuhn, Annette Source: UK/USPlace: London New YorkPublisher: VersoPubDate: 1990PhysDes: viii, 231 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEX IN FILMS ; TECHNOLOGY IN FILMS ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes bibliographical references (p. 229-231)ISBN: 0860912787; 0860919935 (pbk.)LON: 6923144Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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Alive and well in Sunday Herald Sun [TV Guide] (10/09/2017) p.1
Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)Author: Vickery, Colin PhysDes: Clippings File ArticleSubject: BOOTH, EMMA ; GLITCH [TV](AT, 2015-) Summary: Interview with GLITCH actor Emma Booth about her career and her role in the TV series
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All at sea in Weekend Australian [Review] (4/4/2015) p.12
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'All of Me' tops US box-office in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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All the burning bridges : a memoir / Steve Bisley Richmond, Victoria: Echo, a division of Bonnier Publishing Australia, 2017.
Call No: 81 BIS BISAuthor: Bisley, Steve Source: ATPlace: Richmond, VictoriaPublisher: Echo, a division of Bonnier Publishing AustraliaPubDate: 2017PhysDes: 247 pages ; 21 cmSubject: BISLEY, STEVE ; GIBSON, MEL ; DAVIS, JUDY ; MAD MAX (AT, George Miller, 1979) ; WATER RATS [TV] (AT, Hal McElroy, 1996) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; DOCTOR DOCTOR [TV] (AT, 2016) Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.ISBN: 9781760400842
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All the grunt but no easy way to be home in Australian Financial Review (16/03/2007) p.8
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: BLU-RAY Summary: On the pros and cons of the PS3. Perhaps what is interesting is that this reviewer believes that the PS3 could become a great media centre one day due to PS3 allowing software to be able to be used to alter its operating system but it is far from it now.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Xbox Mod Chipped; -- Playstation 3
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Allegories of cinema : American film in the sixties / David E. James Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAMAuthor: James, David E., 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1989PhysDes: xiii, 388 p. : ill. ; 26 cmSubject: UNDERGROUND FILMS ; POLITICAL FILMS ; BLACK POWER FILMS ; WOMEN AND THE CINEMA ; ART CINEMA. USA ; VIETNAM WAR FILMS ; BRAKHAGE, STAN ; ANGER, KENNETH ; WARHOL, ANDY ; MEKAS, JONAS ; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)LON: 5820741Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --
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Along film row in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.21-22
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Along film row in Australasian Cinema (24/6/1983) vol.12 iss.11 p.5-7
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11
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Along Film Row in Australasian Cinema (28/5/1982) vol.11 iss.9 p.8-9
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Along Film Row in Australasian Cinema (30//4/1982) vol.11 iss.7 p.7
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Along Film Row in Australasian Cinema (16/4/1982) vol.11 iss.6 p.10
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Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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Alvin Purple / Catharine Lumby Strawberry Hills, NSW: Currency Press ., 2008.
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[Alvin purple : Graeme Blundell as Alvin Purple sitting naked in an office while another man talks to him] [1973?].
Call No: TITLE STILL AUSTRALIASource: ATPubDate: [1973?]PhysDes: 1 photograph : b&w ; 19 x 25 cm.Subject: ALVIN PURPLE (AT, Tim Burstall, 1973) ; BLUNDELL, GRAEME Summary: Graeme Blundell sits reclined at a desk wearing nothing but socks and sneakers. He looks to his left at a man who is fully dressed and standing at the desk that he is reclining behind.Notes: Moderate surface damage to photograph; Pencil annotations to reverse of photograph; Red adhesive sticker on reverse of photograph; Pin holes on corners of photograph
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[Alvin rides again : stills file]
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Ambiguous films : Le Boucher and Freaks in Film/Psych R (Summer-Fall 1980) vol.4 iss.2 p.196-206
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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American screenwriters / [introduction and commentary by] Karl Schanzer & Thomas Lee Wright New York: Avon Books, c1993.
Call No: 802.24(73) SCHAuthor: Wright, Thomas Lee, 1953 ; Schanzer, Karl Place: New YorkPublisher: Avon BooksPubDate: c1993PhysDes: xii, 274 p. ; 22 cmSubject: SCRIPTWRITERS. USA ; PRODUCTION DEALS ; VALDEZ, LUIS ; BLACK, SHANE ; CAMERON, JAMES ; PRICE, RICHARD ; RUBIN, BRUCE JOEL ; KHOURI, CALLIE ; ROBINSON, PHIL ALDEN ; SINGLETON, JOHN ; DIXON, LESLIE ; THOMPSON, CAROLINE ; KAZAN, NICHOLAS ; ESZTERHAS, JOE ; RASCOE, JUDITH ; GANZ, LOWELL ; MANDEL, BABALOO ; RICKMAN, THOMAS ; BASS, RON ISBN: 0380767279 : $12.00 ($14.00 Can.)LON: 9905548 9905548
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American silent film / William K. Everson New York: Oxford University Press, 1978.
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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The American vein : directors and directions in television / Christopher Wicking and Tise Vahimagi London: Talisman Books, 1979.
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The American West in film : critical approaches to the Western / Jon Tuska Lincoln: University of Nebraska Press, 1988.
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The American West on film : myth and reality / Richard A. Maynard Rochelle Park, NJ: Hayden Book Company, 1974.
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Ana Kokkinos : an oeuvre of outsiders / Kelly McWilliam Edinburgh: Edinburgh University Press, 2020.
Call No: 81 KOK MCWAuthor: McWilliam, Kelly Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: 130 pages : illustrations ; 22 cmSeries: Visionaries: thinking through female filmmakersSubject: KOKKINOS, ANA ; ONLY THE BRAVE (AT, Ana Kokkinos, 1994) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BOOK OF REVELATION (AT, Ana Kokkinos, 2005) ; BLESSED (AT, Ana Kokkinos, 2009) ; WOMEN FILMMAKERS ; WOMEN FILMMAKERS. AUSTRALIA Summary: "Ana Kokkinos is an Australian screenwriter, producer and director who has worked in film and television for almost thirty years. Best known for her fictional films - Antamosi, Only the Brave, Head On, The Book of Revelation and Blessed - her work is often bold and confrontational in its exploration of the alienation, estrangement and visceral distresses of those outside the mainstream. In the first major study of the director, Ana Kokkinos: An Oeuvre of Outsiders offers new readings of and across her fictional oeuvre by broadly tracing the deployment of the outsider as an organising motif." - taken from back cover.Notes: Includes bibliographical references and index.
Bibliography: (pages 112-125)
Filmography: (pages 126-127)ISBN: 9781474431071Contents: Introduction: Ana Kokkinos -- 1. Antamosi and Only the Brave: the early films -- 2. Head On: centring the other -- 3. The Book of Revelation: othering the centre With Sharon Bickle -- 4. Blessed: an ensemble of outsiders -- Conclusion: an oeuvre of outsiders - an Australian auteur? -- Bibliography -- Filmography -- Index.
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Analysis of the performance of Australian films since 1980 : a paper for the House of Representatives Standing Committee on Environment, Recreation and the Arts Inquiry into the performance of Australian film -"The Moving Pictures Enquiry" / Australian Film Commission [North Sydney]: The Commission, 1991.
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998.
Call No: 62 DICAuthor: Dick, Bernard F Edition: Third editionSource: US/UKPlace: New York -- HampshirePublisher: St Martins Press -- Macmillan PressPubDate: 1998PhysDes: xv, 302 pages : illustrations ; 23 cmSubject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965) ; ALLEN, WOODY ; BOGART, HUMPHREY ; CAPRA, FRANK ; CITIZEN KANE (US, Orson Welles, 1941) ; HITCHCOCK, ALFRED ; PSYCHO (US, Alfred Hitchcock, 1960) ; WELLES, ORSON ; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back coverNotes: Previous ed.: 1990 -- Includes bibliographical references and indexISBN: 0312153996Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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journal article
An anatomy of light : corporeality and identity in animation in Metro (2000) iss.121/122 p.31-36
Author: Black, Daniel PhysDes: Article; Bibliography; Illustration(s)Subject: ANIMATION ; BODY IN FILMS Summary: Animation is explored in relation to its preoccuption with the body's surface and external form.
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journal article
Angela Punch McGregor tries her hand overseas : Brealey hurries home in Australian film review (24th May-6th June 1984) vol.2 iss.7 p.22
Author: Schwartz, Eric PhysDes: ArticleSubject: MCGREGOR, ANGELA PUNCH ; BREALEY, GIL ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved withNotes: "Annie's Coming Out" is also known by its US title "A Test of Love"
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newspaper article
Animated falls on Happy Feet in Australian Financial Review (20/01/2007) p.33
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Crayford, Peter Subject: BOX OFFICE ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; ANIMATION Summary: Computer Animated feature films have become incredibly successful over the last five years with phenomenal box office receipts but also because of their unconventionality, inventiveness and Humour
The author states that the real profits begin to accumulate for these films on DVDNotes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
1. The Incredibles
2. Toy Story
3. Toy Story 2
4. A Bug’s Life
5. Monsters
6. Finding Nemo
7. Happy Feet
8. Open Season
9. The Wild
10. Ant Bully
11. Flushed Away
12. Ratatouille
13. Casino Royale
14. Shrek 2
FILM SALES
The Incredibles - More $US1billion – ($1.27billion)
Toy Story More - $US1billion – ($1.27billion)
Toy Story 2 - More $US1billion – ($1.27billion)
A Bug’s Life - More $US1billion – ($1.27billion)
Monsters - More $US1billion – ($1.27billion)
Finding Nemo - More $US1billion – ($1.27billion)
FILMS SALES – US CINEMA RELEASE
The Incredibles - $251 million
Finding Nemo - $US339 million
Shrek 2 - $US 436 million in 2006
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title clippings file
ANIME NERE : (IT/FR, Francesco Munzi, 2014)
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journal article
Annie screenwriter turns to the law in Encore (25th October-7th November 1984) vol.2 iss.18 p.10
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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journal article
Another lady manager for Birch Carroll & Coyle in Australasian Cinema (13/5/1983) vol.12 iss.8 p.8
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985.
Call No: 81ANT CHAAuthor: Chatman, Seymour, 1928 Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: 290 p. : ill. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281ISBN: 0520052056; 0520053419 (pbk.)LON: 85001025; 3748072
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Antonioni / [by] Ian Cameron & Robin Wood London: Studio Vista, 1968.
Call No: 81ANT CAMAuthor: Cameron, Ian, 1937 ; Wood, Robin, 1931- joint author Place: LondonPublisher: Studio VistaPubDate: 1968PhysDes: [144] p. : illus. ; 17 x 18 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) Notes: Bibliography: p. 144; "Filmography": p. 141- [144]ISBN: 0289795982LON: 70397126; 63651
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Antonioni / Sam Rohdie London: BFI Pub., 1990.
Call No: 81ANT ROHAuthor: Rohdie, Sam, 1939 Place: LondonPublisher: BFI Pub.PubDate: 1990PhysDes: 213 p. : ill., ports. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210ISBN: 0851702740 (pbk.); 0851702732LON: bnb85170273; 7278793
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Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press,
Call No: 412.3 KELAuthor: Keller, Sarah Edition: 2020Place: New YorkPublisher: Columbia University PressPhysDes: vii, 302 pages : illustrated ; 24 cmSubject: APOCALYPSE IN FILMS ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BAZIN, ANDRE ; FILM CULTURE ; CINEPHILIA ; DIGITAL CINEMA ; FRANCE ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; STAR WARS [...] (US, 1977-2015) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web siteISBN: 9780231180870Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011.
Call No: 736.11Author: Grant, Kevin Edition: August 2013Place: Godalming, SurreyPublisher: FAB PressPubDate: May 2011PhysDes: 480 pages : illustrated ; 26 cmSubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; NERO, FRANCO ; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966) ; BLINDMAN (US/IT, Ferdinando Baldi, 1972) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; CORBUCCI, SERGIO ; EASTWOOD, CLINT ; FULCI, LUCIO ; HILL, TERENCE ; SPENCER, BUD ; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web siteNotes: Foreword by Franco NeroISBN: 9781903254615
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Apocalypse-cinema : 2012 and other ends of the world / Peter Szendy; translated by Will Bishop; Foreword by Samuel Webber New York: Fordham University Press, 2015.
Call No: 735.1 SZEAuthor: Szendy, Peter ; Bishop, Will ; Webber, Samuel Edition: 2015Place: New YorkPublisher: Fordham University PressPubDate: 2015PhysDes: xx, 160 p. : illustrations ; 22 cmSeries: French VoicesSubject: APOCALYPSE IN FILMS ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964) ; TERMINATOR, THE (US, James Cameron, 1984) ; [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; WATCHMEN (US, Zack Snyder, 2009) ; SUNSHINE (UK/US, Danny Boyle, 2007) ; BLADE RUNNER (US, Ridley Scott, 1982) ; [TWELVE] MONKEYS (US, Terry Gilliam, 1995) ; ROAD, THE (US, John Hillcoat, 2009) ; BLOB, THE (US, Chuck Russell, 1988) Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit.
Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups.
The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing.
In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web siteISBN: 9780823264810
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Old collection
book
Archives index : index to a guide to material on film, broadcasting and television held in the Australian Archives, Canberra branch / Suzanne Ridley (compiler) Sydney: Australian Film and Television School, 1979.
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L'Argent London: British Film Institute, 1999.
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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Asian cinema : a regional view / Olivia Khoo Edinburgh: Edinburgh University Press,
Call No: 71(5) KHOAuthor: Khoo, Olivia Edition: 2021Place: EdinburghPublisher: Edinburgh University PressPhysDes: 160 pages : illustrated ; 24 cmSubject: ASIAN COUNTRIES ; BLOCKBUSTERS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; DISTRIBUTION ; FESTIVALS ; COPRODUCTION ; HOMOSEXUALITY IN FILMS ; REMAKES ; SHORT FILMS ; 3D DIGITAL ; TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; WOMEN FILMMAKERS Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas.
This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web siteISBN: 9781474461764Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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Athelete Rickard turns movie star p.15
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journal article
The audience is out there, but... in Realtime (Apr-May 2000) iss.36 p.18
Author: Stewart, Clare PhysDes: ArticleSubject: AUDIENCES. AUSTRALIA ; BOX OFFICE. AUSTRALIA Summary: Discussion on the increase of cinema-going in Australia, but the viewing of fewer Australian films. The author asks when will the government recognise its failure in promoting local culture and address it through new policies.
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Online resource
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Audiences : defining and researching screen entertainment reception / edited by Ian Christie Amsterdam: Amsterdam University Press, 2012. Available at OAPEN (open access)
Call No: 410.3 AUDPlace: AmsterdamPublisher: Amsterdam University PressPubDate: 2012PhysDes: 332 pages : illustrations ; 23 cm.Series: Key debates ; 3.Subject: AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; AUDIENCES ; SOCIETY AND THE CINEMA ; EXHIBITION ; BOX OFFICE Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.Notes: Includes bibliographical references (p. 279-298) and indexes.ISBN: 9789089643629Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451'
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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[Aussie Assault : stills file] Hoyts,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: HoytsPhysDes: 8 photographs : b&w ; 21 x 26 cmSubject: BOND, ALAN ; AUSSIE ASSAULT (AT, Harvey Spencer, 1984) Summary: 8 labelled black and white photographs of scenes from the documentary 'Aussie Assault.'
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Australia's top 10 executive producers in Encore (12 Feb, 1999) vol.17 iss.2 p.23-24
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Australia to get premium PS3 in Australian Financial Review (29/01/2007) p.48
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gliddon, Joshua Subject: BLU-RAY ; HIGH DEFINITION DVD Summary: The author delves into the price war over rival gaming systems from Xbox to Playstation 3 and Nintendos Wii Console. The articles compare units sold between each system and also the development of the rival high definition DVD Formats including Sony developed Blu–ray and Toshiba developed HD – DVD format.
- In a move reminiscent of the VHS and Beta war of the early 80’s Blu-ray and HDDVD are incompatible, so which one a consumer opts for they could be backing the wrong horse.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 9/5/1985) fpr Sydney, Melbourne, Brisbane, Adelaide, Perth, Newcastle, Hobart and Launceston
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Australian box office reports in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.8
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Subject: BOX OFFICE. AUSTRALIA Summary: Box office repoets (two weeks ending 13/13/1984) for Sydney, Melbourne, Brisbane, Adelaide, Launceston, Newcastle and Hobart
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Australian box office reports in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.8
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Australian box office, top rating films, number of cinema screens, industry statistics etc / AFI Research & Information
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Australian box office - US box office in Sunday Telegraph (20/12/2015) p.120
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: - PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA ; BOX OFFICE. USA Summary: Listings for the past week's box office figures for Australia and the USA
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976.
Call No: 201(94) AUSAuthor: Green, F. J. Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1976PhysDes: 175, A143 pages ; 25 cmSubject: BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications DepartmentISBN: 0642924392Donation: donated by Mick Counihan, 2010
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Australian Broadcasting Tribunal manual / Australian Broadcasting Tribunal Sydney: The Tribunal, 1990.
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian content standard for television & paragraph 160(d) of the Broadcasting Services Act 1992 / report by the Senate Environment, Communications, Information Technology and the Arts Legislation Committee [Canberra]: The Committee, 1999.
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The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
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The Australian Film and Television and Radio School in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: BOY AND THE SEA, THE (AT, Peter Leovic, 1986) Summary: Short reviews of AFTRS productions; Almost Winning; The Boy and the Sea; Chasm; Coming True; An Australian Summer; Erminia's Opening Night and other stories; Freely Given; The Good Weekend; Flying; Say a Little Prayer; Speed Graphic; Shopping Town; Trickle of Sanity.
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Australian film theory and criticism : Volume 3 / By Verevis, Constantine and Williams, Deane United Kingdom: Intellect, 2018.
