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127 HOURS : (UK/US, Danny Boyle, 2010)
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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AFL INSIDER : (AT, 2010-)
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AINT IN IT FOR MY HEALTH: A FILM ABOUT LEVON HELM : (US, Jacob Hatley, 2010)
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ALICE IN WONDERLAND : (US, Tim Burton, 2010) Digital clippings file available
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Alice, queen of hearts : a new exhibition introduces us to the breadth of Lewis Carroll's cultural legacy in Weekend Australian [Review] (31/3/2018) p.1
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AMERICAN, THE : (US, Anton Corbijn, 2010)
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AMOURS IMAGINAIRES, LES : (CA, Xavier Dolan, 2010)
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ANGELE ET TONY : (FR, Alix Delaporte, 2010)
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ANGELS IN NEW YORK [TV] : (AT, 2010)
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ANOTHER YEAR : (UK, Mike Leigh, 2010)
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ANTON CHEKHOV'S THE DUEL : (US, Dover Koshashvili, 2010)
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Apocalypse in Australian fiction and film : a critical study / by Roslyn Weaver Jefferson, N.C.: McFarland & Company Inc., c2011.
Call No: 408.1(94) WEAAuthor: Weaver, Roslyn Source: USPlace: Jefferson, N.C.Publisher: McFarland & Company Inc.PubDate: c2011PhysDes: x, 230 p. : ill., maps ; 23 cmSeries: Critical explorations in science fiction and fantasy ; 28Subject: APOCALYPSE IN FILMS ; DISASTERS IN FILMS ; SCIENCE-FICTION FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MAD MAX [...] (AT, 1979-85) ; TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010) Summary: "This volume explores the role of Australia in apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse undermines complacency, foretells environmental disasters, critiques colonization, and serves as a vehicle of protest for minority groups"--Provided by publisherNotes: Includes bibliographic references and indexISBN: 978-0-7864-6051-9Contents: 1. An apocalyptic map: new worlds and the colonization of Australia -- 2. The shield of distance: apocalypse in Australian literature after 1945 -- 3. An apocalyptic landscape: the Mad max films -- 4. Children of the apocalypse: Australian children's literature -- 5. (Re)writing the end of the world: apocalypse, race and indigenous literature -- 6. The end of the human: apocalypse, cyberpunk and the Parrish Plessis novelsID2: 189
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ARBOR, THE : (UK, Clio Barnard, 2010)
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ARCTIC BLAST : (CN, Brian Trenchard-Smith, 2010)
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ARGUES, THE : (AT, Mark Hembrow, 2010)
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ARNACOEUR, L' : (FR/MC, Pascal Chaumeil, 2010)
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Art + soul : a journey into the world of Aboriginal art / Hetti Perkins Carlton, Victoria: Miegunyah Press, 2010.
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ART + SOUL [TV] : (AT, Warwick Thornton, 2010)
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ATTENBERG : (GR, Athina Rachel Tsangari, 2010)
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AURORA : (RM/FR/SZ/GG, Cristi Puiu, 2010)
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AUSTRALIA. 2010
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AUSTRALIA VERSUS [TV] : (AT, 2010)
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Australian animation : an international history / Dan Torre & Lienors Torre Cham, Switzerland: Palgrave Macmillan,
Call No: 246(94) TORAuthor: Torre, Dan ; Torre, Lienors Edition: 2018Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPhysDes: xii, 260 pages : illustrated ; 22 cmSubject: ANIMATED FILMS. AUSTRALIA ; ANIMATION. AUSTRALIA ; FELIX THE CAT ; PORTER, ERIC ; HANNA-BARBERA ; MCLAREN ANGUS ; PETTY, BRUCE ; STITT, ALEX ; TUPICOFF, DENNIS ; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972) ; DOT AND THE KANGAROO (AT, Yoram Goss, 1977) ; GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981) ; LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010) Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web siteISBN: 9783319954912
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018.
Call No: 753.5 MSCAuthor: McSweeney, Terence Source: US/UKPlace: LondonPublisher: Wallflower Press published by Columbia University PressPubDate: c2018PhysDes: vii, 310 pages : illustrations ; 24 cmSubject: SUPERHEROES IN FILMS ; HEROS IN FILMS ; COMIC STRIP CHARACTERS IN FILMS ; CRITICISM ; MARVEL ENTERTAINMENT ; IRON MAN (US, Jon Favreau, 2008) ; IRON MAN 2 (US, Jon Favreau, 2010) ; THOR (US, Kenneth Branagh, 2011) ; INCREDIBLE HULK, THE (US, Louis Leterrier, 2008) ; CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011) ; AVENGERS, THE (US, Joss Whedon, 2012) ; IRON MAN 3 (US/CN, Shane Black, 2013) ; THOR: THE DARK WORLD (US, Alan Taylor, 2013) ; CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014) ; GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014) ; ANT-MAN (US, Peyton Reed, 2015) ; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015) ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9780231186254Donation: Senses of CinemaContents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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BACIAMI ANCORA : (IT/FR, Gabriele Muccino, 2010)
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BACK-UP PLAN, THE : (US, Alan Poul, 2010)
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BAD BEHAVIOUR : (AT, Joseph Sims, 2010)
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BALLAD OF DES AND MO : (AT, James Fair, 2010)
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BARNEY'S VERSION : (CN/IT, Richard J Lewis, 2010)
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BE STILL LIFE : (US, Michael Harrell & Phil Harrell, 2010)
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BEAUTIFUL : (AT, Genevieve Clay, 2010)
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BEBE(S) = BABIES : (FR, Thomas Balmes, 2010)
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BEGINNERS : (US, Mike Mills, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BEGINNERS (US, Mike Mills, 2010) URL status: URL: 'http://file://Q:/T/BEGINNERS.zip'
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BEIJING TAXI : (US, Miao Wang, 2010)
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BELLE JOURNEE, LA : (FR, Ginette Lavigne, 2010)
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BELLE VISITE, LA : (CN, Jean-Francois Caissy, 2010)
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BEN LEE: CATCH MY DISEASE : AT, Amiel Courtin-Wilson, 2010
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BENDA BILILI : (FR, Renaud Barret/Florent de La Tullaye, 2010)
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BENEATH HILL 60 : (AT, Jeremy Sims, 2010)
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Beneath hill 60 / written by David Roach AT: c2010.
Call No: S BENAuthor: Roach, David Edition: final shooting draft, with German translationsPlace: ATPubDate: c2010PhysDes: 110 leavesSubject: BENEATH HILL 60 (AT, Jeremy Sims, 2010) Notes: Unpublished script -- Donated by AFI -- Final shooting draft -- Credit: director, Jeremy Sims ; producer, Bill Leimbach ; co-producers, David Roach & Jeremy Sims ; production company, The Silence Productions 2008-2010, Two Heads Media ; in association with Sceren NSW, Screen QLD, Lucky Country Productions and The Silence Productions, Intandem Films UK.
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[Beneath hill 60 : poster] AT:
Call No: P BENPlace: ATPhysDes: 1 poster : col. ; 100 x 70 cm.Subject: BENEATH HILL 60 (AT, Jeremy Sims, 2010) Summary: Image: A group of muddy soldiers in WWI costume; above the horizon head shots of a woman and two men. Text: 'After Gallipoli there was still a war to be won.' Beneath the title: 'Based on an extraordinary true story'Notes: Double-sided, image mirrored on versoID2: 44
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BEWARE THE GONZO : (US, Bryan Goluboff, 2010) Digital clippings file available
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BILL CUNNINGHAM NEW YORK : (US/FR, Richard Press, 2010)
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BIUTIFUL : (MX/SP, Alejandro Inarritu, 2010)
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BLACK SWAN : (US, Darren Aronofsky, 2010)
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BLESSED MARY: A SAINT FOR ALL AUSTRALIANS [TV] : (AT, Serge Ou, 2010)
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BLUE VALENTINE : (US, Derek Cianfrance, 2010)
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BOARDWALK EMPIRE [TV] : US, 2010-?
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BOOK OF ELI, THE : (US, Albert Hughes/Allen Hughes, 2010)
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BOUNTY HUNTER, THE : (US, Andy Tennant, 2010)
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A BOUT PORTANT : (FR, Fred Cavaye, 2010)
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BOXING FOR PALM ISLAND : (AT, Adrian Wills, 2010)
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BOY : (NZ, Taika Waititi, 2010)
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Breakthrough sitcom renews an old format in The Australian [Arts & Entertainment] (4/09/2015) p.17
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BRIAN ENO: ANOTHER GREEN WORLD : (UK, Nicola Roberts, 2010)
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BRING 'EM BACK : (AT, Phillip Donnellon, 2010)
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BRING ME THE HEAD OF RAFAELLO CARBONI! : (AT, Simon Strong, 2010)
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BURIED : (SP, Rodrigo Cortes, 2010)
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BURKE AND HARE : (UK, John Landis, 2010)
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BUTTERFLY CRUSH : (AT, Alan Clay, 2010)
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Butterfly crush and the dreamguides / by Alan Clay New Zealand: 2009.
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[Butterfly crush: poster] : an exciting new Kiwi film New Zealand: 2010?.
Call No: P BUTPlace: New ZealandPubDate: 2010?PhysDes: 5 posters : colour ; 60 x 84 cmSubject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010) Summary: Image: Top third of poster is a photo of two female singers. The rest of the poster shows various photos of the cast.
Text: "A modern love story set against the backdrop of the Sydney music industry, where the villains are members of a Kings Cross cult, into astrology and vrtual dreaming."
Text: "music, cute boys and a whole lotta intrigue - Girlfriend magazine"
Text: "On the brink of fame, a song and dance duos' chance of succes is in jeopardy, when one joins the Dreamguides cult and her friend mus risk everything to rescue her."Notes: Five copies.
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CAIRO 678 : (UA, Mohamed Diab, 2010)
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CARLOS : (FR/G, Olivier Assayas, 2010)
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CATFISH : (US, Ariel Schulman/Henry Joost, 2010) Digital clippings file available
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CAUGHT INSIDE : (US, ADAM BLAIKLOCK, 2010)
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CAVE OF FORGOTTEN DREAMS : (CN/US/FR/G/UK, Werner Herzog, 2010)
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CEMETERY JUNCTION : (UK, Ricky Gervais & Stephen Merchant, 2010)
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CENTURION : (UK, Neil Marshall, 2010) Digital clippings file available
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CHEAP THRILLS [TV] : (AT, 2010)
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Christopher Nolan : A critical study of the films / Darren Mooney Jefferson, North Carolina: McFarland & Company Inc., Publishers, 2018.
Call No: 81 NOL MOOAuthor: Mooney, Darren Place: Jefferson, North CarolinaPublisher: McFarland & Company Inc., PublishersPubDate: 2018PhysDes: v, 212 pages ; 26 cm.Subject: NOLAN, CHRISTOPHER ; FOLLOWING (UK, Christopher Nolan, 1998) ; MEMENTO (US, Christopher Nolan, 2000) ; INSOMNIA (US, Christopher Nolan, 2002) ; BATMAN BEGINS (US, Christopher Nolan, 2005) ; PRESTIGE, THE (US/UK, Christopher Nolan, 2006) ; DARK KNIGHT, THE (US, Christopher Nolan, 2008) ; INCEPTION (US, Christopher Nolan, 2010) ; DARK KNIGHT RISES, THE (US/UK, Christopher Nolan, 2012) ; INTERSTELLAR (US, Christopher Nolan, 2014) ; DUNKIRK (UK/NE/FR/US, Christopher Nolan, 2017) Summary: "Christopher Nolan is one of the defining directors of the 21st century. His films have a rare ability to transcend audience expectations, ranging from gritty crime thrillers to spectacular blockbusters. They push the boundaries of possibility. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur"Notes: Includes bibliographical references and indexISBN: 9781476674803Contents: Following -- Memento -- Insomnia -- Batman Begins -- The Rrestige -- The Dark Knight -- Inception -- The Dark Knight Rises -- Interstellar -- Dunkirk
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CHRONICLES OF NARNIA, THE: THE VOYAGE OF THE DAWN TREADER : (AT, Michael Apted, 2010)
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Cinema between media : an intermediality approach / Jorgen Bruhn and Anne Gjelsvik Edinburgh: Edinburgh University Press, 2018.
Call No: 63 CINAuthor: Bruhn, Jorgen ; Gjelsvik, Anne Edition: 2018Place: EdinburghPublisher: Edinburgh University PressPubDate: 2018PhysDes: vi, 154 pages : illustrated ; 24 cmSubject: CITIZEN KANE (US, Orson Welles, 1941) ; BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) (US, Alejandro G. Inarritu, 2014) ; LOUDER THAN BOMBS (NO/FR/US/DK, Joachim Trier, 2015) ; MARIA LARSSON'S EVIGA OGONBLICK (SW, Jan Troell, 2008) ; HOWL (US, Rob Epstein/Jeffrey Friedman, 2010) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) ; CHASING ICE (US, Jeff Orlowski, 2012) ; ICE AND THE SKY [GLACE ET LE CIEL, LA] (FR, Luc Jacquet, 2015) Summary: Cinema has always been a mixed medium, sharing its basic form with photography, borrowing heavily from performing arts and the novel, and combining medialities like painting and music. But although it could be argued that cinema is the intermedial art form par excellence, this insight has not affected film analysis as much as might be expected. Seeking to change our perceptions of cinema as a medium, Cinema Between Media draws on case studies of films like Zero Dark Thirty, Citizen Kane, Howl and Birdman to rethink cinema as an aesthetic form, and to raise new ideas about the practice of film analysis. -- publisher's web siteISBN: 9781474429023Contents: Preface -- Chapter 1: Introduction Cinema Between Media -- Chapter 2: Media behind the Scene: Orson Welles’s Citizen Kane -- Chapter 3: Cinematic Theatre: Alejandro G. Inárritu’s Birdman -- Chapter 4: A Novelist on Film? Joachim Trier’s Louder Than Bombs -- Chapter 5: Between Cinema and Photography: Jan Troell’s Eternal Moments -- Chapter 6: Mixing senses and media: Epstein and Friedman’s Howl. -- Chapter 7: Surveilling Media: Kathryn Bigelow’s Zero Dark Thirty. -- Chapter 8: Cinematic representations of a "super wicked problem": climate change in documentary film (Ice and the Sky and Chasing Ice) -- Chapter 9: Conclusion -- List of illustrations -- Film references -- Bibliography -- Index
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Cinematic Ethics : exploring ethical experience through film / Robert Sinnerbrink London ; New York: Routledge, 2016.
Call No: 409 SINAuthor: Sinnerbrink, Robert Source: UK/USPlace: London ; New YorkPublisher: RoutledgePubDate: 2016PhysDes: xiii, 216 pages ; 24 cmSubject: ETHICS IN FILMS ; ETHICS AND THE CINEMA ; PHILOSOPHY AND THE CINEMA ; THEORY ; STELLA DALLAS (US, King Vidor, 1937) ; TALK TO HER (SP, Pedro Almodovar, 2002)
SEE
HABLE CON ELLA ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; BIUTIFUL (MX/SP, Alejandro Inarritu, 2010) Summary: " How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Can movies 'do ethics'? Cinema Ethics : Exploring Ethical Experiences through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional engagement and philosophical thinking. In a clear and engaging manner, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics. " -- BOOK BLURBNotes: Includes bibliographical references, index and filmographyISBN: 9781138826168Contents: -- list of figures -- preface -- overview of this book -- part I --Cinema and/as ethics -- 1: Cinematic ethics: Film as a medium of ethical experience -- part II -- Philosophical approaches to cinematic ethics -- 2: From scepticism to moral perfectionism (Cavell) -- 3: From cinematic belief to ethics and politics (Deleuze) -- 4: Cinempathy: phenomenology, cognitivism, and moving images -- part III Performing cinematic ethics -- 5: The moral melodrama (Stella Dallas, Talk to Her) -- 6: Melodrama, realism, and ethical experience (Biutiful, The Promise) -- 7.Gangster film: Cinematic ethics in The Act of Killing -- conclusion -- appendix 1 -- appendix 2 -- index --
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CIRCLE, THE [TV] : (AT, 2010 - 2012)
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CIVIC LIFE : (UK, Christine Molloy/Joe Lawlor, 2003-2010)
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CLASH OF THE TITANS : (UK/US, Louis Leterrier, 2010)
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CLOCK , THE : (UK, Christian Marclay, 2010)
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CLUSTER : (NE/US/UK, Zachary M. Newmark, 2010) Digital clippings file available
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The Coen brothers : this book really ties the films together / by Adam Nayman New York: Abrams Books, 2018.
Call No: 81 COE NAYAuthor: Nayman, Adam Source: USPlace: New YorkPublisher: Abrams BooksPubDate: 2018PhysDes: 320 pages : illustrations (some colour) ; 32 cmSubject: COEN, JOEL & ETHAN ; BLOOD SIMPLE (US, Joel Coen, 1984) ; RAISING ARIZONA (US, Joel Coen, 1987) ; MILLER'S CROSSING (US, Joel Cohen, 1990) ; BARTON FINK (US, Joel Cohen, 1991) ; HUDSUCKER PROXY, THE (US, Joel Coen, 1994) ; FARGO (US, Ethan Coen, 1996) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001) ; INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003) ; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004) ; NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007) ; BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008) ; SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009) ; TRUE GRIT (US, Coen Brothers, 2010) ; HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016) Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.Notes: Includes bibliographical references.ISBN: 9781419727405Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography
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Commercial interests : three Gruen-teers make a welcome return to the small screen to examine the world of advertising in Weekend Australian [Review] (5/9/2015) p.23
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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COMPANY MEN, THE : (UK/US, John Wells, 2010)
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Confidential : a phoenix of Asher's in Herald Sun (04/08/2016) p.22
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CONVICTION : (US, Tony Goldwyn, 2010)
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COOL IT : (US, Ondi Timoner, 2010)
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COP OUT : (US, Kevin Smith, 2010)
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COPIE CONFORME : (FR/IT/IR, Abbas Kiarostami, 2010)
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COPS LAC [TV] : (AT, 2010)
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Creativity, culture, commerce : producing Australian childen's televison with public value / Anna Potter Bristol ; Chicago: Intellect, 2015.
