Search Catalogue

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABRAHAM LINCOLN (US, Philip Rosen, 1924); DRAMATIC LIFE OF ABRAHAM LINCOLN, THE (US, Philip Rosen, 1924)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer). - "Abraham Lincoln" is the short title of "The Dramatic Life of Abraham Lincoln"

Call No: TITLE CLIPPINGS FILE; LIFE OF CRIME (US, Daniel Schechter, 2013)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: LIFE OF CRIME (US, Daniel Schechter, 2013)
Summary: McDonald discusses the film LIFE OF CRIME

Call No: TITLE CLIPPINGS FILE; LIFE (US, Daniel Espinosa, 2017)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: FERGUSON, REBECCA; LIFE (US, Daniel Espinosa, 2017)
Summary: Inter view with actor Rebecca Ferguson about the film LIFE and her career

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ADULT LIFE SKILLS (UK, Rachel Tunnard, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER LIFE (JA, Hirokazu Kore-eda, 1998)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER LIFE [TV] (UK, 2019-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AGONY OF LIFE, THE [TV] (AT, 2013-?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL MY LIFE (US/CC, Marc Meyers, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALONE: LIFE WASTES ANDY HARDY (AU, Martin Arnold, 1998)

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: 408.3 (73/94) AME
Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.)
Source: SZ/AT
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: c2018
PhysDes: xvii, 333 pages : illustrations ; 22 cm
Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013)
Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9783319666754
Donation: Stephen Gaunson
Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICANOS: LATINO LIFE IN THE UNITED STATES (US, Susan Todd & Andrew Young, 1999)

Author: Petty, Susannah
PhysDes: Article
Subject: ANOTHER LIFE (AT, John Hughes, in prod.)
Summary: Australian feature project to seek funds at Cinemart, part of the Rotterdam Film Festival.

Author: Burgess, Anthony
PhysDes: Article
Subject: LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937)
Summary: Burgess discusses his interest and involvement in film and selects 15 films which impressed his. Port; synopsis; credits; ill

Call No: 761 COR
Author: Corner, John, 1943
Place: Manchester New York, NY,
Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press
PubDate: 1996
PhysDes: 212 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; CINEMA VERITE; LIVING ON THE EDGE (UK, Michael Grigsby, 1987); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); ROGER AND ME (US, Michael Moore, 1989); HANDSWORTH SONGS (UK, John Akomfrah, 1986); COAL FACE (UK, Alberto Cavalcanti, 1935); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); LOOK IN ON LONDON (UK, 1956); CATHY COME HOME (UK, Ken Loach, 1966); WHEN THE DOG BITES (UK, Penny Woolcock, 1988)
Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURB
Notes: Includes bibliographical references (p. [197]-201) and index
ISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)
LON: 12095813

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TO LIFE [AUF DAS LEBEN!] (G, Uwe Janson, 2014)

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; ABC IVIEW; KATERING SHOW, THE [TV](AT, 2015-); YOU CAN'T ASK THAT [TV](AT, 2016); MY YEAR 12 LIFE [TV](AT, 2017); PLEASE LIKE ME [TV] (AT, 2013 - ); WARRIORS, THE [TV](AT, 2017)
Summary: Commentary on a number of recent ABC shows, how they have performed, and what the ABC could do to ensure their productions are successful
Notes: A

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I GOT LIFE! [AURORE] (FR, Blandine Lenoir, 2017)
Notes: Simon import_20/06/19

Call No: 71(94) TUL
Author: Tulloch, John, 1942
Place: Sydney
Publisher: George Allen & Unwin
PubDate: 1982
PhysDes: 272 p. : ill. ; 23 cm
Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933)
Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index
ISBN: 0868611484 (pbk.); 0868611409 : price unknown
LON: 2138387

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
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Call No: 915(94) ADA; FOLIO
Author: Adamson, Judith, 1930
CorpAuthor: Australian Film Institute
Place: Sydney
Publisher: Currency Press with Australian Film Institute
PubDate: 1978
PhysDes: 56p. : chiefly col.ill. ; 37cm
Subject: POSTERS; AUSTRALIA; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SONS OF MATTHEW (AT, Charles Chauvel, 1949)
Notes: Advertising posters. Special subjects: Australian cinema films, 1906-1960. Illustrations (ANB/PRECIS SIN 0249955)
ISBN: 090802388X : $7.50 Aust
LON: anb90802388; 1473255
Donation: Simon Wincer
ID2: 229

Call No: 71(94) REA
Copy Management: Copy 1; Copy 2
Author: Reade, Eric, 1912-1978
Place: Melbourne
Publisher: Lansdowne
PubDate: 1975
PhysDes: 308 p. : ill. ; 27 x 34 cm
Subject: AUSTRALIA; AUSTRALIA. 1895-1930; HISTORY OF TV. AUSTRALIA; HALL, KEN G.; CHAUVEL, CHARLES; LONGFORD, RAYMOND; SMITH, BEAUMONT; THRING, F.W.; THOMPSON, JACK; HIGGINS, ARTHUR; HURLEY, FRANK; RAFFERTY, CHIPS; SPENCER, CHARLES COZENS; EFFTEE STUDIO; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); DIGGERS (AT, F.W. Thring, 1931); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same author
ISBN: 0701803193 : $15.00 Aust
LON: anb70180319; 791305

Call No: 71(94) REA
Author: Reade, Eric, 1912-1978
Place: [Melbourne]
Publisher: Lansdowne
PubDate: 1970]
PhysDes: 192 p. : ill. ; 29 cm
Subject: AUSTRALIA. 1895-1930; CINEMAS. AUSTRALIA; SMITH'S WEEKLY; SPENCER, CHARLES COZENS; PERRY, JOSEPH; HURLEY, FRANK; LONGFORD, RAYMOND; SMITH, BEAUMONT; CARBASSE, LOUISE; RICKARDS, HARRY; WEST, T.J.; WILLIAMSON, J.C.; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
ISBN: 0701803207
LON: 74876255; 376334

Call No: TITLE CLIPPINGS FILE; DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [TV] (AT, Sally Aitken, 2017)
Author: Burke, Justin
PhysDes: Clippings File Article
Subject: STRATTON, DAVID; DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [DAVID STRATTON: A CINEMATIC LIFE ] (AT, Sally Aitken, 2017)
Summary: Review of the TV series DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA

Call No: 747.77(73) AUT
Author: Pomerance, Murray; Palmer, R. Barton
Edition: 2022
Place: Austin
Publisher: University of Texas Press
PubDate: April 2022
PhysDes: 324 pages ; 23.5 cm
Subject: PEOPLE WITH DISABILITIES IN FILMS; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016); RAIN MAN (US, Barry Levinson, 1988); GOOD DOCTOR, THE [TV] ( US, 2017 - ); BIG SHORT, THE (US, Adam McKay, 2015); STRANGER THINGS [TV] (US, 2016); SOCIAL NETWORK, THE (US, David Fincher, 2010); NIGHTCRAWLER (US, Dan Gilroy, 2014); ACCOUNTANT, THE (US, Gavin O'Connor, 2016); BEING THERE (US, Hal Ashby, 1979); PHANTOM THREAD (US, Paul Thomas Anderson, 2017); DAVID AND LISA (US, Frank Perry, 1962); MARY POPPINS (US, Robert Stevenson, 1964)
Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web site
ISBN: 9781477324912
Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AWAKE: THE LIFE OF YOGANANDA (US, Paola di Florio and Lisa Leeman, 2014)
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Call No: P AWA
PhysDes: 1 poster : col. ; 97 X 69cm
Subject: AWAKE: THE LIFE OF YOGANANDA (US, Paola di Florio and Lisa Leeman, 2014)
Summary: Image: close up of Paramahansa Yogananda's face in sepia on orange background. Text: 'The enlightening documentary about Hindu mystic Paramahansa Yogananda who brought yoga and meditation to the West.'
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AYN RAND: A SENSE OF LIFE (US, Michael Paxton, 1998)

Call No: TITLE CLIPPINGS FILE; TODD SAMPSON'S LIFE ON THE LINE [TV](AT, 2017)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: TODD SAMPSON'S LIFE ON THE LINE [TV](AT, 2017)
Summary: Review of new Australian TV show TODD SAMPSON'S LIFE ON THE LINE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD BOYS FOR LIFE (US/MX, Adil El Arbi & Bilall Fallah, 2020)

Call No: TITLE CLIPPINGS FILE; FABERGE: A LIFE OF ITS OWN (UK/US/SZ/RU/MC/G/FR, Patrick Mark, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: FABERGE: A LIFE OF ITS OWN (UK/US/SZ/RU/MC/G/FR, Patrick Mark, 2014)
Summary: Film review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BE STILL LIFE (US, Michael Harrell & Phil Harrell, 2010)

Call No: TITLE CLIPPINGS FILE; DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Summary: Review of the film THE DEATH AND LIFE OF OTTO BLOOM
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; BRYNNE: MY BEDAZZLED LIFE [TV](AT, 2012)
Author: -
PhysDes: Clippings File Article
Subject: BRYNNE: MY BEDAZZLED LIFE [TV](AT, 2012)
Summary: Review of the reality show 'Brynne: My Bedazzled Life', a programme that looks at the life of Brynne Edelsten

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEGGARS OF LIFE (US, William A. Wellman, 1928)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BELLE AND SEBASTIAN: FRIENDS FOR LIFE [BELLE ET SEBASTIEN 3, LE DERNIER CHAPITRE] (FR, Clovis Cornillac, 2017)

Call No: 408.1 (430) WAG
Author: Wagner, Brigitta B.
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2015
PhysDes: x, 299 pages : illustrations, maps ; 26 cm
Subject: NOSTALGIA IN FILMS; URBAN LIFE IN FILMS; GERMANY; NATIONAL IDENTITY IN FILMS. GERMANY; POLITICS IN THE CINEMA; RUN LOLA RUN (G, Tom Tykwer, 1998)
Summary: "In Berlin Replayed, Brigitta B. Wagner traces how old and new films set in Berlin created a collective urban nostalgia for the city's best and most conciliatory pasts in the face of its renewed prupose as the all-German capital. Exploring films such as Walter Ruttmann's Berlin: Symphony of a Great City, Wim Wenders's wings of Desire, Tom Tykwer's Run Lola Run, and Wolfgang Becker's Good Bye, Lenin!, the book illustrates how film has repeatedly remade the image of the city. Wagner focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two idealogically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780816691746
Donation: donated by Senses of Cinema
Contents: Introduction: Auf wiedersehen, Berlin! -- Remake: Berlin symphonies and the myth of the weltstadt -- Generation: a 1950s place for us -- Virtuality: cinema, archive, and the interactive map of Potsdamer Platz -- Orientation: geographical didacticism and the X-films of new Berlin -- Epilogue: Berlin returns, again

