Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BOWLEN, KATHY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BOX, JOHN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CATANZARITI, DANIELLE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BROCK, PETER

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CARR, GILLIAN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BUDGE, TOM

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; STAR WARS [...] (US, 1977-99); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Subject: BOX OFFICE. AUSTRALIA
Summary: Rating of films at the box-office, two weeks ending Thursday, 31/10/1974, for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle.

Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Rating of films at the box-office, two weeks ending Thursday, 10/5/ 1975, from Sydney, Melbourne, Brisbane, Adelaide, Perth, Hobart and Newcastle

Author: Kelly, D. V.
PhysDes: Article
Subject: CABLE TV. AUSTRALIA; PAY TV. AUSTRALIA; JOEL, DAVID; INDUSTRY, FILM. AUSTRALIA
Summary: Letter from D. V. Kelly ( Assistant to Chief Executive Officer, Cinematograph Exhibitors' Association) to David Joel (Cinema Exhibitors' Association) on why Cable Television is not needed in Australia.

Call No: TITLE CLIPPINGS FILE BLINKY BILL THE MOVIE in production
Author: [Dent, Nick]
PhysDes: Clippings
Subject: BLINKY BILL THE MOVIE in production
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREACHING TRANSMISSIONS (UK, Sally Golding, 2015)

Call No: PERSONALITY CLIPPINGS FILE; BRENNAN, SHANE
Author: Byrnes, Holly
PhysDes: Clippings File Article
Subject: SCRIPTED INK; BRENNAN, SHANE
Summary: Report that successful Australian (and US based) screenwriter Shane Brennan is to create a $1m a year philanthropic fund for Australian screenwriters with colleague Tim Pye. Brennan's career included show running hit TV show NCIS and creating NCIS: LOS ANGELES

Call No: TITLE CLIPPINGS FILE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Author: Rolfe, Dominic
PhysDes: Clippings File Article
Subject: CAMPION, JANE; LEE, GERARD; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: Interviews with a series of 'creative couples.' This section is about Jane Campion and Gerard Lee, especially in relation to their project 'Top of the Lake'

PhysDes: Article
Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D AND THE CINEMA; BOX OFFICE
Summary: Article on the box-office success of 3-D film 'Comin' At Ya!'

PhysDes: Article
Subject: BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982); SHOOT THE MOON (US, Alan Parker, 1982); TICKET TO HEAVEN (CN, Ralph Thomas, 1981); GREATER UNION; DISTRIBUTION
Summary: Article on latest films distributed by Greater Union.

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); BUDGETING; ADVERTISING FOR FILMS
Summary: Report on the advertisment budget for 'A Passage To India'

Author: Hutchinson, Ivan
PhysDes: Article
Subject: BOLERO (US, John Derek, 1984)
Summary: Review

Author: Quinlivan, Beth; Maddox, Garry
PhysDes: Article
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: Status report on distribution of 1982/83 Australian features

Call No: 81MOR MOR
Author: Morecroft, Richard
Source: AT
Place: Sydney
Publisher: HarperCollins
PubDate: 2002
PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cm
Subject: AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; BROADCASTING. AUSTRALIA; NEWS PRESENTERS. AUSTRALIA; NEWS PROGRAMMES; NEWS PROGRAMMES. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA; MORECROFT, RICHARD
Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift... Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations. ... and what does he wear under the newsdesk?" -- BOOK BLURB
ISBN: 0732275105
Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --

Call No: 71(497.2) TWE
Author: Film Bulgaria
CorpAuthor: Film Distribution State Enterprise, Sofia
Source: BU
Publisher: Film Distribution State Enterprise, Sofia
PubDate: 1969 (approx.)
PhysDes: 1 v. : ill., ports. ; 27cm
Subject: BULGARIA; NATIONAL CULTURE AND THE CINEMA; EDUCATIONAL FILMS; ANIMATED FILMS; DOCUMENTARIES; BULGARIAN FILM LIBRARY
Language: English/Bulgarian

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA KON; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

PhysDes: Article
Subject: BRITANNIA MEWS (UK, Jean Negulesco, 1949)

Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Call No: 675.1 NOR
Author: Norman, Barry
Place: London
Publisher: Orion Media
PubDate: 1999
PhysDes: xiii, 272 p. : ill. (some col.) ; 24cm
Subject: BEST FILMS
Summary: First published by Chapmans in 1992
Notes: Includes index
ISBN: 0752818104
LON: 14324540

Call No: JOURNAL SHELVES. EMPIRE
PubDate: August 1998
Subject: BEST FILMS
Language: English

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; AMERICAN INDIANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: Journal shelves. Sight & Sound Special Issues
PubDate: June 1998
Subject: BEST FILMS
Language: English

PhysDes: Article
Subject: BOOTH, EMMA; CLUBLAND (AT, Cherie Nowlan, 2007)
Summary: Piece on the rise of Emma Booth in 2007

PhysDes: Article
Subject: BREATHLESS (US, Jim McBride, 1983); GERE, RICHARD; ORION PICTURES; ADVERTISING FOR FILMS
Summary: Article on the success of 'Breathless' in France, largely acredited to the promotion and marketing of the film

Author: Brill, Lesley
PhysDes: Serial
Subject: FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940); HERO (US, Stephen Frears, 1992); BONFIRE OF THE VANITIES, THE (US, Brian De Palma, 1990)
Summary: An essay examining the intertextuality of Brian DePalma's "The Bonfire of the Vanities" (1990), Stephen Frear's "Hero" (1992) and Alfred Hitchcock's "Foreign Correspondent" (1940).

Call No: REFERENCE SECTION; 03 KEA
Author: Keating, Chris; Moran, Albert
Place: Lanham, MD
Publisher: Scarecrow Press
PubDate: c2007
PhysDes: xlii, 505 p. ; 22 cm.
Series: A to Z guide series
Subject: BROADCASTING; BROADCASTING. AUSTRALIA
Summary: " The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations. " BOOK BLURB
Notes: Originally published in 2007 as Historical dictionary of Australian radio and television.; Includes bibliographical references (p. 399-504)
ISBN: 9780810868564
Contents: -- editors foreword: Jon Woronoff -- preface -- reader's note -- acronyms and abbreviations -- chronology -- introduction -- the dictionary -- bibliography -- about the authors --
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=467209' Checked: 31/08/2021 1:20:55 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: 201(94) AUS
Author: Australian Broadcasting Authority
Source: AT
Place: [Australia]
Publisher: Australian Broadcasting Authority
PubDate: March 1998
PhysDes: 46 pages ; 30 cm
Subject: AUSTRALIAN BROADCASTING AUTHORITY; BROADCASTING. AUSTRALIA; BROADCASTING SERVICES ACT; COMMERCIAL TV. AUSTRALIA; LEGISLATION. AUSTRALIA; NARROWCASTING. AUSTRALIA
Contents: Overview of the planning process -- Planning criteria -- Legislative framework -- General approach of the ABA to the planning of broadcasting services -- Commercial broadcasting -- Community broadcasting -- Open narrowcasting broadcasting --National broadcasting -- Record of advice and assumptions -- Index of general advice received -- Record of assumptions --

Call No: 19ABC ABC
Author: Dix, A. T. (Alexander Thomas), 1927
CorpAuthor: Committee of Review of the Australian Broadcasting Commission
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1981
PhysDes: 3 v.
Subject: STATE AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; AUSTRALIAN BROADCASTING CORPORATION; HISTORY OF TV. AUSTRALIA; MEDIA AUSTRALIA; BROADCASTING. AUSTRALIA
Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'
Notes: -- Includes bibliographical references. -- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1
ISBN: 0642060568 (pbk. : v. 1) -- 0642060576 (pbk. : v. 2) -- 0642060584 (pbk. : v. 3) --
Donation: donated by M. S. Counihan
Contents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments -- Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC

Call No: TITLE CLIPPINGS FILE; BLUE ZOO [TV] (AT, 2014)
Author: King, Simon
PhysDes: Clippings File Article
Subject: BLUE ZOO [TV] (AT, 2014)
Summary: Second series of Blue Zoo cancelled

Call No: held no.1- February 2000-; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: British Academy of Film & Television Arts
Source: UK
Place: London
PubDate: 2000-
Subject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS
Missing Issues: Issue 3 June 2000, also Issue 9 June 2001
Order Notes: current

Call No: PERSONALITY CLIPPINGS FILE; WEAVER, JACKI
Author: Hawker, Phillipa
PhysDes: Clippings File Article
Subject: WEAVER, JACKI; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014]; GOLDSTONE (AT, Ivan Sen, 2016); BLUNT TALK [TV](US, 2015-)
Summary: An article about Jacki Weaver's return to Australian cinema and an interview with her about her role in the Australian film, Last Cab to Darwin.

