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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWLEN, KATHY
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BUDGE, TOM
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in Velvet Light Trap (Fall 2005) iss.56
Call No: DVD RESEARCH FOLDERSubject: DVD ; DVD, FILMS ON ; HOME EQUIPMENT ; HOME EXHIBITION ; PRESERVATION OF FILMS ; CRITERION COLLECTION ; MANGA ; BROOKER, WILL ; AROSTEGUY, SUSAN ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) ; FIGHT CLUB (US, David Fincher, 1999) Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.
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in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Rating of films at the box-office, two weeks ending Thursday, 31/10/1974, for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle.
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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4
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blinky bill the movie in production
in Sunday Herald Sun [Arts & entertainment] (20 Sep 15) p.89
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$1m boon for writers in Sunday Telegraph (07/08/2016) p.108
Call No: PERSONALITY CLIPPINGS FILE; BRENNAN, SHANEAuthor: Byrnes, Holly PhysDes: Clippings File ArticleSubject: SCRIPTED INK ; BRENNAN, SHANE Summary: Report that successful Australian (and US based) screenwriter Shane Brennan is to create a $1m a year philanthropic fund for Australian screenwriters with colleague Tim Pye. Brennan's career included show running hit TV show NCIS and creating NCIS: LOS ANGELES
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2 create in Sydney Morning Herald (22/02/2013) p.24
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3-d effects taken to the people in Australasian Cinema (18/6/1982) vol.11 iss.10 p.8
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3 exceptional films released GUO/FD in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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$6mil. Advt. budget for 'A Passage To India' in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.1
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10 9 8 7 6 5.... in Video Age (April 1985) vol.4 iss.4 p.12-13
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11 down, 5 to go with features distribution in Australian Film Review (18th-31st August 1983) vol.1 iss.14 p.9
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20 years from the waist up : tales of a TV news anchor / by Richard Morecroft Sydney: HarperCollins, 2002.
Call No: 81MOR MORAuthor: Morecroft, Richard Source: ATPlace: SydneyPublisher: HarperCollinsPubDate: 2002PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cmSubject: AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; MORECROFT, RICHARD Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift...
Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations.
... and what does he wear under the newsdesk?" -- BOOK BLURBISBN: 0732275105Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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The 25th Anniversary of the Bulgarian Film : El 25 aniversario del cine Bulgaro / Film Bulgaria Film Distribution State Enterprise, Sofia, 1969 (approx.).
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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78Britannia Mews in Film Index iss.28
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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100 Anime / Brophy, Philip London: British Film Institute, 2005.
Call No: 772 (52) BROAuthor: Brophy Philip CorpAuthor: BFIPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 17 cm; 262 ppSeries: BFI Screen GuidesSubject: NEON GENESIS EVANGELION (JA, 199?) ; AKIRA (JA, Katsuhiro Otomo, 1989) ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; STEAMBOY (JA, Katsuhiro Otomo, 2004) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; JAPAN ; ANIMATION ; MANGA Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]ISBN: 1844570843
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100 best films of the century / Barry Norman London: Orion Media, 1999.
Call No: 675.1 NORAuthor: Norman, Barry Place: LondonPublisher: Orion MediaPubDate: 1999PhysDes: xiii, 272 p. : ill. (some col.) ; 24cmSubject: BEST FILMS Summary: First published by Chapmans in 1992Notes: Includes indexISBN: 0752818104LON: 14324540
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"100 VIDEOS YOU MUST OWN" August 1998.
Call No: JOURNAL SHELVES. EMPIREPubDate: August 1998Subject: BEST FILMS Language: English
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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360 film classics June 1998.
Call No: Journal shelves. Sight & Sound Special IssuesPubDate: June 1998Subject: BEST FILMS Language: English
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2007 Heroes of the year : Emma Booth in Empire (Australian Ed.) (February 2008) iss.83 p.96
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120,000 admissions in 5 days for 'Breathless' in France in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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"A hero for our times" : Foreign Correspondent, Hero, and The Bonfire of the Vanities in Hitchcock annual (1995-96) p.3-22
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The A to Z of Australian Radio and Television / by Albert Moran and Chris Keating Lanham, MD: Scarecrow Press, c2007. Available at ProQuest (RMIT login required)
Call No: REFERENCE SECTION; 03 KEAAuthor: Keating, Chris ; Moran, Albert Place: Lanham, MDPublisher: Scarecrow PressPubDate: c2007PhysDes: xlii, 505 p. ; 22 cm.Series: A to Z guide seriesSubject: BROADCASTING ; BROADCASTING. AUSTRALIA Summary: " The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations. " BOOK BLURBNotes: Originally published in 2007 as Historical dictionary of Australian radio and television.; Includes bibliographical references (p. 399-504)ISBN: 9780810868564Contents: -- editors foreword: Jon Woronoff -- preface -- reader's note -- acronyms and abbreviations -- chronology -- introduction -- the dictionary -- bibliography -- about the authors --URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=467209'
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The ABA's general approach to planning / Australian Broadcasting Authority [Australia]: Australian Broadcasting Authority, March 1998.
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The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981.
Call No: 19ABC ABCAuthor: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting CommissionSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1981PhysDes: 3 v.Subject: STATE AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING CORPORATION ; HISTORY OF TV. AUSTRALIA ; MEDIA AUSTRALIA ; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) --Donation: donated by M. S. CounihanContents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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ABC sinks controvesial dolphin show in The Australian [Media] (11/05/2015) p.23
Call No: TITLE CLIPPINGS FILE; BLUE ZOO [TV] (AT, 2014)Author: King, Simon PhysDes: Clippings File ArticleSubject: BLUE ZOO [TV] (AT, 2014) Summary: Second series of Blue Zoo cancelled
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Academy : the journal of the British Academy of Film & Television Arts London: 2000-.
Call No: held no.1- February 2000-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film & Television ArtsSource: UKPlace: LondonPubDate: 2000-Subject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Missing Issues: Issue 3 June 2000, also Issue 9 June 2001Order Notes: current
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Accent on origins for Weaver : Chameleonic star Jacki Weaver's latest film - a comedy about euthanasia - brought a welcome return to home soil in The Age [Spectrum] (1/08/2015) p.10
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005.
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o.j.: made in america (us, ezra edelman, 2016)
ACMI hosts marathon OJ screening in The Age [Arts and entertainment] (19/1/2017) p.24
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The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi London: Bloomsbury Academic, 2017.
Call No: 761 WINAuthor: Winston, Brian ; Vanstone, Gail ; Chi, Wang Source: UKPlace: LondonPublisher: Bloomsbury AcademicPubDate: 2017PhysDes: xii ; 271 pages : illustrations ; 23 cmSubject: DOCUMENTARY FILMS ; FILMMAKING ; AESTHETICS ; EDITING ; PRODUCTION ; CAMERAS Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USANotes: Includes bibliographical references and indexISBN: 9781501309175
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Actor breaking the mould in Saturday Age [Careers] (23/01/2016) p.15
Call No: PERSONALITY CLIPPINGS FILE; BIRD MATHESON, GEMMAAuthor: Dondio, Karen PhysDes: Clippings File ArticleSubject: BIRD MATHESON, GEMMA Summary: Profile of Australian based actor Gemma Bird Mathieson and her thoughts on her career and opportunities working in Australia's media industries
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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014.
Call No: 753.1(73) SLEAuthor: Slethaug, Gordon E. Source: USPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: vi, 275 p. : ill. ; 23 cm.Subject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CRITICISM ; USA ; THEORY ; POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA. USA ; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993) ; SHORT CUTS (US, Robert Altman, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; SMOKE (US, Wayne Wang, 1995) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) ; SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURBNotes: Includes bibliographical references (p. [255]-269) and indexISBN: 9781623564407Donation: Senses of CinemaContents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adapting Australian film : Ray Lawrence from Bliss to Jindabyne in Studies in Australasian cinema (2009) vol.3 iss.3 p.295-308
Author: Rayner, Jonathan PhysDes: ArticleSubject: ADAPTATIONS. AUSTRALIA ; LAWRENCE, RAY ; BLISS (AT, Ray Lawrence, 1985) ; LANTANA (AT, Ray Lawrence, 2001) ; JINDABYNE (AT, Ray Lawrence, 2005) Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract
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Additional dialogue : letters of Dalton Trumbo 1942- 1962 / Helen Manfull (editor) Toronto: Bantam Books, 1972.
Call No: 81TRU MANAuthor: Trumbo, Dalton Source: CNPlace: TorontoPublisher: Bantam BooksPubDate: 1972PhysDes: 620 p. ; 18cmSubject: TRUMBO, DALTON ; GUY NAMED JOE, A (US, Victor Fleming, 1943) ; EXODUS (US, Otto Preminger, 1960) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; SPARTACUS (US, Stanley Kubrick, 1960) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971) Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]Notes: Includes indexISBN: 55306951195
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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Adriano Celentano starts "Bingo-Bongo" in September in Foreign Sales (Jul-Aug 1982) vol.7-8 p.2
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Adventures in the b-movie trade / Brian Trenchard-Smith [USA]:
Call No: 81 TRE TREAuthor: Trenchard-Smith, Brian Edition: 2020Place: [USA]PhysDes: 580 pages : illustrated ; 26 cmSubject: TRENCHARD-SMITH, BRIAN ; PAGE, GRANT ; LEE, BRUCE ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976) ; STUNT ROCK (NE, Brian Trenchard-Smith, 1978) ; BMX BANDITS (AT, Brian Trenchard-Smith, 1983) ; FROG DREAMING (AT, Brian Trenchard-Smith, 1985) ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurbISBN: 9798985674705
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Adventures in the screen trade : a personal view of Hollywood and screenwriting / William Goldman New York: Warner Books, 1984.
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6
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Affaire Blum (1948) in Australian film guide vol.1 iss.12 p.44
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Afloat on certainty, Jolie and Pitt become voyeurs in The Age [Arts & Entertainment] (27/11/2015) p.31
Call No: TITLE CLIPPINGS FILE; BY THE SEA (US/FR, Angelina Jolie, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: BY THE SEA (US/FR, Angelina Jolie, 2015) Summary: Film review of BY THE SEA directed by and starring Angelina JolieNotes: This article was also published in the Canberra Times on November 28, 2015.Rating: 2 out of 5 stars
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[Afraid to dance : stills file] Seddell Pty Ltd,
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African American actresses : the struggle for visibility, 1900 - 1960 / Charlene Regester Bloomington: Indiana University Press, c2010.
Call No: 802.27(73)-054(=96) REGAuthor: Regester, Charlene Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2010PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cmSubject: BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; MADAME SUL-TE-WAN ; BEAVERS, LOUISE ; MCKINNEY, NINA MAE ; WASHINGTON, FREDI ; MCDANIEL, HATTIE ; HORNE, LENA ; SCOTT, HAZEL ; WATERS, ETHEL ; DANDRIDGE, DOROTHY ISBN: 9780253221926Donation: donated by Senses of Cinema, 2013Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion
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African camera : an introduction to African cinema / Australian Film Institute Sydney: Australian Film Institute,
Call No: 71 (6) AFRAuthor: Australian Film Institute Place: SydneyPublisher: Australian Film InstitutePhysDes: 32 unnumbered pages : illustrations ; 21 cmSubject: VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINYE (ML, Souleymane Cisse, 1982) ; NYMANTON (ML, Cheik Omar Sissoko, 1986) ; HARVEST: 3000 YEARS (ET, Haile Gerima, 1976) ; AFRICAN CAMERA (TI, Ferid Boughedir, 1983) ; WEST INDIES STORY (MU, Med Hondo, 1979) ; VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987) ; TOUKI BOUKI (SG, Djibril Diop Mambety, 1973) ; KADDU BEYKAT (SG, Safi Faye, 1975) ; BOPHA (US/SA, Daniel Riesenfeld, 1986) ; SONG OF THE SPEAR (UK, 1985) ; ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985) ; MANDELA (US, Peter Davis, 1986) ; CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987) ; SAMBIZANGA (AL, Sarah Maldoror, 1972) ; MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968) ; AFRICA ; AFRICA IN FILMS ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS Notes: Title from cover.
"This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2.
Includes bibliographical references (page 31)
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AFTER MIDNIGHT : (US, Mitchell Leisen, 1950)
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The age of uncertainty in Weekend Australian [Review] (16/05/2015) p.3
Call No: TITLE CLIPPINGS FILE; CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014) ; BINOCHE, JULIETTE ; ASSAYAS, OLIVIER ; STEWART, KRISTEN Summary: Interview with Olivier Assayas about his film Clouds of Sils Maria and the performances of the two main actresses, French superstar Juliette Binoche, and Kristen Stewart (of Twilight fame).
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Agency to assist scriptwriters in The Australian (31/08/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; SCRIPTED INKAuthor: Ritchie, Emily PhysDes: Clippings File ArticleSubject: SCRIPTED INK ; AUSTRALIAN WRITERS GUILD ; BRENNAN, SHANE Summary: Some information about the newly formed Scripted Ink, an organisation to assist with Australian film and tv script development. The funding by Australian writer Shane Brennan has been instrumental for setting the organisation up with the Australian Writers Guild. The three scripts to receive development fudning are CATGOD, THE PEACMAKER, and BLACK CREEK
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018.
Call No: 81VAR DERAuthor: DeRoo, Rebecca J. Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: c2018PhysDes: x, 238 pages : illustrations ; 23 cmSubject: FILM ; CRITICISM ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; NOUVELLE VAGUE ; MOVEMENTS AND STYLES IN FILM HISTORY ; FRANCE ; VARDA, AGNES ; POINTE COURTE, LA (FR, Agnes Varda, 1954) ; BONHEUR, LE (FR, Agnes Varda, 1965) ; ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977) ; DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVERNotes: Includes bibliographical references and index; Also issued onlineISBN: 9780520279414Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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AIMC looks for AWOL audiences in Encore (Online) (Sept 26, 2005)
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The airways belong to you? in Lumiere (March-April, 1972) iss.14 p.28-29
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Alfred Hitchcock and the making of Psycho / Stephen Rebello London: Mandarin, 1992.
Call No: 79 PSY REBAuthor: Rebello, Stephen Place: LondonPublisher: MandarinPubDate: 1992PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.Subject: BLOCH, ROBERT ; HITCHCOCK, ALFRED ; BASS, SAUL ; STEFANO, JOEY ; HERRMANN, BERNARD ; MILES, VERA ; PSYCHO (US, Alfred Hitchcock, 1960) ; DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955) Notes: Originally published: London : Boyars, 1990.
Bibliography: p. 207-211. Includes index.ISBN: 0749309709Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath
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Alien has a successful landing in The Age [Arts & Entertainment] (18/05/2017) p.28
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The Alien Queen - "Aliens" : Ingenious rod puppets designed by Doug Beswick made the Alien Queen come alive in combat in Cinefantastique (October 1986) vol.16 iss.4/5 p.10, 123
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Alien zone : cultural theory and contemporary science fiction cinema / edited by Annette Kuhn London New York: Verso, 1990.
Call No: 735.1 KUHAuthor: Kuhn, Annette Source: UK/USPlace: London New YorkPublisher: VersoPubDate: 1990PhysDes: viii, 231 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEX IN FILMS ; TECHNOLOGY IN FILMS ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes bibliographical references (p. 229-231)ISBN: 0860912787; 0860919935 (pbk.)LON: 6923144Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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newspaper article
Alive and well in Sunday Herald Sun [TV Guide] (10/09/2017) p.1
Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)Author: Vickery, Colin PhysDes: Clippings File ArticleSubject: BOOTH, EMMA ; GLITCH [TV](AT, 2015-) Summary: Interview with GLITCH actor Emma Booth about her career and her role in the TV series
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All at sea in Weekend Australian [Review] (4/4/2015) p.12
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'All of Me' tops US box-office in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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All the burning bridges : a memoir / Steve Bisley Richmond, Victoria: Echo, a division of Bonnier Publishing Australia, 2017.
Call No: 81 BIS BISAuthor: Bisley, Steve Source: ATPlace: Richmond, VictoriaPublisher: Echo, a division of Bonnier Publishing AustraliaPubDate: 2017PhysDes: 247 pages ; 21 cmSubject: BISLEY, STEVE ; GIBSON, MEL ; DAVIS, JUDY ; MAD MAX (AT, George Miller, 1979) ; WATER RATS [TV] (AT, Hal McElroy, 1996) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; DOCTOR DOCTOR [TV] (AT, 2016) Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.ISBN: 9781760400842
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newspaper article
All the grunt but no easy way to be home in Australian Financial Review (16/03/2007) p.8
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: BLU-RAY Summary: On the pros and cons of the PS3. Perhaps what is interesting is that this reviewer believes that the PS3 could become a great media centre one day due to PS3 allowing software to be able to be used to alter its operating system but it is far from it now.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Xbox Mod Chipped; -- Playstation 3
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Crawford collection
still
[All the rivers run : album #1] Crawford Productions [distributor], [1983?].[1990?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1983?]; [1990?]PhysDes: 34 photographs : b&w ; 26 x 21 cm + 19 slides : col.Subject: WATERS, JOHN (AT) ; THORNTON, SIGRID ; WRIGHT, ADRIAN ; BURNS, CAROL ; TINGWELL, CHARLES (BUD) ; COGHILL, NIKKI ; FAWDON, MICHELE ; ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) ; ALL THE RIVERS RUN II (AT, John Power, 1990) Summary: Photographs and slides relating to All The Rivers RunNotes: Arrangement: Images are arranged by record type and series (photographs with accompanying promotional material with descriptive captions for All The Rivers Run (1983), then slides and photographs for All The Rivers Run II (1990) -- slides for All The Rivers Run II contain annotations indicating presence of TV aerials and light poles in some images -- Duplicate material in storageDonation: Gift of Crawford Productions
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newspaper article
All you ever want to know about SEX - and how it sells in Courier-Mail (28/02/2004) p.75-76
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20
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Allegories of cinema : American film in the sixties / David E. James Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAMAuthor: James, David E., 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1989PhysDes: xiii, 388 p. : ill. ; 26 cmSubject: UNDERGROUND FILMS ; POLITICAL FILMS ; BLACK POWER FILMS ; WOMEN AND THE CINEMA ; ART CINEMA. USA ; VIETNAM WAR FILMS ; BRAKHAGE, STAN ; ANGER, KENNETH ; WARHOL, ANDY ; MEKAS, JONAS ; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)LON: 5820741Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --
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Allen plays same old tune in AFR Weekend (22/10/2016) p.36
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journal article
Along film row in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.21-22
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Along film row in Australasian Cinema (24/6/1983) vol.12 iss.11 p.5-7
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11
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Along Film Row in Australasian Cinema (28/5/1982) vol.11 iss.9 p.8-9
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Along Film Row in Australasian Cinema (30//4/1982) vol.11 iss.7 p.7
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Along Film Row in Australasian Cinema (16/4/1982) vol.11 iss.6 p.10
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Interim
book
Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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Altman on Altman / Robert Altman and David Thompson (ed.) London: Faber and Faber, 2005.
