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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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Barnens o in News vol.1 iss.9
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Barnens o in News vol.3 iss.59
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BEAR ISLAND : (UK/CN, Don Sharp, 1979)
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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BIG BROTHER OF CHRISTMAS ISLAND : (AT, Mathew Kelley, 1999)
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BOUGAINVILLE: OUR ISLAND, OUR FIGHT : (AT, Wayne Coles-Janes, 1998)
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BOXING FOR PALM ISLAND : (AT, Adrian Wills, 2010)
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Boy's cinema annual 1951 London: Fleetway House, [1951].
Call No: 92(058) BOYPlace: LondonPublisher: Fleetway HousePubDate: [1951]PhysDes: 160 p. : illus. ; 26 cmSubject: TREASURE ISLAND (US, Byron Haskin, 1950) ; STAGECOACH (US, John Ford, 1939) ; BLUE LAMP (UK, Basil Dearden, 1949) ; HIGH JINKS IN SOCIETY (UK, John Guillermin & Robert Jordan Hill, 1949) ; SO DEAR TO MY HEART (US, Harold Schuster & Hamilton Luske, 1949) ; BIG CAT, THE (US, Phil Karlson, 1949) ; SAVAGE SPLENDOUR (US, Lewis Cotlow/Armand Denis, 1949) ; UNKNOWN ISLAND (US, Jack Bernhard, 1948) ; GUNGA DIN (US, George Stevens, 1939) ; AMAZON QUEST (US, Steve Sekely, 1949)
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BUTTERFLY ISLAND : [TV] (AT, 1985)
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Butterfly island / Rick Searle Sydney, NSW: Australian Broadcasting Corporation, 1986.
Call No: 7N9BUT SEAAuthor: Searle, Rick Source: ATPlace: Sydney, NSWPublisher: Australian Broadcasting CorporationPubDate: 1986PhysDes: 154 p.; 22 cm.Subject: BUTTERFLY ISLAND [TV] (AT, 1985) Notes: Based on the TV series created by Rick Searle, and screenplays by David Phillips.ISBN: 0642530645
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983.
Call No: 753.131-053.2 CHIAuthor: Street, Douglas Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1983PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; CHILDREN AND THE CINEMA ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973) ; HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977) ; HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977) ; ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964) ; KIDNAPPED (UK, Delbert Mann, 1971) ; KIM (US, Victor Saville, 1950) ; LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979) ; LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981) ; LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936) ; LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940) ; PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969) ; PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969) ; RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970) ; SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949) ; SOUNDER (US, Martin Ritt, 1972) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951) ; TREASURE ISLAND (US, Victor Fleming, 1934) ; TREASURE ISLAND (US, Byron Haskin, 1950) ; TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972) ; WATERSHIP DOWN (UK, Martin Rosen, 1978) ; WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURBNotes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95LON: 83014816; 2808775
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CITY ISLAND : (US, Raymond De Felitta, 2009)
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CONEY ISLAND AT NIGHT : (US, Edwin S. Porter, 1905)
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CONEY ISLAND OF LAWRENCE FERLINGHETTI, THE : (US, Chris Felver, 1997?)
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The coral island / R.M. Ballantyne London: Methuen, 1982.
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crawford ephemera general
[Crawfords. Graphic material]
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Creativity, culture, commerce : producing Australian childen's televison with public value / Anna Potter Bristol ; Chicago: Intellect, 2015.
Call No: 722-053.2(94) POTAuthor: Potter, Anna Edition: 2015Place: Bristol ; ChicagoPublisher: IntellectPubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: CHILDREN, PROGRAMMES FOR. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012) ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; BRITISH BROADCASTING CORPORATION ; IRWIN, BINDI ; DANCE ACADEMY [TV] (AT, 2010) ; DISNEY CHANNEL ; GURLS WURLD, A [TV](AT/G/SI, 2011) ; H [TWO OH] 2O [TV] (AT, 2006-) ; HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007) ; MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ) ; MY PLACE [TV] (AT, Kim Daiton, 2009) ; SCREEN AUSTRALIA Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web siteISBN: 9781783204410Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index
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CROKER ISLAND EXODUS : (AT, Steven McGregor, 2012)
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CUTTHROAT ISLAND : US, Renny Harlin, 1995
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DAFFY DUCK'S MOVIE: FANTASTIC ISLAND : (US, Fritz Freleng, 1983)
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A discussion with Werner Herzog Melbourne, Vic.: 1983.