Subject: STONE (AT, Sandy Harbutt, 1974); DOVE, THE (US, Charles Jarrott, 1974); ADVERTISING FOR FILMS; INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Article that analyses Ace's publicity for Stone and The Dove in Western Australia and how this directly helped both films at the box office

CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, Australia
Publisher: Australian Communications and Media Authority
PubDate: 2005
Subject: GOVERNMENT CONTROL, TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; MEDIA AUSTRALIA; INTERNET; TELECOMMUNICATIONS.AUSTRALIA; AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY; BROADCASTING. AUSTRALIA; PROGRAMME COMPLAINTS
Notes: Australia's regulator for broadcasting, the internet, radiocommunications and telecommunications.
ISSN: 1832-8784
Language: English
Order Notes: Current

Call No: TITLE CLIPPINGS FILE; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Author: Maddox, Garry
PhysDes: Clippings
Subject: O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987)
Summary: Report on ACMI's screening of 7.5 hour O.J. Simpson documentary.

Call No: 761 WIN
Author: Winston, Brian; Vanstone, Gail; Chi, Wang
Source: UK
Place: London
Publisher: Bloomsbury Academic
PubDate: 2017
PhysDes: xii ; 271 pages : illustrations ; 23 cm
Subject: DOCUMENTARY FILMS; FILMMAKING; AESTHETICS; EDITING; PRODUCTION; CAMERAS
Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USA
Notes: Includes bibliographical references and index
ISBN: 9781501309175

Call No: PERSONALITY CLIPPINGS FILE; BIRD MATHESON, GEMMA
Author: Dondio, Karen
PhysDes: Clippings File Article
Subject: BIRD MATHESON, GEMMA
Summary: Profile of Australian based actor Gemma Bird Mathieson and her thoughts on her career and opportunities working in Australia's media industries

Call No: 753.1(73) SLE
Author: Slethaug, Gordon E.
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: 2014
PhysDes: vi, 275 p. : ill. ; 23 cm.
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; CRITICISM; USA; THEORY; POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA. USA; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993); SHORT CUTS (US, Robert Altman, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002); GREAT GATSBY, THE (US/AT, Baz Luhrmann, 2013); SMOKE SIGNALS (US, Chris Eyre, 1998); SMOKE (US, Wayne Wang, 1995); DO THE RIGHT THING (US, Spike Lee, 1989); BROKEN FLOWERS (US, Jim Jarmusch, 2005); SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937)
Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURB
Notes: Includes bibliographical references (p. [255]-269) and index
ISBN: 9781623564407
Donation: Senses of Cinema
Contents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing -- -- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES (IT/UR, Nikita Mihalkov, 1987); OCI CIORNIE (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); MR. BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Author: Rayner, Jonathan
PhysDes: Article
Subject: ADAPTATIONS. AUSTRALIA; LAWRENCE, RAY; BLISS (AT, Ray Lawrence, 1985); LANTANA (AT, Ray Lawrence, 2001); JINDABYNE (AT, Ray Lawrence, 2005)
Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract

Call No: 81TRU MAN
Author: Trumbo, Dalton
Source: CN
Place: Toronto
Publisher: Bantam Books
PubDate: 1972
PhysDes: 620 p. ; 18cm
Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971)
Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]
Notes: Includes index
ISBN: 55306951195

PhysDes: Article
Subject: BINGO BONGO (IT, Campanile F. Pasquale, 1982)
Summary: Pre-production notes

Call No: 81GOL GOL
Author: Goldman, William, 1931
Edition: [First paperback ed.]
Place: New York
Publisher: Warner Books
PubDate: 1984
PhysDes: xiii, 594 p.
Subject: SCRIPTWRITERS; SCRIPTWRITING; HOLLYWOOD; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969)
Summary: "Expanded to include the full screenplay of Butch Cassidy and the Sundance Kid"
ISBN: 0446383864 (Can.); 446391174 (U.S.A.)
LON: abn89270985; 6722351

Author: Jones, D. B.
PhysDes: Article
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); HUMPHRIES, BARRY; BERESFORD, BRUCE; INDUSTRY, FILM. AUSTRALIA
Summary: Review of THE ADVENTURES OF BARRY MCKENZIE from an American perspective.

Subject: CAMPION, JANE; PIANO, THE (AT, Jane Campion, 1993)
ID2: 30

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Author: Murdoch, Blake
PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM FINANCE CORPORATION; BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA
Summary: In a report to the government, the AFC and FFC outline the small market share of box office that Australian films had in 1999 - 3 %. Recommendations are made for increased government funding. It is unlikely that Australian films can compete with US productions but should look at improving competition with British films.

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE BLUM (GE, Erich Engel, 1948); BLUM AFFAIR, THE (GE, Erich Engel, 1948)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "The Blum Affair" (English title)

Call No: TITLE CLIPPINGS FILE; BY THE SEA (US/FR, Angelina Jolie, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: BY THE SEA (US/FR, Angelina Jolie, 2015)
Summary: Film review of BY THE SEA directed by and starring Angelina Jolie
Notes: This article was also published in the Canberra Times on November 28, 2015.
Rating: 2 out of 5 stars

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Seddell Pty Ltd
PhysDes: 5 photographs : b&w ; 20 x 26 cm
Subject: JONES, ROSEY; NEEDLES, NIQUE; BURSILL, TINA; AFRAID TO DANCE (AT, Denny Lawrence, 1988)
Summary: 5 photographs from the film Afraid to dance

Call No: 802.27(73)-054(=96) REG
Author: Regester, Charlene
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2010
PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cm
Subject: BLACKS AND THE CINEMA. US; BLACKS IN FILMS. USA; MADAME SUL-TE-WAN; BEAVERS, LOUISE; MCKINNEY, NINA MAE; WASHINGTON, FREDI; MCDANIEL, HATTIE; HORNE, LENA; SCOTT, HAZEL; WATERS, ETHEL; DANDRIDGE, DOROTHY
ISBN: 9780253221926
Donation: donated by Senses of Cinema, 2013
Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: AFTER MIDNIGHT (US, Mitchell Leisen, 1950); CAPTAIN CAREY, USA (US, Mitchell Leisen, 1950)

Call No: TITLE CLIPPINGS FILE; CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014); BINOCHE, JULIETTE; ASSAYAS, OLIVIER; STEWART, KRISTEN
Summary: Interview with Olivier Assayas about his film Clouds of Sils Maria and the performances of the two main actresses, French superstar Juliette Binoche, and Kristen Stewart (of Twilight fame).

Call No: SUBJECT CLIPPINGS FILE; SCRIPTED INK
Author: Ritchie, Emily
PhysDes: Clippings File Article
Subject: SCRIPTED INK; AUSTRALIAN WRITERS GUILD; BRENNAN, SHANE
Summary: Some information about the newly formed Scripted Ink, an organisation to assist with Australian film and tv script development. The funding by Australian writer Shane Brennan has been instrumental for setting the organisation up with the Australian Writers Guild. The three scripts to receive development fudning are CATGOD, THE PEACMAKER, and BLACK CREEK

Call No: 81VAR DER
Author: DeRoo, Rebecca J.
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: c2018
PhysDes: x, 238 pages : illustrations ; 23 cm
Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978)
Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index; Also issued online
ISBN: 9780520279414
Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: DVD RESEARCH FOLDER
Author: Williams, Fiona; Hull, David
Subject: CONFERENCE AUSTRALIAN INTERNATIONAL MOVIE CONVENTION 2005; AUDIENCE RESEARCH. AUSTRALIA; BOX OFFICE; DVD, FILMS ON; DISTRIBUTION. DVD. AUSTRALIA
Summary: -- How various people involved in the film industry describe why audiences at cinemas are falling. DVD's aren't to blame they say.
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Author: Webb, Dan
PhysDes: Article
Subject: BROADCASTING RIGHTS. AUSTRALIA; LEGISLATION. AUSTRALIA; OWNERSHIP. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA
Summary: An address given to the Television Society in Melbourne by Dan Web on the increasingly restricted ownership of the mass media in Australia and how it compares to the US.