Call No: 722-053.2(94) POTAuthor: Potter, Anna Edition: 2015Place: Bristol ; ChicagoPublisher: IntellectPubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: CHILDREN, PROGRAMMES FOR. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012) ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; BRITISH BROADCASTING CORPORATION ; IRWIN, BINDI ; DANCE ACADEMY [TV] (AT, 2010) ; DISNEY CHANNEL ; GURLS WURLD, A [TV](AT/G/SI, 2011) ; H [TWO OH] 2O [TV] (AT, 2006-) ; HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007) ; MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ) ; MY PLACE [TV] (AT, Kim Daiton, 2009) ; SCREEN AUSTRALIA Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web siteISBN: 9781783204410Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index
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CRIME D'AMOUR : FR, Alain Corneau, 2010
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CROOK : II, Mohit Suri, 2010
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CYBER SIN : (AT, Matt Inglis, 2010)
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DANCE ACADEMY [TV] : (AT, 2010)
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Dance Sisters / Alan Clay [Surry Hills, N.S.W.]: Artmedia, 1997.
Call No: N79 BUT CLAAuthor: Clay, Alan Source: ATPlace: [Surry Hills, N.S.W.]Publisher: ArtmediaPubDate: 1997PhysDes: 294 pages ; 20 cmSubject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010) Summary: "A female song and dance trio threatens to self-destruct on the brink of fame, when its leader becomes involved with a manipulative cult, touting sex, astrology and virtual dreaming" -Book blurbISBN: 0646302671
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Dancing onto the big screen in Sun Herald [Inside Out] (2/04/2017) p.1
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Dancing with the Prime Minister in Studies in Australasian cinema (2008) vol.2 iss.1 p.5-13
Author: Cole, Anna PhysDes: ArticleSubject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; AUSTRALIA ; DANCING WITH THE PRIME MINISTER (AT, Lara Cole, 2010) Summary: This article reflects on the process of making a preview for a proposed one-hour documentary film about the first national Aboriginal debutante ball, held to celebrate the 1967 referendum. Forty years after the event, an indigenous and non-indigenous cast and crew explore the memories and life stories of those women who debuted in front of the prime minister of Australia in 1968. In doing so the film, and the making of it, moves from the genocidal fantasy of extermination masquerading as assimilation, into the heart of the complexities of survival and identity in contemporary Australia.--Abstract
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Darren Aronofsky’s Films and the Fragility of Hope / Jadranka Skorin-Kapov New York: Bloomsbury, 2016. Available at ProQuest (RMIT login required)
Call No: 81 ARO SKOAuthor: Skorin-Kapov, Jadranka Edition: 2016Place: London; New YorkPublisher: BloomsburyPubDate: 2016PhysDes: xxxii, 184 p. : illus. ; 24 cmSubject: ARONOFSKY, DARREN ; PI (US, Darren Aronosky, 1998) ; REQUIEM FOR A DREAM (US, Darren Aronofsky, 2000) ; FOUNTAIN, THE (US, Darren Aronofsky, 2006) ; WRESTLER, THE (US, Darren Aronofsky, 2008) ; BLACK SWAN (US, Darren Aronofsky, 2010) ; NOAH (US, Darren Aronofsky, 2014) Summary: Darren Aronofsky's Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including Pi (1998), Requiem for a Dream (2000), The Fountain (2006), The Wrestler (2008), Black Swan (2010), and Noah (2014), Aronofsky's filmography is discussed with respect to his style and the themes of his films, making astute connections with the work of other directors, other movies and works of art, and connecting his films with other disciplines such as math, philosophy, psychology, and art history.
Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an individual voice, working on both independent productions and big-budget Hollywood films. Aronofsky is revealed to be a philosopher's director, considering the themes of life and death, addiction and obsession, sacrifice, and the fragility of hope. Skorin-Kapov discusses his ability to visually present challenging intersections between art and philosophy. Concluding with a transcript of a conversation between the author and Aronofsky himself, Darren Aronofsky's Films and the Fragility of Hope is a much-needed study on this American auteur.ISBN: 9781501306976Contents: Introduction
1. Pi: Is Mathematics “the Language of Nature”?
2. Requiem for a Dream: Addiction and Broken Dreams
3. The Fountain: Death and the Authenticity of Existence
4. The Wrestler: Melodrama and the Gift of Death
5. Black Swan: Limit Experience and Artistic Perfection
6. Noah: Responsibility, Love, and the Moment of Choice
7. Aronofsky's Themes and Auteur's Signature
Appendix: Conversation with Aronofsky
Notes
Bibliography
Index
ReviewsURL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=4000419'
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DATE NIGHT : (US, Shawn Levy, 2010)
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DAY AT THE OASIS, A : (AT, Tim Lethbridge, 2010)
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DCI BANKS[TV] : (UK, 2010-)
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DEAR JOHN : (US, Lasse Hallstrom, 2010)
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The debt / Screenplay by Matthew Vaughan & Jane Goldman and Peter Straughan US: [2009].
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DEBT, THE : (US, John Madden, 2010)
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DEEPER THAN YESTERDAY : (AT, Ariel Kleiman, 2010)
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Defying gravity in Australian Cinematographer (September 2016) iss.71 p.40 - 51
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DESPICABLE ME : (US, Pierre Coffin/Chris Renaud, 2010)
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DEUX DE LA VAGUE : (FR, Emmanuel Laurent, 2010)
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DEVIL : (US, John Erick Dowdle, 2010)
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DI RENJIE : (CC/HK, Hark Tsui, 2010)
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DIARY OF A WIMPY KID : (US, Thor Freudenthal, 2010)
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DINNER FOR SCHMUCKS : (US, Jay Roach, 2010)
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DISAPPEARANCE OF ALICE CREED, THE : (UK, J Blakeson, 2010)
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Documentary and disability / Edited by Catalin Brylla and Helen Hughes London: Palgrave Macmilan, 2017.
Call No: 747.77 DOCAuthor: Brylla, Catalin ; Hughes, Helen Source: UKPlace: LondonPublisher: Palgrave MacmilanPubDate: 2017PhysDes: xv, 300 pages : colour illustrations ; 22 cmSubject: AESTHETICS ; PEOPLE WITH DISABILITIES IN FILMS ; PEOPLE WITH DISABILITIES IN FILMS ; PEOPLE WITH DISABILITIES, FILMS FOR ; PEOPLE WITH DISABILITIES AND THE CINEMA ; ORCHIDS (AT, Phoebe Hart, 2010) Summary: This edited collection of contributions from media scholars, film practitioners and film historians connects the vibrant fields of documentary and disability studies. Documentary film has not only played an historical role in the social construction of disability but continues to be a strong force for expression, inclusion and activism. Offering essays on the interpretation and conception of a wide variety of documentary formats, Documentary and Disability reveals a rich set of resources on subjects as diverse as Thomas Quasthoff’s opera performances, Tourette syndrome in the developing world, queer approaches to sexual functionality, Channel 4 disability sports broadcasting, the political meaning of cochlear implant activation, and Christoph’s Schlingensief’s celebrated Freakstars 3000. -- publisher's websiteNotes: Includes bibliographies, filmographies and indexISBN: 9781137598936Contents: Introduction: The Bricolage of Documentary and Disability / Catalin Brylla and Helen Hughes -- Part One: Film Practice -- Not Without Us - Collaborating Across Difference in Documentary Filmmaking / Samuel Avery -- Visual Psychological Anthropology and the Lived Experience of Disability / Annie Tucker and Robert Lemelson-- Valorising Disability on Screen: When did 'Inspirational' Become a Dirty Word? / Veronica Wain -- Spectatorship and Alternative Portrayals of Blindness / Catalin Brylla -- Aberrancy and Autobiographical Documentary / Phoebe Hart -- Part Two: Representation -- Thomas Quasthoff and the Performativity of Disability in Michael Harder's The Dreamer / Anna Drum and Martin Brady -- Rethinking Ability and Disability in the Work of Johan van der Keuken / Hing Tsang -- (Dis)abling the Spectator: Embodying Disability Experience in Animated Documentary / Slava Greenberg -- The Poetics of Touch: Mediating the Reality of Deafblindness in Planet of Snail / Anne-Marie Callus -- Sexual Dissidence and Crip Empowerment in Yes, We Fuck! / Andrea Garcia-Santesmases -- Part Three: Identity, Participation and Exhibition -- Accessing Alternative Ethical Maps of Interdepenent Living in Global Disability Documentary / David T. Mitchell and Sharon L. Snyder -- Interface Productions and Disability Programming for Channel 4: 1984 - 1986 / Tony Steyger and Jamie Clarke -- Disability and the Para-TV Communities of Reality Television / Anita Biressi -- Singing Altogether Now: Unsettling Images of Disability and Experimental Filmic Practices / Robert Stock -- To Document is to Preserve: Moving Pictures and Sign Language / Magdalena Zdrodowska -- Documenting Neuropolitics: Cochlear Implant Activation Videos / Beate Ochsner -- On Andrew Koetting's Mapping Perception / Helen Hughes.
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DOWNTON ABBEY [TV] : (UK, 2010)
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DRUM, THE [TV] : (AT, 2010-)
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DUE DATE : (US, Todd Phillips, 2010)
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DUNNO Y NO JAANE KYUN : (II, Anil Sharma, 2010)
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EASY A : (US, Will Gluck, 2010)
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EASY RIDER: THE RIDE BACK : (US, Dustin Rikert, 2010)
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EAT PRAY LOVE : (US, Ryan Murphy, 2010)
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ECLIPSE : (US, David Slade, 2010)
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EDGE OF DARKNESS : (UK/US, Martin Campbell, 2010)
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EMILY : (AT, Benjamin Mathews, 2010)
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EMOTIFS ANONYMES, LES : (FR/BE, Jean Pierre Ameris, 2010)
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EU CAND VREAU SA FLUIER, FLUIER : (RM/SW, Florin Serban, 2010)
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EXIT THROUGH THE GIFT SHOP : (US/UK, Banksy, 2010)
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EXPORTING RAYMOND : (US/RU, Philip Rosenthal, 2010)
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FACE TO FACE : (AT, Michael Rymer, 2010)
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poster
[Face to face : poster] AT: 2010.
Call No: P FACPlace: ATPubDate: 2010PhysDes: 1 poster : col. ; 100 X 69 cmSubject: FACE TO FACE (AT, Michael Rymer, 2010) Summary: Image: Headshots of characters with blue backgrounds placed around the edges of poster. Poster background colour is white. Film title at the centre of the poster. Text: 'Scratch beneath the surface'; 'From Australia's top dramatist David Williamson and the director of Angel Baby Michael Rymer'; '"An amazing piece of cinema... rivieting, thought-provoking. transformative" Michael Moore'.
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FAIR GAME : (US, Doug Liman, 2010)
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FAMILIE, EN : (DK, Pernille Fischer Christensen, 2010)
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FAMILY CONFIDENTIAL [TV] : (AT, 2010-2014)
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FASTER : (US, George A. Tillman, 2010)
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FAT SICK AND NEARLY DEAD : (AT, Joe Cross, Kurt Engfehr, 2010)
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FIGHTER, THE : (US, David O Russell, 2010)
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FILM SOCIALISME : (SZ/FR, Jean -Luc Godard, 2010)
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book
Filming the body in crisis : trauma, healing and hopefulness / Davina Quinlivan Basingstoke [England]: Palgrave Macmillan,
Call No: 10268Author: Quinlivan, Davina Edition: 2015Place: Basingstoke [England]Publisher: Palgrave MacmillanPhysDes: x, 188 p. : illus. ; 22 cmSubject: PSYCHOLOGY AND THE CINEMA ; WALTZ WITH BASHIR (IS/G/FR, Ari Forman, 2008) ; ABRAZOS ROTOS, LOS (SP, Pedro Almodovar, 2009) ; FELICIA'S JOURNEY (UK/CN, Atom Egoyan, 1999) ; TREE OF LIFE, THE (US, Terrence Malick, 2011) ; HERE (US, Braden King, 2011) ; BEGINNERS (US, Mike Mills, 2010) ; HUNGER (UK, Steve McQueen, 2008) ; CRONENBERG, DAVID Notes: How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the healing body and its material registering of trauma. -- publisher's blurbISBN: 9781137361363
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FINDING MY MAGIC [TV] : (AT, Matt McCullough, 2010)
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book
Finding Queensland in Australian cinema : poetics and screen geographies / Allison Craven London ; New York: Anthem Press, 2016.
Call No: 71(943) CRAAuthor: Craven, Allison Source: UK/USPlace: London ; New YorkPublisher: Anthem PressPubDate: 2016PhysDes: xii, 158 pages ; 24 cmSeries: Anthem studies in Australian literature and cultureSubject: QUEENSLAND ; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND ; LANDSCAPES IN FILMS. AUSTRALIA ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; SEA IN FILMS ; IRISHMAN, THE (AT, Don Crombie, 1978) ; JEDDA (AT, Charles Chauvel, 1955) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008) ; UNINHABITED (AT, Bill Bennett, 2010) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; PETER PAN (US, P.J. Hogan, 2003) ; REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005) ; STRAITS, THE [TV] (AT, 2012-) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; MYSTERY ROAD (AT Ivan Sen, 2013) Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destinationISBN: 9781783085491Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion
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FIRE IN BABYLON : (UK, Stevan Riley, 2010)
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FIRST GRADER, THE : (UK/US/KE, Justin Chadwick, 2010)
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FIRST LOVE : (AT/US, Claire Gorman, 2010)
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newspaper article
First watch : Made to measure in Weekend Australian [Review] (31/10/2015) p.27
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newspaper article
First watch : unlikely heroes in Weekend Australian [Review] (07/05/2016) p.23
Call No: TITLE CLIPPINGS FILE; RAKE [TV](AT, 2010)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: ROXBURGH, RICHARD ; RAKE [TV](AT, 2010) Summary: Positive review of the upcoming season of the Australian TV show RAKE, with many plaudits given to the show's star Richard Roxburgh as well as co-stars John Waters, Damien Garvey and credit to witter Andrew Knight and director Peter Duncan
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newspaper article
First watch : stolid coppers in Weekend Australian [Review] (22/10/2016) p.23
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FORCE OF NATURE: THE DAVID SUZUKI MOVIE : (CN, Sturla Gunnarsson, 2010)
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FOUR LIONS : (UK, Christopher Morris, 2010)
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book
The franchise era : managing media in the digital economy / edited by James Fleury, Bryan Hikari Hartzheim and Stephen Mamber Edinburgh: Edinburgh University Press, 2020.
Call No: 753.81 FRAAuthor: Fleury, James ; Hartzheim, Bryan Hikari ; Mamber, Stephen Edition: 2020Place: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: xvi, 320 pages : illustratedSubject: FRANCHISES ; ALIEN [...] (UK/US, 1979-92) ; CRITTERS (US, Stephen Herek, 1986) ; DISNEY ; VIDEO GAMES ; STAR WARS [...] (US, 1977-2015) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010) ; TELEVISION ; MOBILE AND ONLINE MEDIA ; VIRTUAL REALITY Summary: As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making – analysing the complex industrial practice of managing franchises across interconnected online platforms.
Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape. -- publisher's web siteISBN: 9781474477741Contents: List of Illustrations -- Acknowledgements – Foreword / Derek Johnson -- Introduction: The Franchise Era / James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber
PART I THE FRANCHISE: DEFINING AND HISTORICIZING -- The (Im)Perfect Organism: Dissecting the Alien Media Franchise / James Fleury and Stephen Mamber -- Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins / Daniel Herbert
PART II VIDEO GAMES: SOFTWARE, HARDWARE, AND SPACE -- The Happiest Plays on Earth: Theme Park Franchising in Disneyland Video Games / Heather Lea Birdsall -- ‘Now They’re Playing with Power!’: Nintendo’s Classics and Franchise Legacy Management / Matthew Thomas Payne -- From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games / Andreas Rauscher
PART III: ANIMATION: ADAPTATION ACROSS NATIONS, INDUSTRIES, AND PLATFORMS -- Ghostly Boundaries: Transnational Tensions and Adapting Animation in the Ghost in the Shell Franchise / Brian Ruh -- How to Animate Your Franchise: DreamWorks Animation and the Franchising of How to Train Your Dragon / Rayna Denison
PART IV: TELEVISION: NEW DIRECTIONS FOR A LEGACY MEDIUM -- TV Brand-casting, SVOD, and OTT at Comcast and Disney / Jennifer Gillan -- Network Streaming: TV Broadcasters in the Digital Space / Monica Sandler
PART V: EMERGENT PLATFORMS: POSSIBLE FUTURES FOR THE MEDIA FRANCHISE -- Transmedia-to-Go: Licensed Mobile Gaming in Japan / Bryan Hikari Hartzheim -- Locating Esports Spectatorship – Studio Audience(ing) and Sites of Speculation / Alexander Champlin -- Hollywood’s VR Vision: New Frontier or Virtually the Same Thing? / James Fleury
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FRANK & JERRY : AT, Nick McGee, 2010
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FREMDE, DIE : (GG, Feo Aladag, 2010)
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FRESH SKIN LIKE A BABY : (AT, Mike Parr, 2010)(AT, Mike Parr, 2010)
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FRESHWATER BLUE [TV] : (AT, 2010)
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FROM PARIS WITH LOVE : (FR, Pierre Morel, 2010)
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GASLAND : (US, Josh Fox, 2010)
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book
Gender and Australian celebrity culture / edited by Anthea Taylor and Joanna McIntyre Oxon: Routledge, 2021.
Call No: 465(94) GENAuthor: Taylor, Anthea ; McIntyre, Joanna Edition: 2021Place: OxonPublisher: RoutledgePubDate: 2021PhysDes: 236 pages ; 24 cmSubject: GENDER AND THE CINEMA. AUSTRALIA ; HARRIS, ROLF ; CROWE, RUSSELL ; GADSBY, HANNAH ; SPICER, TRACEY ; CARLOTTA ; SZUBANSKI, MAGDA ; KEDDIE, ASHER ; OFFSPRING [TV] (AT, 2010) ; ME TOO Summary: This intellectually vibrant volume is the first collection to deal with Australian celebrity in ways that account for both cultural and gendered specificities, demonstrating how gendered ways of imagining Australia are reinforced and contested in celebrity representations and self-presentations.
Gender and Australian Celebrity Culture engages with celebrities across a diverse range of fields – actors, journalists, athletes, comedians, writers, and television personalities – and in doing so critically reflects upon different forms of Australian fame and the media platforms and practices that sustain them. Authors in this volume engage directly with pertinent issues relating to gender and sexuality, including celebrity feminism and the generative capacity of feminist rage; normative femininity and its instability; hegemonic masculinities; and queerness and its (in)visibility. Contributors also intervene in a number of ongoing debates in media and cultural studies more broadly, including those around the politics and affordances of digital media; whiteness and Australia’s colonial histories; celebrity labour; and methodologies for celebrity studies. This timely collection urges scholars of celebrity to attend further both to the gendered nature of celebrity culture and to local conditions of production and consumption.