Call No: 81HER AUSCorpAuthor: Australian Film InstituteSource: ATPlace: Melbourne, Vic.PubDate: 1983PhysDes: 36 p. ; 28 cmSubject: FILMMAKING ; AUTHORSHIP ; LOCATION SHOOTING ; PRODUCTION ; CRITICISM, TV. ; HERZOG, WERNER ; ISLAND (AT, Paul Cox, 1989) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; KASPAR HAUSER (GE, Peter Sehr, 1993) Summary: Transcript of a discussion with Werner herzog at the AFI Longford Cinema, Melbourne.Language: English
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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ESCAPE FROM SCORPION ISLAND [TV] : (UK, 2007-)
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Falcon island / Joan Ambrose London: Hamlyn, 1982.
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journal article
Family drama with a topical message in Encore (Nov 1984) vol.2 iss.19 p.26
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FAMOUS FIVE GO TO KIRRIN ISLAND : US, ?, ?
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FANTASY ISLAND : (US, Jeff Wadlow, 2020) Digital clippings file available
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FESTIVALS. SYDNEY. COCKATOO ISLAND FILM FESTIVAL
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FESTIVALS. SYDNEY. GOAT ISLAND
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FESTIVALS. VICTORIA [VARIOUS]
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Finding Queensland in Australian cinema : poetics and screen geographies / Allison Craven London ; New York: Anthem Press, 2016.
Call No: 71(943) CRAAuthor: Craven, Allison Source: UK/USPlace: London ; New YorkPublisher: Anthem PressPubDate: 2016PhysDes: xii, 158 pages ; 24 cmSeries: Anthem studies in Australian literature and cultureSubject: QUEENSLAND ; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND ; LANDSCAPES IN FILMS. AUSTRALIA ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; SEA IN FILMS ; IRISHMAN, THE (AT, Don Crombie, 1978) ; JEDDA (AT, Charles Chauvel, 1955) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008) ; UNINHABITED (AT, Bill Bennett, 2010) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; PETER PAN (US, P.J. Hogan, 2003) ; REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005) ; STRAITS, THE [TV] (AT, 2012-) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; MYSTERY ROAD (AT Ivan Sen, 2013) Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destinationISBN: 9781783085491Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion
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FIRE ISLAND : (US, Andrew Ahn, 2022) Digital clippings file available
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FORESTER'S ISLAND : (AT, 197?)
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journal article
Goat Island festival in Movie Trader (Nov 1999) p.11
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newspaper article
Going bananas in Sunday Herald Sun [Scene] (05/03/2017) p.2
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Crawford collection
script
Holiday Island : episode one {[Welcome to Holiday Island] / written by Terry Stapleton and Luis Bayonas AT: c1980.
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script
Holiday Island : episode one. Welcome to Holiday Island / written by Terry Stapleton and Luis Bayonas ; edited by Raymond Clark AT: c1981.
Call No: SC HOL : 1Author: Stapleton , Terry ; Bayonas, Luis Place: ATPubDate: c1981PhysDes: 81 leaves ; 33 cmSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character list, script running orderDonation: Gift of Crawford Productions
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script
Holiday Island : episode two. Cyclone / written by John Reeves and Anne Lucas ; edited by Terry Stapleton AT: c1981.
Call No: SC HOL : 2Author: Reeves, John ; Lucas, Anne Place: ATPubDate: c1981PhysDes: 94 leaves ; 33 cmSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character list, script running order -- Accompanied by storyline notes (4 leaves), scene breakdown (2 versions), memosDonation: Gift of Crawford Productions
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script
Holiday Island : episode no 29. Banjo's ark / written by Sheila Sibley ; edited by Cassandra Carter AT: c1981.
Call No: SC HOL : 29Author: Sibley, Sheila Place: ATPubDate: c1981PhysDes: 83 leaves ; 33 cmSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character list, script running order, script timings and extensive annotations -- Accompanied by storyline notes (8 leaves), scene breakdowns ( 2 versions), memos and budget reportDonation: Gift of Crawford Productions
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script
Holiday Island : episode 30. The horse race / written by Patrick Edgewoth ; edited by Anne Lucas AT: c1981.
Call No: SC HOL : 30Author: Edgeworth, Patrick Place: ATPubDate: c1981PhysDes: 83 leaves ; 33 cmSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Unpublished script -- Includes character list, script running order, notes and extensive annotations -- Accompanied by script timings, storyline notes (8 leaves)Donation: Gift of Crawford Productions
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script
Holiday Island : episode 45. The star / written by Bob Leamen AT:
Call No: SC HOL : 45Author: Leamen, Bob Place: ATPhysDes: 113 leaves ; 30 cmSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Unpublished script -- Includes character list and a few annotationsDonation: Gift of Crawford Productions
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Crawford collection
script
Holiday Island : episode no 57/58. The way forward / written by Brian Wright ; edited by Cassandra Carter AT: c1981.
