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The 1933 show in National Film Theatre (Sep/Oct 1983) p.10-15
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AUSTIN POWERS: THE SPY WHO SHAGGED ME : (US, Jay Roach, 1999)
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Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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Bond shaken up in hilarious spoof in Sunday Telegraph [Insider] (17/05/2015) p.118
Call No: TITLE CLIPPINGS FILE; SPY (US, Paul Feig, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: SPY (US, Paul Feig, 2015) Summary: ReviewRating: 3.5 out of 5 stars
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CALL TO SPY, A : (US, Lydia Dean Pilcher, 2019) Digital clippings file available
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CATCHER WAS A SPY, THE : (US, Ben Lewin, 2018)
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Circus stories in The Australian [Review] (21/01/2012) p.16
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Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01(73) CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS. USA ; WATERS, ETHEL ; DUNNE, IRENE ; GRANT, CARY ; GAYNOR, JANET ; HEPBURN, KATHARINE ; DAVIS, BETTE ; CLIFT, MONTGOMERY ; CURTIS, TONY ; SELLERS, PETER ; Stewart, James ; Lombard, Carole ; MASON, JAMES ; BURTON, RICHARD ; LEWIS, JERRY ; POITIER, SIDNEY ; HACKMAN, GENE ; ROWLANDS, GENA ; NICHOLSON, JACK ; HOFFMAN, DUSTIN ; GOULD, ELLIOTT ; PACINO, AL ; GOLDBERG, WHOOPI ; BLANCHETT, CATE ; ISAAC, OSCAR ; STEWART, KRISTEN ; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014) ; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) ; BLUE JASMINE (US, Woody Allen, 2013) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DONNIE BRASCO (US, Mike Newell, 1997) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; RAIN MAN (US, Barry Levinson, 1988) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; GLORIA (US, John Cassavetes, 1980) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; LOLITA (US, Stanley Kubrick, 1962) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; VERTIGO (US, Alfred Hitchcock, 1958) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952) ; DANGEROUS (US, Alfred E. Green, 1935) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres.
Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.Notes: Includes bibliographical references and index.ISBN: 9781474417006Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success.
Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.ID2: 362
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Curt Jurgens dies in Australasian Cinema (25/6/1982) vol.11 iss.11 p.7
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Films : a quarterly of discussion and analysis New York: Arno Press, 1968.
Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - completeSource: USPlace: New YorkPublisher: Arno PressPubDate: 1968Subject: DOCUMENTARY FILMS ; SOUND ; MUSIC IN FILMS ; STATE AND THE CINEMA. USA ; STATE AND THE CINEMA. CANADA ; STATE AND THE CINEMA. BRAZIL ; STATE AND THE CINEMA. MEXICO ; TRADE UNIONS. USA ; POTAMKIN, HARRY ALAN ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; FANTASIA (US, Walt Disney, 1940) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; SHCHORS (UR, Alexander Dovzhenko, 1939) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) Notes: Reprint. Originally published : New York : Kamin Publishers.
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Hamming it up on a mission of mayhem in Sunday Age [Melbourne Magazine] (17/05/2015) p.19
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HARRIET THE SPY : US, Bronwen Hughes, 1996
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Hollywood goes to war : films and American society, 1939-1952 / Colin Shindler London Boston: Routledge & K. Paul, 1979.
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IBUN SARUTIBI SASUKE : (JA, Masahiro Shinoda, 1965)
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J'ACCUSE [OFFICER AND A SPY, AN] : (FR/IT, Roman Polanski, 2019)
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The McCarthy files : the unlikely rise of movie comic Melissa McCarthy in Daily Telegraph [Hit] (21/05/2015) p.29
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A mission of mayhem in Sunday Canberra Times [Relax] (17/05/2015) p.25
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MY SPY : (US, Peter Segal, 2020) Digital clippings file available
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Negative space : Manny Farber on the movies / new preface by Robert Walsh New York: Da Capo Press, 1998.
Call No: 67(04) FARAuthor: Farber, Manny Edition: Expanded edPlace: New YorkPublisher: Da Capo PressPubDate: 1998PhysDes: xiv, 412 p. ; 21 cmSubject: FESTIVALS. NEW YORK ; HAWKS, HOWARD ; HUSTON, JOHN ; LEWTON ,VAL ; AGEE, JAMES ; STURGES, PRESTON ; CAPRA, FRANK ; SIEGEL, DON ; FULLER, SAMUEL ; SNOW, MICHAEL ; GODARD, JEAN-LUC ; BUNUEL, LUIS ; WALSH, RAOUL ; ROEG, NICOLAS ; HERZOG, WERNER ; FASSBINDER, RAINER WERNER ; FARBER, MANNY ; AKERMAN, CHANTAL ; JONES, CHUCK ; Stewart, James ; FORD, JOHN ; WALSH, RAOUL ; WARHOL, ANDY ; PATTERSON, PATRICIA ; WAVELENGTH (US, Michael Snow, 1967) ; FAR COUNTRY, THE (US, Anthony Mann, 1954) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; DETECTIVE STORY (US, William Wyler, 1951) ; HOME OF THE BRAVE (US, Mark Robson, 1949) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; CITIZEN KANE (US, Orson Welles, 1941) ; GRADUATE, THE (US, Mike Nichols, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of filmNotes: "First Da Capo Press edition"--T.p. verso; Includes indexISBN: 0306808293 (pbk. : alk. paper)LON: 13667387
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A new deal in entertainment : Warner Brothers in the 1930s / Nick Roddick London: British Film Institute, 1983.