Call No: 81 DAV STE
Author: Stern, Julia A.
Edition: 2021
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2021
PhysDes: xi, 266 pages : illustrated
Subject: DAVIS, BETTE; ANDERSON, ERNIE; BALDWIN, JAMES; CRAWFORD, JOAN; IN THIS OUR LIFE (US, John Huston, 1942); JEZEBEL (US, William Wyler, 1938); LITTLE FOXES, THE (US, William Wyler, 1941); MCDANIEL, HATTIE; RACIAL ISSUES AND THE CINEMA; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962); WYLER, WILLIAM
Summary: Bette Davis’s career becomes a vehicle for a deep examination of American race relations. Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career. Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago. Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways. -- publisher's web site
ISBN: 9780226813868
Contents: Historical Note -- Chapter 1 Introduction: Black and White -- Chapter 2 Little Foxes and Little Brown Wrens -- Chapter 3 The Poetics of Color in Jezebel -- Chapter 4 Melodramas of Blood in In This Our Life -- Chapter 5 The Whiteness of What Ever Happened to Baby Jane? -- Chapter 6 Bette Davis Black and White -- Acknowledgments -- Notes – Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE ON A STRING [BIAN ZOU BIAN CHANG] (GG/UK/CC, Chen Kaige, 1991)
Notes: Simon_Batch 18_191212

Call No: 81WIL DIC
Author: Dick, Bernard F.
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: 1980
PhysDes: 188 p. : ill. ; 21 cm
Series: Twayne's Theatrical Arts Series
Subject: WILDER, BILLY; APARTMENT, THE (US, Billy Wilder, 1960); AVANTI (US, Billy Wilder, 1972); ACE IN THE HOLE (US, Billy Wilder, 1951); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FEDORA (GW/FR, Billy Wilder, 1978); [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943); FORTUNE COOKIE, THE (US, Billy Wilder, 1966); FRONT PAGE, THE (US, Billy Wilder, 1974); IRMA LA DOUCHE (US, Billy Wilder, 1963); KISS ME, STUPID (US, Billy Wilder, 1964); LOST WEEKEND, THE (US, Billy Wilder, 1945); LOVE IN THE AFTERNOON (US, Billy Wilder, 1957); MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970); SABRINA (US, Billy Wilder, 1954); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957)
Notes: Includes index. Bibliography: p. 173-174. Filmography: p. 175-183.
ISBN: 0805792740
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; ARTSVILLE [TV](AT, 2015-)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: ARTSVILLE [TV] (AT, 2015-); MAMBO: ART IRRITATES LIFE [TV](AT, Paul Clarke, 2016)
Summary: Review of the latest batch of arts documentaries to be shown under the ARTSVILLE banner on the ABC. The episode MAMBO: ART IRRITATES LIFE is reviewed in some detail

Author: Harrison, Ben
PhysDes: Article
Subject: BONHOEFFER : A LIFE OF CHALLENGE (US, Brooke Brakely (et al), 1978)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOOK OF LIFE, THE (FR, Hal Hartley, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOOK OF LIFE, THE (US, Jorge R. Gutierrez, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BOYS LIFE (US, Brian Sloan, Raoul O'Connell & Robert Lee King, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS LIFE 2 (US, Nickolas Perry, Tom DeCerchio, Mark Christopher & Peggy Rajski, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS LIFE 3 (FR/US, Gregory Cooke & David Fourier & Jason Gould & Bradley Rust Gray & Lane Janger, 2000)

PhysDes: Article
Subject: BREATH OF LIFE (UK, J. Henry Piperno, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREATHING LESSONS: THE LIFE AND WORK OF MARK O'BRIEN (US, Jessica Yu, 1997?)

Call No: TITLE CLIPPINGS FILE; DAVID BRENT: LIFE ON THE ROAD (UK/US, Ricky Gervais, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: DAVID BRENT: LIFE ON THE ROAD (UK/US, Ricky Gervais, 2016)
Summary: Review of the film DAVID BRENT: LIFE ON THE ROAD
Rating: 3 out of 5 stars

Author: Hodgson, Clive
PhysDes: Article
Subject: BRITISH CINEMA; NATIONAL FILM THEATRE PROGRAM; ALAN BUSH: A LIFE (UK, Anna Ambrose, 1983)
Notes: Short credits and synopses for each film in program. - illustration

Call No: 71(41) BRI
Author: Higson, Andrew; Ashby, Justine
Source: UK
Place: London New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xx, 385 p. : ill. ; 24 cm
Subject: ASKEY, ARTHUR; ASSOCIATED BRITISH PICTURE CORPORATION; AUDIENCES. UK; BAKER, ROY WARD; BRASSED OFF (UK, Mark Herman, 1996); BRIEF ENCOUNTER (UK, David Lean, 1945); BOX, BETTY E.; EALING STUDIOS; GREENAWAY, PETER; JARMAN, DEREK; KEILLER, PATRICK; PEEPING TOM (UK, Michael Powell, 1960); PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933); RADIO PARADE OF 1935 (UK, Arthur Woods, 1934); UNITED KINGDOM
Notes: Includes bibliographical references (p. 354-369) and index
ISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)
LON: 21262622

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRYNNE: MY BEDAZZLED LIFE [TV](AT, 2012)

Call No: TITLE CLIPPINGS FILE; DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Summary: Review of the film THE DEATH AND LIFE OF OTTO BLOOM
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUG'S LIFE, A (US, John Lasseter & Andrew Stanton, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAN'T YOU HEAR THE WIND HOWL? THE LIFE AND MUSIC OF ROBERT JOHNSON (US, Peter Meyer, 1997)

Call No: 71(73) RAY
Author: Ray, Robert B. (Robert Beverley), 1943
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1985
PhysDes: x, 411 p. : ill. ; 25 cm
Subject: WESTERNS; WORLD WAR II FILMS. USA; CULT FILMS. USA; FILM NOIR. USA; MUSICALS. USA; CASABLANCA (US, Michael Curtiz, 1942); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); GODFATHER, THE (US, Francis Ford Coppola, 1972); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes index; Bibliography: p. [389]-397
ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)
LON: 3400531

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: CHARLIE: THE LIFE AND ART OF CHARLES CHAPLIN (US, Richard Shickel, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN OF FATE: LIFE AND DEATH IN A SICILIAN FAMILY (US, Andrew Young & Susan Todd, 1993)

Call No: 71(51) CHI
Author: Berry, Chris
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: viii, 216 p.. ill.. 24 cm.
Subject: CITY OF SADNESS, A [; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); TOU-PEN NU-HAI (HK, Ann Hui, 1982); BOAT PEOPLE (HK, Ann Hui, 1982); BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); WO HU ZANG LONG (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover]
Notes: Includes bibliographical references and index
ISBN: 0851709869. v. pbk.
ID2: 150

Call No: 71(51) CHI
Author: Berry, Chris
Edition: Second Edition
Source: UK
Place: Basingstoke [England] ; New York
Publisher: British Film Institute/Palgrave Macmillan
PubDate: 2008
PhysDes: 287 pages : illustrations ; 24 cm
Subject: CITY OF SADNESS, A [; TAIWAN; CULTURE AND THE CINEMA. CHINA; [FIFTEEN] 15 (SI, Royston Tan, 2003); BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002); DA WAN (HK/CC, Feng Xiaogang, 2002); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); MANG JING (CC/G/HK, Yang Li, 2003); BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003); BOAT PEOPLE (HK, Ann Hui, 1982); TOU-PEN NU-HAI (HK, Ann Hui, 1982); CENTER STAGE (HK, Stanley Kwan, 1991); RUAN LINGYU (HK, Stanley Kwan, 1991); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); GODDESS, THE (C, Yonggang Wu, 1934); HERO (HK/C, Yimou Zhang, 2002); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YELLOW EARTH (CC, Chen Kaige, 1985); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000)
Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURB
Notes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titles
ISBN: 9781844572373
Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li

Call No: 81MCG BRO
Author: Brooks, Xan
Source: UK
Place: London
Publisher: Chameleon
PubDate: 1998
PhysDes: x, 207 p., [24] p. of plates : ill. (some col.), ports. (some col.) ; 23 cm
Subject: MCGREGOR, EWAN; SHALLOW GRAVE (UK, Danny Boyle, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); PILLOW BOOK, THE (UK/NE/FR, Peter Greenaway, 1996); LIFE LESS ORDINARY, A (US, Danny Boyle, 1997)
Notes: Film and television history list for Ewan McGregor
ISBN: 0233994106

Call No: TITLE CLIPPINGS FILE; LIFE (US, Daniel Espinosa, 2017)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: GYLLENHAAL, JAKE; LIFE (US, Daniel Espinosa, 2017)
Summary: Profile on Jake Gyllenhaal and his role in the film LIFE

Call No: 743 CON
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2000
PhysDes: 242 p. : ill. ; 24 cm.
Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961)
Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.
Notes: Includes bibliographical references and indexes. Filmography: p. ([223]-232)
ISBN: 1860643973
Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 81POW CHR
Author: Ian Christie; Andrew Moor
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 295 p. ; 24 cm
Subject: MASCULINITY IN FILMS; WOMEN IN FILMS; WAR FILMS. UK; Powell, Michael; PRESSBURGER, EMERIC; CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); PEEPING TOM (UK, Michael Powell, 1960); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966)
Summary: The films of Michael Powell (1905-90) and Emeric Pressburger (1902-1988), among them I Know Where I’m Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with their highly stylised aesthetic and their themes of romantic longing and spiritual crisis. Powell and Pressburger are revered by film lovers and film-makers (Martin Scorsese has called them ‘the most successful experimental film-makers in the world’). In this first ever collection of essays on Powell, an international group of scholars explore his film-making landscape, providing new readings of individual films, analysing recurrent techniques and themes, and relating these to contemporary debates about gender, sexuality, nationality and cinematic spectacle. Powell, with and without Pressburger, emerges as a film-maker of lasting originality and significance. [Taken from back of book.]
ISBN: 1844570940

Call No: 81AND DIL
Author: Dilley, Whitney Crothers
Source: US/UK
Place: London New York
Publisher: Wallflower Press
PubDate: c2017
PhysDes: vii, 246 pages ; 24 cm
Series: Directors' cuts
Subject: CRITICISM; ANDERSON, WES; RUSHMORE (US, Wes Anderson, 1998); BOTTLE ROCKET (US, Wes Anderson, 1996); ROYAL TENENBAUMS, THE (US, Wes Anderson, 2001); LIFE AQUATIC WITH STEVE ZISSOU, THE (US, Wes Anderson, 2004); DARJEELING LIMITED, THE (US, Wes Anderson, 2007); FANTASTIC MR FOX (US/UK, Wes Anderson, 2009); MOONRISE KINGDOM (US, Wes Anderson, 2012); GRAND BUDAPEST HOTEL, THE (UK/G, Wes Anderson, 2014)
Summary: "Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (2007) and the stop-motion animation of Fantastic Mr. Fox (2009), his films examine issues of gender, race, and class through dysfunctional family dynamics, with particular focus on masculinity and male bonding. Anderson's auteur status is enriched by his fascination with Truffaut and the French New Wave, as well as his authorship of every one of his screenplays, drawing on influences as diverse as Mark Twain, J. D. Salinger, Roald Dahl, and Stefan Zweig. Works such as Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) continue to fascinate with their postmodern, hyper-nostalgic attention to detail. This book explores the filmic and literary influences that have helped make Anderson a major voice in 21st century "indie" culture, and reveals why Wes Anderson is one of the most inventive filmmakers working in cinema today." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9780231180696
Contents: -- acknowledgments -- 1 Introduction: Wes Anderson as Auteur -- A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- conclusion : memory and narrative in the works of Wes Anderson -- filmography -- bibliography -- index --

PhysDes: Article
Subject: FILM AUSTRALIA; REAL LIFE [TV] (AT, 1988); REAL LIFE: ALCOHOL [TV] (AT, Philip Robertson, 1988); REAL LIFE: DEMOCRACY [TV] (AT, Graham Chase, 1986); REAL LIFE: KIDS IN TROUBLE [TV] (AT, Sue Cornwell, 1988); REAL LIFE: SINGLES [TV] (AT, Karl McPhee, 1988)
Summary: Film Australia has commenced production of a five out of series of forty-eight minute long 'cinema verite' style documentaries under the series title "Real Life". The working titles of the five documentaries are: 1. Democracy; 2. Kids In Trouble; 3. News; 4. Singles; 5.Alcohol.