Call No: 81ALT THOAuthor: Altman, Robert and Thompson, David Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2005PhysDes: xxii, 306p. ; b+w ill. : 22cm.Subject: ALTMAN, ROBERT ; M*A*S*H (US, Robert Altman, 1969) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; THIEVES LIKE US (US, Robert Altman, 1974) ; CALIFORNIA SPLIT (US, Robert Altman, 1974) ; NASHVILLE (US, Robert Altman, 1975) ; BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976) ; QUINTET (US, Robert Altman, 1979) ; PERFECT COUPLE, A (US, Robert Altman, 1979) ; HEALTH (US, Robert Altman, 1980) ; POPEYE (US, Robert Altman, 1980) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; STREAMERS (US, Robert Altman, 1983) ; SECRET HONOR (US, Robert Altman, 1984) ; FOOL FOR LOVE (US, Robert Altman, 1985) Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.Notes: Includes index and bibliographyISBN: 0571220894
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Alvin Purple / Catharine Lumby Strawberry Hills, NSW: Currency Press ., 2008.
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[Alvin purple : Graeme Blundell as Alvin Purple sitting naked in an office while another man talks to him] [1973?].
Call No: TITLE STILL AUSTRALIASource: ATPubDate: [1973?]PhysDes: 1 photograph : b&w ; 19 x 25 cm.Subject: ALVIN PURPLE (AT, Tim Burstall, 1973) ; BLUNDELL, GRAEME Summary: Graeme Blundell sits reclined at a desk wearing nothing but socks and sneakers. He looks to his left at a man who is fully dressed and standing at the desk that he is reclining behind.Notes: Moderate surface damage to photograph; Pencil annotations to reverse of photograph; Red adhesive sticker on reverse of photograph; Pin holes on corners of photograph
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still
[Alvin rides again : stills file]
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Ambiguity and film criticism : reasonable doubt / Hoi Lun Law Cham, Switzerland: Palgrave Macmillan, 26/02/2021.
Call No: 620 HOIAuthor: Law, Hoi Lun Edition: 2021Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 26/02/2021PhysDes: ix, 191 pages : illustratedSeries: Palgrave close readings in film and televisionSubject: CRITICISM ; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurbISBN: 9783030629472Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
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Ambiguous films : Le Boucher and Freaks in Film/Psych R (Summer-Fall 1980) vol.4 iss.2 p.196-206
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America 3000 : Low-budget Amazon women ride the post-nuclear range for Cannon Films, on location in Israel in Cinefantastique (March 1986) vol.16 iss.1 p.7, 52
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010.
Call No: 71(73) EAGAuthor: Eagan, Daniel Source: USPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: xxvii, 818 p. : ill. ; 26 cmSubject: BEST FILMS ; BEST FILMS. US ; CRITICISM ; FILM ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; LIBRARY OF CONGRESS ; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780826429773Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American dreaming : the films of John Cassavetes and the American experience / Raymond Carney Berkeley: University of California Press, 1985.
Call No: 81CAS CARAuthor: Carney, Raymond Place: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: x, 335 p. : ill. ; 24 cmSubject: CASSAVETES, JOHN ; FACES (US, John Cassavetes, 1968) ; GLORIA (US, John Cassavetes, 1980) ; HUSBANDS (US, John Cassavetes, 1970) ; KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976) ; MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971) ; SHADOWS (US, John Cassavetes, 1960) ; TOO LATE BLUES (US, John Cassavetes, 1961) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311ISBN: 0520050991LON: 3055051Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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American Film Market Assoc. backs int'l. licensing symposium in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
PhysDes: ArticleSubject: AMERICAN FILM MARKET ; COPYRIGHT ; CABLE TV Summary: Article on the future American Film Market Association symposium, including a list of topics that will be discussed.
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The American film musical / Rick Altman London: British Film Institute, 1989.
Call No: 751 ALTAuthor: Altman, Rick Place: LondonPublisher: British Film InstitutePubDate: 1989PhysDes: [386] p. : ill. ; 26cmSubject: MUSICALS. USA ; ASTAIRE, FRED ; BERKELEY, BUSBY ; EDDY, NELSON ; GARLAND, JUDY ; MACDONALD, JEANETTE ; MAMOULIAN, ROUBEN ; ROGERS, GINGER ; VIDOR, KING ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) ; APPLAUSE (US, Rouben Mamoulian, 1929) ; OKLAHOMA! (US, Fred Zinneman, 1955) Notes: American cinema films: Musicals. - Critical studies (BNB/PRECIS); Originally published: Bloomington : Indiana University Press, 1987; Includes indexISBN: 0851702279 (pbk) : ª12.95 : CIP confirmedLON: 6008672 6008672
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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American screenwriters / [introduction and commentary by] Karl Schanzer & Thomas Lee Wright New York: Avon Books, c1993.
Call No: 802.24(73) SCHAuthor: Wright, Thomas Lee, 1953 ; Schanzer, Karl Place: New YorkPublisher: Avon BooksPubDate: c1993PhysDes: xii, 274 p. ; 22 cmSubject: SCRIPTWRITERS. USA ; PRODUCTION DEALS ; VALDEZ, LUIS ; BLACK, SHANE ; CAMERON, JAMES ; PRICE, RICHARD ; RUBIN, BRUCE JOEL ; KHOURI, CALLIE ; ROBINSON, PHIL ALDEN ; SINGLETON, JOHN ; DIXON, LESLIE ; THOMPSON, CAROLINE ; KAZAN, NICHOLAS ; ESZTERHAS, JOE ; RASCOE, JUDITH ; GANZ, LOWELL ; MANDEL, BABALOO ; RICKMAN, THOMAS ; BASS, RON ISBN: 0380767279 : $12.00 ($14.00 Can.)LON: 9905548 9905548
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American silent film / William K. Everson New York: Oxford University Press, 1978.
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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The American vein : directors and directions in television / Christopher Wicking and Tise Vahimagi London: Talisman Books, 1979.
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American vision : the films of Frank Capra / Raymond Carney Cambridge [Cambridgeshire] New York: Cambridge University Press, 1986.
Call No: 81CAP CARAuthor: Carney, Raymond Place: Cambridge [Cambridgeshire] New YorkPublisher: Cambridge University PressPubDate: 1986PhysDes: xv, 510 p. : ill. ; 24 cmSubject: CAPRA, FRANK Notes: Includes index; Filmography: p. 495-500; Bibliography: p. 501-503ISBN: 0521326192LON: 86014800; 4632736
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The American West in film : critical approaches to the Western / Jon Tuska Lincoln: University of Nebraska Press, 1988.
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The American West on film : myth and reality / Richard A. Maynard Rochelle Park, NJ: Hayden Book Company, 1974.
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Ana Kokkinos : an oeuvre of outsiders / Kelly McWilliam Edinburgh: Edinburgh University Press, 2020.
Call No: 81 KOK MCWAuthor: McWilliam, Kelly Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: 130 pages : illustrations ; 22 cmSeries: Visionaries: thinking through female filmmakersSubject: KOKKINOS, ANA ; ONLY THE BRAVE (AT, Ana Kokkinos, 1994) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BOOK OF REVELATION (AT, Ana Kokkinos, 2005) ; BLESSED (AT, Ana Kokkinos, 2009) ; WOMEN FILMMAKERS ; WOMEN FILMMAKERS. AUSTRALIA Summary: "Ana Kokkinos is an Australian screenwriter, producer and director who has worked in film and television for almost thirty years. Best known for her fictional films - Antamosi, Only the Brave, Head On, The Book of Revelation and Blessed - her work is often bold and confrontational in its exploration of the alienation, estrangement and visceral distresses of those outside the mainstream. In the first major study of the director, Ana Kokkinos: An Oeuvre of Outsiders offers new readings of and across her fictional oeuvre by broadly tracing the deployment of the outsider as an organising motif." - taken from back cover.Notes: Includes bibliographical references and index.
Bibliography: (pages 112-125)
Filmography: (pages 126-127)ISBN: 9781474431071Contents: Introduction: Ana Kokkinos -- 1. Antamosi and Only the Brave: the early films -- 2. Head On: centring the other -- 3. The Book of Revelation: othering the centre With Sharon Bickle -- 4. Blessed: an ensemble of outsiders -- Conclusion: an oeuvre of outsiders - an Australian auteur? -- Bibliography -- Filmography -- Index.
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Analysis of the performance of Australian films since 1980 : a paper for the House of Representatives Standing Committee on Environment, Recreation and the Arts Inquiry into the performance of Australian film -"The Moving Pictures Enquiry" / Australian Film Commission [North Sydney]: The Commission, 1991.
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998.
Call No: 62 DICAuthor: Dick, Bernard F Edition: Third editionSource: US/UKPlace: New York -- HampshirePublisher: St Martins Press -- Macmillan PressPubDate: 1998PhysDes: xv, 302 pages : illustrations ; 23 cmSubject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965) ; ALLEN, WOODY ; BOGART, HUMPHREY ; CAPRA, FRANK ; CITIZEN KANE (US, Orson Welles, 1941) ; HITCHCOCK, ALFRED ; PSYCHO (US, Alfred Hitchcock, 1960) ; WELLES, ORSON ; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back coverNotes: Previous ed.: 1990 -- Includes bibliographical references and indexISBN: 0312153996Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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An anatomy of light : corporeality and identity in animation in Metro (2000) iss.121/122 p.31-36
Author: Black, Daniel PhysDes: Article; Bibliography; Illustration(s)Subject: ANIMATION ; BODY IN FILMS Summary: Animation is explored in relation to its preoccuption with the body's surface and external form.
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still
[And his ghost may be heard : stills file]
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journal article
Andrew Vial writes on world festival round-up in Australasian Cinema (24/9/1982) vol.11 iss.17
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'Android' licensed to Bulgaria in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Angel / by Stacey Abbott Detroit Mich: Wayne State University Press, c2009.
Call No: 79ANG ABBAuthor: Abbott, Stacey Source: USPlace: Detroit MichPublisher: Wayne State University PressPubDate: c2009PhysDes: x, 121 p. : ill. ; 18 cmSeries: TV milestones; Contemporary approaches to film and television series. TV milestonesSubject: ANGEL [TV] (US, 1999-) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) Summary: "In this TV Milestones entry, Stacey Abbott, the premier scholar of Angel studies, applies her broad understanding of film and television through brilliantly detailed analysis of the series, illuminating the beautiful darkness of Angel. Abbott has written a book that is both careful scholarship and also a page turner - lucid, lively, perceptive. Readers will want to watch the series - or watch it again - with the understanding gained from this remarkable little book." -- Rhonda V. Wilcox, professor of English at Gordon College and author of Why Buffy Matters: The Art of Buffy the Vampire Slayer -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780814333198Contents: -- acknowledgments -- Introduction: A seminal show canceled by the idiot networks -- Grrr aaargh! The collective vision of mutant enemy -- Creeped out and comforted at the same time: the generic hybridity of Angel -- Does giant tentacle spew come out with dry cleaning? Angel and tv horror -- Cavemen vs. astronauts--weapons to be determined: Angel, masculinity, and male friendship -- It's a little outside the box: how Angel breaks the rules -- notes -- works cited -- index --
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Angela Punch McGregor tries her hand overseas : Brealey hurries home in Australian film review (24th May-6th June 1984) vol.2 iss.7 p.22
Author: Schwartz, Eric PhysDes: ArticleSubject: MCGREGOR, ANGELA PUNCH ; BREALEY, GIL ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved withNotes: "Annie's Coming Out" is also known by its US title "A Test of Love"
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Animated falls on Happy Feet in Australian Financial Review (20/01/2007) p.33
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Crayford, Peter Subject: BOX OFFICE ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; ANIMATION Summary: Computer Animated feature films have become incredibly successful over the last five years with phenomenal box office receipts but also because of their unconventionality, inventiveness and Humour
The author states that the real profits begin to accumulate for these films on DVDNotes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
1. The Incredibles
2. Toy Story
3. Toy Story 2
4. A Bug’s Life
5. Monsters
6. Finding Nemo
7. Happy Feet
8. Open Season
9. The Wild
10. Ant Bully
11. Flushed Away
12. Ratatouille
13. Casino Royale
14. Shrek 2
FILM SALES
The Incredibles - More $US1billion – ($1.27billion)
Toy Story More - $US1billion – ($1.27billion)
Toy Story 2 - More $US1billion – ($1.27billion)
A Bug’s Life - More $US1billion – ($1.27billion)
Monsters - More $US1billion – ($1.27billion)
Finding Nemo - More $US1billion – ($1.27billion)
FILMS SALES – US CINEMA RELEASE
The Incredibles - $251 million
Finding Nemo - $US339 million
Shrek 2 - $US 436 million in 2006
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Animation from script to screen / Shamus Culhane London: Columbus, 1989, c1988.
Call No: 246CULAuthor: Culhane, Shamus Source: UKPlace: LondonPublisher: ColumbusPubDate: 1989, c1988PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cmSubject: ANIMATION ; ANIMATORS ; CARTOONS. USA ; DIRECTORS. USA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.Notes: Includes indexISBN: 0862879590
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Anime : a history / by Jonathan Clements Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 772(520) CLEAuthor: Clements, Jonathan Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; CARTOONS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. JAPAN ; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
SEE
SHIN TETSUWAN ATOM [TV] ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURBNotes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and indexISBN: 9781844573905Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --
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ANIME NERE : (IT/FR, Francesco Munzi, 2014)
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Annie screenwriter turns to the law in Encore (25th October-7th November 1984) vol.2 iss.18 p.10
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An annotated and critical bibliography on Australian filmmaker Tim Burstall / by John J. Benson Melbourne: Australian Film Institute Research & Information, 1983.
Call No: 81BUR BENCopy Management: Copy 1; Copy 2Author: Benson, John J CorpAuthor: Australian Film Institute. Research & Information CentreSource: ATPlace: MelbournePublisher: Australian Film Institute Research & InformationPubDate: 1983PhysDes: 76 p. ; 30 cmSeries: A.F.I. Research & Information bibliographySubject: BURSTALL, TIM Notes: Australian cinema films. Directing. Burstall, Tim. Bibliographies (ANB/PRECIS SIN 0744093); Cover title: Tim Burstall bibliographyISBN: 090802309XLON: 2993518
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another lady manager for Birch Carroll & Coyle in Australasian Cinema (13/5/1983) vol.12 iss.8 p.8
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985.
Call No: 81ANT CHAAuthor: Chatman, Seymour, 1928 Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: 290 p. : ill. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281ISBN: 0520052056; 0520053419 (pbk.)LON: 85001025; 3748072
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Antonioni / [by] Ian Cameron & Robin Wood London: Studio Vista, 1968.
Call No: 81ANT CAMAuthor: Cameron, Ian, 1937 ; Wood, Robin, 1931- joint author Place: LondonPublisher: Studio VistaPubDate: 1968PhysDes: [144] p. : illus. ; 17 x 18 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) Notes: Bibliography: p. 144; "Filmography": p. 141- [144]ISBN: 0289795982LON: 70397126; 63651
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Antonioni / Sam Rohdie London: BFI Pub., 1990.
Call No: 81ANT ROHAuthor: Rohdie, Sam, 1939 Place: LondonPublisher: BFI Pub.PubDate: 1990PhysDes: 213 p. : ill., ports. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210ISBN: 0851702740 (pbk.); 0851702732LON: bnb85170273; 7278793
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Levy Collection
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Antonioni Bergman Resnais / Peter Cowie New York: Tantivy Press, Barnes & Co., 1963.
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Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press,
Call No: 412.3 KELAuthor: Keller, Sarah Edition: 2020Place: New YorkPublisher: Columbia University PressPhysDes: vii, 302 pages : illustrated ; 24 cmSubject: APOCALYPSE IN FILMS ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BAZIN, ANDRE ; FILM CULTURE ; CINEPHILIA ; DIGITAL CINEMA ; FRANCE ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; STAR WARS [...] (US, 1977-2015) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web siteISBN: 9780231180870Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011.
Call No: 736.11Author: Grant, Kevin Edition: August 2013Place: Godalming, SurreyPublisher: FAB PressPubDate: May 2011PhysDes: 480 pages : illustrated ; 26 cmSubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; NERO, FRANCO ; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966) ; BLINDMAN (US/IT, Ferdinando Baldi, 1972) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; CORBUCCI, SERGIO ; EASTWOOD, CLINT ; FULCI, LUCIO ; HILL, TERENCE ; SPENCER, BUD ; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web siteNotes: Foreword by Franco NeroISBN: 9781903254615
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Apocalypse-cinema : 2012 and other ends of the world / Peter Szendy; translated by Will Bishop; Foreword by Samuel Webber New York: Fordham University Press, 2015.
Call No: 735.1 SZEAuthor: Szendy, Peter ; Bishop, Will ; Webber, Samuel Edition: 2015Place: New YorkPublisher: Fordham University PressPubDate: 2015PhysDes: xx, 160 p. : illustrations ; 22 cmSeries: French VoicesSubject: APOCALYPSE IN FILMS ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964) ; TERMINATOR, THE (US, James Cameron, 1984) ; [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; WATCHMEN (US, Zack Snyder, 2009) ; SUNSHINE (UK/US, Danny Boyle, 2007) ; BLADE RUNNER (US, Ridley Scott, 1982) ; [TWELVE] MONKEYS (US, Terry Gilliam, 1995) ; ROAD, THE (US, John Hillcoat, 2009) ; BLOB, THE (US, Chuck Russell, 1988) Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit.
Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups.
The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing.
In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web siteISBN: 9780823264810
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APOCALYPSE DOMANI : (IT/SP, Anthony M. Dawson, 1980)
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Old collection
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Archives index : index to a guide to material on film, broadcasting and television held in the Australian Archives, Canberra branch / Suzanne Ridley (compiler) Sydney: Australian Film and Television School, 1979.
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L'Argent London: British Film Institute, 1999.
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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The Art of the Short Fiction Film : A shot by shot study of nine modern classics / Richard Raskin North Carolina: McFarland & Company Inc., 2002.
Call No: 725.221 (-091) RASAuthor: Raskin, Richard Source: USPlace: North CarolinaPublisher: McFarland & Company Inc.PubDate: 2002PhysDes: 184 p. : ill. ; 27 cmSubject: SHORT FILMS ; TWO MEN AND A WARDROBE (PL, Roman Polanski, 1957) ; DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957) ; COFFEE AND CIGARETTES (US, Jim Jarmusch, 1986) ; CAT'S CRADLE (AT, Liz Hughes, 1992) Summary: A close study of Polanski Two Men and A Wardrobe, Jarmusch Coffee and Cigarettes, Lawlor Sunday, Hughes Cat's Cradle, Sletaune Eating Out, Ulrichsen Come, Ivanyi Wind, McGann Possum and Mimica The War is Over. The book also describes a new coneptual model, derived from the nine films, useful for both analyzing the ways in which a short fiction film tells its story and as a set of guidelines for students writing their own screenplays.Notes: Includes contact information for obtaining copies of the films
Includes other highly recommended short fiction films
Includes bibliography
Includes indexISBN: 078641183x
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Asian cinema : a regional view / Olivia Khoo Edinburgh: Edinburgh University Press,
Call No: 71(5) KHOAuthor: Khoo, Olivia Edition: 2021Place: EdinburghPublisher: Edinburgh University PressPhysDes: 160 pages : illustrated ; 24 cmSubject: ASIAN COUNTRIES ; BLOCKBUSTERS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; DISTRIBUTION ; FESTIVALS ; COPRODUCTION ; HOMOSEXUALITY IN FILMS ; REMAKES ; SHORT FILMS ; 3D DIGITAL ; TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; WOMEN FILMMAKERS Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas.