Call No: 67(94) VERAuthor: By Verevis, Constantine and Williams, Deane Place: United KingdomPublisher: IntellectPubDate: 2018Subject: EXPERIMENTAL FILM AND TELEVISION FUND ; BIRTLES, FRANCIS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GILDA (US, Charles Vidor, 1946) ; FEMINISM AND THE CINEMA. AUSTRALIA ; PORNOGRAPHY AND THE CINEMA. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; CHAUVEL, CHARLES ISBN: 9781783208371
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Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian radio listeners and television viewers : historical perspectives / Bridget Griffen-Foley Cham, Switzerland: Palgrave Macmillan, 2020.
Call No: 41(94) GRIAuthor: Griffen-Foley, Bridget Source: SZPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 2020PhysDes: xiii, 167 pages : illustrations ; 22 cmSeries: Palgrave studies in the history of the mediaSubject: AUDIENCES. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; CHILDREN AND THE MEDIA. AUSTRALIA ; FANS ; RATINGS FOR TV AUSTRALIA ; RATINGS. AUSTRALIA ; DATING SHOWS ; CHILDREN, PROGRAMMES FOR. AUSTRALIA Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's websiteNotes: Includes bibliographies and indexISBN: 9783030546366Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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Authorship and the films of David Lynch : aesthetic receptions in contemporary Hollywood / Antony Todd London: I.B. Tauris, 2012.
Call No: 81LYN TODAuthor: Todd, Antony Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: ix, 181 p. : ill. ; 24 cmSubject: AESTHETICS ; AUTEUR THEORY ; LYNCH, DAVID ; DUNE (US, David Lynch, 1984) ; BLUE VELVET (US, David Lynch, 1986) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; MULHOLLAND DRIVE (US, David Lynch, 2001) Summary: "This fresh contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essense have shaped receptions of David Lynch's films. it is also the first book to approach Lynch as a figure composed through language, history and text.
Antony Todd traces the development of Lynch's career from cult obscurity with Eraserhead to star auteur through the release of Blue Velvet, as well as the television event of the early 1990s, Twin Peaks. He investigates how Lynch's idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Through the evidence of critical and promotional ephemera and the texts carrying Lynch's name, Todd explores contemporary manners and attitudes for artistic reputation building. He also reviews the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE.
This book also ventures beyond its empirical findings by addressing authorship concerns pertaining to the ways in which, and to whom, the contemporary auteur has meaning. In its account of the experiences at play in the encounter between ephemera, text and reader, Authorship and the Films of David Lynch explores how authors functions for pleasure in the modern filmgoer's everyday consumption of films."-BOOK BLURBNotes: includes bibliographical references; includes indexISBN: 9781848855809Contents: -- introduction -- 1.Towards a Textual Historicity -- 2.David Lynch: The Making of a Post-classical Auteur -- 3.Meanings and Authorships in Dune -- 4.Critical Theory and `Cruel Jokes': Principles of Ethics and Pleasure, and the Reception of Blue Velvet -- 5.Twin Peaks: The Rise and Fall of a Public Auteur -- 6.Brand Lynch -- 7.Receiving Mulholland Dr.: `A Contemporary Film Noir Directed by David Lynch' -- conclusion -- notes -- bibliography -- index --
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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B.C. & C. embark on 'Magical Mystery Tour' in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3
PhysDes: ArticleSubject: BIRCH CARROLL AND COYLE ; ADVERTISING FOR FILMS ; ANNIE (US, John Huston, 1982) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) Summary: Article on Birch, Carroll, and Coyle's promotional day-tour for 'Annie', 'E.T.', and 'Nightshift'.
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2010PhysDes: viii, 252 p. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BROOKS, ALBERT ; CARRIERE, JEAN-CLAUDE ; EPHRON, NORA ; HARWOOD, RONALD ; HUGHES, JOHN (US) ; KOEPP, DAVID ; LAGRAVENESE, RICHARD ; LEVINSON, BARRY ; ROTH, ERIC ; SAYLES, JOHN ; STOPPARD, TOM ; TURNER, BARBARA ; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back coverNotes: Includes bibliographical references and indexesISBN: 9780520260399Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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BAFTA news / the British Academy of Film & Television Arts London: The Academy, 1990.
Call No: held v.1, no.1-v.10, no.6 Feb.1990-Dec 1999 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film and Television ArtSource: UKPlace: LondonPublisher: The AcademyPubDate: 1990PhysDes: v. : illSubject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Notes: Continues: British Academy of Film and Television Arts newsletter; Continued by: Academy : the new Bafta magazineLON: 13018889
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BAI RI YAN HUO [BLACK COAL THIN ICE] : (CC, Yi'nan Diao, 2014) Digital clippings file available
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BAIBAI BOIZU : (JP, Itako, 2017)
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BAKEMONO NO KO : (JA, Mamoru Hosoda, 2015)
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Baker film a Breath of fresh air : shooting begins on Mentalists star's major project in Daily Telegraph [Sydney Confidential] (12/04/2016) p.18
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Baldwin as baby confusing, weird in The Age (23/03/2017) p.26
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BALENTES [BRAVE ONES, THE] : (AT, Lisa Camillo, 2018)
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Banned films : movies, censors, and the First Amendment / Edward de Grazia and Roger K. Newman New York: Bowker, 1982.
Call No: 44(73) DEGAuthor: De Grazia, Edward, 1927 ; Newman, Roger K Place: New YorkPublisher: BowkerPubDate: 1982PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cmSubject: CENSORSHIP. USA ; BANNED FILMS. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; EXORCIST, THE (US, William Friedkin, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; ALIBI (US, Roland West, 1929) Notes: Includes index; Bibliography: p. 391-394ISBN: 0835215091; 0835215113 (soft)LON: 2214260
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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Battle hots up over next generation DVD standard in Australian Financial Review (09/01/2007) p.39
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gliddon, Joshua Subject: INDUSTRY, VIDEO ; BLU-RAY ; HIGH DEFINITION DVD ; SONY CORPORATION ; TOSHIBA CORPORATION Summary: There are two DVD formats developed
– the Blu-ray disc developed by Sony can hold 25 gigabytes and 5 hours of high definition content
– The HD-DVD developed by Toshiba, holds 15 gigabytes and holds nearly 4 hours of high definition content
– Conventional DVDs hold a mere 5 gigabytes
Both discs formats are not compatible for the same playing systems which has created competition within the industry
– Warner brothers and Paramount are releasing discs with both formats.
– MGM, 20th Century Fox and Sony Pictures are all releasing their material exclusively on Blu-ray.
– Universal has opted for exclusive release on HD–DVD
– Sony’s Playstation 3 has Blu-ray drives
– Microsoft Xbox 360 system has H-DVD; accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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The battleship Potemkin / [by] Sergei Eisenstein; translated from the Russian by Gillon R. Aitkin London: Lorrimer Publishing Co., 1968.
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The battleship Potemkin / edited by Herbert Marshall New York: Avon Books, c1978.
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Battleship Potemkin in The Movie (1982) iss.122 p.2426-2427
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The Battleship Potemkin / Richard Taylor London ; New York: I.B. Tauris, c2000.
Call No: 79BAT TAYAuthor: Taylor, Richard Source: UK/USPlace: London ; New YorkPublisher: I.B. TaurisPubDate: c2000PhysDes: xiv, 129 p. : ill. ; 22 cmSeries: KINO files film companionSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) Summary: "Thought by many to be the greatest film ever made, 'The battleship Potemkin', directed by Sergei Eisenstein, is a key film in the history of Russian and of world cinema. Based on a mutiny in Odessa during the 1905 Revolution, the film is regarded as a pioneering milestone in the development of world cinema - especially Eisenstein's bold camera-work and breathtaking editing. This book investigates the production, context and critical reception of the film and the people who made it and provides an analysis of the film itself and its place in Russian and world cinema. Written by a major authority on Eisenstein, this lively companion to The Battlehip Potemkin will be welcomed by film enthusiasts alike" -- BOOK BLURBISBN: 9781860643934Contents: -- illustrations -- acknowledgments -- note on transliteration -- credits 1: production history -- 2: analysis -- part 1: men and maggots -- part 2: drama on the quarterdeck -- part 3: an appeal from the dead -- part 4: the odessa steps -- part 5: meeting the squadron -- themes and variations -- 3: reception -- further reading -- further viewing --ID2: 91
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Battleship Potemkin ; October and Alexander Nevsky / by Sergei Eisenstein ; edited by Jay Leyda ; translated by Diana Matias London: Lorrimer Pub., 1974.
Call No: 792 EISAuthor: Eisenstein, Sergei, 1898-1948 ; Leyda, Jay, 1910 Place: LondonPublisher: Lorrimer Pub.PubDate: 1974PhysDes: 189 p. : ill. ; 20 cmSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Director's shooting scriptsISBN: 0856470384; 0856470406(pbk.)LON: 263889
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Bayesian Information Transmission and Stable Distributions: Motion Picture Revenues at the Australian Box Office / Jordi McKenzie
Call No: 303.31(94) MCKAuthor: McKenzie, Jordi Edition: 2008PhysDes: 16 pages ; 12 cmSubject: BOX OFFICE. AUSTRALIA ; BLOCKBUSTERS Notes: Abstract: Recent empirical literature has identified the importance of information transmission in creating box office blockbusters. It has been shown that box office revenue distributions are characterised by extremities of skew and variance that cannot be explained by such things as expensive budgets, star power, critical acclaim or awards. Empirical research of this industry has subsequently turned its attention to models of information transmission and the consequential implications for box office revenues. Using a large new Australian dataset, this paper adds to the literature by exploring the suitability of the a-stable distribution for various definitions of Australian box office revenues.
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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The BBC and public service broadcasting / Colin MacCabe, Olivia Stewart, editors Manchester: Manchester University Press, c1986.
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BBC Enterprises film and video catalogue 1977/78 1978.
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Interim
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BBC Enterprises film purchase catalogue 1973-1974 1974.
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The BBC radiophonic workshop : the first 25 years: the inside story of providing sound and music for television and radio 1958-1983 / remembered by Desmond Briscoe and those whose versatility and unremitting voluntary enthusiasm have made an idea a reality ; realised by Roy Curtis-Bramwell. London: British Broadcasting Corporation, 1983.
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BBC review renews scutiny of ABC in The Australian (14/07/2015) p.7
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BBC TV enterprises film catalogue
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BC & C centralise operations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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Beards, bellies and bikies : recreating the Milperra massacre in Encore (June 2012) p.39-40
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Beautiful minds but it doesn't all add up in Weekend Australian [Review] (4/4/2015) p.14
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Beautiful opening for Disney remake in The Age (30/03/2017) p.26
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Report on the box office takings in Australia for the weekend.
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LES BEAUX JOURS [BRIGHT DAYS AHEAD] : (FR, Marion Vernoux, 2013) Digital clippings file available
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Before Mickey : the animated film, 1898-1928 / Donald Crafton Cambridge, Mass.: MIT Press, c1982.
Call No: 772 CRAAuthor: Crafton, Donald Place: Cambridge, Mass.Publisher: MIT PressPubDate: c1982PhysDes: xx, 413 p. : ill. ; 21 cmSubject: ANIMATED FILMS ; MESSMER, OTTO ; MCCAY, WINSOR ; COHL, EMILE ; BRAY, JOHN RANDOLPH ; FELIX THE CAT ; FLEISCHER STUDIO ; HURD, EARL ; LANTZ, WALTER ; STAREVITCH, LADISLAS ; VERTOV, DZIGA ; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907) Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395ISBN: 0262030837LON: 2144183 2144183
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Beginner's Luck in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.3
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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[Best of friends, the : stills file]
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'Beverley Hills Cop' breaks the $1million barrier in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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Beyond bonnets : period drama, sex and transcendence in Lumina (Summer 2010) iss.2 p.129-139
Author: Pearlman, Karen PhysDes: ArticleSubject: HISTORICAL FILMS ; CAMPION, JANE ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: Recontextualising the perceived notion of 'auteur' within genre cinema using the example of Jane Campion and her period films; The piano; Portrait of a lady and, most recently, Bright star
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Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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Beyond representation : television drama and the politics and aesthetics of identity / Geraldine Harris Manchester ; New York: Manchester University Press, distributed exclusively in the USA by Palgrave, 2006.
Call No: 744.9 HARAuthor: Harris, Geraldine Source: USPlace: Manchester ; New YorkPublisher: Manchester University Press, distributed exclusively in the USA by PalgravePubDate: 2006PhysDes: 210 p. ; 23 cmSubject: DRAMAS ; REALISM ON TV ; AESTHETICS ; RACIAL ISSUES AND TV ; MARXISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND TV ; GLOBALISATION ; ALLY MCBEAL [TV] (US, 1997-) ; BILL, THE [TV] (UK, 1984-) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; DYNASTY [TV] (AT, 1970) ; PRIME SUSPECT 3 [TV] (UK, David Drury, 1993) ; SOPRANOS, THE [TV] (US, 1999) ; TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002) ; WILL & GRACE[TV] (US, 1998-) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]Notes: Bibliography: p.191-20; Includes indexISBN: 0719074584 (hdbk)Donation: Donated by Senses Of Cinema, 2009
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The big picture : flood of Aussies forces Hollywood into navel gazing in Sunday Age [M] (19/07/2015) p.20
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Big screen fades to a cut-price DVD in The Australian (13/08/2005) p.19
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUDIENCE RECEPTION. AUSTRALIA ; DVD, FILMS ON ; BOX OFFICE. AUSTRALIA ; ZECCOLA, ANTONIO ; COULTER, PAUL ; KIELY, CHRIS Summary: The global slump in box office returns has cinema owners and film distributors worried. Some speculation is that the downturn is due to the rise of DVD, home entertainment systems, and other recreational devices (ipods), coupled with the tightening of the film to dvd to pay tv release window. There is some talk that the older multiplex cinemas are in need of upgrading as they may no longer be up to standard for a modern cinemagoing audience.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007). Quotations: -- Lots of stats (too many to list here)
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[Big steal, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 16 photographs : b&w ; 21 x 26 cm + 1 photograph : b&w ; 13 x 18 cmSubject: KARVAN, CLAUDIA ; MENDELSOHN, BEN ; NAPIER, MARSHALL ; HERRIMAN, DAMON ; ROBERTSON, TIM ; BISLEY, STEPHEN ; BIG STEAL, THE (AT, Nadia Tass, 1990) Summary: 17 black and white photographs of scenes from the film starring Claudia Karvan, Ben Mendelsohn and Steve Bisley.Notes: 1 image donate by Brian McFarlane
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The big V : a history of the Vitagraph Company / by Anthony Slide Metuchen, N.J.: Scarecrow Press, 1976.
Call No: 19VIT SLIAuthor: Slide, Anthony Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1976PhysDes: viii, 224 p. : ill. ; 23 cmSubject: VITAGRAPH ; BLACKTON, J. STUART ; SMITH, ALBERT E. ; TURNER, FLORENCE ; BUNNY, JOHN ; BATTLE CRY OF PEACE, THE (US, Wilfrid North, 1915) Notes: Includes index; "The films of the Vitagraph Company, 1910-1915": p. 141-216; Bibliography: p. 116-123ISBN: 0810809672LON: 766790
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title clippings file
BIKIE WARS: BROTHERS IN ARMS [TV] : (AT, Peter Andrikidis, 2012)
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BIKINI SHOP, THE : (US, David Wachter, 1987 [prod. 1984])
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BIKUR HA-TIZMORET : (IS, Eran Kolirin, 2007)
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[Bikur ha-tizmoret : poster]
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BILANS KWARTALNY : (PL, Krzysztof Zanussi, 1974)
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BILBAO : (SP, Bigas Luna, 1978)
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bilcbilcoAll the trimmings in Weekend Australian [Review] (30/09/2017) p.9
Call No: PERSONALITY CLIPPINGS FILE; BILCOCK, JILLAuthor: Philippa Hawker PhysDes: Clippings File ArticleSubject: BILCOCK, JILL Summary: Film editor Jill Bilcock has shaped a host of classics. Here, she shares her ethos
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BILCHED : (AT, Jeremy Cumpston, 2019) Digital clippings file available
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BILCOCK, DAVID JOHN
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BILCOCK, JILL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BILCOCK, JILL
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BILDER DER WELT UND INSCHRIFT DES KRIEGES : (GW, Harun Farocki, 1989)
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BILDNIS EINER TRINKERIM : (GW, Ulrike Ottinger, 1979)
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BILET POWROTNY : (PL, Eva & Czeslaw Petelski, 1978)
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BILL AND COO : (US, Ken Murray, 1947)
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BILL AND TED FACE THE MUSIC : (US/CN/IT, Dean Parisot, 2020) Digital clippings file available
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BILL AND TED'S BOGUS ADVENTURE : (US, Peter Hewitt, 1991)
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BILL AND TED'S EXCELLENT ADVENTURE : (US, Stephen Herek, 1989)
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BILL COSBY - HIMSELF : (US, William H. Cosby, Jr., 1983)
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BILL COSBY ON PREJUDICE : (US, Bill Cosby, 1971)
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BILL CUNNINGHAM NEW YORK : (US/FR, Richard Press, 2010)
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BILL FRISELL: A PORTRAIT : (AT, Emma Franz, 2017)
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BILL, THE : [TV] (UK, 1984-)
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BILL, TONY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BILL, TONY
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BILLAL : (AT, Tom Zubrycki, 1996)
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[Billal : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cmSubject: BILLAL (AT, Tom Zubrycki, 1996) Summary: 1 black and white photograph of a Muslim family.
