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Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: AL TISH'ALI IM ANI OHEV (IS, Barbara Noble, 1979)

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN DREAM (US, Barbara Kopple, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: AUSSIE RULES (AT, Barbara Chobocky, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Maracaibo Films
PhysDes: 2 photographs : b&w ; 21 x 26 cm
Subject: AUSSIE RULES (AT, Barbara Chobocky, 1993)
Summary: 2 black and white photographs of migrant children at the Intensive English Centre, Sydney.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA'S ANIMAL MYSTERIES (US, Barbara Jampel, 1983)

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2010
PhysDes: viii, 252 p. ; 23 cm
Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BROOKS, ALBERT; CARRIERE, JEAN-CLAUDE; EPHRON, NORA; HARWOOD, RONALD; HUGHES, JOHN (US); KOEPP, DAVID; LAGRAVENESE, RICHARD; LEVINSON, BARRY; ROTH, ERIC; SAYLES, JOHN; STOPPARD, TOM; TURNER, BARBARA; WURLITZER, RUDY
Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 9780520260399
Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARBARA (GG, Christian Petzhold, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARBARA (FR, Mathieu Amalric, 2017)

Call No: P BAR
PhysDes: 1 poster : colour ; 100 x 70 cm
Subject: BARBARA (G, Christian Petzold, 2012)
Summary: Image: A woman in a red dress is riding a bicycle through countryside. She is looking back over her shoulder. Text: ""Anyone who loves The Lives of Others should see this" MSN"
Notes: Front image is printed in reverse on back

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARBARA RUBIN AND THE EXPLODING NY UNDERGROUND (US, Chuck Smith, 2018)

Call No: 81STA VER
Author: Vermilye, Jerry
Place: New York
Publisher: Pyramid Publications
PubDate: 1975
PhysDes: 159 p. : ill. ; 20 cm
Subject: Stanwyck, Barbara
Notes: Includes index; Bibliography: p. 141-142; Filmography: p. 143-152
ISBN: 0515036412 : $1.75
LON: 74024838; 730092

Call No: 81STA DIO
Author: DiOrio, Al
Source: US
Place: New York
Publisher: Berkley Books
PubDate: 1985, c1983
PhysDes: 247 p. : ill. ; 18cm
Subject: Stanwyck, Barbara; BROADWAY NIGHTS (US, Jospeph Boyle, 1927); LOCKED DOOR, THE (US, George Fitzmaurice, 1929); MEXICALI ROSE (US, Erle Kenton, 1929); LADIES OF LEISURE (US, Frank Capra, 1930); ILLLICIT (US, Archie Mayo, 1931); TEN CENTS A DANCE (US, Lionel Barrymore, 1931); NIGHT NURSE (US, William Wellman, 1931); MIRACLE WOMAN, THE (US, Frank Capra, 1931); FORBIDDEN (US, FrankCapra, 1932); SHOPWORN (US, Nicholas Grinde, 1932); SO BIG (US, William Wellman, 1932); PURCHASE PRICE, THE (US, William Wellman, 1932); BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933); LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933); BABYFACE (US, Alfred Green, 1933); EVER IN MY HEART (US, Archie Mayo, 1933)
Notes: Filmography and credit listing included of all Stanwycks films.
ISBN: 0425094553

PhysDes: Article
Subject: YENTL (US, Barbara Streisand, 1983); STREISAND, BARBRA; IRVING, AMY; PATINKIN, MANDY
Summary: Synopsis and crew list of 'Yentl' which has begun filming.

Call No: 81STR CON
Author: Considine, Shaun
Source: UK
Place: London
Publisher: Century Hutchinson
PubDate: 1986
PhysDes: viii, 394 p. : ill. ; 23 cm
Subject: STREISAND, BARBRA; BEATTY, WARREN; GOULD, ELLIOTT; KRISTOFFERSON, KRIS; O'NEAL, RYAN; PETERS, JON; FUNNY GIRL (US, William Wyler, 1968); HELLO, DOLLY! (US, Gene Kelly, 1969); YENTL (US, Barbara Streisand, 1983)
ISBN: 0712610820

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BAXLEY, BARBARA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEFREIER UND BEFREITE: KRIEG - VERGEWALTIGUNGEN - KINDER (GG, Helke Sander & Barbara Johr, 1992)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BEL GEDDES, BARBARA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIRTH AT HOME (AT, Barbara Chobocky, 1978)

Author: Caputo, Rolando
PhysDes: Article; Bibliography; Illustration(s)
Subject: THRILLERS.ITALY; BAVA, MARIO; STEELE, BARBARA
Summary: Explores the ways French film culture championed Mario Bava's films, his use of actor Barbara Steele, and the Italian 'giallo' (thriller) genre.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BOYD-ANDERSON, BARBARA

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm
Subject: PARKINS, BARBARA; MULLINAR, ROD; BREAKFAST IN PARIS (AT, John Lammond, 1982)
Summary: Four black and white photographs relating to the film Breakfast in Paris

Call No: T 71(41) ARL
Author: Arlen, Michael J
Place: Ringwood, Vic
Publisher: Penguin Books
PubDate: 1982
PhysDes: 337 p. ; 20 cm
Subject: CRITICISM, TV. USA; WALTERS, BARBARA; ROOTS [TV] (US, 1977); [SIXTY] 60 MINUTES [TV] (US, 1968-); DALLAS [TV] (US, 1978-91); NETWORK (US, Sidney Lumet, 1976)
Summary: Essays taking a critical view of the American television landscape of the 1970's and 1980's.

Call No: 81RAT RAT
Author: Rather, Dan; Herskowitz, Mickey
Source: US
Place: New York
Publisher: William Morrow & Co.
PubDate: 1977
PhysDes: 320 p. ; 25 cm
Subject: MEDIA; NEWS PROGRAMMES.USA; RATHER, DAN; CRONKITE, WALTER; SEVAREID, ERIC; WALLACE, MIKE; WALTERS, BARBARA; REASONER, HARRY; BRINKLEY, DAVID; CHANCELLOR, JOHN; NIXON [RICHARD M.] ON TV; JOHNSON, LYNDON
ISBN: 0688031846

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPITALIST DRIVE (AT, Barbara Chobocky, 2007)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CHOBOCKY, BARBARA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRISTMAS ON EARTH (US, Barbara Rubin, 1963?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CONVERSATION WITH GREGORY PECK, A (US, Barbara Kopple, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: COVERUP: BEHIND THE IRAN CONTRA AFFAIR (US, Barbara Trent, 1988)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm
Subject: FORDHAM, BARBARA; CRACK (AT, Evan Clarry, 2000)
Summary: Photographs relating to the film Crack

Call No: 626:396 GRE
Author: Green, Philip, 1932
Place: Amherst
Publisher: University of Massachusetts Press
PubDate: c1998
PhysDes: viii, 262 p. : ill. ; 25 cm
Subject: GENDER AND THE CINEMA. USA; FEMINISM AND THE CINEMA. USA; FILM NOIR. USA; CREED, BARBARA; MULVEY, LAURA; STONE, SHARON; ALIENS (US, James Cameron, 1986); BASIC INSTINCT (US, Paul Verhoeven, 1992); FATAL ATTRACTION (US, Adrian Lyne, 1987); FURNESS, DEBORRA-LEE; GILDA (US, Charles Vidor, 1946); IMPULSE (US, Sandra Locke, 1990); LAST SEDUCTION, THE (US, John Dahl, 1994); MS 45 (US, Abel Ferrara, 1981); NORMA RAE (US, Martin Ritt, 1979); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); RIVER WILD, THE (US, Curtis Hanson, 1994); SHAME (AT, Steve Jodrell, 1988); SHAME [TV] (US, 1992); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); THELMA & LOUISE (US, Ridley Scott, 1991); VANISHING, THE (US, George Sluizer, 1993); SPOORLOOS (NE/FR, George Sluizer, 1988)
Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist critics
Notes: Includes bibliographical references (p. [213]-248) and index
ISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper)
LON: 13262384
ID2: 290