This book will be of key interest to researchers and graduate students in cultural studies, television and film studies, digital media studies, critical race and whiteness studies, gender and sexuality studies, and literary studies. -- publisher's web siteISBN: 9781138366220Contents: Introduction: ‘Gendering Australian celebrity’, Anthea Taylor and Joanna McIntyre
Part I - Celebrity masculinities and settler colonialism -- Chapter One: ‘From mild colonial boy to Jake the Paed: Rolf Harris and Australian celebrity masculinity in the UK’, Tanya Serisier -- Chapter Two: ‘The manly whiteness of Russell Crowe’, Sean Redmond -- Chapter Three: ‘Johnathan Thurston, Indigeneity, and technologies of masculinity in Australian sporting celebrity culture’, Holly Randell-Moon
Part II - Feminist politics and celebrity feminisms -- Chapter Four: ‘Celebritised anger: Theorising feminist rage, voice, and affective injustice through Hannah Gadsby’s Nanette’, Jilly Kay Boyce -- Chapter Five: ‘Clementine Ford, online misogyny, and the labour of celebrity feminism’, Anita Brady -- Chapter Six: "Good" girl turned "bad": Tracey Spicer’s memoir, celebrity feminist journalism, and #MeToo activism in Australia’, Anthea Taylor
Part III - Queer celebrity and marginalised subjectivities -- Chapter Seven: ‘Interviewing a queer national celebrity: Carlotta as an "outsider within" Australian celebrity culture’, Joanna McIntyre -- Chapter Eight: ‘"It was nice for me watching that, because [Magda Szubanski] was very calming": LGBTIQ+ Australians respond to marriage equality activism’, Lucy Watson
Part IV - Self-presentation and celebrity femininities -- Chapter Nine: ‘"I can call myself Australian if I want to": Natalie Tran and Asian Australian femininity on YouTube’, Sara Tomkins -- Chapter Ten: ‘Disarming femininity: Annabel Crabb, celebrity, politics and culture’, Frances Bonner -- Chapter Eleven: ‘"Australian TV’s golden girl": Asher Keddie, Offspring, and the celebrity motherhood narrative’, Renee Middlemost
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GET HIM TO THE GREEK : (US, Nicholas Stoller, 2010)
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GET OUT OF THE CAR : (US, Thom Andersen, 2010)
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GHOST WRITER, THE : (FR/G/UK, Roman Polanski, 2010)
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GLADES, THE : [TV](US, 2010)
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GOING THE DISTANCE : (US, Nanette Burstein, 2010)
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GRAND DESIGNS AUSTRALIA [TV] : (AT, 2010)
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GREEN ZONE : FR/US, Paul Greengrass, 2010
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GREENBERG : (AT, Noah Baumbach, 2010)
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GRIFF THE INVISIBLE : (AT, Leon Ford, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: GRIFF THE INVISIBLE (AT, Leon Ford, 2010) URL status: URL: 'http://file://Q:/T/GRIFF_THE_INVISIBLE.zip'
Checked: 31/08/2021 1:20:36 PM
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script
Griff the invisible : based on an untrue story / by Leon Ford AT: 2009 Sept..
Call No: S GRIAuthor: Ford, Leon Edition: Draft 7.1Place: ATPubDate: 2009 Sept.PhysDes: 98 leavesSubject: GRIFF THE INVISIBLE (AT, Leon Ford, 2010) Summary: "Griff, office worker by day, superhero by night, has his world turned upside down when he meets Melody, a beautiful young scientist who shares his passion for the impossible." - from the official websiteNotes: Unpublished script -- Copyright Everyday Pictures 2008 -- Developed with the assistance of Screen Australia through The Indivision Script Lab 2008 -- Director: Leon Ford -- Producer: Nicole O'Donohue -- Executive producers: Scott Meek and Jan ChapmanDonation: Australian Film Institute
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poster
[Griff the invisible : poster] c2010.
Call No: P GRIPubDate: c2010PhysDes: 1 poster : col. ; 98 x 70 cmSubject: GRIFF THE INVISIBLE (AT, Leon Ford, 2010) Summary: [Image: A man in a hat and yellow trenchcoat casting the shadow of a superhero figure, to the right a woman watches him. Text: 'Love is the greatest superpower']
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GROWN UPS : (US, Dennis Dugan, 2010)
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GRUEN NATION [TV] : (AT, 2010)
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GUEST : (SP, José Luis Guerín, 2010)
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GUILTY PLEASURES : UK, Julie Moggan, 2010
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HAEVNEN : (DK/SW, Susanne Bier, 2010)
Call No: TITLE CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: HAEVNEN (DK/SW, Susanne Bier, 2010) Cross Reference: IN A BETTER WORLD (DK/SW, Susanne Bier, 2010)
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HAEVNEN
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HANYO : (KO, Im Sang-soo, 2010)
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HAPPY FEW : (FR, Antony Cordier, 2010)
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Harry Potter / edited by Valerie Estelle Frankel Chicago: University of Chicago Press, 2019.
Call No: 465.29 HARPlace: ChicagoPublisher: University of Chicago PressPubDate: 2019PhysDes: 235 pages : illustrations ; 25 cm.Series: Fan phenomenaSubject: FANS ; HARRY POTTER AND THE CHAMBER OF SECRETS (US/UK, Chris Columbus, 2002) ; HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 (UK/US, David Yates, 2010) ; HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (UK/US, David Yates, 2011) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HARRY POTTER AND THE PHILOSOPHER'S STONE [HARRY POTTER] (UK/US, Chris Columbus, 2001) ; HARRY POTTER AND THE PRISONER OF AZKABAN (US, Alfonso Cuaron, 2004) ISBN: 9781789380705Contents: Introduction -- The Wizarding World of Harry Potter: Bringing the Books to Life, Erin Pyne -- Surveying Fanworks: Art, Dance, Fic, Music and Community, Madeline Wilson -- Aya Esther Hayashi, A. J. Holmes -- Lisa Gomez, Justin Zagri -- Valerie Estelle Frankel, Matt Maggiacomo -- Valerie Estelle Frankel, Ariel Birdoff -- Polyjuice and Potterheads: The Changing Face of Fandom from LiveJournal to Tumblr, Emily E. Roach -- The Magic of Video Game Adaptation: The Admirer Becomes the Caster in Harry Potter and the Philosopher's Stone/Sorceror's Stone, Cesar Alfonso Marino -- The Wizarding World of D&D: The Art of Roleplaying in the Potterverse, S. Evan Kreider -- Tommy Taylor Reveals Harry's True Power: Stories and Fans Can Reshape Our World, Joel Hawkes -- Buffy, Hamilton and Jon Snow Go to Hogwarts: Literary Affordance and the Hogwarts Houses as Interpretative Framework and Rhetorical Tool, Jessica Hautsch -- Harry's Magical Move to Broadway, Valerie Guempel -- Tuesdays with Malfoy: The Pain of Sharing Fandoms -- Recharming the Fans? The Expanded Works and Why They Don't Hold Up, Valerie Estelle Frankel
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HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 : (UK/US, David Yates, 2010)
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HARUD : (II, Aamir Bashir, 2010)
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HAWAII FIVE-O : [TV](US, 2010)
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HAWKE [TV] : (AT, Emma Freeman, 2010)
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book
The hell of war comes home : imaginative texts from the conflicts in Afghanistan and Iraq / Owen W. Gilman Jr. Jackson: University Press of Mississippi, 2018.
Call No: 737(73) GILAuthor: Gilman, Owen W. Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2018PhysDes: x, 252 pages ; 24 cmSubject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS. USA ; WAR IN FILMS. AFGHANISTAN ; WAR IN FILMS. IRAQ ; AMERICAN SNIPER (US, Clint Eastwood, 2014) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; AVATAR (US, James Cameron, 2009) ; BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016) ; BODY OF LIES (US, Ridley Scott, 2008) ; BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007) ; DA VINCI CODE, THE (US, Ron Howard, 2006) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016) ; FAHRENHEIT 9/11 (US, Michael Moore, 2004) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GRACE IS GONE (US, James C. Strouse, 2007) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; JARHEAD (US, Sam Mendes, 2005) ; INFERNO (US/JA/TU/HU, Ron Howard, 2016) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; REDACTED (US, Brian De Palma, 2007) ; UP (US, Pete Docter and Bob Peterson, 2009) ; WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Notes: Includes bibliographical references and index.ISBN: 9781496815767Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.
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HEREAFTER : (US, Clint Eastwood, 2010)
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HIPPIE HIPPIE SHAKE : (FR/US/UK, Beeban Kidron, 2010)
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newspaper article
Holmes rises from the ashes to sleuth again in The Australian (21/01/2016) p.15
Call No: TITLE CLIPPINGS FILE; SHERLOCK [TV] (UK, 2010-)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: SHERLOCK [TV] (UK, 2010-) Summary: Review of the new season of SHERLOCK, with a focus on the episode The Reichenbach Fall
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HOME BY CHRISTMAS : (NZ, Gaylene Preston, 2010)
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DES HOMMES ET DES DIEUX : (FR, Xavier Beauvois, 2010)
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HORS-LA-LOI : (FR/AE/BE, Rachid Bouchareb, 2010)
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HOW NOT TO GET A GIRL : (AT, Josh Nolan-Legudi/Joe Goudie/James Mathias, 2010)
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HOW NOT TO GET A GIRL : (AT, Josh Nolan-Legudi, Joe Goudie, James Mathias, Edward Wong, 2010)
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journal article
How to make it in a crowded TV landscape in Encore (March 2012) p.37
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HOW TO TRAIN YOUR DRAGON : (US, Dean DeBlois & Chris Sanders, 2010)
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HOWL : (US, Rob Epstein/Jeffrey Friedman, 2010)
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HUMAN RESOURCES MANAGER, THE : (IS/G/FR, Eran Riklis, 2010)
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book
Humor in Middle Eastern cinema / edited by Gayatri Devi and Najat Rahman Detroit: Wayne State University Press, c2014.
Call No: 732(5-011) HUMAuthor: Revi, Gayatri (ed.) ; Rahman, Najat (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2014PhysDes: 282 pages ; 23 cmSeries: Contemporary approaches to film and mediaSubject: AFGHANISTAN ; ARAB COUNTRIES ; AUDIENCE RECEPTION ; BOLLYWOOD ; CENSORSHIP ; COMEDIES. MIDDLE EASTERN COUNTRIES ; CULTURAL IMPERIALISM. US ; EGYPT ; HUMOUR IN FILMS ; INDIA ; IRAN ; IRAQ ; ISRAEL ; IRONY IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; PALESTINE ; POLITICAL FILMS ; ETHNIC GROUPS IN FILMS ; SATIRE IN FILMS ; TYPE CHARACTERS IN FILMS ; PAKISTAN ; CHAHINE, YOUSSEF ; DHOUIB, MONCEF ; KIAROSTAMI, ABBAS ; ZARHIN, SHEMI ; AMERIKALI (TU, Serif Gören, 1993) ; BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999) ; DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; TELE ARRIVE, LA (TI, Moncef Dhouib, 2006) ; TERE BIN LADEN (II, Abhishek Sharma, 2010) ; TV IS COMING, THE (TI, Moncef Dhouib, 2006) Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKSNotes: Contains bibliography and filmography -- contains index -- contains list of contributorsISBN: 9780814339374Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta
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I'M STILL HERE : (US, Casey Affleck, 2010)
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ILLUSIONISTE, L' : (UK/FR, Sylvain Chomet, 2010)
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book
In glorious technicolor : a century of film and how it has shaped us / Francine Stock with Stephen Hughes London: Pimlico, 2011.
Call No: 70 STOAuthor: Stock, Francine ; Hughes, Stephen Source: UKPlace: LondonPublisher: PimlicoPubDate: 2011PhysDes: 344 p. ; 25 cm.Subject: HISTORY AND THE CINEMA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. 1990's ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920)
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CABINET DES DR. CALIGARI, DAS ; FLESH AND THE DEVIL (US, Clarence Brown, 1926) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; SCARFACE (US, Howard Hawks, 1932) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; BAMBI (US, David Hand, 1942) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; STRADA, LA (IT, Federico Fellini, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; PEEPING TOM (UK, Michael Powell, 1960) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CARRIE (US, Brian De Palma, 1976) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ANNIE HALL (US, Woody Allen, 1977) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; TOP GUN (US, Tony Scott, 1986) ; WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: ROUGE ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: ROUGE ; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: BLANC ; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; AVATAR (US, James Cameron, 2009) ; UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010) Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.ISBN: 9781845951993
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INCENDIES : (CN/FR, Denis Villeneuve, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: INCENDIES (CN/FR, Denis Villeneuve, 2010) URL status: URL: 'http://file://Q:/T/INCENDIES.zip'
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INCEPTION : (US, Christopher Nolan, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: INCEPTION (US, Christopher Nolan, 2010) URL status: URL: 'http://file://Q:/T/INCEPTION.zip'
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book
Inception / David Carter Leighton Buzzard: Auteur, 2019.
Call No: 79 INC CARAuthor: Carter, David Edition: 2019Place: Leighton BuzzardPublisher: AuteurPubDate: 2019PhysDes: 106 pages : illustrated ; 20 cmSeries: ConstellationsSubject: INCEPTION (US, Christopher Nolan, 2010) Summary: Christopher Nolan's Inception (2010) is a difficult film to categorize. It partakes of various genres, blurring the distinctions between them. It is science fiction, but it does not contain many of the ingredients associated with that genre. It can also be identified as a kind of heist film, and there are shades of film noir as well, not only because of the heist motifs but also due to its character types. It can also be described as psychological thriller, telling the story of one man's attempt to flee his past and regain access to his family, of his coming to terms with the death of his wife. In addition, it plays with time, questioning the certainty of consciously experienced real time, and revealing that the personal experience of the passing of time is variable. The film also explores the nature of the mind and how dreams are related to the conscious and unconscious mind. David Carter's contribution to the Constellation series covers all of these facets of a complex yet highly successful film, as well as considering it in the context of the director's other work. -- publisher's web siteISBN: 9781911325055Donation: Senses of Cinema
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INDUSTRY, FILM. AUSTRALIA. 2010
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INSIDE JOB : (US, Charles Ferguson, 2010)
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INSIDIOUS : (US, James Wan, 2010)
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book
The international film business : a market guide beyond Hollywood / Angus Finney with Eugenio Triana Abingdon, Oxon -- New York: Routledge, 2015.
Call No: 203 FINAuthor: Finney, Angus Edition: Second editionSource: UK/USPlace: Abingdon, Oxon -- New YorkPublisher: RoutledgePubDate: 2015PhysDes: xiv, 287 pages ; 25 cmSubject: INDUSTRY, FILM ; PRODUCTION ; DISTRIBUTION ; EXHIBITION ; ADVERTISING FOR FILMS ; FINANCING ; COPRODUCTION ; REDBUS GROUP ; RENAISSANCE FILMS ; ZENTROPA [company] ; ARTS ALLIANCE MEDIA ; FILM DEPARTMENT, THE ; PIXAR ; BARKER, MICHAEL ; PHAROAH, ASHLEY ; RECKONING, THE (UK/SP, Paul McGuigan, 2002) ; OPAL DREAM (AT, Peter Cattaneo, 2005) ; KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010) ; CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002) ; MOTHER, THE (UK, Roger Michell, 2003) ; BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011) ; CLOVERFIELD (US, Matt Reeves, 2008) ; VAPOR [Neil LaBute - not made] ; GOOD OMENS [Terry Gilliam - not made] Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effectNotes: Includes bibliographical references (pages 272-275) and indexContents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion
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IRON MAN 2 : (US, Jon Favreau, 2010)
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IT'S A TREAT : (AT, Luke Mayze, 2010)
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IT'S KIND OF A FUNNY STORY : (US, Ryan Fleck/Anna Boden, 2010)
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JACKASS 3D : (US, Jeff Tremaine, 2010)
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book
Jan Svankmajer / by Keith Leslie Johnson Urbana, Illinois: University of Illinois Press, c2017.
Call No: 81 SVA JOHAuthor: Johnson, Keith Leslie, 1974-, (author) Source: USPlace: Urbana, IllinoisPublisher: University of Illinois PressPubDate: c2017PhysDes: xii, 191 pages : illustrations ; 21 cmSeries: Contemporary Film DirectorsSubject: SVANKMAJER, JAN ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; FAUST (FR/CZ/UK/GG, Jan Svankmajer, 1994) ; CONSPIRATORS OF PLEASURE (CS/SZ/UK, Jan Srankmajer, 1996) ; SURVIVING LIFE (THEORY AND PRACTICE) [PREZIT SVUJ ZIVOT (TEORIE A PRAXE)] (CZ/SO/JA, Jan Svankmajer, 2010) ; LAST TRICK OF MR. SCHWARCEWALLDE AND MR. EDGAR, THE [POSLEDNI TRIK PANA SCHWARCEWALLDEA A PANA EDGARA] (CS, Jan Svankmajer, 1964) ; ET CETERA (CS, Jan Svankmajer, 1967) ; OSSUARY, THE [KOSTNICE] (CS, Jan Svankmajer, 1970) ; HISTORIA NATURAE, SUITA (CS, Jan Svankmajer, 1967) ; PICKNICK MIT WEISMANN (AU, Jan Svankmajer, 1969) ; DIMENSIONS OF DIALOGUE [MOZNOSTI DIALOGU] (CS, Jan Svankmajer, 1983) ; DEATH OF STALINISM IN BOHEMIA, THE [KONEC STALINISMU V CECHACH] (CS, Jan Svankmajer, 1991) ; ANIMATION Summary: "Jan Svankmajer enjoys a curious sort of anti-reputation: he is famous for being obscure. Unapologetically surrealist. Svankmajer draws on the traditions and techniques of stop-motion animation, collage, montage, puppetry, and clay to craft bizarre filmscapes.... In Johnson's view, Svankmajer implores us to reprogram our relationship with the vital matter all around us, including ourselves and our bodies." - BOOK BLURBNotes: Includes bibliographical references (pages 177-185) and index.