Call No: 756.1-25 SAY
Author: Sayyad, Nezar Al
Source: UK/US
Place: New York : London
Publisher: Routledge
PubDate: 2006
PhysDes: xiii, 256 p. : ill. ; 25 cm
Subject: MODERNISM AND THE CINEMA; ARCHITECTURE AND THE CINEMA; ARCHITECTURE IN FILMS; ART AND THE CINEMA; CITIES IN FILMS; HISTORY OF CINEMA; POSTMODERNISM AND THE CINEMA; THEORY; ANNIE HALL (US, Woody Allen, 1977); BLADE RUNNER (US, Ridley Scott, 1982); BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982); BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982); BRAZIL (UK, Terry Gilliam, 1985); DO THE RIGHT THING (US, Spike Lee, 1989); END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997); FALLING DOWN (US, Joel Schumacher, 1993); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MANHATTAN (US, Wody Allan, 1979); METROPOLIS (GG, Fritz Lang, 1927); METROPOLIS (G, Fritz Lang, 1926); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); PLAYTIME (FR, Jacques Tati, 1967); PLEASANTVILLE (US, Gary Ross, 1998); REAR WINDOW (US, Alfred Hitchcock, 1954); SLIVER (US, Phillip Noyce, 1993); TAXI DRIVER (US, Martin Scorsese, 1976); TRUMAN SHOW, THE (US, Peter Weir, 1998)
Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy. Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 0415700493
Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CITIZEN: THE POLITICAL LIFE OF ALLARD K. LOWENSTEIN (US, Julie Thompson, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CIVIC LIFE (UK, Christine Molloy/Joe Lawlor, 2003-2010)

Author: Roxburgh, Mark
PhysDes: Article; Bibliography; Illustration(s)
Subject: ETHNIC GROUPS IN FILMS; LAW, CLARA; FLOATING LIFE (AT, Clara Law, 1996)
Summary: Essay examines "Floating life" in relation to the discourse of Australian national identity and the Chinese immigrant experience.

Call No: 741.931 BLA
Author: Blanshard, Alastair -- Shahabudin, Kim
Source: UK
Place: London
Publisher: Bristol Classical Press
PubDate: 2011
PhysDes: vii, 264 p. : ill. ; 24 cm
Subject: EPIC FILMS; HISTORY AND THE CINEMA; HISTORY AND THE CINEMA. GREECE; HISTORY AND THE CINEMA. ITALY; HISTORICAL FILMS. USA; HISTORICAL FILMS. GREECE; HISTORICAL FILMS. ITALY; CLEOPATRA (US, Cecil B. DeMille, 1934); QUO VADIS (US, Mervyn LeRoy, 1951); SPARTACUS (US, Stanley Kubrick, 1960); THREE HUNDRED [300] SPARTANS, THE (US, Rudolph Mate, 1962); JASON AND THE ARGONAUTS (UK/US, Don Chaffey, 1963); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); HERCULES (US, John Musker & Ron Clements, 1997); GLADIATOR (US, Ridley Scott, 2000)
Summary: Publishers description: 'Through analysis of ten influential films, this book examines the representation of Greece and Rome in popular and art-house cinema. Arranged by cinematic genre and theme, this book offers an accessible introduction to the depiction of antiquity in cinema. Key scenes are discussed and each film is located in its historical context
ISBN: 9780715637241
Donation: donated by Senses of Cinema, 2013
Contents: 1. Establishing the conventions: Cleopatra (1934) -- 2. The Roman epics of classical Hollywood: Quo Vadis (1951) -- 3. Peplum traditions: Hercules (1958) -- 4. Roman history on Screen: Spartacus (1960) -- 5. Greek history on screen: The 300 Spartans (1962) -- 6. Myth and the fantastic: Jason and the Argonauts (1963) -- 7. Art Cinema: Fellini-Satyricon (1969) -- 8. Satirising cine-antiquity: Monty Python's Life of Brian (1979) -- 9. The Disney version: Hercules (1997) -- 10. The return of the epic? Gladiator (2000)

Call No: 633.22 COL
Author: Dalle Vacche, Angela; Brian Price
Source: US
Place: New York, London
Publisher: Routledge
PubDate: 2006
PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cm
Series: In focus - Routledge film readers
Subject: COLOUR; AESTHETICS; CINEMATOGRAPHY; TECHNICOLOR; BAZIN, ANDRE; ARNHEIM, RUDOLF; ROHMER, ERIC; BATCHELOR, JOHN; OSHIMA, NAGISA; BRAKHAGE, JANE; HITCHCOCK, ALFRED; ANDERSON, PAUL THOMAS; HOU HSIAO-HSIEN; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO; JARMAN, DEREK; MAMOULIAN, ROUBEN; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); GIGI (US, Vincente Minnelli, 1958); IMITATION OF LIFE (US, Douglas Sirk, 1959); REBECCA (US, Alfred Hitchcock, 1940); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]
Notes: Bibliography: (p [202]-205); Includes index
ISBN: 0415324424; 9780415324427

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: TITLE CLIPPINGS FILE; LIFE (US, Daniel Espinosa, 2017)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: LIFE (US, Daniel Espinosa, 2017)
Summary: Review of the film LIFE
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Posters; Press kit
Subject: COUNTRY LIFE (AT, Michael Blakemore, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 17 photographs : b&w ; 13 x 18 - 117 x 22 cm
Subject: BLANCHARD, RON; FOX, KERRY; BLAKEMORE, MICHAEL; CRUZE, ROBYN; SCACCHI, GRETA; WITHERS, GOOGIE; HARGREAVES, JOHN; NEILL, SAM; KENNEDY, PATRICIA; FIELDS, MAURIE; WINDON, STEPHEN; COUNTRY LIFE (AT, Michael Blakemore, 1994)
Summary: 17 black and white photographs of actors with descriptions on the back.
Notes: Some are duplicates.

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Call No: TITLE CLIPPINGS FILE; DAVID STRATTON: A CINEMATIC LIFE (AT, Sally Aitken, 2017)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: STRATTON, DAVID; DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [DAVID STRATTON: A CINEMATIC LIFE ] (AT, Sally Aitken, 2017)
Summary: Review of the documentary film DAVID STRATTON: A CINEMATIC LIFE
Rating: 4.5 out of 5 stars

PhysDes: Article
Subject: HALF LIFE (AT, Dennis O'Rourke, 1985)
Summary: Review of 'Half Life'

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: BITTERSWEET LIFE, A [DALKOMHAN INSAENG] (KO, Kim Jee-woon, 2005)
Notes: Simon Strong import_191126

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAN IN REAL LIFE (US, Peter Hedges, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANGEROUS LIFE, A (AT, Bob Markowitz, 1988)

Call No: 81BOYLE DAN
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2011
PhysDes: xli, 170 p. ; 24 cm
Series: Conversations with filmmakers
Subject: BOYLE, DANNY; SHALLOW GRAVE (UK, Danny Boyle, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); LIFE LESS ORDINARY, A (US, Danny Boyle, 1997); BEACH, THE (US, Danny Boyle, 1999); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MILLIONS (UK, Danny Boyle, 2004); SUNSHINE (UK/US, Danny Boyle, 2007); SLUMDOG MILLIONAIRE (UK/US, Danny Boyle and Loveleen Tandan, 2008)
ISBN: 9781604738339
Donation: donated by Senses of Cinema, 2013
Contents: Lean, mean, and cruel / Ronan Bennett -- The boys are back in town / Geoffrey Macnab -- Trainspotters / Monika Maurer -- Trainspotting : the choice of a new generation / Keith Hopper -- Train conductor: the director who dared to violate the just say no code / Anne Burns -- Fame? they can keep it / Tom Charity -- A team less ordinary / Ben Thompson -- Sink or swim / Simon Hattenstone -- The Leo factor / Stephen Short -- Smack my beach up / Tom Charity -- Back from the beach / Rupert Smith -- All the rage / Tom Charity -- Danny Boyle : a death less ordinary / Genevieve Harrison -- 28 days later : an interview with Danny Boyle / Sandy Hunter -- Danny Boyle : the looking closer interview / Jeffrey Overstreet -- Q& A with Danny Boyle, director of Millions / John Suozzo -- Danny Boyle / Brendan MacDevette -- Zombies, smack addicts, and Starbucks / Brian Libby -- Sunshine superman / Amber Wilkinson -- Danny Boyle talks about Sunshine / Ambrose Heron -- Interview : Danny Boyle / Faisal Latif -- Peter Hawley interviews Danny Boyle / Peter Hawley -- 2007's Space Odyssey : Q& A with Sunshine director Danny Boyle / Kevin Polowy -- Boyle's orders / Hank Sartin -- Slumdog millionaire : Danny Boyle interview / Catherine Bray -- Interview : Danny Boyle on Slumdog millionaire / Ambrose Heron -- Danny Boyle / Tavis Smiley -- Director Danny returns home to a rip-roaring welcome / Bury Times

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAVID BRENT: LIFE ON THE ROAD (UK/US, Ricky Gervais, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAVID LYNCH: THE ART LIFE (US/DK, Rick Barnes & Olivia Neergaard-Holm, 2016)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [DAVID STRATTON: A CINEMATIC LIFE ] (AT, Sally Aitken, 2017)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [DAVID STRATTON: A CINEMATIC LIFE ] (AT, Sally Aitken, 2017)

PhysDes: Article
Subject: DAY IN THE LIFE OF BONNIE CONSOLO, A (US, Barry Spinello, 1975)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEATH AND LIFE OF JOHN F. DONOVAN , THE (CN/ UK, Xavier Dolan, 2018)

Call No: TITLE CLIPPINGS FILE; DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Summary: Review of the film THE DEATH AND LIFE OF OTTO BLOOM
Rating: 3 out of 5 stars

Call No: S DEA
Author: Jones, Cris
Edition: Yellow draft
Place: AT
PubDate: 2016
PhysDes: 104 leaves ; 30 cm.
Subject: DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Summary: " The chronicle of the life and great love of Otto Bloom, an extraordinary man who experiences time in reverse - passing backwards through the years only remembering the future." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings; Press kit
Subject: DEFENDING YOUR LIFE (US, Albert Brooks, 1991)

Call No: TITLE CLIPPINGS FILE; DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Summary: Review of the film THE DEATH AND LIFE OF OTTO BLOOM
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DETOUR (IN THE WHEELIE OF LIFE) (AT, Jim Flowers, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DNA THE SECRET OF LIFE [TV]

PhysDes: Article
Subject: IMAGINARY LIFE, AN (AT, Don Featherstone, 1996)
Summary: The documentary 'An Imaginary Life - David Malouf' has won a Golden Spire in the Golden Gate Awards competition.