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CREED, BARBARA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIXIE CHICKS: SHUT UP AND SING (US, Barbara Kopple & Cecilia Peck, 2006)

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: vi, 332 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; COMPILATION FILMS; DOCUMENTARY FILMS. US; DOCUMENTARY FILMS. USSR; VIETNAM WAR IN FILMS; CINEMA-DIRECT; CINEMA VERITE; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; GRIERSON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes index; Bibliography: p. [297]-311
ISBN: 0195018354 : $10.95
LON: 74079618; 462942

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Edition: 2nd rev. ed
Place: New York
Publisher: Oxford University Press
PubDate: 1993
PhysDes: 400 p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes bibliographical references (p. [361]-375) and index
ISBN: 0195078985 (pbk. : acid-free paper) : $10.95
LON: 9430204

Call No: 761 BAR
Author: Barnouw, Eric
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: 332 p. ; 24 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
ISBN: 0195018354
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --

Call No: 761 JAC
Author: Jacobs, Lewis, comp
Edition: 2nd ed
Place: New York
Publisher: W. W. Norton
PubDate: c1979
PhysDes: 594 p. : ill. ; 24 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)
Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 577-579
ISBN: 0393950425
LON: 1437994
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 385.83 DIX
Author: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey
Source: UK
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 356 p. : ill.; 23 cm
Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS. USA; AVANT-GARDE FILMS. EUROPEAN COUNTRIES; STRUCTURALISM; DEREN, MAYA; ANGER, KENNETH; SMITH, JACK; WARHOL, ANDY; BRAKHAGE, STAN; CONNER, BRUCE; SNOW, MICHAEL; FRAMPTON, HOLLIS; JULIEN, ISAAC; DASH, JULIE; HAMMER, BARBARA
Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas.
ISBN: 0415277876

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FARRELLY, BARBARA

Call No: 761:626[396] FEM
Author: Waldman, Diane (editor); Walker, Janet (editor)
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1999
PhysDes: ix, 365 p : ill. ; 26 cm
Series: Visible Evidence, volume 5
Subject: DOCUMENTARIES; DOCUMENTARIES. ARMENIA; DOCUMENTARIES. GERMANY; DOCUMENTARIES. TURKEY; FEMINISM AND THE CINEMA; DONT LOOK BACK (US, D.A. Pennebaker, 1967); ARMENIAN JOURNEY, AN (US, Theodore Bogosian, 1988); ROGER AND ME (US, Michael Moore, 1989); AMERICAN DREAM (US, Barbara Kopple, 1990)
Summary: Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominenet scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation. This book includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. [Taken from back cover.]
ISBN: 0816630062
Contents: Introduction -- Part I: Historicizing documentary -- 1. Sentimental contracts: dreams and documents of American labor / Paula Rabinowitz -- 2. Flaherty's midwives / Patricia R. Zimmerman -- 3. New subjectivities: documentary and self-representation in the post-verite age / Michael Renov -- 4. Bad girls come and go, but a lying girl can never be fenced in / Alexandra Juhasz -- Part II: Filmmaker/subject: self/other -- 5. (Pass through) the mirror moment and 'Don't look back': music and gender in rockumentary / Susan Knobloch -- 6. Identities unmasked / empowerment unleashed: the documentary style of Michelle Parkerson / Gloria J. Gibson -- 7. Cross-cultural filmmaking, Japanese style / Ann Kaneko -- Part III: Going back (with a camera): gender, nation and documentary returns -- 8. Return, transference and the constructedness of experience in German/Turkish documentary film / Silvia Kratzer Juilfs -- 9. Melancholic memories and manic politics: feminism, documentary, and the Armenian diaspora / Anahid Kassabian and David Kazanjian -- 10. Fetishes and fossils: notes on documentary and materiality / Laura U. Marks -- 11. On silence and other disruptions / Deborah Lefkowitz -- Part IV: Innovative (auto)biographies -- 12. Fleeing from documentary: autobiographical film/video and the 'ethics of responsibility' / Michelle Citron -- 13. From rupture to rapture through experimental bio-pics: Leslie Thornton's 'There was an unseen cloud moving' / Chris Holmlund -- 14. Women's fragmented consciousness in feminist experimental autobiographical video / Julia Lesage

Call No: 626:396 CHA
Author: Chaudhuri, Shohini
Source: UK
Place: London ; New York
Publisher: Routledge
PubDate: 2006
PhysDes: x, 148 p. ; 20 cm
Series: Routledge critical thinkers
Subject: FEMINISM AND THE CINEMA; CRITICISM; MULVEY, LAURA; CREED, BARBARA; SILVERMAN, KAJA; DE LAURETIS, TERESA
Summary: "Since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators can be understood. This book focuses on the groundbreaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis, and Barbara Creed. Each of these thinkers has opened up a new and distinctive approach to the study of film and this book provides the most detailed account so far of their ideas. It illuminates six key concepts and demonstrates their value as tools for film analysis."--BOOK JACKET.
Notes: Includes bibliographical references and index.
ISBN: 9780415324335
Contents: Why Mulvey, Silverman, de Lauretis, and Creed? -- 1. Beginnings -- The eternal feminine -- Psychoanalysis and feminism -- The tools of film theory -- 2. The male gaze -- Sexual politics -- Lust of the eyes -- The female spectator -- 3. The female voice -- Female confessions -- Fantasies of the maternal voice -- The 'homosexual-maternal fantasmatic' -- Female authorship -- 4. Technologies of gender -- Beyond the paradox of woman -- The technology of sex -- The technology of gender -- Rethinking women's cinema -- Desire in narrative -- 5. Queering desire -- Film and the visible -- Sexual indifference -- Lesbian fetishism -- 6. The monstrous-feminine -- The abject -- The archaic mother -- Medusa's head -- The deadly femme castratrice -- Crisis TV -- 7. Masculinity in crisis -- The dominant fiction -- Historical trauma -- The screen and the gaze -- Male masochism -- After Mulvey, Silverman, de Lauretis, and Creed.

