personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HOGAN, MELANIE
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HESS, JARED
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILL, ARTHUR
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book
50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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journal article
54th Academy Award Winners in Australasian Cinema (2/4/1982) vol.11 iss.5 p.4
PhysDes: ArticleSubject: ACADEMY AWARDS ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HEPBURN, KATHARINE ; FONDA, HENRY ; BEATTY, WARREN ; STAPLETON, MAUREEN ; ON GOLDEN POND (US, Mark Rydell, 1981) ; REDS (US, Warren Beatty, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) Summary: List of Academy Award winners for 1982.
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The 70s : a decade of classic movies May/June 2001.
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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1895 Paris: Association francaise de recherche sur l'histoire du cinema, 1986-. Available at ProQuest (RMIT login required)
Call No: No. 21 December 1996 and No. 22 July 1997 held onlyCorpAuthor: Association francaise de recherche sur l'histoire du cinemaSource: FrancePlace: ParisPublisher: Association francaise de recherche sur l'histoire du cinemaPubDate: 1986-Subject: HISTORY OF CINEMA ; FRANCE Notes: Donated by William Routt.ISSN: 07690959Language: FrenchMissing Issues: IncompleteIndexed In: FIAFURL status: URL: 'https://search-proquest-com.ezproxy.lib.rmit.edu.au/screenstudies/publication/54554/citation/815DD8C082704036PQ/1?accountid=13552'
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journal article
450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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journal article
"A hero for our times" : Foreign Correspondent, Hero, and The Bonfire of the Vanities in Hitchcock annual (1995-96) p.3-22
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book
The ABC : aunt Sally and the sacred cow / Clement Semmler Carlton, Victoria: Melbourne University Press, 1981.
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book
The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981.
Call No: 19ABC ABCAuthor: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting CommissionSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1981PhysDes: 3 v.Subject: STATE AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING CORPORATION ; HISTORY OF TV. AUSTRALIA ; MEDIA AUSTRALIA ; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) --Donation: donated by M. S. CounihanContents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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newspaper article
The Academy intimidation game in Sunday Telegraph [Insider] (22/02/2015) p.124
Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMYAuthor: Johnson, Neala PhysDes: Clippings File ArticleSubject: AWARDS. ACADEMY ; HISTORICAL FILMS Summary: Looking at how films based on fact that are nominated for Oscars are criticised for their accuracy.
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book
Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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Interim
book
Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004.
Call No: 730.3 TASAuthor: Tasker, Yvonne Source: UKPlace: Abingdon, OxonPublisher: RoutledgePubDate: 2004PhysDes: 414 p. ; 25 cmSubject: ACTION FILMS ; ADVENTURE FILMS ; STARS ; CHILDREN AND THE CINEMA ; MELODRAMA ; HISTORY OF CINEMA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS ; WOMEN IN FILMS ; WAR FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.Notes: Includes note and index.ISBN: 0 415 23507 3Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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book
The actor's life : journals, 1956-1976 / [by] Charlton Heston ; edited by Hollis Alpert London: Allen Lane, 1979.
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book
Actor, soldier, poet / by R. Henderson-Bland ; with an appreciation by Sir Hubert Gough London: Heath Cranton, 1939.
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journal article
Actors and directors in Bright Lights vol.1 iss.2 p.29-30
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book
Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice / William Verrone London: Bloomsbury academic, 2013.
Call No: 753.8VERAuthor: Verrone, William Source: UKPlace: LondonPublisher: Bloomsbury academicPubDate: 2013PhysDes: vi, 275 p. ; 24 cmSubject: ADAPTATIONS ; AVANT-GARDE FILMS ; EXPERIMENTAL FILMS ; GREENAWAY, PETER ; GODARD, JEAN-LUC ; MADDIN, GUY ; SVANKMAJER, JAN ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977)
SEE
HITLER - EIN FILM AUS DEUTSCHLAND ; STREET OF CROCODILES (UK, Brothers Quay, 1986) ; DANTE QUARTET, THE (US, Stan Brakhage, 1987) ; ALICE (SZ/GW/UK, Jan Svankmajor, 1988)
SEE
NECO Z ALENKY ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; WISCONSIN DEATH TRIP (US, James Marsh, 1999) ; SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999) ; DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002) Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --Notes: Formerly CIP. --
Includes bibliographical references and index --ISBN: 9781441163523Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --
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Adaptations in the sound era : 1927-37 / Deborah Cartmell London: UK Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2015.
Call No: 753.1 CARAuthor: Cartmell, Deborah Source: UKPlace: LondonPublisher: UK Bloomsbury Academic, an imprint of Bloomsbury Publishing IncPubDate: 2015PhysDes: vii, 166 pages ; 24 cm.Series: Bloomsbury adaptation historiesSubject: ADAPTATIONS ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. TRANSITION SILENT-SOUND ; HISTORY OF CINEMA. SOUND PERIOD Summary: There is no disputing that the coming of sound heralded a new era for adaptations. We take it for granted today that a film is enhanced by sound but it was not a view unanimously held in the early period of sound cinema. While there was a substantial degree of skepticism in the late 1920s and early 30s about the advantages of sound, what we would call technophobia today, the inclusion of speech in screen versions of literary and theatrical works, undeniably revised what it was to be an adaptation: words. Focusing on promotional materials, Adaptations in the Sound Era tracks early attempts to promote sound through the elevation of words in adaptations in the early sound period. The popular appeal of these films clearly stands in opposition to academic regard for them and the book reflects on the presence and marketing of 'words' in a variety of adaptations, from the introduction of sound in the late 1920s to the mid 1930s. This book contextualizes a range of adaptations in relation to debates about 'picturizations' of books in the early sound era, including reactions to the talking adaptation by writers such as, Irwin Panofsky, Aldous Huxley and Graham Greene. Film adaptations of Shakespeare, Dickens, gothic fiction and biopics are also discussed in relation to their use and promotion of sound or, more precisely, words -- TAKEN FROM PUBLISHER'S SITENotes: Formerly CIP.
Includes bibliographical references and index.ISBN: 9781623568788Contents: Machine generated contents note: 1.Introduction: `Singin in the Rain': Adapting Literature to Film, 1927--37 -- 2.Sound Shakespeare -- 3.Sound Dickens -- 4.Gothic Adaptations `Sell It for Its Horror': 1931 Gothic/Horror Adaptations and the Victory of the Shadow -- 5.Biopic Adaptations: Adapting Charles Laughton -- 6.Adaptations for Children: From Pre-Code to Post-Code Hollywood -- 7.Conclusions: Radical Adaptations.
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journal article
AIDC conference 99 in If magazine (Dec 1999-Jan 2000) iss.20 p.19, 34
Author: Pellow, Jackson PhysDes: Conference report; Illustration(s)Subject: CONFERENCES. AUSTRALIA. DOCUMENTARY. 1999 ; HEYER, JOHN Summary: Overview of the Australian International Documentary Conference held in Adelaide in November 1999. Includes the announcement of the Stanley Hawes Award for services to Australia documentary filmmaking awarded to John Heyer.
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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Alfred Hitchcock : the legacy of Victorianism / Paula Marantz Cohen Lexington, Ky.: University Press of Kentucky, 1995.
Call No: 81HIT COHAuthor: Marantz Cohen, Paula, 1953 Place: Lexington, Ky.Publisher: University Press of KentuckyPubDate: 1995PhysDes: 198 p., [8] p. of plates : ill. ; 24 cmSubject: HITCHCOCK, ALFRED Summary: This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian era. His career, she argues, can be seen as an attempt to balance "the two faces of Victorianism": the masculine legacy of law and hierarchy and the feminine legacy of feeling and imagination. Also central to her thesis is the Victorian model of the nuclear family and its permutations, especially the father-daughter dyad. She postulates a fundamental dynamic in Hitchcock's films, what she calls a "daughter's effect," and relates it to the social role of the family as an institution and to Hitchcock's own relationship with his daughter, Patricia, who appeared in three of his films; Cohen argues that Hitchcock's films reflect his Victorian legacy and serve as a map for ideological trends. She charts his development from his British period through his classic Hollywood years into his later phase, tracing a conceptual evolution that corresponds to an evolution in cultural identity - one that builds on a Victorian inheritance and ultimately discards itNotes: Includes bibliographical references (p. [169]-187) and indexISBN: 0813119308 (alk. paper); 0813108500LON: 11443160
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Alfred Hitchcock : a guide to references and resources / Jane E. Sloan New York Toronto New York: G.K. Hall Maxwell Macmillan Canada Maxwell Macmillan International, 1993.
Call No: 81HIT SLOAuthor: Sloan, Jane, 1946 Place: New York Toronto New YorkPublisher: G.K. Hall Maxwell Macmillan Canada Maxwell Macmillan InternationalPubDate: 1993PhysDes: xii, 602 p. ; 25 cmSeries: Reference publication in filmSubject: HITCHCOCK, ALFRED Notes: Includes bibliographical references and indexesISBN: 0816190577 (alk. paper)LON: 92015103; 9008368
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Interim
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Alfred Hitchcock : a life in darkness and light / Patrick McGilligan Chichester, West Sussex, UK: John Wiley, 2003.
Call No: 81HIT MCGAuthor: McGilligan, Patrick Source: UKPlace: Chichester, West Sussex, UKPublisher: John WileyPubDate: 2003PhysDes: 850 p. ; ill. ; 23 cmSubject: HITCHCOCK, ALFRED Summary: In a career that spanned six decades and more than sixty films, Alfred Hitchcock became the most widely recognised director who ever lived. His films set new standards for cinematic invention and storytelling elan. Since his death, Hitchcock has become crystallised in the public imagination as the macabre Englishman, the sexual obsessive, the Master of Suspense. But this biography draws on prodigious new research to restore Hitchcock the man - the ingenious craftsman, the avid collaborator, the constant trickster, provocateur, and romantic. (back cover)ISBN: 0470869739
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journal article
Alfred Hitchcock : registrar of births and deaths in Hitchcock annual (1997-98) p.3-18
Author: Sterritt, David PhysDes: SerialSubject: HITCHCOCK, ALFRED ; FAMILY PLOT (US, Alfred Hitchcock, 1976) Summary: This essay employs biographical information about Hitchcock along with ideas from intertexual theory, Michel Chion's theorization of cinematic sound, and Zizek's contribution to Lacanian psychoanalysis. It suggests that Hitchcock's investment in religious thinking has a value in Hitchockian hermeneutics, and analyzes thematic concerns such as guilt and confession.
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Alfred Hitchcock / Filmoteca Nacional de Espana [Madrid]: Filmoteca Nacional de Espana, June 1978.
Call No: 81 HIT HITEdition: [1978]Place: [Madrid]Publisher: Filmoteca Nacional de EspanaPubDate: June 1978PhysDes: 182 p. : illus. ; 28 cmSubject: HITCHCOCK, ALFRED Language: Spanish
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Alfred Hitchcock / Gene D. Phillips London: Columbus Books, 1986.
Call No: 81 HIT PHIAuthor: Phillips, Gene D. Source: UKPlace: LondonPublisher: Columbus BooksPubDate: 1986PhysDes: [212] p. : ill., ports ; 22cmSeries: Columbus filmmakersSubject: HITCHCOCK, ALFRED Notes: Originally published: Boston, Mass. : Twayne, 1984. --Includes bibliography and index.ISBN: 0862872081Donation: Estate of Adrian MilesContents: About the author --Editor's forward --Preface: "Alfred Hitchcock: Prankster of Paradox" --Acknowledgements --Chronology --1. Prologue: The Hitchcock Touch --2. The Twenties: The Silent Years --3. The Thirties: The Early Years of Sound --4. The Thirties: The Peak Years in Britain -- 5. The Forties: The Selznick Years --6. The Fifties: The Peak Years in Hollywood --7. "Alfred Hitchcock Presents": The Television Years --8. The Sixties and Seventies: The Vintage Years --9. Epilogue: The Touch of Class --Notes and References --Selected Bibliography --Filmography --Index
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Alfred Hitchcock and the making of Psycho / Stephen Rebello London: Mandarin, 1992.
Call No: 79 PSY REBAuthor: Rebello, Stephen Place: LondonPublisher: MandarinPubDate: 1992PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.Subject: BLOCH, ROBERT ; HITCHCOCK, ALFRED ; BASS, SAUL ; STEFANO, JOEY ; HERRMANN, BERNARD ; MILES, VERA ; PSYCHO (US, Alfred Hitchcock, 1960) ; DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955) Notes: Originally published: London : Boyars, 1990.
Bibliography: p. 207-211. Includes index.ISBN: 0749309709Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath
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journal article
Alfred Hitchcock on music in films in Hitchcock annual (1994) p.149-157
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Alfred Hitchcock presents : an illustrated guide to the ten-year television career of the master of suspense / John McCarty and Brian Kelleher ; foreword by Robert Bloch New York: St. Martin's Press, 1985.
Call No: 79 ALF MCCAuthor: McCarty, John ; Kelleher, Brian Edition: First editionSource: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1985PhysDes: xiv, 338 pages : illustrations, portraits. ; 24 cmSubject: HITCHCOCK, ALFRED ; ALFRED HITCHCOCK PRESENTS [TV] (US, Alfred Hitchcock,1955-62) Notes: Includes index. -- Bibliography: p. 332-333.ISBN: 0312017111Contents: Foreword: My Hitch with Hitchcock by Robert Bloch -- Introduction -- The Story Behind the Series -- Alfred Hitchcock Presents: an episode guide to all 266 shows -- The Alfred Hitchcock Hour: an episode guide to all 93 shows -- Major awards and nominations -- Appendix: Suspicion and Ford Startime -- Postscript -- Bibliography -- Index -- About the Authors
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Alfred hitchcock presents my favourites in suspense : [by various authors selected by A. J. Hitchcock] / Alfred Hitchcock London: Random House, 1960.
Call No: 79 MYF HITAuthor: Hitchcock, Alfred Source: UKPlace: LondonPublisher: Random HousePubDate: 1960PhysDes: 269 p. ; 18cmSeries: Alfred Hitchcock presentsSubject: HITCHCOCK, ALFRED Donation: donated by the family of Wayne Levy, 2006
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journal article
Alfred Hitchcock's Easy Virtue (1927) : a descriptive shot list in Hitchcock annual (1993) p.41-95
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Alfred Hitchcock's high vernacular : theory and practice / Stefan Sharff New York: Columbia University Press, 1991.
Call No: 81HIT SHAAuthor: Sharff, Stefan Place: New YorkPublisher: Columbia University PressPubDate: 1991PhysDes: vii, 258 p. : ill. ; 24 cmSubject: HITCHCOCK, ALFRED ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; FRENZY (US, Alfred Hitchcock, 1972) ; FAMILY PLOT (US, Alfred Hitchcock, 1976) ; LANGUAGE AND THE CINEMA Notes: Includes bibliographical references and indexISBN: 0231069146 (acid-free paper)LON: 7477298Contents: Notorious, p11-86 -- Frenzy, p165-233 -- Family plot, p87-164 --
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Old collection
book
Alfred Hitchcock's high vernacular : theory and practice / Stefan Sharff New York: Columbia University Press, 1991.
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journal article
Alfred Hitchcock's Number Seventeen (1932) : a descriptive shot list in Hitchcock annual (1994) p.76-148
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journal article
Alfred Hitchcock's The Manxman (1929) : a descriptive shot list in Hitchcock annual (1995-96) p.61-116
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Alfred Hitchcock & the British cinema / Tom Ryall Urbana: University of Illinois Press, 1986.
Call No: 81HIT RYAAuthor: Ryall, Tom Place: UrbanaPublisher: University of Illinois PressPubDate: 1986PhysDes: ix, 193 p., [8] p. of plates ; 23 cmSubject: HITCHCOCK, ALFRED Notes: Includes index; "Filmography": p. 185-186; Bibliography: p. 187-188ISBN: 0252013743LON: 86011361; 4583120
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Interim
book
Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928.
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newspaper article
All in the family in Weekend Australian [Review] (27/02/2016) p.23
Call No: TITLE CLIPPINGS FILE; HERE COME THE HABIBS [TV](AT, 2016)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: HERE COME THE HABIBS [TV] (AT, 2016) Summary: A positive review of the TV show HERE COME THE HABIBS and the comparision with this and Paul Fenech's work including HOUSOS
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Crawford collection
still
[All the way : album #1] / Greg Noakes Crawford Productions [distributor], [1988?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1988?]PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cmSubject: CRAWFORD PRODUCTIONS ; SACKS, MARTIN ; SUMNER, PETER ; WALLACE, ROWENA ; MENDELSOHN, BEN ; McKENZIE, JACQUELINE ; MILLAR, MAGGIE ; SMITHERS, JOY ; HENSLEY, LISA ; ALL THE WAY [TV] (AT, 1988) Summary: Photographs and slides relating to the series 'All the way'Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets)Donation: Gift of Crawford Productions
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Crawford collection
crawford publicity all
[All the way. Publicity material]
Call No: CRAWFORD PUBLICITY ALLPhysDes: 1 box ; 38 x 25 x 9 cmSubject: SMITHERS, JOY ; SUMNER, PETER ; MILLER, DENNIS ; SACKS, MARTIN ; WALLACE, ROWENA ; MCDONALD, DOMINIC ; TAYLOR, GRIGOR ; MENDELSOHN, BEN ; HENSLEY, LISA ; MAMMONE, ROBERT ; ALL THE WAY [TV] (AT, 1988) Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way'Donation: Gift of Crawford ProductionsContents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)
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hiddleston, tom
All work a Thor point for Tom in Sunday Telegraph [Insider] (26/02/2017) p.108
Call No: PERSONALITY CLIPPINGS FILE; HIDDLESTON, TOMAuthor: Johnson, Neala PhysDes: ClippingsSubject: HIDDLESTON, TOM Summary: An artcle about Tom Hiddleston
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journal article
Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8
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The altering eye : contemporary international cinema / Robert Phillip Kolker Oxford: Oxford University Press, 1983.
Call No: 62 KOLAuthor: Kolker, Robert Phillip Source: USPlace: OxfordPublisher: Oxford University PressPubDate: 1983PhysDes: 428 p. : ill. ; 21 cmSubject: HISTORY OF CINEMA ; CRITICISM ; PHILOSOPHY AND THE CINEMA ; DE SICA, VITTORIO ; GODARD, JEAN-LUC Summary: " Most filmmakers, especially in the United States, have chosen not to upset their audiences. But since World War 2, an alternative cinema has emerged on a significant scale, particularly in Europe and Latin America- a cinema that challenges rather than soothes, that questions assumptions rather than reinforces them. This kind of film - "made in a spirit of resistance, rebellion, and refusal" - is the focus of this important and stimulating study. Investigating many movements and styles, Robert Phillip Kolker illuminates both their diversity and their common threads. He starts with the seminal achievements of the Italian neo-realists (Rossellini, De Sica, Visconti), examining the filmmakers who influenced them and their influence in turn on later filmmakers in Engalnd, Brazil, India and Europe. He looks at the modernist experiments of Resnais and Antonioni and pays special attention to the directors of the French New Wave (Godard, Truffaut, Chabrol, Rohmer, Rivette), who broke down the remaining traditions of cinematic storytelling and invented new ones.
With deftness and clarity, Kolker discusses the New Wave's influence on such older directors as Bresson and Bunuel, as well as on younger ones, such as Ken Russell, Nicolas Roeg, and Jean-Marie Straub. He investigates the New German Cinema of Fassbinder, Wenders, and Herzog, filmmakers who have furthered the effort to make cinema a tool of enquiry and visual invention. He concludes with a look at specific political and psychological elements in contemporary film, particularly in the work of revolutionary Latin American filmmakers, the Hungarian director Miklos Jancso, as well as Godard, Bertolucci, Fassbinder, Losey, and Bunuel." -- BOOK BLURBNotes: Includes index; Bibliography: p. 405-415ISBN: 0195033027Contents: -- introduction -- one: the vaildity of image -- two: the substance of form -- three: politics, psychology, and memory -- notes -- bibliography -- index --URL status: URL: 'http://-'
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010.
Call No: 71(73) EAGAuthor: Eagan, Daniel Source: USPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: xxvii, 818 p. : ill. ; 26 cmSubject: BEST FILMS ; BEST FILMS. US ; CRITICISM ; FILM ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; LIBRARY OF CONGRESS ; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780826429773Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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American-Australian cinema : transnational connections / edited by Adrian Danks, Stephen Gaunson and Peter C. Kunze Cham, Switzerland: Palgrave Macmillan, c2018. Available at ProQuest (RMIT login required)
Call No: 408.3 (73/94) AMEAuthor: Danks, Adrian (ed.) ; Gaunson, Stephen (ed.) ; Kunze, Peter C. (ed.) Source: SZ/ATPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: c2018PhysDes: xvii, 333 pages : illustrations ; 22 cmSubject: TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL CULTURE IN FILMS ; AUSTRALIA ; USA ; GLOBALISATION ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; MAD MAX (AT, George Miller, 1979) ; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; PETER PAN (US, P.J. Hogan, 2003) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9783319666754Donation: Stephen GaunsonContents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --
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The American cinema : directors and directions, 1929-1968 New York: Dutton, 1968.
Call No: 802.25(73) SARAuthor: Sarris, Andrew Edition: [1st ed.]Place: New YorkPublisher: DuttonPubDate: 1968PhysDes: 383 p. 22 cmSubject: DIRECTORS. USA ; LUBITSCH, ERNST ; LOSEY, JOSEPH ; FORD, JOHN ; GRIFFITH, DAVID WARK ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; OPHULS, MAX ; VON STERNBERG, JOSEF ; PREMINGER, OTTO ; STURGES, PRESTON ; WALSH, RAOUL ; LEWIS, JERRY ; WELLES, ORSON LON: 31835
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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The American experimental film in the last decade / by Colin Young Paris : [s.n.]: UNESCO, 1964.
Call No: 771(73) YOUAuthor: Young, Colin CorpAuthor: UNESCOPlace: Paris : [s.n.]Publisher: UNESCOPubDate: 1964PhysDes: 33 p. ; 27 cmSubject: EXPERIMENTAL FILMS. USA ; HISTORY OF CINEMA. USA ; FILMMAKING ; AESTHETICS Notes: United Nations Educational, Scientific and Cultural Organization report; This report represents Unesco's contribution to the Mannheim round-table, organized under the auspieces of Unesco, the Unesco's Germand National Commission and the Mannheim Festival.LON: abn98184205; 13917802
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The American film heritage : impressions from the American Film Institute archives / Tom Shales... [et. al.] Washington DC: Acropolis Books, 1972.
Call No: 11(73) AMECorpAuthor: American Film InstituteSource: USPlace: Washington DCPublisher: Acropolis BooksPubDate: 1972PhysDes: 184 p. : illus. ; 26 cmSubject: ARCHIVES & INSTITUTES, FILM ; American Film Institute ; HISTORY OF CINEMA. USA Summary: A collection of essays and observations by film critics and historians on films held by the American Film InstituteISBN: 874913365
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987.
Call No: 735.2 WALAuthor: Waller, Gregory A. (Gregory Albert), 1950 Place: UrbanaPublisher: University of Illinois PressPubDate: c1987PhysDes: 228 p., [10] p. of plates : ill. ; 23 cmSubject: HORROR FILMS. USA ; DE PALMA, BRIAN ; POLANSKI, ROMAN ; HALLOWEEN (US, John Carpenter, 1978) ; HELL NIGHT (US, Thomas De Simone, 1981) ; HOWLING, THE (CN, Joe Dante, 1981) ; REPULSION (UK, Roman Polanski, 1965) ; LOCATAIRE, LE (FR, Roman Polanski, 1976) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; EXORCIST, THE (US, William Friedkin, 1973) ; EYES OF LAURA MARS (US, Irvin Kershner, 1978) ; EYES OF A STRANGER (US, Ken Wiederhorn, 1981) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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The American movies : the history, films, awards / Paul Michael, editor in chief ; James Robert Parish, associate editor ; John Robert Cocchi, Ray Hagen, Jack Edmund Nolan, contributing editors New York: Galahad, 1969.
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The American West in film : critical approaches to the Western / Jon Tuska Lincoln: University of Nebraska Press, 1988.
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998.
Call No: 62 DICAuthor: Dick, Bernard F Edition: Third editionSource: US/UKPlace: New York -- HampshirePublisher: St Martins Press -- Macmillan PressPubDate: 1998PhysDes: xv, 302 pages : illustrations ; 23 cmSubject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965) ; ALLEN, WOODY ; BOGART, HUMPHREY ; CAPRA, FRANK ; CITIZEN KANE (US, Orson Welles, 1941) ; HITCHCOCK, ALFRED ; PSYCHO (US, Alfred Hitchcock, 1960) ; WELLES, ORSON ; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back coverNotes: Previous ed.: 1990 -- Includes bibliographical references and indexISBN: 0312153996Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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Andrzej Wajda : history, politics, and nostalgia in Polish cinema / by Janina Falkowska New York: Berghahn Books, 2007.
Call No: 81WAJ FALAuthor: Falkowska, Janina Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 2007PhysDes: viii, 340, [8] p. of plates : ill., plates ; 24 cmSubject: HISTORY AND THE CINEMA. POLAND ; POLITICS AND THE CINEMA. POLAND ; NOSTALGIA IN FILMS ; POLAND ; WAJDA, ANDRZEJ Summary: "The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements such as Socialist Realism, Italian Neorealism, the documentary tradition, French New Wave, Surrealism, the grotesque, the theatre of the absurd, propaganda film, Polish Romantic tradition and many other artistic phenomena (jazz, Polish student subculture). It is the reworking of all these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities."--BOOK JACKET.Notes: Formerly CIP; Includes bibliographical references (p. [294]-304) and index; Filmography: p. [305]-331ISBN: 1845452259Contents: -- acknowledgments -- Introduction : Andrzej Wajda : his words and his archives -- 1. The life and times of Andrzej Wajda -- 2. The birth of a master : films of the fifties -- 3. Fight for perfection : films of the sixties -- 4. Between politics and the themes of life and death : films of the seventies -- 5. Nostalgia and remorse : films of the eighties -- 6. Grande finale : films of the nineties -- conclusion -- illustrations -- endontes bibliography -- filmography -- prizes --
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journal article
Angel Heart : Director Alan Parker films William Hjortsberg's supernatural shocker in Cinefantastique (March 1987) vol.17 iss.2 p.13
Author: Scapperotti, Dan PhysDes: ArticleSubject: HJORTSBERG, WILLIAM ; ANGEL HEART (US, Alan Parker, 1987) Summary: William Hjortsberg's detective novel with supernatural overtones "Falling Angel" has been brought to the screen by director Alan Parker. The article discusses the making of the film "Angel Heart" and Hjortsberg's opinion of the adaptationNotes: Appraisal. - synopsis. - credits. - subject. - rating. - this issue of “Federation News” is a double issue with 96 pages rather than the standard 64
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newspaper article
'Angel' investor in $1m wager in Saturday Age [Arts] (29/8/15) p.39
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Anime : a history / by Jonathan Clements Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 772(520) CLEAuthor: Clements, Jonathan Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; CARTOONS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. JAPAN ; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
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SHIN TETSUWAN ATOM [TV] ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURBNotes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and indexISBN: 9781844573905Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011.
Call No: 736.11Author: Grant, Kevin Edition: August 2013Place: Godalming, SurreyPublisher: FAB PressPubDate: May 2011PhysDes: 480 pages : illustrated ; 26 cmSubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; NERO, FRANCO ; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966) ; BLINDMAN (US/IT, Ferdinando Baldi, 1972) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; CORBUCCI, SERGIO ; EASTWOOD, CLINT ; FULCI, LUCIO ; HILL, TERENCE ; SPENCER, BUD ; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web siteNotes: Foreword by Franco NeroISBN: 9781903254615
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title clippings file
APOCALIPSIS CANIBAL : (SP/IT, Vincent Dawn[pseud. of Bruno Matteil], 1983[prod.1980])
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An Army of Phantoms : American movies and the making of the Cold War / by J.Hoberman New York: The New Press, c2011.
Call No: 71(73) HOBAuthor: Hoberman, J. Source: US/UKPlace: New YorkPublisher: The New PressPubDate: c2011PhysDes: xxi, 383 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; USA ; FORT APACHE (US, John Ford, 1948) ; RIO GRANDE (US, John Ford, 1950) ; HIGH NOON (US, Fred Zinnemann, 1952) ; ABOVE AND BEYOND (US, Frank Melvin & Norman Panama, 1952) ; THEM! (US, Gordon Douglas, 1954) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Summary: " An Army of Phantoms- a major new work of film history and cultural criticism from J. Hoberman, one of the foremost film critics writing today addresses the dynamic synergy of American politics and American popular culture during the Cold War's first decade.
Heralded by a mushroom cloud over Hiroshima, the years between 1946 and 1956 brought an explosion of affluence and anxiety. Along with U.S. dominance over Europe and a new war in Asia came the birth of the civil rights movement and the first stirrings of a new youth culture. The period saw the movie industry purged of its political left at the same time as the ideological action hero John Wayne reached the peak of his career.
Analyzing Hollywood's cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, along with media events, congressional hearings and political campaigns, and drawing on FBI files and studio records, Hoberman has orchestrated a colorful, sometimes surreal pageant wherein Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe.
Essential reading for film and history buffs, An Army of Phantoms expands on the analysis of the 1960's found in Hoberman's critically acclaimed The Dream Life and offers a lively and astute history of film that is also, to paraphrase Jean-Luc Godard, about the film of history." --Book Jacket.Notes: Includes bibliographical references (p. [341]-366) and indexISBN: 9781595580054Contents: Acknowledgments -- introduction: from God's mouth to your ear -- prologue: mission for Hollywood - Stalingrad to V-J Day -- Pt. 1. Aliens among us : Hollywood, 1946-47 -- pt. 2. Fighting for the ministry of truth, justice, and the American way, 1948-50 -- pt. 3. Redskin menace from outer space : America at war, 1950-52 -- pt. 4. The PaxAmericanArama : Eisenhower power, 1953-55 -- pt. 5. Searchin' : America on the road, 1955-56 -- epilogue: the face of the crowd -- sources -- index --
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Art history for filmmakers : the art of visual storytelling / Gillian McIver London: Bloomsbury, c2016.
Call No: 61:75 MCIAuthor: McIver, Gillian Source: US/UKPlace: LondonPublisher: BloomsburyPubDate: c2016PhysDes: 256 pages : illustrations (colour) ; 27 cmSubject: THEORY ; ART IN FILMS ; REALISM IN FILMS ; SEX AND THE CINEMA ; SEX IN FILMS ; VIOLENCE IN FILMS ; HORROR FILMS ; LANDSCAPES IN FILMS ; MOVEMENTS IN FILM HISTORY ; MOVEMENTS AND STYLES IN FILM HISTORY ; HEROS IN FILMS ; ART AND THE CINEMA Summary: "Since cinema's earliest days, literary adaptation has provided the movies with stories. But there is another way of looking at film, and that is through its close relationship with the visual arts. Art history for Filmmakers shows how images from art can be used by filmmakers to establish period detail, and to demonstrate composition, color theory and lighting. It reveals how the visual culture that gave rise to cinema has itself been shaped and informed by the development of painting, the oldest of the art forms.Featuring stunning images from classic films and iconic artwork, this book will build your appreciation of the history of art, enrich your understanding of the visual language of film, and help to feed that understanding into your own original filmmaking" -- BACK COVER BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781472580658Donation: Senses of CinemaContents: Introduction. How does art history relate to cinema history? -- A brief linear (traditional) history of art - -Toward an "alternative" history of art -- Visual culture and storytelling. Narrative and storytelling in art -- Color and narrative -- Kandinsky's color theory in painting and in cinema -- Perspective and composition -- Light -- Case study: Peter Greenaway and Dutch painting -- Realism. What is realism? - -What is representation? -- Art after photography: modern conceptions of realism in art -- Case study: Realism and the camera obscura -- Beyond realism. Fantasy worlds in cinema and art -- Oneiric: the world of dreams -- Surrealism -- Going beyond the real -- Case study: The Archers -- Sex and violence. Sex in art and cinema -- Violence in art and cinema -- Sex and violence -- Case study: Martin Scorsese and Caravaggio -- Horror. Religious horror -- Supernatural horror -- Body horror -- Monsters -- Case study: Guillermo del Toro and Francisco de Goya -- Landscape. Why landscape? -- Beautiful, picturesque, or sublime? -- The American landscape and the American West -- Case study: The road movie -- Heroes and heroic acts. History painting; victory, virtue, and the hero - -Heroism and the Western -- Case study: Subverting the heroic genre -- Modern movements. Culture or mass culture? -- expressionism -- Abstraction -- Abstract expressionism -- Minimalism -- Going "Beyond the West" -- Case study: Hokusai to Disney -- Conclusion. How can we use art history in filmmaking? Case studies --
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Artistic licence in Australian Financial Review (27/12/2014) p.51
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The atomic bomb in Japanese cinema : critical essays / edited by Matthew Edwards Jefferson, N. C.: McFarland & Company Inc, 2015.
Call No: 737.34 EDWAuthor: Edwards, Matthew Source: USPlace: Jefferson, N. C.Publisher: McFarland & Company IncPubDate: 2015PhysDes: viii, 288 pages : illustrations ; 26 cmSubject: NUCLEAR WARFARE IN FILMS ; MONSTERS IN FILMS ; GODZILLA [GOJIRA] (JA/US, Inoshiro Honda & Terry Morse, 1955) ; HIROSHIMA (JA, Hideo Sekigawa, 1953) Summary: "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included." -- BOOK BLURBISBN: 9780786479122Contents: Prologue: Hiroshima Nagasaki / Matthew Edwards -- Gojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma / Shannon Stevens -- Japan removed: Godzilla adaptations and erasure of the politics of nuclear experience / Jason C. Jones -- Atomic reaction: Godzilla as metaphor for generational attitudes toward the United States and the bomb / John Vohlidka -- Japanese atomic cinema, 1945-2014. Suppression and censorship: Japanese cinema during the occupation / Matthew Edwards -- Pica-don: Japanese and American reception and promotion of Hideo Sekigawa's Hiroshima / Mick Broderick and Junko Hatori -- The shadow of the bomb in Hiroshi Teshigahara's The face of another / Tony Pritchard -- Nuclear skin: Hiroshima and the critique of embodiment in Affairs within walls / Julia Alekseyeva -- The atomic bomb experience and the Japanese family in Keiji Nakazawa's anime Hadashi no gen (barefoot gen) / Kenji Kaneko -- Yuichi and Jizo in Black rain: Imamura's phenomenological attempt to render a Hiroshima wormhole experience among his audience / Keiko Takioto Miller -- Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory / Robert McParland -- Inconceivable anxiety: representation, disease and discrimination in atomic-bomb films / Yuki Miyamoto -- Kazuo Kuroki and Hisashi Inoue's Chichi to Kuraseba: remember, protest and return to ordinary life / Yoshiko Fukushima -- Breaking the silence of the atomic bomb survivors in Japanese graphic novel Town of evening calm, country of cherry blossoms and the film adaptation / Senjo Nakai -- The sound of the bomb: Go Shibata's nn891102 / Johannes Schonherr -- Western perspectives. Hiroshima films: cultural contexts before, during and after the Cold War / Greg Nielsen and Margaret M. Ferrara -- Hiroshima: an interview with director Roger Spottiswoode / Matthew Edwards -- White light/Black rain: the "atomic films" of Steven Okazaki / Matthew Edwards -- A[nime] bomb: an interview with Hibakusha director Steve Nguyen / Matthew Edwards -- Hibakusha: our life to live: an interview with director David Rothauser / Matthew Edwards -- All that remains: an interview with Ian and Dominic Higgins / Matthew Edwards
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Audio-vision : sound on screen / Michel Chion; foreword by Walter Murch; edited and translated by Claudia Gorbman New York: Columbia University Press, 2019.
Call No: 634 CHIAuthor: Chion, Michel Edition: 2019Place: New YorkPublisher: Columbia University PressPubDate: 2019PhysDes: xxiii, 270 pages : illustrated ; 23cmSubject: SOUND ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; RESNAIS, ALAIN ; ROBBE-GRILLET, ALAIN ; WELLES, ORSON ; Wenders, Wim ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; PERSONA (SW, Ingmar Bergman, 1966) ; PSYCHO (US, Alfred Hitchcock, 1960) ; TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole.
In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema.