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BILLBOARD : [TV] (AT, 1987)
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BILLIE : (UK, James Erskine, 2019) Digital clippings file available
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BILLING, ROY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BILLING, ROY
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BILLINGTON, KEVIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BILLINGTON, KEVIN
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Billion dollar bubble in Federation News (June 1979) vol.100 p.32
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BILLION DOLLAR CROP, THE : (AT, Barbra Choboky, 1993)
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[Billion dollar crop, the : stills file]
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BILLIONAIRE BOYS CLUB : (US, James Cox, 2018)
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BILLIONS [TV] : (US, 2016-) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BILLIONS [TV] (US, 2016-) URL status: URL: 'http://file://Q:/T/BILLIONS.TV.zip'
Checked: 31/08/2021 1:48:25 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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BILLOPS, CAMILLE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BILLOPS, CAMILLE
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BILLS FOOD : [TV] (UK, 2005)
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BILLY AND PERCY : (AT, John Power, 1975)
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[Billy and Percy : stills file]
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BILLY BATHGATE : (US, Robert Benton, 1991)
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BILLY BUDD : (UK, Peter Ustinov, 1962)
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BILLY EILISH THE WORLD IS A LITTLE BLURRY : (US, R.J. Cutler, 2021) Digital clippings file available
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BILLY ELLIOT : (UK, Stephen Daldry, 2000)
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BILLY GALVIN : (US, John Gray, 1986)
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BILLY LIAR : (UK, John Schlesinger, 1963)
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BILLY LYNN'S LONG HALFTIME WALK : (CC/UK/US, Ang Lee, 2016)
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BILLY MADISON : (US, Tamra Davis, 1995)
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BILLY'S ESCAPE : (AT, Scott Vandenbosch, 1995)
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BILLY'S HOLIDAY : (AT, Richard Wherrett, 1995)
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Billy's holiday / Denis Whitburn Sydney: Pan Macmillan, 1995.
Call No: N79BIL WHIAuthor: Whitburn, Denis Source: ATPlace: SydneyPublisher: Pan MacmillanPubDate: 1995PhysDes: 302 p. ; 19 cmSubject: BILLY'S HOLIDAY (AT, Richard Wherrett, 1995) Notes: Based on the motion picture 'Billy's Holiday'ISBN: 033035678XDonation: donated by the family of Wayne Levy, 2006
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[Billy's holiday : stills file]
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BILLY'S HOLLYWOOD SCREEN KISS : (US, Tommy O'Haver, 1997)
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BILLY THE KID : (US, William A. Graham, 1989)
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BILLY THE KID NO ATARASHII YOAKE : (JA, Naoto Yamakana, 1986)
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[Billy the Kid no atarashii yoake : poster]
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BILLY WEST AND THE LIGHTENING THUNDER BOY : (AT, Bill Leimbach, 198?)
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BILLY ZE KICK : (FR, Gerard Mordillat, 1985)
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BILOXI BLUES : (US, Mike Nichols, 1988)
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BINET, CATHERINE
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BING, STEVE Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BING, STEVE
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BINGLE, LARA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BINGLE, LARA
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title clippings file
BINGO : (US, Matthew Robbins, 1991)
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BINGO : (CN, Jean-Claud Lord, 1974)
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journal article
Bingo bongo in Cinema d'oggi (December 1982) vol.XVI iss.22 p.19-20
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BINGO BRIDESMAIDS AND BRACES : (AT, Gillian Armstrong, 1988)
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BINGO LONG TRAVELLING ALL-STARS AND MOTOR KINGS, THE : (US, John Badham, 1976)
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BINGWA, CHARMAINE
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BINNEY, CLAIRE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BINNEY, CLARE
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personality microfilm collection
BINOCHE, JULIETTE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BINOCHE, JULIETTE
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title clippings file
BIO-DOME : (US, Jason Bloom, 1996)
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journal article
Bioda Fragola in Foreign Sales. Italian Movie Trade (November 1980) p.6
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BIODAGAR : (IC, Fridrik Thor Fridriksson, 1994)
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BIOGRAPHICAL FILMS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BIOGRAPHICAL FILMS URL status: URL: 'http://file://Q:/S/BIOGRAPHICAL_FILMS.zip'
Checked: 31/08/2021 12:40:45 PM
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subject clippings file
BIOGRAPHICAL PROGRAMMES. AUSTRALIA
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journal article
Bionda fragola in Foreign Sales. Italian Movie Trade (November 1980) p.6
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BIONDA, LA : (IT, Sergio Rubini, 1994)
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digital clippings file
BIOPIXEL Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BIOPIXEL Cross Reference: BIOPIXEL
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BIQUEFARRE : (FR, Georges Rouquier, 1983)
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BIR ZAMANLAR ANADOLU'DA : (TU, Nuri Bilge Ceylan, 2011)
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BIRAGHI, GUGLIELMO
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BIRCH CARROLL AND COYLE
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journal article
Birch, Carroll and Coyle 1982 Theatre Managers' Convention in Australasian Cinema (16/4/1982) vol.11 iss.6 p.3
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journal article
Birch Carroll & Coyle hold successful convention in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.13
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personality clippings file
BIRCH, THORA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIRCH, THORA
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title clippings file
BIRD : (US, Clint Eastwood, 1988)
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BIRD, ANTONIA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIRD, ANTONIA
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BIRD BOX : (US, Susanne Bier, 2018)
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BIRD, BRAD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIRD, BRAD
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title clippings file
BIRD IN A HAND, A : (AT, Aviva Ziegler, 1994)
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still
[Bird in the hand, a : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 13 x 18 cmSubject: BIRD IN THE HAND, A (AT, Aviva Ziegler, 1994) Summary: 2 black and white photographs of Bonnie, a bird lover with her birds and a cockatoo safely in the hands of an Australian wildlife officer.
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BIRD IN THE WIRE : (AT, Phillip Donnellon, 2000)
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BIRD LAND : (TZ, MIN-CHEN HUANG, 2000)
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personality clippings file
BIRD MATHESON, GEMMA
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title clippings file
BIRD ON A WIRE : (US, John Badham, 1990)
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digital clippings file
BIRD PEOPLE : (FR, Pascale Ferran, 2014) Digital clippings file available
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title clippings file
BIRDCAGE, THE : (US, Mike Nichols, 1996)
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title clippings file
BIRDEMIC : SHOCK AND TERROR : (US, James Nguyen, 2008)
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title clippings file
BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) : (US, Alejandro G. Inarritu, 2014)
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title clippings file
BIRDS DO A MAGNIFICENT TUNE, THE : (AT, Chris Windmill, 1996)
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journal article
Birds eye view: a green and pleasant land in Federation news (Mar-Jun 1978) iss.95/96 p.23
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title clippings file
BIRDS FOR ALL SEASONS : [TV] (UK, 1988)
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journal article
The birds go to Peru to die in Australian Film Guide vol.1 iss.12 p.III
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journal article
The birds go to Peru to die in Melbourne Film Bulletin (Feb 1969) vol.7 p.23
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title clippings file
BIRDS II: LANDS END, THE : (US, Alan Smithee [pseud. of Rick Rosenthal], 1994)
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journal article
Birds of a Feather in Federation news (March-June 1978) iss.95/96 p.41
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BIRDS OF A FEATHER [TV] : (UK, 1989 - 1998, 2016 - )
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title clippings file
BIRDS, THE : (US, Alfred Hitchcock, 1963)
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BIRDY : (US, Alan Parker, 1984)
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title clippings file
BIRJUK : (UR, Roman Balajan, 1978)
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BIRKIN, JANE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: BIRKIN, JANE
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personality clippings file
BIRMINGHAM, JOHN
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personality clippings file
BIRN, LAURA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIRN, LAURA
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personality microfilm collection
BIRO, YVETTE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIRO, YVETTE
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personality microfilm collection
BIRRELL, G.R.
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIRRELL, G.R.
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title clippings file
BIRTH : (US, Jonathon Glazer, 2004)
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journal article
Birth in Empire (Australian Ed.) (September 2005) iss.54 p.95
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title clippings file
BIRTH AT HOME : (AT, Barbara Chobocky, 1978)
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title clippings file
BIRTH OF A FILM FESTIVAL : (AT, Prod. Lisa French, 2003)
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journal article
The birth of a nation in The Movie vol.108 p.2146-7
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script
Birth of a nation / screenplay by Nate Parker [US]: 15/06/2015. Digital clippings file available
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title clippings file
BIRTH OF A NATION , THE : (US, David Wark Griffith, 1915)
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title clippings file
BIRTH OF A NATION, THE : (US/CN, Nate Parker, 2016)
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title clippings file
BIRTH OF THE BEATLES : (UK, Richard Marquand, 1980)
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title clippings file
BIRTH OF WHITE AUSTRALIA, THE : (AT,Phillip Walsh, 1928)
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still
[Birth of white Australia, the : stills file]
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title clippings file
BIRTH RITES : (AT, Jennifer Gherardi, 2002)
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title clippings file
BIRTH, THE : (AT, Sarah Hatherley, 2017)
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journal article
Birth with R.D. Laing in Filmviews (Mar 1980) p.14-15
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journal article
Birth with R.D. Laing in Filmviews (March 1980) vol.25 iss.103 p.14-15
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digital clippings file
BIRTHDAY : (US, Chris King, 2015) Digital clippings file available
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BIRTHDAY BOY : (AT, Sejong Park, 2004)
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title clippings file
BIRTHDAY GIRL : (US/UK, Jez Butterworth, 2001)
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still
[Birthday, the : stills file]
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title clippings file
Birthdays : AT, Linda Rawlings, 1989
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title clippings file
BIRTHRITES : (UK, Robina Rose, 1977)
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personality microfilm collection
BIRTLES, FRANCIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIRTLES, FRANCIS
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title clippings file
BIRUMA NO TATEGOTO : (JA, Kon Ichikawa, 1956)
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BIS ANS ENDE DER WELT : (GG/FR/AT, Wim Wenders, 1991)
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journal article
Il bisbetico domato in Foreign Sales Italian Movie Trade (March 1981) p.8
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title clippings file
BISHONEN : (HK/CC, Manshih Yonfan, 1999)
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BISHOP, BOB
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BISHOP, BOB
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personality microfilm collection
BISHOP, DORIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISHOP, DORIS
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personality microfilm collection
BISHOP, LARRY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISHOP, LARRY
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personality clippings file
BISHOP, MERVYN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BISHOP, MERVYN
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personality microfilm collection
BISHOP, PAT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISHOP, PAT
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personality microfilm collection
BISHOP, ROD
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISHOP, ROD
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title clippings file
BISHOP'S WIFE, THE : (US, Henry Koster, 1947)
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BISLEY, STEPHEN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: BISLEY, STEPHEN
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still
[Bisley, Steve : studio headshot of Steve Bisley] / Shanahan management
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 26 X 21 cm.Subject: BISLEY, STEVE Summary: Actors headshot of Steve BisleyNotes: Steve Bisley written in ink on reverse x2; sticker of agent
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BISSELL, WHITNER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISSELL, WHITNER
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personality microfilm collection
BISSET, JACQUELINE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISSET, JACQUELINE
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title clippings file
Bit of a tiff with the Lord, A : AT, Peter Duncan, 1995
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title clippings file
BIT OF BLACK BUSINESS [TV] : ( AT, 2008 - )
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title clippings file
BIT PART, THE : (AT, Brendan Maher, 1987)
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BITA, NATASHA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BITA, NATASHA
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book
The Bitch / Jackie Collins London: Pan Books, 1979.
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title clippings file
Bitch, The : (US, Gerry O'Hara, 1979)
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title clippings file
BITE CLUB [TV]
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title clippings file
BITE, THE [TV] : (AT, Michael Carson, 1996)
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BITOMSKY, HARTMUT
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BITTER CANE : (US, Jacques Arcelin, 1984)
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title clippings file
BITTER HARVEST : (CN, George Mendeluk, 2017)
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title clippings file
BITTER HERBS AND HONEY : (AT, Monique Schwarz, 1996)
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still
[Bitter herbs and honey: stills file]
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title clippings file
BITTER MOON : (FR/UK, Roman Polanski, 1992)
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title clippings file
BITTER SPRINGS : (AT, Ralph Smart, 1950)
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book
Bitter springs : a novel from the film script / Clifford J. King London: Convoy Publications, 1950.
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still
[Bitter Springs : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 17 x 21 cmSubject: BITTER SPRINGS (AT, Ralph Smart, 1950) Summary: 2 black and white photographs of men shearing and the directors filming.
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BITTER SURRENDER : (AT, Louise Hubbard, 1989)
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BITTER & TWISTED : (AT, Christopher Weekes, 2008)
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BITTERE ERNTE : (GW, Agnieska Holland, 1985)
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BITTEREN TRANEN DER PETRA VON KANT, DIE : (GW, Rainer Werner Fassbinder, 1972)
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BITTERSWEET MOTEL : (US, Todd Phillips, 2000)
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BIUTIFUL : (MX/SP, Alejandro Inarritu, 2010)
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BIX : (CN, Brigitte Berman, 1981)
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BIZALOM : (HU, Istvan Szabo, 1979)
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BJELKE-PETERSON, JOH
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personality clippings file
BJORK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BJORK
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personality clippings file
BJORKMAN, STIG
Call No: PERSONALITY CLIPPINGS FILEPhysDes: PublicitySubject: BJORKMAN, STIG
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title clippings file
BLABBERMOUTH & STICKBEAK [TV] : (AT, 1998)
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BLABEY, AARON
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLABEY, AARON
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book
Black African cinema / Nwachukwu Frank Ukadike Berkeley: University of California Press, 1994.
Call No: 71(6) UKAAuthor: Ukadike, Nwachukwu Frank Place: BerkeleyPublisher: University of California PressPubDate: 1994PhysDes: x, 371 p. : ill.; 24 cmSubject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; DOCUMENTARY FILMS. AFRICAN COUNTRIES ; BLACK FILMMAKERS. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; SEMBENE, OUSMANE ; CISSE, SOULEYMANE ; ANSAH, KWAW PAINTSIL ; ESCARE, DESIRE ; BALOGUN, OLA ; FANON, FRANTZ ; HONDO, MED ; VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINZAN (ML, Cheik Omar Sissoko, 1990) ; WEND KUUNI (UV, Gaston Kabore, 1982) ; EMITAI (SG, Ousmane Sembene, 1972) ; CEDDO (SG, Ousmane Sembene, 1977) ; YEELEN (ML, Souleymane Cisse, 1987) ; DANCING IN THE DUST [BAL POUSSIERE] (IV, Henri Duparc, 1988) Notes: Includes bibliographical references (p. 343-355) and indexISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper)LON: 9270979
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title clippings file
BLACK AND WHITE : (AT, Craig Lahiff, 2002)
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script
Black and white NewVision Films, [1999].
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script
Black and white : post production script 2002.
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journal article
Black and White in Empire (Australian Ed.) (December 2002) iss.21 p.44
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subject clippings file
BLACK-AND-WHITE FILMS
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BLACK AND WHITE IN COLOR : (CZ, Mira Erdevicki-Charap, 1999)
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title clippings file
Black and White in Colour [Victoire en chantant, La] : (FR/GW, Jean-Jacques Annaud, 1976)
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title clippings file
BLACK AND WHITE NIGHT, A - ROY ORBISON AND FRIENDS : (UK, Tony Mitchell, 1988)
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title clippings file
BLACK AND WHITE (US, James Toback, 1999)
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title clippings file
BLACK ANGEL : (US, Roy William Neill, 1946)
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title clippings file
BLACK ANGELS: A WIDENING VISION : (AT, John Tristram & I. James Wilson, 1994)
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still
[Black angels: a widening vision: stills file] Australian Broadcasting Corporation TV Publicity,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Australian Broadcasting Corporation TV PublicityPhysDes: 4 photographs : b&w ; 17 x 22 cmSubject: BLACK ANGELS: A WIDENING VISION (AT, John Tristram & I. James Wilson, 1994) Summary: 4 labelled black and white photographs of Gordon Bennett with one of the paintings from his "Explorers" series, with Hans Van Der Baan in Hans Amsterdam Studio, with Daan Van Golden in Daan's studio in Rotterdam, and at the Abbey of Dom Perignon in Haut Villers in the Champagne district of France.
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title clippings file
BLACK AS [TV] : (AT, David Batty, 2015)
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journal article
The Black Balloon in Empire (Australian Ed.) (April 2008) iss.85 p.33
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script
Black balloon / by Elissa Down and Jimmy The Exploder AT: 2007 Feb 23.
Call No: S BLAAuthor: Down, Elissa Edition: Final shooting script (reading draft)Place: ATPubDate: 2007 Feb 23PhysDes: 96 leavesSubject: BLACK BALLOON, THE (AT, Elissa Down, 2008) Summary: "Thomas is turning 16. His dad's in the army and they've just moved to a town in New South Wales; his mom is pregnant; his older brother, Charlie, who's autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother's keeper, or is Charlie's disability going to prove more than Thomas can handle? ." - from IMDbNotes: Developed with assistance of Aurora Intensive workshops for Australian Scripts New South Wales Film and Television Office and the Australian Film Commission.-- c2006 Black Balloon ProductionsDonation: Australian Film Institute
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digital clippings file
BLACK BALLOON, THE : (AT, Elissa Down, 2008) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Publicity; Press kitSubject: BLACK BALLOON, THE (AT, Elissa Down, 2008) URL status: URL: 'http://file://Q:/T/BLACK_BALLOON,_THE.zip'
Checked: 31/08/2021 1:15:34 PM
Status: Error
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title clippings file
BLACK BEAUTY : (US, CarolineThompson, 1994)
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journal article
Black belly of the tarantula in Bizarre vol.2 p.17
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digital clippings file
BLACK BIRD [TV] : (US, 2022) Digital clippings file available
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title clippings file
BLACK BOOKS [TV]
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BLACK BOX : (AT, Pete Ford, 1998)
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title clippings file
BLACK BOX BRD : (GG, Andres Veiel, 2001)
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digital clippings file
BLACK BUTTERFLIES : (GG/NE/SA, Paula van der Oest, 2011) Digital clippings file available
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title clippings file
BLACK CADILLAC : (US, John Murlowski, 2003)
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journal article
The Black Cannon Incident in Cinema Papers (March 1988) iss.68 p.40
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journal article
The black cat in Cinema Score (Fall/Winter 1983) vol.11 iss.12 p.43-44
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title clippings file
Black Cat, The : (US, Edgar G. Ulmer, 1934)
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title clippings file
BLACK CAULDRON, THE : (US, Ted Berman & Richard Rich, 1985)
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title clippings file
BLACK CHICKS TALKING : (AT, Leah Purcell, 2001)
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digital clippings file
BLACK, CHLOE Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BLACK, CHLOE Cross Reference: BLACK, CHLOE
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title clippings file
BLACK CHRISTMAS : (US/NZ, Sophia Takal, 2019)
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book
Black cinema / The Black Filmmaker Foundation [New York]: Black Filmmaker Foundation, copyright 1982.