Call No: 19WAR RODAuthor: Roddick, Nick Place: LondonPublisher: British Film InstitutePubDate: 1983PhysDes: viii, 332 p. : ill. ; 22 cmSubject: WARNER BROS. ; CRIME FILMS ; RACIAL ISSUES IN FILMS ; FASCISM AND THE CINEMA ; HISTORICAL FILMS. USA ; EPIC FILMS ; LEROY, MERVYN ; WALLIS, HAL B. ; CURTIZ, MICHAEL ; GIBNEY, SHERIDAN ; CAPTAIN BLOOD (US, Michael Curtiz, 1935) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; DOORWAY TO HELL, THE (US, Archie L. Mayo, 1930) ; MOBY DICK (US, Lloyd Bacon, 1930) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; SERGEANT YORK (US, Howard Hawks, 1941) ; ANTHONY ADVERSE (US, Mervyn LeRoy, 1936) ; BLESSED EVENT (US, Roy del Ruth, 1932) ; G MEN (US, William Keighley, 1935) ; KNUTE ROCKNE - ALL AMERICAN (US, Lloyd Bacon, 1940) ; JUAREZ (US, William Dieterle, 1939) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; MASSACRE (US, Alan Crosland, 1933) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; BLACK FURY (US, Michael Curtiz, 1934) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; DISRAELI (US, Alfred E. Green, 1929) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes index; Bibliography: p. 320-326ISBN: 0851701256 : ª11.95; 0851701264 (pbk.) : ª6.95LON: 2656181
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OFFICER AND A SPY, AN [J'ACCUSE] : (FR/IT, Roman Polanski, 2019)
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Sharp-shooting women pick off the bad guys in Weekend Australian [Review] (16/05/2015) p.14
Call No: TITLE CLIPPINGS FILE; SPY (US, Paul Feig, 2015)Author: Romei, Stephen PhysDes: Clippings File ArticleSubject: SPY (US, Paul Feig, 2015) ; SPY FILMS ; CRITICISM Summary: Review of Paul Feig's 2015 film Spy that focuses on the performances of its lead female characters and subversion of typical masculine action films.Rating: 3 out of 5 stars
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Short cuts : Rose burns in Sydney Morning Herald [Arts & Entertainment] (19/03/2015) p.30
Call No: TITLE CLIPPINGS FILE; SPY (US, Paul Feig, 2015)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: SPY (US, Paul Feig, 2015) Summary: 'Spy' starring Melissa McCarthy and Australian actress Rose Byrne was well recevied at SXSW festival
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I SPY : (US, Betty Thomas, 2002)
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SPY : (US, Paul Feig, 2015)
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SPY FILMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: SPY FILMS
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SPY GAME : (US/UK, Tony Scott, 2001)
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SPY GONE NORTH, THE : (KO, Yoon Jong-bin, 2018)
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SPY HARD : (US, Rick Friedberg, 1996)
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SPY KIDS : (US, Robert Rodriguez, 2001)
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SPY KIDS 2: THE ISLAND OF LOST DREAMS : (US, Robert Rodriguez, 2002)
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SPY KIDS 3-D: GAME OVER : (US, Robert Rodriguez, 2003)
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SPY KIDS: ALL THE TIME IN THE WORLD : (US, Robert Rodriguez, 2011)
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The spy who came in from the cold in Sunday Age [M] (9/08/2015) p.18
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SPY WHO CAME IN FROM THE COLD, THE : (UK, Martin Ritt, 1965)
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SPY WHO DUMPED ME, THE : (US, Susanna Fogel, 2018)
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The spy who loved me / Christopher Wood St Albans: Triad/Panther Books, 1977.
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SPY WHO LOVED ME, THE : (UK, Lewis Gilbert, 1977)
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TINKER TAILOR SOLDIER SPY : (FR/UK/G, Tomas Alfredson, 2011)
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Travel, tourism and the moving image / Sue Beeton Bristol: Channel View Publications, 2015.
Call No: 408.1 BEEAuthor: Beeton, Sue Edition: 2015Place: BristolPublisher: Channel View PublicationsPubDate: 2015PhysDes: xiv, 240 pages : illustrated ; 22 cmSeries: Tourism and cultural changeSubject: TOURISM AND THE CINEMA ; TRAVEL IN FILMS ; WAR FILMS ; SPY FILMS ; NATIONAL CULTURE AND THE CINEMA ; ROAD MOVIES Summary: This book explores the relationship between tourism and the moving image, from the early era of silent moving pictures through to cinema as mass entertainment. It examines how our active and emotional engagement with moving images provides meaning and connection to a place that can affect our decision-making when we travel. It also analyses how our touristic experiences can inform our film-viewing. A range of genres and themes are studied including the significance of the western, espionage, road and gangster movies, along with further study of film studio theme parks and an introduction to the relationship between gaming and travel. This book will appeal to tourism scholars as well as film studies professionals, and is written in an accessible manner for a general audience. -- publisher's web siteISBN: 9781845415273
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