Includes filmography.ISBN: 9780252083020Donation: Senses of CinemaContents: Animist cinema -- humiliation, or object life -- Wunderkammer, or Creaturely Life -- Haptics, or Animal Life -- Imagination, or Political Life -- Stalinism in Bohemia -- Survival, or Ecological Life -- Interviews with Jan S vankmajer.
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JIANYU : (C, Chao-Pin Su, 2010)
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JOAN RIVERS: A PIECE OF WORK : (US, Ricki Stern & Anne Sundberg, 2010)
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JOFFA: THE MOVIE : (AT, Chris Liontos, 2010)
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JUNIOR MASTERCHEF [TV] : (AT, 2010)
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JUSTIFIED [TV] : (US, 2010-)
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KABOOM : (US/FR, Gregg Araki, 2010)
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KADOMA : (US, Ben Stookesberry, 2010)
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KAK YA PROVYOL ETIM LETOM = HOW I ENDED THIS SUMMER : (RU, Aleksei Popogrebsky, 2010)
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KANDAGAR : (RU, Andrei Kavun, 2010)
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KARATE KID, THE : (C/US, Harold Zwart, 2010)
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KARI-GURASHI NO ARIETTI : (JA, Hiromasa Yonebayashi/Gary Rydstrom, 2010)
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KEEP SURFING : (G, Bjorn Richie Lob, 2010)
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KICK-ASS : (US/UK, Matthew Vaughn, 2010)
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KIDS ARE ALL RIGHT, THE : (US, Lisa Cholodenko, 2010)
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KIDS ARE ALRIGHT, THE : (US/FR, Lisa Cholodenko, 2010) Digital clippings file available
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KILLER INSIDE ME, THE (2010) : (US, Michael Winterbottom, 2010)
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KILLERS : ( US, Robert Luketic, 2010)
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Killing time : episode 4 / written by Shaun Grant and Mac Gudgeon AT: 2010 May 12.
Call No: S KILAuthor: Grant, Shaun ; Gudgeon, Mac Edition: Blue amendmentsPlace: ATPubDate: 2010 May 12PhysDes: 47 leavesSubject: KILLING TIME [TV] (AT, 2010) Summary: "A 10-part crime drama following the story of Andrew Fraser's rise from small time lawyer to successfully defending the most infamous criminals this country has ever seen, and then his ultimate downfall and imprisonment for five years in maximum security. His clients included Dennis Allen, Jimmy Krakouer, Alan Bond and those accused of the Walsh Street murders. At the top of his game, Fraser commanded a huge salary and lived the dream. But when his cocaine addiction spiralled into a thousand dollar-a-day habit, he lost everything and his life became intertwiined with villains, larrikins and soldiers of justice. He was disbarred, discredited, broken financially and his marriage was destroyed. Caged amongst serial killers and psychopaths, Fraser is forced to reflect on where it all went so wrong, and try to salvage his shattered reputation." - from the Australian Television Information ArchiveNotes: Unpublished script -- Copyright 2010 FremantleMedia Australia Pty LtdDonation: Australian Film Institute
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Killing time : episode 2 / by Ian David AT: 2010 May 7.
Call No: S KILAuthor: David, Ian Edition: Green amendmentsPlace: ATPubDate: 2010 May 7PhysDes: 53 leavesSubject: KILLING TIME [TV] (AT, 2010) Summary: "A 10-part crime drama following the story of Andrew Fraser's rise from small time lawyer to successfully defending the most infamous criminals this country has ever seen, and then his ultimate downfall and imprisonment for five years in maximum security. His clients included Dennis Allen, Jimmy Krakouer, Alan Bond and those accused of the Walsh Street murders. At the top of his game, Fraser commanded a huge salary and lived the dream. But when his cocaine addiction spiralled into a thousand dollar-a-day habit, he lost everything and his life became intertwiined with villains, larrikins and soldiers of justice. He was disbarred, discredited, broken financially and his marriage was destroyed. Caged amongst serial killers and psychopaths, Fraser is forced to reflect on where it all went so wrong, and try to salvage his shattered reputation." - from the Australian Television Information ArchiveNotes: Unpublished script -- copyright 2010 FremantleMedia Australia Pty LtdDonation: Australian Film Institute
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KILLING TIME [TV] : (AT, 2010)
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KING'S SPEECH, THE : (AT/UK, Tom Hooper, 2010)
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KINGS OF MYKONOS, THE : ( AT/GR, Peter Andrikidis, 2010)
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[Kings of Mykonos, the : Poster] AT:
Call No: P KINPlace: ATPhysDes: 1 poster : col. ; 100 x 70 cm.Subject: KINGS OF MYKONOS, THE ( AT/GR, Peter Andrikidis, 2010) Summary: Image: two men in studied casual dress infront of the sea. There is a Greek town in the background. Text: 'It's a wog's life!'Notes: Double-sided, image mirrored on verso.ID2: 44
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KONGEN AV BASTOY : (NO/FR/SW/PL, Marius Holst, 2010)
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[Kongen av Bastoy : poster] 2010.
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L.A. ZOMBIE : (US/G, Bruce La Bruce, 2010)
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LAST AIRBENDER, THE : (US, M. Night Shyamalan, 2010)
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LAST EXORCISM, THE : (US/FR, Daniel Stamm, 2010)
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LAST NIGHT : (US/FR,Massy Tadjedin, 2010)
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LAST SONG, THE [TV] : (US, Julie Anne Robinson, 2010)
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LEAP YEAR : (MX, Michael Rowe, 2010)
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book
Legacies of Indigenous resistance : Pemulwuy, Jandamarra and Yagan in Australian Indigenous film, theatre and literature / Matteo Dutto Oxford: Peter Lang, 2019.
Call No: 737.66 (94) (=1-81) DUTAuthor: Dutto, Matteo Edition: 2019Place: OxfordPublisher: Peter LangPubDate: 2019PhysDes: x, 244 pages : illustrated ; 23cmSeries: Australian studies: interdisciplinary perspectivesSubject: ABORIGINAL AUSTRALIAN CINEMA ; INDIGENOUS ; FIRST AUSTRALIANS, THE [TV] (AT, Beck Cole, Rachel Perkins, 2008) ; PEMULWUY: A WAR OF TWO LAWS (AT, Grant Leigh Saunders, 2010) ; JANDAMARRA'S WAR (AT, Mitch Torres, 2011) ; KEEPERS OF THE STORY: JANDAMARRA (AT, Mitch Torres, 2010) ; CONFESSIONS OF A HEADHUNTER (AT, Sally Riley, 2000) ; YAGAN (AT, Kelrick Martin, 2013) Summary: This book explores the ways in which Australian Indigenous filmmakers, performers and writers work within their Indigenous communities to tell the stories of early Indigenous resistance leaders who fought against British invaders and settlers, thus keeping their legacies alive and connected to community in the present. It offers the first comprehensive and trans-disciplinary analysis of how the stories of Pemulwuy, Jandamarra and Yagan (Bidjigal, Bunuba and Noongar freedom fighters, respectively) have been retold in the past forty years across different media. Combining textual and historical analysis with original interviews with Indigenous cultural producers, it foregrounds the multimodal nature of Indigenous storytelling and the dynamic relationship of these stories to reclamations of sovereignty in the present. It adds a significant new chapter to the study of Indigenous history-making as political action, while modelling a new approach to stories of frontier resistance leaders and providing a greater understanding of how the decolonizing power of Indigenous screen, stage and text production connects past, present and future acts of resistance. -- publisher's web siteISBN: 9781788745413Contents: Contents -- Acknowledgements -- Introduction
Story One Pemulwuy -- Chapter 1 Pemulwuy as a pan-Aboriginal hero -- Chapter 2 Legacies of resistance in Rachel Perkins’ First Australians and Grant Leigh Saunders’ Pemulwuy: A War of Two Laws
Story Two Jandamarra -- Chapter 3 The three lives of Jandamarra: Archivists, copycats and custodians -- Chapter 4 Performing resistance -- Chapter 5 “Keeping story alive”: Screening the voice of Bunuba Country in Mitch Torres’ Jandamarra’s War and Keepers of the Story
Story Three Yagan -- Chapter 6 Defacing colonial sovereignty in Sally Riley’s Confessions of a Headhunter -- Chapter 7 Breaching into the settler colonial city: Re-enacting crosshatch history in Kelrick Martin’s Yagan -- Conclusion Reflections from Yagan Square -- Bibliography -- Index
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Legend of the guardians : the owls of Ga'Hoole / screenplay by John Orloff and Emil Stern US/AT: 2010 Jun. 23.
Call No: S LEGAuthor: Orloff, John ; Stern, Emil Edition: FinalPlace: US/ATPubDate: 2010 Jun. 23PhysDes: 103 leavesSubject: LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE (AT/US, Zack Snyder, 2010) Summary: "Acclaimed filmmaker Zack Snyder makes his animation debut with the family fantasy adventure "Legends of the Guardians: The Owls of Ga'Hoole" based on the beloved Guardians of Ga'Hoole books by Kathryn Lasky. The film follows Soren, a young owl enthralled by his father's epic stories of the Guardians of Ga' Hoole, a mythic band of winged warriors who had fought a great battle to save all of owlkind from the evil Pure Ones. While Soren dreams of someday joining his heroes, his older brother, Kludd, scoffs at the notion, and yearns to hunt, fly and steal his father's favor from his younger sibling. But Kludd's jealousy has terrible consequences - causing both owlets to fall from their treetop home and right into the talons of the Pure Ones. Now it is up to Soren to make a daring escape with the help of other brave young owls. Together they soar across the sea and through the mist to find the Great Tree, home of the legendary Guardians - Soren's only hope of defeating the pure ones and saving the owl kingdom." - from Warner Bros official websiteNotes: Unpublished script -- Copyright Warner Bros. 2010 -- Based on the novels entitled 'Guardians of Ga'Hoole' by Kathryn LaskyDonation: Australian Film Institute
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LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE : (AT/US, Zack Snyder, 2010)
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LEGION : (US, Scott Charles Stewart, 2010)
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LET ME IN : (UK/US, Matt Reeves, 2010)
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LET ME IN : (UK/US, Matt Reevs, 2010)
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LETTERS TO JULIET : (US, Gary Winick, 2010)
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LIFE AS WE KNOW IT : (US, Greg Berlanti, 2010)
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LITTLE SPARROWS : (AT, Yu-Hsiu Camille Chen, 2010)
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LOONG BOONMEE RALEUK CHAT : (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
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LOPE : (SP/BL/FR, Andrucha Waddington, 2010)
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LOST THING, THE : (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
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LOU : (AT, Belinda Chayko, 2010)
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Lou / written by Belinda Chayko ; edited by Tony Ayres AT: c2009.
Call No: S LOUAuthor: Chayko, Belinda Edition: shooting scriptPlace: ATPubDate: c2009PhysDes: 86 leavesSubject: LOU (AT, Belinda Chayko, 2010) Notes: Unpublished script -- Donated by AFI -- Credit: director, Belinda Chayko ; producers, Helen Bowden, Tony Ayres, Michael McMahon ; production company Big and Little Films Pty Ltd.
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LOUIE [TV] : (US, 2010 - )
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LOVE AND OTHER DRUGS : (US, Edward Zwick, 2010)
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LOVE, LUST AND LIES : (AT, Gillian Armstrong, 2010)
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Lowdown : season 2, episode 3. One fine gay / written by Amanda Brotchie, Trudy Hellier & Adam Zwar / story by Amanda Brotchie and Adam Zwar / script editor Andrew Knight AT: c2010.
Call No: S LOWAuthor: Brotchie, Amanda ; Hellier, Trudy ; Zwar, Adam Edition: shooting script September 30 2011Place: ATPubDate: c2010PhysDes: 37 leavesSubject: LOWDOWN [TV](AT, 2010) Notes: Unpublished script --Donated by AFI -- Shooting script September 30 2011 -- Credit: script editor, Andrew Knight ; production company, High Wire Films Pty Ltd ; developed with the assistance of the Australian Broadcasting Corporation and with the assistance of Film Victoria.
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Lowdown : season 2, episode 8. Ben behaving badly / written by Amanda Brotchie and Adam Zwar / script editor Andrew Knight AT: c2010.
Call No: S LOWAuthor: Brotchie, Amanda ; Zwar, Adam Edition: yellow amendments September 30 2011Place: ATPubDate: c2010PhysDes: 39 leavesSubject: LOWDOWN [TV](AT, 2010) Notes: Unpublished script -- Donated by AFI -- Yellow amendments September 30 2011 -- Credit: script editor, Andrew Knight ; production company, High Wire Films Pty Ltd ; developed with the assistance of the Australian Broadcasting Corporation and with the assistance of Film Victoria.
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LOWDOWN [TV] : (AT, 2010-)
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MACHETE : (US, Ethan maniquis/Robert Rodriguez, 2010)
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MACHETE MAIDENS UNLEASHED : (AT/PH, Mark Hartley, 2010)
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MAD BASTARDS : (AT, Brendan Fletcher, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: MAD BASTARDS (AT, Brendan Fletcher, 2010) URL status: URL: 'http://file://Q:/T/MAD_BASTARDS.zip'
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Mad bastards AT: [2010].
Call No: S MADPlace: ATPubDate: [2010]PhysDes: 61 leavesSubject: MAD BASTARDS (AT, Brendan Fletcher, 2010) Summary: TJ's quest to find the son he's never known, takes him on a journey across the remote and stunning Kimberley landscape. On the road, TJ questions his life of violence... he meets a host of amazing characters who open up a way of life infused with music and hunting and community (IMDB)Notes: Unpublished scriptDonation: AACTA
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[Mad bastards : poster] 2011.
Call No: P MADPubDate: 2011PhysDes: 1 poster : col. ; 100 cm x 70 cmSubject: MAD BASTARDS (AT, Brendan Fletcher, 2010) Summary: Image: A man and boy lying on parched earth, looking at the sky. Text: 'Because some things really matter'Notes: Two copies held
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MADE IN DAGENHAM : (UK, Nigel Cole, 2010)
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MAKING SAMSON AND DELILAH : (AT, Beck Cole, 2010)
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Making worlds : Affect and collectivity in contemporary European cinema / Claudia Breger New York: Columbia University Press, 2020.
Call No: 744(4) BREAuthor: Breger, Claudia Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2020PhysDes: 8 unumbered pages, 336 pages : illustrations ; 23 cmSubject: WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009) ; BIUTIFUL (MX/SP, Alejandro Inarritu, 2010) ; EDGE OF HEAVEN, THE (G/TU/IT, Fatih Akin, 2007) ; JODAEIYA NADER AZ SIMIN (IR, Asghar Farhadi, 2011) ; HAVRE, LE (FI/FR/GG, Aki Kaurismäki, 2011) ; MIES VAILLA MENNEISYYTTA (FI/GG/FR, Aki Kaurismaki, 2002) ; OTHER SIDE OF HOPE, THE [TOIVON TUOLLA PUOLEN] (GG/FI, Aki Kaurismäki , 2017) ; VIE DE BOHEME, LA (FI/FR, Aki Kaurismaki, 1992) ; AESTHETICS ; AUDIENCES ; BRECHT, BERTHOLD ; DELEUZE, GILLES ; EUROPEAN COUNTRIES ; FASSBINDER, RAINER WERNER ; GODARD, JEAN-LUC ; IMMIGRATION IN FILMS AND TELEVISION ; REFUGEES Summary: The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends.
Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akin’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred -- publisher's websiteNotes: Includes bibliographical references (page 293-324) and index.ISBN: 9780231194198Contents: Affects in Configuration: Controversy and Conviviality in Fatih Akin's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akin's The Cut and Ari Kaurisma¨ki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World -- Epilogue: Reconfiguring Resistance.
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MARMADUKE : (US, Tom Dey, 2010)
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MARRIAGE OF FIGARO, THE : (AT, Neil Armfield, 2010)
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MARRIAGE REF, THE [TV] : (US, 2010)
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MARS : (US, Geoff Marslett, 2010)
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MARWENCOL : (US, Jeff Malmberg, 2010)
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MATCHING JACK : ( AT, Nadia Tass, 2010)
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Matching Jack : formerly known as love and mortar / written by Lynne Renew and David Parker AT: [2009].
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[Matching Jack : poster] AT:
Call No: P MATPlace: ATPhysDes: 1 Poster : col. ; 100 x 70 cmSubject: MATCHING JACK ( AT, Nadia Tass, 2010) Summary: Image: Divided into sections, the upper right shows a woman's face, beneath that a man and boy walking along a [European] street at night, and at lower left a portrait of the boy. Text: 'How far would you go for love?'
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ME AND MY MONSTERS : [TV](UK/AT, 2010)
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MEGAMIND : (US, Tom McGrath, 2010)
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The Millennials on film and television : essays on the politics of popular culture / edited by Betty Kaklamanidou and Margaret Tally Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2014.
Call No: 403(73) MILPlace: Jefferson, North CarolinaPublisher: McFarland & Company, Inc., PublishersPubDate: 2014PhysDes: viii, 207 pages ; 23 cmSubject: HOMOSEXUALITY AND TV. USA ; GLEE [TV] (US, Ryan Murphy, 2009) ; [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013) ; SECRET LIFE OF THE AMERICAN TEENAGER, THE [TV] (US, 2009-2013) ; PRETTY LITTLE LIARS [TV] (US, 2010-2017) ; [TWO] 2 BROKE GIRLS [TV] (US, 2011-2017) ; MINDY PROJECT, THE [TV] (US, 2012-2017) Summary: "This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history" - taken from back coverNotes: Includes bibliographical references and indexISBN: 9780786478804Contents: Introduction: the twenty-first century generation / Betty Kaklamanidou and Margaret Tally -- Secrets and lies: gender and generation in the ABC Family brand / Caryn Murphy -- Lavender identity and representation in the media: the portrayal of gays and lesbians in popular television / Sean Robinson and Bernice Alston -- Exploring discourses of engagement in 2 Broke Girls / Alison N. Novak -- The Mindy Show: south asians and television multiculturalism / Janani Subramanian -- The Big Bang Theory: nerds and kidults / Janice Shaw -- The emotional power of technology, community and morality in The Vampire Diaries / Margo Collins -- Generational conflict, twenty-first century horror films and The cabin in the woods / Karen J. Renner -- The scream of a generation: "Generation Me" in Scream 4 / Sotiris Petridis -- "Comedy Natives": generations, humor and the question of why smart + funny is the new rock and roll / Margaret Tally -- The romantico-sexual narrative and intertextuality in Friends with benefits and No strings attached / Betty Kaklamanidou -- Labor narratives and The Devil wears Prada / Christoph Bettner.