Call No: 027 BLAAuthor: Black Filmmaker Foundation Edition: second editionSource: USPlace: [New York]Publisher: Black Filmmaker FoundationPubDate: copyright 1982PhysDes: 62 pages : illustrations ; 28 cmSubject: BLACK FILMMAKER FOUNDATION ; BLACK FILMMAKERS ; ETHNIC GROUPS IN FILMS Summary: "The Black Filmmaker Foundation is pleased to present the second edition of its catalogue of film and video works by black independent producers. This edition represents an expansion in the number of titles, subject areas, film and video makers. These works represent the black experience in the United States, Africa, the Caribbean, Latin America and England." - INTRODUCTIONNotes: Includes index pages 60-61Contents: Fiction films -- Documentary films -- Animation and experimental -- Videp
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book
Black cinema treasures : lost and found / by G. William Jones ;foreword by Ossie Davis Denton: University of North Texas, 1991.
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personality clippings file
BLACK, CLAUDIA
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLACK, CLAUDIA
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title clippings file
BLACK CODE : (CN, Nicholas de Pencier, 2016)
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script
Black comedy : episode 1 Digital clippings file available
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script
Black comedy : episode 2 29-Aug-15. Digital clippings file available
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script
Black comedy : episode 3 22-Aug-15. Digital clippings file available
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script
Black comedy : episode 3 Digital clippings file available
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title clippings file
BLACK COMEDY [TV] : (AT, 2014)
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personality clippings file
BLACK, CONRAD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLACK, CONRAD
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title clippings file
BLACK DAHLIA, THE : (GE/US, Brian De Palma, 2006)
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title clippings file
BLACK DIAMOND RUSH : (US, Kurt Miller & Peter Speek, 1993)
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digital clippings file
BLACK DIVAZ : (AT, Adrian Russell Wills, 2018) Digital clippings file available
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title clippings file
BLACK DOG : (US, Kevin Hooks, 1998)
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title clippings file
BLACK DOGS : (AT, Andrew Sully, 1992)
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still
[Black dogs : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cmSubject: BLACK DOGS (AT, Andrew Sully, 1992) Summary: Black and white photograph relating to the film Black Dogs
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title clippings file
BLACK EAGLE : (US, Eric Karson, 1988)
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book
Black film, British cinema London: Institute of Contemporary Arts, 1988.
Call No: 451-054(=9) BLACorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1988PhysDes: 62 p. : ill. ; 30 cmSeries: ICA documents ; 7Subject: NATIONAL IDENTITY IN FILMS. UK ; BLACK CINEMA. UK ; BLACK FILMMAKERS. UK ; ETHNIC GROUPS IN FILMS. UK ; ASIANS IN FILMS. UK ; BLACK AUDIO FILM COLLECTIVE ; SANKOVA FILM AND VIDEO COLLECTIVE ; CHANNEL FOUR ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986) Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical referencesISBN: 0905263960LON: 6631335
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subject clippings file
BLACK FILMMAKER FOUNDATION
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journal article
Black flowers for the bride in Monthly Film Bulletin (July 1971) vol.60 p.29, 137
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title clippings file
[BLACK FORTY-SEVEN] BLACK '47 : (IE/LU, Lance Daly, 2018)
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title clippings file
BLACK FOX : (US, Steven H. Stern, 1993)
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title clippings file
BLACK GOLD, KINDRED SPIRITS : [TV] (AT, Jeff Bird, 1996)
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title clippings file
BLACK HARVEST : (AT, Robin Anderson & Bob Connolly, 1992)
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still
[Black harvest : stills file]
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title clippings file
BLACK HAWK DOWN : (US, Ridley Scott, 2001)
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journal article
Black Hawks & Choppers in Empire (Australian Ed.) (March 2002) iss.12 p.37-43
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book
The Black Hole / Alan Dean Foster London: New English Library, 1979.
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title clippings file
BLACK HOLE, THE : (US, Gary Nelson, 1979)
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title clippings file
BLACK IS...BLACK AIN'T : (US, Marlon Riggs, 1995)
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personality clippings file
BLACK, JACK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLACK, JACK
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title clippings file
BLACK JACK : (UK, Kenneth Loach, 1979)
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title clippings file
BLACK JOY : (UK, Anthony Simmons, 1977)
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title clippings file
BLACK KNIGHT : (US, Gil Junger, 2001)
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title clippings file
BLACK LIGHT : (IR, Mojtaba Raie, 1998)
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subject clippings file
BLACK LIST
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BLACK LIST
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digital clippings file
BLACK MAGIC DESIGN Digital clippings file available
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BLACK MAGIC MOON : (US, Deryn Warren, 1991)
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digital clippings file
BLACK MAIL : (UK, Obi Emelonye, 2022) Digital clippings file available
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still
[Black man down : film still showing naked female dancer holding hand toward camera with indigenous painted design on body]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BLACK MAN DOWN (AT, Bill McCrow, 1996) Summary: Image shows three traditional Australian dancers with the female dancer in focus, she is without clothing and has upper body covered with indigenous body paint. She holds her hand out to the camera.Notes: 2 adhesive labels on the reverse
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[Black man down : production still of man lying on the floor with woman in the background]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: BLACK MAN DOWN (AT, Bill McCrow, 1996) Summary: Photograph of a indigenous man laying on the floor and a indigenous woman kneeling on bed platform looking at the man.Notes: 2 adhesive labels on reverse of photograph
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still
[Black man down : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 12 x 18 cmSubject: BLACK MAN DOWN (AT, Bill McCrow, 1996) Summary: Two black and white photographs relating to the film Black man Down
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BLACK MAN'S HOUSES : (AT, Steve Thomas, 1993)
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[Black man's houses : poster]
Call No: P BLAPhysDes: 1 poster : col. ; 58 X 37 cm.Subject: BLACK MAN'S HOUSES (AT, Steve Thomas, 1993) Summary: Image: Soem peoples bring a case and picture of cemetery. Text: ' Real Aborigines are black...The last tasmanian Aborigine died in 1876...True or False?Notes: Laminated poster.
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[Black man's houses : stills file] / David Johns
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w ; 18 x 13 cmSubject: BLACK MAN'S HOUSES (AT, Steve Thomas, 1993) Summary: Four black and white photographs relating to the film Black man's houses
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BLACK MARBLE, THE : (US, Harold Becker, 1980)
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BLACK MARKET BABY : (US, Robert Day, 1977)
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BLACK MASS : (US, Scott Cooper, 2015)
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BLACK MIC-MAC : (FR, Thomas Gilou, 1986)
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BLACK MIC-MAC 2 : (FR, Marco Pauly, 1988)
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BLACK MIRROR [TV] : (UK, 2011-)
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BLACK MOON RISING : (US, Harley Cokliss, 1986)
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journal article
'Black Moon Rising' wraps on schedule in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5
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BLACK NARCISSUS : (UK, Michael Powell & Emeric Pressburger, 1947)
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BLACK PANTHER : (US, Ryan Coogler, 2018) Digital clippings file available
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script
Black panther / adapted screenplay written by Ryan Coogler & Joe Robert Cole US: [2018].
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book
Black Panther : 21st century film essentials / Scott Bukatman Austin: University of Texas Press, 2022.
Call No: 79 BLA BUKAuthor: Bukatman, Scott Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: 2022PhysDes: 222 pagesSubject: BLACK PANTHER (US, Ryan Coogler, 2018) ; BOSEMAN, CHADWICK ; FRUITVALE STATION (US, Ryan Coogler, 2013) ; MARVEL ENTERTAINMENT ; SUPERHEROES IN FILMS ; RACIAL ISSUES AND THE CINEMA Summary: Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.
Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions. -- publisher's web siteISBN: 9781477325353Contents: Preface -- Introduction: Tell Me a Story -- The Road to Wakanda -- Black Panther’s Black Body -- The Wakandan Dream -- The Killmonger Problem -- Conclusion: Why Do We Hide? -- -- Appreciations -- Notes -- Index
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digital clippings file
BLACK PANTHER TWO : (US, Ryan Coogler, 2022) Digital clippings file available
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digital clippings file
BLACK PANTHER WOMAN : (AT/US, Rachel Perkins, 2014) Digital clippings file available
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title clippings file
BLACK PANTHERS : VANGAURD OF THE REVOLUTION, THE : ([US], Stanley Nelson, 2015)
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title clippings file
BLACK PEARL, THE : (US, Saul Swimmer, 1977)
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journal article
Black Peter in Cinematheque Pacific FILM (Mar 1979) p.2
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BLACK PETER : (CZ, Milos Forman, 1964)
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BLACK PHONE, THE : (US, Scott Derrickson, 2021) Digital clippings file available
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journal article
The black pirate in The Movie (1982) vol.119 p.2368-2369
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BLACK PIRATE, THE : (US, Albert Parker, 1926)
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BLACK PRINCE, THE : (UK/II/US, Kavi Raz, 2017)
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BLACK RAIN : (US, Ridley Scott, 1989)
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BLACK RAINBOW : (UK, Mike Hodges, 1989)
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BLACK RIVER : (AT, Kevin Lucas, 1991)
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still
[Black river : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 20 x 25 cmSubject: BLACK RIVER (AT, Kevin Lucas, 1991) Summary: Two black and white photographs relating to the film Black river
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title clippings file
BLACK ROBE : (CN/AT, Bruce Beresford, 1991)
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Black Robe / Brian Moore London: Paladin, 1985.
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poster
[Black robe : poster]
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still
[Black robe : stills file] Hoyts Distribution Pty. Limited,
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title clippings file
BLACK ROSES : (US, John Fasano, 1989)
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BLACK SEA : (UK/US/RU, Kevin Macdonald, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BLACK SEA (UK/US/RU, Kevin Macdonald, 2014) URL status: URL: 'http://file://Q:/T/BLACK_SEA.zip'
Checked: 31/08/2021 1:31:51 PM
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personality microfilm collection
BLACK, SHANE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLACK, SHANE
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title clippings file
BLACK SHEEP : (US, Penelope Spheeris, 1996)
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BLACK SHEEP : (NZ, Jonathan King, 2006)
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BLACK SNAKE MOAN : US, Craig Brewer, 2007
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journal article
The black stallion: myth and archetype in Film/Psych R. (Summer-Fall 1980) vol.4 iss.2 p.183-193
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book
The black stallion picture book / by Walter Farley New York: Scholastic Book Services, c1968.
Call No: N79BLA FARAuthor: Farley, Walter Source: USPlace: New YorkPublisher: Scholastic Book ServicesPubDate: c1968PhysDes: 56 p. : col. ill. ; 29 cmSubject: BLACK STALLION, THE (US, Caroll Ballard, 1979) Summary: Young Alec Ramsay is shipwrecked on a desert island with a horse destined to play an important part in his life. Following their rescue their adventures continue in America.ISBN: 0590315641
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BLACK STALLION RETURNS, THE : (US, Robert Dalva, 1983)
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BLACK STALLION, THE : (US, Caroll Ballard, 1979)
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BLACK SUN : (AT, Amanda Jane, 1996)
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BLACK SUN : (UK, Gary Tarn, 2005)
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BLACK SUNDAY : (US, John Frankenheimer, 1977)
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BLACK SWAN : (US, Darren Aronofsky, 2010)
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BLACK SWAN - MERYL TANKARD, THE : (AT, Michelle Mahrer, 1994)
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BLACK TALK : (AT, Wayne Blair, 2002)
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BLACK TO THE PROMISED LAND : (IS, Madeline Ali, 1992)
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BLACK WATER : (AT, David Nerlich & Andrew Traucki, 2007)
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script
Black water: abyss : combined continuity and master spotting list / written by Ian John Ridley & Sarah Smith 11/07/1905. Digital clippings file available
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[Black water : poster]
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BLACK & WHITE & SEX : (AT, John Winter, 2011)
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BLACK WIDOW : (US, Bob Rafelson, 1987)
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Black widow : un-American ways in Freeze Frame (May 1987) vol.1 iss.2 p.10-13
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BLACK WIDOW : (US, Cate Shortland, 2021) Digital clippings file available
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BLACK WIDOWER : (AT, Marie Budimir, 1984)
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BLACKADDER [TV] : (UK, 1983)
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BLACKBALL : (UK, Mel Smith, 2003)
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BLACKBOARD JUNGLE : (US, Richard Brooks, 1955)
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title clippings file
Blackeyes [TV] : AT/NZ, 1989
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subject clippings file
BLACKFELLA FILMS
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BLACKFELLAS : (AT, James Ricketson, 1992)
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[Blackfellas : poster]
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[Blackfellas : stills title]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 20 photographs : b&w ; 13 x 18 cmSubject: PARFITT, TREVOR ; NANNUP, FRANK ; MOORE, JOHN ; NGOOMBUJARRA, DAVID ; WILKES, JUDITH ; HUDSPETH, JULIE ; CHARLES, JACK ; RILEY, JAYLENE ; KINCHELA, LISA ; DINGO, ERNIE ; RICKETSON, JAMES ; HARGREAVES, JOHN ; BLACKFELLAS (AT, James Ricketson, 1992) Summary: 20 black and white photographs relating to the film BlackfellasNotes: Some black and white photographs contain duplicates
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digital clippings file
BLACKFISH : (US, Gabriela Cowperthwaite, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BLACKFISH (US, Gabriela Cowperthwaite, 2013) URL status: URL: 'http://file://Q:/T/BLACKFISH.zip'
Checked: 31/08/2021 1:38:44 PM
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title clippings file
BLACKJACK : (AT, Peter Andrikidis, 2003)
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title clippings file
BLACKKKLANSMAN : (US, Spike Lee, 2018)
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script
BlacKkKlansman : Written by Charlie Wachtel & David Rabinowitz / Wachtel, Charlie / Rabinowitz, David New York: 40 Acres And A Mule Filmworks, Inc., 2016.
Call No: S BLAEdition: DraftSource: USPlace: New YorkPublisher: 40 Acres And A Mule Filmworks, Inc.PubDate: 2016PhysDes: 124 pages, 30cmSubject: BLACKKKLANSMAN (US, Spike Lee, 2018) Notes: Published script
Revisions by Kevin Willmott and Spike Lee -- 5/27/17, 5/29/17, 6/7/17, 6/9/17, 6/15/19, 6/23/17, 7/5/17, 7/17/17 -- as noted on the title page
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personality clippings file
BLACKLEY, GRANT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLACKLEY, GRANT
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title clippings file
THE BLACKLIST [TV] : US, 2013-?
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subject clippings file
BLACKLISTING. USA
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subject clippings file
BLACKMAGIC DESIGN
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book
Blackmail / Tom Ryall London: BFI Pub., 1993.
Call No: 79BLA RYAAuthor: Ryall, Tom CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI Pub.PubDate: 1993PhysDes: 64 p. : ill. ; 19 cmSeries: BFI film classicsSubject: BLACKMAIL (UK, Alfred Hitchcock, 1929) Notes: Bibliography: p. 64ISBN: 0851703569 (pbk.) : No priceLON: bnb85170356; 9913328
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BLACKMAIL (UK, Alfred Hitchcock, 1929)
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BLACKMAN, ANDREW
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLACKMAN, ANDREW
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BLACKMAN, HONOR Digital clippings file available
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BLACKOUT : (CN/FR, Eddy Matalon, 1978)
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BLACKOUT : (NO, Erik Gustavson, 1986)
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BLACKOUT : (US, Doug Adams, 1988)
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BLACKOUT : (US, Douglas Hickox, 1985)
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BLACKROCK : (AT, Steven Vidler, 1997)
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book
Blackrock / original screenplay by Nick Enright Sydney: Currency Press, 1997.
Call No: 79BLA ENRAuthor: Enright, Nick Source: ATPlace: SydneyPublisher: Currency PressPubDate: 1997PhysDes: x, 89 p. : ill. ; 21 cmSubject: BLACKROCK (AT, Steven Vidler, 1997) ISBN: 0868195316Donation: donated by the family of Wayne Levy, 2006
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title clippings file
BLACKS AND JEWS : (US, Alan Snitow & Deborah Kaufman, 1997)
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book
Blacks in American films : Today and yesterday / by Edward Mapp Metuchen, NJ: Scarecrow Press, 1972.
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BLACKSNAKE : (US, Russ Meyer, 1973)
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BLACKTOWN : (AT, Kriv Stenders, 2005)
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BLACKTRACKER : SERGEANT TRACKER : (AT, Michael Riley, 1997)
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BLACKWELL, MADELINE
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BLACKWELL, PAUL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: StillsSubject: BLACKWELL, PAUL
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BLACKWOOD, CHRISTIAN
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journal article
Blacula in Cinefanastique (Summer 1973) vol.2 iss.4 p.34
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title clippings file
BLADE : (US, Stephen Norrington, 1998)
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BLADE II : (US, Guillermo Del Toro, 2002)
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Blade runner / Scott Bukatman London: British Film Institute, 1997.