This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch. -- publisher's web siteISBN: 9780231185899Contents: Foreword (1994), by Walter Murch -- Preface -- Part I. The Audiovisual Contract -- 1. Projections of Sound on Image -- 2. The Three Listening Modes -- 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations -- 4. The Audiovisual Scene -- 5. The Real and the Rendered -- 6. Phantom Audio-Vision; or, The Audio-Divisual -- Part II. Beyond Sounds and Images -- 7. Sound Film Worthy of the Name -- 8. Toward an Audio-Logo-Visual Poetics -- 9. An Introduction to Audiovisual Analysis -- Glossary -- Chronology: Landmarks of the Sound Film -- Notes -- Bibliography -- Index
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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Audrey Hepburn : an intimate portrait / by Diana Maychick Secaucus, NJ: Carol Pub. Group, c1993.
Call No: 81HEP MAYAuthor: Maychick, Diana Place: Secaucus, NJPublisher: Carol Pub. GroupPubDate: c1993PhysDes: viii, 247 p. ; 24 cmSubject: HEPBURN, AUDREY Notes: "A Birch Lane Press book."ISBN: 1559721952 : $21.95 ($26.95 Can)LON: 10182789 10182789
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Audrey Hepburn / Ian Woodward New York: St. Martin's Press, 1984.
Call No: 81HEP WOOAuthor: Woodward, Ian Source: SPlace: New YorkPublisher: St. Martin's PressPubDate: 1984PhysDes: 318 p. : ill. ; 18cm.Subject: HEPBURN, AUDREY ISBN: 0312900767
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Australia on the small screen 1970-1995 : the complete guide to tele-features and mini-series / Scott Murray Melbourne: Oxford University Press, 1996.
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Australia to get premium PS3 in Australian Financial Review (29/01/2007) p.48
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gliddon, Joshua Subject: BLU-RAY ; HIGH DEFINITION DVD Summary: The author delves into the price war over rival gaming systems from Xbox to Playstation 3 and Nintendos Wii Console. The articles compare units sold between each system and also the development of the rival high definition DVD Formats including Sony developed Blu–ray and Toshiba developed HD – DVD format.
- In a move reminiscent of the VHS and Beta war of the early 80’s Blu-ray and HDDVD are incompatible, so which one a consumer opts for they could be backing the wrong horse.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Australian cinema 1970-1985 / by Brian McFarlane London: Secker & Warburg, 1987.
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015.
Call No: 732(94) SPEAuthor: Speed, Lesley Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2015PhysDes: 128 pages : illustrations ; 24 cm.Subject: COMEDIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA ; EFFTEE STUDIO ; CINESOUND STUDIOS ; HANNA, PAT ; WALLACE, GEORGE ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS (AT, F.W. Thring, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; SHOWGIRL'S LUCK (AT, Norman Dawn, 1931) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) ; HARMONY ROW (AT, F.W. Thring, 1933) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; TICKET IN TATTS, A (AT, F.W. Thring, 1934) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; STRIKE ME LUCKY (AT, Ken G. Hall, 1935) ; SPLENDID FELLOWS (AT, Beaumont Smith, 1934) ; GRANDAD RUDD (AT, Ken G. Hall, 1935) ; WHITE DEATH (AT, Edwin G. Bowen, 1936) ; RANGLE RIVER (AT, Clarence G. Badger, 1936) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; TALL TIMBERS (AT, Ken G. Hall, 1937) ; LET GEORGE DO IT (AT, Ken G. Hall, 1938) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; GONE TO THE GOGS (AT, Ken G. Hall, 1939) ; ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]ISBN: 9781876467258Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian cultural studies : a reader / edited by John Frow and Meaghan Morris St Leonards, N.S.W.: Allen & Unwin, 1993.
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Australian film / Saskia Vanderbent Harpenden, UK: Pocket Essentials, 2006. Available at ProQuest (RMIT login required)
Call No: 71(94) VANAuthor: Vanderbent, Saskia Source: AUPlace: Harpenden, UKPublisher: Pocket EssentialsPubDate: 2006PhysDes: 160 p. ; 18 cmSubject: DIRECTORS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA Summary: This book analyses over 80 significant works from silent through to contemporary themes. The author examines how directors have used the medium of film to explore and come to terms with their problematic past, in particular British colonialism and the treatment of indigenous Ausralians, and dramatise issues of landscape, masculinity, anti-authoritarianism and the pioneering spirit. The careers of several actors are also traced. [Adapted from back cover.]Notes: Cover title: The pocket essential Australian film.ISBN: 1904048587URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=282644'
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Australian Film Festivals : audience, place, and exhibition culture / by Kirsten Stevens New York: Palgrave Macmillan, c2016.
Call No: 151(94) STEAuthor: Stevens, Kirsten Source: AT/USPlace: New YorkPublisher: Palgrave MacmillanPubDate: c2016PhysDes: xi, 270 pages ; 22 cmSeries: Framing film festivalsSubject: FESTIVALS ; FESTIVALS. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; AUDIENCES ; AUDIENCES. AUSTRALIA ; EXHIBITION ; EXHIBITION. AUSTRALIA ; SOCIETY AND THE CINEMA Summary: "This is the first book to offer an in-depth examination of the history, operation, and growth of film festivals as a cultural phenomenon within Australia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia. " -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781137586377Contents: -- 1: Introduction -- 2: Enthusiastic Amateurs: Origins of Australia's Film Festival Movement -- 3: Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultures -- 4: From Film Weeks to Festivals: The Spread of the Urban Film Festival After 1980 -- 5: Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival -- 6: Programming Perceptions: Film Festivals and the Construction of Taste -- 7: A Festival for Every Occasion: Niche Programming, Event Culture, and Vertically Integrated Film Festivals -- 8: Conclusion -- Appendix 1: Early Features of Melbourne and Sydney Film Festival Programmes (1952-1965) -- Appendix 2: Summary of Select Film Culture and Festival Activities, 1960s-1970s -- Appendix 3: Selective List of Film Events in Melbourne, 1949-2000 -- Appendix 4: Film Festivals in Melbourne and Sydney, 2015 -- Notes -- archives and Research Collections -- Bibliography -- Index --
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Australian film-making pioneer dies in The Age [-] (24/09/1963)
Call No: PERSONALITY CLIPPINGS FILE; HIGGINS, ARTHURAuthor: - PhysDes: Clippings File ArticleSubject: HIGGINS, ARTHUR Summary: Snippet on the death of Australian filmmaker Arther HigginsNotes: old clips pile from June 2015
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The Australian film revival : 1970s, 1980s, and beyond / Susan Barber New York: Bloomsbury Academic, 9 Feb 2023.
Call No: 71(94) BARAuthor: Barber, Susan Edition: 2023Place: New YorkPublisher: Bloomsbury AcademicPubDate: 9 Feb 2023PhysDes: 280 pages ; 24 cmSubject: AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; MOTHERS IN FILMS ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MAD MAX [...] (AT, 1979-85) ; BACKROADS (AT, Philip Noyce, 1977) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web siteISBN: 9781501390029Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index
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Australian film studies : Efftee Productions / by Ina Bertrand Bundoora, Vic.: Centre for the Study of Educational Communication and Media, La Trobe University, 1977.
Call No: 19EFF BERAuthor: Bertrand, Ina, 1939 CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and MediaPlace: Bundoora, Vic.Publisher: Centre for the Study of Educational Communication and Media, La Trobe UniversityPubDate: 1977PhysDes: 26p. ; 30cmSeries: Media Centre papers ; 7Subject: EFFTEE STUDIO ; THRING, F.W. ; DIGGERS (AT, F.W. Thring, 1931) ; TICKET IN TATTS, A (AT, F. W. Thring, 1934) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; HARMONY ROW (AT, F.W. Thring, 1933) ; STREETS OF LONDON (AT, F.W. Thring, 1935) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) Notes: Bibliography: p.16ISBN: 0858161141 : unpricedLON: 1653335 1622627
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The Australian screen : a pictorial history of Australian film making / [by] Eric Reade Melbourne: Lansdowne, 1975.
Call No: 71(94) REACopy Management: Copy 1; Copy 2Author: Reade, Eric, 1912-1978 Place: MelbournePublisher: LansdownePubDate: 1975PhysDes: 308 p. : ill. ; 27 x 34 cmSubject: AUSTRALIA ; AUSTRALIA. 1895-1930 ; HISTORY OF TV. AUSTRALIA ; HALL, KEN G. ; CHAUVEL, CHARLES ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; THRING, F.W. ; THOMPSON, JACK ; HIGGINS, ARTHUR ; HURLEY, FRANK ; RAFFERTY, CHIPS ; SPENCER, CHARLES COZENS ; EFFTEE STUDIO ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; DIGGERS (AT, F.W. Thring, 1931) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same authorISBN: 0701803193 : $15.00 AustLON: anb70180319; 791305
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Australian television : historical overview / by Julie James Bailey [North Ryde, N.S.W.]: Open Program Resources, Australian Film and Television School, 1979.
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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Australian TV : the first 25 years / edited by Peter Beilby ; assistant editor: John Tittensor, research: Ross Lansell, picture research: Keith Robertson Melbourne, Vic.: Thomas Nelson Australia, 1981.
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018.
Call No: 753.5 MSCAuthor: McSweeney, Terence Source: US/UKPlace: LondonPublisher: Wallflower Press published by Columbia University PressPubDate: c2018PhysDes: vii, 310 pages : illustrations ; 24 cmSubject: SUPERHEROES IN FILMS ; HEROS IN FILMS ; COMIC STRIP CHARACTERS IN FILMS ; CRITICISM ; MARVEL ENTERTAINMENT ; IRON MAN (US, Jon Favreau, 2008) ; IRON MAN 2 (US, Jon Favreau, 2010) ; THOR (US, Kenneth Branagh, 2011) ; INCREDIBLE HULK, THE (US, Louis Leterrier, 2008) ; CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011) ; AVENGERS, THE (US, Joss Whedon, 2012) ; IRON MAN 3 (US/CN, Shane Black, 2013) ; THOR: THE DARK WORLD (US, Alan Taylor, 2013) ; CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014) ; GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014) ; ANT-MAN (US, Peyton Reed, 2015) ; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015) ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9780231186254Donation: Senses of CinemaContents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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Aweek of travel for two bucks in Filmnews (May 1975) vol.4 p.1
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The back of beyond / a compilation by Eric Else for use in studying John Heyer's film of inland Australia London: Longmans, 1968.
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The back of beyond / Sylvia Lawson Canberra: Currency Press, National Film and Sound Archive, 2013.
Call No: 79BAC LAWAuthor: Lawson, Sylvia CorpAuthor: Australian Screen ClassicsSource: ATPlace: Strawberry Hills, NSW; CanberraPublisher: Currency Press; National Film and Sound ArchivePubDate: 2013PhysDes: viii, 76 pages : illustrations ; 19 cmSeries: Australian screen classics, 1447-557XSubject: DOCUMENTARY FILMS. AUSTRALIA ; HEYER, JOHN ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The Back of Beyond is a 1954 documentary celebrating the life and times of Australia's best known Royal Mail driver Tom Kruse in outback central Australia. It tells the story of how he battled isolation, heat, sand and flood to deliver mail, stores and supplies to the families along the 517 kilometre Birdsville Track. In her book, Lawson gives an in-depth and thoughtful critique of the film, giving its historical context within documentary tradition.Notes: Includes bibliographical references and filmography; Co-published with National Film and Sound ArchiveISBN: 9780868199757ISSN: 1447-557XContents: -- Part one: Before Television,After Grierson -- Part two: 'A Carrier Called Kruse' --
Part three: On to the Track -- Part four: The Education of a Director -- Part five: Tracking Documentary -- Part six: East of Maralinga -- Part seven: The Lectern and the Water-Cart -- Part eight: A Film in Rear Vision -- Part nine: 'Poetry and Earthiness' -- Part 10: History Lessons, Scenic Flights
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: x, 423 p. : ill. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BENTON, ROBERT ; COHEN, LARRY ; EDWARDS, BLAKE ; HILL, WALTER ; JHABVALA, RUTH PRAWER ; KASDAN, LAWRENCE ; LEONARD, ELMORE ; MAZURSKY, PAUL ; MEYERS, NANCY ; MILIUS, JOHN ; RAPHAEL, FREDERIC ; WESTLAKE, DONALD ; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back coverNotes: Formerly CIP; Includes bibliographical references (p. 389-396) and indexISBN: 9780520245181; 0520245180 (pbk. : alk. paper)Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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Bad history and the logics of blockbuster cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds / Patrick McGee New York: Palgrave Macmillan, 2012.
Call No: 45:93 MCGAuthor: McGee, Patrick Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2012PhysDes: 209 p. ; 22 cmSubject: HISTORICAL FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; PHILOSOPHY AND THE CINEMA ; THEORY ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; INGLOURIOUS BASTERDS (US/G, Quentin Tarantino, 2009) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; TITANIC (US, James Cameron, 1997) Summary: "In his latest book, Patrick McGee argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds. Through philosophical and historical contextualization, he reveals the logic of what appears on the screen, a logic that shows how these films both represent and distort the historical record in order to articulate a truth that challenges conventional history as a discipline. Counterdisciplinary in its method, this exciting work asserts that no movie can ever be reduced to the absolutely authentic or the absolutely inauthentic." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780230116511Contents: -- acknowledgments -- Introduction: truth, history, and counterdisciplinary practices in film studies -- 1: Terrible beauties: messianic time and the image of social redemption in James Cameron's Titanic. -- 2: Infinite history: Martin Scorsese's Gangs of New York and the production of the inexistent -- 3: "No dreaming, no story, nothing": Baz Luhrmann's Australia, the cinematic common, and postcolonial discourse-- Conclusion: the glorious truth about inglorious history in Quentin Tarantino's Inglourious basterds -- works cited -- index --
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Bad Women : regulating sexuality in early American cinema / Janet Staiger Minneapolis: University of Minnesota Press, c1995.
Call No: 45:176 STAAuthor: Staiger, Janet Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: c1995PhysDes: xviii, 226 p. : ill. ; 24 cmSubject: WOMEN IN FILMS ; WOMEN IN FILMS. USA ; HISTORY OF CINEMA. USA ; SEX IN FILMS Summary: "The turn of the century ushered in a new age, and movie screens nationwide reflected a new vision of female sexual morality. Bad Women takes us back to this period of social, cultural, and economic change to illustrate how American cinema presented images of this new woman to fit an emerging consumer culture of the early 1900s. Although originally designed to reinforce the mores of contemporary society, these new images of "bad women" moved discussions off women and their sexuality to the forefront of the national agenda. Charting the resulting cultural tensions through the monitoring of movies, Janet Staiger shows how representations and their endless permutations stirred conflict and debate over women's public and private behaviours. Rich in historical detail and theoretical insight, Bad Women offers an original view of a culture in transition, a sexual sensibility in the making, and American cinema's role in the change" -- BOOK BLURBNotes: Includes bibliographical references (p. 208-217) and index; Filmography: p. 207-208ISBN: 0816626251Contents: 1. The Repeal of Reticence -- 2. Sex O'Clock in America -- 3. Troublesome Pictures -- 4. From Boston to Bombay -- 5. The White Slave -- 6. The Vamp -- 7. The Butterfly.
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title clippings file
BAL NA VODI : YU, Jovan Acin, 1985
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Bandstand...and all that! / John Byrell Kenthurst, N.S.W: Kangaroo Press, 1995.
Call No: 79BAN BYRAuthor: Byrell, John Source: ATPlace: Kenthurst, N.S.WPublisher: Kangaroo PressPubDate: 1995PhysDes: 216 p. : ill., ports ; 28 cmSubject: BANDSTAND [TV](AT, 1958-1972) ; LIGHT ENTERTAINMENT. AUSTRALIA ; MUSIC PROGRAMMES. AUSTRALIA ; TELEVISION. AUSTRALIA ; HENDERSON, BRIAN ; 'KEEFE, JOHNNY ; LIMB, BOBBY Summary: This is the story of the period, in which Bandstand, stariring Brian Henderson and Col Joye, began . It is the time of Six OClock Rock with Johnny ' The Wild One'. O'Keefe, Bob Dyer's Pick- A - Box and the first sex serial, Number 96 .Living legends like Sinatra and Nat King Cole and Bassey were sellouts at Sydney Stadium. There was the coming of the Beatles, and it was the heyday of Chequers and sophisticated nightclubs. There are the fights and feuds and feuds and many funny, sometime strange happenings - both on stage and back stage. All of this is recorded by John ' Johnny' Byrell [Taken from the back of the book]Notes: Includes indexISBN: 0864176937Donation: donated by the family of Wayne Levy, 2006
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Barbra Streisand : the woman, the myth, the music / Shaun Considine London: Century Hutchinson, 1986.
Call No: 81STR CONAuthor: Considine, Shaun Source: UKPlace: LondonPublisher: Century HutchinsonPubDate: 1986PhysDes: viii, 394 p. : ill. ; 23 cmSubject: STREISAND, BARBRA ; BEATTY, WARREN ; GOULD, ELLIOTT ; KRISTOFFERSON, KRIS ; O'NEAL, RYAN ; PETERS, JON ; FUNNY GIRL (US, William Wyler, 1968) ; HELLO, DOLLY! (US, Gene Kelly, 1969) ; YENTL (US, Barbara Streisand, 1983) ISBN: 0712610820
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Bastard boys / Sue Smith Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79BAS SMIAuthor: Smith, Sue CorpAuthor: Film Finance Corporation Australia; Australian Broadcasting Corporation; New South Wales Film and Television Office; Film Victoria; Flying Cabbage ProductionsSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 216 p. : ill. ; 24cmSubject: SCRIPTS. AUSTRALIA ; HISTORICAL DRAMAS. AUSTRALIA ; SERIALS. AUSTRALIA ; TRADE UNIONS. AUSTRALIA ; INDUSTRIAL RELATIONS. AUSTRALIA ; RESTRICTIVE PRACTICES. AUSTRALIA ; LABOUR. AUSTRALIA ; COURTROOM DRAMAS ; SOCIAL PROBLEMS ON TV. AUSTRALIA ; CONTROVERSIAL ISSUES ON TV. AUSTRALIA ; POLITICS ON TV. AUSTRALIA ; POLITICAL PERSONALITIES ON TV. AUSTRALIA ; POLITICAL DRAMAS. AUSTRALIA ; STATE AND TV ; BASTARD BOYS (AT, Raymond Quint, 2007) Summary: Script for the 2007 ABC TV mini-series 'Bastard Boys'.
"On 7 April 1998, security guards moved onto Patrick Stevedores docks around Australia and ordered the waterfront workers to stand down immediately. What followed this unprecedented attack on the Maritime Union of Australia (MUA) was an industrial dispute that developed into a campaign for the hearts and minds of all Australians. 'Bastard Boys' tells the story of the fight that stopped the nation.
"A political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, 'Bastard Boys' follows the lives of the key players in one of the most significant events in Australia's recent past.
"Written by Sue Smith ('Brides of Christ', 'The Leaving of Liverpool', 'My Brother Jack', 'The Road from Coorain') and directed by Ray Quint ('The Secret Life of Us', 'McLeod's Daughters', 'Blue Heelers'), 'Bastard Boys' screened on ABC TV in 2007."
Cast includes Jack Thompson, Colin Friels, Geoff Morrell, Daniel Frederiksen, Anthony Hayes, Justin Smith, Rhys Muldoon and Daniel Wyllie.Notes: Includes film end creditsISBN: 9780868198095
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Battle hots up over next generation DVD standard in Australian Financial Review (09/01/2007) p.39
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gliddon, Joshua Subject: INDUSTRY, VIDEO ; BLU-RAY ; HIGH DEFINITION DVD ; SONY CORPORATION ; TOSHIBA CORPORATION Summary: There are two DVD formats developed
– the Blu-ray disc developed by Sony can hold 25 gigabytes and 5 hours of high definition content
– The HD-DVD developed by Toshiba, holds 15 gigabytes and holds nearly 4 hours of high definition content
– Conventional DVDs hold a mere 5 gigabytes
Both discs formats are not compatible for the same playing systems which has created competition within the industry
– Warner brothers and Paramount are releasing discs with both formats.
– MGM, 20th Century Fox and Sony Pictures are all releasing their material exclusively on Blu-ray.
– Universal has opted for exclusive release on HD–DVD
– Sony’s Playstation 3 has Blu-ray drives
– Microsoft Xbox 360 system has H-DVD; accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Before the movies : American magic lantern entertainment and the nation's first great screen artist, Joseph Boggs Beale / By Terry and Deborah Borton With a Fooreword by Charles Musser New Barnet: John Libbey, 2014.
Call No: 81BEA BORAuthor: Borton, Terry Source: UKPlace: New BarnetPublisher: John LibbeyPubDate: 2014PhysDes: 200 p : illus ; 26 cm.Subject: HISTORY OF CINEMA ; BEALE, JOSEPH BOGGS Summary: Before the Movies is the first book about American screen entertainment in the pre-movie era. A groundbreaking study, lavishly illustrated with 330 color pictures, it is a comprehensive survey of the American artists who created early magic-lantern stories and songs for the screen. The book emphasizes the work of Joseph Boggs Beale, a pioneer in the field and demonstrates that Beale almost single-handedly created American-made screen entertainment for the generation before the movies. His lifetime output was 2,073 images in 258 sets–the screen-time equivalent of 14 full-length films–which millions enjoyed every year. The provenance, attribution, and dates of Beale’s lantern slides are discussed in detail, and a comprehensive catalog of his lantern images makes Before the Movies an essential reference volumeISBN: 9780861967117Contents: Machine generated contents note: ch. 1 The Magic Lantern -- ch. 2 Provenance, Attribution, Dating -- An Introduction to Beale's Catalogue Raisonne -- ch. 3 The Larger Context of Beale's Work -- ch. 4 Other American Magic-Lantern Artists -- ch. 5 Assessing the Screen Art of Joseph Boggs Beale -- Appendix 1 Notes to The Condensed Catalogue Raisonne of Beale's Magic-Lantern Slides -- The Condensed Catalogue Raisonne of Beale's Magic-Lantern Slides -- Endnotes for Condensed Catalogue Raisonne -- Appendix 2 Chronological List of Beale Sets and Groups -- Appendix 3 Slides Possibly by Beale -- Appendix 4 Lantern Slide Companies Distributing Beale Slides -- Appendix 5 The Beale Method for Dating Catalogs -- Appendix 6 Illustrated Song Slides Containing Beale Images -- Appendix 7 List of Books Illustrated by Beale -- Appendix 8 Selected Bibliography.-- [Extract taken from publishers site]
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The beginnings of the cinema in England / John Barnes Newton Abbot: David and Charles, 1976.
Call No: 71(41) BARAuthor: Barnes, John Source: UKPlace: Newton AbbotPublisher: David and CharlesPubDate: 1976PhysDes: 240 p. : ill., facsims, ports ; 26 cmSubject: HISTORY OF CINEMA. ENGLAND Notes: List of films: p.201-219. - IndexISBN: 0715370898Donation: donated by the family of Wayne Levy, 2006
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The beginnings of the cinema in England 1894-1901 : Volume two: 1897 / John Barnes Exeter: University of Exeter Press, 2001.
Call No: 71(410) BARAuthor: Barnes, John Place: ExeterPublisher: University of Exeter PressPubDate: 2001PhysDes: 272 p. : ill. ; 26 cm.Subject: HISTORY OF CINEMA. ENGLAND Notes: The University of Exeter Press edition of Volume 2 of The Beginnings of the Cinema in England, 1894-1901 is a re-issue of the first edition published in 1983.ISBN: 085989519X
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journal article
Behind the Holcroft Covenant in What's on Video and Cinema (July 1986) vol.5 iss.55 p.5-6
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Behind the screen : the history and techniques of the motion picture / Kenneth MacGowan New York: [Delacorte Press, 1965].
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The Berlin School and its global contexts : a transnational art cinema / edited by Marco Abel and Jaimey Fisher Detroit: Wayne State University Press, 2018.
Call No: 71(430) BERAuthor: Abel, Marco ; Fisher, Jaimey Edition: 2018Place: DetroitPublisher: Wayne State University PressPubDate: 2018PhysDes: viii, 356 pages : illustrated ; 23 cmSeries: Contemporary Approaches to Film and Media SeriesSubject: BERLIN SCHOOL ; ABEL, MARCO ; ADE, MAREN ; WEERASETHAKUL, APICHATPONG ; ARSLAN, THOMAS ; GRISEBACH, VALESKA ; HAUSNER, JESSICA ; HOCHHAUSLER, CHRISTOPH ; KIAROSTAMI, ABBAS ; KOHLER, ULRICH ; PETZOLD, CHRISTIAN ; TARR, BELA Summary: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School.
The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices.
The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema. -- publisher's web siteISBN: 9780814342008
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Bernard Herrmann : film music and narrative / by Graham Bruce Ann Arbor, Mich.: UMI Research Press, 1985.
Call No: 81HER BRUAuthor: Bruce, Graham (Graham Donald) Place: Ann Arbor, Mich.Publisher: UMI Research PressPubDate: 1985PhysDes: vi, 248 p. : ill. ; 24 cmSeries: Studies in cinema ; no. 38Subject: HERRMANN, BERNARD Notes: Revision of the author's thesis (Ph. D.)--New York University; Includes index; Filmography: p. [221]-222; Discography: p. [225]-226; Bibliography: p. [239]-241ISBN: 0835717097 (alk. paper)LON: 85016336; 4076379
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The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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Interim
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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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journal article
Beyond bonnets : period drama, sex and transcendence in Lumina (Summer 2010) iss.2 p.129-139
Author: Pearlman, Karen PhysDes: ArticleSubject: HISTORICAL FILMS ; CAMPION, JANE ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: Recontextualising the perceived notion of 'auteur' within genre cinema using the example of Jane Campion and her period films; The piano; Portrait of a lady and, most recently, Bright star
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Beyond the looking glass : narcissism and female stardom in studio-era Hollywood New York : Oxford: Berghahn Books, 2014.
Call No: 451-02(73) SALAuthor: Salzberg, Ana Source: USPlace: New York : OxfordPublisher: Berghahn BooksPubDate: 2014PhysDes: viii, 197 pages ; illustrationsSubject: WOMEN IN FILMS ; STUDIOS, FILM. USA ; STARS. USA ; HISTORY OF CINEMA. USA ; FEMININITY IN FILMS Summary: "As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience's engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her onscreen ideal. Exploring the fan's desire for a material connection to the performer - as well as the star's own dialogue between embodied experience and idealized image - this book traces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star." -- BOOK BLURBNotes: Includes bibliographical references and index -- Includes filmographyISBN: 9781782383994Donation: donated by Senses of Cinema, 2014Contents: Introduction: The Narcissistic Woman: Reflections and Projections -- 1. Garbo Talks: Expectation and Realization -- 2. Katharine Hepburn and a Hollywood Story -- 3. Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945) -- 4. One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code -- 5. "Wherever There's Magic": Performance Time in Sunset Boulevard (1950) and All About Eve (1950) -- 6. Marilyn Monroe: "The Last Glimmering of the Sacred" -- 7. Neo-Screen Tests, Part One: Grace Kelly and Elizabeth Taylor -- 8. Neo-Screen Tests, Part Two: The Search for Scarlett Continues --
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Bibliography : cinema history : the 1940s. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1992.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1992Subject: HISTORY OF CINEMA. 1940's
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Bibliography
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Bibliography : cinema history : the 1950s. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1989.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1989Subject: HISTORY OF CINEMA. 1950's
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Bibliography
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Bibliography : cinema history : the 1960s / Australian Film Television & Radio School. Jerzy Toeplitz Library 1991.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1991Subject: HISTORY OF CINEMA. 1960's
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Bibliography
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Bibliography : cinema history : the 1970s / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1989.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1989Subject: HISTORY OF CINEMA. 1970's
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Bibliography
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Bibliography : cinema history : the 1980s / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1989.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1989Subject: HISTORY OF CINEMA. 1980's
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journal article
The Big Heat in Montage (June 1965) p.14-16
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still
[Big steal, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 16 photographs : b&w ; 21 x 26 cm + 1 photograph : b&w ; 13 x 18 cmSubject: KARVAN, CLAUDIA ; MENDELSOHN, BEN ; NAPIER, MARSHALL ; HERRIMAN, DAMON ; ROBERTSON, TIM ; BISLEY, STEPHEN ; BIG STEAL, THE (AT, Nadia Tass, 1990) Summary: 17 black and white photographs of scenes from the film starring Claudia Karvan, Ben Mendelsohn and Steve Bisley.Notes: 1 image donate by Brian McFarlane
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Levy Collection
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The birth of the movies / D.J. Wenden London: MacDonald & Janes, 1975.
Call No: 70"0192" WENAuthor: Wenden, D.J. Source: UKPlace: LondonPublisher: MacDonald & JanesPubDate: 1975PhysDes: 192 p. : ill., facsims., ports. ; 24 cmSubject: HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's Summary: "The birth of the movies is a fresh and unusual exploration into the early days of world cinema by a professional historian. It opens up a whole new range of insights by considering the silent film in its general social context rather than as an isolated art form in its own right. The book sets out the stages by which the cinema developed from its origins as a music hall novelty at the turn of the century into an individual means of entertainment and thence- at the end of the 1920s- into big business. This transition was reflected in the replacement of converted back rooms by cheap nickelodeans and then by giant picture palaces, when customers were called patrons and full symphony orchestras played in the pit. The California movie rush of the 1920s is compared to the gold rush of 1849; the dominant Hollywood star system and values are discussed from a social and economic viewpoint - trade is shown to follow the movie; early attempts at censorship are described, and the crude propoganda of the patriotic war films of the Firts World War is set alongside the more sophisticated political methods of Eisenstein (who believed that the film was 'as terrible a weapon as the hand grenade') and of the agit-trains that rolled across post-rolled Russia. Nor are the personalities (Mary Pickford, Chaplin, Keaton, D.W Griffith, etc.) or the aesthetics of the early cinema ignored. The book ends with the coming of the talkies, which were to revolutionize the film industry. Chaplin feared that talking would destroy the illusion of cinema; certainly it put an end to the eolquent silence of a very special and well-developed art." -- BOOK JACKETNotes: Includes index.; Bibliography: p. [186]-188.ISBN: 0356045722Donation: donated by the family of Wayne Levy, 2006Contents: -- preface -- 1: the primitive days of cinema -- 2: movies develop style -- 3: movies became an artform -- 4: movies become big business -- 5: movies and society -- 6: movies and politics -- 7: movies become hollywood -- 8: pictures move and talk -- references -- further reading -- index --
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The birth of the talkies : from Edison to Jolson / Harry M. Geduld Bloomington: Indiana University Press, [1975].
Call No: 70"1" GEDAuthor: Geduld, Harry M Place: BloomingtonPublisher: Indiana University PressPubDate: [1975]PhysDes: xiii, 337 p. ; ill. ; 25 cmSubject: HISTORY OF CINEMA. SOUND PERIOD Notes: Includes bibliographical references and indexISBN: 0253107431LON: 443560
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The black list : film and tv projects since 1970 with Indigenous Australians in key creative roles Sydney: Screen Australia, 2010.
Call No: 71(94)(=1-81) BLACopy Management: Copy 1; Copy 2CorpAuthor: Screen AustraliaSource: ATPlace: SydneyPublisher: Screen AustraliaPubDate: 2010PhysDes: 267 p. : ill. (chiefly col.), ports. (chiefly col.) ; 15 x 21 cmSubject: AUSTRALIA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS ON TV ; INDIGENOUS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF TV ; HISTORY OF TV. AUSTRALIA Summary: "Produced by Screen Australia's Strategy & Research Unit, The Black List is an important addition to reference material on Indigenous filmmaking in Australia, cataloguing the work of 257 Indigenous Australians with credits as producer, director, writer, or director of photography on a total of 674 screen productions. It provides descriptive listings of drama and documentary titles where Indigenous Australians have been credited in the key creative roles. Listings go back as far as 1970 for feature films and telemovies, to 1980 for documentaries and mini-series, and to 1988 for shorts and series. Titles are indexed by year and by filmmaker, and the book also features a statistical summary and timeline of key titles and events."--Screen Australia web site.Notes: "June 2010"--Cover verso; Includes indices; Also available in an electronic version via the Internet. Address as at 19/12/11: http://www.screenaustralia.gov.au/news_and_events/Media-Release-documents/2010/mr_100923_BlackList.pdfISBN: 9781920998110Contents: -- introduction -- chronology of Indigenous film & tv -- key statistics -- titles by year -- features -- tv drama -- documentaries: long -- documentaries: short -- short drama -- title listings -- features -- tv drama -- documentaries: long -- documentaries: short -- short drama -- indexes -- by key creatives -- by titles (A-Z) --
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Blow Up : Episode 3 in Melbourne Film Bulletin (June 1968) iss.3 p.36-38
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Blu-ray format wins strong JB Hi-Fi support in Australian Financial Review (15/02/2007) p.21
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: BLU-RAY ; HIGH DEFINITION DVD ; JB HI-FI LIMITED Summary: Blu Ray format DVD to be released at JB Hi Fi.
Article states that Blu-Ray supported by consumer electronic companies, HD DVD supported by Microsoft and Intel.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: Scott Browning – Mktg Mgr JB Hi fi
Blu ray is (quote)“manifestly superior for consumers” because eight out of Australia’s nine major film distributors were supporting Blu Ray, and because Sony’s coming PS3 games console could play Blu-ray movies’.(end quote)
“JB Hi-Fi, which on Tuesday reported a record half-year profit of $26.2 millon on strong DVD sales”
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Blu-ray to sting HD-DVD in Herald Sun (28/02/2007)
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Familari, Peter Subject: BLU-RAY ; HIGH DEFINITION DVD Summary: The format battle between Blu-ray and HD DVD and how it might be played out ala VHS vs BETA.Notes: accessed from: Herald Sun, News Ltd. RMIT University. (18 May 2007).
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[Blue fire lady : stills file] / David Parker Australian International Film Corporation Pty. Ltd. (distributor),
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[Blue mountains mystery : Lottie Lyell and Raymond Longford (centre) directing a scene, Majorie Osborne (Mrs. Tracey), Aurthur Higgins (cameraman)]
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[Blue mountains mystery : Lottie Lyell and Raymond Longford (centre) directing a scene, Majorie Osborne (Mrs. Tracey), Aurthur Higgins (cameraman)]
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Bogart / Allen Eyles London: Macmillan, 1975.
Call No: 81BOG EYLAuthor: Eyles, Allen Place: LondonPublisher: MacmillanPubDate: 1975PhysDes: 128 p. : ill. (some col.) ; 26 cm.Series: The Movie MakersSubject: ACTORS ; BOGART, HUMPHREY ; BACALL, LAUREN ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; CASABLANCA (US, Michael Curtiz, 1942) ; PETRIFIED FOREST, THE (US, Archie L. Mayo, 1935) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HIGH SIERRA (US, Raoul Walsh, 1941) Summary: A study of Humphrey Bogart's acting career from Broadway until his final films, with much reference to his acting atyle and character types.Notes: Includes index.
Bibliography: p. 128.
Filmography: p. 123-127.ISBN: 333180208
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Bogey : the films of Humphrey Bogart / by Clifford McCarty New Jersey: Citadel Press, 1979.
Call No: 81BOG MCCAuthor: McCarty, Clifford Source: USPlace: New JerseyPublisher: Citadel PressPubDate: 1979PhysDes: 187 p. : ports. ; 28 cmSubject: BOGART, HUMPHREY ; DEAD END (US, William Wyler, 1937) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; STAND-IN (US, Tay Garnett, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; SABRINA (US, Billy Wilder, 1954) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; KEY LARGO (US, John Huston, 1948) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.ISBN: 0806500018
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001.