Call No: 761 DOC
Author: Winston, Brian
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: 416 pages ; 25 cm
Subject: AFRICA; ART CINEMA; ANTHROPOLOGY AND THE CINEMA; BRAZIL; CINEMA-DIRECT; CINEMA VERITE; DOCUMENTARIES; DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; ETHICS AND THE CINEMA; ETHNOGRAPHIC FILMS; HISTORY ON TV; HOMOSEXUALITY AND THE CINEMA; ISRAEL; INTERNET AND THE CINEMA; LATIN AMERICAN COUNTRIES; PALESTINE; POLITICAL FILMS; RACIAL ISSUES AND THE CINEMA; REVOLUTIONARY THEMES IN FILMS; MOVEMENTS IN FILM HISTORY; REALITY TV; GRIERSON, JOHN; MOORE, MICHAEL; VERTOV, DZIGA; AFRICA RISING (US, Paula Heredia, 2009); AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); NANOOK OF THE NORTH (US, Robert Flaherty, 1922)
Summary: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies. -- BOOK BLURB
ISBN: 9781844573417
Contents: Acknowledgments -- Notes on Contributors -- Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary --; PART I: DOCUMENTARY VALUES -- The Question of Evidence, the Power of Rhetoric and Documentary Film: Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence: Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject: Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore: Douglas Kellner -- CGI and the End of Photography as Evidence: Taylor Downing -- Drawn From Life: The Animated Documentary: Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form: Derek Paget -- Ambiguous Audiences: Annette Hill -- Life As Narrativised: Brian Winston -- The Dance of Documentary Ethics: Pratap Rughani -- Deaths, Transfigurations and the Future: John Corner --; PART II: DOCUMENTARY PARADIGMS -- Problems in Historiography: The Documentary Tradition Before Nanook of the North: Charles Musser -- John Grierson and the Documentary Film Movement: Ian Aitken -- Challenges For Change: Canada's National Film Board: Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand: Deane Williams -- New Deal Documentary and the North Atlantic Welfare State: Zoe Druick and Jonathan Kahana -- The Triumph of Observationalism: Direct Cinema in the USA: Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov: Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s–50s: Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition: Elena Von Kassel Siambani -- Cinéma Vérité: Vertov Revisited: Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions: Craig Hight --; PART III: DOCUMENTARY HORIZONS -- Eastwards: Abe Mark Nornes -- Africa N.: Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil: Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada: Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday – Poetic Vérité in the Eastern European Tradition; Susanna Helke --; PART IV: DOCUMENTARY VOICES -- First-Person Political: Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them: Julia Lesage -- Pioneers of Black Documentary Film: Pearl Bowser -- LGTBs' Documentary Identity: Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment: Richard Kilborn -- Reality TV: A Sign of the Times?: Anita Biressi and Heather Nunn --; PART V: DOCUMENTARY DISCIPLINES -- Anthropology: The Evolution of Ethnographic Film: Paul Henley -- Science, Society and Documentary: Tim Boon -- History Documentaries for Television: Ann Gray -- Music, Documentary, Music Documentary: Michael Chanan -- Art, Documentary as Art; Michael Renov --; PART VI: DOCUMENTARY FUTURES -- Documentary as Open Space: Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online: John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto': Peter Wintonick --; Afterword: The Unchanging Question: Brian Winston -- Index

Call No: 761 BEA
Author: Beattie, Keith
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2004
PhysDes: 276 p ; 21cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; IMPERIALISM AND THE CINEMA; CINEMA VERITE; CINEMA-DIRECT; JOURNALISTS, FILM; POPULAR CULTURE AND TV; REALITY TV; TABLOID JOURNALISM; POPULAR CULTURE AND THE CINEMA; AUSTRALIAN BROADCASTING CORPORATION; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; NATIONAL FILM BOARD OF CANADA; NATIONAL INDIGENOUS DOCUMENTARY FUND; NBC TELEVISION NETWORK; PUBLIC BROADCASTING SERVICE; NETWORK TEN; VIDEODISCS; GRANADA; IMAX; INDEPENDENT TELEVISION COMMISSION; INTERACTIVE TV; MUSIC TELEVISION; TELEVISION JOURNALISTS; BUERK, MICHEAL; CAVADINI, ALESSANDRO; DE ANTONIO, EMILE; DREW, ROBERT; DYLAN, BOB; FLAHERTY, ROBERT; GRIERSON, JOHN; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT; MAYSLES, DAVID; MCELWEE, ROSS; MOORE, MICHAEL; MORIN, EDGAR; O'ROURKE, DENNIS; PENNEBAKER, D. A.; PILGER, JOHN; ROUCH, JEAN; RUTTMAN, WALTER; TAJIRI, REA; VERTOV, DZIGA; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CHEQUER-BOARD [TV] (AT, 1969-1975); [FOUR] 4 CORNERS [TV] (AT, 1961-); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); BIG BROTHER [TV] (AT, 2001-); BIGGIE AND TUPAC (US, Nick Broomfield, 2001); BILL, THE [TV] (UK, 1984-); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002); BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999); CAMBODIA: YEAR ZERO (AT, John Pilger, 1989); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987); CATHY COME HOME (UK, Ken Loach, 1966); COPS AND ROBBERSONS (US, Michael Ritchie, 1994); CROCODILE DUNDEE (AT, Peter Faiman, 1986); CUNNAMULLA (AT, Dennis O'Rourke, 2000); DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MONTEREY POP (US, D. A. Pennebaker, 1968); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); POLICE STATE (AT, Chris Noonan, 1989); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); WALKING WITH DINOSAURS[TV] (UK, 1999); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].
ISBN: 033374117X
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 761 JAC
Author: Jacobs, Lewis, comp
Edition: 2nd ed
Place: New York
Publisher: W. W. Norton
PubDate: c1979
PhysDes: 594 p. : ill. ; 24 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)
Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 577-579
ISBN: 0393950425
LON: 1437994
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Nicolaidi, Mike
PhysDes: Article
Subject: DOG'S LIFE, A (NZ, Murray Ball, 1986)
Summary: Report on NZ film activity including production of 'A Dog's life'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONG AND HAPPY LIFE, A [DOLGAYA SCHASTLIVAYA ZHIZN] (RU, Boris Khlebnikov, 2013)

Call No: 462-02(94) DON
Copy Management: Copy 1; Copy 2
Author: Blonski, Annette; Creed, Barbara; Freiberg, Freda
Place: Richmond, Vic.
Publisher: Greenhouse
PubDate: 1987
PhysDes: 400 p. : ill., facsims., ports. ; 28 cm
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ADDIS, ERIKA; ANSARA, MARTHA; ASH, EVE; CANTRILL, ARTHUR & CORINNE; FISKE, PAT; GIBSON, SARAH; GRACE, HELEN; LAMBERT, SUSAN; HARTMAN, RIVKA; HOASS, SOLRUN; KEARNEY, BRIANN; KELLY, GABRIELLE; ROLLE, DI; SCHWARZ, MONIQUE; THORNLEY, JENI; TILSON, ALISON; ARMSTRONG, GILLIAN; CAMPION, JANE; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986); WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984)
Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 0864360584 : price unknown
LON: anb86436058; 5042996
Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOROTHEA LANGE: A VISUAL LIFE (US, Meg Partridge, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOUBLE LIFE, A (AT, John Mandelberg, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Press kit
Subject: DOUBLE LIFE OF VERONIQUE, THE
ID2: 78

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM LIFE [TV] (AT, Scott Otto Anderson & Sarah Daggar-Nickson, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAMS FOR LIFE (AT, Anna Kannava, 2004)

Call No: S DRE
Author: Kannava, Anna
PubDate: 2002
PhysDes: 55 leaves
Subject: DREAMS FOR LIFE (AT, Anna Kannava, 2004)
Notes: Unpublished script; Donated by the Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAMS OF A LIFE (UK/IE, Carol Morley, 2011)

PhysDes: Clippings
Subject: [DVADCAT SEST] 26 DNEJ IZ ZIZNI DOSTOJEVSKOGO (UR, Aleksandr Zarhi, 1980); [TWENTY-SIX] 26 DAYS IN THE LIFE OF DOSTOYEVSKY (UR, Aleksandr Zarhi, 1980)

PhysDes: Clippings
Subject: DVADTSAT SHEST DNEY IZ ZHIZNI DOSTOEVSKOGO (UR, Aleksandr Zarhi, 1980); TWENTY SIX DAYS FROM THE LIFE OF DOSTOYEVSKY (UR, Aleksandr Zarhi, 1980)

PhysDes: Clippings
Subject: DVADTSAT SHEST DNEY IZ ZHIZNI DOSTOEVSKOGO (UR, Aleksandr Zarhi, 1980); TWENTY SIX DAYS FROM THE LIFE OF DOSTOYEVSKY (UR, Aleksandr Zarhi, 1980)

Author: Michael Adams
PhysDes: Article
Subject: RUSH, GEOFFREY; LIFE AND DEATH OF PETER SELLERS, THE (US/UK, Stephen Hopkins, 2004)
Summary: Interviews with Geoffrey Rush on his career and making it 'big' in Hollywood, focusing on his latest feature, The Life and Death of Peter Sellers

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ERIC CLAPTON LIFE IN TWELEVE BARS (UK, Lili Fini Zanuck, 2017)
Notes: Simon import_04/07/19