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MIRACLE CURE? A DECADE OF THE HUMAN GENOME [TV] : (UK, Dan Walker, 2010)
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MISTERIOS DE LISBOA : (PO/FR, Raul Ruiz, 2010)
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MOLOCH TROPICAL : (FR/HT, Raoul Peck, 2010)
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MONSTERS : (UK, Gareth Evans, 2010)
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MORNING GLORY : (US, Roger Michell, 2010)
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MOTHER AND CHILD : (US/SP, Rodrigo Garcia, 2010)
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MOTHER FISH : (AT, Khoa Do, 2010)
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Mother fish / written by Khoa Do AT: c2008.
Call No: S MOTAuthor: Do, Khoa Edition: shooting draft 10th November 2008Place: ATPubDate: c2008PhysDes: 83 leavesSubject: MOTHER FISH (AT, Khoa Do, 2010) Notes: Unpublished script -- Donated by AFI -- production company, Imaginefly Pty Ltd.
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[Mother Fish : poster] AT:
Call No: P MOTPlace: ATPhysDes: 1 poster : col. ; 100 X 70 cmSubject: MOTHER FISH (AT, Khoa Do, 2010) Summary: Image: A girl lies on the shore. "Mother Fish" is written in the sand. Text: Two sisters brave the ocean to find a safe home. Quote: "Behind every headline, every policy and every queue... is a human face" Khan Do FilmmakerNotes: Five copies held.
Creases.ID2: 337
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MOTHER OF ROCK : (AT, Paul Clarke, 2010)
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MUSE OF FIRE : (UK, Dan Poole/Giles Terrera, 2010)
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MY KITCHEN RULES [TV] : (AT, 2010- )
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MY NAME IS KHAN : (II, Karan Johar, 2010)
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MYSTERY OF FLYING KICKS, THE : (AT, Matthew Bate, 2010)
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NANNERL, LA SOEUR DE MOZART : (FR, Rene Feret, 2010)
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NEADEKVATNYE LYUDI : (RU, Roman Karimov, 2010)
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NEEDLE : (AT, John V Soto, 2010)
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NENETTE : (FR, Serge Lalou, 2010)
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Networking in Canberra Times [TV Guide] (09/05/2016) p.2
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION. AUSTRALIAAuthor: Kalina, Paul PhysDes: Clippings File ArticleSubject: INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; LICENCES. AUSTRALIA ; ROXBURGH, RICHARD ; VIDEO ON DEMAND ; OFFSPRING [TV] (AT, 2010) Summary: Snippets on news in the Australian television industry. Stories include: muted reaction from Australian commercial TV broadcasters to the 25 percent cut to their broadcasting licence fee; Richard Roxburgh to author and illustrate a children's book; anticipation for the new season of OFFSPRING; Australian Productivity Commission making recommendations to the Copyright Act to allow Australian consumers to use VPN's to avoid geoblocking of TV streaming providers such as Netflix
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Networking in Canberra Times [TV Guide] (18/07/2016) p.2
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NEVER LET ME GO : (UK/US, Mark Romanek, 2010)
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New life for Australian drama : John Edwards in Lumina (Summer 2010) iss.2 p.62-72
Author: Turk, Rachael ; Edwards, John PhysDes: ArticleSubject: EDWARDS, JOHN ; RUSH [TV] (AT, 2008-) ; SECRET LIFE OF US, THE [TV] (AT, Lynn-Maree Danzey, 2000-) ; TANGLE [TV] (AT, 2009) ; SPIRITED [TV] (AT, 2010) Summary: Interview with TV producer John Edwards about his career, early experiences writing and his views on successful screen writing
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New queer cinema : the director's cut / B. Ruby Rich Durham [North Carolina]: Duke University Press, 2013.
Call No: 760-032 RICAuthor: Rich, B. Ruby Source: USPlace: Durham [North Carolina]Publisher: Duke University PressPubDate: 2013PhysDes: xxx, 322 pages : illustrations ; 24 cmSubject: AESTHETICS ; BISEXUALITY AND THE CINEMA ; DOCUMENTARIES ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; SAN FRANCISCO IN FILMS ; SEXUALITY AND THE CINEMA ; SEX IN FILMS ; THEORY ; CHEANG, SHU-LEA ; CONDON, BILL ; DEITCH, DONNA ; DUNYE, CHERYL ; FASSBINDER, RAINER WERNER ; JARMAN, DEREK ; LEE, ANG ; RIPSTEIN, ARTURO ; TECHINE, ANDRE ; VACHON, CHRISTINE ; VAN SANT, GUS ; WONG KAR WAI ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; BROKEBACK MOUNTAIN (US, Ang Lee, 2005) ; GO FISH (US, Rose Troche, 1994) ; KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010) ; MILK (US, Gus Van Sant, 2008) ; MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004) ; TARNATION (US, Jonathan Caouette, 2003) ; TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984) ; WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996) Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURBNotes: Includes bibliographic references and index -- includes filmographyISBN: 9780822354284ID2: 291
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New vampire cinema / Ken Gelder London: British Film Institute ; Palgrave Macmillan, 2012.
Call No: 735.23 GELAuthor: Gelder, Ken Source: UKPlace: LondonPublisher: British Film Institute ; Palgrave MacmillanPubDate: 2012PhysDes: ix, 155 pages : illustrations ; 24 cmSubject: DRACULA IN FILMS ; HORROR FILMS ; REMAKES ; VAMPIRE FILMS ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008) ; LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008) ; LET ME IN (UK/US, Matt Reeves, 2010) ; NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004) ; DAY WATCH (RU, Timur Bekmambeton, 2006) ; DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006) ; IRMA VEP (FR, Oliver Assayas, 1996) ; VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; THIRST (SK, Park Chan-wook, 2009) ; BAKJWI (SK, Park Chan-wook, 2009) ; NADJA (US, Michael Almereyda, 1994) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; HABIT (US, Larry Fessenden, 1996) ; VAMPIRE IN BROOKLYN (US, Wes Craven, 1995) ; TWILIGHT (US, Catherine Hardwicke, 2008) ; ECLIPSE: TWILIGHT 3 (US, David Slade, 2010) ; CRONOS (MX, Guillermo del Toro, 1993) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; BLADE (US, Stephen Norrington, 1998) ; BLADE II (US, Guillermo Del Toro, 2002) ; BLADE: TRINITY (US, David S. Goyer, 2004) ; UNDERWORLD (US, Len Wiseman, 2003) ; UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005) ; PERFECT CREATURE (NZ/UK, Glenn Standring, 2006) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844574407
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New Zealand film and television : institution, industry, and cultural change / Trisha Dunleavy and Hester Joyce Bristol, U.K. ; Chicago, USA: Intellect, 2011.
Call No: 71(931) DUNAuthor: Dunleavy, Trisha ; Joyce, Hester Source: UKPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: 2011PhysDes: 291 p. : ill. ; 24 cmSubject: NEW ZEALAND ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. NEW ZEALAND ; MAORI IN FILMS ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; NGATI (NZ, Barry Barclay, 1987) ; SHORTLAND STREET [TV] (NZ, 1992-) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; BOY (NZ, Taika Waititi, 2010) Summary: "Despite the challenges arising from a limited population size and the difficulty of obtaining adequate funding, the film and television industries of New Zealand have been the source of significant creative achievement and profound cultural influence. Charting their emergence and subsequent development through five decades, New Zealand Film and Television: Institution, Industry and Cultural Change examines these two increasingly vibrant cultural and creative industries. Whilst there is a growing body of academic work on the film and television productions which have originated in New Zealand, relatively little exists that examines the specific cultural concerns, institutional objectives, policy directives, and industry practices that have shaped these productions. New Zealand Film and Television: Institution, Industry and Cultural Change aims to fill this gap."-BOOK BLURBNotes: includes glossary of Maori terms; includes bibliographical references; includes indexISBN: 9781841504575Contents: -- List of Illustrations -- Acknowledgements -- Glossary of Maori Terms -- List of Abbreviations -- Introduction -- 1. Television in the Era of Public Monopoly -- 2. Pioneers, Mavericks and the Inception of a National Cinema (1960-88) -- 3. Television, Neo-liberalism and the Advent of Competition (1988-99) -- 4. Neo-liberalism and the Consolidation of a National Film Industry (1988-97) -- 5. Television after 2000: Digital 'Plenty' in a Small Market -- 6. New Zealand and Internationalism (1998-2010) -- Conclusions -- References -- Index --
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NIGHTMARE ON ELM STREET, A : (US, Samuel Bayer, 2010)
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NINE MUSES, THE : (GH/UK, John Akomfrah, 2010)
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LE NOM DES GENS : (FR, Michel Leclerc, 2010)
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NORUWEI NO MORI : (JP, Anh Hung Tran, 2010)
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NORUWEI NO MORI : (JA, Anh Hung Tran, 2010)
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NOSTALGIA DE LA LUZ : (FR/G/CL/SP/US, Patricio Guzman, 2010)
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NUREMBERG : (US, Stuart Schulberg, 2010)
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The Odyssey file / Arthur C. Clarke and Peter Hyams London: Panther, 1985.
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Offspring : episode 705 / by Leon Ford AT: 2017.
Call No: S OFFAuthor: Ford, Leon Edition: Lilac amendmentsPlace: ATPubDate: 2017PhysDes: 62 leaves ; 30 cm.Subject: OFFSPRING [TV] (AT, 2010) Summary: "Nina meets Harry's difficult family for the first time." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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Offspring : episode 708 / by Alice Bell. AT: 2017.
Call No: S OFFAuthor: Bell, Alice Edition: Orange amendments scriptPlace: ATPubDate: 2017PhysDes: 54 leaves ; 30 cm.Subject: OFFSPRING [TV] (AT, 2010) Summary: "Harry and Nina face a road bump when Harry disciplines Zoe. A meeting with an ex-boyfriend from Billie's past clarifies her feelings for Dan." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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Offspring : series 5 - episode 503 Digital clippings file available
Call No: DIGITAL FILEPhysDes: 78 leaves ; 30cmSubject: OFFSPRING [TV] (AT, 2010) Notes: post production script; Unpublished scriptDonation: AFI / AACTA
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Offspring : series 5 - episode 505 Digital clippings file available
Call No: DIGITAL FILEPhysDes: 81 leaves; 30cmSubject: OFFSPRING [TV] (AT, 2010) Notes: post production script; Unpublished scriptDonation: AFI / AACTA
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OFFSPRING [TV] : (AT, 2010)
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LOS OJOS DE JULIA : (SP, Guillem Morales, 2010)
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OLIVER STONE'S SECRET HISTORY OF AMERICA : (US, Oliver Stone, 2010)
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ON TRIAL : [TV](AU, Hugh Piper/Susan Lambert, 2010)
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ONE BORN EVERY MINUTE [TV] : (UK, 2010 - )
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ORANGE : (II, Bhaskar, 2010)
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ORCHIDS : (AT, Phoebe Hart, 2010)
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OTHER GUYS, THE : (US, Adam McKay, 2010)
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OTOTO [ABOUT HER BROTHER] : (JP, Yôji Yamada, 2010)
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OUT OF THE ASHES : (UK, Tim Albone, 2010) Digital clippings file available
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OVER YOUR CITIES GRASS WILL GROW : (FR/NE/UK, Sophie Fiennes, 2010)
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PACIFIC, THE [TV] : (US, Jeremy Podeswa, 2010)
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PEEPLI [LIVE] : (II, Anusha Rizvi/Mahmood Farooqui, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: PEEPLI [LIVE] (II, Anusha Rizvi/Mahmood Farooqui, 2010) URL status: URL: 'http://file://Q:/T/LIVE.zip'
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PENELOPE K, BY THE WAY [TV] : (AT, Peter Cudlipp, 2010)
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PEOPLE VS GEORGE LUCAS, THE : (US/UK, Alexandre O. Philippe, 2010)
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PERCY JACKSON & THE LIGHTNING THIEF : (CN/US, Chris Columbus, 2010)
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Peter Weir : interviews / edited by John C. Tibbetts ; foreword by David Thomson Jackson, Mississippi: University Press of Mississippi, 2014.
Call No: 81WEI PETAuthor: Tibbetts, John C ; Thomson, David Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: 2014PhysDes: xlii, 261 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: ADAPTATIONS ; AUTEUR THEORY ; DIRECTORS ; EDITING ; INTERVIEWING ; REALITY TV ; WAR IN FILMS ; WEIR, PETER ; BOYD, RUSSELL ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; FEARLESS (US, Peter Weir, 1993) ; GALLIPOLI (AT, Peter Weir, 1981) ; GREEN CARD (AT/FR, Peter Weir, 1990) ; HOMESDALE (AT, Peter Weir, 1971) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003) ; MOSQUITO COAST, THE (US, Peter Weir, 1986) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PLUMBER, THE (AT, Peter Weir, 1980) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; WAY BACK, THE (US, Peter Weir, 2010) ; WITNESS (US, Peter Weir, 1985) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: 'Peter Weir: Interviews' is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. [...] Interviews discuss Weir's diverse and impressive range of work - his earlier films 'Picnic at Hanging Rock', 'The Last Wave', 'Gallipoli', and 'The Year of Living Dangerously', as well as Academy Award-nominated 'Witness', 'Dead Poets Society', 'Green Card', 'The Truman Show', and 'Master and Commander'. This book confirms the trajectory of Weir's life and work parallels and embodies Australia's quest to define and express a historical and cultural identity." -- BOOK BLURBNotes: Includes chronology and filmography for Peter Weir's work; includes indexISBN: 9781617038976Contents: Foreword by David Thomson -- Introduction: "unmet friends": encounters with Peter Weir -- Chronology -- Filmography -- Peter Weir: reclaiming a Sydney boyhood: John C. Tibbetts / 2012 -- Peter Weir: snapshots in time: John C. Tibbetts / 2012 -- Peter Weir: early days: Sue Mathews / 1985 -- Small screens and big screens: television and film: Graham Shirley / 1991 -- The first features: 'The Cars That Ate Paris: Tom Hogan / 1973 -- "Weir, weird, and weirder still": the riddle of Hanging Rock: David Castell / 1976 -- Years of living dangerously: 'The Last Wave', 'The Plumber', 'Gallipoli', 'The Year of Living Dangerously': Sue Mathews / 1985 -- Interview with Peter Weir: Luisa Ceretto and Andrea Morini / 1999 -- Peter Weir: master of unease: Terry Dowling and George Mannix / 1980 -- Towards the center: Tom Ryan and Brian McFarlane / 1981 -- The swizzle stick: Peter Weir and Hollywood genres: Jonathan Rayner / 1993 -- The iceman cometh: 'Mosquito Coast': Digby Diehl / 1986 -- 'Fearless': the poetry of apocalypse: John C. Tibbetts / 1993 -- Poetry man: 'Dead Poets Society': Nancy Griffin -- Weir's worlds: 'The Truman Show': Virginia Campbell -- This is your life: 'The Truman Show': Eric Rudolph / 1998 -- He's fought his own way back to work: Terence Rafferty / 2011 -- "I am your eyes": interviews with Russell Boyd, ACS, ASC: John C. Tibbetts / 2012 -- Appendix: Notes on 'Gallipoli -- Interview with executive producer Francis O'Brien -- Peter Weir's Anzac lecture -- additional sources -- index
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PETITS MOUCHOIRS, LES : (FR, Guillaume Canet, 2010)
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Pixar with Lacan : the hysteric's guide to animation / Lilian Munk Rosing London: Bloomsbury Academic, an imprint of Bloomsburg Publishing, 2017.
Call No: 772 ROSAuthor: Rosing, Lilian Munk Edition: Paperback editionSource: US/UKPlace: New York; LondonPublisher: Bloomsbury Academic, an imprint of Bloomsburg PublishingPubDate: 2017PhysDes: 181 pages : illustrations ; 23 cmSubject: PIXAR ; ANIMATION ; THEORY ; LACAN, JACQUES ; TOY STORY (US, John Lasseter, 1995) ; TOY STORY 2 (US, John Lasseter, 1999) ; TOY STORY 3 (US, Lee Unkrich, 2010) ; BUG'S LIFE, A (US, John Lasseter & Andrew Stanton, 1998) ; MONSTERS, INC. (U S, Peter Docter & David Silverman, 2001) ; FINDING NEMO (US, Andrew Stanton & Lee Unkrich, 2003) ; INCREDIBLES, THE (US, Brad Bird, 2004) ; CARS (US, John Lasseter and Joe Ranft, 2006) ; RATATOUILLE (US, Brad Bird, Jan Pinkava, 2007) ; WALL-E (US, Andrew Stanton, 2008) ; UP (US, Pete Docter and Bob Peterson, 2009) Summary: The films from Pixar Animation Studios are among the most popular family films today. From Monsters Inc. to Toy Story and Wall-E, Pixar's animated characters take on human qualities that demand more than just cultural analysis. What animates the human subject according to Pixar? What are the ideological implications of that animation?
Pixar with Lacan has the double aim of analyzing pixar films while at once exemplifying important psychoanalytic concepts (the voice, the gaze, the partial object, the Other, the object a, the primal father, the name-of-the-father, symbolic castration, the imaginary/the real/the symbolic, desire and drive, the four discourses, masculine/feminine). In so doing , Lilian Munk Rosing expertly examines the ideological implications of the images of human existance in Pixar films.-- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781501320170Contents: -- Introduction -- Beyond the Name of the Father: Toy Story -- Big O is Watching You: Toy Story 2 -- Sadism in the Kindergarten: Toy Story 3 -- entertainment as warfare : A Bug's Life -- There is Nothing More Toxic than a Human Child: Monsters, Inc -- Just Keep Swimming: Finding Nemo -- More than Super: The Incredibles -- the Mother Road: Cars -- Man is a Puppet, Soul is a Rat: Ratatouille -- Humanity Stuck in Vacation Hell: Wall-E -- His Master's Voice: Up -- epilogue: animation and capitalism -- references -- filmography -- index --
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Play the go to jail card in The Australian [Review] (01/02/2014) p.23
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PLEASE GIVE : (US, Nicole Holofcener, 2010)
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POLLY AND ME : (AT, Ian Darling, 2010)
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PREDATORS : (US, Nimrod Antal, 2010)
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PRINCESSE DE MONTPENSIER, LA : (FR/G, Bertrand Tavernier, 2010)
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PROMISE, THE [TV] : (UK, 2010-2011)
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QUARTIER LOINTAIN : (BE/LU/FR/GG, Sam Garbarski, 2010)
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RAAVAN : (II, Mani Ratman, 2010)
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RABBIT HOLE : (US, John Cameron Mitchell, 2010)
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[Rabbit hole : poster] AT: c2010.