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BLADE RUNNER : (US, Ridley Scott, 1982) Digital clippings file available
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journal article
Blade Runner in Prevue (Apr/May 1982) vol.2 iss.7 p.56-57, 67
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journal article
Blade Runner : Harrison Ford in Prevue (Jun/Jul 1982) vol.2 iss.8 p.70-73
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book
Blade Runner / Sean Redmond Leighton Buzzard: Auteur,
Call No: 79 BLA REDAuthor: Redmond, Sean Edition: 2016Place: Leighton BuzzardPublisher: AuteurPhysDes: 90 pages : illustrated ; 20 cmSeries: ConstellationsSubject: BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) Summary: Ridley Scott's 1982 film Blade Runner is now widely recognized as an undisputed masterwork of science fiction cinema and one of the most influential films released in the last forty years. Yet on its original release it was both a critical and commercial failure, criticized for its perceived prioritizing of style over content and a narrative that did not deliver the anticipated high octane action that its star casting and large budget normally promise. How did a film that was removed from circulation within a month of its premiere come to mean so much to modern audiences and provide such a rich seam of material for film and media studies? Sean Redmond excavates the many significances of the film – its breakthrough use of special effects as a narrative tool; its revolutionary representation of the future city; its treatment of racial and sexual politics; and its unique status as a text whose meaning was fundamentally altered in its re-released Director's Cut form, then further revised in a Final Cut in 2007, and what this means in an institutional context.
This volume was previously published as Studying Blade Runner in 2008. -- publisher's web siteISBN: 9781911325093Donation: Senses of CinemaContents: Contents -- Introduction: Reading (into) the Greatest Science Fiction Film Ever Made -- 1. Genre -- 2. Narrative -- 3. Representation -- 4. Institutions and Authors -- 5. Audiences -- 6. Textual Analysis -- Conclusion: What Does it Mean to be Human? -- Afterword (2016): AfterHuman -- Bibliography and Filmography
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BLADE RUNNER 2049 : (US/UK/CN, Denis Villeneuve, 2017)
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BLADE RUNNER 2099 [TV] : (US, 2022) Digital clippings file available
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title clippings file
BLADE RUNNER: THE DIRECTOR'S CUT : (US, Ridley Scott, 1982)
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title clippings file
BLADE RUNNER: THE FINAL CUT : (US, Ridley Scott, 1982)
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title clippings file
BLADE: TRINITY : (US, David S. Goyer, 2004)
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title clippings file
BLADES OF GLORY : (US, Josh Gordon & Will Speck, 2007)
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BLAGG, LINDA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAGG, LINDA
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personality microfilm collection
BLAHOVA, DASHA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAHOVA, DASHA
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personality clippings file
BLAIN, GERARD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLAIN, GERARD
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personality microfilm collection
BLAINE, VIVIAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAINE, VIVIAN
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personality clippings file
BLAIR, BETSY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLAIR, BETSY
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personality clippings file
BLAIR, JOCK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLAIR, JOCK
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personality microfilm collection
BLAIR, JON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAIR, JON
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personality clippings file
BLAIR, LINDA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLAIR, LINDA
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BLAIR, NATALIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLAIR, NATALIE
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BLAIR, SELMA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLAIR, SELMA
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digital clippings file
BLAIR, WAYNE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BLAIR, WAYNE URL status: URL: 'http://file://Q:/P/BLAIR,_WAYNE.zip'
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digital clippings file
BLAIR WITCH : (US, Adam Wingard, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BLAIR WITCH (US, Adam Wingard, 2016) URL status: URL: 'http://file://Q:/T/BLAIR_WITCH.zip'
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title clippings file
BLAIR WITCH 2: BOOK OF SHADOWS : (US, Joe Berlinger, 2000)
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journal article
The Blair witch project in If magazine (Dec 1999-Jan 2000) iss.20 p.28-30
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book
The Blair Witch project / a dossier compiled by D.A Stern London: Boxtree, 1999.
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BLAIR WITCH PROJECT, THE : (US, Daniel Myrick & Eduardo Sanchez, 1999)
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BLAIS, GILLES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAIS, GILLES
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title clippings file
BLAISE PASCAL : (IT, Roberto Rossellini, 1972)
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BLAKE, DAVID
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLAKE, DAVID
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BLAKE, HAMISH Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BLAKE, HAMISH URL status: URL: 'http://file://Q:/P/BLAKE,_HAMISH.zip'
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personality microfilm collection
BLAKE, JON
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAKE, JON
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personality microfilm collection
BLAKE, JULIA
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAKE, JULIA
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BLAKE, LES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAKE, LES
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BLAKE MYSTERIES, THE [TV] : (AT, 2019)
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BLAKE, RACHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAKE, RACHAEL
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BLAKE, ROBERT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAKE, ROBERT
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BLAKE, SALLY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAKE, SALLY
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BLAKE, SONNY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAKE, SONNY
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BLAKELY, RACHEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLAKELY, RACHEL
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BLAKEMORE, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: BLAKEMORE, MICHAEL
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title clippings file
BLAME : (AT, Michael Henry, 2011)
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title clippings file
BLAME IT ON RIO : (US, Stanley Donen, 1984)
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BLAME IT ON THE BELLBOY : (UK/US, Mark Herman, 1992)
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title clippings file
BLAME IT ON THE NIGHT : (US, Gene Taft, 1984)
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poster
[Blame : poster] AT: [2011].
Call No: P BLAPlace: ATPubDate: [2011]PhysDes: 1 poster : col. ; 100 x 69 cmSubject: BLAME (AT, Michael Henry, 2011) Summary: Image: Red silhouette of a man holding knuckleduster in a black doorway, casting a red shadow that reads "Blame". Text: To get away with murder you can't make mistakes'Notes: Two copies held
The Australian content certification/rating has been stickered over the 'Check the classification' bar.ID2: 44
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BLANC, MEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLANC, MEL
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BLANC, MICHEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLANC, MICHEL
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BLANCANIEVES : SP/BE/FR, Pablo Berger, 2012
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BLANCH, JEWEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLANCH, JEWEL
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BLANCHARD, RON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLANCHARD, RON
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BLANCHARD, TERENCE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLANCHARD, TERENCE
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still
[Blanche fury: stills file]
Call No: TITLE STILLS INTERNATIONALSource: ATPhysDes: 1 photograph : b&w ; 17 x 22 cmSubject: BLANCHE FURY (UK, Marc Allégret, 1948) Summary: Valerie Hobson and Stewart Granger in BLANCHE FURYNotes: Image donated by Brian McFarlane
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BLANCHE, VIKKI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLANCHE, VIKKI
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BLANCHETT, CATE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Clippings; StillsSubject: BLANCHETT, CATE URL status: URL: 'http://file://Q:/P/BLANCHETT,_CATE.zip'
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newspaper article
Blanchett has political moment at film awards in Sydney Morning Herald (12/12/2015) p.33
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newspaper article
Blanchett honoured with highest film award in Sun Herald (06/12/2015) p.12
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title clippings file
BLANCS CASSES : (FR, Philippe Venault, 1989)
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BLANK CHECK : (US, Rupert Wainwright, 1994)
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BLANK CITY : (US, Celine Danhier, 2009)
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personality microfilm collection
BLANK, LES
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLANK, LES
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dvd
Blankety blanks [DVD] [Melbourne]: Umbrella Entertainment, c2005..
Call No: D Blankety blanksPlace: [Melbourne]Publisher: Umbrella EntertainmentPubDate: c2005.PhysDes: 5 videodiscs (DVD) (743 min.) : sd., col. ; 4 3/4 in.Subject: BLANKETY BLANKS [TV] (AT, 1977-79) Summary: "In 1977, for 5 nights a week, Australia tuned in and laughed out loud as Graham Kennedy turned the game show format into a 30 minute tour de force of double entendres and inspired lunacy"--cover.Notes: Includes interviews by Blankety blanks panellists Ugly Dave Gray, Carol Raye & John Paul Young.
Special feature disc All at sea, [disc 5] is a saucy comedy treat starring cast members from Blankety blanks, Celebrity game, and No. 96 as a group of misfits attempting to run a holiday resort.
Censorship classification : M - mature audiences.Contents: Special feature disc All at sea.Technical Details: 4 videodiscs dual layer format DVD 9, 1 videodisc DVD 5Credits: A Reg Grundy production for the Ten Network Australia.Also Titled: Graham Kennedy's blankety blanks; All at sea (Motion picture)Standard Number: 3000000072851
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title clippings file
BLANKETY BLANKS [TV] : (AT, 1977-79)
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title clippings file
BLANKMAN : (US, Mike Binder, 1994)
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personality microfilm collection
BLANKS, JAMIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLANKS, JAMIE
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title clippings file
BLASSBLAUE FRAUENSCHRIFT, EINE : (AU, Axel Corti, 1984)
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title clippings file
BLAST 'EM : (CN, Joseph Blasioli, 1992)
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title clippings file
BLAST FROM THE PAST : (US, Hugh Wilson, 1999)
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newspaper article
Blast from the past in Weekend Australian [Review] (17/10/2015) p.14
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title clippings file
BLAST OF SILENCE : (US, Allen Baron, 1961)
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title clippings file
BLASTFIGHTER : (IT, John Old, Jr. [pseud. of Lamberto Bava], 1985[prod.1983])
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personality clippings file
BLATTY, WILLIAM PETER
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title clippings file
BLAUE ENGEL, DER : (G, Josef von Sternberg, 1930)
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title clippings file
BLAUVOGEL : (GE, Ulrich Weiss, 1979)
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book
Blaxploitation cinema : the essential reference guide / Josiah Howard Guildford: FAB Press, 2008.
Call No: 722.81 (=9) HOWAuthor: Howard, Josiah Source: UKPlace: GuildfordPublisher: FAB PressPubDate: 2008PhysDes: 239 pages; illustrations ; 26 cmSubject: BLAXPLOITATION FILMS ; POSTERS Summary: An overview of the Blaxploitation genre of cinema, with: interivews of key film directors, over 270 film listings, and colour poster reproductions for many of the films mentioned in the bookISBN: 9781903254448Contents: About the book -- defining Blaxploitation films -- What's Going On? -- Q&A: ten directors discuss their films -- Paul Bogart, Matt Cimer, Larry Cohen, Robert A. Endelson, Jamaa Fanaka, Jack Hill, Jonathan Kaplan, Arthur Marks, Cirio H. Santiago, Don Schain -- A-to-Z Blaxploitation filmography -- bibliography -- Blaxploitation Admat gallery -- index
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subject clippings file
BLAXPLOITATION FILMS
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book
Blaxploitation films / Mikel J Koven Harpenden, Herts, UK: Kamera Books, 2010.
Call No: 722.81 (=9) KOVAuthor: Koven, Mikel J Source: UKPlace: Harpenden, Herts, UKPublisher: Kamera BooksPubDate: 2010PhysDes: 160 p., [8] p. of col. plates : col. ill., ports ; 20 cmSubject: BLAXPLOITATION FILMS ; ETHNIC GROUPS IN FILMS ; ETHNIC GROUPS IN FILMS Summary: In the early 1970s a type of film emerged that featured all-black casts; really cool soul, R 'n' B, and disco soundtracks; characters sporting big guns, big dashikis, and even bigger 'fros; and had some of the meanest, baddest attitudes to shoot their way across the screen. An antidote to the sanitized "safe" images of blackness that Sidney Poitier and Bill Cosby presented to America, these films depicted a reality about the world which African-American audiences could identify with, even if the stories themselves were pure fantasy. This guide reviews and discusses more than 60 Blaxploitation films, considering them from the perspectives of class and racial rebellion, genre, and Stickin' it to the Man. Subgenres covered include Blaxploitation horror films, kung-fu movies, westerns, and parodiesNotes: Includes bibliographical references and indexISBN: 9781842433348
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digital clippings file
BLAZE : (US, Ron Shelton, 1989) Digital clippings file available
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title clippings file
BLAZE : (US, Ethan Hawke, 2018)
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journal article
Blaze Glory in Federation news (March-June 1978) iss.95/96 p.41
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digital clippings file
BLAZE, SHAYNNA Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BLAZE, SHAYNNA
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personality microfilm collection
BLAZEY, PETER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLAZEY, PETER
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title clippings file
BLAZING BOARDS : (US, Chris Bystrom, 1984)
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title clippings file
Bleak Moments : UK, Mike Leigh, 1971
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personality clippings file
BLEASDALE, ALAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLEASDALE, ALAN
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still
[Bleazby, Carl : studio headshot of Carl Bleazby]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 25 X 20 cm.Subject: Bleazby, Carl Summary: Studio headshot of Carl BleazbyNotes: image yellowing; details written in pen on reverse; agents stamp, stickers with name and address on reverse
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title clippings file
BLECHTROMMEL, DIE : (GW/FR/YU/PL, Volker Schlondorff, 1979)
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title clippings file
BLEED FOR THIS : (US, Ben Younger, 2016)
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title clippings file
BLEEDER, THE : (US, Philippe Falardeau, 2016)
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digital clippings file
BLEEDING HEART : (US, Diane Bell, 2015) Digital clippings file available
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title clippings file
BLEEDING STEEL : (C, Lijia Zhang, 2017)
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title clippings file
BLEIERNE ZEIT, DIE : (GW, Margarethe von Trotta, 1981)
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title clippings file
BLENDED : US, Frank Coraci, 2014
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title clippings file
BLESS THE CHILD : (US, Chuck Russell, 2000)
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title clippings file
BLESS THEIR LITTLE HEARTS : (US, Billy Woodberry, 1984)
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digital clippings file
BLESSED : (AT, Ana Kokkinos, 2009) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BLESSED (AT, Ana Kokkinos, 2009) URL status: URL: 'http://file://Q:/T/BLESSED.zip'
Checked: 31/08/2021 1:18:51 PM
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title clippings file
BLESSED MARY: A SAINT FOR ALL AUSTRALIANS [TV] : (AT, Serge Ou, 2010)
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poster
[Blessed : poster] AT:
Call No: P BLEPlace: ATPhysDes: 1 poster : col. ; 100 X 70 cm.Subject: BLESSED (AT, Ana Kokkinos, 2009) Summary: Image: Two female characters. Text: Everyone has to find their own way home.ID2: 43
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title clippings file
BLESSING : (US, Paul Zehrer, 1994)
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title clippings file
BLESSURE : (FR, Michel Gerard, 1985)
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personality microfilm collection
BLETHYN, BRENDA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLETHYN, BRENDA
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title clippings file
BLEU COMME L'ENFER : (FR, Yves Boisset, 1986)
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title clippings file
BLEU DE VILLES, LE : (FR, Stephanie Brize, 1999)
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personality clippings file
BLEUTH, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: StillsSubject: BLEUTH, JOHN
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clippings file
EIN BLICK- UND DIE LIEBE BRICHT AUS : G, Jutta Bruckner, 1986
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title clippings file
BLICK - UND DIE LIEBE BRICHT AUS, EIN : (GW, Jutta Bruckner, 1986)
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title clippings file
BLIGHT : (UK, John Smith, 1996)
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personality microfilm collection
BLIGHT, ROSEMARY
Call No: PERSONAILITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLIGHT, ROSEMARY
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title clippings file
BLIND : (US, Frederick Wiseman, 1987)
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title clippings file
BLIND AMBITION : (UK, Richard Standeven, 2000)
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title clippings file
BLIND COMPANY : (AT, Alkinos Tsilimidos, 2009)
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title clippings file
BLIND DATE : (US, Blake Edwards, 1987)
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title clippings file
BLIND DATE [TV] : (AT, 2018 - )
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title clippings file
BLIND FAITH : (US, Ernest Dickerson, 1998)
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title clippings file
BLIND FLIGHT : (UK, John Furse, 2003)
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title clippings file
Blind Fury : US, Phillip Noyce, 1989
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title clippings file
BLIND SIDE, THE : (US, John Lee Hancock, 2009)
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title clippings file
BLINDED BY THE LIGHT : (UK/US, Gurinder Chadha, 2019)
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title clippings file
BLINDER : (AT, Richard Gray, 2013)
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script
Blinder / written by Scott Didier, Richard Gray, Michele Grey 2012.
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title clippings file
BLINDFOLD : (US, Lawrence L. Simeone, 1993)
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title clippings file
BLINDMAN'S BLUFF : (AT, Rachel Ward, 2000)
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title clippings file
BLINDNESS : (CN/BL/JA, Fernando Meirelles, 2008)
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title clippings file
BLINDSIGHT : (UK, Lucy Walker, 2006)
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title clippings file
BLINDSPOTTING : (US, Carlos Lopez Estrada, 2018)
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title clippings file
BLING: A PLANET ROCK : (USA, Raquel Cepeda, 2007)
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clippings file
THE BLING RING : US/UK/G/FR, Sofia Coppola, 2013
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script
The bling ring / Written by Sofia Coppola 2012 Mar. 16.
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title clippings file
BLINK : (US, Micheal Apted, 1994)
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title clippings file
BLINKY AND ME : (US/PL, Tomasz Magierski, 2011)
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title clippings file
Blinky Bill : AT, Yoram Gross, 1992
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Online resource
script
Blinky Bill : post production script / by Fin Edquist Camperdown, NSW: 8/05/2015. Digital clippings file available
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Levy Collection
book
Blinky Bill and the new village Melbourne: Budget Books, 1992.
Call No: 79 BLI YORCorpAuthor: Yoram Gross film studiosSource: ATPlace: MelbournePublisher: Budget BooksPubDate: 1992PhysDes: 32 p. : illus. ; 14 x 13 cmSeries: Blink Bill mini booksSubject: BLINKY BILL [TV] (AT, 1984) ISBN: 0732317568Donation: donated by the family of Wayne Levy, 2006
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Levy Collection
book
Blinky Bill learns a lesson Melbourne: Budget Books, 1992.
Call No: 92 BLI GROCorpAuthor: Yoram Gross film studiosSource: ATPlace: MelbournePublisher: Budget BooksPubDate: 1992PhysDes: 32 p. : illus. ; 14 x 13 cmSeries: Blinky Bill mini booksSubject: BLINKY BILL [TV] (AT, 1984) ISBN: 0732317592Donation: donated by the family of Wayne Levy, 2006
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poster
[Blinky Bill: poster] : The mischievous koala Australia: 1992.