Call No: 79 PSY REB
Author: Rebello, Stephen
Place: London
Publisher: Mandarin
PubDate: 1992
PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.
Subject: BLOCH, ROBERT; HITCHCOCK, ALFRED; BASS, SAUL; STEFANO, JOEY; HERRMANN, BERNARD; MILES, VERA; PSYCHO (US, Alfred Hitchcock, 1960); DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955)
Notes: Originally published: London : Boyars, 1990. Bibliography: p. 207-211. Includes index.
ISBN: 0749309709
Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath

Call No: TITLE CLIPPINGS FILE; ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017)
Summary: Report on the box office performance of the film ALIEN: COVENANT as well as the Australian box office figures in general

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: PUPPET DESIGN; PUPPETRY; BESWICK, DOUG; L.A. EFFECTS GROUP; ALIENS (US, James Cameron, 1986)
Summary: Description of some of the puppetry used in "Aliens" in terms of design, creation, and manipulation

Call No: 735.1 KUH
Author: Kuhn, Annette
Source: UK/US
Place: London New York
Publisher: Verso
PubDate: 1990
PhysDes: viii, 231 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; SCIENCE-FICTION FILMS; SEX IN FILMS; TECHNOLOGY IN FILMS; ALIEN (UK, Ridley Scott, 1979); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes bibliographical references (p. 229-231)
ISBN: 0860912787; 0860919935 (pbk.)
LON: 6923144
Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACE AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); STAR WARS [...] (US, 1977-99); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)
Author: Vickery, Colin
PhysDes: Clippings File Article
Subject: BOOTH, EMMA; GLITCH [TV](AT, 2015-)
Summary: Interview with GLITCH actor Emma Booth about her career and her role in the TV series

Call No: TITLE CLIPPINGS FILE; BLACK SEA (UK/US/RU, Kevin Macdonald, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: BLACK SEA (UK/US/RU, Kevin Macdonald, 2014)

Subject: ALL OF ME (US, Carl Reiner, 1984); BOX OFFICE. USA
Summary: Reviews of 'All of Me' and report on its performance at the US box-office

Call No: 81 BIS BIS
Author: Bisley, Steve
Source: AT
Place: Richmond, Victoria
Publisher: Echo, a division of Bonnier Publishing Australia
PubDate: 2017
PhysDes: 247 pages ; 21 cm
Subject: BISLEY, STEVE; GIBSON, MEL; DAVIS, JUDY; MAD MAX (AT, George Miller, 1979); WATER RATS [TV] (AT, Hal McElroy, 1996); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); DOCTOR DOCTOR [TV] (AT, 2016)
Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.
ISBN: 9781760400842

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Davidson, John
Subject: BLU-RAY
Summary: On the pros and cons of the PS3. Perhaps what is interesting is that this reviewer believes that the PS3 could become a great media centre one day due to PS3 allowing software to be able to be used to alter its operating system but it is far from it now.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Xbox Mod Chipped; -- Playstation 3

Call No: CRAWFORD STILL ALL
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1983?]; [1990?]
PhysDes: 34 photographs : b&w ; 26 x 21 cm + 19 slides : col.
Subject: WATERS, JOHN (AT); THORNTON, SIGRID; WRIGHT, ADRIAN; BURNS, CAROL; TINGWELL, CHARLES (BUD); COGHILL, NIKKI; FAWDON, MICHELE; ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983); ALL THE RIVERS RUN II (AT, John Power, 1990)
Summary: Photographs and slides relating to All The Rivers Run
Notes: Arrangement: Images are arranged by record type and series (photographs with accompanying promotional material with descriptive captions for All The Rivers Run (1983), then slides and photographs for All The Rivers Run II (1990) -- slides for All The Rivers Run II contain annotations indicating presence of TV aerials and light poles in some images -- Duplicate material in storage
Donation: Gift of Crawford Productions

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Syvret, Paul
Subject: PORNOGRAPHIC FILMS. AUSTRALIA; RATING FOR FILMS. AUSTRALIA; CENSORSHIP. AUSTRALIA; OFFICE OF FILM AND LITERATURE CLASSIFICATION; PORNOGRAPHIC DVD. AUSTRALIA; PORNOGRAPHIC FILMS AND THE INTERNET; DISTRIBUTION. DVD. AUSTRALIA; AXIS; CALVISTA AUSTRALIA; GALLERY GLOBAL NETWORKS; TRANSACT BROADBAND; NEWNHAM, HUI
Summary: An overview of the sex industry in Australia. It has a large focus on the DVD (adult video industry) and looks at government restrictions on X rated material.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Calvista general manager Hui Newnham says it produces 10,000 DVDs a week for distribution in Australia. That's sine half a million X-rated movies a year, from just one company.; -- Groups such as Calvista estimate the bulk of the adult retail market in Australia (books, toys and films) to be worth $1.6 billion to $1.7 billion a year. But Newnham says legally compliant operators such as Calvista and Gallery make up only about 40 per cent of the wholesale market. The rest at best operate in a grey zone, or at worst, just flog pirated material that would be unlikely to pass muster with the Office of FIlm and Literature Classification.

Author: Marks, Dick
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; COLLINS, ALAN; CAAMA (Central Australian Aboriginal Media Association)
Summary: Interview with indigenous Australian Director of Photography, Allan Collins, who discusses his experience in the Australian film industry, his photography techniques and work with CAAMA (Central Australian Aboriginal Media Association)
Notes: Interview

Call No: 771.1(73) JAM
Author: James, David E., 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1989
PhysDes: xiii, 388 p. : ill. ; 26 cm
Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Includes index; Bibliography: p. 362-377
ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)
LON: 5820741
Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --

Call No: TITLE CLIPPINGS FILE; CAFE SOCIETY (US, Woody Allen, 2016)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: ALLEN, WOODY; CAFE SOCIETY (US, Woody Allen, 2016)
Summary: Looking at the film CAFE SOCIETY, which the reviewer thinks repeats many themes in numerous other Woody Allen films

Subject: BOX OFFICE. AUSTRALIA
Summary: Pieces of news from N.S.W., Queensland and South Australia

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BERESFORD, BRUCE; UNITED INTERNATIONAL PICTURES; PIRACY; VIDEO, FILMS ON
Summary: Film news from across Australia.

PhysDes: Article
Subject: E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); ANNIE (US, John Huston, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BIRCH CARROLL AND COYLE; FILMWAYS; GREATER UNION
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); BOX OFFICE. AUSTRALIA; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; HOSTAGE -THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983); BOX OFFICE. AUSTRALIA; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982)
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BIRCH CARROLL AND COYLE; GREATER UNION; BOX OFFICE. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); BIRCH CARROLL AND COYLE; VICTOR/VICTORIA (UK, Blake Edwards, 1982); SOUTH AUSTRALIAN FILM CORPORATION
Summary: Film news from across Australia

PhysDes: Article
Subject: RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); GREATER UNION; HOYTS; BOX OFFICE
Summary: Film news from across Australia.

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; HOYTS; GREATER UNION; BOX OFFICE. AUSTRALIA
Summary: Film news from across Australia.

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: HOLLYWOOD; FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: 81ALT THO
Author: Altman, Robert and Thompson, David
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2005
PhysDes: xxii, 306p. ; b+w ill. : 22cm.
Subject: ALTMAN, ROBERT; M*A*S*H (US, Robert Altman, 1969); LONG GOODBYE, THE (US, Robert Altman, 1973); THIEVES LIKE US (US, Robert Altman, 1974); CALIFORNIA SPLIT (US, Robert Altman, 1974); NASHVILLE (US, Robert Altman, 1975); BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976); QUINTET (US, Robert Altman, 1979); PERFECT COUPLE, A (US, Robert Altman, 1979); HEALTH (US, Robert Altman, 1980); POPEYE (US, Robert Altman, 1980); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); STREAMERS (US, Robert Altman, 1983); SECRET HONOR (US, Robert Altman, 1984); FOOL FOR LOVE (US, Robert Altman, 1985)
Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.
Notes: Includes index and bibliography
ISBN: 0571220894

Call No: 79ALV LUM
Author: Lumby, Catharine
CorpAuthor: AT
Place: Strawberry Hills, NSW
Publisher: Currency Press .
PubDate: 2008
PhysDes: 77 p. : ill, ports. ; 19 cm
Series: Australian screen classics
Subject: MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; SEXUALITY AND THE CINEMA; BLUNDELL, GRAEME; ALVIN PURPLE (AT, Tim Burstall, 1973)
Summary: Alvin Purple was the most commercially successful Australian movie of the 1970s. Catharine Lumby takes a fresh look at the film, the social and political era, in which it was made, and the forces which fueled its success.
Notes: The Australian Screen Classics series is edited by Jane Mills; Bibliography: p.77-78
ISBN: 9780868198446