Call No: SC HOL : 57/58Author: Wright, Brian Place: ATPubDate: c1981PhysDes: 75 leaves ; 34 cmSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Unpublished script -- Includes character list, script running order and extensive annotations -- Accompanied by amendments, notes and script timingsDonation: Gift of Crawford Productions
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Crawford collection
script
Holiday Island : episode 59/60. The Chinese connection / written by John Reeves and Anne Lucas ; edited by Barbara Bishop AT: c1981.
Call No: SC HOL : 59/60Author: Reeves, John ; Lucas, Anne Place: ATPubDate: c1981PhysDes: 78 leaves ; 33 cmSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Unpublished script -- Includes character list, script running order and extensive annotations -- Accompanied by script amendments, timings, rehearsal schedule, recording order,set notesDonation: Gift of Crawford Productions
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Crawford collection
script
Holiday Island : episode 61. Fool's tantalum / written by Jeff Peck ; edited by Barry Main AT: c1981.
Call No: SC HOL : 61Author: Peck, Jeff Place: ATPubDate: c1981PhysDes: 65 leaves ; 33 cmSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Unpublished script -- Includes script running order, character list and extensive annotations -- Accompanied by timing sheetsDonation: Gift of Crawford Productions
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Crawford collection
script
Holiday Island : episode 62. Day of judgement / written by Beverley Philips and Mary Dagmar Davies edited by Barbara Bishop AT: c1981.
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Crawford collection
script
Holiday Island : episode 63. Last farewells / written by Robert Bruning ; edited by Cassandra Carter AT: c1981.
Call No: SC HOL : 63Author: Bruning, Robert Place: ATPubDate: c1981PhysDes: 61 leaves ; 33 leavesSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Unpublished script -- Includes character list, script running order -- Accompanied by amendments (2 leaves)Donation: Gift of Crawford Productions
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crawford collection
[Holiday Island. Supplementary material] AT:
Call No: SC HOL : 0Place: ATPhysDes: 41 leaves ; 33 cmSubject: HOLIDAY ISLAND [TV] (AT, 1981) Notes: Amendments for episodes 31 and 32 (11 leaves) -- Camera cards (30 leaves)Donation: Gift of Crawford Productions
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title clippings file
ILE AU TRESOR, L' : (FR/US, Raul Ruiz, 1991)
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title clippings file
ILE AU TRESOR, L' : (FR/UK, Raoul Ruiz, 1985)
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title clippings file
IP CINQ L'ILE AUX PACHYDERMES [IP 5: THE ISLAND OF PACHYDERMS] : (FR, Jean-Jacques Beineix, 1992)
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title clippings file
ISLAND : (AT, Paul Cox, 1989)
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title clippings file
ISLAND AT THE TOP OF THE WORLD, THE : (US, Robert Stevenson, 1974)
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title clippings file
ISLAND LIFE: LIZARD ISLAND : (AT, 2001)
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title clippings file
ISLAND LIFE: MACQUARIE ISLAND : (AT, 2001)
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title clippings file
ISLAND LIGHTS : (AT, Tas-TV, 1987)
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title clippings file
ISLAND OF DR. MOREAU, THE : (US, Don Taylor, 1977)
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title clippings file
ISLAND OF DR. MOREAU, THE : (US, John Frankenheimer, 1996)
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journal article
Island of dreams in Federation News (Mar-Jun 1978) vol.95 iss.96 p.43
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title clippings file
ISLAND OF LEMURS : MADAGASCAR : (CN/US/MD, David Douglas, 2014)
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title clippings file
ISLAND OF LIES : (AT, Gillian Coote, 1991)
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title clippings file
ISLAND OF LOST SOULS, THE : (US, Erle C. Kenton, 1932)
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title clippings file
ISLAND OF NEVAWUZ, THE : (AT, Paul Williams, 1979)
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still
[Island of Nevawuz, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 5 images : b&w 21 x 26 cmSubject: ISLAND OF NEVAWUZ, THE (AT, Paul Williams, 1979) Summary: 5 black and white cartoon images of vikings shooting arrows at a monster, a village, a man with a dog in the sea, and men constructing an aeroplane
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journal article
Island of the blue dolphins in Cinema (June 1964) vol.2 iss.3 p.19
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journal article
Island of the burning damned in Filmfacts (1972) vol.15 iss.24 p.660-661
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journal article
The island of the dead in Photon iss.19 p.43-44
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title clippings file
ISLAND OF THE HUNGRY GHOSTS : (G/UK/AT, Gabrielle Brady, 2018)
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title clippings file
ISLAND ON BIRD STREET, THE : (DK/UK/GG, Soren Kragh-Jacobsen, 1997)
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title clippings file
ISLAND SHUNTERS : (AT, Tim Woolmer, 1977)
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still
[Island : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 19 cmSubject: ISLAND (AT, Paul Cox, 1989) Summary: Black and white photograph of three women in a church
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title clippings file
ISLAND, THE : (US, Michael Ritchie, 1980)
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title clippings file
ISLAND, THE : (US, Michael Bay, 2005)
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title clippings file
ISLAND TRADER : (AT, Howard Rubie, 1982)
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book
The John Ford movie mystery / Andrew Sarris Bloomington IN: Indiana University Press, 1975.