Call No: 71(540) KABAuthor: Kabir, Nasreen Munni Source: UKPlace: LondonPublisher: Channel 4 BooksPubDate: 2001PhysDes: 230 p., [8] p. of plates ; 24 cmSubject: BOLLYWOOD ; HEROS IN FILMS ; HEROINES IN FILMS ; MYTH AND THE CINEMA. INDIA ; TELEVISION AND THE CINEMA ; VILLAINS IN FILMS ; AKHTAR, JAVED ; ANAND, DEV ; BACHCHAN, AMITABH ; BHANSALI, SANJAY LEELA ; BURMAN, S.D ; DARSHAN, DHARMESH ; DESAI, MANMOHAN ; DIXIT, MADHURI ; DUTT, GURU ; JOHAR, KARAN ; KAPOOR, RAJ ; KHAN, MENBOOB ; KHAN, SHAHRUKH ; KUMAR, DILIP ; ROY, BIMAL ; SIPPY, RAMESH ; AAN (II, Menboob, 1952) ; BHARAT MATA (II, Mehboob, 1957) ; PYASSA (II, Guru Dutt, 1957) ; RAMAYAMA (II, Ramanand Sagar, 1987-) ; RAJA HINDUSTANI (II, Dharmesh Darshan, 1996) ; SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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Bollywood and its other(s) : towards new configurations / edited by Vikrant Kishore, Amit Sarwal and Parichay Patra Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 71(540) BOLAuthor: KIshore, Vikrant (ed.) ; Patra, Parichay (ed.) ; Sarwal, Amit (ed.) Source: US/UK/ATPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xii, 229 pages ; 23 cmSubject: INDIA ; INDIA IN FILMS ; BOLLYWOOD ; INDIAN CINEMA ; HISTORY OF CINEMA. INDIA ; THEORY ; DIASPORIC CINEMA ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; SEX IN FILMS ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY AND THE CINEMA ; AESTHETICS ; PHILOSOPHY AND THE CINEMA ; SCIENCE-FICTION FILMS Summary: "How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Is it still an 'other' industry in a world dominated by American Cinemas? Bollywood and Its Other(s) aims to compensate for the lack of scholarly literature on Bollywood studies by opening up hitherto unexplored sites or sites that are in formation. One of the most comprehensive volumes on Bollywood so far, it focuses on the aesthetic-philosophical questions of the other, Indian diaspora's negotiations with national identity, alternative reading strategies/research methods, marginal genres (sci-fi, horror), marginal characters (flaneuse, vamps), marginal gender (non-normative sexualities), marginal cinema (Hindi avant-garde), marginal language (Hinglish), and marginal regions (the Kashmir valley). It intends to address film scholars, South Asian studies researchers, cinephiles and lay readers alike.- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781137426499Donation: Senses of CinemaContents: -- list of figures -- notes on contributors -- introduction: Vikrant Kishore, Amit Sarwal and Parichay Patra -- Section I Exploring the Other: Cinema, Aesthetics, Philosophy -- 1.Self, Other and Bollywood: The Evolution of the Hindi Film as a Site of Ambivalence / Dibyakusum Ray -- 2.Bombay Cinema's Aesthetic Other: Hindi Shastriya Cinema in Retrospect / Parichay Patra -- Section II Diaspora and the Formation of the Global Bollywood -- 3.Transgressing the Moral Universe: Bollywood and the Terrain of the Representable / Sarah A. Joshi -- 4.A Perfect Match: Entertainment and Excess of Cricket within the Diasporic Experience of Bollywood / Sanchari De and Manas Ghosh -- Section III The Musicality of Bollywood: Possibilities of Alternative Reading(s) -- 5.Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances and the Presence/Absence of Suraiya / Madhuja Mukherjee -- 6.'Dil Dance Maare Re': Bollywoodisation of the Indian Folk Dance Forms / Vikrant Kishore -- 7.The Systems Model of Creativity and Indian Film: A Study of Two Young Music Directors from Kerala, India / Phillip McIntyre, Bob Davis and Vikrant Kishore -- Section IV Bollywood's Other(s): Sexuality, B Movie, Queerness -- 8.Sugar and Spice: The Golden Age of the Hindi Movie Vamps, 1960s--1970s / Suneeti Rekhari -- 9.Popular Forms, Altering Normativities: Queer Buddies in Contemporary Mainstream Hindi Cinema / Aneeta Rajendran -- 10.Hinglish Cinema: The Confluence of East and West / Amit Sarwal -- 11.The Ramsay Chronicles: Non-normative Sexualities in Purana Mandir and Bandh Darwaza / Mithuraaj Dhusiya -- 12.Bollywood's Encounters with the Third Kind: A Critical Catalogue of Hindi Science Fiction Films / Sami Ahmad Khan -- Section V Bollywood's Other, India's Other -- 13.Death Becomes Her: Bombay Cinema, Nation and Kashmir: In Conversation with the Desire Machine Collective, Guwahati / Kaushik Bhaumik -- afterword: Anupam Sharma -- index --
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Bollywood in Britain : cinema, brand, discursive complex / by Lucia Kramer New York: Bloomsbury Academic, an imprint of Bloomsburg Publishing, 2016.
Call No: 71(540/41) KRAAuthor: Kramer, Lucia Source: US/UKPlace: New YorkPublisher: Bloomsbury Academic, an imprint of Bloomsburg PublishingPubDate: 2016PhysDes: viii, 286 pages ; 24cmSubject: BOLLYWOOD ; HISTORY OF CINEMA. UK ; HISTORY OF CINEMA. INDIA ; ADAPTATIONS ; CRITICISM ; THEORY ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. UK ; CULTURE AND THE CINEMA. INDIA ; TRANSNATIONAL CINEMA Summary: "Bollywood in Britain provides the most extensive survey to date of the various manifestations and facets of the Bollywood phenomenon in Britain. Kramer analyzes the role of Hindi films in the British film market, showing how audiences engage with Bollywood cinema and discussing the ways the image of Bollywood in Britain has been shaped. In contrast to most of the existing books on the subject, which tend to approach Bollywood as something that is made by Asians for Asians, the book also focuses on how Bollywood has been adapted for non-Asian Britons. An analysis of Bollywood as an unofficial brand is combined with in-depth readings of texts including film reviews, the TV show Bollywood Star (2004) and novels and plays with references to the Hindi film industry. On this basis Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. Despite its alleged transculturality, Bollywood in Britain thus emerges as a phenomenon of difference, distance and Othering"-- BACK COVER BLURBNotes: Includes bibliographical references and indexISBN: 9781501307614Donation: Senses of CinemaContents: -- acknowledgments -- 1: Introduction -- 2: What is 'Bollywood'? -- 3: Popular Indian Cinema in Britain - Facts and Figures -- 4: Britain and Indian Diaspora Films - Questions of Nostalgia -- 5: Beyond Films - The Development of the Bollywood Brand -- 6: the (trans)difference of Bollywood : British asians through the lens of 'Bollywood Star' -- 7: representations of the Hindi film industry in British first-hand reports -- 8: the changing image of Bollywood in British film reviews -- 9: Bollywood Adaptations -- 10: Conclusion -- notes -- Filmography -- Bibliography -- Index --
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Bonnie and Clyde return in a post-GFC thriller in Weekend Australian [Review] (29/10/2016) p.19
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The book of the cinema / foreword by Francois Truffaut; a Chris Milsome book London: Artists House, 1979.
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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Bound and gagged : the story of silent serials / Kalton C. Lahue South Brunswick, N.J.: A.S. Barnes and Company, 1968.
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The Bourne emergency in Daily Telegraph (13/04/2017) p.1
Call No: PERSONALITY CLIPPINGS FILE; HEMSWORTH, CHRISAuthor: Stephenson, Alison PhysDes: Clippings File ArticleSubject: DAMON, MATT ; HEMSWORTH, CHRIS Summary: Luciana Baroso and Matt Damon and their family have been in Byron Bay with friends Elsa Pataky and Chris Hemsworth and their famlyNotes: A
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Boy's cinema annual 1951 London: Fleetway House, [1951].
Call No: 92(058) BOYPlace: LondonPublisher: Fleetway HousePubDate: [1951]PhysDes: 160 p. : illus. ; 26 cmSubject: TREASURE ISLAND (US, Byron Haskin, 1950) ; STAGECOACH (US, John Ford, 1939) ; BLUE LAMP (UK, Basil Dearden, 1949) ; HIGH JINKS IN SOCIETY (UK, John Guillermin & Robert Jordan Hill, 1949) ; SO DEAR TO MY HEART (US, Harold Schuster & Hamilton Luske, 1949) ; BIG CAT, THE (US, Phil Karlson, 1949) ; SAVAGE SPLENDOUR (US, Lewis Cotlow/Armand Denis, 1949) ; UNKNOWN ISLAND (US, Jack Bernhard, 1948) ; GUNGA DIN (US, George Stevens, 1939) ; AMAZON QUEST (US, Steve Sekely, 1949)
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Brace for race in space in Daily Telegraph (09/02/2017)
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[Brides of Christ : stills file]
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Bridge of light : Yiddish films between two worlds / by J. Hoberman New York: Schocken Books, 1991.
Call No: 451-054(=924) HOBAuthor: Hoberman, J. Source: USPlace: New YorkPublisher: Schocken BooksPubDate: 1991PhysDes: 401p. : illus. : 24cm.Subject: HISTORY AND THE CINEMA ; JEWS AND THE CINEMA Notes: Includes appendix, glossary, bibliography and index.ISBN: 0805241078
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'Brissie boy' lands title role in Paul Hogan series in Sun Herald (29/05/2016) p.12
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The British 'B' Film / by Steve Chibnall and Brian McFarlane, foreword by Rona Anderson London: Palgrave Macmillan, 2009.
Call No: 730.2(41) CHIAuthor: Anderson, Rona (foreword) ; Chibnall, Steve ; McFarlane, Brian Source: UKPlace: LondonPublisher: Palgrave MacmillanPubDate: 2009PhysDes: x, 356 p. : ill. ; 24 cmSubject: B-MOVIES ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. UK Summary: "The British 'B' Film is the first book to provide an in-depth account of what 'B' films were like, how they came to be made, and how they were received. The careers of many notable actors, directors and oter film-makers were launched in these unpretentious but often very entertaining films that ran for roughly an hour before the cinema 'interval'. Steve Chibnall and Brian McFarlane's carefully researched study traces the storyof 'B' film production in Britain, from World War 2 to the late 1960s, providing a fresh perspective on the 'B' movie phenomenon , both as artefact and as industry product, as well as highlighting what such films tell us about the changing times in which they were made." -- BOOK BLURBNotes: Includes index; Includes bibliographical references and indexISBN: 9781844573196Contents: -- acknowledgments -- foreword -- preface -- 1. Big Ships and Little Ships: The Bs at War -- 2. 'What's on with it?': The Rise and Fall of the Bs -- 3. The 'B' Factories: Companies, Studios and Producers -- 4. Behind the Scenes -- 5. On the Screen -- 6. The Men from the Yard -- 7. Britain in the Bs -- 8. The Best of the Bs -- Appendix: Revolving Bs: British Second Features on the Gaumont British, Odeon and Rank Circuits --
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The British Film Industry in Montage (1962) vol.1 iss.1 p.12-13
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British genres : cinema and society, 1930-1960 / Marcia Landy Princeton, N.J.: Princeton University Press, 1991.
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The broadcasting chronology, 1809-1980 / Yolanda Allen and Susan Spencer North Ryde, N.S.W.: Australian Film and Television School, 1983.
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Broken screen : 26 conversations with Doug Aitken - expanding the image breaking the narrative / Doug Aitken; edited by Noel Daniel New York: Distributed Art Publishers, 2006.
Call No: 802 AITAuthor: Aitken, Doug Source: USPlace: New YorkPublisher: Distributed Art PublishersPubDate: 2006PhysDes: 302 p. : col. ill. ; 25 cmSubject: AITKEN, DOUG ; AHTILA, EIJA-LIISA ; ALTMAN, ROBERT ; ANGER, KENNETH ; BALDESSARI, JOHN ; BARNEY, MATHEW ; BURDEN, CHRIS ; CONNER, BRUCE ; DENIS, CLAIRE ; DOUGLAS, STAN ; ELIASSON, OLAFUR ; FERRO, PABLO ; FIGGIS, MIKE ; HERZOG, WERNER ; HILL, GARY ; HOLLER, CARSTEN ; HUYGHE, PIERRE ; JODOROWSKY, ALEXANDRO ; KOOLHAAS, REM ; LYNN, GREG ; NICOLAI, CARSTEN ; PRINCE, RICHARD ; RIST, PIPILOTTI ; RONDINONE, UGO ; RUSCHA, ED ; VOGEL, AMOS ; WILSON, ROBERT ; OBRIST, HANS ULRICH Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.ISBN: 1933045264
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Brown Brown Brown & Brown in Lumiere (June 1970) vol.1 iss.1 p.28-31
Author: Byrne, T.A. PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA Summary: Article on the Brown family's involvement in the Australian film industry with members being on the first film cesnorship board, producing features for RKO and Warner Bros., making patriotic films in World War I, and pioneering early cinematography.
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Bruising encounter deserves to be a hit in Weekend Australian [Review] (22/08/2015) p.15
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Burning passion in The Saturday Paper (10/10/2015) p.18
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Burning passions : an introduction to the study of silent cinema / Paolo Cherchi Usai ; preface by Kevin Brownlow ; translated by Emma Sansone Rittle London: British Film Institute, 1994.
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Business as usual it sure ain't in Weekend Australian [Review] (30/07/2016) p.14
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Buyers wary of bleeding edge in The Australian [5 - IT] (09/08/2005) p.11
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Blake, Vincent Subject: BLU-RAY ; HIGH DEFINITION DVD Summary: Report titled "Australian Entertainment and Media Outlook: 2005-09" states that Australia will wait in relation to purchasing new media hardware (this is in relation to new DVD technology).Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Cache´ / Catherine Wheatley London: Palgrave Macmillan, 2011.
Call No: 79CAC WHEAuthor: Wheatley, Catherine Source: UKPlace: LondonPublisher: Palgrave MacmillanPubDate: 2011PhysDes: 96 p.. : col. ill. ; 19 cm.Series: BFI film classics.Subject: CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; HIDDEN (FR/AU/GG/IT, Michael Haneke, 2005)
SEE
CACHE Summary: "As Catherine Wheatley examines, a wealth of critical writing surrounds Cache´, with various explanations having been offered as to what the film is 'really' about. In an in-depth and illuminating account, Wheatley examines the key themes at the heart of the 'meaning' of Cache´: the film as thriller; post-colonial bourgeois guilt; political accountability and lastly, reality, the media and its audiences, tracing these strands through the film by means of close readings of individual scenes and moments."--Publisher description.Notes: "BFI book published by Palgrave Macmillan." --
Includes photo stills and full film credits. --
Includes bibliographical references.Contents: Machine generated contents note: 1.Whodunit? -- 2.Home and the Family -- 3.Politics and Memory -- 4.Screens and Spectators.
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The cack pack in Herald Sun [News] (15/03/2014) p.8
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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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The Cambridge companion to Shakespeare on film / edited by Russell Jackson Cambridge, UK New York: Cambridge University Press, 2000.
Call No: 753SHA CAMAuthor: Jackson, Russell, 1949 Source: UKPlace: Cambridge, UK New YorkPublisher: Cambridge University PressPubDate: 2000PhysDes: xiv, 342 p. ; 24 cmSeries: Cambridge companions to literatureSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; BRANAGH, KENNETH ; OLIVIER, LAURENCE ; WELLES, ORSON ; ZEFFIRELLI, FRANCO ; HENRY V (UK, Kenneth Branagh, 1989) ; HENRY V (UK, Laurence Olivier, 1944) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; RICHARD III (US, James Keane, 1912) ; RICHARD III (US, Richard Loncraine, 1995) ; RICHARD III (UK, Laurence Olivier, 1955) ; HAMLET (UK, Laurence Olivier, 1948) ; HAMLET (UK/US, Kenneth Branagh, 1996) ; HAMLET (US, Franco Zeffirelli, 1990) ; MACBETH (US, Orson Welles, 1948) ; MACBETH (US/UK, Roman Polanski, 1971) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; KING LEAR (UK, Peter Brook, 1953) ; RAN (JA/FR, Akira Kurosawa, 1985) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURBNotes: Filmography: p. 318-324; Includes bibliographical references and index; FilmographyISBN: 0521630231; 0521639751 (pbk.)LON: 21340333Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard
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Came the dawn : memories of a film pioneer ... / illus. with drawings by the author London: Phoenix House, 1951.
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Cantonese cinema retrospective (1950-59) / 2nd International Film Festival of Hong Kong Hong Kong: Uban Council, 1978.
Call No: FESTIVAL CATALOGUE SHELVESEdition: 1978Source: HKPlace: Hong KongPublisher: Uban CouncilPubDate: 1978PhysDes: 189 p. : illus. : 26 cmSeries: Hong Kong International Film Festival CatalogueSubject: HISTORY OF CINEMA. 1950's Notes: 2nd International Film Festival of Hong Kong June 26 to July 9, 1978Language: Cantonese and English
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Cantonese cinema retrospective (1960-69) / The Sixth Hong Kong International Film Festival Hong Kong: Urban Council, 1982.
Call No: FESTIVAL CATALOGUE SHELVESEdition: 1982Source: HKPlace: Hong KongPublisher: Urban CouncilPubDate: 1982PhysDes: 191 p. : illus. : 28 cmSeries: Hong Kong International Film Festival CatalogueSubject: HISTORY OF CINEMA. 1960's Notes: The Sixth Hong Kong International Film Festival April 1 - 16, 1982ISBN: 9627040061Language: Cantonese and English
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Cantonese melodrama : 1950-1969 / the Tenth Hong Kong International Film Festival Hong Kong: Urban Council, 1986.
Call No: FESTIVAL CATALOGUE SHELVESEdition: 1986Source: UKPlace: Hong KongPublisher: Urban CouncilPubDate: 1986PhysDes: 160 p. : illus. : 29 cmSeries: Hong Kong International Film Festival CatalogueSubject: MELODRAMA ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's Notes: The Tenth Hong Kong International Film Festival March 27 - April 11, 1986ISBN: 9627040193Language: Cantonese and English
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Cartographic cinema / Tom Conley Minneapolis: University of Minnesota Press, 2007.
Call No: 629 CONAuthor: Conley, Tom Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2007PhysDes: viii, 265 p. : ill. ; 23 cmSubject: IMAGE ANALYSIS ; CARTOGRAPHY AND THE CINEMA ; BAZIN, ANDRE ; DELEUZE, GILLES ; RENOIR, JEAN ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; AMANTS, LES (FR, Louis Malle, 1958) ; CASABLANCA (US, Michael Curtiz, 1942) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; DESPERATE JOURNEY (US, Raoul Walsh, 1942) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; GLADIATOR (US, Ridley Scott, 2000) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MISTONS, LES (FR, François Truffaut, 1957) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; THELMA & LOUISE (US, Ridley Scott, 1991) Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]ISBN: 0816643571Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine
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Celluloid Anzacs : the Great War through Australian cinema / Daniel Reynaud Nth Melbourne, Vic.: Australian Scholarly Publishing, 2007.
Call No: 737.0: 408.1(94) REYAuthor: Reynaud, Daniel Place: Nth Melbourne, Vic.Publisher: Australian Scholarly PublishingPubDate: 2007PhysDes: vi, 281 p. ; 21 cm.Subject: WAR AND THE CINEMA. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA Summary: Of all the ways in which the Anzac legend has been transmitted, cinema, with its emotive power, has been among the most influential. Celluloid Anzacs is the first study of how the Great War Anzac legend has been portrayed in Australian film and television productions over 80 years.
By building the story into the broader Australian context, the book shows how films have both shaped and been shaped by one of Australia's most cherished defining national mythologies. [Taken from back cover.]ISBN: 1740971280
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The celluloid muse : Hollywood directors speak / [by] Charles Higham and Joel Greenberg London: Angus & Robertson, 1969.
Call No: 802.25(73) HIGAuthor: Higham, Charles, 1931 ; Greenberg, Joel, joint author Place: LondonPublisher: Angus & RobertsonPubDate: 1969PhysDes: 268 p., 32 plates. illus., ports. 24 cmSubject: ALDRICH, ROBERT ; CUKOR, GEORGE ; FRANKENHEIMER, JOHN ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MAMOULIAN, ROUBEN ; MINNELLI, VINCENTE ; RAPPER, IRVING ; ROBSON, MARK ; TOURNEUR, JACQUES ; VIDOR, KING ; WILDER, BILLY ; BERNHARDT, CURTIS ; MILESTONE, LEWIS ; NEGULESCO, JEAN ISBN: 0207951233LON: 562650
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The chant of Jimmie Blacksmith / Henry Reynolds Sydney and Canberra: Currency Press and the Australian Film Commission, 2008.
Call No: 79CHA REYAuthor: Reynolds, Henry Place: Sydney and CanberraPublisher: Currency Press and the Australian Film CommissionPubDate: 2008PhysDes: 80 p. : ports. ; 19 cmSeries: Australian Screen ClassicsSubject: HISTORY AND THE CINEMA. AUSTRALIA ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; KENEALLY, THOMAS Summary: In this compelling critique, Henry Reynolds explores the difficult relationship between fiction and history. Reynolds views The Chant of Jimmie Blacksmith in its political and historical context, and examines the ways in which a study of Australian cinema is also a study of Australian social issues.-BlurbNotes: Chant of Jimmie Blacksmith (Motion picture) directed by Fred Schepisi.
Bibliography: p.76-78.ISBN: 9780868198248Language: EnglishContents: Australian Screen Classics -- Acknowledgements -- 1: A Thrice-Told Tale -- 2: Jimmy Governor's Short, Tragic Tale -- 3: Looking for a Legend -- 4: Governor Becomes Blacksmith -- 5: The Rampage of the Blacksmith Brothers -- 6: The Critics Respond -- 7: Audiences Confronted -- 8: The Historian's Reflections -- Notes -- Bibliography -- Filmography -- Credits
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Charlton Heston / Michael Munn London: Robson, 1986.
Call No: 81HES MUNAuthor: Munn, Michael Place: LondonPublisher: RobsonPubDate: 1986PhysDes: 224 p., [12] p. of plates : ill. ; 22 cmSubject: HESTON, CHARLTON Notes: Acting. Heston, Charlton. - Biographies (BNB/PRECIS); Includes index; Filmography: p. 209-217ISBN: 0860513629 : ª8.95 : CIP confirmedLON: bnb86051362; 4278648
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Charlton Heston : the epic presence / Bruce Crowther London: Columbus Books, 1986.
Call No: 81HES CROAuthor: Crowther, Bruce, 1933 Source: UKPlace: LondonPublisher: Columbus BooksPubDate: 1986PhysDes: 192 p. : ill. ; 25 cmSubject: HESTON, CHARLTON ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; EL CID (US/IT, Anthony Mann, 1961) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; SOYLENT GREEN (US, Richard Fleischer, 1973) Notes: Includes index; Bibliography: p. 178; Filmography: p. 179-190ISBN: 0862872871 (pbk.) : ª7.95LON: 4409901
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Charlton Heston : Talks to David Austen of 'Films and Filming' in Montage (March 1970) p.29-35
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983.
Call No: 753.131-053.2 CHIAuthor: Street, Douglas Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1983PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; CHILDREN AND THE CINEMA ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973) ; HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977) ; HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977) ; ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964) ; KIDNAPPED (UK, Delbert Mann, 1971) ; KIM (US, Victor Saville, 1950) ; LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979) ; LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981) ; LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936) ; LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940) ; PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969) ; PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969) ; RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970) ; SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949) ; SOUNDER (US, Martin Ritt, 1972) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951) ; TREASURE ISLAND (US, Victor Fleming, 1934) ; TREASURE ISLAND (US, Byron Haskin, 1950) ; TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972) ; WATERSHIP DOWN (UK, Martin Rosen, 1978) ; WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURBNotes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95LON: 83014816; 2808775
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China forever : the Shaw Brothers and diasporic cinema / edited by Poshek Fu Urbana: University of Illinois, 2008.
Call No: 71(510) CHIAuthor: Fu, Poshek (editor) Source: USPlace: UrbanaPublisher: University of IllinoisPubDate: 2008PhysDes: 270 p. : ill., maps ; 23 cmSeries: Popular culture and politics in Asia PacificSubject: CITY OF SADNESS, A [ ; SHAW BROTHERS ; HISTORY AND THE CINEMA. CHINA Notes: Includes bibliographical references and index.; Includes filmography: (p. [255]-256)ISBN: 9780252075001Contents: Introduction: The Shaw Brothers diasporic cinema / Poshek Fu -- Shaw cinema enterprise and understanding cultural industries / Lily Kong -- Shaw's Cantonese productions and their interactions with contemporary local and Hollywood cinema / Law Kar -- Embracing glocalization and Hong Kong-made musical film / Siu Leung Li -- Three readings of Hong Kong nocturne / Paul G. Pickowicz -- The black-and-white Wenyi films of Shaws / Wong Ain-Ling -- Territorialization and the entertainment industry of the Shaw Brothers in Southeast Asia / Sai-shing Yung -- The Shaw Brothers' Malay films / Timothy P. Barnard -- Bridging the Pacific with Love eterne / Ramona Curry -- Black audiences, blaxploitation and kung fu films, and challenges to white celluloid masculinity / Sundiata Keita Cha-Jua -- Shaw Brothers cinema and the hip-hop imagination / Fanon Che Wilkins -- Reminiscences of the life of an actress in Shaw Brothers' movietown / Cheng Pei-pei ; translated by Jing Jing Chang and Jeff McClain.
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China into film : frames of reference in contemporary Chinese cinema London: Reaktion, 1999.
Call No: 71(51) SILAuthor: Silbergeld, Jerome Place: LondonPublisher: ReaktionPubDate: 1999PhysDes: 352 p. : ill. (some col.) ; 24 cmSubject: CITY OF SADNESS, A [ ; ALLEGORY IN FILMS ; WOMEN IN FILMS. CHINA ; MELODRAMA. CHINA ; CHEN, KAIGE ; XIE, JIN ; ZHANG, YIMOU ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) ; HONG GAOLIANG (CC, Zhang Yimou, 1988) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; BAWANG BIEJI (HK, Chen Kaige, 1993) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; DA YUE BING (CC, Chen Kaige, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ISBN: 1861890508(pbk.)LON: 20259534 20259534
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006.
Call No: 71(51) BERAuthor: Berry, Chris Place: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: xi, 313 p. ; 23 cmSeries: Film and CultureSubject: CITY OF SADNESS, A [ ; TAIWAN ; MASCULINITY IN FILMS ; FAMILY IN FILMS ; INDUSTRY, FILM. CHINA ; HISTORICAL FILMS. CHINA ; WOMEN IN FILMS. CHINA ; REALISM IN FILMS. CHINA ; OPERA IN FILMS ; LEE, ANG ; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.ISBN: 0231137079Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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The Chinese Cinema book / edited by Song Hwee Lim and Julian Ward London: Palgrave Macmillan on behalf of the British Film Institute, 2011.
Call No: 71(51) CHIAuthor: Lim, Song Hwee (ed.) ; Ward, Julian (ed.) Source: UKPlace: LondonPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2011PhysDes: x, 218 p. : ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; HISTORY AND THE CINEMA. CHINA ; HISTORY OF CINEMA. CHINA Summary: "The Chinese Cinema Book provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. With contributions from leading international scholars, the book is structured around five thematic sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; the Forgotten Period: 1949-80; The New Waves; and Stars, Auteurs and Genres.
This important collection addresses issues of film production and exhibition and places Chinese cinema in its national and transnational contexts. Individual chapters examine major film movements such as the Shanghai cinema of the 1930s, Fifth Generation film-makers and the Hong Kong New Wave, as well as key issues such as stars and auteurs. The book will be an invaluable resource for students and scholars, as well as for anyone wanting to deepen their understanding of the Cinemas of Greater China." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and index; Includes filmographyISBN: 9781844573448Contents: -- Introduction: the Coming of Age of Chinese Cinemas Studies / Song Hwee Lim and Julian Ward -- Territories, Trajectories, Historiographies. Transnational Chinese Cinema Studies / Chris Berry -- National Cinema as Translocal Practice: Reflections on Chinese Film Historiography / Yingjin Zhang -- Cinemas of the Chinese Diaspora / Gina Marchetti -- Six Chinese Cinemas in Search of a Historiography / Song Hwee Lim -- Early Cinema to 1949. Shadow Magic and the Early History of Film Exhibition in China / Xuelei Huang and Zhiwei Xiao -- The Making of a National Cinema: Shanghai Films of the 1930s / Laikwan Pang -- Wartime Cinema: Reconfiguration and Border Navigation / Yiman Wang -- Chinese Film-making on the Eve of the Communist Revolution / Paul G. Pickowicz -- The Forgotten Period: 1949-80. The Remodelling of a National Cinema: Chinese Films of the 17 Years (1949-66) / Julian Ward -- Healthy Realism in Taiwan, 1964-80: Film Style, Cultural Policies, and Mandarin Cinema / Guo-Juin Hong -- The Hong Kong Cantonese Cinema: Emergence, Development and Decline / Stephen Teo -- The New Waves. The Fifth Generation: a Re-assessment / Wendy Larson -- Taiwan New Cinema and Its Legacy / Tonglin Lu -- The Hong Kong New Wave: A Critical Reappraisal / Vivian P. Y. Lee -- Stars, Auteurs and Genres. Dragons Forever: Chinese Martial Arts Stars / Leon Hunt -- The Contemporary Wuxia Revival: Genre Remaking and the Hollywood Transnational Factor / Kenneth Chan -- On the Shoulders of Giants: Tsai Ming-liang, Jia Zhangke, Fruit Chan and the Struggles of Second Generation Auteurism / James Udden -- The Urban Generation: Underground and Independent Films from the PRC / Jason McGrath -- Contemporary Mainstream PRC Cinema / Yomi Braester -- Contemporary Meta Chinese Film Stardom and Transnational Transmedia Celebrity / Anne Ciecko -- Afterword: Liquidity of Being / Rey Chow -- appendix 1: book-length studies of Chinese Cinema in the English language / Wan-Jui Wang, Louise Williams and Song Hwee Lim -- appendix 2: Chinese names / Zou Yijie -- index --
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Chinese films in focus : 25 new takes / Chris Berry ed. London: British Film Institute, 2003.
Call No: 71(51) CHIAuthor: Berry, Chris CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: viii, 216 p.. ill.. 24 cm.Subject: CITY OF SADNESS, A [ ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover]Notes: Includes bibliographical references and indexISBN: 0851709869. v. pbk.ID2: 150
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Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; [FIFTEEN] 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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Chinese national cinema / Yingjin Zhang New York: Routledge, 2004.
Call No: 71(51) ZHAAuthor: Zhang, Yingjin Source: USPlace: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 328 p. ; ill. ; 24 cmSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG ; HISTORY OF CINEMA ; NATIONAL CULTURE AND THE CINEMA. CHINA Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover)ISBN: 041517290Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002
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Christmas at the movies : images of Christmas in American, British and European cinema / edited by Mark Connelly London ; New York: I.B. Tauris, 2000.
Call No: 743 CONPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2000PhysDes: 242 p. : ill. ; 24 cm.Subject: CHRISTMAS IN FILMS ; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939) ; SCROOGE (UK, Henry Edwards, 1935) ; CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; CHRISTMAS CAROL, A (UK, Clive Donner, 1984) ; SCROOGED (US, Richard Donner, 1988) ; MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941) ; HOLIDAY INN (US, Mark Sandrich, 1942) ; CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941) ; TURKEY TIME (UK, Tom Walls, 1933) ; HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953) ; CHEATERS, THE (US, Joe Kane, 1945) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; MIRACLE ON 34TH STREET (US, George Seaton, 1947) ; SANTA CLAUSE, THE (US, John Pasquin, 1994) ; ERNEST SAVES CHRISTMAS (US, John Cherry, 1988) ; SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985) ; GREMLINS (US, Joe Dante, 1984) ; SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984) ; SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987) ; TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; LETHAL WEAPON (US, Richard Donner, 1987) ; DIE HARD (US, John McTiernan, 1988) ; DIE HARD 2 (US, Renny Harlin, 1990) ; HOME ALONE (US, Chris Columbus, 1990) ; HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992) ; LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996) ; JINGLE ALL THE WAY (US, Brian Levant, 1996) ; MERLUSSE (FR, Marcel Pagnol, 1935) ; CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988) ; ELISA (FR, Jean Becker, 1994) ; KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956) ; IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975) ; PLACIDO (SP, Luis Garcia Berlanga, 1961) Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.Notes: Includes bibliographical references and indexes.
Filmography: p. ([223]-232)ISBN: 1860643973Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans
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Cine-art film appraisals in Filmviews (March 1982) vol.27 iss.1(111) p.24-26
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Cine-funds launches $26m prospectus for five films in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
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The Cine-sentimental Bloke in Lumiere (October, 1972) iss.17 p.16-18
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Cinema / by Kenneth W. Leish New York: Newsweek Books, c1974.
Call No: 70 LEIAuthor: Leish, Kenneth W Place: New YorkPublisher: Newsweek BooksPubDate: c1974PhysDes: 192 p. : ill. ; 27 cmSubject: HISTORY OF CINEMA Notes: Includes index; Bibliography: p. 185ISBN: 0882251090; 0882251104(de luxe.)LON: 528408 528408
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Le cinema : des origines a nos jours / preface par Henri Fescourt Paris: Aux Editions du Cygne, [1932].
Call No: 70 CINAuthor: Fescourt, Henri, 1886 Place: ParisPublisher: Aux Editions du CygnePubDate: [1932]PhysDes: 366 p., [16] leaves of plates : ill., ports. ; 29 cmSubject: HISTORY OF CINEMA LON: 3018521 1757319
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Le Cinema / Avec la collaboration de Raymond Barkan, Maurice Bessy, Pierre Boyer, Pierre Hemardinquer ... [etc.] Paris: Larousse, 1966.
Call No: 70 CHAAuthor: Charensol, Georges, 1899 Place: ParisPublisher: LaroussePubDate: 1966PhysDes: 391 p. illus., plates (part col.) 30 cmSubject: HISTORY OF CINEMA Notes: Illustrated cover; Bibliography: p. 378LON: 1178302 1178302
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Cinema 1900/1906 Brussels, Belgium: Fiaf, 1982.
Call No: 70"01" NATAuthor: Holman, Roger CorpAuthor: International Federation of Film Archives; National Film Archive (Great Britain)Place: Brussels, BelgiumPublisher: FiafPubDate: 1982PhysDes: 2 v. : ill. ; 30 cmSubject: HISTORY OF CINEMA. SILENT PERIOD Notes: English and French; "The Symposium of 1900-1906 followed the International Federation of Film Archives [sic] 34th Annual Congress which was held at Brighton, England in the Spring of 1978"--Vol. 1, p. 1LON: 2506746
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Cinema and landscape / Graham Harper and Jonathan Rayner (eds) Bristol, UK ; Chicago, USA: Intellect, 2010.
Call No: 756 CINSource: UK/USAPlace: Bristol, UK ; Chicago, USAPublisher: IntellectPubDate: 2010PhysDes: 315 p. ; 23 cmSubject: CINEMATOGRAPHY ; LOCATION SHOOTING ; LANDSCAPES IN FILMS ; LANDSCAPES IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA ; HERZOG, WERNER ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: Cinema and Landscape frames up contemporary film landscapes across the world, in a concentrated examination and interrogation of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment.Notes: includes filmography; includes indexISBN: 9781841503097Contents: 1. Introduction - cinema and landscape -- Part I: The invention of the cinematic landscape : 2. Landscape and the fantasy of moving pictures: early cinema's phantom rides / Tom Gunning -- Part II: Mapping cinematic landscapes : 3. 'One foot in the air?' Landscape in the Soviet and Russian road movie / Emma Widdis -- 4. Landscape of the mind: the indifferent Earth in Werner Herzog's films / Brad Prager -- 5. Visions of Italy: the sublime, the postmodern and the apocalyptic / William Hope -- 6. Landscape in Spanish cinema / Marvin D'Lugo -- 7. Landscape and Irish cinema / Martin McLoone -- 8. The ownership of woods and water: landscapes in British cinema 1930-1960 / Sue Harper -- 9. Filming the (post-)colonial landscape: Claire Denis' Chocolat (1988) and Beau travail (1998) / Susan Hayward.
10. Landscaping the revolution: the political and social geography of Cuba reflected in its cinema / Bob Britton -- 11. Landscapes of meaning in cinema: two Indian examples / Wimal Dissanayake -- 12. The geography of cinema - Zimbabwe / Martin Mhando -- 13. Crises, Economy and landscape: the modern film face of new China / Kate Taylor -- 14. Japanese cinema and landscape / Paul Spicer -- 15. A version of beauty and terror: Australian cinematic landscapes / Graham Harper -- 16. Battlefields of vision: New Zealand filmscapes / Jonathan Rayner -- 17. The landscapes of Canada's features: articulating nation and nature / Jim Leach -- 18 Science fiction/fantasy films, fairy tales and control: landscape stereotypes on a wilderness to ultra-urban continuum / Christina Kennedy, Tia´nna and Me´lisa Kennedy
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Cinema and society : France and Germany during the Twenties / Paul Monaco New York ; Oxford ; Amsterdam: Elsevier, c1976.
