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Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HSIAO HSIEN, HOU

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KOHI JIKOU (JA/TZ, Hsiao-Hsien Hou, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASSASSIN, THE [NIE YIN NIANG] (TW/C/HK/FR, Hsiao-Hsien Hou, 2015)

Call No: 71(51) PER
Author: Berry, Chris
Place: London
Publisher: BFI Pub.
PubDate: 1991
PhysDes: vii, 234 p. : ill. ; 23 cm
Subject: CITY OF SADNESS, A [; PEOPLE'S REPUBLIC OF CHINA; TAIWAN; NATIONAL CULTURE IN FILMS; MOVEMENTS AND STYLES IN FILM HISTORY; SOCIAL GROUPS IN FILMS; GENDER AND THE CINEMA; ANIMATED FILMS; ZHUANGZHUANG, TIAN; JUNZHAO, ZHANG; YIGONG, WU; WAN, LAIMING; WAN, GUCHAN; WAN, DIHUAN; WAN, CHAOCHEN; CHUSHENG, CAI; KAIGE, CHEN; HSIAO-HSIEN, HOU; MEI, HU; BAN, LU; DONGSHAN, SHI; HUA, SHUI; YU, SUN; TIANMING, WU; YIGONG, WU; JIN, XIE; YANG, EDWARD; JUNZHAO, ZHANG; YIMOU, ZHANG; JUNLI, ZHENG; LI SHUANG SHUANG (CC, Lu Ren, 1962) SEE LI SHUANGSHUANG; XI YING MEN, (CC, Zhao Huanzhang, 1982); HUANG TUDI (CC, Chen Kaige, 1984); HONG GAOLIANG (CC, Zhang Yimou, 1987)
Notes: First published 1985; Includes bibliographical references, short biographies of major directors, chronology and indexes of names and film titles
ISBN: 0851702716; 0851702724 (pbk.)
LON: 7777062 7777062

Call No: TITLE CLIPPINGS FILE; ASSASSIN, THE [NIE YIN NIANG] (TW/C/HK/FR, Hou Hsiao-Hsien , 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: ASSASSIN, THE [NIE YIN NIANG] (TW/C/HK/FR, Hsiao-Hsien Hou, 2015)
Summary: David Stratton reviews the film THE ASSASSIN dirrected by Hou Hsiao-hsien. Stratton notes that is not typical of the martial arts film offering a richer and a more realistic experience for the viewer than is typical for the genre.
Rating: 4 out of 5 stars

Call No: 408.1-054(=951) SIN
Author: Yue, Audrey (editor); Khoo, Olivia (editor)
Source: AU
Place: London ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xvi, 231 pages : illustrations ; 23 cm
Subject: CHINA IN FILMS; COPRODUCTION; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; CULTURE AND THE CINEMA. CHINA; CULTURE AND THE CINEMA; LANGUAGE AND THE CINEMA; MASCULINITY IN FILMS; NATIONAL IDENTITY AND THE CINEMA; SHORT FILMS; SINGAPORE; TAIWAN; TRANSNATIONAL CHINESE CINEMA; TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; SHIH, SHU-MEI; CHILDREN OF THE SILK ROAD, THE (AT/CC/GE, Roger Spottiswoode, 2007); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); FLIGHT OF THE RED BALLOON [VOYAGE DU BALLON ROUGE, LE] (FR, Hsiao-hsien Hou, 2008)
Summary: "Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness. It engages new sites of localisation, multilingualism and differences that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora. The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies." - BOOK BLURB
Notes: Contains list of figures and notes on Chinese names and film titles -- Includes filmography, bibliographic references and index
ISBN: 9781137311191
Contents: Part 1: Theorising Sinophone cinemas -- Framing Sinophone cinemas / Audrey Yue and Olivia Khoo -- Genealogies of four critical paradigms in Chinese-language film studies / Sheldon H. Lu -- Alter-centring Sinophone cinema / Yiman Wang -- Festivals, censorship and the canon: the making of Sinophone cinemas / Yifen T. Beus -- The voice of the Sinophone / Song Hwee Lim -- Singapore, Sinaphone, nationalism: sounds of language in the films of Tan Pin Pin / Olivia Khoo; Part 2: Contemporary Sinophone cinemas -- Mandarin pop-culture meets Tokyo jazz: gender and popular youth culture in late-1960s Hong Kong musicals / Jennifer Feeley -- Sinophone libidinal economy in the age of neoliberalization and mainlandization: masculinities in Hong Kong SAR and New Wave cinema / Mirana M. Szeto -- Singlish and the Sinophone: non-standard (Chinese/English) languages in recent Singaporean cinema / Alison M. Groppe -- British Chinese short films: challenging the limits of the Sinophone / Felicia Chan and Andy Willis -- Contemporary Sinophone cinema: Australia-China coproductions / Audrey Yue

Call No: P FLI
Place: FR
PubDate: [2007]
PhysDes: 1 poster : colour ; 101 x 71cm
Subject: FLIGHT OF THE RED BALLOON [VOYAGE DU BALLON ROUGE, LE] (FR, Hsiao-hsien Hou, 2008)
Summary: Image: An illustration of a red balloon on the upper left corner. About the middle of the poster, there is an out-of-focus photograph of Suzanne (Juliette Binoche) playing with her son, Simon (Simon Iteanu). Near the bottom of the poster is a widescreen low-resolution photograph of the Paris skyline with the Eiffel Tower and the Notre Dame Cathedral. Text: FESTIVAL DE CANNES Official Selection Un Certain Regard 2007. LE CERCLE NOIR POUR F | I | D | E | L | I | O visa n 18141
Notes: Good condition, marks on the reverse side, creases
ID2: 337

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLIGHT OF THE RED BALLOON [VOYAGE DU BALLON ROUGE, LE] (FR, Hsiao-hsien Hou, 2008)