This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web siteISBN: 9781474461764Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998.
Call No: 81MON WOLAuthor: Wolfe, Donald H. Source: USPlace: LondonPublisher: Little Brown and CompanyPubDate: 1998PhysDes: 532 p. : ill. ; 25 cmSubject: TWENTIETH CENTURY-FOX ; MONROE, MARILYN ; MILLER, ARTHUR ; MONTAND, YVES ; KENNEDY, JOHN F. ; SINATRA, FRANK ; ZANUCK, DARRYL F. ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; BUS STOP (US, Joshua Logan, 1956) ; LET'S MAKE LOVE (US, George Cukor, 1960) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190
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Athelete Rickard turns movie star p.15
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festival catalogue
The Atlanta international film festival 1972 : August 11-20 / The Atlanta international film festival US: [s.n.], 1972.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1972PhysDes: 48 p. : ill. ; 28 cmSubject: FESTIVALS. USA [VARIOUS] ; FOREIGN FILMS
USE: IMPORT OF FILMS ; PREMINGER, OTTO ; CAPRA, FRANK ; WATKINS, PETER Notes: The Atlanta international film festival includes a program of feature length films, short films and animated films. The festival also has seminars and retrospectives outlining the work of Otto Preminger, Frank Capra and Peter Watkins. The catalogue also includes film summaries and numerous black and white stills.
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The audience is out there, but... in Realtime (Apr-May 2000) iss.36 p.18
Author: Stewart, Clare PhysDes: ArticleSubject: AUDIENCES. AUSTRALIA ; BOX OFFICE. AUSTRALIA Summary: Discussion on the increase of cinema-going in Australia, but the viewing of fewer Australian films. The author asks when will the government recognise its failure in promoting local culture and address it through new policies.
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Audiences : defining and researching screen entertainment reception / edited by Ian Christie Amsterdam: Amsterdam University Press, 2012. Available at OAPEN (open access)
Call No: 410.3 AUDPlace: AmsterdamPublisher: Amsterdam University PressPubDate: 2012PhysDes: 332 pages : illustrations ; 23 cm.Series: Key debates ; 3.Subject: AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; AUDIENCES ; SOCIETY AND THE CINEMA ; EXHIBITION ; BOX OFFICE Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.Notes: Includes bibliographical references (p. 279-298) and indexes.ISBN: 9789089643629Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451'
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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Aussie actors take sundance in Empire (Australian Ed.) (April 2006) iss.61 p.36-37
PhysDes: ArticleSubject: LESLIE, EWAN ; BUDGE, TOM Summary: Ewen Leslie and Tom Budge's week-long account of Sundance
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[Aussie Assault : stills file] Hoyts,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: HoytsPhysDes: 8 photographs : b&w ; 21 x 26 cmSubject: BOND, ALAN ; AUSSIE ASSAULT (AT, Harvey Spencer, 1984) Summary: 8 labelled black and white photographs of scenes from the documentary 'Aussie Assault.'
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Aussie, Aussie, Aussie? in Empire (Australian Ed.) (August 2001) iss.5 p.8-9
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Aussie cinema to the max in Herald Sun [General News] (12/09/2015) p.18
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAPhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian films have earned more than $50 milliom at local box office, 2015.
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Aussie flicks flying high in Sunday Telegraph (1/03/2015) p.33
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Aussie talent shines bright at Sundance in The Australian (25/01/2017) p.15
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE. 2017Author: Westwood, Christine PhysDes: Clippings File ArticleSubject: FESTIVALS. PARK CITY. SUNDANCE ; BERLIN SYNDROME (AT, Cate Shortland, 2017) ; KILLING GROUND (AT, Damien Power, 2016) ; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) ; ORBITAL VANITAS (AT, Shaun Gladwell, 2017) Summary: Report on a number of Australian films showing at the 2017 Sundance Film Festival, including; BERLIN SYNDROME, KILLING GROUND, RED DOG: TRUE BLUE, CASTING JONBENET, short film SLAPPER, and virtual reality film ORBITAL VANITAS
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Aussies invade St Tropez in Empire (Australian Ed.) (Jan/Feb 2001) iss.1 p.8
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Austen Tayshus feature completed in Encore (25 Feb, 1998) vol.16 iss.1 p.8
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Australia's top 10 executive producers in Encore (12 Feb, 1999) vol.17 iss.2 p.23-24
PhysDes: Article; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; BECKER, RICHARD ; BORGLUND, MIKAEL ; HAMILTON, GARY ; BURKE, GRAHAM ; CHETTY, DEVESH ; HANNAY, DAVID ; KNIGHT, ANDREW ; BEILBY, PETER ; VIZARD, STEVE ; Penfold-Russell, Rebel ; SHTEINMAN, JONATHAN ; WHITE, TIMOTHY Summary: Contacts and brief biogs for Encore list of top Australian executive producers.
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Australia to get premium PS3 in Australian Financial Review (29/01/2007) p.48
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gliddon, Joshua Subject: BLU-RAY ; HIGH DEFINITION DVD Summary: The author delves into the price war over rival gaming systems from Xbox to Playstation 3 and Nintendos Wii Console. The articles compare units sold between each system and also the development of the rival high definition DVD Formats including Sony developed Blu–ray and Toshiba developed HD – DVD format.
- In a move reminiscent of the VHS and Beta war of the early 80’s Blu-ray and HDDVD are incompatible, so which one a consumer opts for they could be backing the wrong horse.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8
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Australian Box-Office Reports in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.10
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Australian box office reports in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.15
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (ending two weeks from Thursday, 8/8) for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle
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Australian box office reports in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports, two weeks ending Thursday 18/7, from Sydney, Melbourne, Birsbane, Adelaide, Perth and Newcastle
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Australian box-office reports in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box-office reports from Sydney, Melbourne, Brisbane, Perth, Adelaide, Hobart, Newcastle and Launceston
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Australian box office reports in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.8
Subject: BOX OFFICE. AUSTRALIA ; AUSTRALIA Summary: Australian box office reports (two weeks ending 13/6) from Sydney, Melbourne, Adelaide, Perth and Newcastle
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Australian box office reports in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two wees ending, 23/5/1985) for Sydney, Melbourne, Brisbane, Adelaide. Perth and Newcastle
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Australian box office reports in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 9/5/1985) fpr Sydney, Melbourne, Brisbane, Adelaide, Perth, Newcastle, Hobart and Launceston
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Australian box office reports in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 25/4/1985) from Sydney, Melbourne, Brisbane, Adelaide, Perth, Newcastle
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Australian box office reports in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 11/4/1985) from Sydney, Melbourne, Birsbane, Adelaide, Perth, Newcastle, Hobart and Launceston
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Australian box office reports in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.35
Subject: BOX OFFICE. AUSTRALIA Summary: Box office repoets (two weeks ending 13/13/1984) for Sydney, Melbourne, Brisbane, Adelaide, Launceston, Newcastle and Hobart
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Australian box office reports in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports, two weeks ending 29/11/1984, from Sydney, Melbourne, Brisbane, Adelaide, Perth, Launceston, Hobart and Newcastle
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office reports from across Australia, two weeks ending September 1.
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Australian box office reports in Australasian Cinema (19/8/1983) vol.12 iss.15 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box opffice statistics, two weeks ending August 18.
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Australian box office reports in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.24
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australian box office reports in Australasian Cinema (15/7/1983) vol.12 iss.12 p.38
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Australian box office reports in Australasian Cinema (27/5/1983) vol.12 iss.9 p.12
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office reports, two weeks ending May 26.
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Australian box office reports in Australasian Cinema (13/5/1983) vol.12 iss.8 p.14
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office placings, two weeks ending May 5th.
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Australian box office reports in Australasian Cinema (29/4/1983) vol.12 iss.7 p.12
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office reports, two weeks ending April 21.
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australian box office reports in Australasian Cinema (15/4/1983) vol.12 iss.6 p.16
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Films at the Australian box office, two weeks ending April 7.
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Australian box office reports in Australasian Cinema (25/3/1983) vol.12 iss.5 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office takings, two weeks ending 24/3.
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Australian box office reports in Australasian Cinema (11/3/1983) vol.12 iss.4 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office report, two weeks ending 10/3
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Australian box office reports in Australasian Cinema (25/2/1983) vol.12 iss.3 p.10
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office report, two weeks ending February 10.
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Australian box office reports in Australasian Cinema (28/1/1983) vol.12 iss.1 p.16
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Australian box office reports in Australasian Cinema (29/10/1982) vol.11 iss.19 p.28
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office figures from across Australia, two weeks ending October 21.
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Australian box office reports in Australasian Cinema (12/11/1982) vol.11 iss.20 p.12
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Australian Box Office Reports in Australasian Cinema (15/10/1982) vol.11 iss.18 p.11
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: List of box office takings for films in Australia, two weeks ending 7/10
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Australian Box Office Reports in Australasian Cinema (24/9/1982) vol.11 iss.17 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office reports from across Australia, two weeks ending 9/9/82
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Australian Box Office Reports in Australasian Cinema (10/9/1982) vol.11 iss.16 p.12
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office reports from across Australia, two weeks ending 26/8/1982
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Australian box office reports in Australasian Cinema (27/8/1982) vol.11 iss.15
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Australian box office reports in Australasian Cinema (6/8/1982) vol.11 iss.14 p.16
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian Box office figures, two weeks ending 29/7/1982
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Australian box office reports in Australasian Cinema (23/07/1982) vol.11 iss.13 p.8
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Australian box office reports in Australasian Cinema (16/7/1982) vol.11 iss.12 p.39
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Australian box office reports in Australasian Cinema (25/6/1982) vol.11 iss.11 p.8
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Australian Box Office Reports in Australasian Cinema (16/4/1982) vol.11 iss.6 p.12
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office reports, two weeks ending 15/4/1982.
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14
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Australian box office, top rating films, number of cinema screens, industry statistics etc / AFI Research & Information
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Australian box office - US box office in Sunday Telegraph (20/12/2015) p.120
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: - PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA ; BOX OFFICE. USA Summary: Listings for the past week's box office figures for Australia and the USA
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976.
Call No: 201(94) AUSAuthor: Green, F. J. Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1976PhysDes: 175, A143 pages ; 25 cmSubject: BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications DepartmentISBN: 0642924392Donation: donated by Mick Counihan, 2010
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Australian Broadcasting Tribunal manual / Australian Broadcasting Tribunal Sydney: The Tribunal, 1990.
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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Australian content standard for television & paragraph 160(d) of the Broadcasting Services Act 1992 / report by the Senate Environment, Communications, Information Technology and the Arts Legislation Committee [Canberra]: The Committee, 1999.
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Australian experimental film : an alternative history / Fiona Hooton Saarbru¨cken, Germany: VDM, 2009.
Call No: 771(94) HOOAuthor: Hooton, Fiona Place: Saarbru¨cken, GermanyPublisher: VDMPubDate: 2009PhysDes: 174 p. : ill. ; 22 cm.Subject: EXPERIMENTAL FILMS. AUSTRALIA ; THOMS, ALBIE ; BERESFORD, BRUCE ; UBU FILM GROUP ; NEWSFRONT (AT, Phillip Noyce, 1978) ; AWARDS. AUSTRALIAN FILM INSTITUTE ; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976) ; CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973) ; MORA, PHILIPPE ; NOYCE, PHIL Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURBNotes: Includes bibliographical references.ISBN: 9783639115932Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- BibliographyID2: 343
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The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
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The Australian Film and Television and Radio School in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: BOY AND THE SEA, THE (AT, Peter Leovic, 1986) Summary: Short reviews of AFTRS productions; Almost Winning; The Boy and the Sea; Chasm; Coming True; An Australian Summer; Erminia's Opening Night and other stories; Freely Given; The Good Weekend; Flying; Say a Little Prayer; Speed Graphic; Shopping Town; Trickle of Sanity.
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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The Australian film revival : 1970s, 1980s, and beyond / Susan Barber New York: Bloomsbury Academic, 9 Feb 2023.
Call No: 71(94) BARAuthor: Barber, Susan Edition: 2023Place: New YorkPublisher: Bloomsbury AcademicPubDate: 9 Feb 2023PhysDes: 280 pages ; 24 cmSubject: AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; MOTHERS IN FILMS ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MAD MAX [...] (AT, 1979-85) ; BACKROADS (AT, Philip Noyce, 1977) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web siteISBN: 9781501390029Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index
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Australian film theory and criticism : Volume 3 / By Verevis, Constantine and Williams, Deane United Kingdom: Intellect, 2018.
Call No: 67(94) VERAuthor: By Verevis, Constantine and Williams, Deane Place: United KingdomPublisher: IntellectPubDate: 2018Subject: EXPERIMENTAL FILM AND TELEVISION FUND ; BIRTLES, FRANCIS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GILDA (US, Charles Vidor, 1946) ; FEMINISM AND THE CINEMA. AUSTRALIA ; PORNOGRAPHY AND THE CINEMA. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; CHAUVEL, CHARLES ISBN: 9781783208371
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Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: ClippingsSubject: BOX OFFICE. AUSTRALIA ; ODDBALL (AT, Stuart McDonald, 2015) ; THAT SUGAR FILM (AT, Damon Gameau, 2014) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; CUT SNAKE (AT, Tony Ayres, 2014) ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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Australian radio listeners and television viewers : historical perspectives / Bridget Griffen-Foley Cham, Switzerland: Palgrave Macmillan, 2020.
Call No: 41(94) GRIAuthor: Griffen-Foley, Bridget Source: SZPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 2020PhysDes: xiii, 167 pages : illustrations ; 22 cmSeries: Palgrave studies in the history of the mediaSubject: AUDIENCES. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; CHILDREN AND THE MEDIA. AUSTRALIA ; FANS ; RATINGS FOR TV AUSTRALIA ; RATINGS. AUSTRALIA ; DATING SHOWS ; CHILDREN, PROGRAMMES FOR. AUSTRALIA Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's websiteNotes: Includes bibliographies and indexISBN: 9783030546366Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion
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Australian Rules in Empire (Australian Ed.) (September 2002) iss.18 p.43
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Australian silent films : a pictorial history of silent films from 1896 to 1929 [Melbourne]: Lansdowne, 1970].
Call No: 71(94) REAAuthor: Reade, Eric, 1912-1978 Place: [Melbourne]Publisher: LansdownePubDate: 1970]PhysDes: 192 p. : ill. ; 29 cmSubject: AUSTRALIA. 1895-1930 ; CINEMAS. AUSTRALIA ; SMITH'S WEEKLY ; SPENCER, CHARLES COZENS ; PERRY, JOSEPH ; HURLEY, FRANK ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; CARBASSE, LOUISE ; RICKARDS, HARRY ; WEST, T.J. ; WILLIAMSON, J.C. ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ISBN: 0701803207LON: 74876255; 376334
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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Australians poised for Oscars glory in The Age (29/12/2016) p.22
Call No: SUBJECT CLIPPINGS FILE; BEST FILMSAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: BEST FILMS Summary: Reviewer discusses his choices for the best films of the year (and the worst one), as well as various interesting film events and happenings
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The auteur theory myths and magic in Metro Education (2000) iss.12 p.13-16
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Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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Authorship and the films of David Lynch : aesthetic receptions in contemporary Hollywood / Antony Todd London: I.B. Tauris, 2012.
Call No: 81LYN TODAuthor: Todd, Antony Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: ix, 181 p. : ill. ; 24 cmSubject: AESTHETICS ; AUTEUR THEORY ; LYNCH, DAVID ; DUNE (US, David Lynch, 1984) ; BLUE VELVET (US, David Lynch, 1986) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; MULHOLLAND DRIVE (US, David Lynch, 2001) Summary: "This fresh contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essense have shaped receptions of David Lynch's films. it is also the first book to approach Lynch as a figure composed through language, history and text.
Antony Todd traces the development of Lynch's career from cult obscurity with Eraserhead to star auteur through the release of Blue Velvet, as well as the television event of the early 1990s, Twin Peaks. He investigates how Lynch's idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Through the evidence of critical and promotional ephemera and the texts carrying Lynch's name, Todd explores contemporary manners and attitudes for artistic reputation building. He also reviews the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE.
This book also ventures beyond its empirical findings by addressing authorship concerns pertaining to the ways in which, and to whom, the contemporary auteur has meaning. In its account of the experiences at play in the encounter between ephemera, text and reader, Authorship and the Films of David Lynch explores how authors functions for pleasure in the modern filmgoer's everyday consumption of films."-BOOK BLURBNotes: includes bibliographical references; includes indexISBN: 9781848855809Contents: -- introduction -- 1.Towards a Textual Historicity -- 2.David Lynch: The Making of a Post-classical Auteur -- 3.Meanings and Authorships in Dune -- 4.Critical Theory and `Cruel Jokes': Principles of Ethics and Pleasure, and the Reception of Blue Velvet -- 5.Twin Peaks: The Rise and Fall of a Public Auteur -- 6.Brand Lynch -- 7.Receiving Mulholland Dr.: `A Contemporary Film Noir Directed by David Lynch' -- conclusion -- notes -- bibliography -- index --
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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Aux portes de la nuit : Le roman d'un film de Marcel Carne / Marcel Lapierre Paris: L'Orillon, 1946.
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The avant-garde finds Andy Hardy / Robert B. Ray Cambridge, Mass.: Harvard University Press, 1995.
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018.
Call No: 753.5 MSCAuthor: McSweeney, Terence Source: US/UKPlace: LondonPublisher: Wallflower Press published by Columbia University PressPubDate: c2018PhysDes: vii, 310 pages : illustrations ; 24 cmSubject: SUPERHEROES IN FILMS ; HEROS IN FILMS ; COMIC STRIP CHARACTERS IN FILMS ; CRITICISM ; MARVEL ENTERTAINMENT ; IRON MAN (US, Jon Favreau, 2008) ; IRON MAN 2 (US, Jon Favreau, 2010) ; THOR (US, Kenneth Branagh, 2011) ; INCREDIBLE HULK, THE (US, Louis Leterrier, 2008) ; CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011) ; AVENGERS, THE (US, Joss Whedon, 2012) ; IRON MAN 3 (US/CN, Shane Black, 2013) ; THOR: THE DARK WORLD (US, Alan Taylor, 2013) ; CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014) ; GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014) ; ANT-MAN (US, Peyton Reed, 2015) ; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015) ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9780231186254Donation: Senses of CinemaContents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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The Awards in Empire (Australian Ed.) (March 2003) iss.24 p.45-51
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Away from the light in The Age [E.G.] (14/04/2017) p.1
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B.C. & C. embark on 'Magical Mystery Tour' in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3
PhysDes: ArticleSubject: BIRCH CARROLL AND COYLE ; ADVERTISING FOR FILMS ; ANNIE (US, John Huston, 1982) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) Summary: Article on Birch, Carroll, and Coyle's promotional day-tour for 'Annie', 'E.T.', and 'Nightshift'.