Call No: P BLIPlace: AustraliaPubDate: 1992PhysDes: 1 poster : colour ; 34 x 63 cmSubject: BLINKY BILL (AT, Yoram Gross, 1992) Summary: Image: Cartoon illustration of Blinky Bill and his friends fleeing from a bulldozer.
Text: "Adults at children's prices"Notes: poster
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Levy Collection
book
Blinky Bill's adventures Melbourne: Budget Books, 1992.
Call No: 92 BLI GROCorpAuthor: Yoram Gross film studiosSource: ATPlace: MelbournePublisher: Budget BooksPubDate: 1992PhysDes: 13 cm;Series: Blinky Bill mini booksSubject: BLINKY BILL [TV] (AT, 1984) ISBN: 0732317576
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still
[Blinky Bill : stills file] Greater Union Destributors (distributor),
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Greater Union Destributors (distributor)PhysDes: 2 photographs : b&w ; 13 x 17 cm. + 1 brochure : col. ; 30 cm x 21 cmSubject: BLINKY BILL (AT, Yoram Gross, 1992) Summary: Two black and white photographs and one colour advertisement brochure relating to Blinky Bill
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book
Blinky Bill the mischievous koala / written by John Palmer Melbourne: Budget Books, 1992.
Call No: N79BLI PALAuthor: Palmer, John CorpAuthor: Sally OdgersSource: ATPlace: MelbournePublisher: Budget BooksPubDate: 1992PhysDes: 96 p. : col. ill. ; 30 cmSubject: BLINKY BILL (AT, Yoram Gross, 1992) Notes: With illustrations from the film ; based on the characters of Dorothy WallISBN: 0732316464Donation: donated by the family of Wayne Levy, 2006
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title clippings file
BLINKY BILL THE MOVIE : (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
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Levy Collection
book
Blinky Bill to the rescue Melbourne: Budget Books, 1992.
Call No: 79 BLI YORCorpAuthor: Yoram Gross film studiosSource: ATPlace: MelbournePublisher: Budget BooksPubDate: 1992PhysDes: 13 cm;Series: Blinky Bill mini booksSubject: BLINKY BILL [TV] (AT, 1984) ISBN: 073231755XDonation: donated by the family of Wayne Levy, 2006
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title clippings file
Blinky Bill [TV] : AT, [1984-1994]
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title clippings file
blinky bill the movie in production
Blinky's back and this time he's a bloody beauty in Sunday Telegraph [Insider] (20 Sep 15) p.120
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title clippings file
BLISS : (US, Lance Young, 1997)
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title clippings file
BLISS : (AT, Ray Lawrence, 1985)
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journal article
Bliss in Filmviews (Summer 1985/86) vol.30 iss.126 p.30
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journal article
Bliss in Encore (Jan-Feb 1985) vol.2 iss.24 p.11 -12
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Online resource
digital clippings file
BLISS : (US, Mike Cahill, 2021) Digital clippings file available
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journal article
"Bliss"and "The Coca-Cola Kid" make it a record for Cannes in Encore (May 1985) vol.3 iss.6 p.5
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journal article
"Bliss" at the box office delights NSWFC in Encore (10-23 October 1985) vol.3 iss.17 p.4
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journal article
"Bliss" continues its run at award ceremionies in Encore (25 Spet.-8 Oct. 1986) vol.4 iss.17 p.6
PhysDes: ArticleSubject: BLISS (AT, Ray Lawrence, 1985) Summary: "Bliss" named best Australian film by Sydney Film Critics Circle. All nominations and winners listed
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personality clippings file
BLISS, DIANA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLISS, DIANA
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journal article
'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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still
[Bliss : stills files]
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book
Bliss, the screenplay / Peter Carey and Ray Lawrence St. Lucia, Qld.: University of Queensland Press, 1986, c1985.
Call No: 79BLI CARAuthor: Carey, Peter, 1943 ; Lawrence, Ray Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1986, c1985PhysDes: 142 p. : ill., port. ; 20 cmSubject: BLISS (AT, Ray Lawrence, 1985) Notes: First published: London : Faber and Faber, 1986ISBN: 0702219096 : $12.95 AustLON: anb70221909; 4794229
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digital clippings file
BLITHE SPIRIT : (UK, Edward Hall, 2020) Digital clippings file available
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journal article
The Blob in British Federation of Film Societies Newsletter (April 1972) iss.139 p.27
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title clippings file
Blob, The : US, Chuck Russell, 1988
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personality microfilm collection
BLOCH, ROBERT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLOCH, ROBERT
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personality microfilm collection
BLOCK, DARREN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLOCK, DARREN
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title clippings file
BLOCK PARTY : (US, Michel Gondry, 2005)
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title clippings file
BLOCK, THE [TV] : (AT, 2003-)
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subject clippings file
BLOCKBUSTER
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BLOCKBUSTER
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digital clippings file
BLOCKBUSTERS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BLOCKBUSTERS URL status: URL: 'http://file://Q:/S/BLOCKBUSTERS.zip'
Checked: 31/08/2021 12:40:42 PM
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subject clippings file
BLOCKBUSTERS. AUSTRALIA
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title clippings file
BLOCKERS : (US, Kay Cannon, 2018)
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title clippings file
BLOKBASTER : (RU, Roman Volobuev, 2017)
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personality microfilm collection
BLOM, GARY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLOM, GARY
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personality clippings file
BLOMKAMP, NEILL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLOMKAMP, NEILL
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journal article
Blomstrande tider in News (Septermber 1979) vol.1 iss.12
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digital clippings file
BLONDE : (US, Andrew Dominik, 2022) Digital clippings file available
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title clippings file
BLONDE [TV] : (US, Joyce Chopra, 2001)
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title clippings file
Blonde Venus : (US, Josef von Sternberg, 1932)
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personality microfilm collection
BLONSKI, ANNETTE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLONSKI, ANNETTE
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personality clippings file
BLONSKY, NIKKI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLONSKY, NIKKI
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title clippings file
BLOOD AND ASH : (AT, Emma Freeman, 2000)
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title clippings file
BLOOD AND WINE : (US, Bob Rafelson, 1996)
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title clippings file
BLOOD BROTHER : (US, John Pogue, 2018)
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title clippings file
BLOOD BROTHERS : [TV] (AT, Rachel Perkins, Ned Lander & Trevor Graham, 1993)
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title clippings file
BLOOD DIAMOND : (US, Edward Zwick, 2006)
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title clippings file
BLOOD DINER : (US, Jackie Kong, 1987)
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digital clippings file
BLOOD FATHER : (FR, Jean - Francois Richet, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BLOOD FATHER (FR, Jean - Francois Richet, 2016) URL status: URL: 'http://file://Q:/T/BLOOD_FATHER.zip'
Checked: 31/08/2021 1:43:18 PM
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title clippings file
BLOOD HOOK : (US, James Mallon, 1987)
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title clippings file
BLOOD IN BLOOD OUT : (US, Taylor Hackford, 1993)
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title clippings file
BLOOD IN THE FACE : (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991)
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title clippings file
BLOOD MONEY : (AT, Chris Fitchett, 1979)
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title clippings file
BLOOD MONEY : (US, Lucky McKee, 2017)
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script
[Blood money] Softly fell the rain / Screenplay by Chris Fitchett, John Ruan and Ellery Ryan AT: [1979?].
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title clippings file
BLOOD OATH : (AT, Stephen Wallace, 1990)
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book
Blood oath / based on the screenplay by Brian A. Williams and Denis Whitburn North Ryde, NSW: Collins/Angus Robertson, 1990.
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poster
[Blood oath: poster] : When does war end and murder begin Australia: 1990.
Call No: P BLOPlace: AustraliaPubDate: 1990PhysDes: 1 poster : colour ; 34 x 68 cmSubject: BLOOD OATH (AT, Stephen Wallace, 1990) Summary: Image: A standing woman and sitting man wearing army fatigues.
Text: "a journey from blind justice to soaring compassion"Notes: poster / calendar
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still
[Blood oath : stills file]
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title clippings file
BLOOD OF OTHERS, THE : [TV] (CN/FR, Claude Chabrol, 1984)
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title clippings file
BLOOD ON THE CHANDELIER : (AT, Jeffrey Norris, 1995)
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journal article
Blood Pulls a Gun in Australian Cinematographer (June 2014) iss.62 p.22-27
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digital clippings file
BLOOD SIMPLE : (US, Joel Coen, 1984) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Stills; ArticleSubject: BLOOD SIMPLE (US, Joel Coen, 1984) URL status: URL: 'http://file://Q:/T/BLOOD_SIMPLE.zip'
Checked: 31/08/2021 12:52:12 PM
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Interim
book
Blood simple / Joel Coen and Ethan Coen New York: Faber and Faber, 1988.
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journal article
Blood simple in Metro (November 1985) iss.68 p.37-38
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title clippings file
BLOOD & THUNDER : THE SOUND OF ALBERTS : (AT, Paul Clarke, 2015)
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title clippings file
BLOOD TIDE : (UK/GR, Richard Jefferies, 1982)
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digital clippings file
BLOOD TIES : (FR/US, Guillaume Canet, 2013) Digital clippings file available
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digital clippings file
BLOOD VESSEL : (AT, Justin Dix,2019) Digital clippings file available
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title clippings file
BLOOD WORK : (US, Clint Eastwood, 2002)
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title clippings file
BLOODBATH AT THE HOUSE OF DEATH : (UK, Ray Cameron, 1984)
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title clippings file
BLOODBROTHERS : (US, Robert Mulligan, 1978)
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title clippings file
BLOODHOUNDS OF BROADWAY : (US, Howard Brookner, 1989)
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title clippings file
BLOODLINE : (US, Terence Young, 1979)
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title clippings file
BLOODLOCK : (AT, Nash Edgerton & Kieran Darcy Smith, 1999)
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journal article
Bloodlock [short of the issue] in If magazine (Feb-Mar 2000) iss.21 p.24
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title clippings file
BLOODLUST : (AT, Richard Wolstencroft & Jon Hewitt, 1991)
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title clippings file
BLOODMOON : (AT, Alec Mills, 1990)
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digital clippings file
BLOODSHOT : (US/C, Dave Wilson, 2020) Digital clippings file available
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digital clippings file
BLOODSHOT HEART : (AT, Parish Malfitano, 2020) Digital clippings file available
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script
Bloodshot heart / story and screenplay Parish Malfitano 27/07/2018. Digital clippings file available
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title clippings file
BLOODSPORT : (US, Newt Arnold, 1988)
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still
[Bloodsport : Stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 18 x 20 cm - 20 x 25 cmSubject: BLOODSPORT (AT, Graham Irwin, 1979) Summary: Two black and white photographs relating to the short feature film Bloodsport
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title clippings file
BLOODSUCKING FREAKS : (US, Joel M. Reed, 1982)
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title clippings file
Bloody Child, The : US, Nina Menkes, 1996
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digital clippings file
BLOODY HELL : (US/AT, Alister Grierson, 2020) Digital clippings file available
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script
Bloody hell / written by Robert Benjamin; revisions by Robert Benjamin and Joshua Paul [US]: 28/03/2019. Digital clippings file available
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title clippings file
BLOODY KIDS : (UK, Stephen Frears, 1980)
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title clippings file
BLOODY MAMA : (US, Roger Corman, 1970)
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title clippings file
[BLOODY MORNING] : (CC, Li Shaohong, 1992)
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title clippings file
BLOODY SUNDAY : (IE/UK, Paul Greengrass, 2002)
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personality microfilm collection
BLOOM, CLAIRE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: BLOOM, CLAIRE
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digital clippings file
BLOOM, ORLANDO Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BLOOM, ORLANDO URL status: URL: 'http://file://Q:/P/BLOOM,_ORLANDO.zip'
Checked: 31/08/2021 1:09:31 PM
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digital clippings file
BLOOM [TV] : (AT, 2019-) Digital clippings file available
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title clippings file
BLOOMFIELD : (UK, Richard Harris, 1971)
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digital clippings file
BLOOPERS Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BLOOPERS
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personality clippings file
BLOSFELDS, ANDREA
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title clippings file
BLOSSOMS OF FIRE, THE : (US, Maureen Gosling and Ellen Osborne, 2000)
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title clippings file
BLOW : (US, Ted Demme, 2001)
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title clippings file
BLOW DRY : (G/UK/US, Paddy Breathnach, 2001)
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journal article
Blow out in Metro (Summer/Autumn 1982) iss.58 p.58
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title clippings file
Blow Out : US, Brian de Palma, 1981
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journal article
Blow Up : Episode 3 in Melbourne Film Bulletin (June 1968) iss.3 p.36-38
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journal article
Blow your own trumpet in Film Index iss.28 p.66
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BLOWIN' IN THE WIND : (AT, David Bradbury, 2005)
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Blowin' in the Wind : AT, David Bradbury, 2005
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title clippings file
BLOWN AWAY : (US, Stephen Hopkins, 1994)
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title clippings file
BLOWN AWAY : (US, Stephen Hopkins, 1994)
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title clippings file
BLOWN AWAY : (AT, Paul Witzig, 1985)
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title clippings file
BLOWN AWAY [TV] : (AT, Danielle MacLean, 2014)
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title clippings file
BLOWOUT : (AT, Peter Eastgate & Glenn Leahy, 2003)
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title clippings file
BLOWPIPES AND BULLDOZERS : (AT, Jeni Kendell & Paul Tait, 1989)
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digital clippings file
BLOWUP : (UK/IT, Michelangelo Antonioni, 1966) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Publicity; ArticleSubject: BLOWUP (UK/IT, Michelangelo Antonioni, 1966) URL status: URL: 'http://file://Q:/T/BLOW_UP.zip'
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subject clippings file
BLU-RAY
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BLU-RAY
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newspaper article
Blu-ray format wins strong JB Hi-Fi support in Australian Financial Review (15/02/2007) p.21
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: BLU-RAY ; HIGH DEFINITION DVD ; JB HI-FI LIMITED Summary: Blu Ray format DVD to be released at JB Hi Fi.
Article states that Blu-Ray supported by consumer electronic companies, HD DVD supported by Microsoft and Intel.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: Scott Browning – Mktg Mgr JB Hi fi
Blu ray is (quote)“manifestly superior for consumers” because eight out of Australia’s nine major film distributors were supporting Blu Ray, and because Sony’s coming PS3 games console could play Blu-ray movies’.(end quote)
“JB Hi-Fi, which on Tuesday reported a record half-year profit of $26.2 millon on strong DVD sales”
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newspaper article
Blu-ray to sting HD-DVD in Herald Sun (28/02/2007)
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Familari, Peter Subject: BLU-RAY ; HIGH DEFINITION DVD Summary: The format battle between Blu-ray and HD DVD and how it might be played out ala VHS vs BETA.Notes: accessed from: Herald Sun, News Ltd. RMIT University. (18 May 2007).
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title clippings file
BLUDGERS : (AT, John Fabian, 1984)
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title clippings file
BLUE : (UK, Derek Jarman, 1993)
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BLUE : (AT, Karina Holden, 2017) Digital clippings file available
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journal article
The Blue and the Grey : Larson, Randall D in Cinema Score (Fall/Winter 1983) vol.11 iss.12 p.46
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book
The blue angel : Professor Unrat. English / the novel by Heinrich Mann ; the film by Josef von Sternberg New York: F. Ungar Pub. Co., c1979.
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book
The Blue Angel : an authorized translation of the German continuity London: Lorrimer, c.1968.
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Interim
book
The Blue angel : (Der Blaue engel) / By S.S. Prawer London: bfi Publishing, 2002.
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title clippings file
BLUE BIRD, THE : (US/UR, George Cukor, 1976)
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title clippings file
BLUE CAR : (US, Karen Moncrieff, 2002)
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journal article
Blue cat blues in Movie Maker (September 1979) p.723
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title clippings file
BLUE CHIPS : (US, William Friedkin, 1994)
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title clippings file
BLUE CITY : (US, Michelle Manning, 1986)
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title clippings file
Blue Collar : US, Paul Schrader, 1978
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journal article
Blue collar America in News (January 1982) vol.4 iss.78
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title clippings file
BLUE CRUSH : (US, John Stockwell, 2002)
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book
The blue dahlia : a screenplay / Raymond Chandler ; with a memoir by John Houseman ; edited, with an afterword by Matthew J. Bruccoli Carbondale: Southern Illinois University Press, 1976.
Call No: 79 BLU CHAAuthor: Chandler, Raymond Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1976PhysDes: xxi, 139 pages : illustrations, plates, portraits ; 23 cmSubject: BLUE DAHLIA, THE (US, George Marshall, 1946) ; CHANDLER, RAYMOND Notes: Filmography: p. 138-139ISBN: 0809307669Contents: Lost fortnight, a memoir by John Houseman -- Editorial Note -- The Blue Dahlia, a screenplay by Raymond Chandler -- Afterword: Raymond Chandler and Hollywood by Matthew J. Bruccoli -- Appendix: Chandler on Hollywood, movies made from Chandler's plays, and screenplays written by Chandler
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journal article
Blue Danube in Film Index iss.28 p.66
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title clippings file
BLUE FIN : (AT, Carl Schultz, 1978)
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script
Blue Fin : continuity script [1977].
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poster
[Blue fin : poster]
Call No: P BLUPhysDes: 1 poster : col. ; 76 X 35 cm.Subject: BLUE FIN (AT, Carl Schultz, 1978) Summary: Image: a fishing vessel in rough seas, showing obvious signs of damage. Above the boat, a man is shown with his arm around the shoulder of a boy. Text: 'Every year has it's special film. Last year it was Storm Boy, this year it's the... Blue Fin, a stirring adventure of a son and father who became a team.'Notes: Poster has fold lines, corners are bent.ID2: 137
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still
[Blue fin : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 13 x 18 cmSubject: BLUE FIN (AT, Carl Schultz, 1978) Summary: 3 black and white photographs relating to the film Blue FinNotes: One photo is a duplicate of the other. Image donated by Brian McFarlane
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title clippings file
BLUE FIRE LADY : (AT, Ross Dimsey, 1977)
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book
Blue fire lady / Jean Dixon Melbourne: Sun Books, 1977.