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: [1973?]
PhysDes: 1 photograph : b&w ; 19 x 25 cm.
Subject: ALVIN PURPLE (AT, Tim Burstall, 1973); BLUNDELL, GRAEME
Summary: Graeme Blundell sits reclined at a desk wearing nothing but socks and sneakers. He looks to his left at a man who is fully dressed and standing at the desk that he is reclining behind.
Notes: Moderate surface damage to photograph; Pencil annotations to reverse of photograph; Red adhesive sticker on reverse of photograph; Pin holes on corners of photograph

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 19 x 25 cm
Subject: BLUNDELL, GRAEME; FINNEY, ALAN; GORMAN, REG; ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974)
Summary: 3 black and white photographs. Alvin standing, Alvin with bookmaker, Alvin playing pool with another character

Author: Grunes, Dennis
PhysDes: Article
Subject: BOUCHER, LE (FR/IT, Claude Chabrol, 1970)

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: GOLAN, MENAHEM; ENGELBACH, DAVID; CANNON FILM GROUP; GOLAN-GLOBUS PRODUCTIONS; AMERICA 3000 (US, David Engelbach, 1986)
Summary: Details the shooting details, budget, and schedule of the film "America 3000", noting that its working title was "Thunder Warriors". Writer Sheldon Teitelbaum also makes clear the tension between the director/writer David Engelbach and Golan-Globus Productions, particularly the difficulties arising from Golan-Globus' insistence on Israel as the shoot location

Call No: 71(73) BEH
Author: Behlmer, Rudy,
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1982
PhysDes: xix, 324 p. : ill. ; 24 cm
Subject: USA; FRANKENSTEIN (US, James Whale, 1931); LOST HORIZON (US, Frank Capra, 1937); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938); GRAPES OF WRATH, THE (US, John Ford, 1940); STAGECOACH (US, John Ford, 1939); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); LAURA (US, Otto Preminger, 1944); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); AFRICAN QUEEN, THE (US, John Huston, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); HIGH NOON (US, Fred Zinnemann, 1952); GUNGA DIN (US, George Stevens, 1939)
Notes: Includes bibliographies and index
ISBN: 080442036X; 0804460345 (pbk.)
LON: 2175280

Call No: 71(73) EAG
Author: Eagan, Daniel
Source: US
Place: New York : London
Publisher: Continuum
PubDate: 2010
PhysDes: xxvii, 818 p. : ill. ; 26 cm
Subject: BEST FILMS; BEST FILMS. US; CRITICISM; FILM; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; LIBRARY OF CONGRESS; USA
Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them. Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURB
Notes: Formerly CIP
ISBN: 9780826429773
Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --

Call No: 772(73) AME
Author: Peary, Gerald; Peary, Danny, 1949
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: c1980
PhysDes: x, 310 p. : ill. ; 23 cm
Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR. MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942)
Notes: Includes bibliographies and index
ISBN: 0525476393 : $10.95
LON: 1776676

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 81CAS CAR
Author: Carney, Raymond
Place: Berkeley
Publisher: University of California Press
PubDate: 1985
PhysDes: x, 335 p. : ill. ; 24 cm
Subject: CASSAVETES, JOHN; FACES (US, John Cassavetes, 1968); GLORIA (US, John Cassavetes, 1980); HUSBANDS (US, John Cassavetes, 1970); KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976); MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971); SHADOWS (US, John Cassavetes, 1960); TOO LATE BLUES (US, John Cassavetes, 1961); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311
ISBN: 0520050991
LON: 3055051
Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216

Call No: 769(73) MAC
Author: MacDonald, Scott
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2013
PhysDes: viii, 415 pages : ill. ; 24 cm
Subject: ETHNOGRAPHIC FILMS; DOCUMENTARIES. USA; MARSHALL, JOHN; GARDNER, ROBERT; ASCH, TIMOTHY; PINCUS, ED; WEINSTEIN, MIRIAM; GUZZETTI, ALFRED; MCELWEE, ROSS; MOSS, ROBB; DAVENPORT, NINA; ASCHER, STEVEN; JORDAN, JEANNE; NEGROPONTE, MICHEL; GIANVITO, JOHN; OLCH, ALEXANDER; SIEGEL, AMIE; BARBASH, ILISA; CASTAING-TAYLOR, LUCIEN
Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--
ISBN: 9780520275621
Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss -- Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News -- Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations -- Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan

PhysDes: Article
Subject: AMERICAN FILM MARKET; COPYRIGHT; CABLE TV
Summary: Article on the future American Film Market Association symposium, including a list of topics that will be discussed.

Call No: 751 ALT
Author: Altman, Rick
Place: London
Publisher: British Film Institute
PubDate: 1989
PhysDes: [386] p. : ill. ; 26cm
Subject: MUSICALS. USA; ASTAIRE, FRED; BERKELEY, BUSBY; EDDY, NELSON; GARLAND, JUDY; MACDONALD, JEANETTE; MAMOULIAN, ROUBEN; ROGERS, GINGER; VIDOR, KING; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951); APPLAUSE (US, Rouben Mamoulian, 1929); OKLAHOMA! (US, Fred Zinneman, 1955)
Notes: American cinema films: Musicals. - Critical studies (BNB/PRECIS); Originally published: Bloomington : Indiana University Press, 1987; Includes index
ISBN: 0851702279 (pbk) : ª12.95 : CIP confirmed
LON: 6008672 6008672

Call No: 71(73) MON
Author: Monaco, James
Source: US
Place: New York
Publisher: New American library
PubDate: 1979
PhysDes: 544 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; ALLEN, WOODY; ALTMAN, ROBERT; BOGDANOVICH, PETER; BROOKS, MEL; CASSAVETES, JOHN; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; LUCAS, GEORGE; MAZURSKY, PAUL; RITCHIE, MICHAEL; SCORSESE, MARTIN; SPIELBERG, STEVEN; SCHRADER, PAUL; SIMON, NEIL
Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURB
Notes: Includes index.
Donation: donated by Senses of Cinema, 2010
Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits

Call No: 409(73) AME
Author: O'Connor, John E; Jackson, Martin A
Place: New York
Publisher: Ungar
PubDate: c1979
PhysDes: xxix, 290 p. : ill. ; 22 cm
Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; BLACKS IN FILMS. USA; BLACKS AND THE CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976)
Notes: Includes index; Bibliography p. 279-282
ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95
LON: 1282547

Call No: 45:93 OCO
Author: O'Connor, John E
Source: US
Place: New York
Publisher: Ungar
PubDate: c1983
PhysDes: xliii, 420 p. : ill. ; 22 cm
Series: Ungar film library
Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BLACKS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55)
Notes: Includes index; Bibliography: p. 395-405
ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95
LON: 2795583

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; BLACK CINEMA; BLACKS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL 6 (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1989[prod. 1985]); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 802.25-054(=924) DES
Author: Desser, David; Friedman, Lester D
Place: Urbana
Publisher: University of Illinois Press
PubDate: 1993
PhysDes: x, 318 p. : ill. ; 23 cm
Subject: ALLEN, WOODY; BROOKS, MEL; LUMET, SIDNEY; MAZURSKY, PAUL; JEWS AND THE CINEMA. USA; DIRECTORS. USA; JEWS IN FILMS. USA
Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and index
ISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)
LON: 9606171
Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279

Call No: 802.24(73) SCH
Author: Wright, Thomas Lee, 1953; Schanzer, Karl
Place: New York
Publisher: Avon Books
PubDate: c1993
PhysDes: xii, 274 p. ; 22 cm
Subject: SCRIPTWRITERS. USA; PRODUCTION DEALS; VALDEZ, LUIS; BLACK, SHANE; CAMERON, JAMES; PRICE, RICHARD; RUBIN, BRUCE JOEL; KHOURI, CALLIE; ROBINSON, PHIL ALDEN; SINGLETON, JOHN; DIXON, LESLIE; THOMPSON, CAROLINE; KAZAN, NICHOLAS; ESZTERHAS, JOE; RASCOE, JUDITH; GANZ, LOWELL; MANDEL, BABALOO; RICKMAN, THOMAS; BASS, RON
ISBN: 0380767279 : $12.00 ($14.00 Can.)
LON: 9905548 9905548

Call No: 71(73) EVE
Author: Everson, William K
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: vii, 387 p., [38] leaves of plates : ill. ; 24 cm
Series: A History of the American film ; 1
Subject: USA. 1895-1930; TITLING; WOMEN IN FILMS. USA; WESTERNS; COMEDIES. USA; ART DIRECTION; GRIFFITH, DAVID WARK; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes index; Bibliography: p. 355-362
ISBN: 019502348X : $17.50
LON: 1073077