Call No: TITLE CLIPPINGS FILE; BARBARA (GG, Christian Petzhold, 2012)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: BARBARA (GG, Christian Petzhold, 2012)
Summary: Review of film 'Barbara' and its depiction of East Germany
Rating: 4 out of 5 stars

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. SANTA BARBARA

Call No: 408 TUR
Author: Graeme Turner (ed.)
Place: London; New York
Publisher: Routledge
PubDate: 2002
PhysDes: 524 p. ; 24 cm
Subject: CULTURE AND THE CINEMA; GENRES; AESTHETICS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCE RESEARCH; SOUND; THEORY; CREED, BARBARA; KUHN, ANNETTE; NATIONAL CULTURE AND THE CINEMA; POSTMODERNISM AND THE CINEMA; GLOBALISATION; USA; MONROE, MARILYN; SEX IN FILMS; HORROR FILMS; ACTION FILMS; HOMOSEXUALITY IN FILMS; THRILLERS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); PIANO, THE (AT, Jane Campion, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); TECHNOLOGY AND THE CINEMA; INDUSTRY, FILM
Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.
ISBN: 0415252822

Call No: 802.253 RED
Author: Redding, Judith M; Brownworth, Victoria A
Place: Seattle
Publisher: Seal Press
PubDate: 1997
PhysDes: 293 p. : ill. ; 24 cm
Subject: DIRECTORS; CAMPION, JANE; LIGHT, ALLIE; PARMAR, PRATIBHA; Lupino, Ida; PARKERSON, MICHELLE; SAALFIELD, CATHERINE; HAMMER, BARBARA; FRIEDRICH, SU; TRINH, T. MINH-HA; NEGRON-MUNTANER, FRANCES; MOHABEER, MICHELLE; TAIT, MARGARET; WELBON, YVONNE; AYOKA, CHENZIRA; BENNING, SADIE; BORDEN, LIZZIE; SEIDELMAN, SUSAN; NAIR, MIRA; GORRIS, MARLEEN; ANDERS, ALLISON; DASH, JULIE; ROZEMA, PATRICIA; PORTILLO, LOURDES; DAVIS, ZEINABU IRENE; DEITCH, DONNA; BHARADWAJ, RADHA; OXENBERG, JAN; MEHTA, VIJAYA; BALLETBO-COLL, MARTA; ZIMMERMAN, DEBRA; VACHON, CHRISTINE; GRIFFIN, ADA GAY; GRIER, BARBARA
Notes: Filmography: p; Includes bibliographical references
ISBN: 1878067974
LON: 97029205; 13395017

Call No: 64GEN FIL
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: viii, 581 p. : ill. ; 24 cm
Subject: GENRES; WESTERNS; GANGSTER FILMS; FILM NOIR; DISASTER FILMS; EPIC FILMS; HORROR FILMS; MELODRAMA; COMEDIES; TRANSVESTISM; WOMEN IN FILMS; VIETNAM WAR FILMS; MUSICALS; ETHNIC GROUPS IN FILMS; CANADA; AUTEUR THEORY; NARRATIVE IN FILMS; DETECTIVE FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HISTORICAL FILMS; PHILOSOPHY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; SCIENCE-FICTION FILMS; SEMIOLOGY; STRUCTURALISM; HITCHCOCK, ALFRED; MICHEAUX, OSCAR; CRONENBERG, DAVID; FORD, JOHN; PENN, ARTHUR; SIRK, DOUGLAS; CAVELL, STANLEY; CHANDLER, RAYMOND; FRYE, NORTHROP; MINNELLI, VINCENTE; TODOROV, TZVETAN; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987); SOME LIKE IT HOT (US, Billy Wilder, 1959); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949); YENTL (US, Barbara Streisand, 1983); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MY DARLING CLEMENTINE (US, John Ford, 1946); STAGECOACH (US, John Ford, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THING, THE (US, Christian Nyby, 1951); [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957); VICTOR VICTORIA (UK, Blake Edwards, 1982); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); FLY, THE (US, David Cronenberg, 1986); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); CHINATOWN (US, Roman Polanski, 1974); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHINATOWN (US, Roman Polanski, 1974)
Notes: Includes bibliographical references (p. [495]-559) and index
ISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)
LON: 11563059

Call No: 058 FIL "1985"
Author: Clark, Al
Source: AT
Place: South Yarra, Vic
Publisher: Currey O'Neil Ross
PubDate: 1984
PhysDes: 208 p.: ill. ; 28 cm
Subject: HARGREAVES, JOHN; HUGHES, WENDY; SHEPARD, SAM; CRUISE, TOM; WOODS, JAMES; QUAID, DENNIS; EVERETT, RUPERT; BEDELIA, BONNIE; CONTI, TOM; LITHGOW, JOHN; HAZLEHURST, NONI; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); SUR, EL (SP/FR, Victor Erice, 1983); SILKWOOD (US, Mike Nichols, 1983); OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983); TRADING PLACES (US, John Landis, 1983); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); SPLASH (US, Ron Howard, 1984); RIGHT STUFF, THE (US, Philip Kaufman, 1983); STRANGERS KISS (US, Matthew Chapman, 1983); STAYING ALIVE (US, Sylvester Stallone, 1983); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983); SUDDEN IMPACT (US, Clint Eastwood, 1983); HONORARY CONSUL, THE (US, John MacKenzie, 1983); BRAINSTORM (US, Douglas Trumbull, 1983); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BREATHLESS (US, Jim McBride, 1983) LUNE DANS LA CANIVEAU, LA; YENTL (US, Barbara Streisand, 1983); FOOTLOOSE (US, Herbert Ross, 1984); MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983) SEE; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984); PHAR LAP (AT, Simon Wincer, 1983); RAZORBACK (AT, Russell Mulcahy, 1984)
Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.
Notes: On cover: with special Australian section
ISBN: 0859021548
Language: English
Donation: donated by the family of Wayne Levy, 2006

Call No: 744.7(94) WOM
Author: Women's film fund of the Australian film commission
Source: AT
Place: Marrickville, NSW
Publisher: Southwood Press
PubDate: 1984
PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)
Subject: WOMENS FILM FUND; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980); AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983); BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982); CLIMBERS (AT, Rosalind Gillespie, 1979?); CONSOLATION PRIZE (AT, Rivka Hartman, 1979); EATING YOUR HEART OUT (AT, Chris Warner, 1984); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FLAMINGO PARK (AT, Clytie Jessop, 1980); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984); MUM'S THE WORD (AT, Carol Kostanish, 1982); NED WEATHERED (AT, Lee Whitmore, 1984); ON GUARD (AT, Susan Lambert, 1984); PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980); ROMA (AT, Jane Oehr, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); TISSUE (AT, Ros Horin, 1982); TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983); WOODEN FOREST, THE (AT, Penne West, ?); WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979)
Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTION
Notes: There are two copies (second copy in clippings file) -- Includes film index
ISBN: 0642959595
Language: EN
Donation: Megan McMurchy
Contents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GENTLE BIRTH (AT, Barbara Chobocky, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GENTLE BIRTH (AT, Barbara Chobocky, 1977)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: HAMMER, BARBARA
URL status: URL: 'http://file://Q:/P/HAMMER,_BARBARA.zip' Checked: 31/08/2021 12:49:05 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HERSHEY, BARBARA

Call No: 749.5 BEL
Author: Bell-Metereau, Rebecca Louise
Edition: 2nd ed
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: xxii, 345 p. : ill. ; 23 cm
Subject: TRANSVESTISM; AIDS IN FILMS; ART CINEMA. EUROPEAN COUNTRIES; UNDERGROUND FILMS; HOMOSEXUALITY IN FILMS; SEX IN FILMS; WESTERNS; WILDER, BILLY; GARBO, GRETA; HEPBURN, KATHARINE; CURTIS, TONY; DIETRICH, MARLENE; MADONNA; MONROE, MARILYN; SCOTT, RIDLEY; ADLER, LOU; DAY, DORIS; CROSBY, BING; EDWARDS, BLAKE; GRANT, CARY; LEMMON, JACK; REA, STEPHEN; SHERIDAN, ANN; YENTL (US, Barbara Streisand, 1983); VICTOR VICTORIA (UK, Blake Edwards, 1982); ALIEN [...] (UK/US, 1979-92); CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978); CALAMITY JANE (US, David Butler, 1953); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); SOME LIKE IT HOT (US, Billy Wilder, 1959); THELMA & LOUISE (US, Ridley Scott, 1991); JOHNNY GUITAR (US, Nicholas Ray, 1954); PSYCHO (US, Alfred Hitchcock, 1960); DRESSED TO KILL (US, Brian De Palma, 1980); BLUE VELVET (US, David Lynch, 1986); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); TOOTSIE (US, Sydney Pollack, 1982); SYLVIA SCARLETT (US, George Cukor, 1935); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); QUEEN CHRISTINA (US, Rouben Mamoulian, 1934); PLAINSMAN, THE (US, Cecil B. DeMille, 1936); PARIS IS BURNING (US, Jennie Livingston, 1990); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); MYRA BRECKENRIDGE (US, Mike Sarne, 1970)
Notes: Includes bibliographical references (p. [315]-327) and index
ISBN: 0231084676 (acidb-sfree paper)
LON: 10110408