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The cinema and television / by Stuart Legg and Robert Fairthorne ; Edited by Arthur Elton London New York [etc.]: Longmans, Green and co., [1939].
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Cinema approaching reality : locating Chinese film theory / Victor Fan Minneapolis: University of Minnesota Press, 2015.
Call No: 626(51) FANAuthor: Fan, Victoria Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2015PhysDes: xii, 277 pages : illustrations ; 22 cmSubject: POLITICS AND THE CINEMA ; CRITICISM. CHINA ; THEORY ; HISTORY OF CINEMA. CHINA ; HISTORY OF CINEMA. HONG KONG ; BAZIN, ANDRE Summary: Examines ways in which Chinese and Euro-American film theorists conceptualize reality and cinema. In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through the 1940s. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn. -- taken from the publisher's siteNotes: Includes bibliographical references, filmography (253-255) and index.ISBN: 9780816693573Contents: Introduction -- Approaching reality: Chinese ontology and the potentiality of time -- Cinema of thought: directed consciousness in Chinese Marxist film theory -- Soft film theory: life in all its presence and concreteness -- Fey Mou: the presence of an absence -- Cinema of ideation, cinema of play: the early Cantonese sound film -- Conclusion
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Cinema as history : Michel Brault and Modern Quebec / by Andre Loiselle Toronto: Toronto International Film Festival Group, c2007.
Call No: 71(714) LOIAuthor: Loiselle, Andre Edition: 1st ed.Source: CNPlace: TorontoPublisher: Toronto International Film Festival GroupPubDate: c2007PhysDes: xii, 237 p. : ill. ; 21 cmSubject: FILM ; CANADA ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; BRAULT, MICHEL Notes: Translation of: Le cine´ma de Michel Brault; Includes bibliographical references (p. 221-236); Translated from the FrenchISBN: 0968913261Donation: Donated by Senses of Cinema, 2013Contents: -- Foreword / Piers Handling -- 1: Michel Brault: a witness to the History of (Cinema in) Quebec -- Le Dement du lac Jean-Jeunes -- Mouvement perpetual -- Matin -- Chronique d'un ete -- Petites Medisances -- La Petite Aurore, l'enfant martyre -- La Lutte -- 2: Images and Sounds of a Collectivity: Les Raquetteurs and the Birth of Modern Quebec Cinema -- The Days before Christmas -- Les Raquetteurs -- Les Mains nettes -- Felix Leclerc, trabadour -- Quebec-USA ou l'invasion pacifique -- Seul ou avec d'autres -- 3: The Cinema of the Quiet Revolution: between Modernity and Tradition -- Pour la suite du monde -- Le Temps perdu -- Genevieve -- Les Enfants du silence -- Entre la mer et l'eau douce -- 4: The October crisis and the transformation of Quebec Nationalism -- Les Ordres -- L'Acadie, l'Acadie?!? -- Eloge du Chiac -- Le Son des Francais d'Amerique -- Le Temps de l'avant -- 5: from one referendum to the other: ethnic diversity and nostalgia -- Les Noces de papier -- Shabbat Shalom! -- Mon amie Max -- Diogene -- La Derniere Partie -- Quand je serai parti... vous vivrez encore -- Ozias Leduc... comme l'espace et le temps -- 6: conclusion: territorial nationalism and La Manic -- La Manic -- endnotes -- filmography -- bibliography --
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The Cinema book / edited by Pam Cook London: BFI, 1985.
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Interim
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Il cinema Brasiliano / Silva Editore Genova: Silva Editore, [1961?].
Call No: 71(81) CINCorpAuthor: Silva EditoreSource: BLPlace: GenovaPublisher: Silva EditorePubDate: [1961?]PhysDes: 263 p. : illus.Series: Collana di studi cinematografica, diretta da Gianni AmicoSubject: BRAZIL ; HISTORY OF CINEMA ; CAVALCANTI, ALBERTO Language: Portugese
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Le cinema devient un art, 1909-1920 / [par] Georges Sadoul Paris [France]: DenoFel, 1951-1952.
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Cinema examined : selections from Cinema journal / Richard Dyer MacCann, Jack C. Ellis New York: Dutton, 1982.
Call No: 67(04) CINAuthor: MacCann, Richard Dyer ; Ellis, Jack C., 1922 CorpAuthor: Cinema JournalEdition: 1st edPlace: New YorkPublisher: DuttonPubDate: 1982PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cmSubject: INDUSTRY, FILM. USSR ; SAMURAI FILMS ; CHAPLIN, CHARLES ; VISCONTI, LUCHINO ; HITCHCOCK, ALFRED ; INDUSTRY, TV. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) Notes: Includes bibliographical referencesISBN: 0525474641 (pbk.) : $9.95LON: abn83062603; 2630261
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Cinema eye, cinema ear : some key film-makers of the sixties / John R. Taylor London: Methuen, 1964.
Call No: 802.25 TAYAuthor: Taylor, John Russell, 1935 Place: LondonPublisher: MethuenPubDate: 1964PhysDes: 294 p. : plates ; 22 cmSubject: Fellini, Federico ; ANTONIONI, MICHELANGELO ; BUNUEL, LUIS ; BRESSON, ROBERT ; BERGMAN, INGMAR ; HITCHCOCK, ALFRED ; TRUFFAUT, FRANCOIS ; RESNAIS, ALAIN ; GODARD, JEAN-LUC Notes: Filmgraphies and bibliographies: p. 230-293LON: 2412522 2412522
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Cinema histories, cinema practices / edited by Patricia Mellencamp and Philip Rosen Frederick, MD: University Publications of America, c1984.
Call No: 70 CINAuthor: Rosen, Philip ; Mellencamp, Patricia Place: Frederick, MDPublisher: University Publications of AmericaPubDate: c1984PhysDes: xvi, 150 p. ; 24 cmSeries: American Film Institute monograph series ; v. 4Subject: HISTORY OF CINEMA Notes: Includes bibliographical referencesISBN: 0890935920; 0890935971 (pbk.)LON: 2976535
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Cinema in a small state : distribution and exhibition in Adelaide at the coming of sound in Studies in Australasian cinema (2007) vol.1 iss.3 p.299-313
Author: Walsh, Mike PhysDes: ArticleSubject: DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA ; HISTORY OF CINEMA. TRANSITION SILENT-SOUND ; HISTORY OF EXHIBITION. AUSTRALIA Summary: Most histores of Australian cinema have foregrounded film production but have little to say about film distribution and exhibition, which were more powerful sectors of the cinema industry in Australia. This study examines the distribution and exhibition of films in Adelaide's central business district and suburban circuits during the introduction of sound in 1928-29. In addition to analysing the impact of the new technology, this article looks at the way that film distribution in this period changed in response to a number of other factors including the switch to direct distribution, the rise of British production and the local politics of first-run exhibition competition. The article examines the structure of the city and suburban exhibition in Adelaide and demonstrates that any analysis of the industry's response to sound technologies must take into account intensely local factors in order to explain the ways that different compaines adopted varying industrial tactics during the diffusion of this new technology. -- Abstract
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Cinema in the Federal Republic of Germany : the new German film, origins and present situation : a handbook / Hans GFunther Pflaum, Hans Helmut Prinzler ; [translation, Timothy Nevill] Bonn: Inter Nationes, 1983.
Call No: 71(430.1) PFLAuthor: Pflaum, Hans GFunther ; Prinzler, Hans Helmut Place: BonnPublisher: Inter NationesPubDate: 1983PhysDes: 180 p. : ill. ; 21 cmSubject: GERMANY ; GERMAN FEDERAL REPUBLIC ; DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; ACKEREN, ROBERT VAN ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HERZOG, WERNER ; KLUGE, ALEXANDER ; WILDENHAHN, KLAUS ; ZIEWER, CHRISTIAN ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; THOME, RUDOLPH ; SANDER, HELKE ; SCHILLING, NIKLAUS ; NEKES, WERNER ; COSTARD, HELLMUTH ; HAUFF, REINHARD ; LILIENTHAL, PETER ; OTTINGER, ULRIKE ; PETERSEN, WOLFGANG ; PRAUNHEIM, ROSA VON ; SANDERS-BRAHMS, HELMA ; SCHLONDORFF, VOLKER ; SYBERBERG, HANS JURGEN ; TROTTA, MARGARETHE VON ; Wenders, Wim Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179LON: 3594169
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Cinema is 100 years old / Emmanuelle Toulet, translated by Susan Emanuel London: Thames and Hudson, 1995.
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Cinema de la cruaute. English : from Bunuel to Hitchcock / by Andre Bazin ; edited and with an introduction by Francois Truffaut ; translated by Sabine d' Estree with the assistance of Tiffany Fliss New York: Seaver Books, 1982.
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The Cinema of Fritz Lang / by Paul M. Jensen New York: A.S. Barnes, 1969.
Call No: 81LAN JENAuthor: Jensen, Paul M. Source: US/UKPlace: New YorkPublisher: A.S. BarnesPubDate: 1969PhysDes: 223 pages : illustrations ; 16 cmSeries: The International film guide seriesSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. SILENT PERIOD ; LANG, FRITZ Notes: "Filmography": pages 205-218 Bibliography: pages 219-223ISBN: 498074158Contents: -- 1 entering the field -- the silent era (1921-1924) -- 3 the silent era (1925-1929) -- 4 encounters with sound -- 5 the social trilogy -- 6 the west, the war and Diana -- 7 final fluctuations -- filmography -- references to books and periodicals --
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The cinema of Hal Hartley : flirting with formalism / edited Steven Rybin New York: Wallflower Press published by Columbia University Press, 2017.
Call No: 81HAR THESource: USPlace: New YorkPublisher: Wallflower Press published by Columbia University PressPubDate: 2017PhysDes: x, 197 pages ; illustrations ; 24 cmSeries: Directors' cutsSubject: HARTLEY, HAL ; POSEY, PARKER ; AMATEUR (US, Hal Hartley, 1994) ; FLIRT (US/GG/JA, Hal Hartley, 1995) ; HENRY FOOL (US, Hal Hartley, 1997) Summary: This collection explores Hartley's work from a variety of aesthetic, cultural, and econimic contexts, while also looking closely at his collaborations with actors, the contexts of his authorial reputaion, his reworking of the romantic comedy and other genres, and the shifting economics of his filmmaking -- Taken from back coverISBN: 9780231176170Donation: Senses of CinemaContents: Machine generated contents note: 1.Up Close and Impersonal: Hal Hartley and the Persistence of Tradition / David Bordwell -- 2.`Young. Middle-Class. College-Educated. Unskilled': Hal Hartley in 1991 / Mark L. Berrettini -- 3.`Some Things Shouldn't Be Fixed': Frameworks of Critical Reception and the Early Career of Hal Hartley / Jason Davids Scott -- 4.The Locality of Hal Hartley: The Aesthetics and Business of Smallness / Steven Rawle -- 5.Hal Hartley's Romantic Comedy / Sebastian Manley -- 6.A New Man: The Logic of the Break in Hal Hartley's Amateur / Daniel Varndell -- 7.Not Getting It: Flirt as Anti-Puzzle Film / Steven Rybin -- 8.Poiesis and Media in The Book of Life and No Such Thing / Fernando Gabriel Pagnoni Berns -- 9.Bodies, Space and Theatre in The Unbelievable Truth (and its American Precursors) / Zachary Tavlin -- 10.Parker Posey as Hal Hartley's `Captive Actress' / Jennifer O'Meara -- 11.The Figure Who Writes: On the Henry Fool Trilogy / Steven Rybin.
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The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994.
Call No: 81RAY DASAuthor: Das Gupta, Chidananda Edition: rev. and enl. ed.Place: New DelhiPublisher: National Book Trust, IndiaPubDate: 1994PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cmSubject: Ray, Satyajit ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; PARASH PATHAR (II, Satyajit Ray, 1958) ; JALSAGHAR (II, Satyajit Ray, 1958) ; APUR SANSAR (II, Satyajit Ray, 1958) ; DEVI (II, Satyajit Ray, 1960) ; TEEN KANYA (II, Satyajit Ray, 1961) ; RABINDRANATH TAGORE (ii, Satyajit Ray, 1961) ; KANCHENJUNGHA (II, Satyajit Ray, 1962) ; ABHIJAN (II, Satyajit Ray, 1962) ; MAHANAGAR (II, Satyajit Ray, 1963) ; CHARULATA (II, Satyajit Ray, 1964) ; TWO (II, Satyajit Ray, 1964) ; KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965) ; NAYAK (II, Satyajit Ray, 1966) ; CHIRIAKHANA (II, Satyajit Ray, 1967) ; GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; JANA ARANYA (II, Satyajit Ray, 1975) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HOME AND THE WORLD, THE [ ; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990) ; AGANTUK (II, Satyajit Ray, 1991) ; INNER EYE, THE (II, Satyajit Ray, 1972) ; ASANI SANKET (II, Satyajit Ray, 1973) ; SONAR KELLA (II, Satyajit Ray, 1975) ; BALA (II, Satyajit Ray, 1976) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HIRAK RAJAR DESHE (II, Satyajit Ray, 1980) ; PIKOO (II, Satyajit Ray, 1980) ; SADGATI (II, Satyajit Ray, 1981) ; SUKUMAR RAY (II, Satyajit Ray, 1988) ; GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204)ISBN: 8123707533Donation: donated by the family of Wayne Levy, 2006
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The cinema of Spain and Portugal / edited by Alberto Mira Great Britain: Wallflower Press, 2005.
Call No: 71(46:469) CINSource: UKPlace: Great BritainPublisher: Wallflower PressPubDate: 2005PhysDes: xi, 268 p. : ill. ; 24 cm.Series: 24 FramesSubject: SPAIN ; PORTUGAL ; HISTORY AND THE CINEMA Notes: Formerly CIP.
Includes bibliographical references (p. 256-263) and index.
Includes filmography: p. 248-255.Contents: Preface / Roman Gubern -- Introduction / Alberto Mira -- La aldea maldita The cursed village / Agustin Sanchez Vidal -- A cancao de Lisboa Song of Lisbon / Lisa Shaw -- La verbena de la paloma Fair of the dove / Alberto Mira -- Aniki-Bobo / Randal Johnson -- Los ultimos de Filipinas Last stand in the Philippines / Isabel Santaolalla -- Lola la piconera Lola the coalgirl / Alberto Mira -- Marcelino pan y vino The miracle of Marcelino / Ryan Prout -- Calle Mayor Main street / Mark Allinson -- El ultimo cuple The last torch song / Chris Perriam -- Viridiana / Peter Evans -- El verdugo The executioner El extrano viaje Strange journey / Alberto Mira -- La noche de walpurgis Shadow of the werewolf / Antonio La´zaro-Reboll -- El espiritu de la colmena Spirit of the beehive / Xon de Ros -- Cria cuervos Raise ravens / Ryan Prout -- El diputado Confessions of a congressman / Ryan Prout -- Arrebato Rapture / Vicente Sa´nchez Biosca -- Los santos inocentes The holy innocents / Elena Carrera -- Joa~o de deus trilogy Trilogy of John of God / Lucia Nagib -- Belle epoque / Alberto Mira -- Viagem ao principio do mundo Journey to the beginning of the world / Randal Johnson -- Torrente: el brazo tonto de la ley Torrente: the dumb arm of the law Torrente 2: mision en Marbella Torrente 2: mission in Marbella / Antonio Lazaro-Reboll -- Todo sobre mi madre All about my mother / Mark Allinson -- Lucia y el sexo Sex and Lucia / Paul Julian Smith.
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Le cinema selon Hitchcock / F. Truffaut avec la collaboration de Helen Scott Paris: Laffont, 1966.
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Interim
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The Cinema to-day / by D.A. Spencer and H.D. Waley London: Oxford University Press, 1956.
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Cinema today / Buscombe, Edward London: Phaidon Press, 2003.
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Cinema verite in America : studies in uncontrolled documentary / written by Stephen Mamber Cambridge, Mass.: MIT Press, [1974].
Call No: 761.2(73) MAMAuthor: Mamber, Stephen Place: Cambridge, Mass.Publisher: MIT PressPubDate: [1974]PhysDes: vi, 288 p. : ill. ; 23 cmSubject: CINEMA VERITE ; CINEMA-DIRECT ; BRANDO, MARLON ; DREW, ROBERT ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; WISEMAN, FREDERICK ; FLAHERTY, ROBERT ; FONDA, JANE ; VERTOV, DZIGA ; ZAVATTINI, CESARE ; ROUQUIER, GEORGES ; RENOIR, JEAN ; KRACAUER, SIEGFRIED ; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; JANE (US, D.A. Pennebaker, 1962) ; MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.Notes: Bibliography: p. [276]-283ISBN: 0262130920LON: 508990Contents: Cinema verite: definitions and background -- Drew Associates -- Direct cinema and crisis structure -- The Maysles brothers -- D. A. Pennebaker -- Richard Leacock -- Frederick Wiseman -- Conclusion
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Levy Collection
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Cinema verite in America : studies in uncontrolled documentary / Stephen Mamber Cambridge, MA: MIT Press, c1974.
Call No: 761.2(73) MAM COPY 2Author: Mamber, Stephen Source: UKPlace: Cambridge, MAPublisher: MIT PressPubDate: c1974PhysDes: vi, 288 p. : ill. ; 24 cmSubject: CINEMA VERITE ; CINEMA-DIRECT ; BRANDO, MARLON ; FONDA, JANE ; DREW, ROBERT ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; WISEMAN, FREDERICK ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; ZAVATTINI, CESARE ; ROUQUIER, GEORGES ; RENOIR, JEAN ; KRACAUER, SIEGFRIED ; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; JANE (US, D.A. Pennebaker, 1962) ; MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.Notes: Bibliography: p. [276]-283ISBN: 0262130920Donation: donated by the family of Wayne Levy, 2006
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CInemas in Melbourne 1896-1942 / Daniel Catrice 1991.
Call No: 38(94) CATAuthor: Catrice, Daniel Source: ATPubDate: 1991PhysDes: viii, 239, vii leaves : ill. ; 30 cmSubject: CINEMAS ; CINEMAS. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA Notes: Submitted in partial fulfilment of the degree of Master of Arts in Public History, Dept. of History; Summary : leaves iv-viii; Typescript; Thesis (M.A.)--Monash University, 1991; Includes bibliographical references (leaves i-xii) at end of textContents: -- study brief -- acknowledgements -- introduction -- section one: a history of the cinema in Melbourne, 1896-1942 -- chapter 1: "the greatest wonder of the nineteenth century": 1896-1915 -- chapter 2: consolidation and growth: 1915 - 1919 -- chapter 3: the cinema boom: 1919-1929 -- chapter 4: depression and recovery -- epilogue -- appendices --
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Cinematic canines : Dogs and their work in the fiction film / Edited by Adrienne L. McLean New Brunswick, N.J.: Rutgers University Press, 2014.
Call No: 738.66 CINAuthor: McLean, Adrienne L. (ed.) Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2014PhysDes: x, 272 p. ; 24 cm ;Subject: DOGS IN MOTION PICTURES ; LASSIE COME HOME (US, Fred M. Willcox, 1943) ; BABE (AT, Chris Noonan, 1995) ; BABE: PIG IN THE CITY (AT, George Miller, 1998) ; THING, THE (US, John Carpenter, 1982) ; HITCHCOCK, ALFRED ; RED DOG (AT, Kriv Stenders, 2011) ; [EIGHT] 8 BELOW (US, Frank Marshall, 2006) ; SOUTH AFRICA ; ANTARCTICA Summary: Dogs have been part of motion pictures since the movies began. They have been featured onscreen in various capacities, from any number of “man’s best friends” (Rin Tin Tin, Asta, Toto, Lassie, Benji, Uggie, and many, many more) to the psychotic Cujo. The contributors to Cinematic Canines take a close look at Hollywood films and beyond in order to show that the popularity of dogs on the screen cannot be separated from their increasing presence in our lives over the past century.
The representation and visualization of dogs in cinema, as of other animals, has influenced our understanding of what dogs “should” do and be, for us and with us. Adrienne L. McLean expertly shepherds these original essays into a coherent look at “real” dogs in live-action narrative films, from the stars and featured players to the character and supporting actors to those pooches that assumed bit parts or performed as extras. Who were those dogs, how were they trained, what were they made to do, how did they participate as characters in a fictional universe? These are a just a few of the many questions that she and the outstanding group of scholars in this book have addressed.
Often dogs are anthropomorphized in movies in ways that enable them to reason, sympathize, understand and even talk; and our shaping of dogs into furry humans has had profound effects on the lives of dogs off the screen. Certain breeds of dog have risen in popularity following their appearance in commercial film, often to the detriment of the dogs themselves, who rarely correspond to their idealized screen versions. In essence, the contributors in Cinematic Canines help us think about and understand the meanings of the many canines that appear in the movies and, in turn, we want to know more about those dogs due in no small part to the power of the movies themselves. -- publisher's web siteISBN: 9780813563558Contents: Acknowledgments -- Introduction: Wonder Dogs / Adrienne L. McLean -- Answering a Growl: Roscoe Arbuckle’s Talented Canine Co-Star, Luke / Joanna E. Rapf -- The Dogs Who Saved Hollywood: Strongheart and Rin Tin Tin / Kathryn Fuller-Seeley and Jeremy Groskopf -- Asta the Screwball Dog: Hollywood’s Canine Sidekick / Sara Ross and James Castonguay -- Promoting Lassie: The Animal Star and Constructions of “Ideal” American Heroism / Kelly Wolf -- Dogs at War: Military Dogs in Film / Aaron Skabelund -- Loaded Dogs: Dogs, Domesticity, and “the Wild” in Australian Cinema / Jane O’Sullivan -- Bullies and Curs: Overlords and Underdogs in South African Cinema / Giuliana Lund -- Things from Another World: Dogs, Aliens, and Antarctic Cinema / Elizabeth Leane and Guinevere Narraway -- Hitchcock’s Canine Uncanny / Murray Pomerance -- The Dog at the Side of the Shot: Incongruous Dog (Canisfamiliaris) Behavior in Film / Alexandra Horowitz -- Afterword: Dogs at the Digital Divide / Adrienne L. McLean -- Works Cited -- Notes on Contributors -- Index
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Cinematic urbanism : a history of the modern from reel to real / Nezar Al Sayyad New York : London: Routledge, 2006.
Call No: 756.1-25 SAYAuthor: Sayyad, Nezar Al Source: UK/USPlace: New York : LondonPublisher: RoutledgePubDate: 2006PhysDes: xiii, 256 p. : ill. ; 25 cmSubject: MODERNISM AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ARCHITECTURE IN FILMS ; ART AND THE CINEMA ; CITIES IN FILMS ; HISTORY OF CINEMA ; POSTMODERNISM AND THE CINEMA ; THEORY ; ANNIE HALL (US, Woody Allen, 1977) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; BRAZIL (UK, Terry Gilliam, 1985) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997) ; FALLING DOWN (US, Joel Schumacher, 1993) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MANHATTAN (US, Wody Allan, 1979) ; METROPOLIS (GG, Fritz Lang, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PLAYTIME (FR, Jacques Tati, 1967) ; PLEASANTVILLE (US, Gary Ross, 1998) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SLIVER (US, Phillip Noyce, 1993) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy.
Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.Notes: Formerly CIP; Includes bibliographical references and indexISBN: 0415700493Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --
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Cinesonic : the world of sound in film / edited by Philip Brophy North Ryde, N.S.W.: Australian Film, Television & Radio School, 1999.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film, Television & Radio SchoolPubDate: 1999PhysDes: vii, 266 p. : ill. ; 21 cmSubject: SOUND ; COMPOSING ; SHORE, HOWARD ; COEN, JOEL & ETHAN ; SPEECH ; MUSIC, FILM ; ROBBE-GRILLET, ALAIN ; FASSBINDER, RAINER WERNER ; BURWELL, CARTER ; RABEN, PEER ; HISTORY OF CINEMA. SOUND PERIOD ; CAREFUL (CN, Guy Maddin, 1992) ; VOICES ; VOYEURISM AND THE CINEMA ; WELLES, ORSON ; WOMEN IN FILMS ; SYNCHRONIZATION Notes: Includes indexISBN: 187635108XLON: 20110282Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman
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The clapperboard book of the cinema / Leslie Halliwell and Graham Murray St Albans, UK: Hart Davis, MacGibbon, 1975.
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The Classic American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1977.
Call No: 753.4 CLAAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1977PhysDes: xii, 356 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; BOGDANOVICH, PETER ; EISENSTEIN, SERGEI M. ; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938) ; ALICE ADAMS (US, George Stevens, 1935) ; BABBITT (US, Harry Beaumont, 1924) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; CARRIE (US, William Wyler, 1952) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; DODSWORTH (US, William Wyler, 1936) ; FAREWELL TO ARMS, A (US, Frank Borzage, 1933) ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; GREED (US, Erich von Stroheim, 1925) ; HEIRESS, THE (US, William Wyler, 1949) ; HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940) ; I MARRIED A DOCTOR (US, Archie L. Mayo, 1936) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; MOBY DICK (UK, John Huston, 1956) ; PRINCE AND THE PAUPER, THE (US, William Keighley, 1937) ; RED BADGE OF COURAGE, THE (US, John Huston, 1951) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; SCARLET LETTER, THE (US, Victor Sjostrom, 1926) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) ; SUN ALSO RISES, THE (US, Henry King, 1957) ; VIRGINIAN, THE (US, Stuart Gilmore, 1946) ; VIRGINIAN, THE (US, Victor Fleming, 1929) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURBNotes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95LON: qum00211939; 12437055 857055
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Classical masculinity and the spectacular body on film : the mighty sons of Hercules / by Daniel O'Brien Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.
Call No: 451-01 OBRAuthor: O'Brien, Daniel Source: UK/USPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2014PhysDes: vii, 191 pages : illustrations ; 23 cmSubject: MASCULINITY IN FILMS ; MEN IN FILMS ; BODY IN FILMS ; HEROS IN FILMS ; MYTH AND THE CINEMA ; ACTION FILMS ; HISTORICAL FILMS ; JASON AND THE ARGONAUTS (UK/US, Don Chaffey, 1963) ; [THREE HUNDRED] 300 (US, Zach Snyder, 2006) ; CONAN THE BARBARIAN (US, John Milius, 1982) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: "The cinema has often showcased the muscular male body, most notably in genres invoking classical Greco-Roman culture, whether peplum, epic or sword-and-sorcery. This book reassesses the classically-inflected action film as a significant cinematic form, often marginalized in media studies, that transcends such reductive labels as camp or kitsch. The focus is on the depiction of heroic masculinity, often characterized as reactionary or fascist, yet far more varied and contradictory, especially in relation to femininity and non-whiteness. These diverse representations of masculinity offer a major contribution to debates on maleness within and beyond academia that has been largely unexplored. In particular, Hercules in his many incarnations is one of the most important mythopoetic figures, on a par with King Arthur, Robin Hood, Tarzan and James Bond, informing popular cultural interpretations of manliness and the exaggerated male form"-- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (pages 177-186) and indexISBN: 9781137384706Contents: -- Introduction -- Part I: men as men should be 1. Hercules Unchained ; 2. Hercules Reformed ; 3. Hercules Diminished ; 4. Hercules Rebooted ; 5. I'm Spartacus! -- Part II: taming the women with love or death -- 6. The Loves of Hercules ; 7. The Temptress from Beyond ; 8. Fight Like a Man -- Part III: this thing of darkness 9. White Man's Burden? ; 10. Doom's Children ; 11. This is Sparta! ; Coda -- Bibliography --Index --
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Classical tale directed by maestro in The Age (19/05/2016) p.30
Call No: TITLE CLIPPINGS FILE; HIGHLY STRUNG (AT, Scott Hicks, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: HIGHLY STRUNG (AT, Scott Hicks, 2015) Summary: Review of the documentary film HIGHLY STRUNGNotes: article in Sydney Morning Herald. Title: Maestro Hicks brings deft touch to strings doco. same date. page 20.Rating: 3.5 out of 5 stars
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Classics of the foreign film : a pictorial treasury / by Parker Tyler New York: Citadel Press, [1962].
Call No: 67(04) TYLAuthor: Tyler, Parker Edition: [1st ed.]Place: New YorkPublisher: Citadel PressPubDate: [1962]PhysDes: 253 p. : illus. ; 29 cmSubject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAPOLEON (FR, Abel Gance, 1927) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) ; MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958) ; DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931) ; M (G, Fritz Lang, 1931) ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]) ; MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933) ; KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; DYBUK (PL, Michal Waszynski, 1938) ; ALEX & EVE (AT, Peter Andrikidis, 2015) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VREDENS DAG (DK, Carl Th. Dreyer, 1943) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; FROKEN JULIE (SW, Alf Sjoberg, 1950) ; RASHOMON (JA, Akira Kurosawa, 1950) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; STRADA, LA (IT, Federico Fellini, 1954) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; PICKPOCKET (FR, Robert Bresson, 1959) ; LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; YOJIMBO (JA, Akira Kurosawa, 1961) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKETLON: 712285Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence
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Classics of the silent screen : a pictorial treasury New York: Citadel Press, [1960, c1959].
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Classics on screen : ancient Greece and Rome on film / Alastair J. L. Blanshard, Kim Shahabudin London: Bristol Classical Press, 2011.
Call No: 741.931 BLAAuthor: Blanshard, Alastair -- Shahabudin, Kim Source: UKPlace: LondonPublisher: Bristol Classical PressPubDate: 2011PhysDes: vii, 264 p. : ill. ; 24 cmSubject: EPIC FILMS ; HISTORY AND THE CINEMA ; HISTORY AND THE CINEMA. GREECE ; HISTORY AND THE CINEMA. ITALY ; HISTORICAL FILMS. USA ; HISTORICAL FILMS. GREECE ; HISTORICAL FILMS. ITALY ; CLEOPATRA (US, Cecil B. DeMille, 1934) ; QUO VADIS (US, Mervyn LeRoy, 1951) ; SPARTACUS (US, Stanley Kubrick, 1960) ; THREE HUNDRED [300] SPARTANS, THE (US, Rudolph Mate, 1962) ; JASON AND THE ARGONAUTS (UK/US, Don Chaffey, 1963) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; HERCULES (US, John Musker & Ron Clements, 1997) ; GLADIATOR (US, Ridley Scott, 2000) Summary: Publishers description: 'Through analysis of ten influential films, this book examines the representation of Greece and Rome in popular and art-house cinema. Arranged by cinematic genre and theme, this book offers an accessible introduction to the depiction of antiquity in cinema. Key scenes are discussed and each film is located in its historical contextISBN: 9780715637241Donation: donated by Senses of Cinema, 2013Contents: 1. Establishing the conventions: Cleopatra (1934) -- 2. The Roman epics of classical Hollywood: Quo Vadis (1951) -- 3. Peplum traditions: Hercules (1958) -- 4. Roman history on Screen: Spartacus (1960) -- 5. Greek history on screen: The 300 Spartans (1962) -- 6. Myth and the fantastic: Jason and the Argonauts (1963) -- 7. Art Cinema: Fellini-Satyricon (1969) -- 8. Satirising cine-antiquity: Monty Python's Life of Brian (1979) -- 9. The Disney version: Hercules (1997) -- 10. The return of the epic? Gladiator (2000)
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Clint Eastwood : sexual cowboy / Douglas Thompson London: Warner, 1993.
Call No: 81EAS THOAuthor: Thompson, Douglas Source: UKPlace: LondonPublisher: WarnerPubDate: 1993PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cmSubject: ACTORS. USA ; ACTORS AS DIRECTORS ; DIRECTORS. USA ; WARNER BROS. ; BOGART, HUMPHREY ; BURTON, RICHARD ; EASTWOOD, CLINT ; COOPER, GARY ; HOLDEN, WILLIAM ; LOCKE, SONDRA ; NEWMAN, PAUL ; REYNOLDS, BURT ; SIEGEL, DON ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIRD (US, Clint Eastwood, 1988) ; BREEZY (US, Clint Eastwood, 1973) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; CITY HEAT (US, Richard Benjamin, 1984) ; DIRTY HARRY (US, Don Siegel, 1971) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PINK CADILLAC (US Buddy van Horn, 1989) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.ISBN: 0751503878Donation: donated by the family of Wayne Levy, 2006
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Close-up : a critical perspective on film / [by] Marsha Kinder [and] Beverle Houston New York: Harcourt Brace Jovanovich, [1972].
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Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01(73) CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS. USA ; WATERS, ETHEL ; DUNNE, IRENE ; GRANT, CARY ; GAYNOR, JANET ; HEPBURN, KATHARINE ; DAVIS, BETTE ; CLIFT, MONTGOMERY ; CURTIS, TONY ; SELLERS, PETER ; Stewart, James ; Lombard, Carole ; MASON, JAMES ; BURTON, RICHARD ; LEWIS, JERRY ; POITIER, SIDNEY ; HACKMAN, GENE ; ROWLANDS, GENA ; NICHOLSON, JACK ; HOFFMAN, DUSTIN ; GOULD, ELLIOTT ; PACINO, AL ; GOLDBERG, WHOOPI ; BLANCHETT, CATE ; ISAAC, OSCAR ; STEWART, KRISTEN ; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014) ; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) ; BLUE JASMINE (US, Woody Allen, 2013) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DONNIE BRASCO (US, Mike Newell, 1997) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; RAIN MAN (US, Barry Levinson, 1988) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; GLORIA (US, John Cassavetes, 1980) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; LOLITA (US, Stanley Kubrick, 1962) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; VERTIGO (US, Alfred Hitchcock, 1958) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952) ; DANGEROUS (US, Alfred E. Green, 1935) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres.
Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.Notes: Includes bibliographical references and index.ISBN: 9781474417006Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success.
Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.ID2: 362
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journal article
Clubland in Empire (Australian Ed.) (December 2007) iss.81 p.119
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newspaper article
Code 106? Quick, let's all look the other way in Sunday Age (29/11/2015) p.36
Call No: TITLE CLIPPINGS FILE; HITTING HOME [TV](AT, 2015)Author: Crabb, Annabel PhysDes: Clippings File ArticleSubject: HITTING HOME [TV](AT, 2015) Summary: Reporter Annabel Crabb discusses her reaction to the TV documentary series HITTING HOME in relation to her career as a police rounds journalist
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Cold Days in Hungarofilm (1966) iss.4 p.3-33
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The collapse of the conventional : German film and its politics at the turn of the twenty-first century / edited by Jaimey Fisher and Brad Prager Detroit: Wayne State University Press, c2010.
Call No: 71(430):45:32 COLAuthor: Fisher, Jaimey (ed.) ; Prager, Brad (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2010PhysDes: vi, 431 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: POLITICAL FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; GERMANY ; AESTHETICS ; HISTORY AND THE CINEMA. GERMANY ; HISTORY OF CINEMA. GERMANY ; STALINGRAD (GG, Joseph Vilsmaier, 1992) ; DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE
UNTERGANG, DER ; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004) ; ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004) ; NO PLACE TO GO (GG, Oskar Rohler, 2000)
SEE
UNBERUHRBARE, DIE ; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000) ; LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE
LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) ; LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc SilbermanNotes: Includes bibliographical references and index; Includes filmographyISBN: 9780814333778Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --
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Color : the film reader / Angela Dalle Vacche (editor) New York, London: Routledge, 2006.
Call No: 633.22 COLAuthor: Dalle Vacche, Angela ; Brian Price Source: USPlace: New York, LondonPublisher: RoutledgePubDate: 2006PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cmSeries: In focus - Routledge film readersSubject: COLOUR ; AESTHETICS ; CINEMATOGRAPHY ; TECHNICOLOR ; BAZIN, ANDRE ; ARNHEIM, RUDOLF ; ROHMER, ERIC ; BATCHELOR, JOHN ; OSHIMA, NAGISA ; BRAKHAGE, JANE ; HITCHCOCK, ALFRED ; ANDERSON, PAUL THOMAS ; HOU HSIAO-HSIEN ; GODARD, JEAN-LUC ; ANTONIONI, MICHELANGELO ; JARMAN, DEREK ; MAMOULIAN, ROUBEN ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; GIGI (US, Vincente Minnelli, 1958) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; REBECCA (US, Alfred Hitchcock, 1940) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]Notes: Bibliography: (p [202]-205); Includes indexISBN: 0415324424; 9780415324427
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"COLUMBIA PICTURES: SEVENTY-FIFTH ANNIVERSARY" 25 January 1999.
