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Call No: TITLE CLIPPINGS FILE; [THIRTEEN] 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI (US, Michael Bay, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: [THIRTEEN] 13 HOURS (US, Michael Bay, 2016)
Summary: Film review of [THIRTEEN] 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI
Rating: 2 out of 5 stars

Author: Coleman, Lindsay
PhysDes: Article
Subject: BAY, MICHAEL; [THIRTEEN] 13 HOURS (US, Michael Bay, 2016); BEEBE, DION
Summary: Dion Beebe ACS ASC talks about working on the Michael Bay Hollywood action thriller 13 Hours: The Secret Soldiers of Benghazi. He talks about how he adapts his shooting style to the director he is working with and the specifics of shooting action scences with a lot of smoke.

Call No: 744.7 FEM
Author: Radner, Hilary; Stringer, Rebecca
Source: US
Place: London ; New York
Publisher: Routledge
PubDate: 2011
PhysDes: ix, 310 pages : illustrations ; 23 cm
Subject: FEMINISM AND THE CINEMA; GENRES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; IDENTITY IN FILMS; JAMES BOND IN FILMS; MARRIAGE IN FILMS; MASCULINITY IN FILMS; MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SEXUALITY AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004); BABY MAMA (US, Michael McCullers, 2008); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); BRIDE WARS (US, Gary Winick, 2009); CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006); ENCHANTED (US, KEVIN LIMA, 2007); [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005); FRIENDS WITH MONEY (US, Nicole Holofcener, 2006); HARD CANDY (US, David Slade, 2005); JUNO (US/CN, Jason Reitman 2007); KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001); MARIE ANTOINETTE (US, Sofia Coppola, 2006); MICHAEL CLAYTON (US, Tony Gilroy, 2007); MISS CONGENIALITY (US, Donald Petrie, 2000); SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008); SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008); SINGLE MAN, A (US, Tom Ford, 2009); SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005); WAR OF THE WORLDS (US, Steven Spielberg, 2005)
Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURB
Notes: Includes list of figures, bibliographical references and index
ISBN: 9780415895880
Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index

Call No: TITLE CLIPPINGS FILE; THIRTEEN [TV](UK, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: THIRTEEN [TV](UK, 2016)
Summary: Positive and detailed review of the new British TV series THIRTEEN

Call No: TITLE CLIPPINGS FILE; [THIRTEEN] 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI (US, Michael Bay, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: [THIRTEEN] 13 HOURS (US, Michael Bay, 2016)
Summary: Jake Wilson writes a poor review for the film 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI awarding the film 2 stars.
Rating: 2 out of 5 stars

Call No: 81 BAY KOE
Author: Koepnick, Lutz P. (Lutz Peter), (author.)
Source: US
Place: Urbana, Illinois
Publisher: University of Illinois Press
PubDate: c2018
PhysDes: 192 pages : illustrations ; 21 cm
Series: Contemporary Film Directors
Subject: BAY, MICHAEL; ACTION FILMS; BAD BOYS (US, Michael Bay, 1995); ROCK, THE (US, Michael Bay, 1996); ARMAGEDDON (US, Michael Bay, 1998); PEARL HARBOR (US, Michael Bay, 2001); BAD BOYS II (US, Michael Bay, 2003); ISLAND, THE (US, Michael Bay, 2005); TRANSFORMERS (US, Michael Bay, 2007); TRANSFORMERS: REVENGE OF THE FALLEN (AT, Michael Bay, 2009); TRANSFORMERS: DARK OF THE MOON (US, Michael Bay, 2011); PAIN & GAIN (US, Michael Bay, 2013); TRANSFORMERS: AGE OF EXTINCTION (US/C, Michael Bay, 2014); [THIRTEEN] 13 HOURS (US, Michael Bay, 2016); TRANSFORMERS: THE LAST KNIGHT (US/C/CN, Michael Bay, 2017)
Summary: "If size counts for anything, Michael Bay towers over his contemporaries. His ability to mastermind breathtaking spectacles of action, mayhem, and special effects continually pushes the movie industry as much as the medium of film toward new frontiers. Lutz Koepnick engages the bigness of works like Armageddon and the Transformers movies to explore essential questions of contemporary filmmaking and culture. Combining close analysis and theoretical reflection, Koepnick shows how Bay's film, knowingly or not, address profound issues about what it means to live in the late twentieth and early twenty-first centuries. According to Koepnick's astute readings, no one eager to understand the state of cinema today can ignore Bay's work. Bay's cinema of world-making and transnational reach not only exemplifies interlocking processes of cultural and economic globalization, it urges us to contemplate the future of moving images, of memory, matter, community, and experience, amid a time of rampant political populism and ever-accelerating technological change." -- BOOK BLURB
Notes: Includes bibliographical references and index Includes filmography
ISBN: 9780252083204
Donation: Senses of Cinema
Contents: World Cinema in the Age of Populism -- Cinema -- Action -- Time -- Matter -- Sound -- Politics -- Interviews -- Filmography -- Bibliography -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [NINE THIRTEEN] 9.13, THE (AT, Sonya Humphrey, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; CD-Rom press kit
Subject: OCEAN'S THIRTEEN (US, Steven Soderbergh, 2007)
ID2: 248