Call No: 802.25(73) WIC
Author: Wicking, Christopher; Vahimagi, Tise, joint author
Place: London
Publisher: Talisman Books
PubDate: 1979
PhysDes: xxii, 262 p. ; 22 cm
Subject: DIRECTORS. USA; Peckinpah, Sam; BOETTICHER, BUDD; BARE, RICHARD L.
Notes: Includes index
ISBN: 0905983092 : ª7.50
LON: 1588061

Call No: 81CAP CAR
Author: Carney, Raymond
Place: Cambridge [Cambridgeshire] New York
Publisher: Cambridge University Press
PubDate: 1986
PhysDes: xv, 510 p. : ill. ; 24 cm
Subject: CAPRA, FRANK
Notes: Includes index; Filmography: p. 495-500; Bibliography: p. 501-503
ISBN: 0521326192
LON: 86014800; 4632736

Call No: 736 TUS
Author: Tuska, Jon
Place: Lincoln
Publisher: University of Nebraska Press
PubDate: 1988
PhysDes: p. cm
Subject: WESTERNS; AMERICAN INDIANS IN FILMS; WOMEN IN FILMS; HERO IN FILMS; FORD, JOHN; HAWKS, HOWARD; HATHAWAY, HENRY; MANN, ANTHONY; BOETTICHER, BUDD; Peckinpah, Sam
Notes: "Bison."; Reprint. Originally published: Westport, Conn. : Greenwood Press, 1985. Originally published in series: Contributions to the study of popular culture; Includes index; Bibliography: p
ISBN: 0803294115 (pbk.)
LON: 5572169

Call No: 736.1 MAY
Author: Maynard, Richard A.
Place: Rochelle Park, NJ
Publisher: Hayden Book Company
PubDate: 1974
PhysDes: vii, 130 p. : ill. ; 23 cm.
Series: Hayden film attitudes and issues series
Subject: WESTERNS; AMERICAN INDIANS IN FILMS; TYPE CHARACTERS IN FILMS; BILLY THE KID IN FILMS; FORD, JOHN; WILD BUNCH, THE (US, Sam Peckinpah, 1969)
Summary: Compares the reality of the American West with literary fiction and also its treatment in Hollywood. The last chapter deals with trends of the Western genre since 1960.
Notes: "Filmography": p. 125-130.
ISBN: 0810458950

Call No: 81 KOK MCW
Author: McWilliam, Kelly
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: 130 pages : illustrations ; 22 cm
Series: Visionaries: thinking through female filmmakers
Subject: KOKKINOS, ANA; ONLY THE BRAVE (AT, Ana Kokkinos, 1994); HEAD ON (AT, Ana Kokkinos, 1998); BOOK OF REVELATION (AT, Ana Kokkinos, 2005); BLESSED (AT, Ana Kokkinos, 2009); WOMEN FILMMAKERS; WOMEN FILMMAKERS. AUSTRALIA
Summary: "Ana Kokkinos is an Australian screenwriter, producer and director who has worked in film and television for almost thirty years. Best known for her fictional films - Antamosi, Only the Brave, Head On, The Book of Revelation and Blessed - her work is often bold and confrontational in its exploration of the alienation, estrangement and visceral distresses of those outside the mainstream. In the first major study of the director, Ana Kokkinos: An Oeuvre of Outsiders offers new readings of and across her fictional oeuvre by broadly tracing the deployment of the outsider as an organising motif." - taken from back cover.
Notes: Includes bibliographical references and index. Bibliography: (pages 112-125) Filmography: (pages 126-127)
ISBN: 9781474431071
Contents: Introduction: Ana Kokkinos -- 1. Antamosi and Only the Brave: the early films -- 2. Head On: centring the other -- 3. The Book of Revelation: othering the centre With Sharon Bickle -- 4. Blessed: an ensemble of outsiders -- Conclusion: an oeuvre of outsiders - an Australian auteur? -- Bibliography -- Filmography -- Index.

Call No: 201(94) ANA
CorpAuthor: Australian Film Commission; Australia. Parliament. House of Representatives. Standing Committee on Environment, Recreation and the Arts
Place: [North Sydney]
Publisher: The Commission
PubDate: 1991
PhysDes: 75 p. : ill. ; 30 cm
Subject: AUSTRALIA. 1980's; STATISTICS. AUSTRALIA; BOX OFFICE. AUSTRALIA; FILMS SHOWN ON TV. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; SHORT FILMS. AUSTRALIA
Notes: "October 1991"; Cover title; Bibliography: p. 74-75
LON: abn93074307; 9864635

Call No: 62 DIC
Author: Dick, Bernard F
Edition: Third edition
Source: US/UK
Place: New York -- Hampshire
Publisher: St Martins Press -- Macmillan Press
PubDate: 1998
PhysDes: xv, 302 pages : illustrations ; 23 cm
Subject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965); ALLEN, WOODY; BOGART, HUMPHREY; CAPRA, FRANK; CITIZEN KANE (US, Orson Welles, 1941); HITCHCOCK, ALFRED; PSYCHO (US, Alfred Hitchcock, 1960); WELLES, ORSON; WILDER, BILLY
Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back cover
Notes: Previous ed.: 1990 -- Includes bibliographical references and index
ISBN: 0312153996
Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library

Author: Black, Daniel
PhysDes: Article; Bibliography; Illustration(s)
Subject: ANIMATION; BODY IN FILMS
Summary: Animation is explored in relation to its preoccuption with the body's surface and external form.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 21 x 26 cm
Subject: BYRNE, DAVID; AND HIS GHOST MAY BE HEARD (AT, Richard Franklin, 1973)
Summary: 3 black and white photographs of scenes in the film. 1 black and white photograph of the film crew and the David Byrne.

Author: Vial, Andrew
PhysDes: Article
Subject: CANNES FILM FESTIVAL; FESTIVALS MELBOURNE; FESTIVALS. ADELAIDE; FESTIVALS
Summary: Andrew Vial's thoughts on film festivals, their importance, and how they aid the industry.

PhysDes: Article
Subject: ANDROID (US, Aaron Lipstadt, 1982); HARRY TRACY - DESPERADO (CN, William A. Graham, 1982); DISTRIBUTION; BULGARIA; NICARAGUA
Summary: Brief article on IMC+Isram/Silverstein distributing 'Android' to Bulgaria and other European Communist countries, as well as 'Harry Tracy' to Nicaragua.

Call No: 79ANG ABB
Author: Abbott, Stacey
Source: US
Place: Detroit Mich
Publisher: Wayne State University Press
PubDate: c2009
PhysDes: x, 121 p. : ill. ; 18 cm
Series: TV milestones; Contemporary approaches to film and television series. TV milestones
Subject: ANGEL [TV] (US, 1999-); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992)
Summary: "In this TV Milestones entry, Stacey Abbott, the premier scholar of Angel studies, applies her broad understanding of film and television through brilliantly detailed analysis of the series, illuminating the beautiful darkness of Angel. Abbott has written a book that is both careful scholarship and also a page turner - lucid, lively, perceptive. Readers will want to watch the series - or watch it again - with the understanding gained from this remarkable little book." -- Rhonda V. Wilcox, professor of English at Gordon College and author of Why Buffy Matters: The Art of Buffy the Vampire Slayer -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780814333198
Contents: -- acknowledgments -- Introduction: A seminal show canceled by the idiot networks -- Grrr aaargh! The collective vision of mutant enemy -- Creeped out and comforted at the same time: the generic hybridity of Angel -- Does giant tentacle spew come out with dry cleaning? Angel and tv horror -- Cavemen vs. astronauts--weapons to be determined: Angel, masculinity, and male friendship -- It's a little outside the box: how Angel breaks the rules -- notes -- works cited -- index --

Author: Schwartz, Eric
PhysDes: Article
Subject: MCGREGOR, ANGELA PUNCH; BREALEY, GIL; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987); NEWSFRONT (AT, Phillip Noyce, 1978); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved with
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Crayford, Peter
Subject: BOX OFFICE; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; ANIMATION
Summary: Computer Animated feature films have become incredibly successful over the last five years with phenomenal box office receipts but also because of their unconventionality, inventiveness and Humour The author states that the real profits begin to accumulate for these films on DVD
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: FILMS 1. The Incredibles 2. Toy Story 3. Toy Story 2 4. A Bug’s Life 5. Monsters 6. Finding Nemo 7. Happy Feet 8. Open Season 9. The Wild 10. Ant Bully 11. Flushed Away 12. Ratatouille 13. Casino Royale 14. Shrek 2 FILM SALES The Incredibles - More $US1billion – ($1.27billion) Toy Story More - $US1billion – ($1.27billion) Toy Story 2 - More $US1billion – ($1.27billion) A Bug’s Life - More $US1billion – ($1.27billion) Monsters - More $US1billion – ($1.27billion) Finding Nemo - More $US1billion – ($1.27billion) FILMS SALES – US CINEMA RELEASE The Incredibles - $251 million Finding Nemo - $US339 million Shrek 2 - $US 436 million in 2006