Call No: 81FOR SARAuthor: Sarris, Andrew Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1975PhysDes: 192 p. ; 26 cmSeries: Cinema OneSubject: FORD, JOHN ; SARRIS, ANDREW ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; UP THE RIVER (US, John Ford, 1930) ; ARROWSMITH (US, John Ford, 1931) ; AIRMAIL (US, John Ford, 1932) ; PILGRIMAGE (US, John Ford, 1933) ; LOST PATROL, THE (US, John Ford, 1934) ; JUDGE PRIEST (US, John Ford, 1934) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; INFORMER, THE (US, John Ford, 1935) ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; PRISONER OF SHARK ISLAND (US, John Ford, 1936) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; HURRICANE, THE (US, John Ford, 1937) ; STAGECOACH (US, John Ford, 1939) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; LONG VOYAGE HOME, THE (US, John Ford, 1940) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; WAGON MASTER (US, John Ford, 1950) ; RIO GRANDE (US, John Ford, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; MOGAMBO (US, John Ford, 1953) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; LAST HURRAH, THE (US, John Ford, 1958) ; GIDEON'S DAY (UK, John Ford, 1958) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; SERGEANT RUTLEDGE (US, John Ford, 1960) ; TWO RODE TOGETHER (US, John Ford, 1961) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; DONOVAN'S REEF (US, John Ford, 1963) ; SEVEN WOMEN (US, John Ford, 1965) ISBN: 0253331676Donation: donated by the family of Wayne Levy, 2006
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title clippings file
KANGAROO ISLAND : (AT, Ron Lowe, 1974)
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still
[Kangaroo island : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : col. ; 17 x 24 cmSubject: KANGAROO ISLAND (AT, Ron Lowe, 1974) Summary: One colour photograph from the South Australian Film Corporation 'Kangaroo island' of two kangaroos concerned about their missing joey.
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title clippings file
KEU SOME GAGO SIPTA : (KO, Park Kwang-Su, 1994)
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Online resource
digital clippings file
KING OF STATEN ISLAND, THE : (US, Judd Apatow, 2020) Digital clippings file available
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book
Kiss of the beast : From Paris salon to King Kong / Ted Gott (ed.) Brisbane: Queensland Art Gallery, 2005.
Call No: 175 KISSource: ATPlace: BrisbanePublisher: Queensland Art GalleryPubDate: 2005PhysDes: 127 p. : ill. ; 25 cmSubject: AUSTRALIAN CINEMATHEQUE ; MONSTERS IN FILMS ; ANIMALS IN FILMS ; PREHISTORIC ANIMALS IN FILM ; LOST WORLD, THE (US, Willis O'Brian, 1925) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; FRANKENSTEIN (US, James Whale, 1931) ; BLONDE VENUS (US, Josef von Sternberg, 1932) ; MUMMY, THE (US, Karl Freund, 1932) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; TARZAN AND HIS MATE (US, Cedric Gibbons, 1934) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; BRIDE OF THE GORILLA (US, Curt Siodmok, 1951) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; HSING HSING WANG (HK, Meng-Hwa Ho, 1977) Summary: Kiss of the Beast: From Paris Salon to King Kong explores images of gorillas, wild beasts and monsters in art, film, science, literature and popular culture from the late nineteenth century to today. It examens humanity's highly charged relationship with primates and draws connections between debates about evolution, race, aesthetics and sex - from satirical cartoons of gorillas in Punch! to HR Hopp's famous World War One recruiting poster Destroy this mad brute: enlist, which shows Kaiser Wilhelm as a large ape. Many incarnations of the Beauty and the Beast tale in art and film unfold in Kiss of the Beast - from French artist Emmanuel Fremiet's sculptures of a gorilla carrying off a woman of 1859 and 1887, to the classic 1933 image o Fay Wray in the grip of King Kong. Early short films and animations; groundbreaking expeditionary documentaries; iconic 'monster' movies from 130s to 1950s Hollywood; and some of the many versions of the Kong story from America, Japan and Hong Kong are also featured. Kiss of the Beast: From Paris Salon to King Kong is richly illustrated with film stills from many famous big ape and monster movies - including King Kong, Frankenstein and Creature from the Black Lagoon - as well as posters, sculptures, painting, prints and rare books. This book was published in conjunction with 'Kiss of the Beast', an integrated exhibition and film program presented by the Australian Cinematheque, Queensland Art Gallery.ISBN: 1876509082Donation: Australian Cinematheque, Queensland Art Gallery
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newspaper article
Kong films in Australia in Herald Sun (27/10/2015) p.2
Call No: TITLE CLIPPINGS FILE in production; KONG: SKULL ISLAND in productionPhysDes: Clippings File ArticleSubject: KONG: SKULL ISLAND in production Summary: This film is due to be filmed in Queensland
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newspaper article
KONG king of our jungle in Daily Telegraph [BW Magazine] (04/03/2017) p.18
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title clippings file
KONG: SKULL ISLAND : (US/CC/AT/CN, Jordan Vogt-Roberts, 2017)
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title clippings file
KONGEN AV BASTOY : (NO/FR/SW/PL, Marius Holst, 2010)
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poster
[Kongen av Bastoy : poster] 2010.