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still
[Blue fire lady : Marion Edward plays Mrs. Gianini in 'Blue Fire Lady'] / Australian International Film Corpation
Call No: TITLE FILM AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 26 X 18 cm.Subject: BLUE FIRE LADY (AT, Ross Dimsey, 1977) Summary: Image of Marion Edwards in characterNotes: Labels on reverse
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still
[Blue fire lady : Peter Cummins and John Ewart at the race track / David Parker
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 21 X 26 cm.Subject: BLUE FIRE LADY (AT, Ross Dimsey, 1977) Summary: Production still from Blue Fire Lady. Image of Peter Cummins and John Ewart at the race track in conversationNotes: adhesive marks covering the reverse of image; labels on reverse
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still
[Blue fire lady : punk Gary Waddell (Charlie) threatens Cathryn Harrison (Jenny) in 'Blue fire lady'] [c. 1977].
Call No: TITLE STILL AUSTRALIASource: ATPubDate: [c. 1977]PhysDes: 1 photograph : b&w ; 18 X 26 cm.Subject: BLUE FIRE LADY (AT, Ross Dimsey, 1977) Summary: Gary Waddell and two other men wearing dark coloured clothing in discussion with Cathryn Harrison dressed in white outside a milkbar, in a black and white image.Notes: label on reverse; photographers busisness stamp on reverse
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still
[Blue fire lady : stills file] / David Parker Australian International Film Corporation Pty. Ltd. (distributor),
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title clippings file
BLUE GARDENIA, THE : (US, Fritz Lang, 1953)
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music lp
Blue Hawaii [sound recording] / Elvis Presley and the Jordanaires (Musical group) Australia: RCA Records, [1961].
Call No: LP Blue HawaiiAuthor: Presley, Elvis ; Jordanaires (Musical group) CorpAuthor: RCA RecordsSource: USPlace: AustraliaPublisher: RCA RecordsPubDate: [1961]PhysDes: 1 sound disc (29 min.) : analog, 33 1/3 rpm, stereo. ; 12 inSubject: PRESLEY, ELVIS ; BLUE HAWAII (US, Norman Taurog, 1961) Notes: "14 great songs" from the Hal Wallis production of Blue Hawaii, a Paramount film, sung by Elvis Presley, with the Jordanaires; "An original sound track album."Contents: -- Blue Hawaii (Robin-Rainger) Chappell (2:35) with the Jordanaires -- Almost always true (Wise-Weisman) (2:24) -- Aloha oe (adapted and arranged by Elvis Presley) with the Jordanaires (1:54) -- No more (Robertson-Blair) (2:22) -- Can't help falling in love (Peretti-Creatore-Weiss) (2:59) -- Rock-a-hula baby (Wise-Weisman-Fuller) (1:58) -- Moonlight swim (Dee-Weisman) Aberbach (2:18) -- Ku-u-i-po (Peretti-Creatore-Weiss) (2:20) with the Jordanaires -- Ito eats (Tepper-Bennett) (1:25) with the Jordanaires -- Slicin' sand (Tepper-BGennett) (1:34) with the Jordanaires -- Hawaiian sunset (Tepper-Bennett) (2:30) with the Jordanaires -- Beach boy blues (Tepper-Bennett) (2:00) with the Jordanaires -- Island of love ( Tepper-Bennett) (2:40) -- Hawaiian wedding song (King-Hoffman-Manning) with the Jordanaires (2:48) --Performer: Presley, Elvis; Jordanaires (Musical group)Music Type: Motion Picture MusicPublisher Number: RCA Records: L101174
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book
Blue heelers : Tom's Story / Cassandra Carter Rydalmere, NSW: Hodder Headline Australia, 1997.
Call No: N79BLU CARAuthor: Carter, Cassandra Source: ATPlace: Rydalmere, NSWPublisher: Hodder Headline AustraliaPubDate: 1997PhysDes: 258 p. ; 19 cmSubject: BLUE HEELERS [TV] (AT, 1994-2006) Notes: Based on the television series Blue heelers.
'First published in Australia and New Zealand in 1997 by Hodder HeadlineISBN: 073360398XDonation: donated by the family of Wayne Levy, 2006
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script
BLUE HEELERS : Reports of Damage and Loss, Episode 133 [1996].
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script
BLUE HEELERS : The Folly of Youth, Episode 37 [1994].
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script
BLUE HEELERS : A Matter of Trust, Episode 29
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script
Blue Heelers : Postmortem, Episode 227 [1999].
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script
Blue Heelers : A Bit of Biff, Episode 185 [1998].
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script
Blue heelers : Episode 191 : " The Living Dead" [1998].
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script
Blue Heelers : Luck of the Draw, Episode 44 1994.
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script
Blue Heelers : Heavy Traffic, Episode 52 1994.
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script
Blue Heelers : A Question of Courage 1994.
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script
Blue Heelers : Hunted, Episode 209 1998.
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script
Blue Heelers : Crazy Like a Fox, Episode 32 1994.
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script
Blue Heelers : Missing, Episode 25 1994.
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script
Blue heelers : 1997 Bible / compiled by Caroline Stanton ; with contributions from Tony Morphett, Michael Winter and Peter Haddow AT: 1997 Feb.
Call No: S BLUAuthor: Stanton, Caroline [compiler] Place: ATPubDate: 1997 FebPhysDes: 52 leaves ; 30 cmSubject: BLUE HEELERS [TV] (AT, 1994-2006) Summary: Guidelines for script writers of the Blue Heelers television seriesNotes: Unpublished script -- Includes 'Blue Heelers' overview, scripting guidelines, character notes, guide to police procedures
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script
Blue heelers : the Bible 1998 / compiled by Caroline Stanton ; with contributions from Tony Morphett, Michael Winter and Peter Haddow AT: c1997.
Call No: S BLUAuthor: Stanton, Caroline [compiler] Place: ATPubDate: c1997PhysDes: 55 leaves ; 30 cmSubject: BLUE HEELERS [TV] (AT, 1994-2006) Summary: Guidelines for script writers of the Blue Heelers television seriesNotes: Unpublished script -- Includes 'Blue Heelers' overview, scripting guidelines, character notes, guide to police
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script
BLUE HEELERS : Luck of the Draw, Episode 44 [1994].
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script
Blue Heelers. Ep. 196, Blood Ties : script / created by Tony Morphett and Hal McElroy; director Steve Mann [1998].
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still
[Blue heelers : series file]
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still
Blue Heelers [TV]: stills file : AT, 1994-2006 [1994].
Call No: TITLE STILLS AUSTRALIAPubDate: [1994]PhysDes: 8 photographs: b&wSubject: BLUE HEELERS [TV] (AT, 1994-2006) Summary: Production stills relating to telesvision series Blue Heelers. Stills include images of William McInnes, Lisa McCune and John Woods in character.
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title clippings file
BLUE HORIZON, THE : (AT?, Jack McCoy, 2004)
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BLUE IGUANA : (UK, Hadi Hajaig, 2018)
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BLUE IGUANA, THE : (US, John Lafia, 1988)
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BLUE IN THE FACE : (US, Wayne Wang & Paul Auster, 1995)
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BLUE JASMINE : US, Woody Allen, 2013 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BLUE JASMINE (US, Woody Allen, 2013) URL status: URL: 'http://file://Q:/T/BLUE_JASMINE.zip'
Checked: 31/08/2021 1:26:44 PM
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title clippings file
BLUE JUICE : (UK, Carl Prechezer, 1995)
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BLUE LAGOON, THE : (US, Randal Kleiser, 1980)
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journal article
The Blue Lamp in Film Index iss.28 p.66
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title clippings file
BLUE LIGHTENING : [TV] (AT, Lee Philips, 1986)
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BLUE LIPS : (SP/BL/IT/AG/US, Daniela DeCarlo, Julieta Lima, Gustavo Lipsztein, Antonello Novellino, Nacho Ruiperez, Nobu Shima, 2014)
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title clippings file
BLUE MAX, THE : (UK, John Guillermin, 1966)
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title clippings file
BLUE MONKEY : (US, Bill Fruet, 1987)
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title clippings file
BLUE MOON : (US, John Gallagher, 2000)
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still
[Blue mountains mystery : Lottie Lyell and Raymond Longford (centre) directing a scene, Majorie Osborne (Mrs. Tracey), Aurthur Higgins (cameraman)]
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still
[Blue mountains mystery : Lottie Lyell and Raymond Longford (centre) directing a scene, Majorie Osborne (Mrs. Tracey), Aurthur Higgins (cameraman)]
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title clippings file
BLUE MURDER : [TV] (AT, Michael Jenkins, 1995)
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Blue murder : The screenplay / Ian David Sydney: Currency Press, 2002.
Call No: 79BLU DAVAuthor: Ian David Source: Currency PressPlace: SydneyPublisher: Currency PressPubDate: 2002PhysDes: 114 p ; 24 cmSubject: BLUE MURDER [TV] (AT, Michael Jenkins, 1995) Summary: Set in Sydney in the 1970s and 1980s, Blue Murder is the story of the friendship between drug dealer and robber Arthur Stanley "Neddy" Smith and Detective Sergeant Roger "The Dodger" Rogerson - and the pot of gold and broken lives that friendship produced. Winner of the NSW Premier's Literary Award for Best Screenplay. Includes an introduction by Peter Galvin and an interview with Ian David. [Taken from back cover.]ISBN: 0868196304
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journal article
Blue murder at St. Trinian's in Film Index iss.28 p.67
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script
Blue Murder Killer Cop : Part 1 - International version / screenplay by Peter Schrek [credits listing at script end] c2017.
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BLUE MURDER: KILLER COP [TV] : (AT, 2017)
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script
BLUE MURDER: KILLER COP [TV] (AT, 2017) : Part 2 - International Version / screenplay by Peter Schrek [credits listing at script end] c2017.
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still
[Blue mystery mountains, the : stills file]
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title clippings file
BLUE NOTE: A STORY OF MODERN JAZZ : (GG, Julian Benedikt, 1997)
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journal article
The Blue Parrot in Film Index iss.28 p.67
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The Blue Peter in Film Index iss.28 p.67
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title clippings file
BLUE PLANET : (US, Ben Burtt, 1990)
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journal article
The Blue Revolution in Encore (10-23 September 1987) vol.5 iss.16 p.6
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BLUE REVOLUTION, THE : [TV] (AT/UK/US, Peter Butt, 1989)
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BLUE ROSE : (AT)
Call No: TITLE CLIPPINGS FILEPhysDes: ClippingsSubject: BLUE ROSE (AT)
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journal article
Blue Scar in Film Index iss.28 p.67
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title clippings file
BLUE SKIES AGAIN : (US, Richard Michael, 1983)
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BLUE SKIES ARE A LIE : (US, Gregory Ruzzin, 1995)
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title clippings file
BLUE SKY : (US, Tony Richardson, 1994 [prod.1991])
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title clippings file
BLUE SNAKE : (CN, Nic Fichman, 1986)
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journal article
The Blue Squadron in Film Index iss.28 p.68
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BLUE STEEL : (US, Kathryn Bigelow, 1989)
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BLUE STORY : (UK, Andrew Onwubolu, 2019)
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title clippings file
BLUE STREAK : (US, Les Mayfield, 1999)
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title clippings file
BLUE THUNDER : (US, John Badham, 1983)
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title clippings file
BLUE TONGUE : (AT, Justin Kurzel, 2004)
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subject clippings file
BLUE TONGUE FILMS
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title clippings file
BLUE VALENTINE : (US, Derek Cianfrance, 2010)
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book
Blue velvet / Michael Atkinson London: British Film Institute, 1997.
Call No: 79BLU ATKAuthor: Atkinson, Michael CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 1997PhysDes: 80 p. : ill. (chiefly col.) ; 19 cmSeries: BFI modern classicsSubject: BLUE VELVET (US, David Lynch, 1986) Notes: Bibliography: p. 80ISBN: 0851705596Order Received: 1998LON: abn97229233; 13314322
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title clippings file
BLUE VELVET : (US, David Lynch, 1986)
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journal article
Blue Velvet in Film iss.60 p.18
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poster
[Blue velvet : poster] US: [1986].
Call No: P BLUPlace: USPubDate: [1986]PhysDes: 1 poster : colour ; 102 x 69 cmSubject: BLUE VELVET (US, David Lynch, 1986) Summary: Text: "A great movie, and one of the rare American films of the past decade to make a difference in the medium" - Peter Ranier, LA HERALD EXAMINER
"A nightmarish, intensely disturbing exploration of the hidden side of the soul. It is sure to cause a sensation." - Ken Turan, GQ
"...Undeniably brilliant. I think it's the most creative and daring American movie so far this decade." - Joel E. Siegel, CITY PAPER, WASHINGTON DC
Image: A photograph of a woman resting her head on a shirtless man's arm.Notes: Pinholes, discolouration, folds.
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title clippings file
BLUE VINYL : (US, Judith Helfand & Daniel B. Gold, 2001)
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title clippings file
BLUE WATER HIGH : [TV] (AT, 2005-)
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script
Blue world order / by Scott Baker and Sarah Mason and Dallas Bland. AT: 2015.
Call No: S BLUAuthor: Baker, Ché ; Mason, Sarah ; Bland, Dallas Place: ATPubDate: 2015PhysDes: 108 leaves ; 30 cm.Subject: BLUE WORLD ORDER (AT, Ché Baker/Dallas Bland, 2017) Summary: "The film is set in a post-apocalyptic world in which civilisation has crumbled. A massive electromagnetic pulse has killed all children on the planet with the exception of Molly (Billie Rutherford), the daughter of Jake Slater (Jake Ryan)." - IMBdNotes: Unpublished scriptDonation: AFI / AACTA
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title clippings file
BLUE WORLD ORDER : (AT, Ché Baker/ Dallas Bland, 2017)
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Online resource
script
Blue Zoo : ABC episode 13 Digital clippings file available
Call No: DIGITAL FILEEdition: Post production scriptPhysDes: 31 leavesSubject: BLUE ZOO [TV] (AT, 2014) Notes: Unpublished scriptDonation: AFI/AACTA
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script
Blue zoo : ABC episode 10 Digital clippings file available
Call No: DIGITAL FILEEdition: 2014PhysDes: 33 leaves ; 30cmSubject: BLUE ZOO [TV] (AT, 2014) Notes: [post production script]; Unpublished scriptDonation: AFI / AACTA
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title clippings file
BLUE ZOO [TV] : (AT, 2014)
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digital clippings file
BLUEBACK : (AT, Robert Connolly, 2022) Digital clippings file available
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journal article
Bluebeard in Bizarre iss.2 p.18
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journal article
Bluebeard's ten honeymoons in Film Index iss.28 p.66
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script
bluemurder : part one 1995.
Call No: S BLUAuthor: David, Ian CorpAuthor: Australian Broadcasting Corporation; Southern Star SullivanPubDate: 1995PhysDes: 192 leavesSubject: bluemurder (AT Ian David, 1995) Notes: Unpublished scriptDonation: donated by the Australian Writers Guild
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title clippings file
BLUES ACCORDIN' TO LIGHTNIN' HOPKINS : (US, Les Blank & Skip Gerson, 1968)
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digital clippings file
BLUES BROTHERS : (US, John Landis, 1980) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: BLUES BROTHERS (US, John Landis, 1980) URL status: URL: 'http://file://Q:/T/BLUES_BROTHERS,_THE.zip'
Checked: 31/08/2021 12:52:18 PM
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title clippings file
BLUES BROTHERS 2000 : (US, John Landis, 1998)
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title clippings file
BLUES FOR CENTRAL AVENUE : (US, Lois Shelton, 1986)
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title clippings file
BLUES LACHOFESH HUGADOL : (IS, Renen Schorr, 1987)
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title clippings file
BLUES, THE : (US, Charles Burnett & Others, 2003)
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Crawford collection
script
The bluestone boys / written by Ian Jones ; series concept Jock Blair & Doug Tainsh AT: c1975.
Call No: SC BLU : 0Author: Jones, Ian Place: ATPubDate: c1975PhysDes: 84 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- No episode number on script -- Includes character list -- Credits: producer, Henry Crawford ; director, Paul EddeyDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04605. Episodes 18, 19, 20 & 21 / written by Michael Cove (eps. 18 & 19) , Graham Hartley & Graeme Koetsveld (eps. 20 & 21) ; script edited by Graeme Koetsveld (eps. 18 & 19) and Jock Blair (eps. 20 & 21) AT: c1976.
Call No: SC BLU : 5Author: Cove, Michael ; Hartley, Graham ; Koetsveld, Graeme Place: ATPubDate: c1976PhysDes: 148 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements ( 14 leaves) -- Credits: producer, Jock BlairDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04606. Episodes 22, 23, 24 & 25 / written by Colin Eggleston (eps. 22 & 23), Graeme Koetsveld & Graham Hartley (eps. 24 & 25) ; script edited by Graeme Koetsveld (eps. 22 & 23) & Jock Blair (eps. 24 & 25) AT: c1976.
Call No: SC BLU : 6Author: Eggleston, Colin ; Koetsveld, Graeme ; Hartley, Graham Place: ATPubDate: c1976PhysDes: 150 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements ( 12 leaves) -- Credits: producer, Jock BlairDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04609. Episodes 34, 35, 36 & 37 / written by Graham Hartley & Graeme Koetsveld from an idea by J. Higgins & T. Purcell (eps. 34, 35), Ray Kolle & Colin Eggleston (ep. 36), Graeme Koetsveld (ep. 37) ; edited by Jock Blair AT: c1976.