Call No: 632.22 ESS
Author: Papazian, Elizabeth A; Eades, Caroline
Edition: 2016
Place: New York; Chichester, UK
Publisher: Wallflower Press
PubDate: 2016
PhysDes: xi,315 p. : illustrated ; 23 cm
Subject: DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); TREE OF LIFE, THE (US, Terrence Malick, 2011); VERTOV, DZIGA; MARKER, CHRIS; Pasolini, Pier Paolo; AKERMAN, CHANTAL; GODARD, JEAN-LUC; MORETTI, NANNI; DENIS, CLAIRE; MALICK, TERRENCE
Summary: With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay. A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis. -- publisher's web site
ISBN: 9780231176958
Contents: Acknowledgments -- Notes on Contributors -- Introduction: Dialogue, Politics, Utopia, by Elizabeth A. Papazian and Caroline Eades -- Part I: The Essay Film as Dialogue -- 1. Essayism and Contemporary Film Narrative, by Timothy Corrigan -- 2. Essaying the Forms of Popular Cinema: Godard, Farocki and the Principle of Shot/Countershot, by Rick Warner -- 3. The Practice of Strangeness: L'Intrus, from Jean-Luc Nancy (2000) to Claire Denis (2004), by Martine Beugnet -- 4. Cinéma-vérité and Kino-pravda: Rouch, Vertov, and the Essay Form, by Caroline Eades and Elizabeth A. Papazian -- Part II: The Essay Film as Politics -- 5. Notes for a Revolution: Pasolini's Postcolonial Essay Films, by Luca Caminati -- 6. Chris Marker's Description of a Struggle and the Limits of the Essay Film, by Eric Zakim -- 7. A Woman with a Movie Camera: Chantal Akerman's Essay Films, by Anne Eakin Moss -- 8. 'What Does It Mean Today to Be a Communist?': Nanni Moretti's Palombella rossa and La cosa as Essay Films, by Mauro Resmini -- Part III: The Essay Film as Utopia -- 9. Mohamed Soueid's Cinema of Immanence, by Laura U. Marks -- 10. Inside/Outside: Nicolasito Guillén Landrián's Subversive Strategy in Coffea Arábiga, by Ernesto Livon-Grosman -- 11. American Essays in How to Build a Home: Thoreau, Mekas, Proenneke, by Oliver Gaycken -- 12. 'to speak, to hold, to live by the image': Notes in the Margins of the New Videographic Tendency, by Luka Arsenjuk -- Afterword: The Idea of Essay Film, by Laura Rascaroli -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FABERGE: A LIFE OF ITS OWN (UK/US/SZ/RU/MC/G/FR, Patrick Mark, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FACTS OF LIFE DOWN UNDER, THE [TV] (US, Stuart Margolin, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: FAMILY LIFE (UK, Kenneth Loach, 1971)

PhysDes: Article
Subject: FAST LIFE (US, Harry Pollard, 1932)

Call No: 744.7 FEM
Author: Radner, Hilary; Stringer, Rebecca
Source: US
Place: London ; New York
Publisher: Routledge
PubDate: 2011
PhysDes: ix, 310 pages : illustrations ; 23 cm
Subject: FEMINISM AND THE CINEMA; GENRES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; IDENTITY IN FILMS; JAMES BOND IN FILMS; MARRIAGE IN FILMS; MASCULINITY IN FILMS; MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SEXUALITY AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004); BABY MAMA (US, Michael McCullers, 2008); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); BRIDE WARS (US, Gary Winick, 2009); CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006); ENCHANTED (US, KEVIN LIMA, 2007); [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005); FRIENDS WITH MONEY (US, Nicole Holofcener, 2006); HARD CANDY (US, David Slade, 2005); JUNO (US/CN, Jason Reitman 2007); KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001); MARIE ANTOINETTE (US, Sofia Coppola, 2006); MICHAEL CLAYTON (US, Tony Gilroy, 2007); MISS CONGENIALITY (US, Donald Petrie, 2000); SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008); SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008); SINGLE MAN, A (US, Tom Ford, 2009); SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005); WAR OF THE WORLDS (US, Steven Spielberg, 2005)
Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURB
Notes: Includes list of figures, bibliographical references and index
ISBN: 9780415895880
Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. MELBOURNE. REAL LIFE ON FILM; DOCUMENTARY FILMS

Call No: 62 MUL
Author: Mulvey, Laura
Place: Bloomington London
Publisher: Indiana University Press British Film Institute
PubDate: 1996
PhysDes: xv, 188 p. ; 25 cm
Subject: MELODRAMA; FETISHISM IN FILMS; CLOSE-UPS; SIRK, DOUGLAS; GODARD, JEAN-LUC; SHERMAN, CINDY; XALA (SG, Ousmane Sembene, 1974); BLUE VELVET (US, David Lynch, 1986); CITIZEN KANE (US, Orson Welles, 1941); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Notes: Includes bibliographical references (p. 177-184) and index
ISBN: 0851705480 (British Film Institute); 0851705472 (British Film Institute : pbk.)
LON: 12120800

Subject: IMITATION OF LIFE (AT, Phill Lohrey, 1982)
Summary: Federation of New South Wales and Associated film societies

Author: Quinlivan, Beth
PhysDes: Article
Subject: FORTUNATE LIFE, A (AT, Marcus Cole & Henri Safran, 1986)
Summary: Budget figures

Call No: 64GEN FIL
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: viii, 581 p. : ill. ; 24 cm
Subject: GENRES; WESTERNS; GANGSTER FILMS; FILM NOIR; DISASTER FILMS; EPIC FILMS; HORROR FILMS; MELODRAMA; COMEDIES; TRANSVESTISM; WOMEN IN FILMS; VIETNAM WAR FILMS; MUSICALS; ETHNIC GROUPS IN FILMS; CANADA; AUTEUR THEORY; NARRATIVE IN FILMS; DETECTIVE FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HISTORICAL FILMS; PHILOSOPHY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; SCIENCE-FICTION FILMS; SEMIOLOGY; STRUCTURALISM; HITCHCOCK, ALFRED; MICHEAUX, OSCAR; CRONENBERG, DAVID; FORD, JOHN; PENN, ARTHUR; SIRK, DOUGLAS; CAVELL, STANLEY; CHANDLER, RAYMOND; FRYE, NORTHROP; MINNELLI, VINCENTE; TODOROV, TZVETAN; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987); SOME LIKE IT HOT (US, Billy Wilder, 1959); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949); YENTL (US, Barbara Streisand, 1983); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MY DARLING CLEMENTINE (US, John Ford, 1946); STAGECOACH (US, John Ford, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THING, THE (US, Christian Nyby, 1951); [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957); VICTOR VICTORIA (UK, Blake Edwards, 1982); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); FLY, THE (US, David Cronenberg, 1986); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); CHINATOWN (US, Roman Polanski, 1974); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHINATOWN (US, Roman Polanski, 1974)
Notes: Includes bibliographical references (p. [495]-559) and index
ISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)
LON: 11563059

Call No: 33 MIN
Author: Mingant, Nolwenn; Tirtaine, Cecilia; Augros, Joel
Source: UK
Place: London
Publisher: BFI book published by Palgrave
PubDate: 2015
PhysDes: xii, 200 pages : illustrations ; 24 cm
Subject: ADVERTISING FOR FILMS; ADVERTISING; DIGITAL TECHNOLOGY; TRANSNATIONAL CINEMA; DISTRIBUTION; INTERNET AND THE CINEMA; COMPUTERS AND THE CINEMA; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002); MY LIFE IN RUINS (US, Donald Petrie, 2009); ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002); ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012); HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012); HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013); HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ , Peter Jackson, 2014); BAIT (AT, Kimble Rendall, 2012); AVATAR (US, James Cameron, 2009)
Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing. The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844578382
Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --

Author: Davenport, Sue
PhysDes: Article
Subject: LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980)
Summary: Ill

Call No: TITLE CLIPPINGS FILE; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016)
Author: Dent, Nick
PhysDes: Clippings
Subject: LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016)
Summary: Film review of LIFE, ANIMATED
Rating: 3.5 out of 5 stars

Call No: 10268
Author: Quinlivan, Davina
Edition: 2015
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PhysDes: x, 188 p. : illus. ; 22 cm
Subject: PSYCHOLOGY AND THE CINEMA; WALTZ WITH BASHIR (IS/G/FR, Ari Forman, 2008); ABRAZOS ROTOS, LOS (SP, Pedro Almodovar, 2009); FELICIA'S JOURNEY (UK/CN, Atom Egoyan, 1999); TREE OF LIFE, THE (US, Terrence Malick, 2011); HERE (US, Braden King, 2011); BEGINNERS (US, Mike Mills, 2010); HUNGER (UK, Steve McQueen, 2008); CRONENBERG, DAVID
Notes: How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the healing body and its material registering of trauma. -- publisher's blurb
ISBN: 9781137361363

Call No: 81SIR RYA
Author: Ryan, Tom
Source: US
Place: Jackson, Mississippi
Publisher: University Press of Mississippi
PubDate: [2019]
PhysDes: 309 pages : illustrations ; 23 cm
Subject: FILM; GERMANY; CRITICISM; DIRECTORS; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Summary: "Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day." -- Provided by publisher.
Notes: Includes bibliographical references and index. Filmography: pages 257-265.
ISBN: 9781496822376
Contents: Chapter One: Detlef Sierck in Europe -- Chapter Two: American Beginnings: The European Legacy -- Chapter Three: In the Shadows: Sirk and the Noir Inclination -- Chapter Four: The Uncomfortable Comedies -- Chapter Five: Sirk and God: 'The Pure Ambiguity of Experience' -- Chapter Six: Pastoral Yearnings: Sirk and the Musical -- Chapter Seven: Hollywood, Rock Hudson, and the Idea of the Hero -- Chapter Eight: Sirk, the Family Melodrama, and the Production Code -- Chapter Nine: Sirk and John M. Stahl: Adaptations and Remakes -- Chapter Ten: Out of the Past -- Chapter Eleven: Into the Future: Sirk's Legacy.