Call No: 451-01/02 BEL
Author: Bell-Metereau, Rebecca Louise
Place: New York
Publisher: Columbia University Press
PubDate: 1985
PhysDes: x, 260 p. : ill. ; 24 cm
Subject: TRANSVESTISM; ALIEN (UK, Ridley Scott, 1979); SOME LIKE IT HOT (US, Billy Wilder, 1959); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); DRESSED TO KILL (US, Brian De Palma, 1980); TOOTSIE (US, Sydney Pollack, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982); YENTL (US, Barbara Streisand, 1983)
Notes: Includes index
ISBN: 0231058349 (alk. paper)
LON: 84016984; 3316437
Contents: -- Ch. 1. An Overview -- Ch. 2. Female Impersonation Before 1960 -- Ch. 3. Male Impersonation Before 1960 -- Ch. 4. 1960-1985 New Directions -- Ch. 5. 1960 to the Present: Other Screens, Other Voices

Call No: TITLE CLIPPINGS FILE
PhysDes: Posters
Subject: HOMOSEXUALITY: A FILM FOR DISCUSSION (AT, Barbara Creed, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMANOIDS FROM THE DEEP [MONSTER] (US, Barbara Peeters, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN GOOD CONSCIENCE: SISTER JEANNINE GRAMMICK'S JOURNEY OF FAITH (US, Barbara Rick, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JEWISH SOUL, AMERICAN BEAT (US, Barbara Pfeffer, 1999)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KOPPLE, BARBARA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST CAMPAIGN, THE (US, Barbara Frank, 1978)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LLEWELLYN, BARBARA

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADEMOISELLE PARADIS (AU/G, Barbara Albert, 2017)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: FOOD CLUB, THE [MADKLUBBEN] (DK, Barbara Topsøe-Rothenborg, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MAJOR BARBARA (UK, Gabriel Pascal, 1941)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MALCOM AND BARBARA: LOVE'S FAREWELL [TV] (UK, 2007)

Call No: 751 MAP
Author: Iversen, Gunnar; MacKenzie, Scott
Edition: 2021
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 3587 pages : illustrated ; 24 cm
Series: Traditions in world cinema
Subject: ROCK FILMS; DOCUMENTARIES; MONTEREY POP (US, D. A. Pennebaker, 1968); ROLLING STONES; MADONNA; DIXIE CHICKS: SHUT UP AND SING (US, Barbara Kopple & Cecilia Peck, 2006); DYLAN, BOB; U2 RATTLE AND HUM (US, Phil Joanou, 1988); RUDE BOY (UK, David Mingay, 1980); LONG STRANGE TRIP (US, Amir Bar-Lev, 2017); CAVE, NICK; MC5 - A TRUE TESTIMONIAL (US, David C Thomas, 2002)
Summary: Mapping the Rockumentary: Images of Sound and Fury is the first anthology to explore the rockumentary as a central component of both the documentary and world cinema. The book includes case studies of bands and performers such as The Beatles, The Rolling Stones, Bob Dylan, The Clash, Madonna and Metallica and performers from Asia, Europe and the Americas, making the case for rockumentaries as part of an established and ever-evolving cinematic tradition. With an international and transdisciplinary approach, and addressing rocumentaries in film, television and on the internet, the book explores the form’s rich history from the 1950s to the present day – and beyond. -- publisher's web site
ISBN: 9781474478021
Contents: Notes on Contributors -- Introduction: Images of Sound and Fury / Gunnar Iversen and Scott MacKenzie. Part One: Histories -- Music Makers of the Blue Ridge / Greil Marcus -- ‘I Don’t Make Culture, I Sell It!’: The Early History of Music Documentation, 1920s-1970s / Laura Niebling -- Monterey Pop and the Maturation of the Concert Film / Laurel Westrup -- The Sound of Rockumentary: A Consideration of the Documentary Soundtrack / Michael Baker -- False Endings / Scott MacKenzie. Part Two: Gender -- ‘Start Me Up’: The Place and Displacement of Women in the Cinema of Rolling Stones / Catherine Strong and Stephen Gaunson -- Madonna on Film: Geopolitics, Globalization, and Gender Politics / Anna Westerstahl Stenport -- The Freedom to Speak: The Dixie Chicks, Observational Documentary, and Shut Up & Sing / Heather McIntosh -- Rock ‘n’ Roll Family Romances: Rockumentary as Male Melodrama / Gunnar Iversen -- Performing Dylan: The Many Lives of Bob Dylan in I’m Not There / Magdalena Fu¨rnkranz. Part Three: Aesthetics and Politics -- U2’s Rattle and Hum: God, Sex, Rock and Roll and God Again / Karine Bertrand -- Punk City Symphony: The Clash and Rude Boy / Celine Bell -- Listening from the Empty Booth: Performing the Grateful Dead Community in Long Strange Trip / Randolph Jordan -- Minimum and Maximum Rock ‘n’ Roll: Nick Cave & the Bad Seeds, and Rockumentary Form / Anthony Kinik -- ‘Everything Was Stories’: The Aesthetic Imaginaries of Searching for the Wrong-Eyed Jesus / Asbjørn Grønstad and Øyvind Vågnes. Part Four: Counter-Cultures -- Chile: The Rock of Political Culture and the Hard Place of Cultural Policy / Jorge Saavedra Utman and Toby Miller -- Psychedelia and Rebelliousness in Times of Dictatorship: Argentinian Rockumentaries (1973-1983) / Javier Campo and Tomás Crowder-Taraborrelli -- Harmonium in California: Musically Imagined Communities and the Rockumentary Form / Eric Fillion -- Stations of the Crass: Counter-Culture and the Anarcho-Punk Movement / Asbjørn Tiller -- Cars and Guitars, or, Detroit and the MC5: On Representations of Music and Place in MC5: A True Testimonial / Lindsey Eckenroth. Part Five: Futures -- Unknowable Dogs / Gary Kibbins -- ‘This is a F**king Business’: The Concert Tour in the 1970s Fiction Film / Julie Lobalzo Wright -- Live from the Cineplex: The Concert Film as Event Cinema since the 2000s / Ian Robinson -- Documenting Deities: Touch and K-pop Fandom on YouTube / Eric Chalfant and Ali Na -- Ritual in Transfigured Time / Greil Marcus.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MARCOT, BARBARA