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B is for bad cinema : aesthetics, politics and cultural value / edited by Claire Perkins and Constantine Verevis Albany, New York: State University of New York Press, c2014.
Call No: 730.2 BISAuthor: Perkins, Claire ; Verevis, Constantine Source: USPlace: Albany, New YorkPublisher: State University of New York PressPubDate: c2014PhysDes: xi, 262 pages : illustrations ; 24 cmSubject: AESTHETICS ; AUTHORSHIP ; B-MOVIES ; CULT FILMS ; CULTURE AND THE CINEMA ; EXPLOITATION FILMS ; POLITICS AND THE CINEMA ; SUBTITLES ; CANDY (AT, Neil Armfield, 2005) ; EVIL DEAD, THE (US, Sam Raimi, 1982 [prod. 1980]) ; MARNIE (US, Alfred Hitchcock, 1964) Summary: B Is For Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad" - that is, aesthetically, morally, or commercially disreputable - cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach badcinema in terms of aesthetics, politics and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic effect, and onto the broader moral and ethical implications of the material. As a result, B Is For Bad Cinema takes an interest in a variety of film examples - overblown Hollywood blockbusters, faux pornographic works, and European art house films - to consider those that lurk on the boundaries of acceptability." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781438449951Contents: Introduction: B for bad cinema / Claire Perkins and Constantine Verevis; Part 1: Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton; Part 2: Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis
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Baby Peggy in "Captain January" in Classic Images (Febuary 1983) iss.92 p.30
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Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: viii, 382 p. : ports. ; 24 cmSubject: BENNETT, CHARLES ; BURNETT, W. R. ; BUSCH, NIVEN ; CAIN, JAMES M ; COFFEE, LENORE ; DUNNE, PHILIP ; EPSTEIN, JULIUS J. ; GOODRICH, FRANCES ; HACKETT, ALBERT ; KRASNA, NORMAN ; MAHIN, JOHN LEE ; MAIBAUM, RICHARD ; ROBINSON, CASEY ; SCOTT, ALLAN ; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.Notes: Includes indexes; Bibliography: p. 349-364ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)LON: 85028949; 4218775
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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Backstory 3 : interviews with screenwriters of the 1960s / Pat McGilligan Berkeley: University of California Press, 1997.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1997PhysDes: viii, 428 p. : ill. ; 24 cmSubject: ALLEN, JAY PRESSON ; AXELROD, GEORGE ; BERNSTEIN, WALTER ; FOOTE, HORTON ; GREEN, WALON ; GRIFFITH, CHARLES B. ; HAYES, JOHN MICHAEL ; LARDNER, RING, Jr. ; MATHESON, RICHARD ; MAYES, WENDELL ; RAVETCH, IRVING ; FRANK, HARRIET ; SCHULMAN, ARNOLD ; SILLIPHANT, STIRLING ; SOUTHERN, TERRY Notes: Includes bibliographical references (p. 401-406) and indexesISBN: 0520204263 (cloth : alk. paper); 0520204271 (pbk. : alk. paper)Order Received: 1997LON: 96044753; 12803455
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: x, 423 p. : ill. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BENTON, ROBERT ; COHEN, LARRY ; EDWARDS, BLAKE ; HILL, WALTER ; JHABVALA, RUTH PRAWER ; KASDAN, LAWRENCE ; LEONARD, ELMORE ; MAZURSKY, PAUL ; MEYERS, NANCY ; MILIUS, JOHN ; RAPHAEL, FREDERIC ; WESTLAKE, DONALD ; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back coverNotes: Formerly CIP; Includes bibliographical references (p. 389-396) and indexISBN: 9780520245181; 0520245180 (pbk. : alk. paper)Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2010PhysDes: viii, 252 p. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BROOKS, ALBERT ; CARRIERE, JEAN-CLAUDE ; EPHRON, NORA ; HARWOOD, RONALD ; HUGHES, JOHN (US) ; KOEPP, DAVID ; LAGRAVENESE, RICHARD ; LEVINSON, BARRY ; ROTH, ERIC ; SAYLES, JOHN ; STOPPARD, TOM ; TURNER, BARBARA ; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back coverNotes: Includes bibliographical references and indexesISBN: 9780520260399Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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BAFTA news / the British Academy of Film & Television Arts London: The Academy, 1990.
Call No: held v.1, no.1-v.10, no.6 Feb.1990-Dec 1999 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film and Television ArtSource: UKPlace: LondonPublisher: The AcademyPubDate: 1990PhysDes: v. : illSubject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Notes: Continues: British Academy of Film and Television Arts newsletter; Continued by: Academy : the new Bafta magazineLON: 13018889
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BAI RI YAN HUO [BLACK COAL THIN ICE] : (CC, Yi'nan Diao, 2014) Digital clippings file available
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BAIBAI BOIZU : (JP, Itako, 2017)
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BAKEMONO NO KO : (JA, Mamoru Hosoda, 2015)
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Baker film a Breath of fresh air : shooting begins on Mentalists star's major project in Daily Telegraph [Sydney Confidential] (12/04/2016) p.18
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newspaper article
Baldwin as baby confusing, weird in The Age (23/03/2017) p.26
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BALENTES [BRAVE ONES, THE] : (AT, Lisa Camillo, 2018)
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Banned films : movies, censors, and the First Amendment / Edward de Grazia and Roger K. Newman New York: Bowker, 1982.
Call No: 44(73) DEGAuthor: De Grazia, Edward, 1927 ; Newman, Roger K Place: New YorkPublisher: BowkerPubDate: 1982PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cmSubject: CENSORSHIP. USA ; BANNED FILMS. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; EXORCIST, THE (US, William Friedkin, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; ALIBI (US, Roland West, 1929) Notes: Includes index; Bibliography: p. 391-394ISBN: 0835215091; 0835215113 (soft)LON: 2214260
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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The Barry McKenzie movies / Tony Moore Sydney: Currency Press, Australian Film Commission, 2005.
Call No: 79BAR MORAuthor: Moore, Tony Source: ATPlace: SydneyPublisher: Currency Press, Australian Film CommissionPubDate: 2005PhysDes: x, 86 p. : ill. ; 19 cm.Series: Australian screen classicsSubject: AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; EVERAGE, DAME EDNA ; BERESFORD, BRUCE ; HUMPHRIES, BARRY ; ADAMS, PHILLIP ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: With irresponsible humour and sharp-witted insight Tony Morre explores the subversive satire of the films, their influence on his generation, and what they have to say about who we are today. Included is a glossary of Bazza-isms written by Barry Humphries.ISBN: 0868197483ISSN: 1447557X
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BARWY OCHRONNE : (PL, Krysztof Zanussi, 1977)
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Batman returns : the official movie book / by Michael Singer New York: Bantam Books, 1992.
Call No: 79BAT SINAuthor: Singer, Michael Source: USPlace: New YorkPublisher: Bantam BooksPubDate: 1992PhysDes: 80 p. : col. ill. ; 29 cm.Subject: BURTON, TIM ; BATMAN RETURNS (US, Tim Burton, 1992) Summary: This book goes behind the scenes of the film of the film Batman Returns to give the inside story on how it was made. Contains interviews with cast and crew, and pictorial material including production illustrations, costume and set designs and movie stills.ISBN: 0553370308Donation: Simon WincerContents: Foreword -- Batman returns: Burton's way -- Walking the tightrope: Denise De Novi -- The bat, the cat, the penguin: a brief history -- The player: The Penguin, Catwoman, Max Shreck, Alfred, Commissioner Gordon, The Mayor, The Ice Princess, Chip Shreck, The Red TRinagle Circus Gang -- High kicks, mean whips, fast cars and big booms: Attack on Gotham Plaza, the street fight, Batman and Catwoman's rooftop tangle, the Batmobile's wild ride, The Penguin crashes the party -- Behind the scenes: the production team, production design, costumes, special FX, hot gadgets and cool wheels, credits
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Battle hots up over next generation DVD standard in Australian Financial Review (09/01/2007) p.39
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gliddon, Joshua Subject: INDUSTRY, VIDEO ; BLU-RAY ; HIGH DEFINITION DVD ; SONY CORPORATION ; TOSHIBA CORPORATION Summary: There are two DVD formats developed
– the Blu-ray disc developed by Sony can hold 25 gigabytes and 5 hours of high definition content
– The HD-DVD developed by Toshiba, holds 15 gigabytes and holds nearly 4 hours of high definition content
– Conventional DVDs hold a mere 5 gigabytes
Both discs formats are not compatible for the same playing systems which has created competition within the industry
– Warner brothers and Paramount are releasing discs with both formats.
– MGM, 20th Century Fox and Sony Pictures are all releasing their material exclusively on Blu-ray.
– Universal has opted for exclusive release on HD–DVD
– Sony’s Playstation 3 has Blu-ray drives
– Microsoft Xbox 360 system has H-DVD; accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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The battleship Potemkin / [by] Sergei Eisenstein; translated from the Russian by Gillon R. Aitkin London: Lorrimer Publishing Co., 1968.
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The battleship Potemkin / edited by Herbert Marshall New York: Avon Books, c1978.
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journal article
Battleship Potemkin in The Movie (1982) iss.122 p.2426-2427
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The Battleship Potemkin / Richard Taylor London ; New York: I.B. Tauris, c2000.
Call No: 79BAT TAYAuthor: Taylor, Richard Source: UK/USPlace: London ; New YorkPublisher: I.B. TaurisPubDate: c2000PhysDes: xiv, 129 p. : ill. ; 22 cmSeries: KINO files film companionSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) Summary: "Thought by many to be the greatest film ever made, 'The battleship Potemkin', directed by Sergei Eisenstein, is a key film in the history of Russian and of world cinema. Based on a mutiny in Odessa during the 1905 Revolution, the film is regarded as a pioneering milestone in the development of world cinema - especially Eisenstein's bold camera-work and breathtaking editing. This book investigates the production, context and critical reception of the film and the people who made it and provides an analysis of the film itself and its place in Russian and world cinema. Written by a major authority on Eisenstein, this lively companion to The Battlehip Potemkin will be welcomed by film enthusiasts alike" -- BOOK BLURBISBN: 9781860643934Contents: -- illustrations -- acknowledgments -- note on transliteration -- credits 1: production history -- 2: analysis -- part 1: men and maggots -- part 2: drama on the quarterdeck -- part 3: an appeal from the dead -- part 4: the odessa steps -- part 5: meeting the squadron -- themes and variations -- 3: reception -- further reading -- further viewing --ID2: 91
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Battleship Potemkin ; October and Alexander Nevsky / by Sergei Eisenstein ; edited by Jay Leyda ; translated by Diana Matias London: Lorrimer Pub., 1974.
Call No: 792 EISAuthor: Eisenstein, Sergei, 1898-1948 ; Leyda, Jay, 1910 Place: LondonPublisher: Lorrimer Pub.PubDate: 1974PhysDes: 189 p. : ill. ; 20 cmSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Director's shooting scriptsISBN: 0856470384; 0856470406(pbk.)LON: 263889
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Bayesian Information Transmission and Stable Distributions: Motion Picture Revenues at the Australian Box Office / Jordi McKenzie
Call No: 303.31(94) MCKAuthor: McKenzie, Jordi Edition: 2008PhysDes: 16 pages ; 12 cmSubject: BOX OFFICE. AUSTRALIA ; BLOCKBUSTERS Notes: Abstract: Recent empirical literature has identified the importance of information transmission in creating box office blockbusters. It has been shown that box office revenue distributions are characterised by extremities of skew and variance that cannot be explained by such things as expensive budgets, star power, critical acclaim or awards. Empirical research of this industry has subsequently turned its attention to models of information transmission and the consequential implications for box office revenues. Using a large new Australian dataset, this paper adds to the literature by exploring the suitability of the a-stable distribution for various definitions of Australian box office revenues.
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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The BBC and public service broadcasting / Colin MacCabe, Olivia Stewart, editors Manchester: Manchester University Press, c1986.
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Interim
book
BBC Enterprises film and video catalogue 1977/78 1978.
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Interim
book
BBC Enterprises film purchase catalogue 1973-1974 1974.
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The BBC radiophonic workshop : the first 25 years: the inside story of providing sound and music for television and radio 1958-1983 / remembered by Desmond Briscoe and those whose versatility and unremitting voluntary enthusiasm have made an idea a reality ; realised by Roy Curtis-Bramwell. London: British Broadcasting Corporation, 1983.
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BBC review renews scutiny of ABC in The Australian (14/07/2015) p.7
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Interim
book
BBC TV enterprises film catalogue
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BC & C centralise operations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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Beards, bellies and bikies : recreating the Milperra massacre in Encore (June 2012) p.39-40
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The beast within in Sydney Morning Herald [Spectrum] (15/04/2017) p.8
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Beautiful minds but it doesn't all add up in Weekend Australian [Review] (4/4/2015) p.14
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Beautiful opening for Disney remake in The Age (30/03/2017) p.26
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Report on the box office takings in Australia for the weekend.
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LES BEAUX JOURS [BRIGHT DAYS AHEAD] : (FR, Marion Vernoux, 2013) Digital clippings file available
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Bedazzled or bedevilled in Sydney Morning Herald (06/10/2012) p.22
Call No: TITLE CLIPPINGS FILE; BRYNNE: MY BEDAZZLED LIFE [TV](AT, 2012)Author: - PhysDes: Clippings File ArticleSubject: BRYNNE: MY BEDAZZLED LIFE [TV](AT, 2012) Summary: Review of the reality show 'Brynne: My Bedazzled Life', a programme that looks at the life of Brynne Edelsten
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[Bedfellows : stills file] Australian Broadcasting Commission,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Australian Broadcasting CommissionPhysDes: 4 photographs : b&w ; 17 x 26 cmSubject: WATERS, JOHN (AT) ; BURNS, CAROL ; RAMSAY, ROBIN Summary: 4 black and white photographs of scenes in the film.
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Before Mickey : the animated film, 1898-1928 / Donald Crafton Cambridge, Mass.: MIT Press, c1982.
Call No: 772 CRAAuthor: Crafton, Donald Place: Cambridge, Mass.Publisher: MIT PressPubDate: c1982PhysDes: xx, 413 p. : ill. ; 21 cmSubject: ANIMATED FILMS ; MESSMER, OTTO ; MCCAY, WINSOR ; COHL, EMILE ; BRAY, JOHN RANDOLPH ; FELIX THE CAT ; FLEISCHER STUDIO ; HURD, EARL ; LANTZ, WALTER ; STAREVITCH, LADISLAS ; VERTOV, DZIGA ; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907) Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395ISBN: 0262030837LON: 2144183 2144183
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Beginner's Luck in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.3
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Behind a velvet light trap : a filmmaker's journey from Cinesound to Cannes / Anthony Buckley Prahran, Vic.: Hardie Grant, 2009.
Call No: 81BUC BUCAuthor: Buckley, Anthony Source: ATPlace: Prahran, Vic.Publisher: Hardie GrantPubDate: 2009PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cmSubject: BUCKLEY, ANTHONY ; PRODUCERS ; DIRECTORS. AUSTRALIA ; FILM WORKERS ; FILM WORKERS. AUSTRALIA ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKETISBN: 9781740667906Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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title clippings file
Belorusskiy vokzal : UR, Andrey Smirnov, 1971
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Ben in Bizarre iss.2 p.16
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BEN LEE: CATCH MY DISEASE : AT, Amiel Courtin-Wilson, 2010
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BEN MIN NIAM : (CC, Xie Fei, 1990)
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BENAUD, RITCHIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENAUD, RITCHIE
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BENCHWARMERS THE : (US, Dennis Dugan, 2006)
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BEND IT LIKE BECKHAM : (UK, Gurinda Chadha, 2002) Digital clippings file available
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BENDA BILILI : (FR, Renaud Barret/Florent de La Tullaye, 2010)
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BENDER, LAWRENCE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BENDER, LAWRENCE
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BENDJELLOUL, MALIK
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BENEATH CLOUDS : (AT, Ivan Sen, 2001)
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BENEATH CLOUDS : Second draft / NewVision Films [1999].
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[Beneath clouds : stills file] / Mark Rogers
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : col ; 13 x 18 - 18 x 13 cmSubject: BENEATH CLOUDS (AT, Ivan Sen, 2001) Summary: 4 coloured photographs of central characters, Lena and Vaughn, and police officers.
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title clippings file
BENEATH HILL 60 : (AT, Jeremy Sims, 2010)
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script
Beneath hill 60 / written by David Roach AT: c2010.
Call No: S BENAuthor: Roach, David Edition: final shooting draft, with German translationsPlace: ATPubDate: c2010PhysDes: 110 leavesSubject: BENEATH HILL 60 (AT, Jeremy Sims, 2010) Notes: Unpublished script -- Donated by AFI -- Final shooting draft -- Credit: director, Jeremy Sims ; producer, Bill Leimbach ; co-producers, David Roach & Jeremy Sims ; production company, The Silence Productions 2008-2010, Two Heads Media ; in association with Sceren NSW, Screen QLD, Lucky Country Productions and The Silence Productions, Intandem Films UK.
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poster
[Beneath hill 60 : poster] AT:
Call No: P BENPlace: ATPhysDes: 1 poster : col. ; 100 x 70 cm.Subject: BENEATH HILL 60 (AT, Jeremy Sims, 2010) Summary: Image: A group of muddy soldiers in WWI costume; above the horizon head shots of a woman and two men. Text: 'After Gallipoli there was still a war to be won.' Beneath the title: 'Based on an extraordinary true story'Notes: Double-sided, image mirrored on versoID2: 44
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digital clippings file
BENEATH THE HARVEST SKY : (US, Aron Gaudet & Gita Pullapilly, 2013) Digital clippings file available
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book
Beneath the planer ot the apes / A novel by Michael Avallone; based on characters created by Pierre Boulle and a story by Paul Dehn and Mort Abrahams ; adapted from a screenplay by Paul Dehn New York: Bantam Books, 1970.