Call No: 81GOD STE
Author: Sterritt, David
Source: UK/US
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 1999
PhysDes: xiv, 297 p. : ill. ; 23 cm
Series: Cambridge film classics
Subject: CRITICISM; AESTHETICS; NOUVELLE VAGUE; POSTMODERNISM AND THE CINEMA; MODERNISM AND THE CINEMA; GODARD, JEAN-LUC; BREATHLESS (FR, Jean-Luc Godard, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); MY LIFE TO LIVE (FR, Jean-Luc Godard, 1962) SEE VIVRE SAVIE; VIVRE SAVIE (FR, Jean-Luc Godard, 1962); WEEK-END (FR/IT, Jean-Luc Godard, 1968); NUMERO DEUX (FR, Jean-Luc Godard, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990)
Summary: "The films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's revolutionary New Wave movement in the early 1960s, through a period of drastic political experimentation in the late 1960s and 1970s, to a current introspective period in which he explores issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, Godard's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. He then traces Godard's visionary ideas through six of his key films: Breathless, My Life to Live, Weekend, Numero deux, Hail Mary, and Nouvelle Vague. Also included is a concise analysis of his work in video, television, and mixed-media formats. Linking works by Godard to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century. " -- BOOK BLURB
Notes: Filmography: p. 281-290 Includes bibliographical references (p. 279-280) and index
ISBN: 0521589711
Contents: -- list of illustrations -- acknowledgments -- 1. Introduction -- 2. Breathless -- 3. My Life to Live -- 4. Weekend -- 5. Numero deux -- 6. Hail Mary -- 7. Nouvelle Vague -- 8. Video and Television -- notes -- select bibliography -- filmography -- index --

Author: McKee, Alan
PhysDes: Article; Bibliography
Subject: ABORIGINAL AUSTRALIANS IN FILMS; ABORIGINAL AUSTRALIANS ON TV; ETHNIC GROUPS IN FILMS. AUSTRALIA; ETHNIC GROUPS ON TV. AUSTRALIA; GRANT, STAN; JEDDA (AT, Charles Chauvel, 1955); BLACKFELLAS (AT, James Ricketson, 1992); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); REAL LIFE [TV] (AT, 1988)
Summary: The article suggests that while the medium of film has tended to search for an Aboriginality which looks 'right', television allows the racial identity of indigenous Australians to be understood in other ways.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIRST BORN: THE LIFE AND TIMES OF JACK DAVIS (AT, Rene Roelofs, 1987)

Call No: TITLE CLIPPINGS FILE; DAVID STRATTON: A CINEMATIC LIFE (AT, Sally Aitken, 2017)
Author: -
PhysDes: Clippings File Article
Subject: DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [DAVID STRATTON: A CINEMATIC LIFE ] (AT, Sally Aitken, 2017)
Summary: Review of the documentary DAVID STRATTON: A CINEMATIC LIFE
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLIGHT FOR LIFE [TV] (AT, Simon Taget, 1999)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Transparency; Press kit
Subject: FLOATING LIFE (AT, Clara Law, 1996)
URL status: URL: 'http://file://Q:/T/FLOATING_LIFE.zip' Checked: 31/08/2021 12:37:31 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 71(94) FOC
CorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)
Place: Hendon, S. Aust.
Publisher: Australian Council of Government Film Libraries
PubDate: 1990
PhysDes: 64 p. : ill. ; 30 cm
Subject: AUSTRALIA; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928); ENEMY WITHIN, THE (AT, Rowland Stavely, 1918); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); SILKS AND SADDLES (AT, John K. Wells, 1921); NATION IS BUILT, A (AT, Frank Hurley, 1937); PEARLS AND SAVAGES (AT, Frank Hurley, 1921); CHEATERS, THE (AT, Paulette McDonagh, 1930); HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915); HOME OF THE BLIZZARD (AT, Frank Hurley, 1913)
Notes: Includes bibliographies
ISBN: 0730817245 : price unknown
LON: abn90241521; 7460866

Call No: PERSONALITY CLIPPINGS FILE; STRATTON, DAVID
Author: Westwood, Matthew
PhysDes: Clippings File Article
Subject: STRATTON, DAVID; DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [DAVID STRATTON: A CINEMATIC LIFE ] (AT, Sally Aitken, 2017); DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [DAVID STRATTON: A CINEMATIC LIFE ] (AT, Sally Aitken, 2017)
Summary: Interview with Australian film critic David Stratton about the documentary about his career DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA well as a companion TV documentary series titled the DAVID STRATTON: A CINEMATIC LIFE
ID2: 270

Call No: TITLE CLIPPINGS FILE; BOOK OF LIFE, THE (US, Jorge R. Gutierrez, 2014)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: BOOK OF LIFE, THE (US, Jorge R. Gutierrez, 2014)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Posters (NFSA- Reprint)
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FOR THE TERM OF HIS NATURAL LIFE [TV] (AT, Robert Stewart, 1983)

Call No: S FOR
Author: Payne, Patricia Schiller, Wilton
PubDate: 1982
PhysDes: 54 leaves
Subject: FOR THE TERM OF HIS NATURAL LIFE [TV] (AT, Robert Stewart, 1983)
Notes: Unpublished script

Call No: S FOR
Author: Payne, Patricia; Schiller, Wilton
PubDate: 1982
PhysDes: 70 leaves
Subject: For the term of his natural life [TV] (AT, 1982)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: N79 FOR CLA
Author: Clarke, Marcus
Source: Australia
Publisher: Angus and Robertson
PubDate: 1982
PhysDes: 21 cm ; 355 p.
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
ISBN: 0207147485

PhysDes: Article
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)

Call No: P FOR
PhysDes: 1 poster : col. ; 61 X 24 cm.
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Summary: Image: Contains many stills and cast shots.
Notes: This a reproduction of the original film poster (though not in it's original size) done by the NFSA - 'From the collection' series.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 9 photographs : b&w ; 17 x 22 cm - 21 x 26 cm
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Summary: Nine black and white photographs relating to the film 'For the term of his natural life,' the most publicised and expensive silent film made in Australia

Call No: 79FOR FAC
Author: Facey, A. B. (Albert Barnett), 1894-1982; Juniper, Robert, 1929
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1985
PhysDes: 330 p. : ill., map ; 20 cm
Subject: FORTUNATE LIFE, A (AT, Marcus Cole & Henri Safran, 1986)
Notes: First published: Fremantle, W.A. : Fremantle Arts Centre Press, 1981
ISBN: 0140079459 : $7.95 Aust; 0670807060 : $14.95 Aust
LON: 3778004 3839497 3840500

Author: Jones, Brian
PhysDes: Article
Subject: FORTUNATE LIFE, A (AT, Marcus Cole & Henri Safran, 1986)
Summary: Review of "A Fortunate Life"; Credits; First broadcast Nine Network 9 - 13 March 1986

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FORTUNATE LIFE, A (AT, Marcus Cole & Henri Safran, 1986)

Call No: D A fortunate life
Source: AT
Place: [Sydney?]
Publisher: Nine Network Australia : Umbrella Entertainment
PubDate: 2008
PhysDes: 2 videodiscs (DVD) (367 min.) : sd., col. ; 4 3/4 in.
Subject: FORTUNATE LIFE, A (AT, Marcus Cole & Henri Safran, 1986)
Summary: A television mini-series based on the autobiography of Bert Facey, whose life spanned some of the significant milestones of Australian history. -- Libraries Australia.
Notes: Based on the autobiography by A.B. Facey. Originally released in 1985. Umbrella Entertainment: DAVID0706. Censorship classification: PG. Originally released as a motion picture PBL Productions, 1985. In English.
Contents: Pt. 1. Starting out 1897-1905 (93 min.) -- Pt. 2. Bush schooling 1905-1908 (91 min.) -- Pt. 3. Journey 1908-1914 (95 min.) -- Pt. 4. Providence 1914-1916 (92 min.).
Technical Details: All region; PAL.
Credits: Producer, Bill Hughes; directors, Henri Safran, Marcus Cole; script, Ken Kelso ; Narrated by Bill Kerr.
Standard Number: 3000000063637
Performer: Bill Hunter, Martin Vaughan, Dorothy Alison, Val Lehman, Pat Bishop.

Author: Quinlivan, Beth
PhysDes: Article
Subject: FORTUNATE LIFE, A (AT, Marcus Cole & Henri Safran, 1986)
Summary: Production report

PhysDes: Article
Subject: FORTUNATE LIFE, A (AT, Marcus Cole & Henri Safran, 1986)

Call No: 81CAP MCB
Author: McBride, Joseph
Source: US
Place: New York
Publisher: Simon & Schuster
PubDate: 1992
PhysDes: 768 p. : ill. ; 26 cm
Subject: COMEDIES; AUTHORSHIP; COLUMBIA PICTURES; DIRECTORS; COMMUNISM AND THE CINEMA. USA; Metro-Goldwyn-Mayer; CAPRA, FRANK; COHN, HARRY; RISKIN, ROBERT; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); LADY FOR A DAY (US, Frank Capra, 1933); LOST HORIZON (US, Frank Capra, 1937); MEET JOHN DOE (US, Frank Capra, 1941); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); WHY WE FIGHT SERIES (US, 1942-44); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938)
Summary: "FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the first major biography of one of the greatest directors in Hollywood history, the man behind such classic films as IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE [...] FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the result of more than seven years of work. It is drawn from extensive archival research and interviews with 175 people who knew or worked with Capra, as well as many hours of interviews with Capra himself. In this biography, Joseph McBride gives us the definitive portrait of one of our greatest filmmakers." [Taken from book jacket]
Notes: Filmography: p. [117]-731; Includes bibliographical references and index
ISBN: 0671797883 (pbk.); 0671734946 : $27.50
LON: abn92038576; 8711584

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRANZ KAFKA'S IT'S A WONDERFUL LIFE (UK, Peter Capaldi, 1993)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GERRY ANDERSON: A LIFE UNCHARTED (UK, Benjamin Field, 2022)

Call No: TITLE CLIPPINGS FILE; DAVID BRENT: LIFE ON THE ROAD (UK/US, Ricky Gervais, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: DAVID BRENT: LIFE ON THE ROAD (UK/US, Ricky Gervais, 2016)
Summary: Review of the film DAVID BRENT: LIFE ON THE ROAD
Notes: similar article in Sydney Morning Herald, title: 'One-hit wonder doesn't deserve more stage time', same date, page 20
Rating: 1 out of 5 stars

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GET A LIFE ALRIGHT (AT, Joy Hopwood, 2022)

Call No: 45 [3-02] MAL
Author: Malone, Alicia
Edition: 2022
Place: Coral Gables, Florida
Publisher: Mango Publishing Group
PubDate: 2022
PhysDes: 223 pages ; 22 cm
Subject: WOMEN AND THE CINEMA; WOMEN IN FILMS; NATIONAL VELVET (US, Clarence Brown, 1944); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); HORROR FILMS; HEPBURN, KATHARINE; BERGMAN, INGRID; IMITATION OF LIFE (US, Douglas Sirk, 1959)
Summary: With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. This collection celebrates the power of cinema, media, culture and the faces of girls on film. Insiders from a Nerdy Film Lover. Weaving together life lessons with movie history, film reporter Alicia Malone celebrates the power of cinema and the women who shone brightly on the big screen, while also critiquing hidden messages in films. Alicia connects film analysis with her own journey of self-discovery—from growing up as a nerdy film lover in Australia to finding her voice as a woman on television. Each Movie has a Hidden Message. What messages and life lessons have been taken from these movies of the past—positive, negative or sometimes, both? Alicia Malone highlights many films, some with life changing moments and others with a tribute to feminist authors and messages. In this modern approach to film reviews and women, you’ll find essays on: - Hidden messaging and life lessons in films - The journey of women's history in film - Breakdowns on movie stereotypes like the the femme fatale Women nonfiction lovers who enjoyed Where the Girls Are, or feminism books like Extraordinary Women In History, When Women Invented Television, or Renegade Women in Film and TV, will love Girls on Film. -- publisher's web site
ISBN: 9781642506563

Call No: PERSONALITY CLIPPINGS FILE; CAPRA, FRANK
Author: Cerabona, Ron
PhysDes: Clippings File Article
Subject: CINEMAS. AUSTRALIA. ARC; CAPRA, FRANK; THREE DAYS TO LIVE (US, Tom Gibson, 1984); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946)
Summary: A preview of the Frank Capra season to be screened at the National Film and Sound Archive's Arc cinema, curated by Louise Sheedy. Films discussed include THREE DAYS TO LIVE, LOST HORIZON, IT HAPPENED ONE NIGHT, AMERICAN MADNESS, THE MIRACLE WOMEN, THE BITTER TEA OF GENERAL YEN, PRELUDE TO WAR, and IT'S A WONDERFUL LIFE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GONZO: THE LIFE AND WORK OF DR. HUNTER S. THOMPSON (US, Alex Gibney, 2008)

Call No: TITLE CLIPPINGS FILE; LIFE ON THE REEF [TV]
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: LIFE ON THE REEF [TV](AT, 2014)
Summary: Review of 'Life on the Reef'.