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book
Long John silver / Kylie Tennant Sydney: Associated General Publications, 1954.
Call No: N79LON TENAuthor: Tennant, Kylie Source: ATPlace: SydneyPublisher: Associated General PublicationsPubDate: 1954PhysDes: 207 p., [4] leaves of col. plates : ill. ; 23 cmSubject: TREASURE ISLAND (US, Fraser C. Heston, 1990) Summary: Young Jim Hawkins is caught up with the pirate Long John Silver in search of the buried treasure of the buccaneer Captain Flint, in this adaptation of the classic novel by Robert Louis Stevenson
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book
Long John Silver / Kylie Tennant ; from the motion picture screenplay by Martin Rackin Sydney: Associated General Publications, 1954.
Call No: N79LON TENAuthor: Tennant, Kylie Source: ATPlace: SydneyPublisher: Associated General PublicationsPubDate: 1954PhysDes: 207 p. : [4] p. of col. plates : ill. ; 23 cmSubject: TREASURE ISLAND (US, Scott King, 1999) Summary: Young Jim Hawkins is caught up with the pirate Long John Silver in search of the buried treasure of the buccaneer Captain Flint, in this adaptation of the classic novel by Robert Louis StevensonDonation: donated by the family of Wayne Levy, 2006
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book
Long John silver / Kylie Tennant, Martin Rackin Sydney: Associated General Publications, 1954.
Call No: N79LON TENAuthor: Tennant, Kylie ; Rackin, Martin Source: ATPlace: SydneyPublisher: Associated General PublicationsPubDate: 1954PhysDes: 207 p., [4] leaves of plates : ill. (some col.), ports. ; 23 cmSubject: TREASURE ISLAND (US, Scott King, 1999) Summary: Young Jim Hawkins is caught up with the pirate Long John Silver in search of the buried treasure of the buccaneer Captain Flint, in this adaptation of the classic novel by Robert Louis StevensonDonation: donated by the family of Wayne Levy, 2006
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title clippings file
LOVE AND DEATH ON LONG ISLAND : (UK/CN Richard Kwietniowski, 1997)
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title clippings file
LOVE ISLAND [TV] : (AT, 2018-)
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book
Mabo : life of an island man / original screenplay by Trevor Graham Sydney: Currency Press, 1999.
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title clippings file
MABO: LIFE OF AN ISLAND MAN : (AT, Trevor Graham, 1997)
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still
[Mabo: life of an island man : stills file]
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title clippings file
MAKO MERMAIDS : (AT, 2013- )
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title clippings file
MANKIND IS NO ISLAND : (AT, Jason van Genderen, 2008)
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book
Michael Bay / by Lutz Koepnick Urbana, Illinois: University of Illinois Press, c2018.
