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Author: Waschin, Ken
PhysDes: Article
Subject: GOING HOLLYWOOD (US, Raoul Walsh, 1933)
Summary: Review; ill

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABBOTT AND COSTELLO IN HOLLYWOOD (US, S. Sylvan Simon, 1945)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALAN SMITHEE FILM - BURN, HOLLYWOOD, BURN, AN (US, Arthur Hiller, 1997?)

PhysDes: Article
Subject: PRODUCTION CENTRES : HOLLYWOOD; INDUSTRY, FILM. USA
Summary: Crew and plot information for 'Stutter's Gold' which is to being filming in 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: ALMOST HOLLYWOOD (US, Mike Weaver, 1994)

Call No: 408.3 (73/94) AME
Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.)
Source: SZ/AT
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: c2018
PhysDes: xvii, 333 pages : illustrations ; 22 cm
Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013)
Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9783319666754
Donation: Stephen Gaunson
Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --

Call No: FESTIVAL CATALOGUE SHELVES; held 1993
Place: US
PubDate: 1993-
Subject: FESTIVALS. HOLLYWOOD

PhysDes: Article
Subject: FALCON IN HOLLYWOOD, THE (US, Gordon Douglas, 1944)
Summary: The Falcon investigates the murder of an actor on a Hollywood backlot.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BILLY'S HOLLYWOOD SCREEN KISS (US, Tommy O'Haver, 1997)

Call No: 210.31 GOL
Author: Goldsmith, Ben; O'Regan, Tom
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2003
PhysDes: 28 cm; 117 pp
Series: Screen Industry, Culture and Policy Research
Subject: STUDIOS, FILM. AUSTRALIA; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES; STUDIOS, FILM. AUSTRALIA: VICTORIA; STUDIO SYSTEM; STUDIO SHOOTING; PRODUCTION CENTRES : HOLLYWOOD; PRODUCTION. AUSTRALIA; PRODUCTION. EUROPEAN COUNTRIES; PRODUCTION. UK; PRODUCTION. USA; PRODUCTION COMPANIES & STUDIOS; GOVERNMENT AID; FOX STUDIOS AUSTRALIA
Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]
ISBN: 0958015279

Call No: 409.5 NUL
Author: Nulman, Eugene
Edition: 2022
Place: Abingdon, Oxon, UK
Publisher: Routledge
PhysDes: 144 pages ; 25cm
Series: Routledge Advances in Sociology
Subject: AVENGERS: ENDGAME (US, Anthony Russo/Joe Russo, 2019); ONCE UPON A TIME IN HOLLYWOOD (US, Quentin Tarantino, 2019); PARASITE [GISAENGCHUNG ] (KO, Bong Joon Ho, 2019); [NINETEEN SEVENTEEN] 1917 (UK/US, Sam Mendes, 2019); JOJO RABBIT (CZ/NZ/US, Taika Waititi, 2019); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); COVID NINETEEN; TRUMP, DONALD
Summary: Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age. By exploring numerous films including Avengers: Endgame, Once Upon a Time… In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past. This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism. -- publisher's web site
ISBN: 9781032002750
Contents: 1. Coronavirus Capitalism -- 2. The Pseudo-Superheroes -- 3. Medical Trench Warfare -- 4. Our Own Little Shitlers -- 5. If I Can’t Dance, It’s Not My Liberation -- 6. Fairy Tales and False Freedoms -- 7. The Great Equalizer -- 8. Macroparasites and Microaggressions -- 9. Fighting the Elements -- 10. I Can’t Breathe -- References -- Index

Call No: TITLE CLIPPINGS FILE; NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012)
Author: Matchett, Stephen
PhysDes: Clippings File Article
Subject: NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012)
Summary: Postive review of TV show Next Stop Hollyhwood, suggesting that it is a real-life 'The Day of the Locust' featuring six Australian actors looking to make it big in Hollywood