Call No: 792 GRE
Author: Glassner, John; Nichols, Dudley
Edition: 1959
Place: New York
Publisher: Crown Publishers
PubDate: 1959
PhysDes: 334 pages : illus. ; 23 cm
Series: Twenty Best Film Plays; 1
Subject: IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); REBECCA (US, Alfred Hitchcock, 1940); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); STAGECOACH (US, John Ford, 1939); GOOD EARTH, THE (US, Sidney Franklin, 1937)
Notes: Includes screenplays of six films with essays: 'The Screenplay as Literature' by John Glassner, and 'The Writer and the Film" by Dudley Nichols.
ID2: 307

PhysDes: Article
Subject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983); CURTAINS (CN, Jonathan Stryker [pseud. of Richard Ciupka & John Vernon], 1983); BOOGENS, THE (US, James L. Conway, 1981); SNOW WHITE AND THE SEVEN DWARFS (US, Peter Medak, 1983); SPLASH (US, Ron Howard, 1984); MOLLY (AT, Ned Lander, 1983); RAZORBACK (AT, Russell Mulcahy, 1984); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); CROSS CREEK (US, Martin Ritt, 1983)
Summary: Lists of up-coming films and their crew details

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HALF LIFE (AT, Dennis O'Rourke, 1985)

Author: Cordaiy, Hunter
PhysDes: Article
Subject: HALF LIFE (AT, Dennis O'Rourke, 198?)
Summary: Review

Author: Spratt, Mark
PhysDes: Article
Subject: HALF LIFE (AT, Dennis O'Rourke, 1985)
Summary: Review of 'Half Life'; Credits

Call No: P HAL
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: HALF LIFE (AT, Dennis O'Rourke, 1985)
Summary: Image: photo of America's flag, 3 women and a baby.
Notes: Some tears on the right and left hand side.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: I HAVE NEVER FORGOTTEN YOU: THE LIFE AND LEGACY OF SIMON WIESENTHAL (US, Richard Trank, 2007)
ID2: 82

PhysDes: Article
Subject: HER PRIVATE LIFE (US, Alexander Korda, 1929)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HI-LIFE (US, Roger Hedden, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: HIDDEN LIFE, A (G/US, Terrence Malick, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIGH LIFE (GG/FR/UK/PL/US, Claire Denis, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIGH LIFE [TV] (AT, 2017)

Author: Calanquin, Leon U
PhysDes: Article
Subject: HIS DOUBLE LIFE (US, Arthur Hopkins, 1933)
Summary: Article; Ill.

Call No: 81HIT BRU
Author: Bruns, John
Source: US
Place: Evanston, Illinois
Publisher: Northwestern Univesity Press
PubDate: 2019
PhysDes: ix, 215 pages: illustrations; 23cm
Subject: HITCHCOCK, ALFRED; HUMAN RELATIONS IN FILMS; LODGER, THE (UK, Alfred Hitchcock, 1926); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963); CROWDS IN FILMS; MARNIE (US, Alfred Hitchcock, 1964); I CONFESS (US, Alfred Hitchcock, 1953); SUPERNATURAL IN FILMS; URBAN LIFE IN FILMS; LANDSCAPES IN FILMS
Summary: "Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work. This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience." -- FROM BLURB
Notes: Includes bibliography and index.
ISBN: 9780810139954
Donation: Senses of Cinema
Contents: Acknowledgments -- Introduction: Navigating the Hitchcock Landscape -- Chapter 1. Hitchcock's Crowds -- Chapter 2. Hitchcock's Newspaper: A Thing of the Crowd -- Chapter 3. Hitchcock's Apartment Plot, or ""The Case of Mr. Pelham -- Chapter 4. Lost and Found in Hitchcock -- Chapter 5. Our Old Friend Telepathy -- Afterword: How to Keep Hitchcock Flat -- Notes -- Bibliography -- Index

Call No: 744 ROF
Author: Roffman, Peter, 1950; Purdy, Jim,
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1981
PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cm
Subject: SOCIAL PROBLEMS IN FILMS. USA; DEPRESSION IN FILMS; DRUGS IN FILMS; MENTAL HEALTH ISSUES IN FILMS; BAD GUYS; FASCISM AND THE CINEMA; FALLEN WOMEN IN FILMS; DELINQUENTS IN FILMS; ETHNIC GROUPS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; BLACKLISTING. USA; JOURNALISTS IN FILMS; POLITICAL PERSONALITIES IN FILMS; POPULISM AND THE CINEMA. USA; RACIAL ISSUES IN FILMS; RURAL LIFE IN FILMS; WARNER BROS.; Metro-Goldwyn-Mayer; LANG, FRITZ; BORZAGE, FRANK; CHAPLIN, CHARLES; GARFIELD, JOHN; CAPRA, FRANK; VIDOR, KING; BLACK LEGION (US, Archie L. Mayo, 1936); CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932); DEAD END (US, William Wyler, 1937); FORCE OF EVIL (US, Abraham Polonsky, 1948); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); STATE'S ATTORNEY (US, George Archainbaud, 1932); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); THREE COMRADES (US, Frank Borzage, 1938); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951); LAWLESS, THE (US, Joseph Losey, 1950); LAWYER MAN (US, Wilhelm Dieterle, 1932); LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934); MASSACRE (US, Alan Crosland, 1933); MEET JOHN DOE (US, Frank Capra, 1941); MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932); OUR DAILY BREAD (US, King Vidor, 1934); PINKY (US, Elia Kazan, 1949); PRESIDENT VANISHES, THE (US, William Wellman, 1934); RIFFRAFF (US, J. Walter Ruben, 1936); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); MODERN TIMES (US, Charles Chaplin, 1936); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MORTAL STORM, THE (US, Frank Borzage, 1940); MY MAN GODFREY (US, Gregory La Cava, 1936); ON THE WATERFRONT (US, Elia Kazan, 1954); BODY AND SOUL (US, Robert Rossen, 1947); GRAPES OF WRATH, THE (US, John Ford, 1940); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); HEROES FOR SALE (US, William A. Wellman, 1933); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351
ISBN: 0253127076; 0253202612 (pbk.)
LON: 1763505

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOMICIDE: LIFE ON THE STREET [TV] (US, Barry Levinson, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988)

Call No: TITLE CLIPPINGS FILE; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016)
Author: Byrnes, Paul
PhysDes: Clippings
Subject: LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016)
Summary: Film review of LIFE, ANIMATED
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: HUNGRY FEELING: THE LIFE AND DEATH OF BRENDAN BEHAN, A (IE, Allan Miller, 1988)

Call No: 632.43 HIL
Author: Hill, Geoffrey Michael, 1950
Place: Boston
Publisher: Shambhala
PubDate: 1992
PhysDes: viii, 319 p. : ill. ; 23 cm
Subject: MYTH AND THE CINEMA; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SHANE (US, George Stevens, 1953); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); BLUE VELVET (US, David Lynch, 1986); RUMBLE FISH (US, Francis Ford Coppola, 1983); TAXI DRIVER (US, Martin Scorsese, 1976); REPO MAN (US, Alex Cox, 1984); SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); INSIGNIFICANCE (UK, Nicolas Roeg, 1985); ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984); BABETTES GAESTEBUD (DK, Gabriel Axel, 1987); LITTLE SHOP OF HORRORS (US, Frank Oz, 1986); LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960); TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985); GRADUATE, THE (US, Mike Nichols, 1967); SANTA SANGRE (IT, Alexandro Jodorowsky, 1989); FIELD OF DREAMS (US, Phil Alden Robinson, 1989)
Notes: Includes bibliographical references (p. 313-319)
ISBN: 0877736456 (pbk. : alk. paper)
LON: 8202303

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: IMAGINARY LIFE, AN (AT, Don Featherstone, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IMAGINARY LIFE, AN (AT, Steve Baker, 2007)

Call No: 756(94) STA
Author: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2016
PhysDes: x, 226 pages ; 23 cm
Series: The spatial humanities
Subject: ABORIGINAL AUSTRALIANS IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; LOCATION SHOOTING. AUSTRALIA: VICTORIA; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: TASMANIA; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY; CULTURE AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; DAWN, NORMAN; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008); RED DOG (AT, Kriv Stenders, 2011); SAMSON AND DELILAH (AT, Warwick Thornton, 2009); VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVER
ISBN: 9780253018458
Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown

Call No: 79IMI IMI
Author: Sirk, Douglas, 1900-1987; Fischer, Lucy
Place: New Brunswick
Publisher: Rutgers University Press
PubDate: 1991
PhysDes: x, 346 p. : ill. ; 24 cm
Subject: SIRK, DOUGLAS; IMITATION OF LIFE (US, Douglas Sirk, 1959)
Notes: Includes bibliographical references (p. [343]-346); Filmography: p. [339]-341
ISBN: 0813516447 (cloth) : 37.00; 0813516455 (pbk.) : $14.00
LON: 90008979; 7505280
ID2: 292

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: IMITATION OF LIFE (US, Douglas Sirk, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IMITATION OF LIFE (US, Douglas Sirk, 1959)

Call No: PERSONALITY CLIPPINGS FILE; BROWN, MATILDA
Author: Byrne, Anna
PhysDes: Clippings File Article
Subject: BROWN, MATILDA; WARD, RACHEL; DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016)
Summary: Detailed interview with Matilda Brown and her mother Rachel Ward about their careers and their family life

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SCHOOL LIFE [ IN LOCO PARENTIS] (IE/ SP, Neasa Ní Chianáin / David Rane, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN MY LIFE (US, Andrew Solt, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984)