Call No: 81 BAY KOEAuthor: Koepnick, Lutz P. (Lutz Peter), (author.) Source: USPlace: Urbana, IllinoisPublisher: University of Illinois PressPubDate: c2018PhysDes: 192 pages : illustrations ; 21 cmSeries: Contemporary Film DirectorsSubject: BAY, MICHAEL ; ACTION FILMS ; BAD BOYS (US, Michael Bay, 1995) ; ROCK, THE (US, Michael Bay, 1996) ; ARMAGEDDON (US, Michael Bay, 1998) ; PEARL HARBOR (US, Michael Bay, 2001) ; BAD BOYS II (US, Michael Bay, 2003) ; ISLAND, THE (US, Michael Bay, 2005) ; TRANSFORMERS (US, Michael Bay, 2007) ; TRANSFORMERS: REVENGE OF THE FALLEN (AT, Michael Bay, 2009) ; TRANSFORMERS: DARK OF THE MOON (US, Michael Bay, 2011) ; PAIN & GAIN (US, Michael Bay, 2013) ; TRANSFORMERS: AGE OF EXTINCTION (US/C, Michael Bay, 2014) ; [THIRTEEN] 13 HOURS (US, Michael Bay, 2016) ; TRANSFORMERS: THE LAST KNIGHT (US/C/CN, Michael Bay, 2017) Summary: "If size counts for anything, Michael Bay towers over his contemporaries. His ability to mastermind breathtaking spectacles of action, mayhem, and special effects continually pushes the movie industry as much as the medium of film toward new frontiers.
Lutz Koepnick engages the bigness of works like Armageddon and the Transformers movies to explore essential questions of contemporary filmmaking and culture. Combining close analysis and theoretical reflection, Koepnick shows how Bay's film, knowingly or not, address profound issues about what it means to live in the late twentieth and early twenty-first centuries. According to Koepnick's astute readings, no one eager to understand the state of cinema today can ignore Bay's work. Bay's cinema of world-making and transnational reach not only exemplifies interlocking processes of cultural and economic globalization, it urges us to contemplate the future of moving images, of memory, matter, community, and experience, amid a time of rampant political populism and ever-accelerating technological change." -- BOOK BLURBNotes: Includes bibliographical references and index
Includes filmographyISBN: 9780252083204Donation: Senses of CinemaContents: World Cinema in the Age of Populism -- Cinema -- Action -- Time -- Matter -- Sound -- Politics -- Interviews -- Filmography -- Bibliography -- Index.
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title clippings file
MOST BEAUTIFUL ISLAND : (US, Ana Asensio, 2017)
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title clippings file
MUPPET TREASURE ISLAND : (US, Brian Henson, 1996)
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title clippings file
MYSTERY ISLAND : (AT, Gene W. Scott, 1980)
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still
[Mystery Island : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 25 x 18 cmSubject: MYSTERY ISLAND (AT, Gene W. Scott, 1980) Summary: Black and white photograph of a male and a female scuba diver
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title clippings file
NIM'S ISLAND : (US, Jennifer Flackett and Mark Levin, 2008)
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book
The non-Western films of John Ford / by J. A. Place Secaucus, N.J.: Citadel Press, c1979.
Call No: 81 FOR PLAAuthor: Place, J. A. (Janey Ann), 1946- Edition: First editionSource: USPlace: Secaucus, N.J.Publisher: Citadel PressPubDate: c1979PhysDes: 287 pages : illustrations ; 29 cmSubject: FORD, JOHN ; PILGRIMAGE (US, John Ford, 1933) ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; JUDGE PRIEST (US, John Ford, 1934) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; PRISONER OF SHARK ISLAND (US, John Ford, 1936) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; TOBACCO ROAD (US, John Ford, 1941) ; LAST HURRAH, THE (US, John Ford, 1958) ; WHEN WILLIE COMES MARCHING HOME (US, John Ford, 1950) ; [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; THIS IS KOREA (US, John Ford, 1951) ; LOST PATROL, THE (US, John Ford, 1934) ; SUBMARINE PATROL (US, John Ford, 1938) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; INFORMER, THE (US, John Ford, 1935) ; PLOUGH AND THE STARS, THE (US, John Ford, 1936) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; YOUNG CASSIDY (UK, Jack Cardiff, 1965) ; UP THE RIVER (US, John Ford, 1930) ; AIRMAIL (US, John Ford, 1932) ; ARROWSMITH (US, John Ford, 1931) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; HURRICANE, THE (US, John Ford, 1937) ; LONG VOYAGE HOME, THE (US, John Ford, 1940) ; MOGAMBO (US, John Ford, 1953) ; DONOVAN'S REEF (US, John Ford, 1963) ; SEVEN WOMEN (US, John Ford, 1965) ; FUGITIVE, THE (US/MX, John Ford, 1947) Summary: "J.A. Place's first book, The Western Films of John Ford, presented and analysed all the Ford films laid in the American West and drawing upon its mythology. In this book she turns to Ford's work in other genres: Americana films, Celtic films, political films, military films, and war films. Easch motion picture is carefully re-created in words and pictures." - BOOK BLURBNotes: Continues The Western films of John FordISBN: 0806506431Contents: The American films -- The war films -- The Irish films -- The action films -- The "foreign" films.