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Combat films : American realism, 1945-1970 / by Steven Jay Rubin Jefferson, N.C.: McFarland, 1981.
Call No: 737 RUBAuthor: Rubin, Steven Jay, 1951 Place: Jefferson, N.C.Publisher: McFarlandPubDate: 1981PhysDes: xii, 233 p. : ill. ; 24 cmSubject: WAR FILMS ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; WALK IN THE SUN, A (US, Lewis Milestone, 1945) ; BATTLEGROUND (US, William A. Wellman, 1949) ; GREAT ESCAPE, THE (US, John Sturges, 1963) ; TWELVE O'CLOCK HIGH (US, Henry King, 1949) ; HELL IS FOR HEROES (US, Don Siegel, 1961) ; PATTON (US, Franklin J. Schaffner, 1970) Notes: Includes indexISBN: 0899500137; 0899500145 (pbk.) 0899500161 (pbk.)LON: 1739858
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The comedy of philosophy : sense and nonsense in early cinematic slapstick / Lisa Trahair Albany: State University of New York Press, 2007.
Call No: 630 TRAAuthor: Trahair, Lisa Source: USPlace: AlbanyPublisher: State University of New York PressPubDate: 2007PhysDes: xi, 264 p. : ill. ; 24 cmSeries: SUNY series, insinuations--philosophy, psychoanalysis, literatureSubject: COMEDIES ; HISTORY OF CINEMA. SILENT PERIOD ; PHILOSOPHY AND THE CINEMA ; BATAILLE, GEORGES ; FREUD, SIGMUND Summary: "The Comedy of Philosophy brings modern debates in continental philosophy to bear on the historical study of early cinematic comedy. Through the films of Mack Sennett, Buster Keaton, Charlie Chaplin, Harold Lloyd, and the Marx Brothers, Lisa Trahair investigates early cinema's exploration of sense and nonsense by utilizing the contributions to the philosophy of comedy made by Freud and Bataille and by examining significant poststructuralist interpretations of their work. Trahair explores the shift from the excessive physical slapstick of the Mack Sennett era to the so-called structural comedy of the 1920s, and also offers a new perspective on the importance of psychoanalysis for the study of film by focusing on the implications of Freud's theory of the unconscious for our understanding of visuality."--BOOK JACKET.ISBN: 9780791472477Donation: donated by Senses of Cinema, 2010Contents: 1. The Philosophy of Laughter: Bataille, Hegel, and Derrida -- 2. Restricted and General Economy: Narrative, Gag, and Slapstick in One Week -- 3. The Machine of Comedy: Gunning, Deleuze, and Buster Keaton -- 4. Fool's Gold: Metamorphoses in Sherlock Jr. -- 5. Jokes and Their Relation to ... -- 6. The Comic: Degradation and Refinement in 1920's Cinematic Slapstick -- 7. From Words to Images (Gagging) -- 8. Figural Vision: Freud, Lyotard, and City Lights -- 9. Preposterous Figurality: Comic Cinema and Bad Metaphor.
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Comic relief hits presidential sweet spot in The Age (07/12/2016) p.7
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Coming to terms with Hollywood / edited by Jim Cook and Alan Lovell London: British Film Institute, 1981.
Call No: 45:32(73) COMAuthor: Lovell, Alan ; Cook, Jim Place: LondonPublisher: British Film InstitutePubDate: 1981PhysDes: 83 p. : 30 cmSeries: BFI dossier ; no. 11Subject: POLITICS AND THE CINEMA. USA ; CENSORSHIP. USA ; ROTHA, PAUL ; KAZAN, ELIA ; LOSEY, JOSEPH ; DMYTRYK, EDWARD ; GARFIELD, JOHN ; HELLMAN, LILLIAN ; POLONSKY, ABRAHAM ; RAY, NICHOLAS ; WELLES, ORSON ; ODETS, CLIFFORD ; ROSSEN, ROBERT ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; CROSSFIRE (US, Edward Dmytryk, 1947) Notes: Includes bibliographical referencesLON: 2888114
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Comments on "Alfred Hitchcock's Easy Virtue: a descriptive shot list" in Hitchcock annual (1995-96) p.126-133
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The community of cinema : how cinema and spectacle transformed the American downtown / James Forsher Westport, CT: Praeger, 2003.
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A companion to Alfred Hitchcock / edited by Thomas Leitch and Leland Poague Chichester, U.K. ; Malden, MA: Wiley-Blackwell, 2011.
Call No: 81HIT COMSource: UKPlace: Chichester, U.K. ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2011PhysDes: xiv, 610 pages ; 25 cmSeries: Wiley Blackwell companions to film directorsSubject: THEORY ; DIRECTORS. UK ; HITCHCOCK, ALFRED Summary: "A Companion to Alfred Hitchcock is the most ambitious and comprehensive volume ever published on the Master of Suspense, considering the full range of his career--from his earliest contributions to other directors' silent films to his own uncompleted last effort. Thirty chapters by the world's leading Hitchcock experts cover well-established approaches and cutting-edge scholarship, and tackle the most puzzling and complex problems in Hitchcock's films and contemporary film studies. Placing Hitchcock and his works in their cultural and intellectual contexts, contributors to the volume explore the genres with which his work is most closely associated; his relationships with his performers and other leading collaborators; the verbal and visual style of his films; Hitchcock's rise to prominence as the quintessential Hollywood auteur; the ideological and ethical implications of his films; and the enduring legacy he left to filmmakers and audiences alike." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781118797006Contents: pt. I Background -- 1.Hitchcock's Lives / Thomas Leitch -- 2.Hitchcock's Literary Sources / Ken Mogg -- 3.Hitchcock and Early Filmmakers / Charles Barr -- 4.Hitchcock's Narrative Modernism: Ironies of Fictional Time / Thomas Hemmeter -- pt. II Genre -- 5.Hitchcock and Romance / Lesley Brill -- 6.Family Plots: Hitchcock and Melodrama / Richard R. Ness -- 7.Conceptual Suspense in Hitchcock's Films / Paula Marantz Cohen -- pt. III Collaboration -- 8."Tell Me the Story So Far": Hitchcock and His Writers / Leland Poague -- 9.Suspicion: Collusion and Resistance in the Work of Hitchcock's Female Collaborators / Tania Modleski -- 10.A Surface Collaboration: Hitchcock and Performance / Susan White -- pt. IV Style -- 11.Aesthetic Space in Hitchcock / Brigitte Peucker -- 12.Hitchcock and Music / Jack Sullivan -- 13.Some Hitchcockian Shots / Murray Pomerance -- pt. V Development -- 14.Hitchcock's Silent Cinema / Sidney Gottlieb --
Contents note continued: 15.Gaumont Hitchcock / Tom Ryall -- 16.Hitchcock Discovers America: The Selznick-Era Films / Ina Rae Hark -- 17.From Transatlantic to Warner Bros. / David Sterritt -- 18.Hitchcock, Metteur-en-scene: 1954-60 / Joe McElhaney -- 19.The Universal Hitchcock / William Rothman -- pt. VI Auteurism -- 20.French Hitchcock, 1945-55 / James M. Vest -- 21.Lost in Translation? Listening to the Hitchcock-Truffaut Interview / Janet Bergstrom -- 22.Robin Wood's Hitchcock / Harry Oldmeadow -- pt. VII Ideology -- 23.Accidental Heroes and Gifted Amateurs: Hitchcock and Ideology / Toby Miller -- 24.Hitchcock and Feminist Criticism: From Rebecca to Marnie / Florence Jacobowitz -- 25.Queer Hitchcock / Alexander Doty -- pt. VIII Ethics -- 26.Hitchcock and Philosophy / Richard Gilmore -- 27.Hitchcock's Ethics of Suspense: Psychoanalysis and the Devaluation of the Object / Todd McGowan --
Contents note continued: 28.Occasions of Sin: The Forgotten Cigarette Lighter and Other Moral Accidents in Hitchcock / George Toles -- pt. IX Beyond Hitchcock -- 29.Hitchcock and the Postmodern / Angelo Restivo -- 30.Hitchcock's Legacy / Richard Allen
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; ABORIGINAL AUSTRALIAN CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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Composite in Video Age (May 1985) vol.4 iss.5 p.27
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The Compound cinema : the film writings of Harry Alan Potamkin / selected, arranged and introduced by Lewis Jacobs New York: Teachers College Press, 1977.
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A concise history of the cinema / edited by Peter Cowie London New York: A. Zwemmer A. S. Barnes, [1971].
Call No: 70 COWAuthor: Cowie, Peter Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: [1971]PhysDes: 2 v. illus. 21 cmSubject: HISTORY OF CINEMA ISBN: 0498077152 (v. 1) (Barnes); 0498077160 (v. 2); 0302020640 (v. 2) (Zwemmer)LON: 534020 534020
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I Confess in Montage (March 1963) vol.2 iss.1 p.7-8
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Contemporary Australian cinema : an introduction / Jonathan Rayner Manchester: Manchester University Press, 2000.
Call No: 71(94) RAYAuthor: Rayner, Jonathan Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2000PhysDes: vi, 203 p. : ill. ; 23 cmSubject: AUSTRALIA ; FANTASTIC FILMS. AUSTRALIA ; HISTORICAL FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; ROAD MOVIES. AUSTRALIA ; SCHEPISI, FRED ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; GALLIPOLI (AT, Peter Weir, 1981) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; MAD MAX [...] (AT, 1979-85) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SIRENS (AT/UK, John Duigan, 1994) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; ODD ANGRY SHOT, THE (AT, Tom Jeffrey, 1979) Notes: Includes bibliographical references (p. [194]-199) and indexISBN: 0719053269 (hbk.); 0719053277 (pbk.); 0719053269LON: 22455173
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Contemporary Australian television / Stuart Cunningham and Toby Miller Sydney, NSW: UNSW Press, 1994.
Call No: 71(94) CUNAuthor: Cunningham, Stuart ; Miller, Toby Place: Sydney, NSWPublisher: UNSW PressPubDate: 1994PhysDes: viii, 184 p., [4] p. of plates : ill., ports. ; 22 cmSubject: HISTORY AND TV. AUSTRALIA ; HISTORY AND TV ; TELEVISION. AUSTRALIA ; POPULAR CULTURE AND TV ; POPULAR CULTURE AND TV. AUSTRALIA Summary: This book provides the first up-to-date introduction to the shape and style of Australian television in the 1980s, 1990s, and beyond. Traditional formats like news, current affairs, and sport as well as newer genres like tabloid and reality TV are treated in detail. The authors use their expertise in cultural and media studies to take apart the medium in terms of text, genre, audience, antion, culture, policy, industry, and postmodernity. -BlurbISBN: 0-86840-397-0Contents: Terms and debates--Text--Genre--Audience--Nation--Culture--Policy--Industry--Postmodernity--Continuing debates------Electronic forum--News--Current affairs--Mix and match genres--Four Corners and the truth--Trends in reading the genre------Spectacle of sport--Sport for sport's sake--Sport for TV's sake--Language of sports television------Hard copy, soft porn (by David Rowe)--Regulation of sexualised violence--Sex, violence and genre--Hard Copy: subject and structure--Regulating sexualised violence on television------OZ TV goes global--Television international--Cross-cultural textual and audience analysis--Middle range approach--Australian soaps in Britain------Tomorrow's television--Tele-visions of a nation in the 1990s--ABC in Asia--Software wars: Pay TV--Community TV and diversity.
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The contemporary cinema / by Penelope Houston Harmondsworth, Middlesex: Penguin, c1963.
Call No: 70 HOUAuthor: Houston, Penelope Place: Harmondsworth, MiddlesexPublisher: PenguinPubDate: c1963PhysDes: 222 p., (32] p. of plates : ill., ports. ; 18 cmSeries: Pelican book ; A636; A Pelican originalSubject: HISTORY OF CINEMA Notes: Includes bibliographical references (p. 207-209) and indexLON: 645878 2719843
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Contemporary Costume Film : space, place and the past / Julianne Pidduck London: bfi Publishing, 2004.
Call No: 741 PIDAuthor: Pidduck, Julianne Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 188 p. ; ill. ; 24 cmSubject: HISTORICAL FILMS Notes: filmography; bibliography; indexISBN: 1844570541
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Contemporary Spanish cinema / Barry Jordan and Rikki Morgan-Tamosunas Manchester: Manchester University Press, 1998.
Call No: 71(46) JORAuthor: Jordan, Barry, 1950 ; Morgan-Tamosunas, Rikki Place: ManchesterPublisher: Manchester University PressPubDate: 1998PhysDes: vi, 216 p. : ill. ; 24 cmSubject: SPAIN ; COMEDIES. SPAIN ; THRILLERS. SPAIN ; FANTASTIC FILMS. SPAIN ; SCIENCE-FICTION FILMS. SPAIN ; HORROR FILMS. SPAIN ; GENDER AND THE CINEMA ; WOMEN IN FILMS ; MEN IN FILMS ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; SPAIN: BASQUE COUNTRY ; HISTORY AND THE CINEMA. SPAIN ; ALMODOVAR, PEDRO ; BIGAS LUNA ; GARCI, JOSE LUIS ; MEDEM, JULIO ; MIRO, PILAR ; SAURA, CARLOS ; TRUEBA, FERNANDO ; COLMENA, LA (SP, Mario Camus, 1982) ; NADIE HABLARA DE NOSOTRAS CUANDO HAYAMOS MUERTO (SP, Agustin Diaz Yanes, 1995) Notes: Includes bibliographical references and indexISBN: 071904412X (hbk.); 0719044138 (pbk.)LON: abn98241412; 14031781
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Continued next week : a history of the moving picture serial / by Kalton C. Lahue Norman: University of Oklahoma Press, 1964.
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Conversations : volume 1 / Don Shay, designed by Michael Gross Albuquerque: Kaleidoscope Press, 1969.
Call No: 802.27(73) SHAAuthor: Shay, Don Source: USPlace: AlbuquerquePublisher: Kaleidoscope PressPubDate: 1969PhysDes: v. : illus., ports. ; 21 cmSubject: CRABBE, BUSTER ; FALK, PETER ; FONDA, HENRY ; HESTON, CHARLTON ; MALDEN, KARL ; PECK, GREGORY ; ROBINSON, EDWARD G. ; STEIGER, ROD Summary: Interviews with eight US film actors, including: Buster Crabbe, Peter Falk, Henry Fonda, Charlton Heston, Karl Malden, Gregory Peck, Edward G. Robinson, Rod SteigerLevy Notes: AFI R&I book not yet catalogued - AG 23/10/2017
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Conversations with film-makers : movie journal columns 1961-1975 / Jonas Mekas Leipzig: Spector Books, 2018.
Call No: 67-047.53 MEKAuthor: Mekas, Jonas Edition: 2018Place: LeipzigPublisher: Spector BooksPubDate: 2018PhysDes: 260 pages : illustrated ; 31 cmSubject: HILL, JEROME ; MARKOPOULOS, GREGORY ; KUCHAR, GEORGE ; KUCHAR, MIKE ; WARHOL, ANDY ; PAPATAKIS, NICO ; CHANT D`AMOUR, UN (FR, Jean Genet, 1950) ; VANDERBEEK, STAN ; MEAD, TAYLOR ; CLARKE, SHIRLEY ; MAYSLES, DAVID ; MAYSLES, ALBERT ; CONRAD, TONY ; MEKAS, JONAS ; KUBELKA, PETER ; JACOBS, KEN ; WHITNEY, JAMES ; DWOSKIN, STEPHEN ; VARDA, AGNES ; SONTAG, SUSAN ; DE ANTONIO, EMILE ; SMITH, HARRY ; CASSAVETES, JOHN ; MAKAVEJEV, DUSAN ; SNOW, MICHAEL Summary: Jonas Mekas, born in Lithuania, came to Brooklyn via Germany in 1949 and began shooting his first films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, from 1958 until 1977, he published his “Movie Journal” column in the Village Voice, conducting numerous interviews with filmmakers from all over the world. Conversations is the first time that these interviews with his filmmaker friends and associates have been put together in a book. Mekas recorded the conversations with his camera. From the films he shot with his interlocutors, Mekas selected one photo or still to introduce each interview. The collection of texts is supplemented by letters and extracts from related scenarios /scriptsand rounded out with an index of the people involved.
Jonas Mekas in conversation with Storm de Hirsch and Louis Brigante, Andy Warhol, Nico Papatakis, Albert and David Maysles, Peter Kubelka, Agnes Varda, Harry Smith, John Cassavetes, Stan Brakhage -- publisher's web siteISBN: 9783959050807
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Crafting truth : documentary form and meaning / by Louise Spence and Vinicius Navarro New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 761 SPEAuthor: Spence, Louise ; Navarro, Vinicius Source: US/UKPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: x, 281 p. : ill. ; 26 cmSubject: AESTHETICS ; AUTHORSHIP ; BIOGRAPHICAL FILMS ; CINEMATOGRAPHY ; COMMENTARY ; CONSTRUCTIVISM ; CONTINUITY ; CINEMA-DIRECT ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHNOGRAPHIC FILMS ; HISTORY AND THE CINEMA ; INTERVIEWING ; INTERVIEWS IN FILMS ; LIGHTING ; LOCATION SHOOTING ; MEMORY IN FILMS ; MUSIC IN FILMS ; NARRATIVE IN FILMS ; NON-FICTION FILMS ; PALESTINE ; PHOTOGRAPHY AND THE CINEMA ; REALISM IN FILMS ; SOUND ; SOUND EQUIPMENT ; THEORY ; TRUTH IN FILMS ; VOICE OVER ; WORLD WAR II AND THE CINEMA ; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992) ; GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974) ; FAR FROM POLAND (US, Jill Godmilow, 1984) ; HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; JOYCE AT 34 (US, Joyce Chopra, 1972) ; LESSONS OF DARKNESS (GG, Werner Herzog, 1992) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TIES THAT BIND, THE (US, Su Friedrich, 1984) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions?
Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURBISBN: 9780813549033Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority --
Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries --
Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --ID2: 90
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crawford ephemera general
[Crawfords. Graphic material]
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Creative nation : Australian cinema and cultural studies reader / edited by Amit Sarwal and Reema Sarwal New Delhi: Sports and Spiritual Science, 2009.
Call No: 71(94) CREAuthor: Sarwal, Amit ; Sarwal, Reema Source: INPlace: New DelhiPublisher: Sports and Spiritual SciencePubDate: 2009PhysDes: xlix, 600 p. ; 22 cm.Series: Cinema, literature & culture series (SSS Publications)Subject: HISTORY AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS AND THE CINEMA Summary: "Creative Nation is the first Reader on Australian Cinema and Cultural Studies published in India that introduces Australian films (historical, contemporary, art house, short, digital and documentary) as well as cultural texts (pop and hip hop, popular theatre, film music, Aboriginal songs and music, mass art, queer and photographic culture) for an international scholarship in order to broaden Australian studies in nations that have recently begun to explore this field, especially in Asia.
The chapters presented in this Reader analyse dynamic subject matter such as family, moral values, cultural hybridity, Asian-Australian dialogues, gender and racial stereotypes, the representation of Australianness, Indigenous Australia, national symbols, mythology, and the representation of outback, suburban and metropolitan spaces in Australian cinema and culture in the broad context of globalization and international co-production." --Book jacket.Notes: Includes filmography and musicography.
Includes bibliographical references (p. [516]-567)ISBN: 819022820XContents: Acknowledgements -- Preface -- Foreword: Australia on the silver screen by John Ramsland -- Introduction: creative nation approaching Australian Cinema and Cultural Studies by Amit Sarwal and Reema Sarwal -- Cinema Studies: Frameworks and Forms: 1: Mapping Film studies in Australia: institutions, personnel and critical positions by Noel King, Constantine Verevis, and Deane Williams -- 2: Settings, subjects and stories: creating Australian cinema by Ben Goldsmith -- 3: Dynamic communcities: contemporary Australian movies: Robert S. Watson -- 4: Unlike mainstream: toward a definition of the Australian Art film by D. Bruno Starrs -- 5: A form of cultural expression: Documentary film in the "Creative nation": by Peter Hughes -- 6: Poetry in motion: the short film form in Australia: by Lisa French -- 7: Possibilities and pitfalls: low-budget digital cinema in Australia by Adrian Martin -- Analysing Genres -- 8: Film and National mythology: the Anzac legend in Australian films: by Daniel Yeynaud -- 9: Shot in Australia, written just about everywhere: Australian science fiction and fantasy films and TV series by Sean McMullen -- 10: White stories/Black magic: Australian horror films of the Aboriginal : by Alan McKee -- 11: Larriken Ockers and decent blokes: the national type in Australian film comedy: by Felicity Collins -- 12: A strange time machine: the Tracker, Black and White, and Rabbit-Proof Fence. By Jane Lydon. -- Theoretical Positions -- 13: The murderous state: the naturalisation of violence and exclusions in the films of neoliberal Australia by Jon Stratton -- 14: In search of the new man: masculinity in recent Australian Film and television: by Warwick Mules -- 15: Asian-Australian Cinema, Asian Australian Modernity: by Audrey Yue -- 16: Theorising the hybridity of "Australianness" in Australian Cinema: by Rama Venkatasawmy -- 17: Reception, Convention, expectation and transformation: representations of Aborigines in Australian texts: by Vijay Mishra -- Cultural Studies -- 18: .....................................
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Creativity, culture, commerce : producing Australian childen's televison with public value / Anna Potter Bristol ; Chicago: Intellect, 2015.
Call No: 722-053.2(94) POTAuthor: Potter, Anna Edition: 2015Place: Bristol ; ChicagoPublisher: IntellectPubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: CHILDREN, PROGRAMMES FOR. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012) ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; BRITISH BROADCASTING CORPORATION ; IRWIN, BINDI ; DANCE ACADEMY [TV] (AT, 2010) ; DISNEY CHANNEL ; GURLS WURLD, A [TV](AT/G/SI, 2011) ; H [TWO OH] 2O [TV] (AT, 2006-) ; HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007) ; MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ) ; MY PLACE [TV] (AT, Kim Daiton, 2009) ; SCREEN AUSTRALIA Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web siteISBN: 9781783204410Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index
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Crime wave : the filmgoers' guide to the great crime movies / written by Howard Hughes London: I.B.Taurus, 2006.
Call No: 734 HUGAuthor: Hughes, Howard Edition: 1st ed.Source: UKPlace: LondonPublisher: I.B.TaurusPubDate: 2006PhysDes: xxviii, 236 p. : ill., ports. ; 25 cmSubject: GANGSTER FILMS ; DETECTIVE FILMS ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; WHITE HEAT (US, Raoul Walsh, 1949) ; ASPHALT JUNGLE, THE (US, John Huston, 1950) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; BIG COMBO, THE (US, Joseph H. Lewis, 1955) ; POINT BLANK (US, John Boorman, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969) ; GET CARTER (UK, Mike Hodges, 1971) ; SHAFT (US, Gordon Parks Jr., 1971) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; CHINATOWN (US, Roman Polanski, 1974) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; LETHAL WEAPON (US, Richard Donner, 1987) ; GOODFELLAS (US, Martin Scorsese, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; OCEAN'S ELEVEN (US, Steven Soderbergh, 2001) Summary: "Crime movies inhabit dark and desperate worlds, yet they account for many of Hollywood's most triumphant successes. In full acknowledgement of this achievement, Crime Wave offers an authoritative and informative, stimulating and entertaining guide to the crime movie phenomenon, from its early days to the present, charting its history and celebrating the people who have given it a special and enduring place in cinema goers' affections. Chapters focus on landmark Hollywood films - from 1931's The Public Enemy, through The Maltese Falcon, Point Blank, Dirty Harry, The Godfather trilogy and Goodfellas, to LA Confidential and Oceans 11 - telling their stories and on the way discussing many more crime movies, both major and lesser known." "Crime Wave represents and investigates gangster and heist movies, blaxploitation and noir, murder mysteries, vehicles for vigilante or buddy cops, even a gangster love story. It features biographies and filmographies detailing the key participants and background details of the film's making, locations and sets. It also explores each film's sources and influences, its impact on the crime genre and current fashion, including spin-offs, copies and sequels. It examines the films' themes, style and box office fortunes."--BOOK JACKET.Notes: Includes bibliographical references (p. 221-224) and index; Includes bibliographical references (p. 221-224) and index; Filmography: p. 213-220ISBN: 9781845112196Donation: Donated by Senses Of Cinema, 2009
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Critical business : the new Australian cinema in review / Sandra Hall Adelaide: Rigby, 1985.
Call No: 71(94) HALAuthor: Hall, Sandra, 1942 Place: AdelaidePublisher: RigbyPubDate: 1985PhysDes: 200 p. : ill., ports. ; 22 cmSubject: AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; GENRES ; GENRES. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; ROAD MOVIES ; ROAD MOVIES. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; CLUB, THE (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; STORM BOY (AT, Henri Safran, 1976) ; PHAR LAP (AT, Simon Wincer, 1983) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; RAZORBACK (AT, Russell Mulcahy, 1984) ISBN: 0727020102 : $16.95 AustLON: anb72702010; 3401972
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A critical cinema 5 : interviews with independent filmmakers / Scott MacDonald Berkeley and Los Angeles, California: University of California Press, 2006.
Call No: 802.25 MACAuthor: MacDonald, Scott Source: USPlace: Berkeley and Los Angeles, CaliforniaPublisher: University of California PressPubDate: 2006PhysDes: 451 pages : illustrations ; 23 cmSubject: INDEPENDENT FILMMAKERS ; INDEPENDENT FILMS ; ANGER, KENNETH ; CONRAD, TONY ; DORSKY, NATHANIEL ; HILER, JEROME ; AHWESH, PEGGY ; BERLINER, ALAN ; MOSS, ROBB ; SOLOMAN, PHIL ; BENNING, JAMES ; LEIGHTON PIERCE ; MULLER, MATTHIAS ; LOCKHART, SHARON ; REEVES, JENNIFER TODD ; KANO, SHIHO ; GEHR, ERNIE Summary: "MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media. "ISBN: 0520245954Contents: Kenneth Anger -- Tony Conrad -- Nathaniel Dorsky (and Jerome Hiler) -- Peggy Ahwesh -- Alan Berliner -- Robb Moss -- Phil Solomon -- James Benning -- J. Leighton Pierce -- Matthias Mu¨ller -- Sharon Lockhart -- Jennifer Todd Reeves -- Shiho Kano -- Ernie Gehr
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The Critics and the Movies in Montage (1967) iss.1 p.22
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Crocodile Dundee 1 and 2, 20th Anniversary in Empire (Australian Ed.) (December 2006) iss.69 p.122
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[Crocodile Dundee : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w 19 x 26 cm - 17 x 22 cm ; 1 negative : col ; 8 x 6 cmSubject: HOGAN, PAUL ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) Summary: 1 colour negative of Paul Hogan as Crocodile Dundee; 1 black and white photograph of 2 Yellow Pages (event sponsor) women posing at the premiere of Crocodile Dundee in Wollongong; 1 black and white image of Mick Dundee standing on a roadsign in the busy streets of NewYorkNotes: One image donated by Brian MacFarlane
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Cullen landis in "heroes of the night" - 1927. in Classic Images (Nov 1983) iss.101 p.34-36
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Cultural Borrowings : appropriation, reworking, transformation / edited by Iain Robert Smith United Kingdom: Institute of Film & TV Studies, University of Nottingham, 2009.
Call No: 408 CULAuthor: Smith, Iain Robert (ed) Source: UKPlace: United KingdomPublisher: Institute of Film & TV Studies, University of NottinghamPubDate: 2009PhysDes: 224 p. ; 30cmSeries: A Scope e-bookSubject: CRITICISM ; CULTURE AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; BLAIR WITCH PROJECT, THE (US, Daniel Myrick & Eduardo Sanchez, 1999) Summary: "Scope is a fully peer-reviewed online journal edited by staff and students in the Institute of Film & Television Studies at the University of Nottingham. It is published three times a year, in February, June and October. Established in 1999, the journal changed to its current format after five years of continuous publication. All issues dated between May 1999 and November 2004 are now available in our Archive. The first issue of the new series appeared in February 2005.
As our title suggests, Scope provides a forum for discussion of all aspects of film history, theory and criticism. Given contemporary film studies' varied concerns, it is our belief that we can best serve our readers interests by promoting as wide a range of approaches and critical methodologies as possible.
Scope is dedicated to publishing material of the highest scholarly interest, and to this end we have assembled a distinguished Editorial Advisory Board of academics and critics. We welcome contributions from established writers engaging with cutting-edge debates in film, media and cultural studies. However, we are also keen to act as a supportive environment within which those new to the field of film studies may publish their first work. "
-- Scope Website - http://www.scope.nottingham.ac.uk/Notes: Biography of contributors is included (pages 'i-iii'); This resource (an e-book) has been downloaded from http://www.scope.nottingham.ac.uk/ and printed offISBN: 9780956464101Contents: -- notes on contributors -- acknowledgements -- foreword: Scope's Tenth Anniversary / Mark Gallagher and Julian Stringer -- introduction / Iain Robert Smith -- Part 1: Hollywood cinema and artistic imitiation -- exploitation as adaptation / I. Q Hunter -- The character-orientated franchise: promotion and exploitation of pre-sold characters in American film, 1913-2007 / Jason Scott -- Novelty through repetition: exploring the success of artistic imitiation in the contemporary film industry, 1983-2007 / Stijn Joye -- Part II: found footage and remix culture -- A taxonomy of digital video remixing: contemporary found footage practice on the internet / Eli Horwatt -- Ethical possession: borrowing from the archives / Emma Cocker -- Music videos and reused footage / Sergio Dias Branco -- Part III: Modes of parody and pastiche -- from cult to subculture: Re imaginings of Cult films in the alternative music video / Brigid Cherry -- Queering the cult of Carrie: Appropriations of a horror icon in Charles Lum's Indeliable / Darren Elliott -- irony inc. : parodic-doc horror and The Blair Witch Project / Jordan Lavender-Smith -- Part IV: transnational screen cultures -- a Marxist's gotta do what a Marxist's gotta do: political violence on the Italian frontier / Austin Fisher -- "Tom Cruise? Tarantino? E.T.? ...Indian!" : innovation through imitiation in the cross-cultural Bollywood remake / Neelam Sidhar Wright -- "La television des professeurs?": Charles Dickens, French public service television and Oliver Twist / Pamela Atzori --
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A cultural history of the bushranger legend in theatres and cinemas, 1828-2017 / Andrew James Couzens London ; New York: Anthem Press, 2019.
Call No: 408.1(94) COUAuthor: Couzens, Andrew James Edition: 2019Place: London ; New YorkPublisher: Anthem PressPubDate: 2019PhysDes: ix, 246 pages : illustrated ; 24 cmSeries: Anthem studies in Australian literature and cultureSubject: NED KELLY IN FILMS ; BUSHRANGERS IN FILMS ; HISTORY OF CINEMA. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; GLENROWAN AFFAIR, THE (AT, Rupert Kathner, 1951) ; NED KELLY (UK, Tony Richardson, 1970) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; RECKLESS KELLY (US, Yahoo Serious [pseud. of Greg Praed], 1993) ; NED (AT, Abe Forsythe, 2003) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; LUCKY MILES (AT, Michael James Rowland, 2007) Summary: The bushranger legend is an important component of Australia’s cultural history, with names like Ned Kelly and Ben Hall still provoking strong, if ambivalent, responses. Storytellers mobilize this legend in unique and exciting ways that reflect upon both the cultural and actual history of bushrangers, as well as speaking to contemporary concerns and driving debate on the national character. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions.
‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a comprehensive cultural history of representations of bushrangers in cinema and colonial theatre. Beginning with the bushranger legend’s establishment, it explores the formative years of the representational tradition, identifying the origins of characteristics and the social and industrial mechanisms through which they passed from history to popular theatre. Tracing the legend’s development, the book interrogates the promotion of these characteristics from a contested popular history to an officially sanctioned national outlook in the cinema. Finally, it analyzes the contemporary fragmentation of the bushranger legend, attending to the dissatisfactions and challenges that arose in response to political and social debates galvanized by the 1988 bicentenary.
The cultural history recounted in ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ provides not only an into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production. Bushrangers have had a heightened though unstable significance in Australia due to the nation’s diverse population and historical insecurities and conflicts over colonial identity, land rights and settlement. Community often defined the bushrangers in their stage and screen appearances, and the challenges that these marginalized communities faced were absorbed into the political and social mainstream. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is an insight into the process through which the bushranger legend earned its cultural resonance in Australia. -- publisher's web siteISBN: 9781783088911Contents: List of Figures -- Acknowledgements -- Introduction: Defining the Bushranger Legend -- Part 1: Establishing the Legend; 1. The First Bushranger Melodrama; 2. Alfred Dampier and the Nationalistic Melodrama; 3. Wild West Shows and Wild Australia; 4. Hippodramas and Edward Irham Cole -- Part 2: Developing the Legend; 5. The Bushranger Genre from Stage to Screen; 6. The Bushranger Ban; 7. British and American Interventions in the Bushranger Legend; 8. Radical Nationalism and the Bushranger Legend -- Part 3: Fragmenting the Legend; 9. Historical Revisionism and the Bushranger Legend; 10. Diversification and Inclusiveness of the Bushranger Legend; 11. Globalization of the Bushranger Legend in Outlaw Road Movies -- Conclusion --Bibliography -- Index
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Czechoslovak cinema / complied and edited by Milada Habova and Jitka Vysekalova Prague: Ceskoslovensky Filmovy Ustav, 1982.
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Dance hall & picture palace : Sydney's romance with modernity / Jill Julius Matthews Sydney: Currency Press, 2005.
Call No: 408.1(94) MATAuthor: Matthews, Jill Julius Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2005PhysDes: x, 342 p. : ill. ; 23 cmSubject: CULTURE AND THE CINEMA. AUSTRALIA ; SOCIETY AND THE CINEMA. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA Summary: This bookpaints Sydney between the depressions of the 1890s and the 1930s as a prosperous city riding an international wave of modernism. In the pub, parlour and pulpit, people clashed over the significance of moving pictures, jazz, new dance crazes, the radio, gramophone records and cheap magazines. [Taken from back cover.]ISBN: 0868197556
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The dark side of genius : the life of Alfred Hitchcock / Donald Spoto London: Collins, 1983.
Call No: 81HIT SPOAuthor: Spoto, Donald Place: LondonPublisher: CollinsPubDate: 1983PhysDes: xiv, 594 p. : ports ; 24 cmSubject: HITCHCOCK, ALFRED Summary: Biography on Alfred Hitchcock.Notes: Includes index; Bibliography: p. [265]-268ISBN: 0002163527 : ª10.95LON: bnb00216352; 2341225
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The dark side of the screen : film noir / Foster Hirsch San Diego London: A. S. Barnes Tantivy Press, 1981.
Call No: 734 HIRAuthor: Hirsch, Foster Edition: 1st edPlace: San Diego LondonPublisher: A. S. Barnes Tantivy PressPubDate: 1981PhysDes: 229 p. : ill. ; 29 cmSubject: FILM NOIR ; BAD GUYS ; EXPRESSIONISM ; WOMEN IN FILMS ; BOGART, HUMPHREY ; CHANDLER, RAYMOND ; DASSIN, JULES ; HITCHCOCK, ALFRED ; LANG, FRITZ ; HAMMETT, DASHIELL ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; SORRY, WRONG NUMBER (US, Anatole Litvak, 1948) ; BIG CLOCK, THE (US, John Farrow, 1947) ; BIG HEAT, THE (US, Fritz Lang, 1953) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KILLERS, THE (US, Robert Siodmak, 1946) ; MALTESE FALCON, THE (US, John Huston, 1941) ; NIGHT AND THE CITY (US, Jules Dassin, 1950) ; PROWLER, THE (US, Joseph Losey, 1950) ; EDGE OF DOOM (US, Mark Robson, 1950) ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; BIG COMBO, THE (US, Joseph H. Lewis, 1955) Notes: Includes index; Bibliography: p. 211-212; Filmography: p. 213-220ISBN: 049802234XLON: 80028955; 1868575
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[Dating the enemy : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 17 photographs : b&w ; 20 x 25 cm - 30 x 21 cmSubject: PEARCE, GUY ; KARVAN, CLAUDIA ; ANU, CHRISTINE ; GRANDISON, PIPPA ; HOWARD, JOHN ; HENSLEY, LISA ; DAY, MATT ; LOWE, SCOTT ; SIMPSON-HUBERMAN, MEGAN ; DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996) Summary: Seventeen black and white photographs relating to the film Dating the enemyNotes: Contains some duplicates (photocopies of original photographs)
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David Lean and his films / by Alain Silver and James Ursini, foreword by Robert Wise Los Angeles: Silman-James Press, 1992.