Call No: SC BLU : 9Author: Hartley, Graham ; Koetsveld, Graeme ; Kolle, Ray ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 155 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements and taxi docket -- Credits: producer, Jock Blair ; directors Marie Trevor and Robert MellionDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04610. Episodes 38, 39, 40 & 41 / written by Alan Hardy (eps. 38 & 39), Michael Cove (eps. 40, 41) ; edited by Graham Hartley (eps. 38 & 39), Jock Blair (ep. 40), Graeme Koetsveld (ep. 41) AT: c1976.
Call No: SC BLU : 10Author: Hardy, Alan ; Cove, Michael Place: ATPubDate: c1976PhysDes: 159 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements (14 leaves) -- Credits: producer, Jock Blair ; directors "Bud" Tingwell & Mark De FriestDonation: Gift of Crawford Productions
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title clippings file
BLUESTONE BOYS, THE [TV] : (AT, 1976)
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Crawford collection
script
Bluey : the first bloody day / written by Ian Jones and Jock Blair ; script edited by Don Battye AT: c1975.
Call No: SC BLU : 1Author: Jones, Ian ; Blair, Jock Place: ATPubDate: c1975PhysDes: 2 v. ; 33 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Includes character list -- Credits: producer, Don Battye ; director, Graeme ArthurDonation: Gift of Crawford ProductionsContents: Two copies of episode one of "Bluey".The main difference between the two copies is the first version was written for the episode to be filmed in Sydney while the second version has the location details amended for filming in Melbourne, which is where the episode was eventually filmed.
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Crawford collection
script
Bluey : unplaced favourite / written by Peter Schreck ; script edited by Don Battye AT: c1975.
Call No: SC BLU : 2Author: Schreck, Peter Place: ATPubDate: c1975PhysDes: 60 leaves ; 33 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character list -- Accompanied by cast list -- Credits: producer, Don Battye ; director George T. MillerDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : the final dividend / written by Gwenda Marsh ; script edited by Graham Moore AT: c1976.
Call No: SC BLU : 3Author: Marsh, Gwenda Place: ATPubDate: c1976PhysDes: 75 leaves ; 33 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes character list -- Credits: producer, Don Battye : director, Kevin DobsonDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : May / written by Vince Moran ; script edited by Graham Moore AT: c1976.
Call No: SC BLU : 4Author: Moran , Vince Place: ATPubDate: c1976PhysDes: 56 leaves ; 33 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes character list -- Accompanied by casting call sheet (8 leaves) -- Credits: producer, Don Battye ; director, Graham ArthurDonation: Gift of Crawford Productions
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script
Bluey : one-man band / written by Tom Hegarty ; script edited by Graham Moore AT: c1976.
Call No: SC BLU : 5Author: Hegarty, Tom Place: ATPubDate: c1976PhysDes: 86 leaves ; 33 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character list -- Credits: producer, Don Battye ; director, George T. MillerDonation: Gift of Crawford Productions
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script
Bluey : Mack's back / written by Vince Moran ; script edited by Graham Moore AT: c1976.
Call No: SC BLU : 6Author: Moran, Vince Place: ATPubDate: c1976PhysDes: 66 leaves ; 33 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes character list -- Credits: producer, Don Battye , director, Graeme ArthurDonation: Gift of Crawford Productions
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script
Bluey : the set-up / written by Keith Thompson ; script edited by Graham Moore AT: c1976.
Call No: SC BLU : 7Author: Thompson, Keith Place: ATPubDate: c1976PhysDes: 70 leaves ; 33 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character list -- Accompanied by casting call sheet ( 12 leaves) , cast travel and accommodation sheet, locations (2 sheets), cast list -- Credits: producer, Don Battye ; director, Paul EddeyDonation: Gift of Crawford Productions
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script
Bluey : scout's honour / written by Everett De Roche ; script edited by Don Battye AT: c1975.
Call No: SC BLU : 8Author: De Roche, Everett Place: ATPubDate: c1975PhysDes: 59 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character list -- Accompanied by cast list, casting call sheet ( 9 leaves) -- Credits: producer, Don Battye ; director, Kevin DobsonDonation: Gift of Crawford Productions
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script
Bluey : the wild goose chase / written by Ian Jones ; script edited by Graham Moore AT: c1976.
Call No: SC BLU : 9Author: Jones, Ian Place: ATPubDate: c1976PhysDes: 62 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes character list -- Credits: producer, Tom Hegarty ; director, Kevin DobsonDonation: Gift of Crawford Productions
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script
Bluey : and then there were none / written by Jock Blair ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 10Author: Blair, Jock Place: ATPubDate: c1976PhysDes: 65 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes character notes -- Credits: producer, Tom Hegarty ; director, George T. MillerDonation: Gift of Crawford Productions
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script
Bluey : end of the line / written by Peter Kinloch and Tom Hegarty ; script edited by Graham Moore AT: c1976.
Call No: SC BLU : 11Author: Kinloch, Peter ; Hegarty, Tom Place: ATPubDate: c1976PhysDes: 59 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes character list -- Credits: producer, Tom Hegarty ; director, Graeme ArthurDonation: Gift of Crawford Productions
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script
Bluey : a few quiet questions / written by Jim Simmonds ; script edited by Graham Moore AT: c1976.
Call No: SC BLU : 12Author: Simmonds, Jim Place: ATPubDate: c1976PhysDes: 68 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes character list -- Credits: producer, Tom Hegarty ; director, Gary ConwayDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : speak to me only / written by David Boutland ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 13Author: Boutland, David Place: ATPubDate: c1976PhysDes: 67 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes character list -- Credits: producer, Tom Hegarty ; director, Graeme ArthurDonation: Gift of Crawford Productions
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script
Bluey : run, Truscott, run / written by Vince Moran ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 14Author: Moran , Vince Place: ATPubDate: c1976PhysDes: 60 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character list -- Credits: producer, Tom Hegarty ; director, George T. MillerDonation: Gift of Crawford Productions
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script
Bluey : Emma / written by John Drew ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 15Author: Drew, John Place: ATPubDate: c1976PhysDes: 64 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes character list -- Accompanied by cast list -- Credits: producer, Tom Hegarty ; director, George T. MillerDonation: Gift of Crawford Productions
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script
Bluey : the Mooball man / written by Everett De Roche ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 16Author: De Roche, Everett Place: ATPubDate: c1976PhysDes: 60 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes character notes -- Credits: producer, Tom Hegarty ; director, George T. MillerDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : star turn / written by Jim Simmons ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 17Author: Simmons, Jim Place: ATPubDate: c1976PhysDes: 71 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes character notes -- Credits : producer, Tom Hegarty ; director, Graeme ArthurDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : father and son / written by David Stevens ; script edited by Graham Moore AT: c1976.
Call No: SC BLU : 19Author: Stevens, David Place: ATPubDate: c1976PhysDes: 67 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes, background notes and glossary -- Credits: producer, Tom Hegarty ; director, Gary ConwayDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : you wouldn't believe me / written by Gwenda Marsh ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 20Author: Marsh, Gwenda Place: ATPubDate: c1976PhysDes: 73 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Accompanied by cast list -- Credits: producer, Tom Hegarty ; director, Graeme ArthurDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : stop the press / written by Vince Moran ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 18Author: Moran, Vince Place: ATPubDate: c1976PhysDes: 66 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Credits: producer, Tom Hegarty ; director, Gary ConwayDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : the fat cat / written by Bob Caswell ; script editor Denise Morgan AT: c1976.
Call No: SC BLU : 22Author: Caswell, Bob Place: ATPubDate: c1976PhysDes: 70 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes character list -- Credits: producer, Tom Hegarty ; director, Graeme ArthurDonation: Gift of Crawford Productions
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script
Bluey : what are little girls made of? / written by Jim Simmonds ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 23Author: Simmonds, Jim Place: ATPubDate: c1976PhysDes: 69 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Credits: producer, Tom Hegarty ; director, George T. MillerDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : the pick up / written by Gregory Scott ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 24Author: Scott, Gregory Place: ATPubDate: c1976PhysDes: 57 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes character notes -- Accompanied by amendments (5 leaves) -- Credits: producer, Tom Hegarty ; director, Gary ConwayDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : it's worth the risk / written by John Drew ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 25Author: Drew, John Place: ATPubDate: c1976PhysDes: 86 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Accompanied by cast list -- Credits: producer, Tom Hegarty ; director, Graeme ArthurDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : changeling / written by Colin Eggleston ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 26Author: Eggleston, Colin Place: ATPubDate: c1976PhysDes: 71 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character notes, amendments -- Accompanied by cast list -- Credits: producer, Tom Hegarty ; director, Gary ConwayDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : two birds / written by Monte Miller ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 27Author: Miller, Monte Place: ATPubDate: c1976PhysDes: 74 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes character notes, extensive annotations -- Credits: producer, Tom Hegarty ; director, George T. MillerDonation: Gift of Crawford Productions
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script
Bluey : the Hydra / written by Everett De Roche ; script edited by Tom Hegarty AT: [1976?].
Call No: SC BLU : 28Author: De Roche, Everett Place: ATPubDate: [1976?]PhysDes: 68 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Accompanied by cast list -- Credits: producer, Tom Hegarty ; director, David StevensDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : through a looking glass / written by Bob Caswell ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 29Author: Caswell, Bob Place: ATPubDate: c1976PhysDes: 66 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Accompanied by script register (1 leaf) -- Credits: producer, Tom Hegarty ; director, George T. Miller -- alternative episode title of 'Mirror Image' found on the Classic Australian Television and National Film and Sound Archive websitesDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : a political animal / written by Bob Caswell ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 30Author: Caswell, Bob Place: ATPubDate: c1976PhysDes: 65 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes character notes, extensive annotations -- Credits: director, Gary Conway ; producer, Julian PringleDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : witness / written by Gregory Scott ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 31Author: Scott, Gregory Place: ATPubDate: c1976PhysDes: 63 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes character notes, amendments -- Credits: producer, Tom Hegarty ; director, George T. MillerDonation: Gift of Crawford Productions
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script
Bluey : the wrong coffin / written by David Stevens ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 32Author: Stevens, David Place: ATPubDate: c1976PhysDes: 69 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes character notes -- Accompanied by amendments (1 leaf) -- Credits: producer, Tom Hegarty ; director, Graeme ArthurDonation: Gift of Crawford Productions
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script
Bluey : final devotion / written by Jim Simmonds and Denise Morgan ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 33Author: Simmonds, Jim ; Morgan, Denise Place: ATPubDate: c1976PhysDes: 66 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Accompanied by cast list (1 leaf), location times and schedules (13 leaves), one liner ( 13 leaves) -- Credits: producer, Julian Pringle ; director, Gary ConwayDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : lonely ordeal / written by John Drew ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 34Author: Drew, John Place: ATPubDate: c1976PhysDes: 80 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes character notes, amendments ( 3 leaves) -- Accompanied by cast list (1 leaf), casting call sheet ( 6 leaves), location times and schedules (12 leaves), one liner (13 leaves) -- Credits: producer, Julian Pringle ; director, George T. MillerDonation: Gift of Crawford Productions
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script
Bluey : whole of life / written by Colin Eggleston ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 35Author: Eggleston, Colin Place: ATPubDate: c1976PhysDes: 58 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes character notes -- Accompanied by one liner ( 28 leaves), location times and schedules (11 leaves), cast travel and accommodation (1 leaf), taxi list (2 leaves), flight changes (1 leaf), post sync (1 leaf), memo (2 leaves), cast list (1 leaf), script register (1 leaf), scheduling notes ( 6 envelopes), record of premises used for filming ( 2 leaves), thank you letters (5 leaves) -- Credits: producer, Julian Pringle ; director, Graeme ArthurDonation: Gift of Crawford Productions
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script
Bluey : if a man calls / written by Gregory Scott ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 36Author: Scott, Gregory Place: ATPubDate: c1976PhysDes: 113 leaves : 30 photographs ; 36 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes cast list, location times and schedules, filming schedule, one liner, extensive annotations, wardrobe notes -- Accompanied by continuity photographs, pick ups (1 leaf), casting call sheet ( 6 leaves) -- Credits: producer, Julian Pringle ; director, Gary ConwayDonation: Gift of Crawford Productions
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script
Bluey : tit for tat / written by Bob Caswell ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 37Author: Caswell, Bob Place: ATPubDate: c1976PhysDes: 74 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Accompanied by cast list ( 1 leaf) -- Credits: producer, Julian Pringle ; director, George T. MillerDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : a touch of stardust / written by John Drew ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 38Author: Drew, John Place: ATPubDate: c1976PhysDes: 77 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character notes -- Accompanied by cast list -- Credits: producer, Julian Pringle ; director, Graeme ArthurDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : son of Bluey / written by Vince Moran with Tom Hegarty ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 39Author: Moran, Vince ; Hegarty, Tom Place: ATPubDate: c1976PhysDes: 62 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Credits: producer, Tom Hegarty ; director, Gary ConwayDonation: Gift of Crawford Productions
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script
Bluey : more deadly than the male / written by Jim Simmonds ; script edited by Don Battye AT: c1975.
Call No: SC BLU : AAuthor: Simmonds, Jim Place: ATPubDate: c1975PhysDes: 60 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes character notes -- Accompanied by cast list -- Credits: producer, Don Battye ; director, George T. Miller -- Duplicate copies indicate Kevin Dobson is director -- episode not screenedDonation: Gift of Crawford Productions
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Crawford collection
script
[Bluey. Production schedule] AT:
Call No: SC BLU : 0Place: ATPhysDes: 13 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Production schedule for filming of the series Bluey -- Production order for the series Bluey(3 leaves)Donation: Gift of Crawford Productions
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Crawford collection
crawford publicity blu
[Bluey. Publicity material]
Call No: CRAWFORD PUBLICITY BLUPhysDes: 17 leaves ; 27 - 34 cmSubject: BLUEY [TV] (AT, 1976-77) Summary: Publicity folder and press kit for the series BlueyDonation: Gift of Crawford ProductionsContents: One publicity folder , two series outlines and cast biographies
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script
[Bluey. Synopses] AT: [1976?].
Call No: SC BLU : 0Place: ATPubDate: [1976?]PhysDes: 123 leaves ; 27 - 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Synopses for episodes 1 - 39 of the series BlueyDonation: Gift of Crawford Productions
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Online resource
digital clippings file
BLUEY [TV] : (AT, 2018-) Digital clippings file available
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title clippings file
BLUME IN LOVE : (US, Paul Mazursky, 1973)
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personality microfilm collection
BLUMENBERG, HANS-CHRISTOPH
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personality microfilm collection
BLUNDELL, GRAEME
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLUNDELL, GRAEME
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personality microfilm collection
BLUNDELL, JAMES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLUNDELL, JAMES
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journal article
Blunderball or from Dr. Nofinger with hate in Australian Film Guide vol.4 p.16-17
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personality clippings file
BLUNT, EMILY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BLUNT, EMILY
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title clippings file
BLUNT TALK [TV] : (US, 2015-)
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title clippings file
BLURRED : (AT, Evan Clarry, 2002)
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script
Blurred / written by Stephen Davis and Kier Shorey Oxenford, Qld: Pictures in Paradise, 2002.
Call No: S BLUAuthor: Davis, Stephen ; Shorey, Kier Source: ATPlace: Oxenford, QldPublisher: Pictures in ParadisePubDate: 2002PhysDes: 103 leavesSubject: BLURRED (AT, Evan Clarry, 2002) Notes: Unpublished script; Donated by the Australian Film Institute; Script editor: Chris Fitchett; Director: Evan Clarry
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journal article
Blurred in Empire (Australian Ed.) (November 2002) iss.20 p.32
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book
Blurred boundaries : questions of meaning in contemporary culture / Bill Nichols Bloomington: Indiana University Press, 1994.
Call No: 409 NICAuthor: Nichols, Bill Place: BloomingtonPublisher: Indiana University PressPubDate: 1994PhysDes: xvii, 187 p. ; 25 cmSubject: ANTHROPOLOGY AND THE CINEMA ; AUDIENCES ; BODY IN FILMS ; DOCUMENTARY FILMS ; ETHNOGRAPHIC FILMS ; MELODRAMA ; NARRATIVE IN FILMS ; SEMI-DOCUMENTARIES ; SOCIAL HISTORY AND THE CINEMA ; KING, RODNEY ; STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925) ; REALISM ON TV ; REALITY TV ; RACIAL ISSUES ON TV ; RACIAL ISSUES AND TV ; TRUTH IN FILMS ; VIOLENCE ON TV ; WAR AND THE CINEMA ; GULF WAR ON TV ; ETHICS AND TV Summary: "Blurred Boundaries explores decisive moments where the traditional boundaries of fiction/non-fiction and truth/falsehood blur. Nichols argues that the history of social representation in film, television, and video requires an understanding of the fate of both contemporary and older work. Traditionally, film history and cultural studies sought to place films in a historical context. Nichols proposes a new goal: to examine how specific works, old and new, promote or suppress a sense of historical consciousness. Examining work from Eisenstein's Strike to the Rodney King videotape, Nichols interrelates issues of formal structure, viewer response, and historical consciousness. Simultaneously, Blurred Boundaries radically alters the interpretative frameworks offered by neoformalism and psychoanalysis: Comprehension itself becomes a social act of transformative understanding rather than an abstract mental process, while the use of psychoanalytic terms like desire, lack, or paranoia to make social points metaphorically yields to vocabulary designed expressly for historical interpretation - such as project, intentionality, and the social imaginary. An important departure from prevailing trends in many fields, Blurred Boundaries offers new directions for the study of visual culture." -- BOOK BLURBNotes: Includes bibliographical references (p. 149-182) and indexISBN: 0253340640 (alk. paper); 0253209005 (paper : alk. paper)LON: 10767942
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title clippings file
BLURRED LINES : INSIDE THE ART WORLD : (CN, Barry Avrich, 2017)
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script
Blus heelers : "By the book" : # 220 [1998].
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personality microfilm collection
BLUTH, DON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLUTH, DON
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personality microfilm collection
BLUTHEAU, LOTHAIRE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: BLUTHEAU, LOTHAIRE
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