Call No: 756.1-25 MEL
Author: Tsiolkas, Christos
Edition: 2022
Place: Collingwood, Vic.
Publisher: Melbourne International Film Festival; Black Inc.
PhysDes: 320 pages ; 24cm
Subject: GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); OZ: A ROCK AND ROLL ROAD MOVIE (AT, Chris Lofven, 1976) SEE OZ; MALCOLM (AT, Nadia Tass, 1986); CASTLE, THE (AT, Rob Sitch, 1997); MAD MAX (AT, George Miller, 1979); MONKEY GRIP (AT, Ken Cameron, 1982); LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996); HOMOSEXUALITY: A FILM FOR DISCUSSION (AT, Barbara Creed, 1974); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); CLUB, THE (AT, Bruce Beresford, 1980); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); NOISE (AT, Matthew Saville, 2007); DEATH IN BRUNSWICK (AT, John Ruane, 1991); CLAY (AT, Giorgio Mangiamele, 1964); HEAD ON (AT, Ana Kokkinos, 1998); DOGS IN SPACE (AT, Richard Lowenstein, 1986)
Summary: A collection of bold new writing capturing Melbourne’s identity in cinema Melbourne International Film Festival (MIFF) is Australia's most revered celebration of cinema. It is one of the world's oldest and most storied film festivals, continuously running since 1952. To commemorate MIFF’s 70th anniversary, Black Inc. has partnered with the festival to produce an exciting collection of essays on Melbourne-made cinema. Melbourne has a long, rich and diverse film history. It was the city where the first ever feature-length film was screened in 1906 – The Story of the Kelly Gang. It was also the birthplace of classics like Monkey Grip, Ghosts … of the Civil Dead, The Castle and Mad Max, plus many fascinating shorts and experimental films. Melbourne on Film is both a celebration of filmmaking in Melbourne, and a tribute to the city’s unique creative history. The first collection of its kind, it includes personal reflections on the legacy and influence of these key films by some of the city’s favourite writers, including Christos Tsiolkas, Sarah Krasnostein, John Safran, Osman Faruqi, Tristen Harwood and Judith Lucy. Melbourne on Film will be treasured by cinephiles and readers of intelligent essays on arts and culture. -- publisher's web site
ISBN: 9781760643928

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MFK (US, Barbara Wornum, 1992)

Call No: 451-02 MOR
Author: Mordden, Ethan, 1947
Place: New York
Publisher: St. Martin's Press
PubDate: 1983
PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cm
Subject: WOMEN IN FILMS; STAR SYSTEM; ACTORS; BOW, CLARA; SWANSON, GLORIA; PICKFORD, MARY; GISH, LILLIAN; GAYNOR, JANET; SHEARER, NORMA; GARBO, GRETA; Crawford, Joan; LOY, MYRNA; GARSON, GREER; DIETRICH, MARLENE; HARLOW, JEAN; WEST, MAE; Lombard, Carole; DAVIES, MARION; BALL, LUCILLE; HEPBURN, KATHARINE; RUSSELL, ROSALIND; FAYE, ALICE; Stanwyck, Barbara; DAVIS, BETTE; TEMPLE, SHIRLEY; GARLAND, JUDY; TAYLOR, ELIZABETH; HAYWORTH, RITA; GRABLE, BETTY; GARDNER, AVA; MONROE, MARILYN; MANSFIELD, JAYNE; NOVAK, KIM; HOLLIDAY, JUDY; HEPBURN, AUDREY; DAY, DORIS; ANDREWS, JULIE; STREISAND, BARBRA; MINNELLI, LIZA; BERGMAN, INGRID; WELCH, RAQUEL; Keaton, Diane; FONDA, JANE; DRESSLER, MARIE; DUNNE, IRENE; LAWRENCE, FLORENCE; BARA, THEDA; MURRAY, MAE; MOORE, COLLEEN; ALLEN, GRACIE; BLONDELL, JOAN; TOMLIN, LILY
Notes: Includes index; Bibliography: p. [285]-289
ISBN: 0312550502 (pbk.); 0312550499
LON: 83003024; 2457302

Call No: TITLE CLIPPINGS FILE; BARBARA (GG, Christian Petzhold, 2012)
Author: Craig Mathieson
PhysDes: Clippings File Article
Subject: BARBARA (GG, Christian Petzhold, 2012)
Summary: Review of the film.
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NITRATE KISSES (US, Barbara Hammer, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NORDRAND (AU/GG/SZ, Barbara Albert, 1999)

Call No: 802.2 LEV
Author: Levinson, Richard; Link, William
Place: New York, N.Y.
Publisher: New American Library
PubDate: c1986
PhysDes: 279 p. ; 21 cm
Subject: SERIALS; BOCHCO, STEVEN; ARTHUR, KAREN; LANSBURY, ANGELA; SANDRICH, JAY; SPELLING, AARON; TARTIKOFF, BRANDON; KANDEL STEPHEN; GOLDBERG, GARY DAVID; SCHILLER, BOB; WEISKOPF, BOB; PAPAZIAN, ROBERT; GAY, JOHN; GREENE, DAVID; HABER, BILL; CORDAY, BARBARA
Notes: "A Plume book."; Includes index
ISBN: 0452258731 (pbk.) : $8.95 ($12.50 Can.)
LON: 4681390

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ON THE LINE (US, Barbara Margolis, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PANAMA DECEPTION, THE (US, Barbara Trent, 1992)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PARKINS, BARBARA

Call No: 802 (047.53) KOB
Author: Kobal, John
Source: UK
Place: [London]
Publisher: Aurum Press
PubDate: 1986
PhysDes: xvii, 728 p. : ports. ; 25 cm
Subject: STARS; BACLANOVA, OLGA; BANKHEAD, TALLULAH; BERGMAN, INGRID; BLONDELL, JOAN; BRENT, EVELYN; BROOKS, LOUISE; MCCREA, JOEL; COBURN, BOB; COLE, JACK; Crawford, Joan; DUNNE, IRENE; DUPREZ, JUNE; ENGSTEAD, JOAN; FONTAINE, JOAN; FREED, ARTHUR; GISH, DOROTHY; GODOWSKY, DAGMAR; HATHAWAY, HENRY; HAWKS, HOWARD; HEPBURN, KATHARINE; HOPKINS, MIRIAM; HORN, CAMILLA; HURRELL, GEROGE; LOOS, ANITA; LOUIS, JEAN; LINDSAY, LOIS; LACEY, MADISON; Lupino, Ida; MARSHALL, MELBA; MILESTONE, LEWIS; MOORE, COLLEEN; PAN, HERMES; YOUNG, LORETTA; POWELL, ELEANOR; SHERIDAN, ANN; SHERMAN, VINCENT; STANLEY, KIM; Stanwyck, Barbara; STEN., ANNA; WEST, MAE; WILLINGER, LASZLO
Summary: Interviews with past Hollywood stars
Notes: Includes index
ISBN: 0394536606

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 26 x 21 cm
Subject: PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980)
Summary: Black and white photograph of man pushing woman with a disability in a wheelchair.

Call No: 67(081) PLA
Author: Rosenbaum, Jonathan
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: ix, 337 p. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; BARTHES, ROLAND; CASSAVETES, JOHN; TATI, JACQUES; WELLES, ORSON; RESNAIS, ALAIN; RUIZ, RAUL; ALLEN, WOODY; ANTONIONI, MICHELANGELO; FARBER, MANNY; TARR, BELA; RIVETTE, JACQUES; GERTRUD (DK, Carl Th. Dreyer, 1964); OHAYO (JA, Ozu Yasujiro, 1959); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); OTHELLO (MR, Orson Welles, 1951); MELO (FR, Alain Resnais, 1986); HARDLY WORKING (US, Jerry Lewis, 1980); AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979); BIRD (US, Clint Eastwood, 1988); WHITE DOG (US, Samuel Fuller, 1982); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974); RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); DEEP COVER (US, Bill Duke, 1992); PANAMA DECEPTION, THE (US, Barbara Trent, 1992); SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953); BARTON FINK (US, Joel Cohen, 1991); ATALANTE, L' (FR, Jean Vigo, 1934); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); KING LEAR (US/SZ, Jean-Luc Godard, 1987); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981)
Notes: Includes bibliographical references (p. 315-321) and index
ISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper)
LON: 93042954; 10612641
ID2: 291