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BENEATH THE PLANET OF THE APES : (US, Ted Post, 1970)
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digital clippings file
BENEDICTION : (UK/US, Terence Davies, 2021) Digital clippings file available
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title clippings file
BENEFICIARY, THE : (AT, Graeme Burfoot, 1997)
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title clippings file
BENEFIT OF THE DOUBT : (US, Jonathan Heap, 1993)
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journal article
The benefit of the doubt in Federation News (March/June 1978) vol.95 iss.96 p.59
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journal article
Benefit of the doubt in Filmviews (June 1983) iss.116 p.26
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personality microfilm collection
BENEGAL, SHYAM
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BENEGAL, SHYAM
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title clippings file
BENI HINDAL : (AE, Lamine Merbah, 1976)
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BENIDORM [TV] : (UK, 2007)
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BENIGNI, ROBERTO
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BENIGNI, ROBERTO
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personality clippings file
BENING, ANNETTE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENING, ANNETTE
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personality microfilm collection
BENJAMIN, RICHARD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BENJAMIN, RICHARD
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title clippings file
BENJAMIN SMOKE : (US, Jem Cohen & Peter Sillen, 2000)
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title clippings file
BENJI THE HUNTED : (US, Joe Camp, 1987)
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BENNET, HWYEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENNET, HWYEL
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BENNETT, ALAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BENNETT, ALAN
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personality microfilm collection
BENNETT, BILL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BENNETT, BILL
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personality microfilm collection
BENNETT, CHARLES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BENNETT, CHARLES
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personality clippings file
BENNETT, COLIN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENNETT, COLIN
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personality microfilm collection
Bennett, Constance
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: Bennett, Constance
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personality clippings file
BENNETT, ELIZA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENNETT, ELIZA
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subject clippings file
BENNETT, GRAHAM
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personality clippings file
BENNETT, MICHELE
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personality clippings file
BENNETTS, SAM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENNETTS, SAM
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personality clippings file
BENNING, JAMES
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENNING, JAMES
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personality clippings file
BENNING, SADIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENNING, SADIE
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title clippings file
BENNY AND JOON : (US, Jeremiah S. Chechick, 1993)
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title clippings file
BENNY HILL DOWNUNDER : [TV](AT, ROD KINNEAR, RICHARD MCCARTHY, 1977)
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personality clippings file
BENNY, JACK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENNY, JACK
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title clippings file
BENNY'S VIDEO : (AU/SZ, Michael Haneke, 1992)
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BENSLEY, PETER
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: BENSLEY, PETER
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personality microfilm collection
Benson, Jodi
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BENSON, JODI
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title clippings file
BENT : (UK, Sean Mathias, 1997)
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BENTLEY, WES
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BENTLEY, WES
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personality microfilm collection
BENTON, ROBERT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BENTON, ROBERT
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journal article
Benvenuta in Cinema d'oggi (22nd December 1984) iss.19 p.22
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BENVENUTI, ALESSANDRO
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title clippings file
BENYA KRIK : (UR, Vladimir Vilner, 1927)
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title clippings file
BEONING [BURNING] : (KO, Chang-dong Lee, 2018)
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BEONJIJEOMPEUREUL HADA : (KO, Dai-Seund Kim, 2001)
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BEOWULF : (US, Graham Baker, 1999)
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BEOWULF : (US, Robert Zemeckis, 2007)
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title clippings file
BERBER IAN SOUND STUDIO : (UK, Peter Strickland, 2012)
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BERCOVICI, LEONARDO
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personality microfilm collection
BERENGER, TOM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERENGER, TOM
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title clippings file
BERENICE ABBOTT: A VIEW OF THE 20TH CENTURY : US, Kay Weaver/ Martha Wheelock, 1994
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BERENSON, MARISA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERENSON, MARISA
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digital clippings file
BERESFORD, BRUCE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Clippings; StillsSubject: BERESFORD, BRUCE URL status: URL: 'http://file://Q:/P/BERESFORD,_BRUCE.zip'
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still
[Beresford, Bruce : Bruce Beresford directing a scene from 'The Fringe Dwellers'] / Irma Havlicek
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still
[Beresford, Bruce : Bruce Beresford with David Stratton at Mr Johnson event]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 21 X 26 cmSubject: BERESFORD, BRUCE ; STRATTON, DAVID Summary: Image of Bruce Beresford and David Stratton sitting together
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still
[Beresford, Bruce : portrait of Bruce Beresford on set of the 'Money Movers' with man standing behind]
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personality clippings file
BERESFORD, CORDELIA
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journal article
Berfunkle in Federation News (Mar/June 1978) vol.95 iss.76 p.35
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personality microfilm collection
BERG, PETER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERG, PETER
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personality microfilm collection
BERGEN, CANDICE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERGEN, CANDICE
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personality clippings file
BERGEN, ERICH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERGEN, ERICH
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personality clippings file
BERGEN, POLLY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERGEN, POLLY
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personality microfilm collection
BERGEN, TUSHKA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: BERGEN, TUSHKA
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personality clippings file
BERGER, GUS
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERGER, GUS
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personality clippings file
BERGER, HELMUT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERGER, HELMUT
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still
[Berger, Rachel : Rachel Berger presents High Anxiety] 1991.
Call No: PERSONALITY STILLSource: ATPubDate: 1991PhysDes: 1 photograph : b&w ; 13 x 9 cm.Subject: BERGER, RACHEL Summary: Rachel Berger at a cinema looking excited, standing in front of glass entrance doors.Notes: sticker on reverse with details; pen under the sticker with details
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title clippings file
BERGET PA MANENS BAKSIDA : (SW, Lennart Hjulstrom, 1983)
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BERGIN, PATRICK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERGIN, PATRICK
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Bergman and The Magician in University Film Group Bulletin (1964) iss.1 p.3-7
Author: Williams, Bruce PhysDes: ArticleSubject: BERGMAN, INGMAR ; RELIGION AND THE CINEMA Summary: Author discusses man's transformation from a belief- to a scientific-based outlook on reality in the Middle Ages, offering this tension as a possible useful entry point into understanding the cinema of Ingmar Bergman. Discussion of the 1958 Bergman film "The Magician" follows.
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BERGMAN, INGMAR
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Publicity; ClippingsSubject: BERGMAN, INGMAR
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personality microfilm collection
BERGMAN, INGRID
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERGMAN, INGRID
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personality clippings file
BERGMAN, MARY KAY
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personality clippings file
BERGMAN, NIR
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERGMAN, NIR
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book
Bergman on Bergman : interviews with Ingmar Bergman by Stig Bjorkman, Torsten Manns, Jonas Sima / translated from the Swedish by Paul Britten Austin New York: Da Capo Press, 1993.
Call No: 81BER BERAuthor: Bergman, Ingmar, 1918 Edition: 1st Da Capo Press edPlace: New YorkPublisher: Da Capo PressPubDate: 1993PhysDes: 288 p. : ill. ; 24 cmSubject: BERGMAN, INGMAR Notes: Originally published: London : Secker & Warburg, [1973]; Includes index; Filmography: p. 269-285ISBN: 0306805200 : $13.95LON: 92041232; 9733117
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personality microfilm collection
BERGMAN, YAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERGMAN, YAEL
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personality clippings file
BERGSTROM, JANET
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BERKELEY, BUSBY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERKELEY, BUSBY
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title clippings file
BERKELEY IN THE SIXTIES : (US, Mark Kitchell, 1990)
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BERKELEY, LEO
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERKELEY, LEO
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personality clippings file
BERKLEY, ELIZABETH
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERKLEY, ELIZABETH
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personality clippings file
BERKOFF, STEVEN
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BERLAND, MELISSA
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BERLANGA, LUIS G.
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personality clippings file
BERLE, MILTON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERLE, MILTON
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title clippings file
BERLIN ALEXANDERPLATZ : (GW/IT, Rainer Werner Fassbinder, 1980)
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BERLIN, ANDY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERLIN, ANDY
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BERLIN APARTMENT, THE : (AT, Arthur Cantrill & Corinne Cantrill, 1994)
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title clippings file
Berlin Blues : SP, Ricardo Franco, 1988
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title clippings file
Berlin Chamisoplatz : GW, Rudolf Thome, 1980
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journal article
Berlin Chamissoplatz in Kino (1980) iss.5 p.21
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BERLIN I LOVE YOU : (G, Various, 2019)
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BERLIN, IRVING
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERLIN, IRVING
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title clippings file
BERLIN IS IN GERMANY : (GG, Hannes Stohr, 2001)
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title clippings file
BERLIN-JERUSALEM : (FR/IS, Amos Gitai, 1989)
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title clippings file
[BERLIN REPORT] : (KO, Park Kwang-Su, 1992)
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book
The Berlin School and its global contexts : a transnational art cinema / edited by Marco Abel and Jaimey Fisher Detroit: Wayne State University Press, 2018.
Call No: 71(430) BERAuthor: Abel, Marco ; Fisher, Jaimey Edition: 2018Place: DetroitPublisher: Wayne State University PressPubDate: 2018PhysDes: viii, 356 pages : illustrated ; 23 cmSeries: Contemporary Approaches to Film and Media SeriesSubject: BERLIN SCHOOL ; ABEL, MARCO ; ADE, MAREN ; WEERASETHAKUL, APICHATPONG ; ARSLAN, THOMAS ; GRISEBACH, VALESKA ; HAUSNER, JESSICA ; HOCHHAUSLER, CHRISTOPH ; KIAROSTAMI, ABBAS ; KOHLER, ULRICH ; PETZOLD, CHRISTIAN ; TARR, BELA Summary: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School.
The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices.
The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema. -- publisher's web siteISBN: 9780814342008
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digital clippings file
BERLIN SYNDROME : (AT, Cate Shortland, 2017) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BERLIN SYNDROME (AT, Cate Shortland, 2017) URL status: URL: 'http://file://Q:/T/BERLIN_SYNDROME.zip'
Checked: 31/08/2021 1:50:08 PM
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script
Berlin Syndrome / written by Shaun Grant ; based on a novel by Melanie Joosten. AT: 2015.
Call No: S BERAuthor: Grant, Shaun Place: ATPubDate: 2015PhysDes: 100 leaves ; 30 cm.Subject: BERLIN SYNDROME (AT, Cate Shortland, 2017) Summary: "While holidaying in Berlin, Australian photojournalist Clare meets Andi, a charismatic local man, and there is an instant attraction between them. A night of passion ensues. But what initially appears to be the start of a romance suddenly takes an unexpected and sinister turn when Clare wakes the following morning to discover Andi has left for work and locked her in his apartment. An easy mistake to make, of course, except Andi has no intention of letting her go again. Ever." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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personality microfilm collection
BERLINER, ALAIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERLINER, ALAN
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personality microfilm collection
BERLINGER, JOE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERLINGER, JOE
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personality clippings file
BERLUSCONI, SILVIO
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personality clippings file
BERMAN, GAIL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERMAN, GAIL
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personality microfilm collection
BERMAN, PANDRO S.
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERMAN, PANDRO S.
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personality clippings file
BERMAN, SHARI SPRINGER
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Bermeister, Kevin
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: Bermeister, Kevin
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title clippings file
BERMUDA TRIANGLE, THE : (US, Richard Freidenberg, 1979)
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title clippings file
BERNADETTE : (FR, Jean Delannoy, 1988)
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BERNAL, GAEL GARCIA
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BERNAL, ISHMAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERNAL, ISHMAEL
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title clippings file
BERNARD AND HUEY : (US, Dan Mirvish, 2017)
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book
Bernardo Bertolucci / Robert Phillip Kolker London: British Film Institute, 1985.
Call No: 81BER KOLAuthor: Kolker, Robert Phillip CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 1985PhysDes: 258 p. : ill., portsSubject: BERTOLUCCI, BERNARDO Notes: Includes bibliography and indexLON: bnb85170166; 3769906
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personality clippings file
BERNER, PETER
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERNER, PETER
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personality microfilm collection
BERNHARD, SANDRA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERNHARD, SANDRA
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personality clippings file
BERNHARDT, STEVEN
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title clippings file
BERNIE : (FR, Albert Dupontel, 1996)
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title clippings file
BERNIE : (US, Richard Linklater, 2011)
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BERNSEN, CORBIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERNSEN, CORBIN
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personality clippings file
BERNSTEIN, ELMER
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERNSTEIN, ELMER
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personality clippings file
BERNSTEIN, JAY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERNSTEIN, JAY
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BERNSTEIN, LEONARD
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BERNSTEIN, NOGA
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personality microfilm collection
BERNSTEIN, WALTER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERNSTEIN, WALTER
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personality clippings file
BERRI, CLAUDE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERRI, CLAUDE
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personality clippings file
BERRY, DREW
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERRY, DREW
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personality microfilm collection
BERRY, HALLE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERRY, HALLE
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personality microfilm collection
BERRY, JOHN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERRY, JOHN
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personality clippings file
BERRYMAN, KEN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BERRYMAN, KEN
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title clippings file
BERT RIGBY, YOU'RE A FOOL : (US, Carl Reiner, 1989)
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BERTINO, ALBERT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERTINO, ALBERT
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journal article
Bertoldo, Bertoldino e Carcasenno in Cinema d'oggi (22nd December 1984) iss.19 p.22
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personality microfilm collection
BERTOLUCCI, BERNARDO
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERTOLUCCI, BERNARDO
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personality microfilm collection
BERTRAM, HANS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BERTRAM, HANS
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personality microfilm collection
BERTRAM, ZOE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: BERTRAM, ZOE
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BERTUCELLI, JEAN-LOUIS
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title clippings file
BERUF NEONAZI : (GG, Winfried Bonegel, 1993)
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title clippings file
BERUHRTE, DIE : (GW, Helma Sanders-Brahms, 1981)
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title clippings file
BERUSAIYU NO BARA : (JA/FR, Jaques Demy, 1983)
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title clippings file
BERYL MARKHAM: A SHADOW ON THE SUN : (US/UK, Tony Richardson, 1988)
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journal article
Beschreibung einer insel in Kino (1979) iss.6 p.10
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title clippings file
BESCHREIBUNG EINGER INSEL : (GW, Rudolf Thome, 1979)
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title clippings file
BESHENNYE DENGHI : (UR, Evegenij Matveev, 1982)
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title clippings file
BESHKEMPIR : (KA/FR, Aktan Abdijkalijkov, 1998)
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title clippings file
BESIEGED : (IT, Bernardo Bertolucci, 1998)
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title clippings file
BESIEGED - THE NED KELLY STORY [TV] : (AT, Barrie Dowdall & Gregory Miller, 2003)
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title clippings file
BESO A ESTA TIERRA, UN : (MX, Daniel Goldberg, 1995)
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title clippings file
BESPOKE [TV] : (AT, 2015)
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BESSER, JOE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BESSER, JOE
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personality microfilm collection
BESSON, LUC
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BESSON, LUC
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personality clippings file
BESSOUNIAN, CHRIS
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personality clippings file
BEST, AHMED
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BEST, AHMED
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book
The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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Interim
book
The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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BEST BIRTHDAY EVER : (GG/SW/NE, Michael Ekbladh, 2021) Digital clippings file available
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BEST BOY : (US, Ira Wohl, 1979)
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BEST, CHARLOTTE
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THE BEST DEFENSE : (US, Willard Huyck, 1984)
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BEST ENEMIES : (AT, Ross Bark, 2009)
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BEST EXOTIC MARIGOLD HOTEL, THE : (UK, John Madden, 2011)
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BEST F(R)IENDS : (US, Justin MacGregor, 2017)
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The best film I never made : and other stories about a life in the arts / by Bruce Beresford Melbourne, Victoria: The Text Publishing Company, 2017.
Call No: 81BER BERAuthor: Beresford, Bruce Source: ATPlace: Melbourne, VictoriaPublisher: The Text Publishing CompanyPubDate: 2017PhysDes: 281 pages ; 24 cmSubject: INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; PRODUCERS ; DIRECTORS ; AUSTRALIA ; BERESFORD, BRUCE Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond.
Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVERISBN: 9781925603101Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --
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BEST FILMS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BEST FILMS URL status: URL: 'http://file://Q:/S/BEST_FILMS.zip'
Checked: 31/08/2021 12:40:55 PM
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BEST FILMS. AUSTRALIA
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BEST FILMS. UK
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BEST FILMS. UK
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BEST FILMS. US
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BEST FILMS. US
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BEST FRIENDS : (US, Norman Jewison, 1982)
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"Best Friends" a carparker's delight in Australasian Cinema (25/2/1983) vol.12 iss.3 p.1
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BEST IN SHOW : (US, Christopher Guest, 2000)
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BEST LAID PLANS : (US, Mike Barker, 1999)
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BEST LIST
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BEST LIST
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BEST LITTLE WHOREHOUSE IN TEXAS, THE : (US, Colin Higgins, 1982)
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BEST MAN : BEST BOY AND ALL OF US TWENTY YEARS LATER : (US, Ira Wohl, 1997)
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BEST MAN, THE : (US, Franklin J. Schaffner, 1964)
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BEST MAN, THE : (US, Malcolm D. Lee, 1999)
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BEST OF ENEMIES: BUCKLEY VS. VIDAL : (US, Robert Gordon & Morgan Neville, 2015) Digital clippings file available
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BEST OF ENEMIES, THE : (US, Robin Bissel, 2019)
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The best of friends : nothing subtle in Theatre Australia (Feb 1982) vol.6 iss.5 p.53
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BEST OF FRIENDS, THE : (AT, Michael Robertson, 1982)
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[Best of friends, the : stills file]
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BEST OF ME, THE : US, Michael Hoffman, 2014
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BEST OF THE BEST : (US, Bob Radler, 1989)
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BEST OF THE BEST II : (US, Bob Radler, 1993)
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BEST OF TIMES : (US, Roger Spottiswoode, 1986)
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BEST, PETER
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BEST, PETER
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BEST PROGRAMMES Digital clippings file available
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BEST PROGRAMMES AUSTRALIA
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BEST SELLER : (US, John Flynn, 1987)
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BEST YEARS OF OUR LIVES, THE : (US, William Wyler, 1946)
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The bet / by Caroline Gerard AT: [2005].
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BET ON MY DISCO : (KR, Kim Dong-Won, 2002)
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BET, THE : (AT, Mark Lee, 2006)
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BETE HUMAINE, LA : (FR, Jean Renoir, 1938)
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Les betes curieuses by Denys Granier-Deferre in Unifrance Film (1982) iss.9 p.21-24
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BETHELL, TABRETT
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BETHLEHEM : (IS/GG/BE, Yuval Adler, 2013)
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Bethune/Doctor woman in Film news (Summer 1981) vol.38 iss.2 p.36-37
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BETHUNE, THE MAKING OF A HERO : (CN/CC/FR, Phillip Borsos, 1990)
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BETRAYAL : (UK, David Jones, 1983)
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BETRAYED : (US, Constantin Costa-Gavras, 1988)
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BETSY'S WEDDING : (US, Alan Alda, 1990)
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BETSY, THE : (US, Daniel Petrie, 1978)
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BETTANY, PAUL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BETTANY, PAUL
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BETTER CALL SAUL [TV] : (US, 2015 - )
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BETTER DEAD : (UK, Graham Hurley, 1974)
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BETTER HOMES AND GARDENS [TV] : (AT, 1996-)
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BETTER LIVING : (US, Max Mayer, 1998)
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BETTER LIVING THROUGH CIRCUITRY : (US, Jon Reiss, 1999)
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BETTER LUCK TOMORROW : (US, Justin Lin, 2002)
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BETTER MAN [TV] : AT, 2013-?