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Posters; Clippings; Press kit; Stills
Subject: DOC HOLLYWOOD (US, Michael Caton-Jones, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOORS: LIVE AT THE HOLLYWOOD BOWL, THE (US, Ray Manzarek, 1987)

Call No: TITLE CLIPPINGS FILE; HOLLYWOOD ADVENTURES (US/CC, Timothy Kendall, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: HOLLYWOOD ADVENTURES (US/CC, Timothy Kendall, 2015)
Summary: Review of the film HOLLYWOOD ADVENTURES
Rating: 2.5 out of 5 stars

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. SAN FRANCISCO. SONOMA VALLEY; FESTIVALS. SAN FRANCISCO. INTERNATIONAL VIDEO; FESTIVALS. SAN FRANCISCO. MILL VALLEY; FESTIVALS. USA. BLACK HOLLYWOOD; FESTIVALS. USA. ISRAELI; FESTIVALS. USA. MTV; FESTIVALS. USA. SOUTH BY SOUTHWEST

Author: Lee, Sheridan
PhysDes: Article
Subject: DOT IN GOOD OLD HOLLYWOOD (AT, Yoram Gross, 1986)
Summary: Location report on 'Dot in Good old Hollywood'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROM HOLLYWOOD TO DEADWOOD (US, Rex Pickett, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROM HOLLYWOOD TO HANOI (US, Tiana Thi Thanh Nga, 1992)

Author: Luke Goodsell
PhysDes: Article
Subject: NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)
Summary: Article on the fimls mentioned in Hartley's documentary, Not Quiet Hollywood

Call No: 201(73) GLO MIL
Author: Miller, Toby; Nitin, Govin; McMurria, John; Maxwell, Richard; Wang, Ting
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 441 p. : ill., tables ; 23 cm
Subject: INDUSTRY, FILM. USA; GATT; DISTRIBUTION. USA; CULTURAL IMPERIALISM. US; PRODUCTION; PRODUCTION CENTRES : HOLLYWOOD
Summary: An analysis of why and how Hollywood cinema has a massive influence over the movie industries and public throughout the world. This version of Global Hollywood takes into account the changes that have affected Hollywood in more recent times (such as the September 11, 2001 attacks) and has new sections on India and China.
ISBN: 1844570398

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOING HOLLYWOOD (US, Raoul Walsh, 1933)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HECK WITH HOLLYWOOD, THE (US, Doug Block, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HEIDI FLEISS: HOLLYWOOD MADAM (UK, Nick Broomfield, 1995)

Call No: 71(73) HAM
Author: Hampton, Benjamin B. (Benjamin Bowles), 1875-1932
Place: London
Publisher: Noel Douglas
PubDate: 1932
PhysDes: 456 p., 125 p. of illus. 23 cm
Subject: BIOGRAPH; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CHAPLIN, CHARLES; DEMILLE, CECIL B.; FAIRBANKS, DOUGLAS; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; HART, WILLIAM S.; HOLLYWOOD MEMORY IN FILMS; LAEMMLE, CARL; LASKY, JESSE; PARAMOUNT STUDIOS; PICKFORD, MARY; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SENNETT, MACK; ZUKOR, ADOLPH
LON: 13776404 13776404

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD [TV] (UK, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD ADVENTURES (US/CC, Timothy Kendall, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD BOULEVARD (US, Joe Dante & Allan Arkush, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD ENDING (US, Woody Allen, 2002)

Call No: 751.1(73) GRA
Author: Grant, Barry Keith
Source: UK
Place: West Sussex, UK
Publisher: Wiley-Blackwell
PubDate: 2012
PhysDes: xiii ; 182 p. ; 23cm
Series: New approaches to film genre
Subject: USA; MUSICALS; MUSIC AND THE CINEMA; HOLLYWOOD IN FILMS; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); TOP HAT (US, Mark Sandrich, 1935); PIRATE, THE (US, Vincente Minnelli, 1948); WEST SIDE STORY (US, Robert Wise, 1961); SATURDAY NIGHT FEVER (US, John Badham, 1977); WOODSTOCK (US, Michael Wadleigh, 1970); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); ACROSS THE UNIVERSE (US, Julie Taymor, 2007)
Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURB
Notes: inc. references and index
ISBN: 9781405182522
Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD GOLD (US, Ben Lewin, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD HOMICIDE (US, Ron Shelton, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD HOT TUBS (US, Chuck Vincent, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD HOTEL (AT, Fiona Hergstrom, 1995)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD IN FILMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD INC. [TV] (UK, Philip Day, 2002)