Call No: 744(=924) INS
Author: Insdorf, Annette
Edition: 2nd ed
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xix, 293 p. : ill. ; 24 cm
Subject: GENOCIDE IN FILMS; BRECHT, BERTOLT; CHAPLIN, CHARLES; LANZMANN, CLAUDE; MALLE, LOUIS; OPHULS, MARCEL; BERGMAN, INGMAR; IMHOOF, MARKUS; JARVIK, LAURENCE; LILIENTHAL, PETER; LUBITSCH, ERNST; WERTMULLER, LINA; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980); WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89); RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976); SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); DERNIER METRO, LE (FR, Francois Truffaut, 1980); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]); PAWNBROKER, THE (US, Sidney Lumet, 1964); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979); GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974); BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981); CHILDREN FROM NUMBER 67, THE [KINDER AUS NO. 67, DIE] (GW, Usch Barthelmess-Weller & Werner Meyer, 1980); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); DAVID (GW, Peter Lilienthal, 1979); SHOAH (FR/SZ, Claude Lanzmann, 1985); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282
ISBN: 0521372798; 0521378109 (pbk.)
LON: 6081353

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INNER LIFE OF MARTIN FROST, THE (SP/PO/FR/US, Paul Auster, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REAL LIFE OF MUHAMMAD, THE [INNOCENCE OF MUSLIMS] (US, Sam Bacile, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSTITUTE BENJAMENTA, OR THIS DREAM PEOPLE CALL HUMAN LIFE... (UK, Brothers Quay, 1995)

Author: de Bruyn, Dirk
PhysDes: Review; Bibliography; Credits; Illustration(s)
Subject: INSTITUTE BENJAMENTA, OR THIS DREAM PEOPLE CALL HUMAN LIFE... (UK, Brothers Quay, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ISLAND LIFE: LIZARD ISLAND (AT, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ISLAND LIFE: MACQUARIE ISLAND (AT, 2001)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Clippings
Subject: IT'S A WONDERFUL LIFE (US, Frank Capra, 1946)

Call No: TITLE CLIPPINGS FILE; LIFE (US, Daniel Espinosa, 2017)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: LIFE (US, Daniel Espinosa, 2017)
Summary: Review of the film LIFE
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT WAS A WONDERFUL LIFE (US, Michele Ohayon, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JABE BABE A HEIGHTENED LIFE (AT, Janet Merewether, 2005)

Call No: TITLE CLIPPINGS FILE; LIFE (US, Anton Corbijn, 2015)
PhysDes: Clippings File Article
Subject: BIOGRAPHICAL FILMS; DRAMAS; KINGSLEY, BEN; DEHAAN, DANE; PATTINSON, ROBERT; CORBIJN, ANTON; LIFE (US, Anton Corbijn, 2015)
Summary: A review of the film 'Life,' a biopic on the movie star James Dean and in particular his 1955 photoshoot with Life Magazine.
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JAMIE OLIVER : EAT TO SAVE YOUR LIFE [TV] (UK, 2008)

Call No: 81 SVA JOH
Author: Johnson, Keith Leslie, 1974-, (author)
Source: US
Place: Urbana, Illinois
Publisher: University of Illinois Press
PubDate: c2017
PhysDes: xii, 191 pages : illustrations ; 21 cm
Series: Contemporary Film Directors
Subject: SVANKMAJER, JAN; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); FAUST (FR/CZ/UK/GG, Jan Svankmajer, 1994); CONSPIRATORS OF PLEASURE (CS/SZ/UK, Jan Srankmajer, 1996); SURVIVING LIFE (THEORY AND PRACTICE) [PREZIT SVUJ ZIVOT (TEORIE A PRAXE)] (CZ/SO/JA, Jan Svankmajer, 2010); LAST TRICK OF MR. SCHWARCEWALLDE AND MR. EDGAR, THE [POSLEDNI TRIK PANA SCHWARCEWALLDEA A PANA EDGARA] (CS, Jan Svankmajer, 1964); ET CETERA (CS, Jan Svankmajer, 1967); OSSUARY, THE [KOSTNICE] (CS, Jan Svankmajer, 1970); HISTORIA NATURAE, SUITA (CS, Jan Svankmajer, 1967); PICKNICK MIT WEISMANN (AU, Jan Svankmajer, 1969); DIMENSIONS OF DIALOGUE [MOZNOSTI DIALOGU] (CS, Jan Svankmajer, 1983); DEATH OF STALINISM IN BOHEMIA, THE [KONEC STALINISMU V CECHACH] (CS, Jan Svankmajer, 1991); ANIMATION
Summary: "Jan Svankmajer enjoys a curious sort of anti-reputation: he is famous for being obscure. Unapologetically surrealist. Svankmajer draws on the traditions and techniques of stop-motion animation, collage, montage, puppetry, and clay to craft bizarre filmscapes.... In Johnson's view, Svankmajer implores us to reprogram our relationship with the vital matter all around us, including ourselves and our bodies." - BOOK BLURB
Notes: Includes bibliographical references (pages 177-185) and index. Includes filmography.
ISBN: 9780252083020
Donation: Senses of Cinema
Contents: Animist cinema -- humiliation, or object life -- Wunderkammer, or Creaturely Life -- Haptics, or Animal Life -- Imagination, or Political Life -- Stalinism in Bohemia -- Survival, or Ecological Life -- Interviews with Jan S vankmajer.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JINX, THE: THE LIFE AND DEATHS OF ROBERT DURST [TV](US, Andrew Jarecki, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JO JO DANCER, YOUR LIFE IS CALLING (US, Richard Pryor, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOAN SUTHERLAND: A LIFE ON THE MOVE (AT, 1986)

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. MELBOURNE. 2016
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: FESTIVALS. MELBOURNE; DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016); JOE CINQUE'S CONSOLATION (in production)
Summary: Listing of films to be shown at the 2016 Melbourne International Film Festival. Artistic Director Michelle Carey is quoted in regards to the screening of the Australian drama JOE CINQUE'S CONSOLATION based upon the novel by Helen Garner

Call No: TITLE CLIPPINGS FILE; SECRET LIFE OF WALTER MITTY, THE (US/ CN, Ben Stiller, 2013)
Author: Williams, Evan
PhysDes: Clippings File Article
Subject: SECRET LIFE OF WALTER MITTY, THE (US/ CN, Ben Stiller, 2013)
Summary: Review
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST AN ORDINARY LIFE (AT, Jane Oehr, 1979)

Author: Quinlivan, Beth
PhysDes: Article
Subject: FORTUNATE LIFE, A (AT, Marcus Cole & Henri Safran, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIDS OF SURVIVAL : THE ART AND LIFE OF TIM ROLLINS & K.O.S. (US, Daniel Geller & Danya Goldfine, 1996)

Call No: TITLE CLIPPINGS FILE; LIFE (US, Anton Corbijn, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: DAVIES, LUKE; LIFE (US, Anton Corbijn, 2015)
Summary: Luke Davies talks about writing the screenplay for LIFE (2015)

Call No: 634.6 BAZ
Author: Bazelon, Irwin
Source: US/UK/CN//AT
Place: New York -- Toronto -- London -- Melbourne
Publisher: Van Nostrand Reinhold Co
PubDate: 1975
PhysDes: 352 pages : illustrations ; 25 cm
Subject: COMPOSING; MUSIC AND THE CINEMA; MUSIC IN FILMS; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PATTON (US, Franklin J. Schaffner, 1970); WOMAN OF THE DUNES [SUNA NO ONNA] (JA, Hiroshi Teshigahara, 1964); PSYCHO (US, Alfred Hitchcock, 1960); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); VIVA ZAPATA (US, Elia Kazan, 1952); MIRACLE WORKER, THE (US, Paul Aaron, 1979)
Summary: "Everyone knows film music exists, but few people know anything about it. And yet film music is the extra dimension that points up motivations, adds nuances, and even suggests plot developments, moods, and feelings that contradict the visual image. This book will make you aware of the affective power of music in films and how it can enhance or detract from your involvement in the film." - taken from the dust jacket
Notes: Includes index
ISBN: 0442205945
Contents: Preface : opening music cue -- Film music and composer -- Film music : a short history -- The contemporary concert composer in films -- The technique of film scoring -- Film moments : what does music actually do? -- Closing music cue -- Personal appearances : interviews with composers [interviews with Elmer Bernstein, Leonard Rosenman, Jerry Goldsmith, John Williams, Richard Rodney Bennett, Alex North, Lalo Schifrin, Bernard Herrmann, David Raksin, Bernard Sega´ll, Laurence Rosenthal, Johnny Mandel, Paul Glass, John Barry, and Gail Kubik]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LARA CROFT: TOMB RAIDER: CRADLE OF LIFE (US, Jan De Bont, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LARGE AS LIFE: AN INTERVIEW WITH PAT THOMPSON (AT, Charlotte Seymour, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LARGER THAN LIFE (US, Howard Franklin, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST KLEZMER: LEOPOLD KOZLOWSKI, HIS LIFE AND MUSIC, THE (US, Yale Strom, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEARNING ABOUT LIFE (AT, Jan Punch, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LET IT COME DOWN: THE LIFE OF PAUL BOWLES (CN, Jennifer Baichwal, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Posters; Clippings
Subject: LIFE (AT, Lawrence Johnston, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LIFE (US, Ted Demme, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LIFE(AT, Lawrence Johnston, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE (US, Anton Corbijn, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE (US, Daniel Espinosa, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: LIFE AND DEATH OF COLONEL BLIMP, THE (UK, Michael Powell & Emeric Pressburger, 1943)

Author: Chris Murray
PhysDes: Article
Subject: RUSH, GEOFFREY; LIFE AND DEATH OF PETER SELLERS, THE (US/UK, Stephen Hopkins, 2004)
Summary: Review of The Life and Death of Peter Sellers

Author: Dan Jolin
PhysDes: Article
Subject: RUSH, GEOFFREY; LIFE AND DEATH OF PETER SELLERS, THE (US/UK, Stephen Hopkins, 2004)
Summary: D.V.D. review of The Life and Death of Peter Sellers

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LIFE AND DEATH OF PETER SELLERS, THE (US/UK, Stephen Hopkins, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LIFE AND DEBT (US, Stephanie Black, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE AND LOVES OF A SHE DEVIL, THE (UK, Philip Saville, 1986) [TV]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE AND NOTHING MORE (US/SP, Antonio Méndez Esparza, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE AND TIMES OF ALLEN GINSBERG, THE (US, Jerry Aronson, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE AND TIMES OF HANK GREENBERG, THE (US, Aviva Kempner, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE AND TIMES OF THE RED DOG SALOON, THE (US, Mary Works, 1996)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016)
URL status: URL: 'http://file://Q:/T/LIFE_ANIMATED.zip' Checked: 31/08/2021 1:44:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE APART, A (US, Menachem Daum & Oren Rudavsky, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings; Press kit
Subject: LIFE AQUATIC WITH STEVE ZISSOU, THE (US, Wes Anderson, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LIFE AS A HOUSE (US, Irwin Winkler, 2001)