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BETTER OFF DEAD : (US, Savage Steve Holland, 1985)
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BETTER THAN CHOCOLATE : (CN, Anne Wheeler, 1999)
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BETTER THAN SEX : (AT, Jonathan Teplitzky, 2000)
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Better Than Sex in Empire (Australian Ed.) (May/Jun 2001) iss.3 p.120
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BETTER TO LIVE : (US, Linda G. Mills, 2015) Digital clippings file available
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BETTER WATCH OUT : (AT/US, Chris Peckover, 2016)
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[Better watch out] Safe neighbourhood / written by Chris Peckover and Zack Kahn. AT/US: [2015].
Call No: S BETAuthor: Peckover, Chris ; Kahn, Zack Edition: V3.3 (pink draft)Place: AT/USPubDate: [2015]PhysDes: 95 leaves ; 30 cm.Subject: BETTER WATCH OUT (AT/US, Chris Peckover, 2016) Summary: "When you think the suburbs, you think safety, but this holiday night the suburbs are anything but safe. Ashley (Olivia DeJonge) thought this babysitting job was going to be an easy night, but the night takes a turn when dangerous intruders break in and terrorize her and the twelve-year-old boy, Luke (Levi Miller), she's caring for. Ashley defends her charge to the best of her ability only to discover this is no normal home invasion." - IMBdNotes: Unpublished scriptDonation: AFI / AACTA
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BETTLES, ROBERT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BETTLES, ROBERT
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Betty : (FR, Claude Chabrol, 1992)
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BETTY BOOP
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BETWEEN A FROCK AND A HARD PLACE : AT, Alex Barry, 2015)
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BETWEEN FRIENDS : (CN, Donald Shebib, 1973)
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journal article
Between men in Fim News (Nov/Dec 1979) vol.36 iss.5 p.22
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Between mountains and sea: a visual history of the Illawarra region : AT, Darryl Johnston, 1988
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BETWEEN ROCK AND A HARD PLACE : (US, Kenneth Fink, 1981)
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BETWEEN SEA AND LAND : (IE, Ross Whitaker, 2016)
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BETWEEN STRANGERS : (CA/IT, Edoardo Ponti, 2002)
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BETWEEN THE LINES : (US, Joan Micklin Silver, 1977)
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poster
[Between the lines : poster] US: [1977].
Call No: P BETPlace: USPubDate: [1977]PhysDes: 1 poster : colour ; 105 x 69 cmSubject: BETWEEN THE LINES (US, Joan Micklin Silver, 1977) Summary: Text: Fun, adventure, romance on $75 a week.
Image: An illustration of nine people with Max Arloft (Jeff Goldblum) in various poses with a building called the Back Bay Mainline in the center of the poster..Notes: Fair condition, folds, creases, markings.
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BETWEEN THE TEETH : (US, David Byrne & David Wild, 1993)
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BETWEEN TWO FERNS: THE MOVIE : (US, Scott Aukerman, 2019)
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BETWEEN TWO WORLDS [TV] : (AT, 2019) Digital clippings file available
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Between Us : (AT, Bill Mousoulis, 1990)
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BETWEEN WARS : (AT, Michael Thornhill, 1974)
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Between Wars : (AT, Michael Thornhill, 1974)
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still
[Between wars : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cmSubject: BETWEEN WARS (AT, Michael Thornhill, 1974) Summary: Dr Edward Trenbow (Corin Redgrave) and his wife Deborah (Judy Morris) having teaNotes: Image donate by Brian McFarlane
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BETWEEN WORLDS : (SP, Maria Pulera, 2018)
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BEUFOY, SIMON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BEUFOY, SIMON
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BEUYS : (G, Andres Veiel, 2017)
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BEVAN, TIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BEVAN, TIM
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Beverely Hills Cop : (US, Martin Brest, 1984)
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journal article
'Beverley Hills Cop' breaks the $1million barrier in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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journal article
'Beverley Hills Cop' new box office sensation in Australasian Cinema (Friday, 8/2/1985) vol.14 iss.2 p.1
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The Beverly Hillbillies : (US, Penelope Spheeris, 1993)
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BEVERLY HILLS 90210 [TV] : (US, 1990-)
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BEVERLY HILLS BRATS : (US, Dimitri Sotirakis, 1989)
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BEVERLY HILLS CHIHUAHUA : (US, Raja Gosnell, 2008)
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Beverly Hills Cop in Metro (1985) iss.67 p.35-36
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BEVERLY HILLS COP II : (US, Tony Scott, 1987)
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BEVERLY HILLS COP III : (US, John Landis, 1994)
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BEVERLY HILLS NINJA : (US, Dennis Dugan, 1997)
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script
Beware of Greeks bearing guns : final draft [1999].
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script
BEWARE OF GREEKS BEARING GUNS : Fifth draft script [1999].
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Beware of Greeks Bearing Guns in Empire (Australian Ed.) (October 2002) iss.19 p.30
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BEWARE OF GREEKS BEARING GUNS (AT/GR, John Tatoulis, 2000)
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[Beware of Greeks bearing guns : stills file] / Bill Jackson-Martin
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BEWARE THE GONZO : (US, Bryan Goluboff, 2010) Digital clippings file available
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BEWEGTE MANN, DER : (GG, Sonke Wortmann, 1994)
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BEWITCHED : (US, Nora Ephron, 2005)
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Bewitched in Empire (Australian Ed.) (March 2005) iss.48 p.65
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Bewitched in Empire (Australian Ed.) (September 2005) iss.54 p.27
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BEYER, FRANK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BEYER, FRANK
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BEYOND A REASONABLE DOUBT : (US, Fritz Lang, 1956)
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BEYOND AND BACK : (US, James L. Conway, 1978)
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Beyond bonnets : period drama, sex and transcendence in Lumina (Summer 2010) iss.2 p.129-139
Author: Pearlman, Karen PhysDes: ArticleSubject: HISTORICAL FILMS ; CAMPION, JANE ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: Recontextualising the perceived notion of 'auteur' within genre cinema using the example of Jane Campion and her period films; The piano; Portrait of a lady and, most recently, Bright star
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BEYOND BORDERS : (US, Martin Campbell, 2003)
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Beyond broadcasting : into the cable age / Timothy Hollins London: Published for the Broadcasting Research Unit by BFI Pub., 1984.
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book
Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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BEYOND EL ROCCO : (AT, Kevin Lucas, 1990)
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Beyond el rocco : poster]
Call No: P BEYPhysDes: 1 poster : col. ; 59 X 42 cm.Subject: BEYOND EL ROCCO (AT, Kevin Lucas, 1990) Summary: Image: photo of a man who brings the trumpet in the night. Text:' Australia was a little isolated in the fifties, and modern jazz - well that was something very different.'
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BEYOND EVEREST : (AT, Michael Dillon, 1981)
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BEYOND FULLER : (AT, Barrett Hodsdon, 1972) Digital clippings file available
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BEYOND GRAVITY : (NZ, Garth Maxwell, 1988)
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Beyond hell's gate [1980].
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Beyond hell's gate [1980].
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BEYOND INTERNATIONAL
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BEYOND MIALL AND KERSHAW FILMS
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BEYOND MY REACH : (?, Scott Hiller, 1999)
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BEYOND OUR KEN : (AT, Luke Walker & Melissa Maclean, 2007)
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BEYOND PARADISE : (US, David L. Cunningham, 1998)
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BEYOND RANGOON : (US, John Boorman, 1995)
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BEYOND REASON : (US, Telly Savalas, 1985[prod.1977])
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[Beyond reason : poster] AT: 1970.
Call No: P BEYPlace: ATPubDate: 1970PhysDes: 1 poster : colour ; 76 x 33 cmSubject: BEYOND REASON (AT, Giorgio Mangiamele, 1970) Summary: Text: "The door to freedom closed... the key to escape locked in the mind of a girl..."
"Suitable only for adults"
Image: Near the top right corner is a yellow-coloured image of a woman in a nightgown standing in front of a man obscured by shadow who appears to be standing in front of a bed. In the center of the poster, there is a black-and-white image of a man appearing to hold on to the edge of a bright-red spiral, as if he was falling or being dragged into the spiral. Beneath that image is an image of a person lying on the ground staring upward. At the lower half of the poster near the right edge, there is a small image of a man holding a woman firmly from behind. The woman appears to be in some sort of distress.Notes: Considerable discolouration, especially on the right edge of the poster. Folds.
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BEYOND REASONABLE DOUBT : (NZ, John Laing, 1980)
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Beyond reasonable doubt / Gordon Hawkins Sydney: Australian Broadcasting Commission, 1977.
Call No: 79BEY HAWAuthor: Hawkins, Gordon Source: ATPlace: SydneyPublisher: Australian Broadcasting CommissionPubDate: 1977PhysDes: 136 p. : 4 leaves of plates ; 19 cm.Subject: BEYOND REASONABLE DOUBT [TV] (AT, 1977) Notes: Subtitled From the abc television series by Gordon HawkinsISBN: 0642974667
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Beyond reasonable doubt in NZ Film (Mar/Apr 1980) iss.8 p.5-6
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Beyond reasonable doubt in NZ Film (May-Aug 1982) vol.17 p.6-7
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Beyond reasonable doubt (Aug-Sep-Oct 1980) vol.10 p.1-2
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[Beyond reasonable doubt : poster] 1981.
Call No: P BEYSource: NZPubDate: 1981PhysDes: 1 poster : colour ; 67 x 34 cmSubject: BEYOND REASONABLE DOUBT (NZ, John Laing, 1980) Summary: Image: Three figures in a rural setting amidst a an aqua blue background.
Text: A bloodstained house, two bodies in the river, and the wrong man in jail!Notes: Folds.
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Beyond representation : television drama and the politics and aesthetics of identity / Geraldine Harris Manchester ; New York: Manchester University Press, distributed exclusively in the USA by Palgrave, 2006.
Call No: 744.9 HARAuthor: Harris, Geraldine Source: USPlace: Manchester ; New YorkPublisher: Manchester University Press, distributed exclusively in the USA by PalgravePubDate: 2006PhysDes: 210 p. ; 23 cmSubject: DRAMAS ; REALISM ON TV ; AESTHETICS ; RACIAL ISSUES AND TV ; MARXISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND TV ; GLOBALISATION ; ALLY MCBEAL [TV] (US, 1997-) ; BILL, THE [TV] (UK, 1984-) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; DYNASTY [TV] (AT, 1970) ; PRIME SUSPECT 3 [TV] (UK, David Drury, 1993) ; SOPRANOS, THE [TV] (US, 1999) ; TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002) ; WILL & GRACE[TV] (US, 1998-) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]Notes: Bibliography: p.191-20; Includes indexISBN: 0719074584 (hdbk)Donation: Donated by Senses Of Cinema, 2009
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BEYOND SKYLINE
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BEYOND SORRY : (AT, David Vadiveloo, 2003)
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BEYOND SUSPICION : (US, William A. Graham, 1983)
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BEYOND THE DOORS : (US, Larry Buchanan, 1989[prod. 1983])
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BEYOND THE DREAMTIME : (AT, John Lind, 1993)
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BEYOND THE EDGE : (NZ, Leanne Pooley, 2013)
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newspaper article
Beyond the hills in Sunday Herald Sun (11/08/2013) p.101
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BEYOND THE IVORY TOWERS : [TV] (AT, Karla Fritis, 1988)
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BEYOND THE KNOWN WORLD : (NZ/ II, Pan Nalin, 2017)
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BEYOND THE LINE-UP
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BEYOND THE MAT : (US, Barry W. Blaustein, 2000)
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book
Beyond the multiplex : cinema, new technologies, and the home / Barbara Klinger Berkeley: University of California Press, 2006.
Call No: 386.5 KLIAuthor: Klinger, Barbara Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: xii, 310 pages : illustrations ; 24 cmSubject: CABLE TV ; DVD, FILMS ON ; HOME EXHIBITION ; INTERNET AND THE CINEMA ; PRIVATE CINEMAS ; TECHNOLOGICAL DEVELOPMENTS Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURBNotes: Formerly CIP.; Includes bibliographical references (p. 281-287) and indexISBN: 9780520245860Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures
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BEYOND THE NAKED EYE : (CN, Claudia Overing, 1973)
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BEYOND THE POSEIDON ADVENTURE : (US, Irwin Allen, 1979)
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BEYOND THE ROCKS : (US, Sam Wood, 1922)
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BEYOND THE ROYAL VEIL : (AT, Catherine Marciniak & Sarina Singh, 2002)
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BEYOND THE SEA : (UK/GG, Kevin Spacey, 2004)
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BEYOND THE VALLEY OF THE DOLLS : (US, Russ Meyer, 1970) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; ArticleSubject: BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) URL status: URL: 'http://file://Q:/T/BEYOND_THE_VALLEY_OF_THE_DOLLS.zip'
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journal article
Beyond the valley of the dolls in Interview (19 Feb 1972) vol.19 p.22-23
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Beyond the valley of the dolls in Interview (1970) vol.1 iss.10 p.15
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BEYOND THE WALL : (AT, Ronald Branscombe, 1981)
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BEYOND THERAPY : (US, Robert Altman, 1987)
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Beyond & UIP announce alliance in Movie Trader (Dec 1999) p.1, 16
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BEZ KONCA : (PL, Krzystof Kieslowski, 1985)
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BEZ MILOSCI : (PL, Barabara Sass, 1980)
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BEZ SVIDETELEJ : (UR, Nikita Mikhalkov, 1983)
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BEZ ZNIECZULENIA : (PL, Andrzej Wajda, 1978)
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Bezin Lug in Film Pacific Cinematheque (Nov/Dec 1978) p.2
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Bezin Lug in Toronto Film Society Newsletter (6 November 1978) p.5
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BEZONIANS, THE : (UK, Savvas D. Michael, 2021) Digital clippings file available
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BFG, THE : (UK/CN/US, Steven Spielberg, 2016)
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BHAAG MILKHA BHAAG : (II, Rakeysh Omprakash Mehra, 2013)
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BHAJI ON THE BEACH : (UK, Gurinder Chadha, 1993)
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BHARAT : (AT, Len Roberts & John Taggart, 1978)
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BHASKAR, SANJEEV
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BHATIA, JAGRITI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BHATIA, JAGRITI
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BHATTACHARYA, BASU
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BHAVNI BHAVAI : (II, Ketan Mehta, 1981)
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BHOY, DANNY
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BI THE WAY : (US, Brittany Blockman, 2008)
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BIAN LIAN : (HK/CC, Wu Tianming, 1996)
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BIAN ZHOU BIAN CHANG : (GG/UK/CC, Chen Kaige, 1991)
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BIANCA, VIVA
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BIBEL, DIE ABRAHAM : [TV] (GG/IT/US, Joseph Sargent,1993)
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Bibliography
book
Bibliography : so you want to be in films... or tv... or radio. / Australian Film Television & Radio School. Jerzy Toeplitz Library.
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journal article
Bicentenary celebrated in 261 mini-docos in Encore (4-17 June 1987) vol.5 iss.9 p.10
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BICENTENNIAL MAN : (US, Chris Columbus, 1999)
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BICENTENNIAL MINUTES...A TIME TO REMEMBER : [TV] (AT, David Salter, 1988)
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BICHES, LES : (FR/IT, Claude Chabrol, 1968)
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BICKMORE, CARRIE
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BICSKOS, ATTILA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BICSKOS, ATTILA
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book
Bicycle thieves [Ladri di biciclette] / Robert S.C. Gordon Basingstoke ; New York: Palgrave Macmillan 9781844572380, 2008.
Call No: 79BIC GORAuthor: Gordon, Robert S. C. Place: Basingstoke ; New YorkPublisher: Palgrave Macmillan 9781844572380PubDate: 2008PhysDes: 122 p. : ill., maps ; 19 cm.Series: BFI film classicsSubject: LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BICYCLE THIEVES (IT, Vittorio De Sica, 1949)
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LADRI DI BICICLETTE Summary: "Bicycle Thieves (Ladri di biciclette, 1948) is unarguably one of the most important films in the history of cinema. It is also one of the most beguiling, moving and (apparently) simple pieces of narrative ever made. The film tells the story of one man and his son, as they search fruitlessly through the streets of Rome for his stolen bicycle; the bicycle which had offered the possibility of escape from the poverty and humiliation of long-term unemployment.".
"One of a cluster of extraordinary films to come out of post-war, post-Fascist Italy - loosely labelled 'neorealist' - Bicycle Thieves won an Oscar in 1949, topped the first Sight and Sound poll of the best films of all time in 1952 and has been hugely influential throughout world cinema ever since. It remains a necessary point of reference for any cinematic engagement with the labyrinthine experience of the modern city, the travails of poverty in the contemporary world, the complex bond between fathers and sons, and the capacity of the camera to capture something like the essence of all of these." "Robert S. C. Gordon 's BFI Film Classics volume shows how Bicycle Thieves is ripe for re-viewing, for rescuing from its worthy status as a neorealist 'classic'. It looks at the film's drawn-out planning and production history, the vibrant and riven context in which it was made, and the dynamic geography, geometry and sociology of the film that resulted."-- Extract taken from the back of the book.Notes: Includes bibliographical references (p. 122ISBN: 9781844572380Contents: 1. Italy, 1948 -- 2. Making Bicycle Thieves -- 3. Nothing Happens: A Synopsis -- 4. The Bicycle and Beyond -- 5. Cities -- 6. Communities -- 7. 'I Cried; and I'm a Man'
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BIDDING GAME, THE : (AT, Mandy Salomon, 1997)
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BIDENKO, KRIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIDENKO, KRIS
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La Bidonata in Foreign Sales Italian Movie Trade (Apr - May 1977) vol.3 iss.4-5 p.7
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BIEL, JESSICA
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIEL, JESSICA
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BIEN AIMEE, LA : (CN, Michel Bouchard, 1980)
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BIENVENIDO MISTER MARSHALL : (SP, Luis Garcia Belanga, 1953)
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Bienvenue A Bord! : FR, Jean-Louis Leconte, 1990
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BIENVENUE CHEZ LES CH'TIS : (FR, Dany Boon, 2008)
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[Bienvenue chez les Ch'tis : poster]
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BIER, SUSANNE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIER, SUSANNE
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BIERDZ, THOM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIERDZ, THOM
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BIERKO, CRAIG
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BIG : (US, Penny Marshall, 1988)
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BIG ADVENTURE, THE : [TV] (AT, 1984)
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BIG AND THE BLUES : (CN, Marrin Canell, 1981)
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BIG BAD JOHN : (US, Burt Kennedy, 1990)
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BIG BAD LOVE : (US, Arliss Howard, 2001)
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BIG BAD LOVE : (AT, Briony Benjamin, 2016)
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BIG BAD MAMA : (US, Steve Carver, 1974)
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BIG BAD MAMA II : (US, Jim Wynorski, 1987)
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BIG BAD WOLVES : (IS, Aharon Keshales & Navot Papushado, 2013) Digital clippings file available
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BIG BAG'S JAPANESE ADVENTURE : (AT, Michael Buckley & Jack White, 1998)
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BIG BANDICOOT : (AT, John Mabey, 1991)
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BIG BANG, THE : (US, James Toback, 1989)
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BIG BANG THEORY, THE [TV] : (US, 2007-)
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BIG BOUNCE, THE : (US, George Armitage, 2004)
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BIG BOY : (US, Bryan Campbell , 2014) Digital clippings file available
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BIG BOYS GONE BANANAS : (SW/DK/G/US/UK, Fredrik Gertten, 2011)
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BIG BRASS RING, THE : (US, Thomas Bezucha, 2000)
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BIG BRAWL, THE : (US, Robert Clouse, 1980)
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BIG BROTHER OF CHRISTMAS ISLAND : (AT, Mathew Kelley, 1999)
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Big Brother rises like Lazarus in Encore (November 2012) p.34-6
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BIG BROTHER [TV] : (AT, 2001) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: BIG BROTHER [TV] (AT, 2001-) URL status: URL: 'http://file://Q:/T/BIG_BROTHER.TV.zip'
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BIG BROTHER [TV] : (AT, 2001)
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BIG BULLY : (US, Steve Miner, 1996)
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BIG BUSINESS : (US, Jim Abrahams, 1988)
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BIG CHILL, THE : (US, Lawrence Kasdan, 1983)
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Big Clock, The : (US, John Farrow, 1947)
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Levy Collection
book
A big country : stories from the ABC television series about the people of Australia / Ron Iddon and John Mabey Sydney: Australian Broadcasting Commission, [1974].