PhysDes: Article
Subject: HOLLYWOOD KNIGHTS (US, Floyd Mutrux, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD MAVERICKS (US, Florence Dauman & Dale Anne Stieber, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: HOLLYWOOD ON TRIAL (US, David Helpern Jr., 1976)

PhysDes: Article
Subject: HOLLYWOOD OUT-TAKES & RARE FOOTAGE (US, Ronald Blackman & Bruce Goldstein, 1983)
Summary: breif review; ill.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD OUT-TAKES & RARE FOOTAGE (US, Ronald Blackman & Bruce Goldstein, 1983)

PhysDes: Article
Subject: HOLLYWOOD REVUE OF 1929 (US, Charles Reisner, 1929)

PhysDes: Article
Subject: HOLLYWOOD RHYTHM (US, Herbert Moulton, 1934)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987)

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Hoyts Distribution
PubDate: [1987?]
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); TOWNSEND, ROBERT
Summary: In front of a white background a man with a moustache holds onto a woman who is slightly taller and who has shoulder length hair.
Notes: White border surrounds image; Information below image

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: HOLLYWOOD TEN, MELBOURNE ONE (AT, Daryl Dellora, 1985)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD [TV] (US, 2020)
Cross Reference: HOLLYWOOD [TV] (US, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD VICE SQUAD (US, Penelope Spheeris, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M FROM HOLLYWOOD (US, Lynne Margulies, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT CAME FROM HOLLYWOOD (US, Malcolm Leo & Andrew Solt, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JIMMY HOLLYWOOD (US, Barry Levinson, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KENNETH ANGAR'S HOLLYWOOD BABYLON (US, Nigel Finch, 1991)

Author: Prolsdorfer, Richard
PhysDes: Article
Subject: KURTIS THE HOLLYWOOD STUNTBOY (CN, Peter Rowe & Paul Quigley, 1981)
Summary: Short review; credits

Call No: 79LAC DAR
Author: Dargis, Manohla
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PhysDes: 95 p. : ill. ; 19 cm
Series: BFI Modern Classics
Subject: L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); HANSON, CURTIS; HOLLYWOOD IN FILMS; PEARCE, GUY; CROWE, RUSSELL; SPACEY, KEVIN; BASINGER, KIM; DEVITO, DANNY; DIRECTORS. USA
Summary: Explores the careers of Curtis Hanson, director, and James Ellroy, novelist, drawing on interviews with both men, to dig deep into the film's obssession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.
Notes: Notes: p.85-87 Credits: p.88-93 Bibliography: p.94-95
ISBN: 0851709443

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: LEGACY OF THE HOLLYWOOD BLACKLIST [TV] (US, Judy Chaikin, 1987)

Call No: 19DRE LAP
Author: LaPorte, Nicole
Source: US
Place: Boston ; New York
Publisher: Mariner Books
PubDate: 2011
PhysDes: xix, 491 pages ; 21 cm
Subject: DREAMWORKS SKG; PRODUCERS; PRODUCTION CENTRES : HOLLYWOOD; EISNER, MICHAEL; GEFFEN, DAVID; KATZENBERG, JEFFREY; SPIELBERG, STEVEN; AMERICAN BEAUTY (US, Sam Mendes, 1999); AMISTAD (US, Steven Spielberg, 1997); PRINCE OF EGYPT, THE (US, Brenda Chapman, Steve Hickner & Simon Wells, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SHREK (US, Kelly Asbury & Andrew Adamson, 2001)
Summary: "For sixty years, the lineup of Hollywood's major studios varied little. Then came the Circus Maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave the world The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of THE GODFATHER. Nicole LaPorte reveals for the first time the delicious truths of what happened behind the scenes. Readers will feel they are part of the creative calamities of moviemaking as LaPorte's fly-on-the-wall detail shows us Hollywood's bizarre rules of business. We see clashes between the often otherworldly Spielberg's troops and Katzenberg's warriors, the debacles and disasters, but also the Oscar-winning triumphs, such as SAVING PRIVATE RYAN. We see Geffen seducing investors and watch as the studio burns through billions while its rich owners get richer and everybody else suffers. Here is Hollywood - up close, glamorous, and gritty." [TAKEN FROM BOOK BLURB]
Notes: Includes index
ISBN: 9780547520278
Donation: Simon Wincer