Call No: P RABPlace: ATPubDate: c2010PhysDes: 1 poster : col. ; 101 x 69 cmSubject: RABBIT HOLE (US, John Cameron Mitchell, 2010) Summary: Image: Blue sky with white clouds, a tyre suspended by a rope forms the O of the title. Text: 'Love will get you through'Notes: Double-sided, mirror image on verso
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RAISING HOPE [TV] : (US, 2010-14)
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RAKE : [TV](AT, 2010)
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Rake : season 2, episode 5. R v. Tanner / written by Peter Duncan AT: [2012].
Call No: S RAKAuthor: Duncan, Peter Edition: 30th March 2012Place: ATPubDate: [2012]PhysDes: 53 leavesSubject: RAKE [TV](AT, 2010) Notes: Unpublished script -- Donated by AFI -- Credit: production company, Essential Media/Blow by Blow.
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Rake : season 2, episode 1. R v. Mohammed / written by Peter Duncan AT: [2012].
Call No: S RAKAuthor: Duncan, Peter Edition: Draft 5, 3rd February 2012Place: ATPubDate: [2012]PhysDes: 58 leavesSubject: RAKE [TV](AT, 2010) Notes: Unpublished script -- Donated by AFI -- Credit: production company, Essential Media/Blow by Blow.
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Rake : episode 2. R v Marx / by Peter Duncan AT: [2010].
Call No: S RAKAuthor: Duncan, Peter Edition: Pink amended scriptPlace: ATPubDate: [2010]PhysDes: 61 leavesSubject: RAKE [TV](AT, 2010) Notes: Unpublished script -- Director: Peter Duncan, 1st AD: Matt Enfield, Continuity: Kira BohnDonation: Australian Film Institute
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Rake : episode 6. R v Langhorn / by Andrew Knight AT: 2010 Jun. 18.
Call No: S RAKAuthor: Knight, Andrew Edition: Green amended scriptPlace: ATPubDate: 2010 Jun. 18PhysDes: 57 leavesSubject: RAKE [TV](AT, 2010) Notes: Unpublished script -- Director: Jeffrey Walker, 1st AD: Matt Enfield, Continuity: Kira BohnDonation: Australian Film Institute
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Rake : series 3 - episode 1 / written by Peter Duncan [AT]: 22/06/2013. Digital clippings file available
Call No: DIGITAL FILEAuthor: Duncan, Peter Edition: final shooting scriptPlace: [AT]PubDate: 22/06/2013PhysDes: 76 leavesSubject: RAKE [TV](AT, 2010) Notes: Unpublished scriptDonation: AFI/AACTA
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Rake : series 3 - episode 8 / written by Peter Duncan [AT]: 26/08/2013. Digital clippings file available
Call No: DIGITAL FILEAuthor: Duncan, Peter Edition: final shooting scriptPlace: [AT]PubDate: 26/08/2013PhysDes: 77 leavesSubject: RAKE [TV](AT, 2010) Notes: Unpublished scriptDonation: AFI/AACTA
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Rake : episode 407 / by Andrew Knight; story by Peter Duncan & Andrew Knight 30-Nov-15. Digital clippings file available
Call No: DIGITAL FILEAuthor: Knight, Andrew Edition: 2015PubDate: 30-Nov-15PhysDes: 61 leaves ; 30cmSubject: RAKE [TV](AT, 2010) Notes: Unpublished scriptDonation: AFI / AACTA
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Rake : episode 408 - Greene v. Greene v. The Greens / by Peter Duncan; story by Peter Duncan & Andrew Knight 23-Nov-15. Digital clippings file available
Call No: DIGITAL FILEAuthor: Duncan, Peter Edition: 2015PubDate: 23-Nov-15PhysDes: 64 leaves ; 30cmSubject: RAKE [TV](AT, 2010) Notes: Unpublished scriptDonation: AFI / AACTA
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RAKTA CHARITRA : (II, Ram Gopal Varma, 2010)
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RARE EXPORTS : (FI, Jalmari Helander, 2010)
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RE-ENCHANTMENT : (AT, Sarah Gibson, 2010)
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REAL HOUSEWIVES [OF BEVERLY HILLS], THE [TV] : (US, 2010) Digital clippings file available
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RED : (US, Robert Schwentke, 2010)
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RED HILL : (AT, Patrick Hughes, 2010) Digital clippings file available
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Red hill / by Patrick Hughes AT: 2009 Jan. 30.
Call No: S REDAuthor: Hughes, Patrick Place: ATPubDate: 2009 Jan. 30PhysDes: 94 leavesSubject: RED HILL (AT, Patrick Hughes, 2010) Summary: "A young police officer must survive his first day's duty in a small country town." - from IMDbNotes: Unpublished script -- Copyright Hughes House Productions 2009Donation: Australian Film Institute
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RED LIGHT REVOLUTION : (C, Sam Voutas, 2010)
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RED SHIRLEY : (US, Lou Reed, 2010)
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RED WHITE & BLUE : (UK, Simon Rumley, 2010)
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REEF, THE : (AT, Andrew Traucki, 2010)
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RELUCTANT INFIDEL, THE : (UK, Josh Appignanesi, 2010)
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REMEMBER ME : (US, Allen Coulter, 2010)
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RESIDENT EVIL: AFTERLIFE : (G/FR/UK, Paul W.S. Anderson, 2010)
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RESTREPO : (US, Tim Hetherington/Sebastian Junger, 2010)
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Revisionist rape-revenge : redefining a film genre / by Claire Henry New York: Palgrave Macmillan, 2014.
Call No: 749 HENAuthor: Henry, Claire Edition: First editionSource: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: x, 218 pages ; 23 cmSubject: CRIME IN FILMS ; HORROR FILMS ; SEX IN FILMS ; VIOLENCE IN FILMS ; PORNOGRAPHY IN FILMS ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; LAST HOUSE ON THE LEFT, THE (US, Dennis Iliadis, 2009) ; I SPIT ON YOUR GRAVE (US, Steven R. Monroe, 2010) ; I SPIT ON YOUR GRAVE (US, Meir Zarchi, 1978) ; DESCENT (US, Talia Lugacy, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DEATH PROOF (US, Quentin Tarantino, 2007) ; SLEEPERS (US, Barry Levinson, 1996) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; KATALIN VARGA (UK/RM, Peter Strickland, 2009) ; TWILIGHT PORTRAIT (RU, Angelina Nikonova, 2011) ; PORTRET V SUMERKAKH (RU, Angelina Nikonova, 2011) Summary: "Considered a notorious subset of horror in the 1970s and 1980s, there has been a massive revitalization and diversification of rape-revenge in recent years. This book analyzes the politics, ethics, and affects at play in the filmic construction of rape and its responses"-- LIBRARIES AUSTRALIANotes: Formerly CIP; Includes bibliographical references, filmography and indexISBN: 9781137414168Contents: -- Introduction: Reapproaching Rape-Revenge -- 1. Remaking Rape-Revenge: The Last House on the Left (1972/2009) and I Spit on Your Grave (1978/2010) -- 2. The Postfeminist Trap of Vagina Dentata for the American Teen Castratrice -- 3. Rape, Racism, and Descent into the Ethical Quagmire of Revenge -- 4. The Shame of Male Acolytes: Negotiating Gender and Sexuality Through Rape-Revenge -- 5. Collective Revenge: Challenging the Individualist Victim-Avenger in Death Proof, Sleepers, and Mystic River -- Conclusion: Challenging the Boundaries of Cinema's Rape-Revenge Genre in Katalin Varga and Twilight Portrait --
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Rise of the boy next door in Daily Telegraph [BW Magazine] (24/06/2017) p.1
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RIWAYAT : (II, Vijay Patkar, 2010)
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ROAD TRAIN : (AT, Dean Francis, 2010) Digital clippings file available
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ROBIN HOOD : (US/UK, Ridley Scott, 2010)
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ROCK N ROLL OF CORSE : (FR, Stéphane Bébert/Lionel Guedj, 2010)
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ROOKIE BLUE [TV] : (CN, 2010)
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ROUTE IRISH : (UK/FR/IT/BE/SP, Ken Loach, 2010)
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The routledge companion to disability and media / Edited by Katie Ellis; Gerard Goggin, Beth Haller and Rosemary Curtis New York: Routledge, 2020.
Call No: 747.77 ROUAuthor: Ellis, Katie ; Goggin, Gerard ; Haller, Beth ; Curtis, Rosemary Source: USPlace: New YorkPublisher: RoutledgePubDate: 2020PhysDes: xxvi, 424 pages : illustrations ; 26 cmSeries: Routledge Media and Cultural Studies CompanionsSubject: PEOPLE WITH DISABILITIES IN FILMS ; PEOPLE WITH DISABILITIES AND THE CINEMA ; PEOPLE WITH DISABILITIES AND TV ; I AM SAM (US, Jessie Nelson, 2001) ; SILVER LININGS PLAYBOOK (US, David O. Russell, 2012) ; STILL ALICE (US/FR, Richard Glatzer & Wash Westmoreland, 2014) ; SESSIONS, THE (US, Ben Lewin, 2012) ; GREENBERG (AT, Noah Baumbach, 2010) ; BREATHING LESSONS: THE LIFE AND WORK OF MARK O'BRIEN (US, Jessica Yu, 1997?) Summary: An authoritative and indispensable guide to disability and media, this thoughtfully curated collection features varied and provocative contributions from distinguished scholars globally, alongside next-generation research leaders.
Disability and media has emerged as a dynamic and exciting area of contemporary culture and social life. Media–– especially digital technology––play a vital role in disability transformations, with widespread implications for global societies and how we understand communications. This book addresses this development, from representation and audience through technologies, innovations and challenges of the field. Through the varied and global perspectives of leading researchers, writers, and practitioners, including many authors with lived experience of disability, it covers a wide range of traditional, emergent and future media forms and formats.Notes: Includes bibliographical references and indexISBN: 9781138884588Contents: Introduction: Disability and media--an emergent field / Gerard Goggin, Katie Ellis, Beth Haller, and Rosemary Curtis -- Disability imaginaries in the news / Tanya Titchkosky -- What's it all worth? The political economy of disability representation in Indian media / Nookaraju Bendukurthi and Usha Raman -- Decolonizing the dynamics of media power and media representation between 1830 and 1930 : Australian indigenous peoples with disability / John Gilroy, Jo Ragen and Helen Meekosha -- Featuring disabled women in advertisements : the commodification of diversity? / Ella Houston -- Still playing it safe : a comparative analysis of disability narratives in the sessions, breathing lessons, and "On seeing a sex surrogate" / Jonathan Bartholomy -- Mental distress, romance and gender in contemporary films : Greenberg and Silver linings playbook / Alison Wilde -- Still Julianne : projecting dementia on the silvering screen / Sally Chivers -- Authentic disability representation on U.S. Television past and present / Beth Haller -- The spectacularization of disability sport : Brazilian and Australian newspaper photographs of 2012 London Paralympic athletes / Tatiane Hilgemberg, Katie Ellis and Madison Magladry -- George R.R. Martin and the two dwarfs / Mia Harrison -- Embodying metaphors : disability tropes in political cartoons / Beth Haller -- Resisting erasure : reading (dis)ability and race in speculative media / Sami Schalk -- Producerly disability popular culture : the collision of critical and receptive attitudes / Katie Ellis -- The Bodies of Film Club : disability, identity, and empowerment / Fiona Whittington-Walsh, and Kya Bezanson, Christian Burton, Jaci Mackendrick, Katie Miller, Emma Sawatzky, Colton Turner -- Disability Narratives in the News Media : A Spotlight on Africa / Olusola Ogundola -- Disabled media creators in Afghanistan, China and Somalia / Patricia Chadwick -- Youth with disabilities in Africa : bridging the disability divide / Kimberly O'Haver -- Engaging accessibility issues through mobile videos in Montre´al / Laurence Parent -- Pages of life : using a telenovela to promote the inclusion of students with disabilities in Brazil / Patricia Almeida -- How do you write that in sign language? : A graphic signed novel as source of epistemological reflection on writing / Ve´ro Leduc -- GimpGirl : insider perspectives on technology and the lives of disabled women / Jennifer Cole and Jason Nolan -- Digital media accessibility : an evolving vinfrastructure of possibility / Elizabeth Ellcessor -- Making the web more interactive and accessible for blind people / Jonathan Lazar and Brian Wentz -- Social media and disability-it's complicated / Michael Kent -- When Face-to-face is screen-to-screen : reconsidering mobile media as communication augmentations and alternatives / Meryl Alper -- Mobile phones and visual impairment in South Africa : experiences from a small town / Lorenzo Dalvit -- Video on demand : is this Australia's new disability divide? / Wayne Hawkins -- Individuals with physical impairments as life hackers? : Analyzing online content to interrogate dis/ability and design / Jerry Robinson -- Interdependence in collaboration with robots / Eleanor Sandry -- Dropping the disability beat : why specialized reporting doesn't solve disability (mis)representation / Chelsea Temple Jones -- Advertising disability and the diversity directive / Josh Loebner -- Disability advocacy in BBC's Ouch and ABC's Ramp up / Shawn Burns -- Representing difference : disability, digital storytelling, and public pedagogy / Carla Rice and Eliza Chandler -- Needs must : digital innovations in disability rights advocacy / Filippo Trevisan -- Disability media work / Katie Ellis and Melissa Merchant -- Books and people with print disabilities : public value and the international disability human rights agenda / David Adair and Paul Harpur.ID2: 357
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RUBBER : (FR/AL/US, Quentin Dupieux, 2010)
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RUNAWAYS, THE : (US, Floria Sigismondi, 2010)
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SALT : (US, Phillip Noyce, 2010)
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SANS QUEUE NI TETE : (FR/LU, Jeanne Labrune, 2010)
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SANTA'S APPRENTICE : (AT/FR/IE, Luc Vinciguerra, 2010)
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SAW 3D : (CN/US, Kevin Greutert, 2010)
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Scaling highs and lows in Herald Sun [Hit] (14/05/2015) p.41
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SCOTT PILGRIM VS. THE WORLD : (US, Edgar Wright, 2010)
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SECRETO DE SUS OJOS, EL : (AG/SP, Juan Jose Campanella, 2010)
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SECUESTRADOS : (SP/FR, Miguel Angel Vivas, 2010)
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SENNA : (UK, Asif Kapadia, 2010)
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SENTIMENTAL ENGINE SLAYER, THE : (US, Omar Rodriguez-Lopez, 2010)
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SERGE GAINSBOURG: VIE HEROIQUE : (FR/US, Joann Sfar, 2010)
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Sex and storytelling in modern cinema : explicit sex, perforamnce and cinematic technique / Editor: Lindsay Coleman London, New York: I.B. Tauris,
Call No: 749.0 COLAuthor: Coleman, Lindsay Edition: 2016Place: London, New YorkPublisher: I.B. TaurisPhysDes: xvi, 252 p. ; 24 cmSubject: SEX IN FILMS ; PORNOGRAPHIC FILMS ; MAITRESSE (FR, Barbet Schroeder, 1976) ; BAISE-MOI (FR, Virginie Despentes, 2000) ; SHORTBUS (US, John Cameron Mitchell, 2006) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; IRREVERSIBLE (FR, Gaspar Noe, 2002) ; ANTICHRIST (DK, Lars von Trier, 2009) ; KEN PARK (US/NE/FR, Larry Clark & Ed Lachman, 2002) ; LEAP YEAR (MX, Michael Rowe, 2010) ; VIELLE MAITRESSE, UNE [LAST MISTRESS, THE] (FR/IT, Catherine Breillat, 2007) ; SE, JEI [LUST, CAUTION] (US/CC/TZ/HK, Ang Lee, 2007) Notes: With full-frontal genitalia, erections, even actual sex featuring increasingly in films, this explicitness in presentation has caused critical consternation and accusations that such film narratives are pornographic. This book explores how, rather than being pornographic, explicit sex can be an essential element of cinematic storytelling today. Offering detailed analysis of how choices are made in the presentation of explicit sex in often very controversial films, such as "Shame", "Baise-Moi", "Antichrist", "Dogtooth" and "Lust, Caution", the expert contributors - including Barbara Creed, Jacob Held and Linda Ruth Williams - show how sexual content can aid characterisation, highlight themes, and provide events that serve to develop plot. The impact of explicit sex as an element of a film's narrative is also revealed to be assisted by effective, nuanced performances and the incisive deployment of directorial technique. Together they detail through the fundamentals of cinema the shot by shot, moment by moment manner in which explicit sex can be an essential component of a dramatically powerful narrative. -- publisher's blurbISBN: 9781780766409Donation: Senses of Cinema
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SEX AND THE CITY 2 : ( US, Michael Patrick King, 2010)
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SEX & DRUGS & ROCK & ROLL : (UK, Mat Whitecross, 2010)
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SHANGHAI : (CC/US, Mikael Hafstrom, 2010) Digital clippings file available
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SHERLOCK [TV] : (UK, 2010-)
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SHI : (KO, Lee Chang-dong , 2010)
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SHREK FOREVER AFTER : ( US, Mike Mitchell, 2010)
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SHUTTER ISLAND : (US, Martin Scorsese, 2010)
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SISTERS OF WAR : [TV](AT, Brendan Maher, 2010)
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SKIN DEEP : [TV] (AT, Franco Di Chiera, 2010)
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The sky is falling! : the unexpected poltics of Hollywood's superheroes and zombies / Peter Biskind Penguin Books, 2019.
Call No: 735(73) BISAuthor: Biskind, Peter Source: UKPublisher: Penguin BooksPubDate: 2019PhysDes: 12 unnumbered pages, 272 pages ; 20 cmSubject: AVATAR (US, James Cameron, 2009) ; CAMERON, JAMES ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) ; DARK KNIGHT, THE (US, Christopher Nolan, 2008) ; GAME OF THRONES [TV] (US, 2011-) ; HAWKINS, SALLY ; LEFT BEHIND (US, Vic Sarin, 2001) ; MARTIAN, THE (US, Ridley Scott, 2015) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; SHAPE OF WATER, THE (US, Guillermo del Toro, 2017) ; TRUE BLOOD [TV] (US, 2008-) ; WALKING DEAD, THE [TV] (US, 2010 - ) ; ZOMBIES IN FILMS AND TV ; SUPERHEROES IN FILMS ; APOCALYPSE IN FILMS Summary: A bestselling cultural journalist takes us on a wild ride through pop culture, showing how it paved the way for today's extreme politics
Are Batman and 24's Jack Bauer heroic loners defending our way of life - or right-wing vigilantes attacking it? Is Avatar just a National Geographic version of Star Wars or a passionate assault on capitalism? And what about Game of Thrones - sword and sorcery fantasy, or lesson in mainstream politics?