Call No: 246CUL
Author: Culhane, Shamus
Source: UK
Place: London
Publisher: Columbus
PubDate: 1989, c1988
PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cm
Subject: ANIMATION; ANIMATORS; CARTOONS. USA; DIRECTORS. USA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS
Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.
Notes: Includes index
ISBN: 0862879590

Call No: 772(520) CLE
Author: Clements, Jonathan
Source: UK
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cm
Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; CARTOONS; HISTORY OF CINEMA; HISTORY OF CINEMA. JAPAN; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) SEE SHIN TETSUWAN ATOM [TV]; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURB
Notes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and index
ISBN: 9781844573905
Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK SOULS [ANIME NERE] (IT/FR, Francesco Munzi, 2014)

Author: Maddox, Garry
PhysDes: Article
Subject: SOCIAL ISSUES IN FILMS; HANDICAPPED IN FILMS; BORTHWICK, CHRIS; AWARDS. AUSTRALIAN FILM INSTITUTE; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: Garry Maddox focuses on slef-characterised perpetually bleak Chris Borthwick, co-writer of "Annie's Coming Out". Borthwick reveals his dissatisfaction with the film's script, despite it's picking up an award from the AFI, as it did not eventuate in the social change which he had aimed for in regards to the rights and life of the physically handicapped. Maddox relates how Borthwick's disallusionment has led to the scriptwriter's decision to enrol in a law degree at the University of Melbourne
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: 81BUR BEN
Author: Benson, John J
CorpAuthor: Australian Film Institute. Research & Information Centre
Source: AT
Place: Melbourne
Publisher: Australian Film Institute Research & Information
PubDate: 1983
PhysDes: 76 p. ; 30 cm
Series: A.F.I. Research & Information bibliography
Subject: BURSTALL, TIM
Notes: Australian cinema films. Directing. Burstall, Tim. Bibliographies (ANB/PRECIS SIN 0744093); Cover title: Tim Burstall bibliography
ISBN: 090802309X
LON: 2993518

Call No: 408.1(540) ROB
Author: Roberge, Gaston
Source: II
Place: Calcutta
Publisher: Seagull Books
PubDate: 1985
PhysDes: 151p. : ill. ; 22cm
Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927)
Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb
ISBN: 0861320751
Donation: donated by the family of Wayne Levy, 2006
Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; DRIVE-IN CINEMAS
Summary: Article on new manager of Skyway Drive-In, Janice Piggford.

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Call No: 81ANT CHA
Author: Chatman, Seymour, 1928
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1985
PhysDes: 290 p. : ill. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; GRIDO, IL (US/IT, Michelangelo Antonioni, 1957); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982)
Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281
ISBN: 0520052056; 0520053419 (pbk.)
LON: 85001025; 3748072

Call No: 81ANT CAM
Author: Cameron, Ian, 1937; Wood, Robin, 1931- joint author
Place: London
Publisher: Studio Vista
PubDate: 1968
PhysDes: [144] p. : illus. ; 17 x 18 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951); GRIDO, IL (US/IT, Michelangelo Antonioni, 1957); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
Notes: Bibliography: p. 144; "Filmography": p. 141- [144]
ISBN: 0289795982
LON: 70397126; 63651

Call No: 81ANT ROH
Author: Rohdie, Sam, 1939
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 213 p. : ill., ports. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); GRIDO, IL (US/IT, Michelangelo Antonioni, 1957); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970)
Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.
Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210
ISBN: 0851702740 (pbk.); 0851702732
LON: bnb85170273; 7278793

Call No: 81 ANT COW
Author: Cowie, Peter
Source: UK/US
Place: London; New York
Publisher: Tantivy Press; Barnes & Co.
PubDate: 1963
PhysDes: 17 cm ; 160 p.
Series: International Film Guide
Subject: ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; RESNAIS, ALAIN
Donation: donated by the family of Wayne Levy, 2006

Call No: 736.11
Author: Grant, Kevin
Edition: August 2013
Place: Godalming, Surrey
Publisher: FAB Press
PubDate: May 2011
PhysDes: 480 pages : illustrated ; 26 cm
Subject: WESTERNS. EUROPEAN COUNTRIES; WESTERNS. ITALY; LEONE, SERGIO; NERO, FRANCO; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966); BLINDMAN (US/IT, Ferdinando Baldi, 1972); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); CORBUCCI, SERGIO; EASTWOOD, CLINT; FULCI, LUCIO; HILL, TERENCE; SPENCER, BUD; VAN CLEEF, LEE
Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made. Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today. Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age. Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious. Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web site
Notes: Foreword by Franco Nero
ISBN: 9781903254615

Call No: 735.1 SZE
Author: Szendy, Peter; Bishop, Will; Webber, Samuel
Edition: 2015
Place: New York
Publisher: Fordham University Press
PubDate: 2015
PhysDes: xx, 160 p. : illustrations ; 22 cm
Series: French Voices
Subject: APOCALYPSE IN FILMS; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964); TERMINATOR, THE (US, James Cameron, 1984); 2012 [TWO THOUSAND AND TWELVE] (US/CN, Roland Emmerich, 2009); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); WATCHMEN (US, Zack Snyder, 2009); SUNSHINE (UK/US, Danny Boyle, 2007); BLADE RUNNER (US, Ridley Scott, 1982); [TWELVE] MONKEYS (US, Terry Gilliam, 1995); ROAD, THE (US, John Hillcoat, 2009); BLOB, THE (US, Chuck Russell, 1988)
Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups. The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing. In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web site
ISBN: 9780823264810

Call No: REFERENCE SECTION; 01(94) RID
CorpAuthor: Australian Film and Television School
Source: AT
Place: Sydney
Publisher: Australian Film and Television School
PubDate: 1979
PhysDes: xiii, 70 p. ; 29 cm
Series: Monograph (Australian Film and Television School. Research and Survey Unit) ; no. 12.
Subject: ARCHIVES & INSTITUTES, FILM. AUSTRALIA; BROADCASTING. AUSTRALIA; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL
ISBN: 0642925038

Call No: 79ARG JON
Author: Jones, Kent
Place: London
Publisher: British Film Institute
PubDate: 1999
PhysDes: 96 p. ; 19 cm
Subject: BRESSON, ROBERT; ARGENT, L' (SZ/FR, Robert Bresson, 1983)
ISBN: 0851707335 (pbk.) : ª8.99; 0851707335; 0851707335 (pbk.)
LON: 20081782 20081782

Call No: 771 ART
Author: Leighton, Tanya
Source: UK
Place: London
Publisher: Tate Publishing in association with Afterall
PubDate: 2008
PhysDes: 496 p. Ilustrations (some color) ; 25cm
Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER
Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.
Notes: Includes bibliographical references and index.
ISBN: 9781854376251
Donation: Adrian Miles
Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.

Call No: 725.221 (-091) RAS
Author: Raskin, Richard
Source: US
Place: North Carolina
Publisher: McFarland & Company Inc.
PubDate: 2002
PhysDes: 184 p. : ill. ; 27 cm
Subject: SHORT FILMS; TWO MEN AND A WARDROBE (PL, Roman Polanski, 1957); DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957); COFFEE AND CIGARETTES (US, Jim Jarmusch, 1986); CAT'S CRADLE (AT, Liz Hughes, 1992)
Summary: A close study of Polanski Two Men and A Wardrobe, Jarmusch Coffee and Cigarettes, Lawlor Sunday, Hughes Cat's Cradle, Sletaune Eating Out, Ulrichsen Come, Ivanyi Wind, McGann Possum and Mimica The War is Over. The book also describes a new coneptual model, derived from the nine films, useful for both analyzing the ways in which a short fiction film tells its story and as a set of guidelines for students writing their own screenplays.
Notes: Includes contact information for obtaining copies of the films Includes other highly recommended short fiction films Includes bibliography Includes index
ISBN: 078641183x

Call No: 756(5) TEO
Author: Teo, Stephen
Source: UK
Place: Oxford [Oxfordshire] ; New York
Publisher: Routledge
PubDate: 2013
PhysDes: xv, 269 p. : ill., ports. ; 24 cm
Series: Media, culture and social change in Asia ; 30
Subject: INDIAN CINEMA; CHINA; JAPAN; KOREA; HONG KONG; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA
Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781138815780
Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.