Call No: TITLE CLIPPINGS FILE; SEEING FROM WITHIN: THE LIFE OF BARBARA BLACKMAN (AT, John Swindells, 2016)
Author: Grishin, Sasha
PhysDes: Clippings
Subject: SEEING FROM WITHIN: THE LIFE OF BARBARA BLACKMAN (AT, John Swindells, 2016)

Call No: 749.4 QUE
Author: Gever, Martha, 1947; Parmar, Pratibha; Greyson, John, 1960
Place: New York
Publisher: Routledge
PubDate: 1993
PhysDes: xv, 413 p. : ill. ; 24 cm
Subject: HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; PORNOGRAPHY AND THE CINEMA; HOMOSEXUALITY IN FILMS. PHILIPPINES; CHILD, ABIGAIL; KUCHAR, GEORGE; DOUGHERTY, CECILIA; MCLAUGHLIN, SHEILA; FRIEDRICH, SU; ARAKI, GREGG; RAINER, YVONNE; HAMMER, BARBARA; KWIETNIOWSKI, RICHARD; PARMAR, PRATIBHA; SAALFIELD, CATHERINE; GREYSON, JOHN; DEOCAMPO, NICK; PARIS IS BURNING (US, Jennie Livingston, 1990); BRIGHT EYES (UK, Stuart Marshall, 1984?); ECCE HOMO (US, Jerry Tartaglia, 1989?); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987)
Notes: Includes bibliographical references
ISBN: 0415907411; 041590742X
LON: 93009663; 9906232
ID2: 296

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REGRET TO INFORM (US, Barbara Sonneborn, 1999)

Call No: 224(73) MUR
Author: Murphy, Murphy
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2019
PhysDes: xi, 337 pages : illustrations ; 23 cm.
Subject: SCRIPTS; SCRIPTWRITERS. USA; CASSAVETES, JOHN; LODEN, BARBARA; GREAVES, WILLIAM; VAN SANT, GUS; SWANBERG, JOE; MEKAS, JONAS; WARHOL, ANDY; CLARKE, SHIRLEY; MAILER, NORMAN; FERRARA, ABEL; KEITEL, HARVEY; VAN SANT, GUS; SWANBERG, JOE
Summary: "Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer’s own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practice." -- Taken from Trove
Notes: Includes bibliographical references and index.
ISBN: 9780231191975
Donation: Senses of Cinema
Contents: Introduction. Across the spectrum: from improvisation to psychodrama -- And I hate actors: the new American cinema -- Let's not phony it up anymore: the films of John Cassavetes -- Place-based realism: Mackenzie, Loden, and Burnett -- Experiments in psychodrama: Mekas, Warhol, Clarke, and Mailer -- Human life isn't necessarily well-written: the films of William Greaves: symbiopsychotaxiplasm: take one and take 2 1/ 2 -- Beyond the method: Abel Ferrara and Harvey Keitel -- Tied to a machine: the films of Gus Van Sant -- Like how you talk: the films of Joe Swanberg -- Improvisation and place: Putty Hill, Stand clear of the closing doors, and the films of Sean Baker -- Rediscovering psychodrama: Frownland, Heaven knows what, and Stinking heaven -- The line between reality and staging: Actor Martinez, Actress, and The witness -- Conclusion: blending fiction and documentary

Call No: 62(04)(73) HAR
Author: Harmetz, Aljean
Edition: First edition
Source: US
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1983
PhysDes: xvii, 263 pages ; 22 cm
Subject: BOX OFFICE. USA; CABLE TV. USA; COLUMBIA PICTURES; INDUSTRY, FILM. USA; RATING FOR FILMS. USA; ARKOFF, SAMUEL; ASTAIRE, FRED; BURTT, BEN; DANIELS, ANTHONY; EASTWOOD, CLINT; FONDA, JANE; KASDAN, LAWRENCE; LANGE, JESSICA; LUCAS, GEORGE; NICHOLSON, JACK; Peckinpah, Sam; PICKFORD, MARY; RITT, MARTIN; Stanwyck, Barbara; WILDER, BILLY; ZUKOR, ADOLPH; STAR WARS (US, George Lucas, 1977)
Summary: "From one of the most admired and enjoyed writers on the subject of Hollywood, author of The Making of The Wizard of Oz, and for six years Los Angeles correspondent to The New York Times - her first collection of inside-the-movie-business pieces: interviews (from Jessica Lange, Jack Nicholson, and our Miss Rona, to Mary Pickford and Clint Eastwood); profiles (of the true intergalactic hero of the Star Wars trilogy, George Lucas; the last of the old true larger-than-life producers, Ray Stark; and the genius of B pictures, Sam Arkoff); and piercing in-depth reportage, clarifying and unscrambling the shake-ups and shake-down of current movie business" -Book blurb.
Notes: Many pages have rough edges
ISBN: 0394528867
Contents: Introduction -- Mary Pickford - America's (gothic) sweetheart -- Cocaine and Hollywood -- Ms. Rona: don't call her a gossip -- What price glory at Columbia -- Jack Nicholson - odd man out -- Hollywood's hot new screen writer -- Jessica Lange - film star whose future is here -- Rating the ratings -- Astaire at 80 -- The $110,000 blunder, or the man who couldn't work movie miracles -- ReCooping: the rise and fall and rise of a child star -- Peckinpah: "Man was a killer long before he served a god" -- The dime-store way to make movies -- How Hollywood decides if a film is a hit -- Reap the Wilder wind -- Fonda at Forty -- Video wars: Hollywood's corporate rollerderby -- The man with no name is a big name now -- How a Hollywood rumor was born, flourished, and died -- Barbara Stanwyck: still a golden girl -- Martin Ritt: survivor extraordinaire -- The anatomy of the sneak preview -- Today's hottest movie stars -- From A(dolph) to Z(ukor) -- The great and powerful wizard of Lucasfilm

Call No: 732(73) HAR
Author: Harvey, James, 1929
Edition: 1st ed
Source: US
Place: New York
Publisher: Knopf
PubDate: 1987
PhysDes: xii, 716 p. : ill. ; 25 cm
Subject: ACTORS; COMEDIES; DIRECTORS; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; Metro-Goldwyn-Mayer; ROMANTIC COMEDY; ROMANTIC FILMS. USA; PARAMOUNT STUDIOS; STAR SYSTEM; ARTHUR, JEAN; ASTAIRE, FRED; BRACKEN, EDDIE; CAGNEY, JAMES; CAPRA, FRANK; COLBERT, CLAUDETTE; COOPER, GARY; DUNNE, IRENE; GABLE, CLARK; GRANT, CARY; HARLOW, JEAN; HAWKS, HOWARD; LA CAVA, GREGORY; Lombard, Carole; LOY, MYRNA; LUBITSCH, ERNST; MCCAREY, LEO; MCCREA, JOEL; POWELL, WILLIAM; ROGERS, GINGER; Stanwyck, Barbara; STEVENS, GEORGE; STURGES, PRESTON; AWFUL TRUTH, THE (US, Leo McCarey, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); [FIFTH] 5TH AVENUE GIRL (US, Gregory La Cava, 1939); HIS GIRL FRIDAY (US, Howard Hawks, 1940); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); LADY EVE, THE (US, Preston Sturges, 1941); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); NINOTCHKA (US, Ernst Lubitsch, 1939); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); UNFAITHFULLY YOURS (US, Preston Sturges, 1948)
Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket]
Notes: Includes index
ISBN: 0394503392
LON: 5273661

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SACRED HEARTS (UK, Barbara Rennie, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SANCTUS (US, Barbara Hammer, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEEING FROM WITHIN: THE LIFE OF BARBARA BLACKMAN (AT, John Swindells, 2016)

Author: McDonald, Neil
PhysDes: Article
Subject: SEVEN LITTLE AUSTRALIANS (AT, Arthur G. Collins, 1939); LLEWELLYN, BARBARA; INDUSTRY, TV. AUSTRALIA; WOMEN AND TV. AUSTRALIA
Summary: Interview with actress' Jennifer Cluff and Barbara Llewellyn about their work on SEVEN LITTLE AUSTRALIANS.