In The Sky is Falling! bestselling cultural critic Peter Biskind takes us on a dizzying ride across two decades of pop culture to show how the TV and movies we love have taught us to love political extremism. Welcome to a darkly pessimistic, apocalyptic world where winter has come, the dead are walking, and ultra violence, revenge and torture are all in a day's work. Welcome to the new normal. -- publisher's websiteNotes: Includes bibliographical references and index.ISBN: 9780241373873Contents: Beyond the fringe : an introduction -- Part I. Winter has come. Apocalypse now --
Bleeding hearts -- Doing the right thing -- Part II. Who'll stop the rain?. Gone fishin' -- Coming apart -- Draining the swamp -- Part III. Breaking bad. The silence of the lambs -- Beauty in the beast -- License to kill -- Part IV. Heaven can't wait. What a piece of work was man -- Anywhere but here -- No exit --
Conclusion : the return of the center.
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SLACKISTAN : (UK, Hammad Khan, 2010)
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SMASH HIS CAMERA : (US, Leon Gast, 2010)
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The social network / Screenplay by Aaron Sorkin ; based on the book "The Accidental Billionaires" by Ben Merich US: [2009].
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SOCIAL NETWORK, THE : (US, David Fincher, 2010)
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Sofia Coppola : a cinema of girlhood / Fiona Handyside London ; New York: I.B. Tauris, 2017.
Call No: 81COP HANAuthor: Handyside, Fiona Source: UK/USPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2017PhysDes: ix, 201 pages : illustrations ; 24 cmSeries: International Library of the Moving Image ; 39Subject: COPPOLA, SOFIA ; STARS. USA ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; HOUSES AND GARDENS IN FILMS ; VIRGIN SUICIDES, THE (US, Sofia Coppola, 2000) ; LOST IN TRANSLATION (US, Sofia Coppola, 2003) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; SOMEWHERE (US/UK/IT/JA, Sofia Coppola, 2010) ; BLING RING, THE (US/UK/G/FR, Sofia Coppola, 2013) Summary: Sofia Coppola is widely regarded as one of the most astute, provocative and visionary directors in the contemporary film industry. She has received numerous accolades including an Academy Award and two Golden Globes, and in 2004 became the first ever American woman to be nominated for a Best Director Oscar. From 'The Virgin Suicides' to 'The Bling Ring', her work carves out new spaces for the expression of female subjectivity that embraces rather than rejects femininity. Fiona Handyside here considers the careful counter-balance of vulnerability with the possibilities and pleasures of being female in Coppola's films - albeit for the white and the privileged - through their recurrent themes of girlhood, fame, power, sex and celebrityISBN: 9781784537159Contents: Machine generated contents note: 1.Sofia Coppola: Postfeminist [d]au[gh]te[u]r? -- 2.Luminous Girlhoods: Sparkle and Light in Coppola's Films -- 3.`There's No Place Like Home!' The Exploded Home as Postfeminist Chronotope -- 4.Dressing Up and Playing About: Costume and Fashion
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Sofia Coppola : the politics of visual pleasure / Anna Backman Rogers Oxford: Berghahn Books, [2019].
Call No: 81COP BACAuthor: Backman Rogers, Anna Source: USPlace: New York; OxfordPublisher: Berghahn BooksPubDate: [2019]PhysDes: 177 pages : illustrations ; 23 cmSubject: WOMEN, FILMS MADE BY ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; CRITICISM ; USA ; COPPOLA, SOFIA ; VIRGIN SUICIDES, THE (US, Sofia Coppola, 2000) ; BEGUILED, THE (US, Sofia Coppola, 2017) ; LOST IN TRANSLATION (US, Sofia Coppola, 2003) ; SOMEWHERE (US/UK/IT/JA, Sofia Coppola, 2010) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; BLING RING, THE (US/UK/G/FR, Sofia Coppola, 2013) Summary: "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy." - taken from back cover.ISBN: 9781785339752Contents: Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999) -- Chapter 2. The Beguiled (2017) -- Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003) -- Chapter 4. Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006) -- Chapter 6. The Bling Ring (2013) -- Conclusion : On Beguilement.
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SOMEWHERE : (US, Sofia Coppola, 2010)
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SORCERER'S APPRENTICE, THE : (US, Jon Turteltaub, 2010)
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SOUTH SOLITARY : (AT, Shirley Barrett, 2010) Digital clippings file available
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[South solitary : poster] AT:
Call No: P SOUPlace: ATPhysDes: 1 Poster : col. ; 100 x 70 cm.Subject: SOUTH SOLITARY (AT, Shirley Barrett, 2010) Summary: Image: A woman in 1920s flapper dress climbs a steep incline from the shore. She holds a lamb and a small case. In the background a lighthouse is visible. Text: 'In distress. Require assistance'
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Spaces mapped and monstrous : digital 3D cinema and visual culture / Nick Jones New York: Columbia University Press, 2020.
Call No: 725.236 JONAuthor: Jones, Nick Edition: 2020Place: New YorkPublisher: Columbia University PressPubDate: 2020PhysDes: xiv, 288 pages : illustrated ; 25 cmSeries: film and culture seriesSubject: 3D DIGITAL ; AVATAR (US, James Cameron, 2009) ; GOODBYE TO LANGUAGE (FR, Jean-Luc Godard, 2014) ; LOVE (FR/BE, Gaspar Noe, 2015) ; CLASH OF THE TITANS (UK/US, Louis Leterrier, 2010) Summary: Digital 3D has become a core feature of the twenty-first-century visual landscape. Yet 3D cinema is a contradictory media form: producing spaces that are highly regimented and exhaustively detailed, it simultaneously relies upon distortions of vision and space that are inherently strange.
Spaces Mapped and Monstrous explores the paradoxical nature of 3D cinema to offer a critical analysis of an inescapable part of contemporary culture. Considering 3D’s distinctive visual qualities and its connections to wider digital systems, Nick Jones situates the production and exhibition of 3D cinema within a web of aesthetic, technological, and historical contexts. He examines 3D’s relationship with computer interfaces, virtual reality, and digital networks as well as tracing its lineage to predigital models of visual organization. Jones emphasizes that 3D is not only a technology used in films but also a tool for producing, controlling, and distorting space within systems of surveillance, corporatization, and militarization. The book features detailed analysis of a wide range of films—including Avatar (2009), Goodbye to Language (2014), Love (2015), and Clash of the Titans (2010)—demonstrating that 3D is not merely an augmentation of 2D cinema but that it has its own unique properties. Spaces Mapped and Monstrous brings together media archaeology, digital theory, and textual analysis to provide a new account of the importance of 3D to visual culture today. -- publisher's web siteISBN: 9780231194235Donation: Senses of CinemaContents: List of Illustrations -- Acknowledgments -- Introduction -- Part I: Contexts -- 1. History: The Long View of 3D Film and Theory -- 2. Visualization: From Perspective to Digital 3D -- Part II: Mapped Spaces -- 3. Simulation: Dematerializing and Enframing -- 4. Immersion: Entering the Screen -- 5. Surveillance: Converting Image to Space, World to Data -- Part III: Monstrous Spaces -- 6. Defamiliarization: Rethinking the Screen Plane -- 7. Distortion: Unfamiliar and Unconventional Space -- 8. Intimacy: The Boundedness of Stereoscopic Media -- Conclusion: Seeing in 3D -- Notes -- Bibliography -- Index.
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Spaces of women's cinema : space, place and genre in contemporary women's filmmaking / Sue Thornham London: Bloomsbury on behalf of the British Film Institute,
Call No: 631.2-02 THOAuthor: Thornham, Sue CorpAuthor: 2019Edition: 2019Place: LondonPublisher: Bloomsbury on behalf of the British Film InstitutePhysDes: x, 226 pages : index ; 24 cmSubject: WOMEN FILMMAKERS ; AMOUR FOU (AU/LX/GG, Jessica Hausner, 2015) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; CHAOS (FR, Coline Serreau, 2001) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; FALLING, THE (UK, Carol Morley, 2014) ; MEEK'S CUTOFF (US, Kelly Reichardt, 2011) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; WHITE MATERIAL (FR/CM, Claire Denis, 2009) ; WINTER'S BONE (US, Debra Granik, 2010) Summary: Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014). -- publisher's web siteISBN: 9781844579112Contents: list of figures -- acknowledgments -- Introduction: Space and Women's Cinema -- 1. Wilderness Spaces -- 2. City Spaces -- 3. Interior Spaces -- 4. Border Spaces -- 5. Doubled Spaces: the Landscapes of Adaptation -- Bibliography --- filmography -- index
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SPARTACUS; BLOOD AND SAND [TV] : (US, 2010)
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Speaking truths with film : evidence, ethics, politics in documentary / Bill Nichols Oakland: California University of California Press, 2016.
Call No: 761 NICAuthor: Nichols, Bill Source: USPlace: OaklandPublisher: California University of California PressPubDate: 2016PhysDes: 281 p. ; ill. ; 23 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; AUDIENCES ; MUSIC IN FILMS ; VOICES ; SOCIAL ISSUES IN FILMS ; ETHICS AND THE CINEMA ; ETHICS IN FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; RESTREPO (US, Tim Hetherington/Sebastian Junger, 2010) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; ACT OF KILLING, THE (DK/NO/UK, Joshua Oppenheimer, (2012) ; STEVE JOBS: THE MAN IN THE MACHINE (US, Alex Gibney, 2015) Summary: "What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"--Provided by publisher.Notes: Includes bibliographical references and index.Contents: Documentary film and the modernist avant-garde -- Documentary reenactment and the fantasmatic subject -- Letter to Lynn Sachs about her film Investigation of a flame -- Breaking the frame, gender, violation and the avant-garde -- The coming of sound -- To see the world anew : revisiting the voice of documentary -- The sound of music -- The question of evidence : the power of rhetoric and the documentary film -- The terrorist event -- Remaking history : Jay Leyda, and the compilation film -- Restrepo : a case of inadvertent evidence -- The symptomatic biopic : Steve Jobs : the man in the machine -- Documentary ethics : doing the right thing -- Irony, paradox and the documentary : double meanings and double binds -- Letter to Errol Morris : feelings of revulsion and the limits of academic discourse -- Perpetrators, trauma and film -- San Francisco newsreel : collectives, politics, films -- The political documentary and the problem of impact.
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SPECIAL RELATIONSHIP, THE : (UK/US, Richard Loncraine, 2010)
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Spectatorship, embodiment and physicality in the contemporary mutilation film / Laura Wilson Houndmills, Basingstoke ,Hampshire -- New York: Palgrave Macmillan, 2015.
Call No: 730.5 WILAuthor: Wilson, Laura Source: UKPlace: Houndmills, Basingstoke ,Hampshire -- New YorkPublisher: Palgrave MacmillanPubDate: 2015PhysDes: viii, 192 pages : illustrations ; 23 cmSubject: VIOLENCE IN FILMS ; SAW II (US, Darren Lynn Bousman, 2005) ; SAW III (US, Darren Lynn Bousman, 2006) ; SAW IV (US, Darren Lynn Bousman, 2007) ; SAW VI (CN/US/UK/AT, Kevin Greutert, 2009) ; SAW 3D (CN/US, Kevin Greutert, 2010) ; HOSTEL (US, Eli Roth, 2005) ; IN MY SKIN [DANS MA PEAU] (FR, Marina de Van, 2002) ; IRREVERSIBLE (FR, Gaspar Noe, 2002) ; INSIDE [A' L'INTERIEUR] (FR, Alexandre Bustillo & Julien Maury, 2007) ; HUMAN CENTIPEDE II, THE: FULL SEQUENCE (US, Tom Six, 2011) ; HUMAN CENTIPEDE, THE: FIRST SEQUENCE (NE, Tom Six, 2009) Summary: "Focusing on the representation of mutilation on the screen (the torture porn genre) and the physical responses this evokes - what the author defines as 'physical spectatorship' - this book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship; these include: corporeal mimicry and the cinematic visualisations of mutilation; generalised anxiety and experimental use of sound; and the nausea generated by audio-visual techniques that both signify and locate the filmic gut in the viewer's body. Combining close textual analyses with theoretical approaches, and traversing a number of national cinemas, Wilson draws upon psychoanalytic, phenomenological and feminist theories of film and spectatorship to explore specific aspects of this often overlooked group of films, aspects such as the assault narrative sequence, the use of extreme frequencies, and haptic sounds and images"--ISBN: 9781137444370Contents: List of Figures -- Introduction -- 1. Embodied Voyeurism -- 2. Mutilation as Spectacle -- 3. Representing the Unrepresentable: Self-Harm as Affect -- 4. Extreme Frequencies -- 5. The Gut -- Conclusion -- Notes -- Bibliography -- Filmography -- Index
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Spirited : episode 210. I'll close my eyes / written by Jacquelin Perske AT: 2011 Apr..
Call No: S SPIAuthor: Perske, Jacquelin Edition: Final scriptPlace: ATPubDate: 2011 Apr.PhysDes: 45 leavesSubject: SPIRITED [TV] (AT, 2010) Notes: Unpublished script -- copyright Southern Star Entertainment Pty Ltd 2011Donation: Australian Film Institute
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script
Spirited : episode 202. Time after time / by Jacquelin Perske AT: 2011 Apr..
Call No: S SPIAuthor: Perske, Jacquelin Edition: Final shooting scriptPlace: ATPubDate: 2011 Apr.PhysDes: 47 leavesSubject: SPIRITED [TV] (AT, 2010) Notes: Unpublished script -- copyright Southern Star Entertainment Pty Ltd 2011Donation: Australian Film Institute
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SPIRITED [TV] : (AT, 2010)
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SPLICE : (CN/FR/US, Vincenzo Natali, 2010)
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SPUD : (SA, Donovan Marsh, 2010)
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SRPSKI FILM : (SE, Srdjan Spasojevic, 2010)
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STAKE LAND : (US, Jim Mickle, 2010)
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STEP UP 3D : (US, Jon M. Chu, 2010)
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STONES IN EXILE : (US/UK, Stephen Kijak, 2010)
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STREETDANCE 3D : (UK, Max Giwa/Dania Pasquini, 2010)
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STRICTLY SPEAKING [TV] : (AT, 2010)
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SUBMARINE : (UK/US, Richard Ayoade, 2010)
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The subversive zombie : social protest and gender in undead cinema and television / Elizabeth Aiossa Jefferson, North Carolina: McFarland & Company Inc,
Call No: 735.27 AIOAuthor: Aiossa, Elizabeth Edition: 2018Place: Jefferson, North CarolinaPublisher: McFarland & Company IncPhysDes: 186 pages ; 23 cmSeries: contributions to zombie studiesSubject: ZOMBIES IN FILMS AND TV ; ROMERO, GEORGE ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; DAY OF THE DEAD (US, George A. Romero, 1985) ; DEAD GIRL, THE (US, Karen Moncrieff, 2006) ; GIRL WITH ALL THE GIFTS, THE (UK/US, Colm McCarthy, 2016) ; IN THE FLESH [TV] (UK, 2013-2015) ; LAND OF THE DEAD (CN/FR/US, George Romero, 2005) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; WALKING DEAD, THE [TV] (US, 2010 - ) ; WARM BODIES (US/CN, Jonathan Levine, 2013) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later… (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013–2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry. -- publisher's web siteISBN: 978147666730Contents: Acknowledgments -- Preface: Dawn of a Zombie Scholar -- Introduction: The Shifting Culture of the Modern Zombie -- 1. Romero and the Modern American Zombie -- 2. The Evolution of Women in Romero’s Dead Series -- 3. Of Monsters and Men: Flipping the Script on Masculinity and Monstrosity -- 4. For the Love of Zombies: The Return of Heteronormativity in Zombie Works -- 5. Heteronormative Heroics in AMC’s The Walking Dead -- 6. Zombie Women Take the Lead -- 7. Embodying the Zombie In the Flesh -- Conclusion: Zombies Past and Future! -- Chapter Notes -- Works Cited -- Index
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SUCH IS LIFE: THE TROUBLED TIMES OF BEN COUSINS [TV] : (AT, Paul Goldman, 2010)
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SUMMER CODA : (AT, Richard Gray, 2010)
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[Summer coda : poster] AT: c2010.
Call No: P SUMPlace: ATPubDate: c2010PhysDes: 1 poster : col. ; 100 x 70 cm.Subject: SUMMER CODA (AT, Richard Gray, 2010) Summary: Image: A man and a woman wearing casual clothes seating on a veranda overlooking a grove of orange trees. Text 'Closure is just the beginning.'Notes: Small crease and tears, RH edge, 15 cm from top RH corner.
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SUNDAY NIGHT [TV] : (AT, Mark Llewellyn, 2010)
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Sydney Confidential : TV pilot for Horizon-ites in Daily Telegraph (25/6/2015) p.52
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SYKT LYKKELIG : (NO, Anne Sewitsky, 2010)
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Syndey Confidential : Hotplate's Tom gives a big serve to Seven in Sunday Telegraph (09/08/2015) p.140
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TABLOID : (US, Errol Morris, 2010)
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TAMARA DREWE : (UK, Stephen Frears, 2010)
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TAMBIEN LA LLUVIA : (SP/MX/FR, Iciar Bollain, 2010)
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TANGLED : (US, Nathan Greno & Byron Howard, 2010)
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Taxing times put a limit on Aussie drama in Herald Sun (17/03/2016) p.25
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TEA WITH MADAME CLOS : (AT, Jane Oehr, 2010)
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TEAM THAT NEVER PLAYED, THE : (AT/SA, Greg Appel, 2010)
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TEENAGE PAPARAZZO : (US, Adrian Grenier, 2010)
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TEGAN THE VEGAN : (AT, Marisa Martin, 2010)
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TEMPEST, THE : (US, Julie Taymor, 2010)
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TETE EN FRICHE, LA : (FR, Jean Becker, 2010)
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[The king's speech : poster] c2010.