Call No: 81LEA SILAuthor: Silver, Alain ; Ursini, James ; Wise, Robert (foreword) Edition: 1st Silman-James Press edition 1992Source: USPlace: Los AngelesPublisher: Silman-James PressPubDate: 1992PhysDes: 294 p. : ill. ; 23 cmSubject: Lean, David ; IN WHICH WE SERVE (UK, David Lean and Noel Coward, 1942) ; THIS HAPPY BREED (UK, David Lean, 1944) ; BLITHE SPIRIT (UK, David Lean, 1945) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; OLIVER TWIST (UK, David Lean, 1948) ; MADELEINE (UK, David Lean, 1950) ; BREAKING THE SOUND BARRIER (UK, David Lean, 1952) ; SOUND BARRIER, THE (UK, David Lean, 1952) ; HOBSON'S CHOICE (UK, David Lean, 1954) ; PASSIONATE FRIENDS, THE (UK, David Lean, 1949) ; SUMMER MADNESS (UK/US, David Lean, 1955) ; SUMMERTIME (UK/US, David Lean, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; [DOCTOR] DR ZHIVAGO (US, David Lean, 1965) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; PASSAGE TO INDIA, A (US/UK, David Lean, 1984) Summary: "Updated and extensively revised, this first American edition of David Lean and His Films offers the reader an in-depth analysis, discussion, and critique of Lean's directorial output. In their film-by-film accounting of his work, authors Silver and Ursini uncover the themes and concerns that have been sustained throughout Lean's career." -- BOOK BLURBNotes: Includes bibliographical references (p. [275]-285) and index; Filmography: p. [241]-266ISBN: 1879505002Contents: -- acknowledgements -- foreword -- introduction -- 1: the early films: in which we serve (1942); this happy breed (1944); blithe spirit (1945) -- 2: brief encounter (1945) -- 3: the Dickens adaptations: great expectations (1946) and oliver twist (1948) -- 4: madeleine (1950) -- 5: the sound barrier (1952) -- 6: hobson's choice (1954) -- 7: the passionate friends (1949) and summer madness (1955) -- 8: the bridge on the river kwai (1957) -- 9: lawrence of arabia (1962) -- 10: doctor zhivago (1965) -- 11: ryan's daughter (1970) -- 12: a passage to india (1984) -- a personal afterword -- biography -- filmography -- footnotes -- selected bibliography -- index --
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David Lean's "Forgotten" classic in Video Age (March 1986) vol.5 iss.3 p.18
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The dawn of cinema : 1894-1915 / devised, researched and written by Barrett Hodsdon Sydney: Museum of Contemporary Art, 1996.
Call No: 70"01" HODCopy Management: Copy 1; Copy 2Author: Hodsdon, J. Barrett (John Barrett) CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: SydneyPublisher: Museum of Contemporary ArtPubDate: 1996PhysDes: 140 p. : ill. ; 22 cmSubject: HISTORY OF CINEMA. SILENT PERIOD Notes: Exhibition held at the Museum of Contemporary Art, Sydney from 2 April-4 June 1996; Bibliography: p. 140ISBN: 1875632468LON: 12128781
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Days of thrills and adventure / by Alan G. Barbour London: Collier Books, 1970.
Call No: 725.33 BARAuthor: Barbour, Alan G. Source: UKPlace: LondonPublisher: Collier BooksPubDate: 1970PhysDes: xxii, 168 p. : illus ; 28 cmSubject: HISTORY OF CINEMA ; SERIALS ; COMIC STRIPS Summary: An affectionate pictorial history of the movie serial...from the haydays of the '30s & '40s to the final curtain call in the mid '50s...from Ace Drummond to Zorro.ISBN: LCCN 79-120345
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Deleuze : A guide for the perplexed / Claire Colebrook London: Continuum, 2006.
Call No: 620 DEL COLAuthor: Colebrook, Claire Source: UKPlace: LondonPublisher: ContinuumPubDate: 2006PhysDes: ix, 178 pages ; 23 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; HISTORY OF CINEMA ; DELEUZE, GILLES Summary: "Gilles Deleuze is undoubtedly one of the seminal figures in modern Continental thought. However, his philosophy makes considerable demands on the student; his major works make for challenging reading and require engagement with some difficult concepts and complex systems of thought. 'Deleuze: A Guide for the Perplexed' is the ideal text for anyone who needs to get to grips with Deleuzian thought, offering a thorough yet approachable account of the central themes in his work. The text is organised around major themes in Deleuze's oeuvre: sense; univocity; intuition; singularity; difference. His ideas related to language, politics, ethics and consciousness are explored in detail and clarified. The book also locates Deleuze in the context of his philosophical influences and antecedents and highlights the implications of his ideas for a range of disciplines from politics to film theory. Throughout, close attention is paid to Deleuze's most influential publications, including the landmark texts, 'The Logic of Sense' and 'Difference and Repetition'." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 0826478301Language: EnglishDonation: Adrian MilesContents: 1 Cinema, thought and time -- Deleuze's cinema books -- Technology -- Essences -- Space and time -- Bergson, time, and life -- 2 The movement-image -- The history of time and space and the history of cinema -- movement-image and semiotics -- styles of sign -- whole of movement -- Image and life -- Becoming-inhuman, becoming imperceptible -- The deduction of the movement-image -- 3 Art and time -- Destruction of the sensory motor apparatus and the spiritual automaton -- Time and money -- 4 Art and history -- Monument -- Framing, territorialization, and the plane of composition -- 5 Politics and the origin of meaning -- Transcending life and the genesis of sense -- Beyond symbolic and imaginary -- Shit and money -- Exchange, gift, and theft -- The fiction of mind -- Collective investment and group fantasy -- The time of man -- The intense germinal influx --
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Delusions and dreams in Hitchcock's Vertigo in Hitchcock annual (1993) p.28-40
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Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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The diabolic imagination : Hitchcock, Bakhtin, and the carnivalization of cinema in Hitchcock annual (1992) p.39-67
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A different kind of cinema : the silent years / Bruce Hodson [Canberra]: National Library of Australia, Australian Council of Film Societies, June 1995.
Call No: 71(94) HODAuthor: Hodsdon, Bruce Place: [Canberra]Publisher: National Library of Australia; Australian Council of Film SocietiesPubDate: June 1995PhysDes: 24 p. : illus. ; 30 cmSubject: HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. SILENT PERIOD ; CORRICK FAMILY ; BIOGRAPH ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; BEN HUR (US, Fred Niblo, 1925) ; CAMERAMAN, THE (US, Edward Sedgwick, 1928) ; WIND, THE (US, Victor Sjostrom, 1928) Notes: Looseleaf sheets in A4 folioISBN: 0642106487
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Dimboola : a wedding reception play / Jack Hibberd Harmondsworth, England: Penguin Books, 1979.
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A discovery of cinema London New York: Oxford University Press, 1971.
Call No: 70 DICAuthor: Dickinson, Thorold Place: London New YorkPublisher: Oxford University PressPubDate: 1971PhysDes: [11], 164 p. illus., ports. 21 cmSubject: HISTORY OF CINEMA Notes: Bibliography: p. 154-155ISBN: 0192114395LON: 113359
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A discussion with Werner Herzog Melbourne, Vic.: 1983.
Call No: 81HER AUSCorpAuthor: Australian Film InstituteSource: ATPlace: Melbourne, Vic.PubDate: 1983PhysDes: 36 p. ; 28 cmSubject: FILMMAKING ; AUTHORSHIP ; LOCATION SHOOTING ; PRODUCTION ; CRITICISM, TV. ; HERZOG, WERNER ; ISLAND (AT, Paul Cox, 1989) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; KASPAR HAUSER (GE, Peter Sehr, 1993) Summary: Transcript of a discussion with Werner herzog at the AFI Longford Cinema, Melbourne.Language: English
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Do contemporary women filmmakers share a feminist perspective in their work? / submitted by Lisa French 1995.
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The documentary film book / edited by Brian Winston London: Palgrave Macmillan, 2013.
Call No: 761 DOCAuthor: Winston, Brian CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: Palgrave MacmillanPubDate: 2013PhysDes: 416 pages ; 25 cmSubject: AFRICA ; ART CINEMA ; ANTHROPOLOGY AND THE CINEMA ; BRAZIL ; CINEMA-DIRECT ; CINEMA VERITE ; DOCUMENTARIES ; DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; ETHICS AND THE CINEMA ; ETHNOGRAPHIC FILMS ; HISTORY ON TV ; HOMOSEXUALITY AND THE CINEMA ; ISRAEL ; INTERNET AND THE CINEMA ; LATIN AMERICAN COUNTRIES ; PALESTINE ; POLITICAL FILMS ; RACIAL ISSUES AND THE CINEMA ; REVOLUTIONARY THEMES IN FILMS ; MOVEMENTS IN FILM HISTORY ; REALITY TV ; GRIERSON, JOHN ; MOORE, MICHAEL ; VERTOV, DZIGA ; AFRICA RISING (US, Paula Heredia, 2009) ; AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) Summary: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film.
In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies. -- BOOK BLURBISBN: 9781844573417Contents: Acknowledgments -- Notes on Contributors -- Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary --; PART I: DOCUMENTARY VALUES -- The Question of Evidence, the Power of Rhetoric and Documentary Film: Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence: Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject: Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore: Douglas Kellner -- CGI and the End of Photography as Evidence: Taylor Downing -- Drawn From Life: The Animated Documentary: Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form: Derek Paget -- Ambiguous Audiences: Annette Hill -- Life As Narrativised: Brian Winston -- The Dance of Documentary Ethics: Pratap Rughani -- Deaths, Transfigurations and the Future: John Corner --; PART II: DOCUMENTARY PARADIGMS -- Problems in Historiography: The Documentary Tradition Before Nanook of the North: Charles Musser -- John Grierson and the Documentary Film Movement: Ian Aitken -- Challenges For Change: Canada's National Film Board: Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand: Deane Williams -- New Deal Documentary and the North Atlantic Welfare State: Zoe Druick and Jonathan Kahana -- The Triumph of Observationalism: Direct Cinema in the USA: Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov: Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s–50s: Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition: Elena Von Kassel Siambani -- Cinéma Vérité: Vertov Revisited: Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions: Craig Hight --; PART III: DOCUMENTARY HORIZONS -- Eastwards: Abe Mark Nornes -- Africa N.: Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil: Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada: Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday – Poetic Vérité in the Eastern European Tradition; Susanna Helke --; PART IV: DOCUMENTARY VOICES -- First-Person Political: Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them: Julia Lesage -- Pioneers of Black Documentary Film: Pearl Bowser -- LGTBs' Documentary Identity: Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment: Richard Kilborn -- Reality TV: A Sign of the Times?: Anita Biressi and Heather Nunn --; PART V: DOCUMENTARY DISCIPLINES -- Anthropology: The Evolution of Ethnographic Film: Paul Henley -- Science, Society and Documentary: Tim Boon -- History Documentaries for Television: Ann Gray -- Music, Documentary, Music Documentary: Michael Chanan -- Art, Documentary as Art; Michael Renov --; PART VI: DOCUMENTARY FUTURES -- Documentary as Open Space: Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online: John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto': Peter Wintonick --; Afterword: The Unchanging Question: Brian Winston -- Index
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The Documentary film in Australia / edited by Ross Lansell and Peter Beilby North Melbourne: Cinema Papers in association with Film Victoria, c1982.
Call No: 761(94) DOCCopy Management: Copy 1; Copy 2Author: Beilby, Peter ; Lansell, Ross CorpAuthor: Film VictoriaPlace: North MelbournePublisher: Cinema Papers in association with Film VictoriaPubDate: c1982PhysDes: 205 p. : ill., ports. ; 27 cmSubject: DOCUMENTARY FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; FILMMAKING. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; INDUSTRY, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; PRODUCTION ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA ; BAKER, SUZANNE ; EDWARDS, JOHN ; MCMAHON, TERENCE ; BRADBURY, DAVID ; NOONAN, CHRIS ; HURLEY, FRANK ; GRIERSON, JOHN Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.Notes: Includes indexISBN: 0959564721 : $12.95 AustLON: 2380995Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden
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Documentary maker put real Australia on the world screen in Daily Telegraph (14/09/20016) p.47
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The documentary tradition / selected arranged, and introduced by Lewis Jacobs New York: W. W. Norton, c1979.
Call No: 761 JACAuthor: Jacobs, Lewis, comp Edition: 2nd edPlace: New YorkPublisher: W. W. NortonPubDate: c1979PhysDes: 594 p. : ill. ; 24 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; HISTORY OF CINEMA ; NEWSREELS ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; VERTOV, DZIGA ; RIEFENSTAHL, LENI ; LEACOCK, RICHARD ; WISEMAN, FREDERICK ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; MOANA (US, Robert Flaherty, 1926) ; RAIN (US, Louis Milestone, 1932) ; STARK LOVE (US, Karl Brown, 1927) ; TURKSIB (US, Victor A. Turin, 1929) ; DRIFTERS (SW, John Grierson, 1929) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; RIVER, THE (US, Pare Lorentz, 1938) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; LAND, THE (US, Robert Flaherty, 1942) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959) ; JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; MARRIED COUPLE, A (CN, Allan King, 1969) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURBNotes: Includes index; Bibliography: p. 577-579ISBN: 0393950425LON: 1437994URL status: URL: 'http://-'
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Doing the rounds in Filmnews (May 1986) vol.16 iss.2 p.16-17
PhysDes: ArticleSubject: HISTORIA OFICIAL, LA (AG, Luis Puenzo, 1985) Summary: Reviews of 'Out of Africa', 'A chorous line', 'colonel Redl', 'Kaos', 'When father was away on business', 'down and out in Beverley Hills', 'the official story', 'Sweet dreams', 'The more things change', 'Twice in a lifetime'.
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Domitor witnesses the first complete public presentation of the 'Dickson experimental sound film' in the 20th century in Film History (1999) vol.11 iss.4 p.400-403
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The Don in Melbourne Film Bulletin (October 1968) iss.6 p.20-23
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Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
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Down Argentine way : official story in Cinema Papers (January 1986) iss.55 p.64-66
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Down memory lane- 40 years ago in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.20
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The dream life : movies, media and the mythology of the sixties / by J. Hoberman New York: New Press, 2005.
Call No: 71"196"(73) HOBAuthor: Hoberman, J. Source: USPlace: New YorkPublisher: New PressPubDate: 2005PhysDes: 461 p. ; 20 cmSubject: USA ; USA. 1960's ; POLITICS AND THE CINEMA ; POLITICS AND THE CINEMA. USA ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. USA ; SPARTACUS (US, Stanley Kubrick, 1960) ; ALAMO, THE (US, John Wayne, 1960) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; CHASE, THE (US, Arthur Penn, 1966) ; EASY RIDER (US, Dennis Hopper, 1969) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; DIRTY HARRY (US, Don Siegel, 1971) ; SHAMPOO (US, Hal Ashby, 1975) Summary: "Here is a major new cultural history of the Sixties. J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one. This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate - as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose" (A.O Scott), Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop-culture events. With entertaining reinterpretations of key Hollywood movies such as Bonnie and Clyde, The Wild Bunch, and Shampoo, and meditations on personages ranging from John Wayne and Patty Hearst to Jane Fonda, Ronald Reagan, and Che Guevara. Hoberman reconstructs the hidden poltical history of 1960s cinema and the spectacular formation of America's mass-mediated politics" -- BOOK BLURBNotes: Originally published: 2003ISBN: 1565849787Contents: -- acknowledgments -- introduction: "suddenly...It's 1960!" -- I. Making pre-history, A.D. 1960 -- Enter the Hollywood Freedom fighter -- sputnik and the Spector of communist earth control -- when Superman came to the supermarket -- october 1960: Spartacus vs. The Alamo -- the year's best western: the new frontier and The Magnificent Seven -- II. Glamour and anxiety: The Kennedy scenario, 1961-63 -- camelot year one: into the twilight zone -- camelot year two: the president's double lives -- The Manchurian Candidate = the secret agent of history -- camelot down: thinking about the unthinkable -- coups d'etat:four days in November, Seven Days in May -- Dr. Strangelove's Prescription -- III. South by southwest: Lyndon Johnson's trip, 1964-66 -- jet-age bronco busters and twilight westerns -- the cowboy election of 1964 -- Major Dundee - great society abroad -- The Chase -- great society at home -- vietnam: "an oriental western" -- gathering the tribes: diggers, panthers, outlaws -- IV. Born to be wild: Outlaws of America, 1967-69 -- if you are a Bonnie-and-Clyder...: the birth of radical chic -- spring 1968": shooting Easy Rider, going Wild in the Streets -- creating our own reality: The Green Berets and the Battle of Chicago -- the election: calling Coogan's Bluff -- No future: the Children of Bonnie and Clyde -- V. Nixon time: The war at home, 1969-71 -- the end of the sixties -- America's Night of the Living Dead (My Lai, manson, Myra Breckinridge) -- spring 1970: Patton over Cambodia -- generational war in the dream life: hey Joe (where you goin' with that gun in your hand?) -- the last round-up: counterculture psychodrama and hippie westerns, 1971 -- the legal vigilante: Dirty Harry and Tricky Dick -- VI. After the orgy, from blowup to blow out -- flash forward to 1968: Shampoo -- the 1972 campaign: Warren, George, Jane, and The Candidate -- the Nixon Western -- Cine paranoia: conspiracies unmasked, 1973-75 -- freedomland 1981: Ronald Reagan and the Last Sixties Movie -- source notes -- index --
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A dream of Hitchcock / Murray Pomerance Albany: State University of New York Press, 2019.
Call No: 81 HIT POMAuthor: Pomerance, Murray Place: AlbanyPublisher: State University of New York PressPubDate: 2019PhysDes: 274 pages : illustrated ; 24cmSubject: HITCHCOCK, ALFRED ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SABOTEUR (US, Alfred Hitchcock, 1942) ; REBECCA (US, Alfred Hitchcock, 1940) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; FAMILY PLOT (US, Alfred Hitchcock, 1976) ; DREAMS IN FILMS Summary: A Dream of Hitchcock examines the recurring motif of the dream in Hitchcock’s work—dreamscapes, dream processes, the dream effect—by focusing on close readings of six celebrated but often misinterpreted films: Strangers on a Train, Rebecca, Saboteur, Rear Window, To Catch a Thief, and Family Plot. The Hitchcockian dream, as invoked here, is not so much a dream as it is a way of understanding, in its dramatic contexts, an “unearthly,” irrational quality in the filmmaker’s work. Rebecca revolves around problems of memory; To Catch a Thief around uncertainty; Saboteur around pungent aspiration; Family Plot around intuition; Rear Windowaround expansive imagination; and Strangers on a Train around delirious madness. All of these films enunciate the return of the past, the invocation of a boundary beyond which experience becomes unpredictable and uncertain, and the celebration of values that transcend narrative resolution. Murray Pomerance’s distinctive method for thinking through Hitchcock’s work allows these films to inform theorization, not the other way around. His original, provocative, and groundbreaking explorations point to the importance of fantasy, improbability, doubt disconcertion, hope, memory, intuition, and belief, through which the oneiric comes to the center of waking life. -- publisher's web siteISBN: 9781438472072
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The dream that kicks : the prehistory and early years of cinema in Britain / Michael Chanan London Boston: Routledge & Kegan Paul, 1980.
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The drover's wives and camp culture : Baz Luhrmann's preposterous national epic in Studies in Australasian cinema (2010) vol.4 iss.2 p.131-143
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Dutch courage in Australian Cinematographer (September 2016) iss.71 p.52 - 57
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The dynamic frame : camera movement in classical Hollywood / Patrick Keating New York; Chichester, UK: Columbia University Press,
Call No: 233.6(73) KEAAuthor: Keting, Patrick Edition: 2019Place: New York; Chichester, UKPublisher: Columbia University PressPhysDes: xi,350 pages : illustrated ; 24 cmSubject: BERKELEY, BUSBY ; BORDWELL, DAVID ; CAMERA ANGLES ; CITIZEN KANE (US, Orson Welles, 1941) ; CONVERGENCE ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924) ; MAMOULIAN, ROUBEN ; MURNAU, FRIEDRICH WILHEL ; PREMINGER, OTTO ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; TOLAND, GREGG ; VIDOR, KING ; WELLES, ORSON Summary: The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style.
In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer. -- publisher's web siteISBN: 9780231190510Contents: Acknowledgments -- Introduction -- 1. American Cinema, German Angles -- 2. Purposes and Parallels -- 3. Dynamism, Seriality, and Convergence -- 4. Constructing Scenes with the Camera -- 5. Between Subjective and Objective -- 6. An Art of Disclosures -- Conclusion -- Notes -- Bibliography -- Index
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Early and silent cinema : a source book [England]: British Film Institute, 1996].
Call No: 70"01" EARCorpAuthor: British Film InstitutePlace: [England]Publisher: British Film InstitutePubDate: 1996]PhysDes: 123 p. : ill. ; 30 cmSubject: HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA Notes: Includes indexesLON: 96133718; 12865891
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[Ebbtide : stills file] / Lisa Tomasetti
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[Echo point : stills file]
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Echographies of television : filmed interviews / Jacques Derrida and Bernard Stiegler ; translated by Jennifer Bajorek. Cambridge, UK: Polity Press, [2002].
Call No: 62 WURAuthor: Derrida, Jacques ; Stiegler, Bernard ; Bajorek, Jennifer Source: UKPlace: Cambridge, UKPublisher: Polity PressPubDate: [2002]PhysDes: viii, 174 pages : illustrations ; 24 cmSubject: ADORNO, THEODOR W. ; DERRIDA, JACQUES ; FOUCAULT, MICHEL ; FASSBENDER, MICHAEL ; FASSBINDER, RAINER WERNER ; HERZOG, WERNER ; HITCHCOCK, ALFRED Summary: "In this new book, Jacques Derrida talks with Bernard Stiegler about the effect of teletechnologies on our philosophical and political moment. Improvising before a camera, the two philosophers are confronted by the very technologies they discuss and so are forced to address all the more directly the urgent questions that they raise. What does it mean to speak of the present in a situation of "live" recording? How can we respond, responsibly, to a question when we know that the so-called "natural" conditions of expression, discussion, reflection, and deliberation have been breached?" "As Derrida and Stiegler discuss the role of teletechnologies in modern society, the political implications of Derrida's thought become apparent. Drawing on recent events in Europe, Derrida and Stiegler explore the impact of television and the internet on our understanding of the state, its borders and citizenship. Their discussion examines the relationship between the juridical and the technical, and it shows how new technologies for manipulating and transmitting images have influenced our notions of democracy, history and the body. The book opens with a shorter interview with Derrida on the news media, and closes with a provocative essay by Stiegler on the epistemology of digital photography." "In Echographies of Television, Derrida and Stiegler open up questions that are of key social and political importance. Their book will be of great interest to all those already familiar with Derrida's work, as well as to students and scholars of philosophy, literature, sociology and media studies."--BOOK JACKET.Notes: Includes bibliographical references. - Translation from the French.ISBN: 074562037XContents: Artifactualities / Jacques Derrida -- Echographies of Television / Jacques Derrida and Bernard Stiegler -- 1. Right of Inspection -- 2. Artifactuality, Homohegemony -- 3. Acts of Memory: Topolitics and Teletechnology -- 4. Inheritances - and Rhythm -- 5. The "Cultural Exception": The States of the State, the Event -- 6. The Archive Market: Truth, Testimony, Evidence -- 7. Phonographies: Meaning - from Heritage to Horizon -- 8. Spectrographies -- 9. Vigilances of the Unconscious -- The Discrete Image / Bernard Stiegler.
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Edgar Reitz on his film "Heimat" in Kino (Export-Union des Deutschen Films) (1984) iss.3 p.10-13
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Edith Head Talks About Alfred Hitchcock in Melbourne Film Bulletin (July 1969) iss.9 p.24-26
Author: Mogg, K. PhysDes: ArticleSubject: HEAD, EDITH ; HITCHCOCK, ALFRED ; COSTUMES ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; TOPAZ (US, Alfred Hitchcock, 1969) ; MARNIE (US, Alfred Hitchcock, 1964) ; VERTIGO (US, Alfred Hitchcock, 1958) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; NOTORIOUS (US, Alfred Hitchcock, 1946) Summary: Interview transcript with Hitchcock's costume designer, Edith Head, regarding the ten films she worked on with him.
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Electric Edwardians : the story of the Mitchell & Kenyon collection / Vanessa Toulmin London: British Film Institute, 2006.
Call No: 19 MIT TOUAuthor: Toulmin, Vanessa Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: x, 310 p. : ill. ; 25 cmSubject: HISTORY OF CINEMA. ENGLAND ; MITCHELL AND KENYON FILM COMPANY, THE ; MITCHELL, SAGAR ; KENYON, JAMES Summary: A visual record of the films of Sagar Mitchell and James Kenyon, combined with an illuminating discussion of the films and the social context of their production by Vanessa Toulmin, the leading authority on the collection. Focusing on major themes such as Leisure and Recreation, Sport, Industry, the Boer War and the City. Includes over 400 illustrations drawn from the collection as well as contemporary posters and handbills. [Taken from back cover.]ISBN: 1844571459
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The emergence of film art : the evolution and development of the motion picture as an art, from 1900 to the present New York: Hopkinson and Blake, [c1969].
Call No: 70 JACAuthor: Jacobs, Lewis, comp Place: New YorkPublisher: Hopkinson and BlakePubDate: [c1969]PhysDes: 453 p. illus. 25 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; COLORIZATION ; SOCIETY AND THE CINEMA ; GERMANY ; ANIMATED FILMS ; CINEMA VERITE ; AUTEUR THEORY ; NOUVELLE VAGUE ; MUSIC IN FILMS ; NEOREALISM ; AVANT-GARDE FILMS ; MELIES, GEORGES ; GRIFFITH, DAVID WARK ; CLAIR, RENE ; FORD, JOHN ; PORTER, EDWIN S. ; LESTER, RICHARD ; DISNEY, WALT ; BERGMAN, INGMAR ; TRUFFAUT, FRANCOIS ; SARRIS, ANDREW ; KAEL, PAULINE ; KUROSAWA AKIRA ; RESNAIS, ALAIN ; FELLINI, FEDERICO ; ANTONIONI, MICHELANGELO ; BASS, SAUL ; MEKAS, JONAS ; CITIZEN KANE (US, Orson Welles, 1941) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) Notes: Bibliography: p. 438-439LON: 5011ID2: 291
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Encyclopedia of early cinema / / edited by Richard Abel. London: Routledge, 2005.
Call No: REFERENCE SECTION; 03:70 ABEAuthor: Abel, Richard Source: UKPlace: LondonPublisher: RoutledgePubDate: 2005PhysDes: 791 p. : ill. ; 26 cmSubject: HISTORY AND THE CINEMA Notes: Includes bibliographical references and index.ISBN: 0-415-23440-9
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Ending the affair : the decline of television current affairs in Australia / Graeme Turner Sydney, N.S.W.: UNSW Press, 2005.
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Engendering Vertigo in Hitchcock annual (1994) p.18-54
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Enough rope with Andrew Denton / Edited by Jon Casimir Sydney, NSW: ABC Books, December 2003.
Call No: 81 ENO DENAuthor: Denton, Andrew ; Casimir, Jon Place: Sydney, NSWPublisher: ABC BooksPubDate: December 2003PhysDes: 274 p. : illus ; 23 cm.Subject: ENOUGH ROPE WITH ANDREW DENTON [TV] (AT, 2003-) ; HOGAN, PAUL ; GIBNEY, REBECCA ; IRWIN, STEVE ; CARREY, JIM ; RILEY, GINA ; TURNER, JANE ; MELDRUM, IAN "MOLLY" ; READ, MARK "CHOPPER" ; WIGGLES, THE ; PEARCE, GUY ; CROWE, RUSSELL ISBN: 0733313612
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Entertaining Australia : an illustrated history / edited by Katherine Brisbane Sydney: Currency Press, 1991.
Call No: 71(94) ENTAuthor: Brisbane, Katharine Place: SydneyPublisher: Currency PressPubDate: 1991PhysDes: 360 p. : ill. (some col.), facsims., ports. ; 32 cmSubject: AUSTRALIA ; HISTORY OF TV. AUSTRALIA Notes: Includes indexISBN: 0868193674 (pbk.); 0868192864LON: 10790716
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The entertainment machine : American show business in the twentieth century / Robert C. Toll Oxford [Oxfordshire] New York: Oxford University Press, 1982.
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'Esther' the outsider seeks broad appeal in Encore (September 2007) vol.26 iss.09 p.22-4
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The ethical vision of Clint Eastwood / by Sara Anson Vaux Grand Rapids, Michigan: William B. Eerdmans Pub. Co., c2012.
Call No: 81EAS VAUAuthor: Vaux, Sara Anson Source: USPlace: Grand Rapids, MichiganPublisher: William B. Eerdmans Pub. Co.PubDate: c2012PhysDes: xvii, 259 p. : ill. ; 23 cmSubject: ETHICS IN FILMS ; EASTWOOD, CLINT ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; CHANGELING (US, Clint Eastwood, 2008) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) ; GRAN TORINO (US/AT, Clint Eastwood, 2008) ; INVICTUS (US, Clint Eastwood, 2009) Summary: Provides insight into Clint Eastwood's films - in particular the role of ethicsNotes: Formerly CIP; Includes bibliographical references, filmography and indexISBN: 9780802862952Contents: -- foreword / by Robert Jewett -- preface -- introduction -- The Angel of Death (The Avenging Angel) -- High Plains Drifter -- The Outlaw Josey Wales -- Pale Rider -- Unforgiven -- II.The Mysteries of Life -- Mystic River -- Million Dollar Baby -- Changeling -- Bird -- III.Eternal War or the Dawn of Peace? -- Flags of Our Fathers -- Letters from Iwo Jima -- Gran Torino -- Invictus -- IV.Hereafter: Eastwood and the Reconciling Community -- Hereafter: Beyond a Perfect World? -- The Gathering, the Meal, and the Reconciling Community -- Another Clint -- acknowledgments -- appendix a -- appendix b -- Eastwood filmography -- Clint Eastwood: select bibliography -- index --
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Everyone was watching! : strategies of self-presentation in oral histories of cinema-going in Studies in Australasian cinema (2007) vol.1 iss.3 p.261-274
Author: Huggett, Nancy PhysDes: ArticleSubject: AUDIENCES. AUSTRALIA ; PSYCHOLOGICAL EFFECTS OF FILMS ; NARRATIVE IN FILMS. AUSTRALIA ; AUDIENCE RECEPTION. AUSTRALIA ; HISTORY OF CINEMA Summary: This article considers the different ways in which strategies of selective self-presentation on behalf of both interviewee and interviewer structure the oral history narrative, using, as an example. the ways in which embarrassment and shame function in narratives of cinema-going in Australia. The essay explores when and how embarrassment and shame feature in cinema-going narratives and also the way in which some issues, such as the recollection of segregation in rural cinemas, disrupt the easy conversational flow of a narrative and cause discomfort, bordering on embarrassment and shame for both interviewee and interviewer.
Drawing on oral histories and autobiographical accounts from New South Wales cinema-goers, this article delves into the public/private and past/present functions of embarrassment and shame in order to better understand cinema-going practices and recollection strategies. It takes into account how critical oral history and cultural theory can assist cinema studies to examine how practices of cinema-going are situated within wider cultural attidudes and discourses. -- Abstract
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Everything is cinema : the working life of Jean-Luc Godard / by Richard Brody New York: Metropolitan Books / Henry Holt and Company, 2009.
Call No: 81GOD BROAuthor: Brody, Richard Edition: 1st Paperback editionSource: USPlace: New YorkPublisher: Metropolitan Books / Henry Holt and CompanyPubDate: 2009PhysDes: xv, 701 p. : ill. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CONTEMPT (FR/IT, Jean-Luc Godrad, 1963)
SEE
MEPRIS, LE ; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963) ; MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964)
SEE
FEMME MARIEE, UNE ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; MASCULINE FEMININE (FR, Jean-Luc Godard, 1966) ; TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967)
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[DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
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JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; DETECTIVE (FR, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991)
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ALLEMAGNE NEUF ZERO ; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991) ; HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983) ; FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996) ; ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001) Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURBNotes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this bookISBN: 9780805080155Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --
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Everything you always wanted to know about Lacan : (but were afraid to ask Hitchcock) / edited by Slavoj Zizek London New York: Verso, 1992.
Call No: 626:159.964.2 ZIZAuthor: Zizek, Slavoj Place: London New YorkPublisher: VersoPubDate: 1992PhysDes: vii, 279 p. : ill. ; 24 cmSubject: HITCHCOCK, ALFRED ; LACAN, JACQUES Notes: Includes bibliographical references and indexISBN: 0860913945 : $59.95; 0860915921 (pbk.) : $18.95LON: bnb86091394; 9206358
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[Exchange lifeguards : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 26 x 20 cmSubject: ATKINS, CHRISTOPHER ; MCMAHON, JULIAN ; CROSS, REBECCA ; NEWMAN-PHILLIPS, AMANDA ; GOULD, ELLIOTT ; HEMBROW, MARK ; STEELE, VANESSA ; LARIMORE, LOIS ; PATE, CHRISTOPHER ; EXCHANGE LIFEGUARDS (AT, Maurice Murphy, 1993) Summary: Ten black and white photographs relating to the film 'Exchange lifeguards' (original title 'Wet and Wild Summer!')
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Exploiting the regional Queensland audience : Birch Carroll and Coyle's Wintergarden theatres, 1925-35 in Studies in Australasian cinema (2007) vol.1 iss.3 p.333-351
Author: Cryle, Denis ; Johansen, Grace PhysDes: ArticleSubject: BIRCH CARROLL AND COYLE ; AUDIENCES. AUSTRALIA ; EXHIBITION. AUSTRALIA ; REGIONAL EXHIBITION. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA Summary: The authors examine the first decade of the Birch Carroll and Coyle consortium, focusing on its regional Wintergarden theatre chain and on its stated objective of bringing metropolitan sophistication to regional centres, in a period of industry optimism which coincided with the construction of its Wintergarden theatres throughout Queensland. The article draws on local print sources and interview material in order to explain and confirm the social appeal of cinema-going across a range of regional sites. The exploitation campaigns organized and coordinated by Birch Carroll and Coyle's regional and state managers in the midst of moral opposition, government regulation and press criticism, both before and after the advent of the talkies, is examined. Drawing extensively from industry journals of the period, the authors argue that press publicity, along with local stunts and staged events, formed an integral part of Birch Carroll and Coyle's concerted strategy to sell its Hollywood product and offset ongoing criticism within government and local communities. In conclusion, they examine the impact of the Depression on the industry in Queensland, including regional audiences, and assess its impact on Birch Carroll and Coyle's subsequent regional theatre publicity campaigns. -- Abstract
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Explorations in national cinemas : editors, Ben Lawton, Janet Staiger ... et al. , contributors, Marc Glasser ... et al Pleasantville, N.Y.: Redgrave, 1977.
Call No: 62(04) EXPAuthor: Staiger, Janet ; Lawton, Ben ; Glasser, Marc Source: USPlace: Pleasantville, N.Y.Publisher: RedgravePubDate: 1977PhysDes: 160 pSeries: Film studies annual ; 1977 ; 1Subject: AESTHETICS ; DIALOGUE ; VERTOV, DZIGA ; BARRY LYNDON (UK, Stanley Kubrick, 1975) ; CLOWNS, I (IT/FR/GW, Federico Fellini, 1970) ; EDVARD MUNCH (SW/NO, Peter Watkins, 1974) ; FORT APACHE (US, John Ford, 1948) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; LAST MOVIE, THE (US, Dennis Hopper, 1971) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; SALAMANDRE, LA (SZ, Alain Tanner, 1971) ; SCEICCO BIANCO, LO (IT, Federico Fellini, 1951) Notes: Papers from the 1977 Purdue University Conference on FilmOrder Received: 2000Order Type: DonationLON: 4015698
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The explorers / Bill Peach Sydney: ABC Enterprises for the Australian Broadcasting Corporation, 1984.