Call No: 71(5) LEN
Author: Lent, John A., 1936-
Place: Bromley
Publisher: Christopher Helm
PubDate: 1990
PhysDes: x, 309 p., [8] p. of plates : ill. ; 23 cm
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; CHINA; JAPAN; TAIWAN; HONG KONG; KOREA; PHILIPPINES; MALAYSIA; SINGAPORE; INDONESIA; THAILAND; BURMA; INDIA; PAKISTAN; BANGALADESH; SRI LANKA
Notes: Asia. Film industries (BNB/PRECIS); Includes index; Bibliography: p. 279-292
ISBN: 0747020000
LON: 6874060

Call No: 81MON WOL
Author: Wolfe, Donald H.
Source: US
Place: London
Publisher: Little Brown and Company
PubDate: 1998
PhysDes: 532 p. : ill. ; 25 cm
Subject: TWENTIETH CENTURY-FOX; MONROE, MARILYN; MILLER, ARTHUR; MONTAND, YVES; KENNEDY, JOHN F.; SINATRA, FRANK; ZANUCK, DARRYL F.; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957); BUS STOP (US, Joshua Logan, 1956); LET'S MAKE LOVE (US, George Cukor, 1960); SOME LIKE IT HOT (US, Billy Wilder, 1959)
ISBN: 0316640190

Call No: TITLE CLIPPINGS FILE; BLIND AMBITION (AT, Richard Standeven, 2000)
Author: Keenan, Luke
PhysDes: Clippings File Article
Subject: SPORTS FILMS; BLIND AMBITION (UK, Richard Standeven, 2000)
Summary: Olympian Sam Rickard to play a vision impaired athelete in sporting film, Blind Ambition.

Call No: FESTIVAL CATALOGUE SHELVES
Place: US
Publisher: [s.n.]
PubDate: 1972
PhysDes: 48 p. : ill. ; 28 cm
Subject: FESTIVALS. USA [VARIOUS]; HOLLYWOOD; FOREIGN FILMS USE: IMPORT OF FILMS; PREMINGER, OTTO; CAPRA, FRANK; WATKINS, PETER
Notes: The Atlanta international film festival includes a program of feature length films, short films and animated films. The festival also has seminars and retrospectives outlining the work of Otto Preminger, Frank Capra and Peter Watkins. The catalogue also includes film summaries and numerous black and white stills.

Author: Stewart, Clare
PhysDes: Article
Subject: AUDIENCES. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Discussion on the increase of cinema-going in Australia, but the viewing of fewer Australian films. The author asks when will the government recognise its failure in promoting local culture and address it through new policies.

Call No: 410.3 AUD
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 2012
PhysDes: 332 pages : illustrations ; 23 cm.
Series: Key debates ; 3.
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES; SOCIETY AND THE CINEMA; EXHIBITION; BOX OFFICE
Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
Notes: Includes bibliographical references (p. 279-298) and indexes.
ISBN: 9789089643629
Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451' Checked: 31/08/2021 1:29:06 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: 20(94) TAY
Author: Taylor, Graeme; Dempster, Peter; Bureau of Industry Economics
Source: AT
Place: Canberra
Publisher: Bureau of Industry Economics
PubDate: 1994
PhysDes: 27 p. ; 30 cm
Series: Occasional paper (Bureau of Industry Economics) ; 20
Subject: BROADCASTING. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; DISTRIBUTION. AUSTRALIA; MUSIC, FILM. AUSTRALIA; PRODUCTION. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNOLOGY AND TV
Summary: Discussion paper on the audiovisual (AV) industry in Australia. Provides a statistical overview of the industry, a discussion of dynamic change in the AV sector, discusses key figures in the industry structure, and gives a critical review of Australia's performance in the AV sector

Call No: 81HEP MAY
Author: Maychick, Diana
Source: UK
Place: London
Publisher: Pan Books
PubDate: 1994
PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cm
Subject: HEPBURN, AUDREY; ROMAN HOLIDAY (US, William Wyler, 1953); SABRINA (US, Billy Wilder, 1954); LOVE IN THE AFTERNOON (FR, Eric Rohmer, 1972); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CHILDREN'S HOUR, THE (US, William Wyler, 1961); MY FAIR LADY (US, George Cukor, 1964); TWO FOR THE ROAD (UK, Stanley Donen, 1966); BLOODLINE (US, Terence Young, 1979); THEY ALL LAUGHED (US, Peter Bogdanovich, 1981); NUN'S STORY, THE (US, Fred Zinneman, 1958); AMOUR L'APRES-MIDI, L' (FR, Eric Rohmer, 1972)
Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]
Notes: First published ; London; Sidgwick & Jackson, 1993
ISBN: 0330333976

PhysDes: Article
Subject: LESLIE, EWAN; BUDGE, TOM
Summary: Ewen Leslie and Tom Budge's week-long account of Sundance

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Hoyts
PhysDes: 8 photographs : b&w ; 21 x 26 cm
Subject: BOND, ALAN; AUSSIE ASSAULT (AT, Harvey Spencer, 1984)
Summary: 8 labelled black and white photographs of scenes from the documentary 'Aussie Assault.'

Author: Rebecca Wallwork
PhysDes: Article
Subject: LUHRMANN, BAZ; CANNES FILM FESTIVAL; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001)
Summary: A piece on whether Moulin Rogue can be regarded as an Australian film.

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian films have earned more than $50 milliom at local box office, 2015.

Call No: TITLE CLIPPINGS FILE; PAPER PLANES
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; PAPER PLANES (AT, Robert Connolly, 2014)
Summary: Paper Planes is doing excellent business at the Australian box office suprassing the $8m mark. Mentions of Village Roadshow, and film Water Diviner.

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE. 2017
Author: Westwood, Christine
PhysDes: Clippings File Article
Subject: FESTIVALS. PARK CITY. SUNDANCE; BERLIN SYNDROME (AT, Cate Shortland, 2017); KILLING GROUND in production; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016); ORBITAL VANITAS (AT, Shaun Gladwell, 2017)
Summary: Report on a number of Australian films showing at the 2017 Sundance Film Festival, including; BERLIN SYNDROME, KILLING GROUND, RED DOG: TRUE BLUE, CASTING JONBENET, short film SLAPPER, and virtual reality film ORBITAL VANITAS

Author: Mary Colbert
PhysDes: Article
Subject: FESTIVALS. FRANCE. ST TROPEZ. CINEMA DES ANTIPODES; BORIES, BERNARD
Summary: Article on Bernard Bories's Cinema des Antipodes, a feature at Cannes Film Festival focusing on Australian cinema.

Author: Prisk, Tracey
PhysDes: Production report
Subject: BIG FISH (AT, Pascal Franchot, in prod.)
Summary: Austen Tayshus has completed his feature "Big Fish".

Call No: 161(94)AUS
Place: AT
Publisher: Australian Film Commission
PubDate: 1990
Subject: TELEVISION. AUSTRALIA; BROADCASTING. AUSTRALIA; SPECIAL BROADCASTING SERVICE; CHANNEL FOUR; TELEVISION. NEW ZEALAND; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA
Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."
Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; BURKE, GRAHAM; CHETTY, DEVESH; HANNAY, DAVID; KNIGHT, ANDREW; BEILBY, PETER; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY
Summary: Contacts and brief biogs for Encore list of top Australian executive producers.

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Gliddon, Joshua
Subject: BLU-RAY; HIGH DEFINITION DVD
Summary: The author delves into the price war over rival gaming systems from Xbox to Playstation 3 and Nintendos Wii Console. The articles compare units sold between each system and also the development of the rival high definition DVD Formats including Sony developed Blu–ray and Toshiba developed HD – DVD format. - In a move reminiscent of the VHS and Beta war of the early 80’s Blu-ray and HDDVD are incompatible, so which one a consumer opts for they could be backing the wrong horse.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: List of films at the Australian box office, two weeks ending May 6th.

Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Box-office reports, two weeks ending Thursday, 17/10/1974, for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle

Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports (ending two weeks from Thursday, 8/8) for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle

Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports, two weeks ending Thursday 18/7, from Sydney, Melbourne, Birsbane, Adelaide, Perth and Newcastle

Subject: BOX OFFICE. AUSTRALIA
Summary: Box-office reports from Sydney, Melbourne, Brisbane, Perth, Adelaide, Hobart, Newcastle and Launceston

Subject: BOX OFFICE. AUSTRALIA; AUSTRALIA
Summary: Australian box office reports (two weeks ending 13/6) from Sydney, Melbourne, Adelaide, Perth and Newcastle

Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports (two wees ending, 23/5/1985) for Sydney, Melbourne, Brisbane, Adelaide. Perth and Newcastle

Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports (two weeks ending, 9/5/1985) fpr Sydney, Melbourne, Brisbane, Adelaide, Perth, Newcastle, Hobart and Launceston

Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports (two weeks ending, 25/4/1985) from Sydney, Melbourne, Brisbane, Adelaide, Perth, Newcastle

Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports (two weeks ending, 11/4/1985) from Sydney, Melbourne, Birsbane, Adelaide, Perth, Newcastle, Hobart and Launceston

Subject: BOX OFFICE. AUSTRALIA
Summary: Box office repoets (two weeks ending 13/13/1984) for Sydney, Melbourne, Brisbane, Adelaide, Launceston, Newcastle and Hobart

Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports, two weeks ending 29/11/1984, from Sydney, Melbourne, Brisbane, Adelaide, Perth, Launceston, Hobart and Newcastle

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Boc office listing for Sydney, Melbourne, Brisbane, Adelaide, Hobart, Newcastle, Perth and Launceston

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Box office takings from across Australia, two weeks ending Spetember 15th

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports from across Australia, two weeks ending September 1.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian box opffice statistics, two weeks ending August 18.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Box office reports from across Australia, two weeks ending August 4.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Box office reports for Australia, two weeks ending July 21

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Box-office reports from across Australia, two weeks ending July 7.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Box office reports for Australia, two weeks ending June 23.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. ASIAN COUNTRIES
Summary: Australian box office reports, two weeks ending June 2.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian box office reports, two weeks ending May 26.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian box office placings, two weeks ending May 5th.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian box office reports, two weeks ending April 21.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Films at the Australian box office, two weeks ending April 7.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian box office takings, two weeks ending 24/3.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian box office report, two weeks ending 10/3

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Box office results from across Australia, two weeks ending 24/2/83

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian box office report, two weeks ending February 10.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Box office reports in Australia, two weeks ending January 27.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Box office figures from across Australia, two weeks ending October 21.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Australian box office reports, two weeks ending 4/11.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: List of box office takings for films in Australia, two weeks ending 7/10

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports from across Australia, two weeks ending 9/9/82

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Box office reports from across Australia, two weeks ending 26/8/1982

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Australian box office figures, two weeks ending 12/8/1982

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian Box office figures, two weeks ending 29/7/1982

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Australian box office figures, two weeks ending 15/07

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: List of films at Australia's box office, two weeks ending July 1.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Films at the Australian box office, two weeks ending June 17.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: List of films at the Australian box office, two weeks ending May 20.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Box office figures, two weeks ending 22/4/1982

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA
Summary: Australian box office reports, two weeks ending 15/4/1982.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Box office takings from across Australia, two weeks ending April 1.

Call No: FRONT DESK
Subject: BOX OFFICE. AUSTRALIA; STATISTICS. AUSTRALIA; CINEMAS. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: -
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; BOX OFFICE. USA
Summary: Listings for the past week's box office figures for Australia and the USA

Call No: 201(94) AUS
Author: Green, F. J.
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1976
PhysDes: 175, A143 pages ; 25 cm
Subject: BROADCASTING. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"
Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications Department
ISBN: 0642924392
Donation: donated by Mick Counihan, 2010

Call No: 263(94)ABT AUS
CorpAuthor: Australian Broadcasting Tribunal
Edition: Rev. ed
Place: Sydney
Publisher: The Tribunal
PubDate: 1990
PhysDes: iv, 129 p. ; 30 cm
Subject: Australian Broadcasting Tribunal; BROADCASTING. AUSTRALIA; LICENCES. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA
Notes: Cover title: ABT manual
ISBN: 0644012722
LON: 7719829

Call No: 71(94) TUL
Author: Tulloch, John, 1942
Place: Sydney
Publisher: George Allen & Unwin
PubDate: 1982
PhysDes: 272 p. : ill. ; 23 cm
Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933)
Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index
ISBN: 0868611484 (pbk.); 0868611409 : price unknown
LON: 2138387

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES; AUSTRALIAN ABORIGINAL CINEMA; AUSTRALIAN ABORIGINES AND THE CINEMA; AUSTRALIAN ABORIGINES IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); AUSTRALIAN ABORIGINES AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 71(94) AUS
Author: Craven, Ian
Place: London
Publisher: Frank Cass
PubDate: 2001
PhysDes: 239 p. ; 22 cm
Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN ABORIGINES ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992)
Notes: Includes index and bibliography
ISBN: 0714649740; 0714680346(pbk.) : ª16.50
LON: 21663632
Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith
ID2: 306

Call No: 263(94) AUS
CorpAuthor: Australia. Parliament. Senate. Environment, Communications, Information Technology and the Arts Legislation Committee
Source: AT
Place: [Canberra]
Publisher: The Committee
PubDate: 1999
PhysDes: ix, 63 p. ; 21 cm
Subject: BROADCASTING. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; NATIONAL CONTENT. AUSTRALIA; QUOTA. AUSTRALIA
Notes: "February 1999"
LON: 20204917

Call No: 771(94) HOO
Author: Hooton, Fiona
Place: Saarbru¨cken, Germany
Publisher: VDM
PubDate: 2009
PhysDes: 174 p. : ill. ; 22 cm.
Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL
Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB
Notes: Includes bibliographical references.
ISBN: 9783639115932
Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography
ID2: 343

PhysDes: Article
Subject: ALMOST WINNING (AT, Tammy Burnstock, 1986); BOY AND THE SEA, THE (AT, Peter Leovic, 1986); CHASM (AT, Mark Ward, 1986); COMING TRUE (AT, George Mannix, 1986); AUSTRALA SUMMER, AN (AT, Megan Simpson, 1986); ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986); FREELY GIVEN (AT, David Caesar, 1986); GOOD WEEKEND, THE (AT, Kate Stone, 1986); FLYING (AT, Tommy Burnstock, 1986); SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986); SPEED GRAPHIC (AT, Rey Carlson, 1986); SHOPPING TOWN (AT, David Caesar, 1986); TRICKLE OF SANITY (AT, Michael Richards, 1986)
Summary: Short reviews of the AFTRS productions by a number of different reviewers
Notes: Reviews. - synopsis. - credits. - illus.

PhysDes: Article
Subject: BOY AND THE SEA, THE (AT, Peter Leovic, 1986)
Summary: Short reviews of AFTRS productions; Almost Winning; The Boy and the Sea; Chasm; Coming True; An Australian Summer; Erminia's Opening Night and other stories; Freely Given; The Good Weekend; Flying; Say a Little Prayer; Speed Graphic; Shopping Town; Trickle of Sanity.

Call No: 171(94) AUS
CorpAuthor: Australian Film Commission
Source: AT
Place: Pymble, N.S.W
Publisher: Playbill in association with the Australian Film Fair
PubDate: 1983
PhysDes: 191 pages. ; 21 cm
Subject: AUSTRALIAN FILM FAIR; AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM INSTITUTE; HOME VIDEO; HOME VIDEO. AUSTRALIA; CABLE TV. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Directory of the first Australian Film Fair. Includes short articles, the Australian Film Fair programme and trade directories.
Notes: Includes index
ISBN: 0959300686

Call No: 151(73) AUSTRALIAN "1978"
CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.
Source: AT
Publisher: New South Wales Film Corporation Australian Films Office Inc.
PubDate: [1978]
PhysDes: 32 leaves : illustrations ; 30 cm
Subject: FESTIVALS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NEW SOUTH WALES FILM CORPORATION; NOYCE, PHILLIP; SHARMAN, JIM; THOMPSON, JACK; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STORM BOY (AT, Henri Safran, 1976); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975)
Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.

Call No: 71(94) AUS
Author: Moran, Albert, 1942; O'Regan, Tom, 1956
Place: Sydney
Publisher: Currency Press
PubDate: 1985
PhysDes: 391 p. ; 21 cm
Series: Australian screen
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, ?, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948)
Notes: Includes index; Bibliography: p. 376-379
ISBN: 086819123X (pbk.) : $24.95 Aust
LON: anb86819123; 4105507

Call No: 67(94) VER
Author: By Verevis, Constantine and Williams, Deane
Place: United Kingdom
Publisher: Intellect
PubDate: 2018
Subject: EXPERIMENTAL FILM AND TELEVISION FUND; BIRTLES, FRANCIS; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GILDA (US, Charles Vidor, 1946); FEMINISM AND THE CINEMA. AUSTRALIA; PORNOGRAPHY AND THE CINEMA. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); CHAUVEL, CHARLES
ISBN: 9781783208371