Call No: P KINPubDate: c2010PhysDes: 1 poster : col. ; 100 x 68 cmSubject: KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010) Summary: Image: A man in suit with military decoration looking at a 1930s style recording microphone, a second suited man watches him. Text: 'The nation awaits...'Notes: Double sided; mirrored on verso
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journal article
'The Pacific' prepares to double assault on Qld and Vic in Encore (June 2007) vol.25 iss.06 p.8
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[The way back : poster] AT: c2010.
Call No: P WAYPlace: ATPubDate: c2010PhysDes: 1 poster : col. ; 101 x 70 cmSubject: WAY BACK, THE (US, Peter Weir, 2010) Summary: Image: Head shots of protagonists against different terrains; at bottom image all four walking through desert. Text: 'Inspired by real events; Their escape was just the beginning'Notes: Small tear upper left hand quarter.
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THIS IS NOT A FILM : (IR, Jafar Panahi, 2010)
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THREE BOYS DREAMING : (AT, Michael Cordell, 2010) Digital clippings file available
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The ties that bind : Andrew Bovell in Lumina (Summer 2010) iss.2 p.52-61
Author: Turk, Rachael ; Bovell, Andrew PhysDes: ArticleSubject: SCRIPTWRITING ; BOVELL, ANDREW ; LANTANA (AT, Ray Lawrence, 2001) ; EDGE OF DARKNESS (UK/US, Martin Campbell, 2010) Summary: Inteview with Andrew Bovell, script writer notable for his work on Strictly ballroom, Lantana, Edge of darkness, Blessed, and his collaborations with Ana Kokkinos.
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TINKER BELL AND THE GREAT FAIRY RESCUE : (US, Bradley Raymond, 2010)
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TINY FURNITURE : (US, Lena Dunham, 2010)
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TODO LO QUE TU QUIERAS = ANYTHING YOU WANT : (SP, Achero Manas, 2010)
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TOMORROW, WHEN THE WAR BEGAN : (AT, Stuart Beattie, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILEPhysDes: ClippingsSubject: TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010) URL status: URL: 'http://file://Q:/T/TOMORROW_WHEN_THE_WAR_BEGAN.zip'
Checked: 31/08/2021 1:20:14 PM
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Tomorrow when the war began / written by Stuart Beattie AT: [2010].
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TOOTH FAIRY : (US/CN, Michael Lembeck, 2010)
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TOURNEE : (FR, Mathieu Amalric, 2010)
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TOWN, THE : (US, Ben Affleck, 2010)
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TOY STORY 3 : (US, Lee Unkrich, 2010)
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The tree / written by Julie Bertuccelli AT: 2009.
Call No: S TREAuthor: Bertuccelli, Julie CorpAuthor: adapted from Judy Pascoe's Our Father Who Art in the TreeEdition: version 5/10-30 July 2009Place: ATPubDate: 2009PhysDes: 109 leavesSubject: TREE, THE (FR/AT, Julie Bertuccelli, 2010) Notes: Unpublished script -- Donated by AFI -- production companies, Les Films du Poisson, FR & Taylor Media, AT.
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TREE, THE : (FR/AT, Julie Bertuccelli, 2010)
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[Tree, the : poster] AT:
Call No: P TREPlace: ATPhysDes: 1 poster : col. ; 100 x 70 cm.Subject: TREE, THE (FR/AT, Julie Bertuccelli, 2010) Summary: Image: A boy in a girl sitting in a tree. Text: 'Life is a force of nature'Notes: Slight creasing to right, and upper left edge of poster.
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TRIP, THE : (UK, Michael Winterbottom, 2010)
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TRON: LEGACY : (US, Joseph Kosinski, 2010)
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TRUE GRIT : (US, Coen Brothers, 2010)
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TUCKER & DALE VS EVIL : (CN/US, Eli Craig, 2010)
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TUNNEL, THE : (AT, Carlo Ledesma, 2010)
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TV networks food fight over The Hotplate and My Kitchen Rules in AFR Weekend (08/08/2015) p.6
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[TWENTY] 20 SIGARETTE : (IT, Aureliano Amadei, 2010)
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TWENTY TEN : (AT, Mark Alston & Byron Kaye, 2010)
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[TWO THOUSAND AND TEN] 2010 : (US, Peter Hyams, 1984)
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The uncanny child in transnational cinema : ghosts of futurity at the turn of the twenty-first century / Jessica Balanzategui Amsterdam: Amsterdam University Press, 2018.
Call No: 735.2-053.2 BALAuthor: Balanzategui, Jessica Edition: 2018Place: AmsterdamPublisher: Amsterdam University PressPubDate: 2018PhysDes: 331 pages : illustrated ; 24 cmSeries: Film culture in transitionSubject: CHANGELING, THE (CN, Peter Medak, 1980) ; ESPINAZO DEL DIABLO, EL (SP/MX, Guillermo del Toro, 2001) ; GRUDGE, THE (US/JA, Takashi Shimizu, 2004) ; GRUDGE 2, THE (US, Takashi Shimizu, 2006) ; INSIDIOUS (US, James Wan, 2010) ; ORFANATO, EL (MX/SP, Juan Antonion Bayona, 2007) ; OTHERS, THE (US/SP, Alejandro Amenabar, 2001) ; SIXTH SENSE, THE (US, M. Night Shyamalan, 1999) ; HORROR FILMS ; CHILDREN IN FILMS Summary: The Uncanny Child in Transnational Cinema illustrates how global horror film depictions of children re-conceptualised childhood at the turn of the twenty-first century. By analysing an influential body of transnational horror films, largely stemming from Spain, Japan, and the US, Jessica Balanzategui shows how millennial uncanny child characters resist embodying growth and futurity, unravelling concepts to which the child's symbolic function is typically bound. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in these potent cinematic renegotiations of the concept of childhood. By demonstrating both the culturally specific and globally resonant properties of these frightening visions of children who refuse to grow up, the book outlines the conceptual and aesthetic mechanisms by which long entrenched ideologies of futurity, national progress, and teleological history started to waver at the turn of the twenty-first century. -- publisher's web siteISBN: 9789462986510
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UNDER SURVEILLANCE: AUSTRALIA'S DRUG LORDS : [TV](AT, 2010)
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UNDERBELLY: THE GOLDEN MILE [TV] : (AT, 2010)
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Understanding sound tracks through film theory / by Elsie Walker New York: Oxford University Press, c2015.
Call No: 634 WALAuthor: Walker, Elsie Source: UK/USPlace: New YorkPublisher: Oxford University PressPubDate: c2015PhysDes: ix, 435 pages : illustrations ; 26 cmSubject: SOUND ; SOUND TRACKS ; SOUNDTRACKS ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; GENRES ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; SEARCHERS, THE (US, John Ford, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TEN CANOES (AT, Rolf De Heer, 2006) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; PIANO, THE (AT, Jane Campion, 1993) ; SHUTTER ISLAND (US, Martin Scorsese, 2010) ; REBECCA (US, Alfred Hitchcock, 1940) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; BIGGER THAN LIFE (US, Nicholas Ray, 1956) Summary: "Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out.
Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references, filmography (page 419) and index; Includes filmographyISBN: 9780199896325Donation: Oxford University PressContents: -- acknowledgments -- general introduction -- pt. I GENRE STUDIES -- 1.Introduction: "A Semantic/Syntactic Approach to Film Genre" / Rick Altman -- 2.The Searchers -- 3.Dead Man -- pt. II POSTCOLONIALISM -- 4.Introduction: "Colonialism, Racism, and Representation: An Introduction" / Robert Stam and Louise Spence -- 5.Rabbit-Proof Fence -- 6.Ten Canoes -- pt. III FEMINISM -- 7.Introduction: "Visual Pleasure and Narrative Cinema" / Laura Mulvey -- 8.To Have and Have Not -- 9.The Piano -- pt. IV PSYCHOANALYSIS -- 10.Introduction: "Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes" / Todd McGowan -- 11.Bigger Than Life -- 12.Shutter Island -- pt. V QUEER THEORY -- 13.Introduction: "Imitation and Gender Insubordination" / Judith Butler -- 14.Rebecca -- 15.Heavenly Creatures -- coda -- select filmography -- further perceiving -- select glossary index --
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Union and 'Pacific' united on crew in Encore (August 2007) vol.25 iss.08 p.6
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Unlikely Heroes in Weekend Australian [Review] (7/05/2016) p.23
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Unspeakable histories : film and the experience of catastrophe / William Guynn New York: Columbia University Press, 2016.
Call No: 737 GUYAuthor: Guynn, William Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2016PhysDes: ix, 251 pages; 23 cmSeries: Film and cultureSubject: WAR AND THE CINEMA ; WAR FILMS ; WAR IN FILMS ; VIOLENCE IN FILMS ; DOCUMENTARIES ; DOCUMENTARY DRAMAS ; KATYN (PL, Andrzej Wajda, 2007) ; FILM UNFINISHED, A [SHTIKAT HAARCHION] (IS, Yael Hersonski, 2010) ; SIBIRIADA (UR, Andrej Mihalkov-Koncalovskij, 1977) ; ASCENT, THE [VOSKHOZHDENIE] (UR, Larissa Shepitko, 1976) ; NOSTALGIA FOR THE LIGHT [NOSTALGIA DE LA LUZ] (FR/G/CL/SP/US, Patricio Guzman, 2010) ; S21: THE KHMER ROUGE DEATH MACHINE (CB/FR, Rithy Panh, 2003) ; ACT OF KILLING, THE (DK/NO/UK, Joshua Oppenheimer, (2012) Summary: A reading of seven films that depict twentieth century atrocities and exploring the emotional resonance that adheres to traumatic eevnts and the dimensions of experience that historiography leaves untouchedISBN: 9780231177962Donation: donated by Senses of CinemaContents: Introduction: making experience speak -- Yael Hersonski's A film unfinished (2010) -- Andrzej Wajda's Katyn (2007) -- Andrei Konchalovsky's Siberiade (2007) -- Larisa Shepitko's The Ascent (1976) -- Patricio Guzman's Nostalgia for the Light (2010) -- Rithy Panh's S21: The Khmer Rouge Killing Machine (2003) -- Joshua Oppenheimer's The Act of Killing (2012) -- Epilogue
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VALENTINE'S DAY : (US, Gary Marshall, 2010)
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VAMPIRES SUCK : (US, Jason Friedberg & Aaron Seltzer, 2010)
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VIVA RIVA! : (CO/FR/BE, Djo Munga, 2010)
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WAGNER AND ME : (UK/SZ/RU/G, Patrick McGrady, 2010)
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WAITING FOR SUPERMAN : (US, Davis Guggenheim, 2010)
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WALKING DEAD, THE [TV] : (US, 2010 - )
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WALL STREET: MONEY NEVER SLEEPS : (US, Oliver Stone, 2010)
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WASTE LAND : (BR/UK, Lucy Walker/Karen Harley/Joao Jardim, 2010)
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WASTED ON THE YOUNG : (AT, Ben C Lucas, 2010)
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script
Wasted on the young / by Ben C. Lucas AT: 2010.
Call No: S WASAuthor: Lucas, Ben C. Edition: Final scriptPlace: ATPubDate: 2010PhysDes: 77 leavesSubject: WASTED ON THE YOUNG (AT, Ben C Lucas, 2010) Summary: "When a high school party goes dangerously off the rails, one teenager finds that revenge is just a computer click away." - from IMDbNotes: Unpublished scriptDonation: Australian Film Institute
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poster
[Wasted on the young : poster] AT: c2010.
Call No: P WASPlace: ATPubDate: c2010PhysDes: 1 poster : col. ; 101 x 69 cmSubject: WASTED ON THE YOUNG (AT, Ben C Lucas, 2010) Summary: Image: Poster is horizontally divided into three sections showing high school scenes, the face of a character superimposed on each. Text: 'She's just doing it for attention; Nothing you can do will change anything; He gets away with everything; Youth is innocent. Youth is beautiful. Youth is dangerous.'Notes: Double sided, mirror image on verso
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digital clippings file
WAY BACK, THE : (US, Peter Weir, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: WAY BACK, THE (US, Peter Weir, 2010) URL status: URL: 'http://file://Q:/T/WAY_BACK,_THE.zip'
Checked: 31/08/2021 1:21:10 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
WE'RE ALL IN THIS TOGETHER : (AT, Joel Houston, 2010)
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WEDDING PARTY, THE : (AT, Amanda Jane, 2010)
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WHEN IN ROME : (US, Mark Steven Johnson, 2010)
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digital clippings file
WHISTLEBLOWER, THE : (G/CN/US, Larysa Kondracki, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: WHISTLEBLOWER, THE (G/CN/US, Larysa Kondracki, 2010) URL status: URL: 'http://file://Q:/T/WHISTLEBLOWER.zip'
Checked: 31/08/2021 1:24:24 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
WHO’S BEEN SLEEPING IN MY HOUSE [TV] : AT, 2010-?
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WICKED LOVE : THE MARIA KORP STORY [TV] : (AT, Ian Watson, 2010)
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WILDEST DREAM, THE : (US, Anthony Geffen, 2010)
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WILLIAM S. BURROUGHS: A MAN WITHIN : (US, Yony Leyser, 2010)
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WINTER'S BONE : (US, Debra Granik, 2010)
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WOLFMAN, THE : (UK/US, Joe Johnston, 2010)
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title clippings file
WOMEN ART REVOLUTION : (US, Lynn Hershman-Leeson, 2010)
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book
Wonderland : Alice on Screen / Editors: Emma McRae with Alexandra Heller-Nicholas for Senses of Cinema Port Melbourne, Vic.: Thames and Hudson, ACMI, 2018.
Call No: 757-08 ALIAuthor: Emma McRae ; Heller-Nicholas, Alexandra Edition: 2018Place: Port Melbourne, Vic.Publisher: Thames and Hudson; ACMIPubDate: 2018PhysDes: 240 pages : illustrated ; 32 cmSubject: ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; ALICE IN WONDERLAND (FR/UK, Lou Bunin & Marc Maurette & Dallas Bower, 1949) ; ALICE IN WONDERLAND (US, Bill Osco, 1975) ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE IN WONDERLAND (US, Irwin Allen, 1985) ; ALICE IN WONDERLAND (US, Tim Burton, 2010) ; ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; ADAPTATIONS ; ADAPTATIONS. CARROLL, LEWIS Summary: Since the publication of Alice’s Adventures in Wonderland in 1865, Lewis Carroll’s Alice has delighted children and adults alike. However, this girl-hero was always destined for life beyond the page.
From silent film to animation, she has been portrayed many times and continues to inspire. Wonderland follows Alice’s journey from page to screen, from 1903’s silent Alice in Wonderland to her first talking film in 1931, to Tim Burton’s recent blockbusters. It celebrates the endurance of Carroll’s stories and characters, and the remarkable technological innovations that have enabled filmmakers to continually reimagine Alice.
Tracing Alice’s evolution on screen, Wonderland is a journey down the rabbit hole and into an enchanted world where expectations are upended and curiosity rewarded. -- publisher's web siteNotes: This publication is produced in partnership with Senses of CinemaISBN: 9780500501177
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WORDLESS : (AT, Lisa Kappel, 2010)
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book
Yesterday is forever : nostalgia and Pixar animation studios / by Josh Spiegel Philadelphia: The Critical Press, c2015.
Call No: 772 SPIAuthor: Spiegel, Josh Source: USPlace: PhiladelphiaPublisher: The Critical PressPubDate: c2015PhysDes: vi, 105p. ;Subject: ANIMATION ; PIXAR ; NOSTALGIA IN FILMS ; TOY STORY (US, John Lasseter, 1995) ; TOY STORY 2 (US, John Lasseter, 1999) ; TOY STORY 3 (US, Lee Unkrich, 2010) ; CARS (US, John Lasseter and Joe Ranft, 2006) ; UP (US, Pete Docter and Bob Peterson, 2009) ; MONSTERS UNIVERSITY (US, Dan Scanlon, 2013) Summary: " Since its first feature film in 1995, Pixar Animation Studios has often been treated as a powerful, influential, and forward-thinking animation company. However, many of its films are incredibly besotted with a nostalgic longing for the past. From the Toy Story trilogy to the first Cars film, many of Pixar’s films are about chasing what used to be instead of embracing the future. In this book, published on the 20th anniversary of the original Toy Story’s release, Josh Spiegel examines some of the films from Pixar and Disney over the past 20 years that have embodied one of the most important lines of dialogue in Disney history, courtesy of theme-park narration: “Here, tomorrow is today. And yesterday is forever.” -- BOOK BACK COVER BLURBISBN: 9781941629239Contents: -- acknowledgments -- introduction -- Toy Story and Cars -- Toy Story 2 and Up -- Toy Story 3 and Monsters University -- Disney animation in the 2010s -- conclusion -- notes -- about the author --
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YOU WILL MEET A TALL DARK STRANGER : (US, Woody Allen, 2010)
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book
Zombie cinema / Ian Olney New Brunswick: Rutgers University Press, 2017.
Call No: 735.27 OLNAuthor: olney, Ian Edition: 2017Place: New BrunswickPublisher: Rutgers University PressPubDate: 2017PhysDes: 170 pages ; 18cmSubject: ZOMBIES IN FILMS AND TV ; BLAXPLOITATION FILMS ; CANNIBALISM IN FILMS ; CRAZIES, THE (US, George A. Romero, 1973) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; I WALKED WITH A ZOMBIE (US, Jacques Tourner, 1943) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROMERO, GEORGE ; REVENANTS LES (FR, Robin Campillo, 2004) ; WALKING DEAD, THE [TV] (US, 2010 - ) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: It’s official: the zombie apocalypse is here. The living dead have been lurking in popular culture since the 1930s, but they have never been as ubiquitous or as widely-embraced as they are today.
Zombie Cinema is a lively and accessible introduction to this massively popular genre. Presenting a historical overview of zombie appearances in cinema and on television, Ian Olney also considers why, more than any other horror movie monster, zombies have captured the imagination of twenty-first-century audiences.
Surveying the landmarks of zombie film and TV, from White Zombie to The Walking Dead, the book also offers unique insight into why zombies have gone global, spreading well beyond the borders of American and European cinema to turn up in films from countries as far-flung as Cuba, India, Japan, New Zealand, and Nigeria. Both fun and thought-provoking, Zombie Cinema will give readers a new perspective on our ravenous hunger for the living dead. -- publisher's web siteISBN: 9780813579474Contents: Acknowledgments -- Introduction: Our Zombies, Ourselves -- 1. Black Mask, White Zombies -- 2. Consumer Culture -- 3. Boy Eats Girl -- Conclusion: Homebodies -- Further Reading -- Works Cited -- Index
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