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONTY PYTHON LIVE AT THE HOLLYWOOD BOWL (UK, Terry Hughes, 1982)

PhysDes: Article
Subject: MONTY PYTHON; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON LIVE AT THE HOLLYWOOD BOWL (UK, Terry Hughes, 1982); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); CLEESE, JOHN; CHAPMAN, GRAHAM; GILLIAM, TERRY; JONES, TERRY; PALIN, MICHAEL
Summary: History of Monty Python, its members, and its films.

Call No: 750.1 AME
Author: Ames, Christopher, 1956
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: c1997
PhysDes: ix, 254 p. : ill. ; 24 cm
Subject: FILMS IN FILMS; HOLLYWOOD IN FILMS; STAR IS BORN, A (US, William Wellman, 1937); STAR IS BORN, A (US, George Cukor, 1954); WHAT PRICE HOLLYWOOD (US, George Cukor, 1932); STAND-IN (US, Tay Garnett, 1937); BOY MEETS GIRL (US, Lloyd Bacon, 1938); STAR, THE (US, Stuart Heisler, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); LAST ACTION HERO (US, John McTiernan, 1993); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); SUNSET BOULEVARD (US, Billy Wilder, 1950); PLAYER, THE (US, Robert Altman, 1992)
Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios
Notes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and index
ISBN: 0813120187 (cloth : alk. paper)
LON: 12952826

Call No: 19PIN PER
Author: Perry, George, 1935
Source: UK
Place: London
Publisher: Elm Tree Books
PubDate: 1976
PhysDes: 186, [5] p. : ill. (some col.), ports. (some col.) ; 29 cm
Subject: PINEWOOD STUDIOS; PRODUCTION CENTRES : HOLLYWOOD; PRODUCTION COMPANIES & STUDIOS; STUDIOS, FILM; WORLD WAR II AND THE CINEMA
Summary: "George Perry surveys Pinewood's not always certain progress from its beginnings through the bleak war years, post-war austerity, dollar crises and the encroachment of television to the resurgence of the '60s and '70s. In doing so, he tells the story of the people who made Pinewood : of stars as varied as Jack Buchanan, Jack Hawkins and Roger Moore, Glenda Jackson and Jessie Matthews; of great directors such as Lean, Reed, Neame, Huston, Truffaut, Hitchcock, and even Chaplin; of the talented craftsmen whose skills have attracted film-makers from all over the world." [Taken from book jacket]
Notes: Includes index; Bibliography: p. 182
ISBN: 0241895006 : ª6.95
LON: 866478

PhysDes: Article
Subject: HOLLYWOOD HUSBANDS (AT, [pre-production 1987])
Summary: New World Pictures (Aust) first prod will be "Hollywood Husbands"as mini series

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)
URL status: URL: 'http://file://Q:/T/NOT_QUITE_HOLLYWOOD.zip' Checked: 31/08/2021 1:17:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Luke Goodsell
PhysDes: Article
Subject: HARTLEY, MARK; Tarantino, Quentin; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)
Summary: Review of Not Quite Hollywood

Call No: P NOT
PhysDes: 1 poster : col. ; 101 X 70 cm.
Subject: NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)
Summary: Text: "The wild, untold story of OZploitation!/Finally an Aussie film packed full of boobs, pubes, tubes...and a bit of kung fu." Image: Caricature images from various Australian movies including Alvin Purple, Barry McKenzie. Wide cream toned border.
Notes: We have two copies.