Call No: 79 BIG IDDAuthor: Iddon, Ron
Mabey, John Source: ATPlace: SydneyPublisher: Australian Broadcasting CommissionPubDate: [1974]PhysDes: 28 cm; 93 p.Subject: BIG COUNTRY, A (AT, 1979) ISBN: 0642975760Donation: donated by the family of Wayne Levy, 2006
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[Big country, A : stills file] : Kiwis - rugby dance
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 20.5 x 25 cm.Subject: BIG COUNTRY, A (AT, 1984) Summary: Photographs from the Australian television series A Big Country, from the episode "Kiwis - rugby dance," aired 26/5/1984.
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The big cube-Gidget goes the cube in Interview (1969) vol.1 iss.4 p.14
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BIG DADDY : (US, Dennis Dugan, 1999)
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BIG DIS, THE : (US, Gordon Eriksen & John O'Brien, 1989)
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BIG DREAMERS : (AT, Camille Hardman, 2007)
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[Big dreamers : poster]
Call No: P BIGPhysDes: 1 poster : col. ; 85 X 60 cmSubject: BIG DREAMERS (AT, Camille Hardman, 2007) Summary: Image/s: man, shown from behind, looking up at a giant gumboot with a giant frog on the side of it/two men standing either side of main image, apparently on pedestals. Text: 'BarkingCat Productions and the Australian Film Commision present Big Dreamers: one man's Quixotic struggle to build the world's biggest gumboot. World premiere: Big Sky Documentary Festival, Wilma Theatre, Monday 19th February 5.30pm, don't be late!!!'Notes: Fold lines on posterID2: 134
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BIG EASY, THE : (US, Jim McBride, 1986)
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BIG EDEN : (PL, Jerzy Stuhr, 2000)
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BIG EYES : (US/CN, Tim Burton, 2014)
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BIG FAT LIAR : (US, Shawn Levy, 2002)
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BIG FELLA, THE : (UK, J. Elder Wills, 1937)
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BIG FISH : (US, Tim Burton, 2003)
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Big Fish Down Under : (AT, John Hetherington, 1982)
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BIG FIX, THE : (US, Jeremy Paul Kagan, 1978)
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The Big Gig [TV] : (AT, Ted Robinson, 1989)
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BIG GIRLS DON'T CRY...THEY GET EVEN : (US, Joan Macklin Silver, 1992)
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BIG GREEN, THE : (US, Holly Goldberg Sloan, 1995)
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BIG GUNS TALK : THE STORY OF THE WESTERN : (US, Len Morris, 1997)
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BIG H : (AT, David Perry, ?)
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Big Hair Woman : AT, Don Parham, 1996
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The big heat / Colin McArthur London: BFI Publishing, 1992.
Call No: 79BIG MCAAuthor: McArthur, Colin CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI PublishingPubDate: 1992PhysDes: 80 p. : ill., ports. ; 19 cmSeries: BFI film classicsSubject: BIG HEAT, THE (US, Fritz Lang, 1953) Notes: Bibliography: p 80ISBN: 0851703429 (pbk)LON: bnb85170342; 9219900
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The Big Heat in Montage (June 1965) p.14-16
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BIG HEAT, THE : (US, Fritz Lang, 1953)
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BIG HERO 6 : (US, Don Hall & Chris Williams, 2014)
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BIG HIT, THE : (US, Che-Kirk Wong, 1998)
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BIG HOUSE, THE : [TV] (AT, David Goldie, 1997)
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BIG HOUSE, THE : (AT, Rachel Ward, 2000)
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Big House, The : (AT, Rachel Ward, 2000)
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BIG HURT, THE : (AT, Barry Peak, 1986)
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Big ideas / Peter Neale Port Melbourne, Vic: Mammoth, 1993.
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BIG IN JAPAN : (AT/JP, Lachlan Mcleod & Louis Dai, 2017)
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The Big Kahuna 1999.
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BIG KAHUNA, THE : (US, John Swanbeck, 1999)
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The Big Lebowski / J. M. Tyree & Ben Walters. London: British Film Institute, 2007.
Call No: 79BIG TYRAuthor: Tyree, J. M. ; Walters, Ben Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2007PhysDes: 123 p. : ill. ; 19 cm.Series: BFI film classicsSubject: BIG LEBOWSKI, THE (US, Joel Coen, 1998) Summary: "Ethan and Joel Coen's The Big Lebowski was released in 1998 to general bafflement. A decade on, it has become a cult classic, inspiring a thriving circuit of 'Lebowski Fasts' during which costumed devotees gather at bowling alleys and guzzle White Russians. Beyond its superabundance of deliciously quotable lines, how has the movie inspired such remarkable affection? And why does its critical stock continue to rise?" "The film's unlikely anchor is Jeff Bridges' career-best performance as Jeffrey Lebowski, a fully-baked 1960s radical turned Venice Beach drop-out known to his friends as 'the Dude'. Mistaken for an identically-named grandee whose young trophy wife is in trouble, the Dude finds himself embroiled in an impossibly convoluted kidnap plot involving pornographers, nihilists and threats to his 'Johnson'. Worst of all, it conflicts with his bowling commitments." "In part an irreverent pastiche of Raymond Chandler's The Big Sleep (at filmed by Howard Hawks), The Big Lebowski is also a jukebox of film history, littered, with playful and subversive references to everything from Hitchcock and Altman to Busby Berkeley. This riot of addled quotations reflects the film's Los Angeles setting, a discombobulated world inhabited by flakes, phonies and poseurs with put-on identities." "Like many Coen works, the movie plays havoc with the conventions of the crime genre and the absurdities of classical American 'heroism'. But The Big Lebowski is also that rare thing, a comedy that gets richer, funnier and more affecting with each viewing. Beneath its breakneck pacing and foul-mouthed ribaldry, the Dude's story offers disarmingly humane lessons in the value of simple things: friendship, laughter and bowling."-- Extract taken from the back of the bookNotes: Bibliography: p. 122-123.ISBN: 9781844571734Contents: The mix-tape movie -- Out of the past -- What makes a man? -- The religion of laughter.
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BIG LEBOWSKI, THE : (US, Joel Coen, 1998) Digital clippings file available
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BIG LIE THE [TV] : (AT, Terry Carlyon, 2005)
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BIG LITTLE LIES [TV] : (US, 2017)
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BIG MAMMA'S BOY : (AT, Franco di Chiera, 2011)
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BIG MEAT EATER : (CN, Chris Windsor, 1982)
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BIG MOMMA'S HOUSE : (US, Raja Gosnell, 2000)
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BIG MOMMA'S HOUSE 2 : (US, John Whitesell, 2006)
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BIG MOUTH, THE : (US, Jerry Lewis, 1967)
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BIG MOUTH [TV] : (AT, 2008)
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BIG NIGHT : (US, Campbell Scott & Stanely Tucci, 1996)
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BIG NIGHT OUT, THE : (AT, Tim Boyle, 1999)
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BIG ONE, THE : (US, Michael Moore, 1997)
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The big parade in The Movie vol.111 p.22. 18-19
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BIG PARADE, THE : (US, King Vidor, 1925)
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BIG PEOPLE, SMALL PEOPLE : (AT, Don Parham, 1992)
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The big picture : flood of Aussies forces Hollywood into navel gazing in Sunday Age [M] (19/07/2015) p.20
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newspaper article
The big picture : Where does it say female stars must be younger? in Sunday Age [M magazine] (16/08/2015) p.16
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The big picture : The fight for the future of movies / Ben Fritz Boston: Eamon Dolan Book/ Houghton Mifflin Harcourt, 2018.
Call No: 210.31(73) FRIAuthor: Fritz, Ben Source: USPlace: BostonPublisher: Eamon Dolan Book/ Houghton Mifflin HarcourtPubDate: 2018PhysDes: xxv, 278 pages ; 24 cm.Subject: SONY CORPORATION ; MARVEL ENTERTAINMENT ; AMAZON ; NETFLIX ; IMAX ; WALT DISNEY PRODUCTIONS ; BUENA VISTA INTERNATIONAL ; WARNER BROS. ; FRANCHISES ; STAR WARS [...] (US, 1977-2015) Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.Notes: Includes bibliographical references (pages 247-263) and index.ISBN: 9780544789760Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?
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BIG PICTURE, THE : (US, Christopher Guest, 1989)
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BIG PICTURE, THE : (AT, Michael Spierig & Peter Spierig, 2001)
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BIG RED ONE, THE : (US, Samuel Fuller, 1980)
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BIG REEF : [TV] (AT, 2004)
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Big Review TV eyes overseas markets in The Australian (28/07/2015) p.29
Call No: SUBJECT CLIPPINGS FILE; BIG REVIEW TVAuthor: Foreshew, Jennifer PhysDes: Clippings File ArticleSubject: BIG REVIEW TV Summary: Report on Big Review TV's growth during recent quarterly period and the companies focus on aggregating and creating video reviews on various businesses
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Big River Adventure, The : AT, [1984]
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BIG ROADS MEAN BIG LORRIES : (AT, Brett Houghton, 1982)
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Big screen fades to a cut-price DVD in The Australian (13/08/2005) p.19
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUDIENCE RECEPTION. AUSTRALIA ; DVD, FILMS ON ; BOX OFFICE. AUSTRALIA ; ZECCOLA, ANTONIO ; COULTER, PAUL ; KIELY, CHRIS Summary: The global slump in box office returns has cinema owners and film distributors worried. Some speculation is that the downturn is due to the rise of DVD, home entertainment systems, and other recreational devices (ipods), coupled with the tightening of the film to dvd to pay tv release window. There is some talk that the older multiplex cinemas are in need of upgrading as they may no longer be up to standard for a modern cinemagoing audience.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007). Quotations: -- Lots of stats (too many to list here)
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The big short / screenplay by Charles Randolph and Adam McKay; based upon the book by Michael Lewis Digital clippings file available
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BIG SHORT, THE : (US, Adam McKay, 2015) Digital clippings file available
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BIG SHOTS : (US, Robert Mandel, 1987)
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The big sic / Emily V. Gordon & Kumail Nanjiani US:
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BIG SICK, THE : (US, Michael Showalter, 2017) Digital clippings file available
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BIG SKY [TV] : (AT, 1996)
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BIG SLEEP, THE : (US, Howard Hawkes, 1946)
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BIG SNIT, THE : (CN, Richard Condie, 1985)
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BIG SQUEEZE, THE : (US, Marcus DeLeon, 1996)
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BIG STAN : (US, Rob Schneider, 2007)
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BIG STAR : NOTHING CAN HURT ME : (US, Drew DeNicola & Olivia Mori, 2012) Digital clippings file available
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dvd
The big steal [DVD] [Australia]: Umbrella Entertainment, [2003].
Call No: D The big stealEdition: Widescreen collectors editionPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: [2003]PhysDes: 1 DVD (96 min.) : sd., col. ; 4 3/4 in.Subject: BIG STEAL, THE (AT, Nadia Tass, 1990) ID2: 306Technical Details: PAL ; All regions.Credits: Director: Nadia Tass; Screenplay: David Parker, Max Dann; DOP: DavidParker; Music: Philip Judd; Editor: Peter Carrodus; Prod Design:Paddy Reardon; Co-Producer: Timothy White; Producers: Nadia Tass,David Parker.Standard Number: 9322225015012Performer: Ben Mendelsohn, Claudia Karvan, Marshall Napier, Damon Herriman,Angelo D'Angelo, Tim Robertson, Maggie King,Steve Bisley, SherylMunks, Lise Rodgers, Frankie J. Holden, Mark Hennessy, Roy Edmunds,Mike Nikol, Andrew Spence.
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The big steal screenplay / David Parker ; with a foreword by David Williamson St. Lucia, Qld.: University of Queensland Press, 1991.
Call No: 79BIG PARAuthor: Parker, David, 1947 Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1991PhysDes: x, 66 p., [8] p. of plates : ill. ; 20 cmSubject: BIG STEAL, THE (AT, Nadia Tass, 1990) ISBN: 0702223727 : price unknownLON: abn90382201; 7679258ID2: 306
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BIG STEAL, THE : (AT, Nadia Tass, 1990)
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[Big steal, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 16 photographs : b&w ; 21 x 26 cm + 1 photograph : b&w ; 13 x 18 cmSubject: KARVAN, CLAUDIA ; MENDELSOHN, BEN ; NAPIER, MARSHALL ; HERRIMAN, DAMON ; ROBERTSON, TIM ; BISLEY, STEPHEN ; BIG STEAL, THE (AT, Nadia Tass, 1990) Summary: 17 black and white photographs of scenes from the film starring Claudia Karvan, Ben Mendelsohn and Steve Bisley.Notes: 1 image donate by Brian McFarlane
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BIG TEASE, THE : (US/UK, Kevin Allen, 1999)
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BIG TIME : (US, Chris Blum, 1988)
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BIG TIME : (DK, Kaspar Astrup Schröder, 2017)
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BIG TIME OPERATORS : (UK, Basil Dearden, 1957)
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BIG TNT SHOW, THE : (US, Larry Peerce, 1965)
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BIG TOP PEE-WEE : (US, Randal Kleiser, 1988)
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BIG TOWN, THE : (US, Ben Bolt, 1987)
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BIG TROUBLE : (US, John Cassavetes, 1986)
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BIG TROUBLE : (US, Barry Sonnenfeld, 2002)
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BIG TROUBLE : (US, Barry Sonnenfeld, 2002)
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BIG TROUBLE IN LITTLE CHINA : (US, John Carpenter, 1986)
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BIG UN LIMITED
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BIG UN LIMITED
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The big V : a history of the Vitagraph Company / by Anthony Slide Metuchen, N.J.: Scarecrow Press, 1976.
Call No: 19VIT SLIAuthor: Slide, Anthony Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1976PhysDes: viii, 224 p. : ill. ; 23 cmSubject: VITAGRAPH ; BLACKTON, J. STUART ; SMITH, ALBERT E. ; TURNER, FLORENCE ; BUNNY, JOHN ; BATTLE CRY OF PEACE, THE (US, Wilfrid North, 1915) Notes: Includes index; "The films of the Vitagraph Company, 1910-1915": p. 141-216; Bibliography: p. 116-123ISBN: 0810809672LON: 766790
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Big Valley, The [TV] : US, 1965-1969
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BIG WEDDING, THE : (US, Justin Zackham, 2013)
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BIG WEDNESDAY : (US, John Milius, 1978)
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BIG WHITE, THE : (GG/CN/NZ/US, Mark Mylod, 2005) Digital clippings file available
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book
Big wish, the / John Hepworth and Steve J. Spears Ringwood: McPhee Gribble / Penguin Books, 1990.
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The Bigamist / by Amelie Hastie London: Palgrave Macmillan on behalf of the British Film Institute, 2009.
Call No: 79BIG HASAuthor: Hastie, Amelie Source: UKPlace: LondonPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2009PhysDes: 96 pages : illustrations ; 19 cmSeries: BFI Film ClassicsSubject: BIGAMIST, THE (US, Ida Lupino, 1953) Summary: "Directed by the actor/filmmaker Ida Lupino, The Bigamist (1953) is the story of Harry Graham, a salesman travelling between two towns and two wives. In its portrayal of Harry’s "double life," the film takes on a double life of its own, hovering as it does between two genres. Telling the story through Harry’s voice-over, yet eschewing the iconic character of the femme fatale, Lupino’s film reveals and recasts film noir as male melodrama par excellence. In its rendering of this emotionally paralysed man, The Bigamist is a fascinating study of the post-War male.
A collaborative affair, The Bigamist was written and produced by Lupino’s ex-husband Collier Young and co-starred his current wife, Joan Fontaine, as bride number one, with Lupino in a turn as bride number two. The last of five films that Lupino directed for the independent production company that she co-founded, The Filmakers, it was notably the only film of its period with a woman director who also played a starring role.
Amelie Hastie explores the film in the context of Lupino's personal and professional history. This is a film, Hastie argues, that reveals the changing structure of Hollywood film production in light of the emergence of independent studies; it delineates the life and exemplifies the work of one of only two women directors in the 'Classical' Hollywood era; and it provides a complex commentary on the fantasies and fear of mid-century domestic life in the USA." -- BOOK BACK COVER BLURBNotes: Formerly CIP; Includes bibliographical references (p. 95-96)ISBN: 9781844572663Contents: -- 1 Lupino's Familial Milieu -- 2 Filmakers The Troubles with Authorship -- 3 The Bigamist, or The Troubles with Harry -- 4 Two Loves Have I -- 5 Film Criticism and the Question of Legibility -- Postscript: Upon Leaving the Movie Theatre, On the Bus --
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BIGAMIST, THE : (US, Ida Lupino, 1953)
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BIGAS LUNA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIGAS LUNA
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BIGELOW, KATHRYN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIGELOW, KATHRYN
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BIGGER SPLASH, A : (UK, Jack Hazan, 1974)
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BIGGER SPLASH, A : (IT/FR, Luca Guadagnino, 2015)
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BIGGER THAN TEXAS : (AT, David Noakes, 1993)
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[Bigger than Texas : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 13 x 18 - 18 x 13 cmSubject: BIGGER THAN TEXAS (AT, David Noakes, 1993) Summary: 2 black and white photographs of the central character tatooing himself and lying down.