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title clippings file
OPENING OF THE FIRST LEGISLATIVE ASSEMBLY OF NORFOLK ISLAND : (AT, Peter Johnson, 1980)
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title clippings file
OSTROV KRABU : (CS, Vaclav Mergl, 1976)
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title clippings file
PASCALI'S ISLAND : (UK, James Dearden, 1988)
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book
Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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POKLAD PTACÍHO OSTROVA : (CS, Karel Zeman, 1953)
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POKLAD PTACÍHO OSTROVA : (CS, Karel Zeman, 1953)
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PONAPE ISLAND OF MYSTERY : (AT, Nick Frazer, 1982)
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POSSIBILITE D'UNE ILE, LA : (FR, Michel Houellebecq, 2008)
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Prime time, prime movers : from I love Lucy to L.A. law--America's greatest TV shows and the people who created them / David Marc and Robert J. Thompson Syracuse, N.Y.: Syracuse University Press, 1995.
Call No: 802.22(73) MARAuthor: Marc, David ; Thompson, Robert J., 1959 Edition: 1st Syracuse University Press edPlace: Syracuse, N.Y.Publisher: Syracuse University PressPubDate: 1995PhysDes: 340 p. : ill. ; 24 cmSeries: The Television seriesSubject: DRAMAS ; SOAP OPERAS ; GAMES SHOWS ; DOCUMENTARIES ; BROOKS, JAMES L. ; BURNS, KEN ; WOLPER, DAVID ; SPELLING, AARON ; RICH, LEE ; MARTIN, QUINN ; MARSHALL, GARRY ; LINK, WILLIAM ; CHAYEFSKY, PADDY ; CANNELL, STEPHEN J. ; BOCHCO, STEVEN ; BARRIS, CHUCK ; ARNAZ, DESI ; WERNER, TOM ; WEBB, JACK ; SCHWARTZ, SHERWOOD ; PHILLIPS, IRNA ; NIXON, AGNES ECKHARDT ; LEVINSON, RICHARD ; LEAR, NORMAN ; LARSON, GLEN ; HUGGINS, ROY ; HENNING, PAUL ; HARRIS, SUSAN ; GOODSON, MARK ; GLEASON, JACKIE ; ENGLISH, DIANE ; MANN, MICHAEL ; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?) ; MIAMI VICE [TV] (US, 1984-90) ; ALAS SMITH AND JONES [TV] (US, 1971-73?) ; ALL IN THE FAMILY [TV] (US, 1971-?) ; BEVERLY HILLBILLIES, THE [TV] (US, 1962-71) ; DRAGNET [TV] (US, 1951-59, 1967-70) ; GILLIGAN'S ISLAND [TV] (US, 1964-66) ; GOLDEN GIRLS, THE [TV] (US, 1985-93) ; HAPPY DAYS [TV] (US, 1974-1984) ; HILL STREET BLUES [TV] (US, 1980-87) ; L.A. LAW [TV] (US, 1986-94) ; I LOVE LUCY [TV] (US, 1951-57) Notes: Originally published: Boston : Little, Brown, 1992; Includes bibliographical references (p. [313]-318) and indexISBN: 0815603118 (paper : acid-free paper)LON: 95001812; 11442893
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Prospectus for the feature-length dramas provisionally entitled Harry and the Wrinklies, Riddle of Isis, The Coral Island and Fingerprints of the Giant / Transcontinental Films Limited Transcontinental Films Limited, 1999.
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journal article
Qld nabs another runaway in Encore (June 2007) vol.25 iss.06 p.7
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RETURN TO NIM'S ISLAND : (AT, Brendan Maher, 2013)
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Reviews : books, CD-Roms and videos in Australian screen education (Autumn 2000) iss.22 p.137-152
Author: Yeates, Helen ; Jokovich, Eddy ; Warren, Jane Sherning ; Saaroni, Dorothy PhysDes: Book review; Review; Illustration(s)Subject: ARMSTRONG, GILLIAN ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; DELIA (AT, Priscilla Cameron, 1998) ; REUNION (AT, Lisa Wang, 1998)
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RUNAWAY ISLAND [TV] : (AT, David Stevens, Igor Auzins, Pino Amenta, Frank Arnold & Rubie Howard, 1985)
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SAVAGE ISLAND : (US, Edward Muller, 1985)
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SEARCH FOR TREASURE ISLAND [TV] : (AT/GG, 1998)
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journal article
Series cancelled following equity objection in Encore (July 1985) vol.5 iss.11 p.3,4
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Short film appraisals in Filmviews (September 1981) vol.26 iss.no 3, no 109 p.20-21
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SHUTTER ISLAND : (US, Martin Scorsese, 2010)
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Simian danger stalks land of the giants in Weekend Australian [Review] (11/03/2017) p.15
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SIMINDIS KUNDZULI
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SPY KIDS 2: THE ISLAND OF LOST DREAMS : (US, Robert Rodriguez, 2002)
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STONY ISLAND : (US, Andrew Davis, 1978)
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TEMPTATION ISLAND [TV] : (AT, 2002)
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Levy Collection
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Three cornered island / by Dorothy Halkerston Sandy Bay, Tasmania: Di Net films, 1992.