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Expressive spaces in digital 3D cinema / Owen Weetch Basingstoke: Palgrave Macmillan, [2016].
Call No: 246.8 WEEAuthor: Weetch, Owen Source: UKPlace: BasingstokePublisher: Palgrave MacmillanPubDate: [2016]PhysDes: xi, 168 pages : illustrations (colour) ; 22 cmSeries: Palgrave close readings in film and televisionSubject: 3-D ANIMATION ; 3-D AND THE CINEMA ; 3-D FILMS ; AVATAR (US, James Cameron, 2009) ; GRAVITY (US/UK, Alfonso Cuaron, 2013) ; HOLE, THE (US, Joe Dante, 2009) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; FROZEN (US, Chris Buck & Jennifer Lee, 2013) Summary: "This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. Owen Weetch looks at how stereography brings added significance and expressivity to individual films that all showcase remarkable uses of the format. Avatar, Gravity, The Hole, The Greta Gatsby and Frozen all demonstrate that stereography is a rich and sophisticated process that has the potential to bring extra meaning to a film's narrative and themes." - taken from back cover.Notes: Includes index. -- Includes glossary of stereoscopic terms.ISBN: 9781349712946Contents: 1.Introduction: The Expressivity of Space -- 2.'I See You': Avatar, Narrative Spectacle and Accentuating Continuity -- 3.`You're Going to Make It': Ride Alignment and the Mastery of Stereographic Space in Gravity -- 4.`You Only Looked that Way Because I was Little': Spaces of Terror and Reaching Maturity in The Hole -- 5.`There's an Ocean in the Way': Written Words, Unreachability and Competing Testimonies in The Great Gatsby -- 6.`Against the Wall': Frozen's Expressive Planarity, Attempts to Connect and Ambivalent Utopias -- 7.Conclusion: A Special Plea for Off-the-Screen Space.
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"Extremely valuable" film of New Guinea found in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.1
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Eye of the century : film, experience, modernity / Francesco Casetti; translated by Erin Larkin with Jennifer Pranolo New York: Columbia University Press, 2008.
Call No: 40 CASAuthor: Casetti, Francesco Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2008PhysDes: viii, 269 p. ; 23 cmSeries: Film + culture seriesSubject: CULTURE AND THE CINEMA ; HISTORY AND THE CINEMA Notes: Translated from the Italian. -- Includes bibliographical references (p. [237]-251) and index.ISBN: 9780231139953Contents: A hundred years, a century -- 1. The gaze of its age -- 2. Framing the world -- 3. Double vision -- 4. The glass eye -- 5. Strong sensations -- 6. The place of the observer -- 7. Glosses, oxymorons, and discipline -- Remains of the day.
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The eyes have it : cinema and the reality effect / Murray Pomerance New Jersey: Rutgers University Press, c2013.
Call No: 630.3 POMAuthor: Pomerance, Murray Source: USPlace: New JerseyPublisher: Rutgers University PressPubDate: c2013PhysDes: xii, 268 pages : illustrations ; 23 cmSeries: Techniques of the moving imageSubject: ART DIRECTION ; CINEMATOGRAPHY ; COMPUTER GENERATED IMAGERY ; MOTION CONTROL ; REALISM IN FILMS ; SET DECORATING ; SET DESIGNING ; SPECIAL EFFECTS ; HITCHCOCK, ALFRED ; KELLY, GENE ; Metro-Goldwyn-Mayer ; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002) ; ANNIE HALL (US, Woody Allen, 1977) ; ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992) ; BRIGADOON (US, Vincente Minnelli, 1954) ; CLOVERFIELD (US, Matt Reeves, 2008) ; DARK PASSAGE (US, Delmer Daves, 1947) ; DEFIANCE (US, Edward Zwick, 2008) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; IN HARM'S WAY (US, Otto Preminger, 1965) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; RANDOM HARVEST (US, Mervyn LeRoy, 1942) ; SIGNS (US, M. Night Shyamalan, 2002) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURBNotes: Contains illustrations, bibliographic references and indexISBN: 9780813560588
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The face on film / Noa Steimatsky New York: Oxford Univesity Press, 2017.
Call No: 747.7 STEAuthor: Steimatsky, Noa Edition: 2017Place: New YorkPublisher: Oxford Univesity PressPubDate: 2017PhysDes: 280 p. : illustrated ; 26 cmSubject: FACE IN FILMS ; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966) ; ANTONIONI, MICHELANGELO ; BARTHES, ROLAND ; BAZIN, ANDRE ; BENJAMIN, WALTER ; BRESSON, ROBERT ; EISENSTEIN, SERGEI M. ; DREYER, CARL TH. ; PROCES DE JEANNE D'ARC (FR, Robert Bresson, 1962) ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; SEDGWICK, EDIE ; WARHOL, ANDY ; OUTER AND INNER SPACE (US, Andy Warhol, 1965) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; FUNNY FACE (US, Stanley Donen, 1957) Notes: The human face was said to have been rediscovered with the advent of motion pictures, in which it was often viewed as expressive locus, as figure, and even as essence of the cinema. But how has this modern, technological, mass-circulating medium revealed the face in ways that are also distinct from any other? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration—these are among the cultural precedents informing our experience in the movie theatre. Yet the moving, time-based image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's Au hazard, Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity. Such intense encounters, examined in this book, manifest a desire for transparency and plenitude, but—especially in post-classical cinema—also betray a profound ambiguity that haunts the human countenance, confronting interiority as opacity, treading the gap between image and language. The spectacular impact of the cinematic face is uncannily intertwined with a reticence, an ineffability; but is it not for this very reason that—like faces in the world—it still enthralls us? -- publisher's web siteISBN: 9780199863167Contents: Acknowledgements -- Preface: Face Moving Image -- A Dispositif -- An Ur-Image -- The Face Against the Image -- Itineraries Chapter One: We Had Faces, Then -- Expressivity in the 1920s -- Joan of Arc, Inevitably -- The Face and its Voices -- Glamour/Anti-Glamour Chapter Two: Roland Barthes Looks at the Stars -- Towards “Visages et Figures,” and circa 1953 Excursus on the Face in Language -- Into the Movie Theater -- Ultra-Face Excursus on the Mask -- From Cult to Charm: Funny Face Chapter Three: Face-to-Face (with The Wrong Man) -- What Godard Saw -- What the Clerk Saw Excursus on Anthropometrics -- Not a Mirror, Not a Lamp Chapter Four: Pass/Fail: Screen Test, Apparatus, Subject -- The Antonioni Screen Test Excursus on the Portrait -- Outer and Inner Space, and the Pathos of Time -- Fail Better Chapter Five: In Reticence (Bresson) -- The Epidermal and the Written -- The Image Against the Face -- Not an Open Book, but a Door Ajar -- Postface: The Two-Shot: Inherent
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Fame games : the production of celebrity in Australia / Graeme Turner, Frances Bonner, P. David Marshall Cambridge: Cambridge University Press, 2000.
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Fantasy and the cinema / edited by James Donald London: BFI Pub., 1989.
Call No: 735 FANAuthor: Donald, James Place: LondonPublisher: BFI Pub.PubDate: 1989PhysDes: 298 p. : ill. ; 24 cmSubject: FANTASTIC FILMS ; FETISHISM IN FILMS ; GERMANY. 1895-1930 ; SLASHER FILMS ; GENDER AND THE CINEMA ; SEX AND THE CINEMA ; FEMINISM AND THE CINEMA ; SURREALISM AND THE CINEMA ; BARTHES, ROLAND ; SVANKMAJER, JAN ; CONDIT, CECELIA ; BAHTIN, MIHAIL ; BORDWELL, DAVID ; DURAS, MARGUERITE ; LYOTARD, JEAN-FRANCOIS ; HITCHCOCK, ALFRED ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BENEATH THE SKIN (US, Cecelia Condit, 1981) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; INDIA SONG (FR, Marguerite Duras, 1975) ; PSYCHO (US, Alfred Hitchcock, 1960) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; TERMINATOR, THE (US, James Cameron, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; VAMPYR : DER TRAUM DES ALLAN GRAY (G/FR, Carl Th. Dreyer, 1932) Notes: Includes bibliographical references (p. 287-291) and indexesISBN: 0851702287; 0851702295 (pbk.)LON: 6190057
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newspaper article
The farce and the furious in Sydney Morning Herald [Spectrum] (27/06/2015) p.13
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Fashion : Australian memories in black and white / Felicity Robinson, Maggie Tabberer Sydney: Murdoch Books, 2005.
Call No: 721.1(391) ROBAuthor: Robinson, Felicity Edition: 1st ed.Source: AustraliaPlace: SydneyPublisher: Murdoch BooksPubDate: 2005PhysDes: 192 p. : b+w ill. ; 22cmSeries: Australian MemoriesSubject: NEWSREELS ; AUSTRALIA ; CINESOUND STUDIOS ; FASHION AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; NOSTALGIA IN FILMS ; HISTORICAL FILMS. AUSTRALIA ; TABBERER, MAGGIE Summary: The second title in the Australian Memories series, Fashion is a collection of film stills taken from the Cinesound and Movietone newsreels, which played in Australian cinemas from 1933 to 1975. Over the decades the newsreels covered women’s fashions in parades at nightclubs and restaurants, department stores, on the beach and in the streets. Informative captions and excerpts from the original voice-overs are accompanied by succinct and witty essays outlining the history of fashion during this period.
[Taken from back cover]ISBN: 1740456084
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Fashioning film stars / Rachel Moseley ed. London: British Film Institute, 2005.
Call No: 226.4 MOSAuthor: Moseley, Rachel Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 188 p. ; 23 cmSubject: FASHION AND THE CINEMA ; SHEARER, NORMA ; DIETRICH, MARLENE ; PECK, GREGORY ; DAY, DORIS ; PITT, BRAD ; CLOONEY, GEORGE ; JACKSON, SAMUEL L. ; HEPBURN, AUDREY ; KENDALL, KAY ; BARDOT, BRIGITTE ; CONNERY, SEAN ; BEMBERG, MARIA LUISA Summary: Brings together a range of theoretical and methodological frameworks from textual analysis, archival research and audience study to offer, for the first time, a detailed consideration of the importance of the fashioning of film stars. Fashioning Film Stars asks: how does film costume operate in relation to stardom to articulate particular identities – gendered, national, classed, ethnic, sexual?Notes: Includes: index p.181-188;
bibliography p.172-180ISBN: 1844570681
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Fast facts in Australian Financial Review (06/02/2007) p.30
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Jones, Mark ; Gliddon, Joshua Subject: BLU-RAY ; HIGH DEFINITION DVD Summary: Sony’s Blu-ray high-definition video disc format has forged an early lead over arch rival Toshiba’s HD DVD.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: Figures from Nielsen VideoScan showed in the US,
– 41.4 HD DVD discs sold in the first week of January, 100 Blu-ray discs were sold
– 38.36 HD DVD discs dropped even further in the second week to 38.36 discs per 100 Blu Ray discs.
– Globally Sony has sold 2 Million Blu-ray equipped PS3 consoles which will enable the Blu –ray market to penetrate in Australia when they go on sale in March 2007
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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Fatal visions: the golden age 1990-1998 : The best of issues 7-21 / edited by Michael Helms [Thornbury, Vic.]: [Fatal Visions], 2016.
Call No: 120 FATAuthor: Helms, Michael ; Sargeant, Jack Source: ATPlace: [Thornbury, Vic.]Publisher: [Fatal Visions]PubDate: 2016PhysDes: 296 p: ill. ; 24 cmSubject: AUSTRALIA ; CRITICISM ; VIOLENCE IN FILMS ; VIOLENCE IN FILMS. AUSTRALIA ; EDUCATION, USE OF FILMS IN ; JODOROWSKY, ALEXANDRO ; WORST FILMS ; PROPAGANDA FILMS ; GERMANY ; WATERS, JOHN (US) ; JACKSON, PETER (NZ) ; HENENLOTTER, FRANK ; HEWITT, JON ; MEXICO ; RAIMI, SAM ; HENRIKSEN, LANCE ; WOO, JOHN [pseud. of Wu Yusen] ; FERRARA, ABEL ; ASIAN COUNTRIES ; JAPAN Summary: In 2012 The LedaTape Organisation put out Fatal Visions: The Wonder Years 1988-1989, the first volume to collect some of the earliest writings to appear in Fatal Visions, the Australian zine devoted to trash film and attendant culture that became a critically well-received and internationally distributed magazine.
Four years later Fatal Visions: The Golden Age 1990-1998, the second volume in the Fatal Visions series has come screaming into the world.
What’s presented here is a personal selection by editor Michael Helms from the final fifteen issues of Fatal Visions. A true best-of and showcase for as many of the still highly relevant and entertaining articles, interviews and reviews from some of the most exciting writers working in trash film.
- Blondes, Bockwurst & Porn – a trashfilm tour of Europe by Jack Stevenson.
- Mexploitation Explained by Steve Fentone.
- Cool & The Crazy – Bruce Milne’s seminal article on The Cramps.
- Eyeball On Asia – watching film in Asian countries with Stefan Hammond.
- Kris Gilpin interviews Charles Napier.
- Other interviews include Abel Ferrara, Alejandro Jodorowsky, Lance Henriksen, Peter Jackson and John Woo.
- Hundreds of cinema & video reviews.
- Foreword by Jack Sargeant.
Profusely illustrated – with index!Notes: Includes indexISBN: 9780994411211ID2: 251
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Feature film reviews in Filmviews (Winter 1985) vol.30 iss.124 p.31-33
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Feature films as history / edited by K.R.M. Short London: Croom Helm, c1981.
Call No: 45:93 SHOAuthor: Short, K. R. M. (Kenneth R. M.) Source: UKPlace: LondonPublisher: Croom HelmPubDate: c1981PhysDes: 192 p. ; 23cmSubject: ETHNIC GROUPS IN FILMS. USA ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CASABLANCA (US, Michael Curtiz, 1942) ; CENSORSHIP. UK ; CROSSFIRE (US, Edward Dmytryk, 1947) ; FRANCE ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; GERMANY ; HISTORY AND THE CINEMA ; JEWS IN FILMS. USA ; RENOIR, JEAN ; UNITED KINGDOM ; USSR ; WORLD WAR II AND THE CINEMA ; ZANUCK, DARRYL F. Notes: Historical sources: Cinema films (BNB/PRECIS); Includes indexISBN: 0709904592 : ª9.95 : CIP revLON: 2012107
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journal article
Feature - NAB review in Encore (May 2000) vol.18 iss.4 p.20-21
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journal article
Feature - post production in Encore (Apr 2000) vol.18 iss.3 p.22-38
Author: Griffiths, Peter PhysDes: Article; Illustration(s)Subject: POST-PRODUCTION. AUSTRALIA ; HIGH DEFINITION TV ; SOUND ; EDITING. AUSTRALIA Summary: Griffiths surveys the post-production industry in Australia in 2000. Visual and sound post-production firms reported that 1999 was a slow year but production is increasing in 2000. High-definition television will introduce new challenges to the post-production industry. Screen editors are frustrated by their working conditions and the expectation that they coordinate all aspects of post-production.
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journal article
Feature reviews in Filmviews (Autumn 1985) vol.30 iss.123 p.37-42
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journal article
Feature reviews in Filmviews (Autumn 1985) vol.30 iss.123 p.37-42
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book
Featuring Australia : the cinema of Charles Chauvel / Stuart Cunningham Sydney: Allen & Unwin, 1991.
Call No: 81CHA CUNAuthor: Cunningham, Stuart Source: ATPlace: SydneyPublisher: Allen & UnwinPubDate: 1991PhysDes: x, 214 p. : ill. ; 22 cmSeries: Australian cultural studiesSubject: DIRECTORS. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; NATIONALISM AND THE CINEMA ; WORLD WAR II AND THE CINEMA. AUSTRALIA ; CHAUVEL, CHARLES ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; GREENHIDE (AT, Charles Chauvel, 1926) ; HERITAGE (AT, Charles Chauvel, 1935) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; JEDDA (AT, Charles Chauvel, 1955) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; UNCIVILISED (AT, Charles Chauvel, 1936) ; WALKABOUT (AT, Charles Chauvel, 1958) Summary: "FEATURING AUSTRALIA follows the exceptional career of Charles Chauvel and the films he made over a thirty-year span in the battling Australian film industry of the 1920s to the 1950s. Stuart Cunningham probes the work of Chauvel to examine his strange, ambitious and fascinating films and the industrial and cultural environment from which they emerged - giving an appreciation of the films which has never before been available. This book also offers new approaches to understanding Australian cinema, and show how Australian culture and society changed during the period of Chauvel's work. Running through these changes, however, are continuities based on Australia's status as an 'import culture' and the consequent frailties of its cultural identity." [Taken from book blurb]Notes: Includes index; Includes bibliographical references (p. 178-196); Bibliography: p. 197-201; Filmography: p. 175-177ISBN: 0044422547 : price unknownLON: anb04442254; 7520705 7514911
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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still
[Ferals, the : stills file]
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book
Ferocious reality : documentary according to Werner Herzog / Eric Ames Minneapolis: University of Minnesota Press, c2012.
Call No: 81HER AMEAuthor: Ames, Eric Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: c2012PhysDes: x,334 pages : illustrations ; 23 cmSeries: Visible evidence ; 27Subject: CRITICISM ; DOCUMENTARIES ; DOCUMENTARY FILMS ; HERZOG, WERNER ; GRIZZLY MAN (CN/US, Werner Herzog, 2005) Summary: Over the course of his career Werner Herzog has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker delcared: "There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization." Ferocious Reality is the first book to ask how this conviction , so hostile to the traditional tenets of documentary, can inform the work of one of the world's most provocative documentarians. In close, contextualized analysis of more than twenty-five films spanning Herzog's career, Ames makes a case for exploring documentary films in terms of performance and explains what it means to do so. His book expands the field of cinema studies even as it offers an invaluable new perspective on a little studied but integral part of Werner Herzog's extraordinary oeuvre." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780816677641Contents: -- acknowledgments -- the Minnesota declaration -- Introduction: Werner Herzog, documentary outsider : Werner Herzog eats his shoe -- Sensational bodies. Game in the sand ; Handicapped future ; Land of silence and darkness ; Wodaabe -- Moving landscapes. The dark glow of the mountains ; Fata Morgana ; La Soufriere ; Lessons of darkness ; Wheel of time -- Ecstatic journeys. Huie's sermon ; Bells from the deep ; Pilgrimage -- Baroque visions. The great ectasy of Woodcarver Steiner ; Death for five voices ; God and the burdened -- Cultural politics. Fitzcarraldo ; Ballad of the little soldier ; Ten thousand years older ; The white diamond -- Reenactments. Little Dieter needs to fly ; Wings of hope ; Rescue dawn -- Autobiographical acts. I am my films ; Portrait Werner Herzog ; My best fiend ; Grizzly man -- Conclusion: Herzog's ve´rite´ -- Encounters at the end of the world ; Cave of forgotten dreams --
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A few lectures on documentary film / by Jerzy Toeplitz [North Ryde, N.S.W.]: Australian Film and Television School, Open Program Resources, 1979.
Call No: 761 TOEAuthor: Toeplitz, Jerzy CorpAuthor: Australian Film and Television School. Open Program ResourcesPlace: [North Ryde, N.S.W.]Publisher: Australian Film and Television School, Open Program ResourcesPubDate: 1979PhysDes: 39p. ; 29cmSubject: DOCUMENTARY FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; WORLD WAR II AND THE CINEMA ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; GRIERSON, JOHN ; RIEFENSTAHL, LENI ; RUTTMAN, WALTER ; VEDRES, NICOLE ; PARIS 1900 (FR, Nicole Vedres, 1948) ; MOANA (US, Robert Flaherty, 1926) ; GRASS (US, Ernest B. Schoedsack, 1926) Summary: "This booklet contains the edited transcripts of a series of lectures given by Professor Toeplitz during a six week full-time workshop on documentary film. The workshop was for documentary filmmakers in Australia and New Zealand."Notes: Documentary films. Lectures, speeches (ANB/PRECIS SIN 037718x); Bibliography: p.38-39ISBN: 0642924759 : price unknownLON: 1664997
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hidden figures (us, theodore melfi, 2017)
Fight and flight in Sun Herald [Inside Out] (19/02/2017) p.10
Call No: TITLE CLIPPINGS FILE; HIDDEN FIGURES (US, Theodore Melfi, 2017)Author: Hall, Sandra PhysDes: ClippingsSubject: HIDDEN FIGURES (US, Theodore Melfi, 2017) Summary: Film review of HIDDEN FIGURESNotes: This review is also published in the Sunday Age 19/02/2017Rating: 4 out of 5 stars
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Fight Pictures : a history of boxing and early cinema / Dan Streible Berkeley: University of California Press, c2008.
Call No: 739.683 STRAuthor: Streible, Dan Source: USPlace: BerkeleyPublisher: University of California PressPubDate: c2008PhysDes: xix, 396 p. : ill. ; 23 cmSubject: BOXING FILMS ; HISTORY OF CINEMA. USA ; CRITICISM Summary: " The first filmed prizefight, Veriscope's Corbett-Fitzsimmons Fight (1897), became one of cinema's earliest major attractions and ushered in an era in which hugely successful boxing films helped transform a stigmatized sport into legitimate entertainment. Exploring a significant and fascinating period in the development of modern sports and media, Fight Pictures is the first work to chronicle the mostly forgotten story of how legitimate bouts, fake fights, comic sparring matches, and more came to silent-era movie screens and became part of American popular culture." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 305-367) and index; Includes filmography: p. 291-303ISBN: 9780520250758Donation: Donated by Senses Of Cinema, 2009Contents: 1. The Sporting and Theatrical Syndicate: Boxing Pictures and the Origins of Cinema, 1891-1896 -- 2. The Corbett-Fitzsimmons Fight: Women at the Veriscope, 1897 -- 3. Under the Lights: Filming Ringside in the Jim Jeffries Era, 1899-1904 -- 4. Fake Fight Films: S. Lubin of Philadelphia, 1897-1908 -- 5. Fight Pictures in the Nickelodeon Era: Miles Bros. of New York & San Francisco, 1905-1912 -- 6. Jack Johnson Films: Black Exhibition and White Suppression, 1908-1910 -- 7. Jack Johnson's Decline: The Prizefight Film Ban, 1911-1915 -- 8. Bootlegging: The Clandestine Traffic in Fight Pictures, 1916-1940.
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Film : the creative process : the search for an audio-visual language and structure / by John Howard Lawson ; preface by Jay Leyda New York: Hill and Wang, 1964.
Call No: 62 LAWAuthor: Lawson, John Howard, 1894 Place: New YorkPublisher: Hill and WangPubDate: 1964PhysDes: xx, 380 p., [16] leaves of plates ; 22 cmSubject: HISTORY OF CINEMA ; ADAPTATIONS ; GRIFFITH, DAVID WARK ; VIOLENCE IN FILMS ; CHAPLIN, CHARLES ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; MAT (RU, Vsevolod I. Pudovkin, 1926) Notes: Includes index; Bibliography: p. 361-368LON: abn83003386; 2387047URL status: URL: 'http://-'
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Film : the front line, 1983 / by Jonathan Rosenbaum Denver, Colo.: Arden, 1983.
Call No: 771 ROSAuthor: Rosenbaum, Jonathan Place: Denver, Colo.Publisher: ArdenPubDate: 1983PhysDes: 238 p. : ill. ; 24 cmSubject: EXPERIMENTAL FILMS ; MEKAS, JONAS ; AKERMAN, CHANTAL ; B, BETH & SCOTT ; BENNING, JAMES ; GIDAL, PETER ; JOST, JON ; OTTINGER, ULRIKE ; RAINER, YVONNE ; RAPPAPORT, MARK ; RIVETTE, JACQUES ; SNOW, MICHAEL ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; BREER, ROBERT ; DE LANDA, MANUEL ; DRIVER, SARA ; HOCK, LOUIS ; RAYNAL, JACKIE ; THORNTON, LESLIE ; GIDAL, PETER Notes: Includes indexesISBN: 0912869038LON: 3461214
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Film : a montage of theories N.Y.: Dutton, 1966.
Call No: 62 MACAuthor: MacCann, Richard Dyer Edition: 1st edPlace: N.Y.Publisher: DuttonPubDate: 1966PhysDes: 384 p. : movie stills ; 18 cmSubject: THEORY ; AESTHETICS ; DOCUMENTARIES ; CINEMASCOPE ; NEOREALISM ; PUDOVKIN, VSEVELOD ; CLAIR, RENE ; HITCHCOCK, ALFRED ; KNOX, ALEXANDER ; NICHOLS, DUDLEY ; BERGMAN, INGMAR ; BALAZS, BELA ; SENNETT, MACK ; VORKAPICH, SLAVKO ; RICHTER, HANS ; Grierson, John ; ZAVATTINI, CESARE ; KRACAUER, SIEGFRIED ; ROEMER, MICHAEL ; BACHMANN, GIDEON ; DREW, ROBERT ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; DREYER, CARL TH. ; VANDERBEEK, STAN ; MEKAS, JONAS ; KAEL, PAULINE ; TRUFFAUT, FRANCOIS ; Fellini, Federico ISBN: 0525471812LON: 21441213
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book
Film : an international history of the medium / by Robert Sklar London: Thames & Hudson, 1993.
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Old collection
book
Film : an anothology / compiled and edited by David Talbot Berkeley, Calif.: University of California Press, 1966.
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Film : readings in the mass media / Allen Kirschner and Linda Kirschner New York: The Odyssey Press, c1971.
Call No: 62(04) KIRAuthor: Kirschner, Allen
Kirschner, Linda Place: New YorkPublisher: The Odyssey PressPubDate: c1971PhysDes: 315 pages : 23 cmSubject: CRITICISM ; HISTORY OF CINEMA ; AUDIENCES ; RATING FOR FILMS. USA ; INDUSTRY, FILM. USA ; COMEDIES ; DIRECTION ; GRADUATE, THE (US, Mike Nichols, 1967) Summary: A collection of essays on the history, art and effects of film separated into 3 sections (form and technique, audience and effects, and critics and criticism) with the final section focussing largely on the film The GraduateNotes: Bibliography: p. 313-315.Contents: Movies: the reel world / Marshall McLuhan -- Comedy's greatest era / James Agee -- from King of comedy / Mack Sennett -- The movies 100 years from now / David Wark Griffith -- The modern photoplay / Irving Thalberg -- The movies / H.L. Mencken -- Film and reality / Rudolf Arnheim -- Direction / Alfred Hitchcock -- Reflections on the film actor / Michelangelo Antonioni -- What is "film making"? / Ingmar Bergman -- The reality of New Cinema / Ken Kelman -- Where are we, the underground? / Jonas Mekas -- What makes a good screen story? / Mervyn LeRoy -- The writer and the film / Dudley Nichols -- The movies are now high art / Richard Schickel -- The movies are better than the theater / Walter Kerr -- The film generation / Stanley Kauffmann -- Engaging the eye-minded / Arthur Knight -- Movies: morals, violence, sex: anything goes / Judith Christ -- Film as environment / Anthony Schillaci -- Loverboy of the bourgeoisie / Tom Wolfe -- Freedom of speech in a mass medium / Richard S. Randall -- Rating code / Motion Picture Association of America -- Movies, the desperate art / Pauline Kael -- Should American films be subsidized? / William Fadiman -- The movie industry and the film culture / Ernest Callenbach -- On reviewing, I: Turnstiles / Renata Adler -- Is film criticism only propaganda? / Parker Tyler -- The graduate: four reviews. The graduate makes out / Hollis Alpert ; Tales out of school / Bosley Crowther ; Summa cum laude / Joseph Morgenstern ; The graduate / Stephen Farber and Estelle Changas -- Mike Nichols talks about The graduate / Joseph Gelmis -- The future of film / Members of the National Society of Film Critics: Hollis Alpert ; Brendan Gill ; Philip T. Hartung ; Stanley Kauffmann ; Arthur Knight ; Joseph Morgenstern ; Andrew Sarris ; Richard Schickel ; Wilfrid Sheed ; John Simon
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book
Film : an introduction / John L. Fell New York: Praeger Publishers, 1975.
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book
Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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book
Film 1900 : technology, perception, culture / edited by Annemone Ligensa and Klauss Kreimeier New Barnet, Herts: John Libbey ; Chatswood, N.S.W. : Distributed in Australia by Elsevier, c2009.
Call No: 70 (04) FILAuthor: Ligensa, Annemone ; Kreimeier, Klaus Place: New Barnet, HertsPublisher: John Libbey ; Chatswood, N.S.W. : Distributed in Australia by ElsevierPubDate: c2009PhysDes: vi, 250 p. : ill., tables, maps, ports ; 23 cmSubject: CULTURE AND THE CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. ENGLAND ; MUNSTERBERG, HUGO Summary: "The current digital revolution has sparked a renewed interest in the origins and trajectory of modern media, particularly in the years around 1900 when the technology was rapidly developing. This collection aims to broaden our understanding of early cinema as a significant innovation in media history. Joining traditional scholarship with fresh insights from a variety of disciplines, this book explains the aesthetic and institutional characteristics in early cinema within the context of the contemporary media landscape. It also addresses trans-cultural developments such as scientific revolutions, industrialization, urbanization, and globalization, as well as differing attitudes toward modernization. Film 1900 is an important reassessment of early cinema's position in cultural history."--BACK COVERISBN: 9780861966967Contents: Introduction. Triangulating a turn: Film 1900 as technology, perception and culture / Annemone Ligensa -- Chapter 1. Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaessar -- Chapter 2. Viewing change, changing views: the 'history of vision' debate / Frank Kessler -- Chapter 3. The ambimodernity of early cinema: problems and paradoxes of the film-and-modernity discourse / Ben Singer -- Chapter 4. Mind, the gap: the discovery of physiological time / Henning Schmidgen -- Chapter 5. 'Is everything relative?': cinema and the revolution of knowledge around 1900 / Harro Segeberg -- Chapter 6. The aesthetic idealist as efficiency engineer: Hugo Munsterberg's theories of perception, psychotechnics and cinema / Jorg Schweinitz -- Chapter 7. Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- Chapter 8. The scene of the crime: psychiaztric discourses on the film audience in early twentieth century Germany / Andreas Killen -- Chapter 9. Seen through the eyes of Simmel: The cinema programme as a 'modern' experience / Andrea Haller -- Chapter 10. 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Chapter 11. Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- Chapter 12. 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- Chapter 13. The attraction of motion: modern representation and the image of movement / Tom Gunning -- Chapter 14. 'Dashing down upon the audience': notes on the genesis of filmic perception / Laus Kreimeier -- Chapter 15. German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Chapter 16. Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- Chapter 17. 'A cinematograph of feminine thought': the dangerous age, cinema and modern women / Annemone Ligensa -- Chapter 18. Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz
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Film and reality : an historical survey / Roy Armes Harmondsworth, Middlesex: Penguin, 1974.
Call No: 62 ARMAuthor: Armes, Roy Place: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1974PhysDes: 254 p. ; 18 cmSubject: MODERNISM AND THE CINEMA ; REALISM IN FILMS ; DOCUMENTARIES ; DOCUMENTARY FILMS ; CINEMA VERITE ; NEOREALISM ; EXPRESSIONISM ; SURREALISM AND THE CINEMA ; UNDERGROUND FILMS ; ANIMATION ; HISTORY OF CINEMA. SILENT PERIOD ; STUDIO SYSTEM ; NARRATIVE IN FILMS ; STARS ; AUTHORSHIP ; WALT DISNEY PRODUCTIONS ; WESTERNS ; LUMIERE, AUGUSTE & LOUIS ; MELIES, GEORGES ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; VON STROHEIM, ERICH ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; EDISON, THOMAS ALVA ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; BUNUEL, LUIS ; RESNAIS, ALAIN ; GODARD, JEAN-LUC ; ANGER, KENNETH ; LOACH, KENNETH ; CHAPLIN, CHARLES Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.ISBN: 0140217010URL status: URL: 'http://-'
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Film and television in Australia / Brian Kennedy and Barbara Kennedy Melbourne: Longman Cheshire, 1989.
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Film and the narrative tradition / John L. Fell Berkeley: University of California Press, 1986.
Call No: 632.2 FELAuthor: Fell, John L. (John Lewis), 1927 Edition: 1st edPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: xx, 284 pages : illustrations ; 23 cmSubject: NARRATIVE IN FILMS ; HISTORY OF CINEMA. SILENT PERIOD ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; COMIC STRIPS AND THE CINEMA ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; MELIES, GEORGES Notes: Previously published: Norman : University of Oklahoma Press, 1974. -- Includes appendices -- Bibliography: p. 258-271 -- Index: p. 273 -284 -- c1974ISBN: 0520053680 (paper)LON: abn90010427; 6864524Contents: Introduction -- I. VERBAL ARTS : 1. Mise en scene -- 2. Dissolves by gaslight -- 3. It is not a good book, my son -- 4. Space, time, and Victorian prose -- II. GRAPHIC ARTS : 5. Mr. Griffith, meet Winsor McCay -- 6. The picture in our heads -- 7. Art, photography, and the shape of things to come -- III. THE MOVIES : 8. Ten cent palace life -- 9. A particular phase of perception -- APPENDICES : I. Early development of American sheet music -- II. Twenty representative British and American melodramas -- III. Subliterature in the Nineteenth Century -- IV. Lenses -- V. The phasmatrope -- VI. Nineteenth-century developments in printing -- VII. Winsor McCay -- VIII. Musical machines -- IX. Chronological listing in Niver In the Beginning Collection.
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book
The film and the public / Roger Manvell Harmondsworth, Middlesex: Penguin, 1955.
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journal article
Film and Therapy : Conclusion in Montage (September 1970) p.17-27
Author: Mogg, Ken PhysDes: Article
Review; Stills
NotesSubject: HITCHCOCK, ALFRED ; MARNIE (US, Alfred Hitchcock, 1964) ; HEDREN, TIPPI ; GODARD, JEAN-LUC ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) Summary: Comparative, close analysis of the methodological approaches of Hitchcock and Godard in conveying the therapeutic aspects of their films "Marnie" and "Le Petit Soldat", respectively.
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Film art : an introduction / David Bordwell, Kristin Thompson New York: Knopf Distributed by Random House, 1986.
Call No: 62 BORAuthor: Bordwell, David, 1947 ; Thompson, Kristin, 1950 Edition: 2nd edPlace: New YorkPublisher: Knopf Distributed by Random HousePubDate: 1986PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cmSubject: PRODUCTION ; NARRATIVE IN FILMS ; CINEMATOGRAPHY ; EDITING ; SOUND ; CRITICISM ; HISTORY OF CINEMA ; MOVEMENTS IN FILM HISTORY ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes index; Bibliography: p. 387-389ISBN: 0394352378 (pbk.)LON: 85018198; 4389326URL status: URL: 'http://-'
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Film art phenomena / Nicky Hamlyn London: British Film Institute, 2003.
Call No: 771 HAMAuthor: Hamlyn, Nicky CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: 224 p. : ill. ; 24cmSubject: ART CINEMA ; AESTHETICS ; VIDEO ART ; EXPERIMENTAL FILMS ; BRAKHAGE, STAN ; LE GRICE, MALCOLM ; SNOW, MICHAEL ; SHERWIN, GUY ; SMITH, JOHN ; HALL, DAVID ; HILL, TONY ; LARCHER, DAVID ; RABAN, WILLIAM Summary: "Hamlyn's major new study treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, point of view to sound. In so doing he considers the work of Stan Brakhage, Malcolm Le Grice and Michael Snow as well as younger artists such as Karen Mirza and Brad Butler, Jennifer Nighting ale, and Colin Crockatt, among many others. Film Art Phenomena is a crucial intervention in debates about the modes of film-making that diverge from and oppose the mainstream." -- Back coverNotes: Includes bibliography p. 188; includes index p. 195ISBN: 0851709710. mContents: I. MEDIA -- 1. Film and video -- 2. Digital media -- 3. Expanded technologies -- 4. Installation and its audience -- II. THE APPARATUS -- 5. The frame and its dissolution -- 6. Framing -- 7. Holding the camera -- 8. Point of view -- III. AESTHETICS -- 9. Space -- 10. Location -- 11. Interactivity -- 12. Sound, sync, performance -- 13. Film, art, ideology
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Film at wit's end : eight avant-garde filmmakers / Stan Brakhage Kingston, N.Y.: Documentext, 1989.