Call No: 210.2(73) ROS
Author: Rosen, David (David M.); Hamilton, Peter
Edition: 1st ed
Place: New York
Publisher: Grove Weidenfeld
PubDate: 1990
PhysDes: xx, 326 p. : ill. ; 24 cm
Subject: INDEPENDENT PRODUCTION; INDEPENDENT DISTRIBUTION; ADVERTISING FOR FILMS; STAND AND DELIVER (US, Ramon Menendez, 1988); BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983); COLD FEET (US, Bruce van Dusen, 1983); EATING RAOUL (US, Paul Bartel, 1982); NORTE, EL (US, Gregory Nava, 1983); GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984); HEARTLAND (US, Richard Pearce, 1979); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); MY DINNER WITH ANDRE (US, Louis Malle, 1981); OLD ENOUGH (US, Marisa Silver, 1984); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); WEAVERS - WASN'T THAT A TIME, THE (US, James B. Brown, 1981); WILD STYLE (US/GW, Charlie Ahearn, 1983)
Notes: "Based on a study originally commissioned by the Sundance Institute and the Independent Feature Project."
ISBN: 0802131875 (pa)
LON: 6416531

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONCE UPON A TIME IN HOLLYWOOD (US, Quentin Tarantino, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: ONE OF THE HOLLYWOOD TEN (US/SP, Karl Francis, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OTHER HOLLYWOOD, THE (US, Anders Dalgaard, 1999)

Author: Martin, Adrian
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; GENRES. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008)
Summary: Discussion of critical attention given to 'Ozploitation' films particularly after 'Not Quite Hollywood'. Martin argues suggests current focus on this repressed strain of national cinema excludes many genres and therefore provides limited insight into Australian cinema.
Notes: Australian exploitation cinema of the 1970s and 1980s has swiftly become a fashionable topic for analysis, rehabilitation and celebration, especially in the wake of the popular documentary Not Quite Hollywood featuring Quentin Tarantino. Is this Australian cinema's ‘return of the repressed’, at last, in the form of tough, vulgar, anarchic genre pictures – and does this show the way forward for our national cinema? This essay questions many aspects of the ‘Ozploitation’ craze, including its exclusion of art, intellectual or experimental cinema, and its peculiar streamlining of an extremely variegated and still obfuscated national film history. In particular, I argue for a comparative approach to national film cultures – which, in this case, would compel us to ask other, more stringent questions about the ultimate value of the currently baptized Ozploitation ‘classics’. -- ABSTRACT

Call No: 19PAR EAM; FOLIO
Author: Eames, John Douglas, 1915
Source: UK
Place: London
Publisher: Octopus Books
PubDate: 1985
PhysDes: 368 pages : illustrations ; 33 cm
Subject: HISTORY OF CINEMA; INDUSTRY, FILM. USA; PRODUCTION CENTRES : HOLLYWOOD; PARAMOUNT STUDIOS; STAR SYSTEM
Summary: "The endless parade of Paramount hits, ranging from the first full-length film made in Hollywood - THE SQUAW MAN in 1913 - and the first winner of an Academy Award - WINGS in 1928 - to the blockbusters of the Eighties, and the blazing galaxy of Paramount stars, from Mary Pickford to Meryl Streep, Rudolph Valentino to Eddie Murphy, are fully documented in this indispensable book. Its lavish illustrations, in themselves a collection of collector's items, are an irresistable added attraction." [Taken from book jacket]
Notes: Includes indexes; Filmography: p. 323-344
ISBN: 0706420578
LON: 4496946 4496946
Contents: Preface and acknowledgements -- Introduction - the men who made Paramount --; 1916-1925: the best show in town -- 1926-1935: revolution and downfall -- 1936-1957: the mountain rises again -- 1958-1984: the big money --; The rest of 'the best shows in town' (1916-1925) -- Academy nominations and awards -- Index of films -- Index of personnel
ID2: 229