Call No: 79THR HALAuthor: Halkerston, Dorothy Source: ATPlace: Sandy Bay, TasmaniaPublisher: Di Net filmsPubDate: 1992PhysDes: iii, 86 p. : ill. ; 30 cmSubject: THREE CORNERED ISLAND (AT, Di Nettleford, 1992)
SEE
DE VILS' TAS MANIA ; DE VILS' TAS MANIA (AT, Di Nettleford, 1992) Summary: "Based on the book set in the early 1800's, DI NET FILMS presents a movie set in the late 1900's. The film tells the same story of a man and his two women - one black - one white, and a child who thinks he is her own drowned father. Jack deVils, a criminal haunted by swirling visions of his troubled past, escapes from prison to find himself wandering on a bleak island of sand, wind and stones " -- BOOK BLURBISBN: 0646128914Donation: donated by the family of Wayne Levy, 2006
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TREASURE ISLAND : (US, Scott King, 1999)
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TREASURE ISLAND : (UK/US, Fraser C. Heston, 1990)
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script
Trevor island / screenplay for animation by John Taylor c1986.
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Understanding sound tracks through film theory / by Elsie Walker New York: Oxford University Press, c2015.
Call No: 634 WALAuthor: Walker, Elsie Source: UK/USPlace: New YorkPublisher: Oxford University PressPubDate: c2015PhysDes: ix, 435 pages : illustrations ; 26 cmSubject: SOUND ; SOUND TRACKS ; SOUNDTRACKS ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; GENRES ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; SEARCHERS, THE (US, John Ford, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TEN CANOES (AT, Rolf De Heer, 2006) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; PIANO, THE (AT, Jane Campion, 1993) ; SHUTTER ISLAND (US, Martin Scorsese, 2010) ; REBECCA (US, Alfred Hitchcock, 1940) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; BIGGER THAN LIFE (US, Nicholas Ray, 1956) Summary: "Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out.
Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references, filmography (page 419) and index; Includes filmographyISBN: 9780199896325Donation: Oxford University PressContents: -- acknowledgments -- general introduction -- pt. I GENRE STUDIES -- 1.Introduction: "A Semantic/Syntactic Approach to Film Genre" / Rick Altman -- 2.The Searchers -- 3.Dead Man -- pt. II POSTCOLONIALISM -- 4.Introduction: "Colonialism, Racism, and Representation: An Introduction" / Robert Stam and Louise Spence -- 5.Rabbit-Proof Fence -- 6.Ten Canoes -- pt. III FEMINISM -- 7.Introduction: "Visual Pleasure and Narrative Cinema" / Laura Mulvey -- 8.To Have and Have Not -- 9.The Piano -- pt. IV PSYCHOANALYSIS -- 10.Introduction: "Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes" / Todd McGowan -- 11.Bigger Than Life -- 12.Shutter Island -- pt. V QUEER THEORY -- 13.Introduction: "Imitation and Gender Insubordination" / Judith Butler -- 14.Rebecca -- 15.Heavenly Creatures -- coda -- select filmography -- further perceiving -- select glossary index --
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Walt Disney's Treasure Island London ; Glasgow: Collins, 1950.
Call No: N79TRE WALSource: UKPlace: London ; GlasgowPublisher: CollinsPubDate: 1950PhysDes: 127 p., [6] leaves of plates : ill. (some col.) ; 24 cmSubject: TREASURE ISLAND (US, Byron Haskin, 1950) Notes: "The Walt Disney motion picture version of Robert Louis Stevenson's Treasure Island. Based upon the screen play by Lawrence Edward Watkin"--P. [5]; map on lining papersDonation: donated by the family of Wayne Levy, 2006
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WENT TO CONEY ISLAND ON A MISSION FROM GOD... BE BACK BY FIVE : (US, Richard Schenkman, 1998)
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newspaper article
Your state Queensland : Film deal to bring gorilla in our midst in The Australian (27/10/2015) p.2
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