Call No: 761 SHO
Author: Waugh, Thomas, 1948
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1984
PhysDes: xxvii, 508 p. : ill. ; 23 cm
Subject: NEWSREELS; FEMINISM AND THE CINEMA; DOCUMENTARY FILMS; DOCUMENTARY FILMS. THIRD WORLD; ALVAREZ, SANTIAGO; VERTOV, DZIGA; SHUB, ESTHER; BRECHT, BERTOLT; GODARD, JEAN-LUC; IVENS, JORIS; RENOIR, JEAN; SOLANAS, FERNANDO E.; VAN DONGEN, HELEN; STRAND, PAUL; SCHEUMANN, PETER; MIEVILLE, ANNE-MARIE; KOPPLE, BARBARA; GUZMAN, PATRICIO; GETINO, OCTAVIO; ELAM, JOANN; ALLENDE, SALVADOR; BIRRI, FERNANDO; HURWITZ, LEO; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936); FINALLY GOT THE NEWS (US, League of Revolutionary Black Workers, 1970); NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976); SANRIZUKA: DAINI TORIDE NO HITOBITO (JA, Shinsuke Ogawa, 1971); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); WAVES OF REVOLUTION (II, Arnaud Patwardhan, 1975); HABLANDO DEL PUNTO CUBANO (CU, Octavio Cortazar, 1972); POR PRIMERA VEZ (CU, Octavio Cortazar, 1967); NOW (CU, Santiago Alvarez, 1965); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); RAPE (US, JoAnn Elam, 1975); KRIEG DER MUMIEN, DER (GE, Walter Heynowski & Gerhard Scheumann, 1974); SPANISH EARTH, THE (US, Joris Ivens, 1937)
Summary: "This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'" -- AMAZON BOOKS
Notes: Includes bibliographies and indexes
ISBN: 0810822172 (pbk.); 0810817063
LON: 84005603; 3178777
Contents: Introduction: why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries / Thomas Waugh; Part 1: Pioneers -- "Cinema Weekly" and "Cinema Truth": Dziga Vertov and the Leninist Proportion / Seth Feldman -- Esther Shub: Film as a historical discourse / Vlada Petric -- Workers' newsreels in Germany, the Netherlands, and Japan during the Twenties and Thirties / Bert Hogenkamp -- Radical documentary in the United States, 1930-1942 / Russell Campbell -- The Communist Party and La Vie est a nous: document and fiction, poetics and politics / Daniel Serceau -- Joris Iven's The Spanish Earth: committed documentary and the popular front / Thomas Waugh --; Part 2: Contemporaries: The West -- Newsreel, 1967-1972: film and revolution / Bill Nichols -- Finally Got the News: the making of a radical documentary / Dan Georgakas -- French radical documentary after May 1968 / Guy Hennebelle -- Brecht in Britain: The Nightcleaners and the independent political film / Claire Johnston and Paul Willemen -- Theory and practice of the realist documentary form in Harlan County, U.S.A. / E. Ann Kaplan -- Feminist documentary: aesthetics and politics / Julia Lesage -- Talking about our lives and experiences: some thoughts about feminism, documentary, and "talking heads" / Barbara Halpern Martineau -- Shinsuke Ogawa's Peasants of the Second Fortress: guerrilla documentary in Japan / Joan Braderman -- Committed documentary in Quebec: a still-birth? / Real La Rochelle -- The challenge of radical film distribution: Conversations with Toronto's DEC Films Collective / Margaret Cooper -- Forms, politics, makers and contexts: basic issues for a theory of radical political documentary / Chuck Kleinhans --; Part 3: Contemporaries: The Third World -- Democratizing documentary: modes of address in the Latin American cinema, 1958-72 / Julianne Burton -- Santiago Alvarez: Cine-agitator for the Cuban Revolution and the Third World / John Hess -- Democracy as participation: the Battle of Chile / Victor Wallis and John D. Barlow -- Children of Vertov in the land of Brecht / Pierre Veronneau -- Notes and questions on political cinema: from Hours of the Furnaces to Ici et ailleurs / Steve Neale -- The guerrilla film, underground and in exile: a critique and a case study of Waves of Revolution / Anand Patwardhan -- The Sandinista documentary: a historical contextualization / John Ramirez
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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SHUT UP AND SING (US, Barbara Kopple and Cecilia Peck, 2006)
ID2: 82

Call No: 81STA MAD
Author: Madsen, Axel
Edition: 1st ed
Place: New York
Publisher: HarperCollins Publishers
PubDate: 1994
PhysDes: x, 434 p. : ill. ; 25 cm
Subject: Stanwyck, Barbara; CAPRA, FRANK
Notes: Filmography: p. [395]-416; Includes bibliographical references (p. [387]-393) and index
ISBN: 006017997X : $25.00 ($33.50 Can.)
LON: 93047984; 10679162

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: Stanwyck, Barbara

Call No: 81STA SMI
Author: Smith, Ella
Edition: 1st updated ed
Place: New York
Publisher: Crown Publishers
PubDate: 1985
PhysDes: 370 p. : ill. ; 28 cm
Subject: Stanwyck, Barbara
Notes: Includes index; Filmography: p. 354-363
ISBN: 0517556952
LON: 84020051; 3665012

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: STEPHENS, BARBARA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Study guide
Subject: STILL POINT, THE (AT, Barbara Boyd-Anderson, 1985)

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: P THR
Place: [Melbourne]
PubDate: 1974?
PhysDes: 1 poster : b&w ; 46 x 64 cm
Subject: POINT OF DEPARTURE, A (Don McLennan, 1974); HOMOSEXUALITY: A FILM FOR DISCUSSION (AT, Barbara Creed, 1974); URKISH BATHS (AT, Maya Frankel, 1974?)
Summary: Image: a still from each film Text: short blurb for each film
Notes: Handwritten note at top of poster in green marker: "Co-op cinema 4th-16th Nov. 10pm"

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: [THREE HUNDRED AND SIXTY FIVE] 365 DAYS [365 DNI] (PL, Barbara Bialowas/Tomasz Mandes, 2020)
Cross Reference: 365 DNI [THREE HUNDRED AND SIXTY FIVE DAYS] (PL, Barbara Bialowas/Tomasz Mandes, 2020)

Call No: REFERENCE SECTION; 058 INT "1993"
Author: Cowie, Peter
Place: London Hollywood
Publisher: Andre Deutsch Samuel French
PubDate: c1993
PhysDes: 528 p. : ill. (some col.), ports. ; 21 cm
Subject: IRAN; FESTIVALS. LONDON; COPRODUCTION; BURNS, KEN; MORRIS, ERROL; KOPPLE, BARBARA
Notes: Includes index to advertisers
ISBN: 0233988076
LON: 9998706

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: WALTERS, BARBARA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WANDA (US, Barbara Loden, 1970)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 9 x 14 - 21 x 26 cm
Subject: SZEPS, HENRI; STEPHENS, BARBARA; WARMING UP (AT, Bruce Best, 1984)
Summary: 4 black and white photos showing scenes from 'Warming Up'
ID2: 232