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PEOPLE'S HOLLYWOOD, THE [TV] (UK, 2003)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PLANET HOLLYWOOD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RED HOLLYWOOD (US, Thom Anderson, 1995)

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: SUBJECT CLIPPINGS FILE; AWARDS. HOLLYWOOD
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AWARDS. HOLLYWOOD
Summary: The 2015 Hollywood Film Awards are soon to commence, a promotional event, unofficially marking the film award season.

Call No: 45:93HIS
Author: Film and History Associationof Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ)
Source: NZ
Place: Dunedin, NZ
Publisher: University of Otago - Department of Media, Film & Communication
PubDate: 2008
PhysDes: v, 223 p. ; 21 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; HOLLYWOOD MEMORY IN FILMS; MOTION PICTURES - EUROPEAN; MOTION PICTURES - HISTORY; NEW ZEALAND; ASHBY, HAL; SCHLESINGER, JOHN; HALL, CONRAD; COPPOLA, FRANCIS FORD; NICHOLS, MIKE; CIMINO, MICHAEL; ALTMAN, ROBERT; KUBRICK, STANLEY; HILL, WALTER; SPIELBERG, STEVEN; KAURISMAKI, AKI; MILLER, GEORGE; FRENCH CONNECTION, THE (US, William Friedkin, 1971); ONE FROM THE HEART (US, Francis Ford Coppola, 1982); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); WITCHES OF EASTWICK, THE (US, George Miller, 1987); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); GRADUATE, THE (US, Mike Nichols, 1967); STREETS OF FIRE (US, Walter Hill, 1984); LONG GOODBYE, THE (US, Robert Altman, 1973); MCCABE AND MRS MILLER (US, Robert Altman, 1971); SHINING, THE (UK, Stanley Kubrick, 1980); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); KENNY (AT, Clayton Jacobson, 2006); SYLVIA (NZ, Michael Firth, 1985); RED ROAD (UK/DK, Andrea Arnold, 2006); THIS IS ENGLAND (UK, Shane Meadows, 2006); STALINGRAD (GG, Joseph Vilsmaier, 1992); BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001)
Summary: The film and history conference is held every two years and is an opportunity for international scholars, archivists and filmmakers to present their thoughts on recent debates and events in the fields of film history, history and film, national and transnational cinemas, film theory, film practice, and the importance of cinema to specific communities
Notes: "27-30 November 2008"- cover includes bibliographical reference and index
ISBN: 9780473138899; 9780473148867
Contents: v.1 refereed abstracts/ edited by Catherine Fowler and Rochelle Simmons- v. 2 select refereed papers/ edited by Hilary Radner and Pam fosser; Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: REPORT FROM HOLLYWOOD (US, Ed Lachman, 1982)

Call No: 19RKO JEW; FOLIO
Author: Jewell, Richard B; Harbin, Vernon
Source: US
Place: London
Publisher: Octopus
PubDate: 1982
PhysDes: 320 p. : ill. (some col.), ports. ; 33 cm
Subject: INDUSTRY, FILM; PRODUCTION CENTRES : HOLLYWOOD; RKO
Summary: "RKO Pictures existed in an atmosphere of almost continual chaos, from its optimistic beginnings in 1928, until it collapsed into ruins in the hands of the megalomaniac Howard Hughes nearly 30 years later. In its comparatively short and always turbulent history RKO made some of the greatest films and nurtured some of the finest talents ever to emerge from Hollywood - and allowed others, such as David O. Selznick, to slip disastrously through its fingers. It was the studio that immortalized Fred Astaire and Ginger Rogers, and almost succeeded in ruining Katharine Hepburn's career. It brought to stardom Irene Dunne, Bette Davis, Robert Mitchum and Cary Grant among others, unveiled the genius of Orson Wells [sic] and established KING KONG and TARZAN in popular mythology. They are all here in a detailed account of their triumphs and their failures, together with a fully illustrated description and assessment of all the films they made." [Taken from book jacket]
Notes: Includes index
ISBN: 0706412850 : ª11.95; 0706424700
LON: 2628574
Contents: Acknowledgements -- Preface -- Introduction -- 1929-1939 -- 1940-1949 -- 1950-1960 -- RKO British production and distribution -- RKO nominations and awards -- Index of film titles -- Index of personnel
ID2: 229