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Hennessy, Annabel
PhysDes: Clippings
Subject: NETFLIX; CATALOGUING AND CLASSIFICATION OF FILMS; CHILDREN AND TV. AUSTRALIA; STATE AND TV. AUSTRALIA; [THIRTEEN] 13 REASONS WHY [TV] (US, 2017)
Summary: A government audit of Netflix classifications will be conducted due to concerns as Netflix has been allowed to choose its own ratings

Call No: 749.0 SIE
Author: Siegel, Carol
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2015
PhysDes: 230, x ; illus. ; 23 cm
Subject: SEX IN FILMS. USA; BURTON, TIM; PORNOGRAPHY; FAT GIRL [A MA SOEUR] (FR/IT/SP, Catherine Breillat, 2000); EASTERN PROMISES (UK/CN, DAVID CRONENBERG, 2007); PANIC ROOM (US, David Fincher, 2002); PEOPLE UNDER THE STAIRS, THE (US, Wes Craven, 1991); THIRTEEN (US, Catherine Hardwicke, 2003); MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004); MYSTIC RIVER (US, Clint Eastwood, 2003)
Notes: In this provocative study of cinematic and televisual representations of "sex radicalism," Carol Siegel explores how representations of sexually explicit content on film have shaped American cultural visions of sex and sexual politics in the 21st century. Siegel distinguishes between a liberal approach to visual representations, which has over-emphasized normative equal opportunity while undervaluing our distinctive erotic selves, and a radical approach to visual representation, which portrays forbidden sexualities and desires. She illustrates how visual media participates in and even drives political policies related to pedophilia, prostitution, interracial relationships, and war. By examining such popular film and television shows as Mystic River, The Wire, Fifty Shades of Grey, Batman Returns, and the HBO hits, Sex and the City and Girls, Siegel takes the discussion of radical sex in the movies out of the margins of political discussions and puts it in the center, where, she argues, it has belonged all along. -- publisher's web site
ISBN: 9780253018069
Contents: Acknowledgments Introduction: Recent Changes in the Representation of Sex and Politics in American Cinema 1. The Sexuality of Minors: Family Values and Mysteries of Pedophilia 2. Sex Trafficking Films, Or Taken for a Ride 3. Sex and Anti-Militarism 4. Interracial Sex and Architectures of American Horror 5. Tim Burton's Films, Children, and Perversity Conclusion: The Future, No Future Notes Bibliography Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIRTEEN (US, David Williams, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THIRTEEN (US, Catherine Hardwicke, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTEEN] 13 GANTRY ROW [TV] (AT, Catherine Millar, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTEEN] 13 GHOSTS (US, William Castle, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTEEN] 13 HOURS (US, Michael Bay, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTEEN] 13 REASONS WHY [TV] (US, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THIRTEEN DAYS (US, Roger Donaldson, 2000)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: THIRTEEN LIVES (US, Ron Howard, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIRTEEN [TV](UK, 2016)