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WELCOME TO THE WAKS FAMILY (AT, Barbara A. Chobocky, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WELCOME TO THIS HOUSE (US/BL/CN, Barbara Hammer, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WHARFIES, THE (AT, Barbara Boyd-Anderson, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WILD MAN BLUES (US, Barbara Kopple, 1997)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WINDSOR, BARBARA

Call No: NEW HOLDINGS SHELVES; 722-02KOW
Author: Kowalski, Rosemary Ribich
Source: US
Place: Metuchen, NJ
Publisher: Scarecrow Press
PubDate: 1979
PhysDes: ix, 278 p. ; 23 cm
Subject: WOMEN AND THE CINEMA; ARZNER, DOROTHY; BOW, CLARA; BROOKS, LOUISE; CLARKE, SHIRLEY; DAVIS, ANDREW; DEREN, MAYA; FONDA, JANE; GARBO, GRETA; GARLAND, JUDY; GISH, LILLIAN; HAYES, HELEN; HARLOW, JEAN; HEPBURN, KATHARINE; HORNE, LENA; KAEL, PAULINE; KAPLAN, NELLY; KELLY, GRACE; LEIGH, VIVIEN; LITTLEWOOD, JOAN; LODEN, BARBARA; LOOS, ANITA; LOREN, SOPHIA; LOVE, BESSIE; Lupino, Ida; MCDANIEL, HATTIE; MANSFIELD, JAYNE; MEYER, RUSS; MICHELSON, ANNETTE; MINNELLI, LIZA; MONROE, MARILYN; MOORE, COLLEEN; MOOREHEAD, AGNES; MOREAU, JEANNE; NEGRI, POLA; NELSON, GUNVOR; PERRY, ELEANOR; PICKFORD, MARY; REICHERT, JULIA; RIEFENSTAHL, LENI; ROGERS, GINGER; ROTHSCHILD, AMALIE R.; SCHLONDORFF, VOLKER; SONTAG, SUSAN; SWANSON, GLORIA; TAYLOR, ELIZABETH; VARDA, AGNES; WEBER, LOIS; WEILL, CLAUDIA; WEST, MAE
Notes: Includes index
ISBN: 0810809745

Call No: 626[396] JUH
Author: Juhasz, Alexandra
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: c2001
PhysDes: xiii, 343 p. : ill. ; 27 cm.
Series: Visible evidence ; v. 9
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; BOWSER, PEARL; SCHEEMANN, CAROLEE; HAMMER, BARBARA; HORSEFIELD, KATE; CAPLES, MARGARET; REICHERT, JULIA; CITRON, MICHELLE; GREEN, VANALYNE; PENLEY, CONSTANCE; MOGUL, SUSAN; LEIGH, CAROL; MOHAMMED, JUANITA; QUINN, WENDY; VESNA, VICTORIA; SOE, VALERIE; WELBON, YVONNE; NEGRON-MUNTANER, FRANCES; DUNYE, CHERYL; OISHI, EVE; CUNNINGHAM, MEGAN
Summary: "Alexandra Juhasz asked twenty-one women to tell their stories - women whose names make up a who's who (and who will be) of independent and experimental film and video. What emerged in the resulting conversations is a compelling (and previously underdocumented) history of feminism and feminist film and video, from its origins in the fifties and sixties to its apex in the seventies, to today." "Women of Vision is a companion piece to Juhasz's 1998 documentary of the same name. The book presents the complete interviews, allowing readers to hear directly the voices of these articulate, passionate women in an interactive remembering of feminist media history. Juhasz's introduction provides a historical, theoretical, and aesthetic context for the interviews." "Interviewees include: Pearl Bowser; Margaret Caples; Michelle Citron; Megan Cunningham; Cheryl Dunye; Vanalyne Green; Barbara Hammer; Kate Horsfield; Carol Leigh; Susan Mogul; Juanita Mohammed; Frances Negron-Muntaner; Eve Oishi; Constance Penley; Wendy Quinn; Julia Reichert; Carolee Scheemann; Valerie Soe; Victoria Vesna; and Yvonne Welbon."--BOOK JACKET.
Notes: Includes bibliographical references (p. 331-339)
ISBN: 081663372X

Call No: 771-02 WOM
Author: Blaetz, Robin
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2007
PhysDes: viii, 421 p. : ill., ports. ; 24 cm
Subject: WOMEN, FILMS MADE BY; WOMEN, FILMS FOR; EXPERIMENTAL FILMS; CRITICISM; BLAETZ, ROBIN; RAGONA, MELISSA; ARTHUR, PAUL; MENKEN, MARIE; WIELAND, JOYCE; HOLMLUND, CHRIS; NELSON, GUNVOR; CARROLL, NOEL; SERRA, M.M; RAMEY, KATHRYN; SCHNEEMANN, CAROLEE; OSTERWEIL, ARA; RUBIN, BARBARA; HALLER, ROBERT; GREENFIELD, AMY; KLEINHANS, CHUCK; HAMMER, BARBARA; PRAMAGGIORE, MARIA; STRAND, CHICK; KELLER, MARJORIE; DOANE, MARY ANN; THORNTON, LESLIE; TURIM, MAUREEN; CHILD, ABIGAIL; WEES, WILLIAM C; CUTLER, JANET; FRIEDRICH, SU; MCHUGH, KATHLEEN; MACDONALD, SCOTT
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780822340447
Contents: Swing and sway / Melissa Ragona -- Different/same/both/neither / Paul Arthur -- Excavating visual fields, layering auditory frames / Chris Holmlund -- Moving and moving / Noel Carroll -- Eye/body / M. M. Serra and Kathryn Ramey -- 'Absently enchanted' / Ara Osterweil -- Amy Greenfield / Robert A. Haller -- Barbara Hammer / Chuck Kleinhans -- Chick Strand's experimental ethnography / Maria Pramaggiore -- Amnesis time / Robin Blaetz -- In the ruins of the image / Mary Ann Doane -- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim -- Peggy's playhouse / William C. Wees -- Su Friedrich / Janet Cutler -- The experimental 'dunyementary' / Kathleen McHugh -- Women's experimental cinema / Scott MacDonald.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/25768' Checked: 31/08/2021 1:18:26 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YENTL (US, Barbara Streisand, 1983)

PhysDes: Article
Subject: YENTL (US, Barbara Streisand, 1983); STREISAND, BARBRA; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Article on the commencement of filming for 'Yentl', as well a a brief synopsis and history of the film.

Call No: CRAWFORD STILL YOU
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 34 photographs : b&w ; 17 x 26 cm - 21 x 26 cm + 8 slides : col. + 6 transparencies : col. 120 mm
Subject: LAZAREFF, SERGE; HARGREAVES, JOHN; BEHETS, BRIONY; HACKFORTH-JONES, PENNE; NEWBOULD, JULIEANNE; MULLINAR, ROD; GORDON, VIC; LLEWELLYN, BARBARA; AMOR, CHRISTINE; HEWETT, COLLEEN; HUNTER, BILL; BUCHANAN, MILES; CRAIG, DIANE; HOWITT, LOUISE; GULPILIL, DAVID; YOUNG RAMSAY [TV] (AT, 1977-79)
Summary: Photographs and slides relating to series 1 and series 2 of 'Young Ramsay'
Notes: Arranged by series and record type.
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ZEIT EINER MUTTER - CZAS MATKI (GW, Barbara Lipinska-Leidinger, 1980?)