Call No: 71 (73) HAR
Author: Harris Mark
Place: Edinburgh
Publisher: Canongate
PubDate: 2008
PhysDes: 490 p., [16] p. of plates : ill. ; 25 cm
Subject: COLUMBIA PICTURES; CRITICISM; CRITICS; DIRECTORS. USA; HISTORY AND THE CINEMA. USA; HOLLYWOOD IN FILMS; JAMES BOND IN FILMS; TWENTIETH CENTURY-FOX; WALT DISNEY PRODUCTIONS; ALLEN, WOODY; ANTONIONI, MICHELANGELO; ASHBY, HAL; BANCROFT, ANNE; BEATTY, WARREN; BENTON, ROBERT; BERGMAN, INGRID; BLAKE, ROBERT; BRANDO, MARLON; BURTON, RICHARD; CAINE, MICHAEL; CARON, LESLIE; CUKOR, GEORGE; COLLINS, JOAN; CONNERY, SEAN; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DANIELS, WILLIAM; DAVIS, SAMMY, Jr.; DAY, DORIS; DUNAWAY, FAYE; DUVALL, ROBERT; FELLINI, FEDERICO; FLEISCHER, RICHARD; FONDA, JANE; FRANKOVICH, MIKE; GODARD, JEAN-LUC; HARRISON, REX; HENRY, BUCK; HEPBURN, KATHARINE; HOFFMAN, DUSTIN; NEWMAN, DAVID; BONNIE AND CLYDE (US, Arthur Penn, 1967); CAMELOT (US, Joshua Logan, 1967); CLEOPATRA (US, Joseph L. Mankiewicz, 1963); COOL HAND LUKE (US, Stuart Rosenberg, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); KAEL, PAULINE; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967)
Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover]
Notes: Includes bibliographical references (p. [432]-438) and index.
ISBN: 9781847671028
ID2: 277

Author: Brellis, Melanie; Bignell, Sue; Potter, Ben
PhysDes: Article
Subject: HOLLYWOOD TEN, MELBOURNE ONE (AT, Daryl Dellora, 1985)
Summary: review

PhysDes: Article
Subject: HOLLYWOOD VICE SQUAD (US, Penelope Spheeris, 1986)
Summary: short reviews by various authors

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRUE HOLLYWOOD STORY MEL GIBSON [TV] (US, 2004)

PhysDes: Article
Subject: UNITED INTERNATIONAL PICTURES; DEAD MEN DON'T WEAR PLAID (US, Carl Reiner, 1982); STRANGER IS WATCHING, A (US, Sean S. Cunningham, 1981); BLACK STALLION RETURNS, THE (US, Robert Dalva, 1983); IT CAME FROM HOLLYWOOD (US, Malcolm Leo & Andrew Solt, 1982)
Summary: Current, coming, and in-production films from United International Pictures.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHAT PRICE HOLLYWOOD? (US, George Cukor, 1932)

Author: Trojan, Judith
PhysDes: Article
Subject: HOLLYWOOD ON TRIAL (US, David Helpern Jr., 1976)
Summary: Ports; filmography

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: WILD BILL: HOLLYWOOD MAVERICK (US, Todd Robinson, 1995)

Call No: FESTIVAL CATALOGUE SHELVES; held 1994
Place: US
PubDate: 1994-
Subject: FESTIVALS. HOLLYWOOD

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WOMEN WHO RUN HOLLYWOOD, THE (US, Julia Kuperberg & Clara Kuperberg, 2016)
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