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BIGGER THAN TINA : (AT, Neil Foley, 1998)
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Bigger than Tina in Movie Trader (Nov 1999) p.20-21
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BIGGER THAN US : (FR, Flore Vasseur, 2021) Digital clippings file available
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BIGGER THINGS, THE [TV] : (AT, 2006)
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BIGGEST AMONG THE SMALLEST, THE : (AT, Ben Bakos, 1974)
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BIGGEST BUNDLE OF THEM ALL, THE : (US, Ken Annakin, 1967)
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BIGGEST LITTLE FARM : (US, John Chester, 2018) Digital clippings file available
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BIGGEST LITTLE FARM, THE : (US, John Chester, 2018)
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BIGGEST LOSER, THE [TV]
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BIGGIE AND TUPAC : (US, Nick Broomfield, 2001)
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BIGGLES : (UK, John Hough, 1986)
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BIGGS, JASON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIGGS, JASON
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BIGPOND TV
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BIGPOND TV
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BIILLION DOLLAR HOBO, THE : (US, Stuart E. McGowan, 1978)
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Bijuterii de familie : RM, Marius Teodorescu, 1957
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BIKER BOYZ : (US, Reggie Rock Blythewood, 2003)
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BIKES OF WRATH, THE : (AT, Cameron Ford & Charlie Turnbull, 2019)
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BIKIE WARS: BROTHERS IN ARMS [TV] : (AT, Peter Andrikidis, 2012)
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BIKINI SHOP, THE : (US, David Wachter, 1987 [prod. 1984])
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BIKUR HA-TIZMORET : (IS, Eran Kolirin, 2007)
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[Bikur ha-tizmoret : poster]
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BILANS KWARTALNY : (PL, Krzysztof Zanussi, 1974)
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BILBAO : (SP, Bigas Luna, 1978)
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bilcbilcoAll the trimmings in Weekend Australian [Review] (30/09/2017) p.9
Call No: PERSONALITY CLIPPINGS FILE; BILCOCK, JILLAuthor: Philippa Hawker PhysDes: Clippings File ArticleSubject: BILCOCK, JILL Summary: Film editor Jill Bilcock has shaped a host of classics. Here, she shares her ethos
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BILCHED : (AT, Jeremy Cumpston, 2019) Digital clippings file available
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BILCOCK, DAVID JOHN
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BILCOCK, JILL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BILCOCK, JILL
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BILDER DER WELT UND INSCHRIFT DES KRIEGES : (GW, Harun Farocki, 1989)
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BILDNIS EINER TRINKERIM : (GW, Ulrike Ottinger, 1979)
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BILET POWROTNY : (PL, Eva & Czeslaw Petelski, 1978)
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BILL AND COO : (US, Ken Murray, 1947)
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BILL AND TED FACE THE MUSIC : (US/CN/IT, Dean Parisot, 2020) Digital clippings file available
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BILL AND TED'S BOGUS ADVENTURE : (US, Peter Hewitt, 1991)
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BILL AND TED'S EXCELLENT ADVENTURE : (US, Stephen Herek, 1989)
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BILL COSBY - HIMSELF : (US, William H. Cosby, Jr., 1983)
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BILL COSBY ON PREJUDICE : (US, Bill Cosby, 1971)
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BILL CUNNINGHAM NEW YORK : (US/FR, Richard Press, 2010)
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BILL FRISELL: A PORTRAIT : (AT, Emma Franz, 2017)
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Bill of rights in Empire (Australian Ed.) (December 2002) iss.21 p.17
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BILL, THE : [TV] (UK, 1984-)
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BILL, TONY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BILL, TONY
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BILLAL : (AT, Tom Zubrycki, 1996)
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[Billal : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cmSubject: BILLAL (AT, Tom Zubrycki, 1996) Summary: 1 black and white photograph of a Muslim family.
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BILLBOARD : [TV] (AT, 1987)
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BILLIE : (UK, James Erskine, 2019) Digital clippings file available
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BILLING, ROY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BILLING, ROY
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BILLINGTON, KEVIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BILLINGTON, KEVIN
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journal article
Billion dollar bubble in Federation News (June 1979) vol.100 p.32
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BILLION DOLLAR CROP, THE : (AT, Barbra Choboky, 1993)
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[Billion dollar crop, the : stills file]
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Billion dollar game : how three men risked it all and changed the face of television / Peter Bazalgette London: Time Warner, 2005.
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BILLIONAIRE BOYS CLUB : (US, James Cox, 2018)
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BILLIONS [TV] : (US, 2016-) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BILLIONS [TV] (US, 2016-) URL status: URL: 'http://file://Q:/T/BILLIONS.TV.zip'
Checked: 31/08/2021 1:48:25 PM
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BILLOPS, CAMILLE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BILLOPS, CAMILLE
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BILLS FOOD : [TV] (UK, 2005)
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BILLY AND PERCY : (AT, John Power, 1975)
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[Billy and Percy : stills file]
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BILLY BATHGATE : (US, Robert Benton, 1991)
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BILLY BUDD : (UK, Peter Ustinov, 1962)
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BILLY EILISH THE WORLD IS A LITTLE BLURRY : (US, R.J. Cutler, 2021) Digital clippings file available
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BILLY ELLIOT : (UK, Stephen Daldry, 2000)
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BILLY GALVIN : (US, John Gray, 1986)
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BILLY LIAR : (UK, John Schlesinger, 1963)
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BILLY LYNN'S LONG HALFTIME WALK : (CC/UK/US, Ang Lee, 2016)
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BILLY MADISON : (US, Tamra Davis, 1995)
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BILLY'S ESCAPE : (AT, Scott Vandenbosch, 1995)
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BILLY'S HOLIDAY : (AT, Richard Wherrett, 1995)
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Billy's holiday / Denis Whitburn Sydney: Pan Macmillan, 1995.
Call No: N79BIL WHIAuthor: Whitburn, Denis Source: ATPlace: SydneyPublisher: Pan MacmillanPubDate: 1995PhysDes: 302 p. ; 19 cmSubject: BILLY'S HOLIDAY (AT, Richard Wherrett, 1995) Notes: Based on the motion picture 'Billy's Holiday'ISBN: 033035678XDonation: donated by the family of Wayne Levy, 2006
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[Billy's holiday : stills file]
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BILLY'S HOLLYWOOD SCREEN KISS : (US, Tommy O'Haver, 1997)
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BILLY THE KID : (US, William A. Graham, 1989)
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BILLY THE KID NO ATARASHII YOAKE : (JA, Naoto Yamakana, 1986)
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[Billy the Kid no atarashii yoake : poster]
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BILLY WEST AND THE LIGHTENING THUNDER BOY : (AT, Bill Leimbach, 198?)
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BILLY ZE KICK : (FR, Gerard Mordillat, 1985)
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BILOXI BLUES : (US, Mike Nichols, 1988)
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BINET, CATHERINE
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BING DU [ICE POISON] : (TAIWAN : BURMA, Midi Z, 2014) Digital clippings file available
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BING, STEVE Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BING, STEVE
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BINGLE, LARA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BINGLE, LARA
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BINGO : (US, Matthew Robbins, 1991)
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BINGO : (CN, Jean-Claud Lord, 1974)
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journal article
Bingo bongo in Cinema d'oggi (December 1982) vol.XVI iss.22 p.19-20
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BINGO BRIDESMAIDS AND BRACES : (AT, Gillian Armstrong, 1988)
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BINGO LONG TRAVELLING ALL-STARS AND MOTOR KINGS, THE : (US, John Badham, 1976)
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BINGWA, CHARMAINE
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BINNEY, CLAIRE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BINNEY, CLARE
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BINOCHE, JULIETTE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BINOCHE, JULIETTE
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BIO-DOME : (US, Jason Bloom, 1996)
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Bioda Fragola in Foreign Sales. Italian Movie Trade (November 1980) p.6
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BIODAGAR : (IC, Fridrik Thor Fridriksson, 1994)
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BIOGRAPHICAL FILMS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BIOGRAPHICAL FILMS URL status: URL: 'http://file://Q:/S/BIOGRAPHICAL_FILMS.zip'
Checked: 31/08/2021 12:40:45 PM
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BIOGRAPHICAL PROGRAMMES. AUSTRALIA
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journal article
Bionda fragola in Foreign Sales. Italian Movie Trade (November 1980) p.6
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BIONDA, LA : (IT, Sergio Rubini, 1994)
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BIOPIXEL Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BIOPIXEL Cross Reference: BIOPIXEL
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BIQUEFARRE : (FR, Georges Rouquier, 1983)
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BIR ZAMANLAR ANADOLU'DA : (TU, Nuri Bilge Ceylan, 2011)
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BIRAGHI, GUGLIELMO
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BIRCH CARROLL AND COYLE
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journal article
Birch, Carroll and Coyle 1982 Theatre Managers' Convention in Australasian Cinema (16/4/1982) vol.11 iss.6 p.3
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journal article
Birch Carroll & Coyle hold successful convention in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.13
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BIRCH, THORA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIRCH, THORA
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BIRD : (US, Clint Eastwood, 1988)
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BIRD, ANTONIA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIRD, ANTONIA
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BIRD BOX : (US, Susanne Bier, 2018)
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BIRD, BRAD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIRD, BRAD
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BIRD IN A HAND, A : (AT, Aviva Ziegler, 1994)
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[Bird in the hand, a : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 13 x 18 cmSubject: BIRD IN THE HAND, A (AT, Aviva Ziegler, 1994) Summary: 2 black and white photographs of Bonnie, a bird lover with her birds and a cockatoo safely in the hands of an Australian wildlife officer.
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BIRD IN THE WIRE : (AT, Phillip Donnellon, 2000)
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BIRD LAND : (TZ, MIN-CHEN HUANG, 2000)
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BIRD MATHESON, GEMMA
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BIRD ON A WIRE : (US, John Badham, 1990)
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BIRD PEOPLE : (FR, Pascale Ferran, 2014) Digital clippings file available
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BIRDCAGE, THE : (US, Mike Nichols, 1996)
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BIRDEMIC : SHOCK AND TERROR : (US, James Nguyen, 2008)
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BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) : (US, Alejandro G. Inarritu, 2014)
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BIRDS DO A MAGNIFICENT TUNE, THE : (AT, Chris Windmill, 1996)
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journal article
Birds eye view: a green and pleasant land in Federation news (Mar-Jun 1978) iss.95/96 p.23
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title clippings file
BIRDS FOR ALL SEASONS : [TV] (UK, 1988)
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journal article
The birds go to Peru to die in Australian Film Guide vol.1 iss.12 p.III
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journal article
The birds go to Peru to die in Melbourne Film Bulletin (Feb 1969) vol.7 p.23
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BIRDS II: LANDS END, THE : (US, Alan Smithee [pseud. of Rick Rosenthal], 1994)
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journal article
Birds of a Feather in Federation news (March-June 1978) iss.95/96 p.41
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BIRDS OF A FEATHER [TV] : (UK, 1989 - 1998, 2016 - )
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BIRDS, THE : (US, Alfred Hitchcock, 1963)
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BIRDY : (US, Alan Parker, 1984)
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BIRJUK : (UR, Roman Balajan, 1978)
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BIRKIN, JANE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: BIRKIN, JANE
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BIRMINGHAM, JOHN
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BIRN, LAURA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BIRN, LAURA
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BIRO, YVETTE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIRO, YVETTE
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BIRRELL, G.R.
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIRRELL, G.R.
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BIRTH : (US, Jonathon Glazer, 2004)
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journal article
Birth in Empire (Australian Ed.) (September 2005) iss.54 p.95
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BIRTH AT HOME : (AT, Barbara Chobocky, 1978)
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BIRTH OF A FILM FESTIVAL : (AT, Prod. Lisa French, 2003)
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journal article
The birth of a nation in The Movie vol.108 p.2146-7
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script
Birth of a nation / screenplay by Nate Parker [US]: 15/06/2015. Digital clippings file available
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BIRTH OF A NATION , THE : (US, David Wark Griffith, 1915)
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BIRTH OF A NATION, THE : (US/CN, Nate Parker, 2016)
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BIRTH OF THE BEATLES : (UK, Richard Marquand, 1980)
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BIRTH OF WHITE AUSTRALIA, THE : (AT,Phillip Walsh, 1928)
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[Birth of white Australia, the : stills file]
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BIRTH RITES : (AT, Jennifer Gherardi, 2002)
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BIRTH, THE : (AT, Sarah Hatherley, 2017)
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journal article
Birth with R.D. Laing in Filmviews (Mar 1980) p.14-15
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journal article
Birth with R.D. Laing in Filmviews (March 1980) vol.25 iss.103 p.14-15
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BIRTHDAY : (US, Chris King, 2015) Digital clippings file available
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BIRTHDAY BOY : (AT, Sejong Park, 2004)
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BIRTHDAY GIRL : (US/UK, Jez Butterworth, 2001)
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[Birthday, the : stills file]
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Birthdays : AT, Linda Rawlings, 1989
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BIRTHRITES : (UK, Robina Rose, 1977)
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BIRTLES, FRANCIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BIRTLES, FRANCIS
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BIRUMA NO TATEGOTO : (JA, Kon Ichikawa, 1956)
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title clippings file
BIS ANS ENDE DER WELT : (GG/FR/AT, Wim Wenders, 1991)
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journal article
Il bisbetico domato in Foreign Sales Italian Movie Trade (March 1981) p.8
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BISHONEN : (HK/CC, Manshih Yonfan, 1999)
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personality clippings file
BISHOP, BOB
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BISHOP, BOB
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personality microfilm collection
BISHOP, DORIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISHOP, DORIS
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personality microfilm collection
BISHOP, LARRY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISHOP, LARRY
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personality clippings file
BISHOP, MERVYN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BISHOP, MERVYN
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personality microfilm collection
BISHOP, PAT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISHOP, PAT
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personality microfilm collection
BISHOP, ROD
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISHOP, ROD
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title clippings file
BISHOP'S WIFE, THE : (US, Henry Koster, 1947)
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personality microfilm collection
BISLEY, STEPHEN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: BISLEY, STEPHEN
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still
[Bisley, Steve : studio headshot of Steve Bisley] / Shanahan management
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 26 X 21 cm.Subject: BISLEY, STEVE Summary: Actors headshot of Steve BisleyNotes: Steve Bisley written in ink on reverse x2; sticker of agent
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personality microfilm collection
BISSELL, WHITNER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISSELL, WHITNER
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personality microfilm collection
BISSET, JACQUELINE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BISSET, JACQUELINE
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title clippings file
Bit of a tiff with the Lord, A : AT, Peter Duncan, 1995
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title clippings file
BIT OF BLACK BUSINESS [TV] : ( AT, 2008 - )
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title clippings file
BIT PART, THE : (AT, Brendan Maher, 1987)
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personality clippings file
BITA, NATASHA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BITA, NATASHA
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book
The Bitch / Jackie Collins London: Pan Books, 1979.
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title clippings file
Bitch, The : (US, Gerry O'Hara, 1979)
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title clippings file
BITE CLUB [TV]
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title clippings file
BITE, THE [TV] : (AT, Michael Carson, 1996)
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personality clippings file
BITOMSKY, HARTMUT
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title clippings file
BITTER CANE : (US, Jacques Arcelin, 1984)
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title clippings file
BITTER HARVEST : (CN, George Mendeluk, 2017)
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title clippings file
BITTER HERBS AND HONEY : (AT, Monique Schwarz, 1996)
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still
[Bitter herbs and honey: stills file]
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title clippings file
BITTER MOON : (FR/UK, Roman Polanski, 1992)
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title clippings file
BITTER SPRINGS : (AT, Ralph Smart, 1950)
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book
Bitter springs : a novel from the film script / Clifford J. King London: Convoy Publications, 1950.
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still
[Bitter Springs : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 17 x 21 cmSubject: BITTER SPRINGS (AT, Ralph Smart, 1950) Summary: 2 black and white photographs of men shearing and the directors filming.
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title clippings file
BITTER SURRENDER : (AT, Louise Hubbard, 1989)
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newspaper article
Bitter sweet in Weekend Australian [Magazine] (18/02/2017) p.22
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title clippings file
BITTER & TWISTED : (AT, Christopher Weekes, 2008)
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title clippings file
BITTERE ERNTE : (GW, Agnieska Holland, 1985)
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title clippings file
BITTEREN TRANEN DER PETRA VON KANT, DIE : (GW, Rainer Werner Fassbinder, 1972)
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title clippings file
BITTERSWEET MOTEL : (US, Todd Phillips, 2000)
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journal article
Bittersweet Symphony in Empire (Australian Ed.) (July 2006) iss.64 p.56-59
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title clippings file
BIUTIFUL : (MX/SP, Alejandro Inarritu, 2010)
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title clippings file
BIX : (CN, Brigitte Berman, 1981)
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title clippings file
BIZALOM : (HU, Istvan Szabo, 1979)
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personality clippings file
BJELKE-PETERSON, JOH
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personality clippings file
BJORK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BJORK
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personality clippings file
BJORKMAN, STIG
Call No: PERSONALITY CLIPPINGS FILEPhysDes: PublicitySubject: BJORKMAN, STIG
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title clippings file
BLABBERMOUTH & STICKBEAK [TV] : (AT, 1998)
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personality microfilm collection
BLABEY, AARON
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BLABEY, AARON
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book
Black African cinema / Nwachukwu Frank Ukadike Berkeley: University of California Press, 1994.
Call No: 71(6) UKAAuthor: Ukadike, Nwachukwu Frank Place: BerkeleyPublisher: University of California PressPubDate: 1994PhysDes: x, 371 p. : ill.; 24 cmSubject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; DOCUMENTARY FILMS. AFRICAN COUNTRIES ; BLACK FILMMAKERS. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; SEMBENE, OUSMANE ; CISSE, SOULEYMANE ; ANSAH, KWAW PAINTSIL ; ESCARE, DESIRE ; BALOGUN, OLA ; FANON, FRANTZ ; HONDO, MED ; VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINZAN (ML, Cheik Omar Sissoko, 1990) ; WEND KUUNI (UV, Gaston Kabore, 1982) ; EMITAI (SG, Ousmane Sembene, 1972) ; CEDDO (SG, Ousmane Sembene, 1977) ; YEELEN (ML, Souleymane Cisse, 1987) ; DANCING IN THE DUST [BAL POUSSIERE] (IV, Henri Duparc, 1988) Notes: Includes bibliographical references (p. 343-355) and indexISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper)LON: 9270979
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title clippings file
BLACK AND WHITE : (AT, Craig Lahiff, 2002)
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