Call No: 771.1 BRAAuthor: Brakhage, Stan Edition: 1st edPlace: Kingston, N.Y.Publisher: DocumentextPubDate: 1989PhysDes: 183 p., [16] p. of plates : ill. ; 24 cmSubject: AVANT-GARDE FILMS ; BRAKHAGE, STAN ; BROUGHTON, JAMES ; CONNER, BRUCE ; DEREN, MAYA ; HILL, JEROME ; JACOBS, KEN ; MACLAINE, CHRISTOPHER ; MEKEN, MARIE ; PETERSON, SIDNEY Notes: Includes index; Filmographies: p. 171-177ISBN: 092970116x (pbk.); 0914232991 (alk. paper)LON: 6319522
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Film before Griffith / edited by John L. Fell Berkeley: University of California Press, c1983.
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Old collection
book
Film: Book 1 : the audience and the filmmaker / edited by Robert Hughes New York: Grove Press, 1959.
Call No: 62 FILAuthor: Hughes, Robert Source: USPlace: New YorkPublisher: Grove PressPubDate: 1959PhysDes: v. : ill., ports ; 20 cm.Series: Evergreen Books E140Subject: PERIODICALS, FILM ; ART AND THE CINEMA ; SPECTATORSHIP ; ANDERSON, LINDSAY ; BARDEM, JUAN ANTONIO ; BUNUEL, LUIS ; CLEMENT, RENE ; MEYERS, SIDNEY ; DREYER, CARL TH. ; HENNING-JENSEN, BJARNE ; KAZAN, ELIA ; Lean, David ; SATYAJIT, RAY ; RENOIR, JEAN ; FLAHERTY, ROBERT ; Fellini, Federico ; AGEE, JAMES ; ZAVATTINI, CESARE ; MEKAS, JONAS ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952) ISBN: 0195018346
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Interim
book
Film: Book 2 : films of peace and war / edited by Robert Hughes New York: Grove Press, Inc., 1962.
Call No: 45:355 FILAuthor: Hughes, Robert Source: USPlace: New YorkPublisher: Grove Press, Inc.PubDate: 1962PhysDes: 255 p. ill. ; 21cmSubject: POLITICS AND THE CINEMA ; HUSTON, JOHN ; MCLAREN, NORMAN ; RESNAIS, ALAIN ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; LET THERE BE LIGHT (US, John Huston, 1946) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) Notes: First printing
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book
Film Europe and film America : Cinema, commerce and cultural exchange 1920-1939 / Andrew Higson and Richard Maltby (ed) Exeter: University of Exeter Press, 1999.
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Film fables / Jacques Rancier ; translated by Emiliano Battista New York: Berg Publishers, 2006.
Call No: 63 RANAuthor: Rancier, Jacques ; Battista, Emiliano Source: FR/USPlace: New YorkPublisher: Berg PublishersPubDate: 2006PhysDes: viii, 196 pages ; 24 cmSubject: AESTHETICS ; ART AND THE CINEMA ; ART CINEMA ; AUTEUR THEORY ; CINEMATOGRAPHY ; DOCUMENTARY FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; NARRATIVE IN FILMS ; PHILOSOPHY AND THE CINEMA ; SYMBOLISM IN FILMS ; BRESSON, ROBERT ; DELEUZE, GILLES ; EPSTEIN, JEAN ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MANN, ANTHONY ; MARKER, CHRIS ; MEDVEKIN, ALEXANDER ; MURNAU, FRIEDRICH WILHELM ; YASUJIRO OZU ; RAY, NICHOLAS ; ROSSELLINI, ROBERTO ; VERTOV, DZIGA ; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; WHILE THE CITY SLEEPS (US, Fritz Lang, 1955) Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."Notes: Includes indexISBN: 9781845201685ID2: 291
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Interim
book
Film flam / by Elliot Paul London: Frederick Muller Ltd., 1956.
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Film, form, and phantasy : Adrian Stokes and film aesthetics / Michael O'Pray Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2004.
Call No: 626 [159.964.2] OPRAuthor: O'Pray, Michael Source: USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2004PhysDes: xiv, 252 p. ; 23 cmSeries: Language, Discourse, SocietySubject: AESTHETICS ; EXPRESSIONISM ; B-MOVIES ; PSYCHOANALYSIS AND THE CINEMA ; MONTAGE ; FORD, JOHN ; HITCHCOCK, ALFRED ; ROSSELLINI, ROBERTO ; ANTONIONI, MICHELANGELO ; DREYER, CARL TH. Summary: The critical writings of Adrian Stokes, based on the psychoanalyst Melanie Klein's innovative theories, were enormously influential on visual art and culture during his lifetime, but have rarely been applied to film. In this first major study of Stokes, his ideas and those of the philosopher Richard Wolheim are considered in relation to two central issues in current film theory - film as representation and as expression. Stokes fundamental distinction between carving and modelling which reflects Klein's own division in mental life between paranoid-schizoid and depressive positions is explored in relation to the traditional division in film theory between montage and realism. At the core of this study is the role of the Kleinian notion of phantasy in understanding film as an art form. To this end, the carving and modelling modes are applied to the films of Ford, Hitchcock, Rossellini, Antonioni, Dreyer, Eisenstein and American B movies. [ Taken from the back of the book.]Notes: Bibliography : p.237-245; Includes indexDonation: donated by Senses of Cinema, 2009
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Film, form & feeling / Dennis DeNitto New York: Harper & Row, c1985.
Call No: 62 DENAuthor: DeNitto, Dennis, Place: New YorkPublisher: Harper & RowPubDate: c1985PhysDes: xv, 544 p. : ill. ; 23 cmSubject: THEORY ; CRITICISM ; EDITING ; HISTORY OF CINEMA ; REALISM IN FILMS ; EXPRESSIONISM ; MONTAGE ; NEOREALISM ; NOUVELLE VAGUE ; COMEDIES ; DOCUMENTARY FILMS ; CINEMA VERITE ; PROPAGANDA FILMS ; WESTERNS ; MUSICALS ; VARIETE (G, E.A. Dupont, 1925) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; STAGECOACH (US, John Ford, 1939) ; SHANE (US, George Stevens, 1953) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; TOP HAT (US, Mark Sandrich, 1935) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) Notes: Includes indexes; Bibliography: p. 493-503ISBN: 0060416297 (pbk.)Order Received: 2000Order Type: DonationLON: 3664711
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Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; ETHNIC GROUPS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
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serial
Film Historia Barcelona: Centre for Cinematic Research, 1995.
Call No: Vol. 5 No. 1 1995 and Vol. 5 No. 2-3 1995 held only; -- IN STORAGE. OVERNIGHT RETRIEVALSource: SpainPlace: BarcelonaPublisher: Centre for Cinematic ResearchPubDate: 1995Subject: HISTORY AND THE CINEMA ; HISTORY AND THE CINEMA. SPAIN Notes: Donated by William Routt.Indexed In: FIAF
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Film history : an introduction / Kristin Thompson, David Bordwell New York: McGraw-Hill, 1994.
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Film history : theory and practice / Robert C. Allen, Douglas Gomery New York: Knopf, c1985.
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The film in history : restaging the past / Pierre Sorlin Oxford: Blackwell, 1980.
Call No: 45:93 SORAuthor: Sorlin, Pierre Source: UKPlace: OxfordPublisher: BlackwellPubDate: 1980PhysDes: xii, 226 p., [8] p. of plates : ill. ; 22 cmSubject: HISTORY AND THE CINEMA ; GRAND ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; NAPOLEON BONAPARTE (FR, Abel Gance, 1935) ; ALDO'S SAYING (IT, unknown, 1945) ; BRIGAND OF THE WOLF CAVE (IT, Pietro Germi, 1952) ; GIORNI DI GLORIA (IT, Mario Serandrei and Giuseppe de Santis, 1945) ; [EIGHTEEN-SIXTY] 1860 (IT, Alessandro Blasetti, 1933) ; GATTOPARDO, IL (IT/FR, Luchino Visconti, 1962) ; LONG LIVE ITALY (IT, Roberto Rossellini, 1960) ; LOST PATROL, THE (IT, Piero Nelli, 1953) ; CAMICIE ROSSE (IT, Goffredo Alessandrini and Franco Rosi, 1952) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; SUN RISES AGAIN, THE (IT, Aldo Vergano, 1946) ; SENSO (IT, Luchino Visconti, 1954) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; HORSE SOLDIERS, THE (US, John Ford, 1959) Notes: Historical films,. 1914-1962 - Critical studies (BNB/PRECIS); Bibliography: pF218-221. - Includes indexesISBN: 0631195106LON: 1853214Donation: donated by the family of Wayne Levy, 2006
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book
Der Film Lateinamerikas : eine dokumentation. Retrospektive zur XXIX. / Internationale Filmwoche Manheim Internationale Filmwoche Manheim, 1980.
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Levy Collection
book
Film & literature : an introduction / Morris Beja New York: Longman, 1979.
Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: 335 p. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this itemISBN: 058228094XDonation: donated by the family of Wayne Levy, 2006
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Film & literature, an introduction / Morris Beja New York: Longman, 1979.
Call No: 753 BEJCopy Management: Copy 1; Copy 2Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: xv, 335 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; LITERATURE AND THE CINEMA ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this itemISBN: 058228094XOrder Received: 2000Order Type: DonationLON: 78026167; 1314099
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Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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Film makers on film making : Statements on their art by thirty directors / Geduld, Harry M. (editor) Harmondsworth: Penguin, 1967.
Call No: 802.25 FILPlace: HarmondsworthPublisher: PenguinPubDate: 1967PhysDes: 18 cm; 303 p.Subject: AUTHORSHIP ; LUMIERE, LOUIS ; PORTER, EDWIN S. ; SENNETT, MACK ; GRIFFITH, DAVID WARK ; FLAHERTY, ROBERT ; CHAPLIN, CHARLES ; VON STROHEIM, ERICH ; VERTOV, DZIGA ; DREYER, CARL TH. ; HITCHCOCK, ALFRED ; RICHARDSON, TONY ; COCTEAU, JEAN ; RESNAIS, ALAIN ; ROBBE-GRILLET, ALAIN ; BUNUEL, LUIS ; BERGMAN, INGMAR ; FELLINI, FEDERICO ; VON STERNBERG, JOSEF ; ANTONIONI, MICHELANGELO ; LANG, FRITZ ; WAJDA, ANDRZEJ ; WELLES, ORSON ; RAY, SARYAJIT ; KUROSAWA AKIRA ; ANDERSON, LINDSAY ; LEAN, DAVID ; RENOIR, JEAN ; BARDEM, JUAN ANTONIO ; ANGER, KENNETH Summary: Does the making of films – a group activity – permit anything that can be called self-expression? Can a director, as the conductor of an orchestra of writers, actors, cameramen and technicians, stamp his personal vision on the films he makes? This and related questions are raised by this collection of statements made by famous directors about their art. Harry Geguld’s anthology of “patristic writings” runs from the days (in 1895) when Louis Lumiere filmed a train entering a station, by way of Charlie Chaplin’s knockabout ad-libbing, to the sophisticated ruminations of Antonioni and Bergman and the ideas behind the nouvelle vague. Here is D.W. Griffith’s scouting the very idea of talking pictures; Mack Sennett on custard pies; Eisenstein on three-dimensional film; Cocteau on the raw materials of illusion; Kurosawa on filming in Japan; Hitchcock on the macabre; and some other twenty leading directors on aspects of their work. In his introduction, Harry Geguld assesses the unique characteristics of motion pictures and comments refreshingly on the eternal controversy of “book into film”. [Taken from back cover.]ID2: 291
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Film making in New Zealand : a brief historical survey / Clive Sowry ; editor, Jonathan Dennis Wellington, N.Z.: New Zealand Film Archive : Friends of the Film Archive, 1984.
Call No: 71(931) SOWAuthor: Sowry, Clive, 1955 ; Dennis, Jonathan CorpAuthor: New Zealand Film Archive; Friends of the Film Archive (N.Z.)Place: Wellington, N.Z.Publisher: New Zealand Film Archive : Friends of the Film ArchivePubDate: 1984PhysDes: 16 p. : ill., ports. ; 22 cmSubject: HISTORY OF CINEMA. NEW ZEALAND ; HAYWARD, RUDALL Notes: Revision of article previously published in Cinema papers special issue, The New Zealand film industry, May-June, 1980ISBN: 0959770607 (pbk.) : $2.50LON: zbn84008904; 3753056
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Film-making with commercial breaks. in The Australian Film Review (Oct 27-Nov 9 1983) vol.1 iss.19 p.10
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Film marketing into the twenty-first century / by Nolwenn Mingant, Cecilia Tirtaine, Joel Augros London: BFI book published by Palgrave, 2015.
Call No: 33 MINAuthor: Mingant, Nolwenn ; Tirtaine, Cecilia ; Augros, Joel Source: UKPlace: LondonPublisher: BFI book published by PalgravePubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DIGITAL TECHNOLOGY ; TRANSNATIONAL CINEMA ; DISTRIBUTION ; INTERNET AND THE CINEMA ; COMPUTERS AND THE CINEMA ; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002) ; MY LIFE IN RUINS (US, Donald Petrie, 2009) ; ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002) ; ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012) ; HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012) ; HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013) ; HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ , Peter Jackson, 2014) ; BAIT (AT, Kimble Rendall, 2012) ; AVATAR (US, James Cameron, 2009) Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing.
The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844578382Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --
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Film Moments : criticism, history, theory / edited by Tom Brown and James Walters London: Palgrave Macmillan on behalf of the British Film Institute, 2010.
Call No: 62(04) FILAuthor: Brown, Tom ; Walters, James Source: UKPlace: LondonPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2010PhysDes: xii, 178 p. : ill. ; 25 cmSubject: FILM ; CRITICISM ; HISTORY OF CINEMA ; THEORY Summary: "The 38 specially commissioned essays in Film Moments examine a wide selection of key scenes aross a broad spectrum of national cinemas, historical periods and genres, featuring films by renowned auteurs including Alfred Hitchcock, Jean Renoir and Vincente Minnelli and important contemporary directors such as Pedro Costa, Zhang Ke Jia and Quentin Tarantino, addressing films including City Lights, Gone with the Wind, The Wizard of Oz, The Night of the Hunter, Wild Strawberries, 8 1/2, Bonnie and Clyde, Star Wars, Conte d'ete, United 93, and Lord of the Rings: Return of the King.
Film Moments provides both an enlightening introduction for students to the diversity of approaches and concerns in the study of film, and a dynamic and vibrant account of key film sequences for anyone interested in enhancing their understanding of cinema" -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844573356Contents: -- Shadow play and dripping teat The Night of the Hunter (1955) / Tom Gunning -- Between melodrama and realism Under the Skin of the City (2001) / Laura Mulvey -- Internalising the musical The Band Wagon (1953) / Andrew Klevan -- The visitor's discarded clothes in Theorem (1968) / Stella Bruzzi -- Style and sincerity in Quentin Tarantino's Kill Bill Vol. 2 (2004) / James Walters -- The moves Blood (1989) / Adrian Martin -- The properties of images Lust for Life (1956) / Steve Neale -- Two views over water action and absorption in Ingmar Bergman's Wild Strawberries (1957) / Edward Gallafent -- Making an entrance Bette Davis's first appearance in Jezebel (1938) / Martin Shingler -- A narrative parenthesis in Life is Beautiful (1997) / Deborah Thomas -- The end of summer Conte d'e´te´ (1996) / Jacob Leigh -- Enter Lisa Rear Window (1954) / Douglas Pye -- Opening up The Secret Garden (1993) / Susan Smith -- A magnified meeting in Written on the Wind (1956) / Steven Peacock -- "Everything is connected, and everything matters" relationships in I [heart] Huckabees (2004) / John Gibbs -- The Ending of 8 1 / 2 (1963) / Richard Dyer -- Haptic vision and consumerism a moment from Fritz Lang's Siegfried (1924) / Thomas Elsaesser -- Visions of sound in City Lights (1931) / Charles Barr -- "Entertainment and dystopia" Maurice Chevalier performs Avec le sourire (1936) / Tom Brown -- Music, crime and the gaze La Be^te humaine (1938) / Ginette Vincendeau -- Thunder and lightning Gone with the Wind (1939) and the Logic of Synchronisation / Rick Altman -- Hearing, fearing the sonic design of suspense in Cat People (1942) / Helen Hanson -- "I've seen him take his knife--" The Searchers (1956) / R.J. Ellis -- Another story myth and history in Bonnie and Clyde (1967) / Pam Cook -- A sculptural moment the epilogue to Les Deux Anglaises et le Continent (1971) / Mark Broughton -- Star Wars (1977) back and forth in time and space / Jonathan Bignell -- Between freedom and confinement music in The World (2004) / Claudia Gorbman -- Performance, with strings attached Team America's (2004) snub to the actor / Alex Clayton -- E´loge de l'Amour (2001) moments in time / Alison Butler -- Contested endings interpreting The Piano's (1993) final scenes / Barbara Klinger -- Mourning, loss and trauma, and the ambiguities of proper and improper desire in Exotica (1994) / Elizabeth Cowie -- Stepping out of Blockbuster mode the lighting of the beacons in The Lord of the Rings The Return of the King (2003) / Kristin Thompson -- Dorothy's dream mindscreen in The Wizard of Oz (1939) / Bruce F. Kawin -- Looking on and looking the other way Hotel Rwanda (2004) and the racialised ethics of spectatorship / Michele Aaron -- Working through the body textual-corporeal strategies in United 93 (2006) / Lisa Purse -- "I wasn't expecting that!" cognition and shock in Alien's (1979) chestburster scene / Jonathan Frome -- The inflection of a dream in Scarlet Street (1945) / George M. Wilson -- Judy's plan a reading of the "Flashback" sequence in Vertigo (1958) / William Rothman -- index --
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Le film muet sovietique 1965.
Call No: F023(47) FILCorpAuthor: Musee du cinemaSource: BEPubDate: 1965Subject: RUSSIA ; HISTORY OF CINEMA. SILENT PERIOD Notes: catalogue of the Soviet silent cinema retrospective held at the Musee du Cinema, BrusselsLanguage: French
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Film noir reader / edited by Alain Silver and James Ursini New York: Limelight Editions, 1996.
Call No: 734 FILAuthor: Silver, Alain, 1947 ; Ursini, James Edition: 1st Limelight edPlace: New YorkPublisher: Limelight EditionsPubDate: 1996PhysDes: x, 343 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; MANN, ANTHONY ; ANGEL FACE (US, Otto Preminger, 1952) ; KILLERS, THE (US, Robert Siodmak, 1946) ; PHANTOM LADY (US, Robert Siodmak, 1944) ; NIGHT AND THE CITY (US, Jules Dassin, 1950) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; HICKEY AND BOGGS (US, Robert Culp, 1972) Notes: Includes bibliographical references; Film noirISBN: 0879101970LON: 12195770
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Film noir reader 2 / edited by Alain Silver & James Ursini New York: Limelight Editions, 1999.
Call No: 734 FILAuthor: Silver, Alain, 1947 ; Ursini, James Edition: 1st Limelight ed. July 1999Place: New YorkPublisher: Limelight EditionsPubDate: 1999PhysDes: x, 346 p. : ill., ports. ; 23 cmSubject: FILM NOIR ; POLICE FILMS ; OPENINGS OF FILMS ; JAZZ IN FILMS ; FILM NOIR. UK ; FEMME FATALE ; WOMEN IN FILMS ; WOOLRICH, CORNELL ; HITCHCOCK, ALFRED ; FULLER, SAMUEL ; POSTMAN ALWAYS RINGS TWICE, THE (US, Bob Rafaelson, 1981) ; POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946) ; FILE ON THELMA JORDON, THE (US, Robert Siodmak, 1949) ; PUSHOVER (US, Richard Quine, 1954) ; BIG HEAT, THE (US, Fritz Lang, 1953) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) Notes: Includes bibliographical referencesLON: 21222408
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Film on 4 in National Film Theatre (Oct-Nov 1983) p.8-12
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Film on campus : news and notes from New York University Insitiute of Film and Television in Interview (1970) vol.1 iss.8 p.5
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Film out of bounds : essays and interviews on non-mainstream cinema worldwide / edited by Matthew Edwards Jefferson, North Carolina, and London: McFarland & Company Inc, 2007.
Call No: 722.731 FILSource: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: 2007PhysDes: viii, 255 p. : ill. ; 23 cmSubject: NORTH KOREA ; PORNOGRAPHIC FILMS. JAPAN ; ARGENTO, DARIO ; THRILLERS. SPAIN ; HILLS, PAUL ; JORDAN, NEIL ; LEWIS, HERSCHELL GORDON ; MADDIN, GUY ; MULLOY, PHIL ; SATSUMA, KENPACHIRO ; TOMASELLI, DANTE ; BARAKU EMPERORU (JA, Mitsuo Yanagimachi, 1976) ; GODSPEED YOU! BLACK EMPEROR (JA, Mitsuo Yanagimachi, 1976) ; THUNDERCRACK (US, Curt McDowell, 1976) ISBN: 9780786429707Donation: donated by Senses of Cinema, 2010Contents: "Don't stray from the path" : sexuality, dreams and eroticism in Neil Jordan's The company of wolves / Matthew Edwards -- In the company of the wolf : an interview with Neil Jordan / Matthew Edwards -- Close to the bone : an interview with Paul Hills / Matthew Edwards -- The 2001st maniac : an interview with Herschell Gordon Lewis / Matthew Edwards -- Inside pink / Jasper Sharp -- Thundercrack! and a brief overview and appreciation of the golden age of porn / Mark Edwards -- An interview with Melinda McDowell / Mark Edwards -- Animating the extreme : the animation of Phil Mulloy / Matthew Edwards -- Between the frames : an interview with Phil Mulloy / Matthew Edwards -- Writing argento / Maitland McDonagh -- Requiems for abandoned souls : the new wave of Spanish mystery thrillers / Marcus Stiglegger -- The new throwback : the films of Dante Tomaselli / Matthew Edwards -- Godspeed you! black emperor and the Japanese underground biker phenomenon / Matthew Edwards -- A permanent state of war : a short history of North Korean cinema / Johannes Scho¨nherr -- Godzilla goes to North Korea : an interview with Kenpachiro Satsuma / Johannes Scho¨nherr -- The Winnipeg wonder : an interview with Guy Maddin / Matthew Edwards
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Film style and technology : history and analysis / Barry Salt London: Starword, c1983.
Call No: 701 SALAuthor: Salt, Barry Source: UKPlace: LondonPublisher: StarwordPubDate: c1983PhysDes: 407 p. : ill. ; 28 cmSubject: HISTORY AND THE CINEMA ; CINEMATOGRAPHY Notes: Includes indexes; Bibliography: p. [381]-382ISBN: 0950906603LON: 3050934Donation: LevyContents: -- 1 Introduction -- 2 Old film theory -- 3 -- The interpretation of films -- 4-- French film theory into English -- 5-- Practical film theory -- 6 -- Film style and technology: 1895-1900 -- 7 -- Film style and technology: 1900-1906 -- 8 -- Film style and technology: 1907-1913 -- 9 -- Film style and technology: 1914-1919 -- 10 -- Statistical style analysis of motion pictures- part 1 -- 11-- Film style and technology: 1920-1926 -- 12 -- Film style and technology: 1926-1929 -- 13 -- Statistical style analysis of motion pictures - part 2 -- 14 -- Film style and technology in the thirties -- 15 -- Film style and technology in the forties -- 16 -- Film style and technology in the fifties -- 17 -- Film style and technology in the sixties -- 18 -- The nineteen-seventies -- 19 -- Stylistic analysis of the films of Max ophuls -- 20 -- Afterword -- 21 -- Bibliography -- 22 -- Glossary -- 23 -- Index of names of film makers and companies -- 24 -- index of films
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Film Styles : Styles In Filmmaking in Lumiere (July-August 1971) iss.10 p.6-11
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Film Styles in Lumiere (May, 1973) iss.23 p.33
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Film styles / 4 : the divided screen in Lumiere (September, 1972) iss.16 p.15-19
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A film that needed to be made in Canberra Times [Panorama] (29/08/2015) p.20
Call No: TITLE CLIPPINGS FILE; HOLDING THE MAN (AT, Neil Armfield, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: HOLDING THE MAN (AT, Neil Armfield, 2015) Summary: Review of the film HOLDING THE MAN that discusses the portrayal of homosexuality and homoeroticism in Australian film and culture
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Film Therapy : Part One in Montage (March 1970) p.23.-28
Author: Mogg, Kenn PhysDes: ArticleSubject: GODARD, JEAN-LUC ; REALISM IN FILMS ; AESTHETICS ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; HITCHCOCK, ALFRED ; MARNIE (US, Alfred Hitchcock, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) Summary: Essay explores the concepts of reality and therapy in cinema: how the characters undergo emotional therapy in a film's narrative, and in particular, how films can act as a therapeutic experience for audiences.
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The film till now : a survey of world cinema / with an additional section by Richard Griffith London]: Vision-Mayflower, [1960].
Call No: 70 ROTAuthor: Rotha, Paul Edition: [3d ed., rev. and enl]Place: London]Publisher: Vision-MayflowerPubDate: [1960]PhysDes: 820 p. : illus. ; 22 cmSubject: HISTORY OF CINEMA LON: 1350218 1350218
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Film world : interviews with cinema's leading directors / Michel Ciment; translated by Julie Rose New York: Berg, 2009.
Call No: 802.25 CIMAuthor: Ciment, Michel Source: USPlace: New YorkPublisher: BergPubDate: 2009PhysDes: viii, 372 p. ; 25 cmSeries: Talking images seriesSubject: BERTOLUCCI, BERNARDO ; BOORMAN, JOHN ; BRESSON, ROBERT ; CAMPION, JANE ; CASSAVETES, JOHN ; CRONENBERG, DAVID ; EGOYAN, ATOM ; FELLINI, FEDERICO ; GODARD, JEAN-LUC ; GREENAWAY, PETER ; HERZOG, WERNER ; HOU HSIAO-HSIEN ; WONG KAR WAI ; KAURISMAKI, AKI ; KIAROSTAMI, ABBAS ; KIESLOWSKI, KRZYSZTOF ; KITANO TAKESHI ; IM KWON-TAEK ; LEIGH, MIKE ; DE OLIVEIRA, MANOEL ; RAY, SATYAJIT ; SCORSESE, MARTIN ; TARKOVSKY, ANDREI ; VON TRIER, LARS ; ZHANG YIMOU Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back coverNotes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes indexISBN: 9781845204577Language: English, translated from the FrenchContents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.ID2: 291
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Filmguide to Henry V / Harry M. Geduld Bloomington: Indiana University Press, 1973.
Call No: 79HEN GEDAuthor: Geduld, Harry M. Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: 1973PhysDes: 82 p. ; 21 cm.Series: Indiana University Press Filmguide SeriesSubject: HENRY V (UK, Laurence Olivier, 1944) ISBN: 02533293146Language: English
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Filming Batavia in Lumiere (March, 1973) iss.21 p.16-19
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The filming of modern life : European Avant-Garde Film of the 1920s / by Malcom Turvey Cambridge, Massachusetts: MIT Press, c2011.
Call No: 771(4) TURAuthor: Turvey, Malcolm Source: USPlace: Cambridge, MassachusettsPublisher: MIT PressPubDate: c2011PhysDes: xii, 213 p. : ill. ; 24 cmSubject: AVANT-GARDE FILMS ; AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; EUROPEAN CINEMA ; HISTORY OF CINEMA. 1920's ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Summary: "In the 1920s, the European avant-garde embraced the cinema, experimenting with the medium in radical ways. Painters including Hans Richter and Fernand Leger as well as filmmakers belonging to such avant-garde movements as Dada and surrealism made some of the most enduring and fascinating films in the history of cinema. In The Filming of Modern Life, Malcolm Turvey examines five films from the avant-garde canon and the complex, sometimes contradictory, attitudes toward modernity they express: Rhythm 21 (Hans Richter, 1921), Ballet mecanique (Dudley Murphy and Fernand Leger, 1924), Entr'acte (Francis Picabia and Rene Clair, 1924), Un chien Andalou (Salvador Dali and Luis Bunuel, 1929), and Man with a Movie Camera (Dziga Vertov, 1929). All exemplify major trends within European avant-garde cinema of the time, from abstract animation to "cinema pur." Turvey argues that these films share a concern with modernization and the rapid, dislocating changes it was bringing about. He critically addresses major theories of the avant-garde and its relation to modern life, including the claim that film is "distracting" in the same way as a modern environment, and he challenges the standard view of the avant-garde as implacably opposed to bourgeois modernity. In fact, he writes, not only was there considerable disagreement among avant-garde movements about what aspects of modern life needed transformation, but the positions of individual avant-garde artists toward modernization were complex, even contradictory. All five films that Turvey analyzes embrace and resist, in their own ways, different aspects of modernity. Although much has been written about each of these films, The Filming of Modern Life is the first book to examine them together, illuminating their shared concern with modernization and its consequences." -- BOOK JACKETNotes: "An October book"; Includes bibliographical references and indexISBN: 9780262015189Contents: -- acknowledgments -- introduction -- Abstraction and rhythm 21 -- "Cinema pur" and Ballet me´chanique -- Dada, Entr'acte and Paris qui dort -- Surrealism and Un chien andalou -- City symphony and Man with a movie camera -- Film, distraction, and modernity -- notes -- index --
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Filming the body in crisis : trauma, healing and hopefulness / Davina Quinlivan Basingstoke [England]: Palgrave Macmillan,
Call No: 10268Author: Quinlivan, Davina Edition: 2015Place: Basingstoke [England]Publisher: Palgrave MacmillanPhysDes: x, 188 p. : illus. ; 22 cmSubject: PSYCHOLOGY AND THE CINEMA ; WALTZ WITH BASHIR (IS/G/FR, Ari Forman, 2008) ; ABRAZOS ROTOS, LOS (SP, Pedro Almodovar, 2009) ; FELICIA'S JOURNEY (UK/CN, Atom Egoyan, 1999) ; TREE OF LIFE, THE (US, Terrence Malick, 2011) ; HERE (US, Braden King, 2011) ; BEGINNERS (US, Mike Mills, 2010) ; HUNGER (UK, Steve McQueen, 2008) ; CRONENBERG, DAVID Notes: How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the healing body and its material registering of trauma. -- publisher's blurbISBN: 9781137361363
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 2 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.2Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: LEAR, NORMAN ; LEVINE, JOSEPH E. ; RENOIR, JEAN ; TOWNE, ROBERT ; HESTON, CHARLTON ; DAVIS, BETTE ; GOLDSMITH, JERRY ; HEAD, EDITH ; SELZNICK, DAVID O. ; BRAKHAGE, STAN ; DE HAVILLAND, OLIVIA ; MORRISSEY, PAUL ; NICHOLSON, JACK ; POLANSKI, ROMAN ; SCHAFFNER, FRANKLIN J. ; WYLER, WILLIAM ; ALONZO, JOHN ; HORNER, HARRY ; GOOD TIMES (US, William Friedkin, 1967) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; CHINATOWN (US, Roman Polanski, 1974) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HEIRESS, THE (US, William Wyler, 1949) ; HUSTLER, THE (US, Robert Rossen, 1961) ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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Films in 1951 : a special publication on British films and film-makers for the Festival of Britain London: Published by Sight & Sound for the British Film Institute, [1951].
Call No: 71(41) FILCorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: Published by Sight & Sound for the British Film InstitutePubDate: [1951]PhysDes: 72 p. illus. 28 cmSubject: RANK ORGANISATION ; CENSORSHIP. UK ; CHILDREN, FILMS FOR. UK ; SOCIETIES, FILM. UNITED KINGDOM ; AMATEUR FILMS. UK ; FESTIVALS. EDINBURGH ; EDUCATION, FILM. UK ; INDUSTRY, FILM. UK ; KORDA, ALEXANDER ; EALING STUDIOS ; REED, CAROL ; CLARKE, T E B ; CARDIFF, JACK ; HARRIS, JACK ; OLIVIER, LAURENCE ; ALWYN, WILLIAM ; HOBSON, VALERIE ; BALCON, MICHAEL ; Grierson, John Summary: Focuses on a number of different films, people, and areas within the British film industry at the time of publication.Notes: Includes list of film companies and studios -; Includes list of distribution and exhibition companies -; Includes list of production organisations -; Includes bibliography
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Films in the making / by Robb Lawson London: Sir Isacc Pitman & Sons, 1938.
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The films of Alfred Hitchcock / David Sterritt Cambridge [England] New York, NY, USA: Cambridge University Press, 1993.
Call No: 81HIT STEAuthor: Sterritt, David Place: Cambridge [England] New York, NY, USAPublisher: Cambridge University PressPubDate: 1993PhysDes: vii, 165 p. : ill. ; 24 cmSeries: Cambridge film classicsSubject: HITCHCOCK, ALFRED Summary: Alfred Hitchcock is one of the few filmmakers to combine a strong reputation for high-art filmmaking with great mass-audience popularity. This introduction to his oeuvre provides an overview of a long and prolific career. David Sterritt examines, among other issues, the varied influences on his work; the themes that run through many of his films; the overlooked importance of his presence within his films, including his famous cameo appearances and the characters who "represent" him within the story; his fascination with performance and the ambiguities of illusion and reality; and the question of viewing the filmmaker and his work through the auteur theory. Also discussed is the relationship between Hitchcock as a serious, even tormented, artist and Hitchcock as a magician with a weakness for cinematic practical jokes; Sterritt then provides in-depth analysis of key Hitchcock films: Blackmail, his first talkie; Shadow of a Doubt, one of his personal favorites; The Wrong Man, which questions the nature of guilt and innocence; Vertigo, arguably his most profound work; Psycho, his most savage look at the nature of evil; and The Birds, his last masterpiece and one of his most widely misunderstood filmsNotes: Includes filmography; Includes bibliographical references (p. 148] and indexISBN: 0521398142 (pbk.); 0521391334LON: 92025768; 9152770
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The films of Alfred Hitchcock / George Perry London: Studio Vista, 1965.
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The films of Gillian Armstrong / by Felicity Collins St Kilda, Vic.: ATOM, 1999.
Call No: 81ARM COLAuthor: Collins, Felicity CorpAuthor: Australian Teachers of MediaPlace: St Kilda, Vic.Publisher: ATOMPubDate: 1999PhysDes: 98 p. : ill. ; 22 cmSeries: Moving image ; no. 6Subject: ARMSTRONG, GILLIAN ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; MRS SOFFEL (US, Gillian Armstrong, 1984) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) Notes: Includes bibliographical references (p. 95-98)ISBN: 1876467037LON: 20015377
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The films of Howard Hawks / by Donald C. Willis Metuchen, NJ: Scarecrow Press, 1975.
Call No: 81HAW WILAuthor: Willis, Donald C. Place: Metuchen, NJPublisher: Scarecrow PressPubDate: 1975PhysDes: viii, 235 p. : ill. ; 22 cm.Subject: HAWKS, HOWARD ; BRINGING UP BABY (US, Howard Hawks, 1938) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; MONKEY BUSINESS (US, Howard Hawks, 1952) ; TWENTIETH CENTURY (US, Howard Hawks, 1934) ; BALL OF FIRE (US, Howard Hawks, 1942) ; SONG IS BORN, A (US, Howard Hawks, 1947) ; FIG LEAVES (US, Howard Hawks, 1926) ; MAN'S FAVORITE SPORT? (US, Howard Hawks, 1963) ; RED RIVER (US, Howard Hawks, 1948) ; RIO BRAVO (US, Howard Hawks, 1959) ; RIO LOBO (US, Howard Hawks, 1970) ; EL DORADO (US, Howard Hawks, 1966) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; ONLY ANGELS HAVE WINGS (US, Howard Hawks, 1939) ; CEILING ZERO (US, Howard Hawks, 1936) ; CROWD ROARS, THE (US, Howard Hawks, 1932) ; GIRL IN EVERY PORT, A (US, Howard Hawks, 1928) ; TIGER SHARK (US, Howard Hawks, 1932) ; BARBARY COAST (US, Howard Hawks, 1935) ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; SCARFACE (US, Howard Hawks, 1932) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; CRIMINAL CODE, THE (US, Howard Hawks, 1931) ; LAND OF THE PHARAOHS (US, Howard Hawks, 1955) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; AIR FORCE (US, Howard Hawks, 1943) ; SARGEANT YORK (US, Howard Hawks, 1941) ; ROAD TO GLORY, THE (US, Howard Hawks, 1936) Summary: The films of Howard Hawks are organised by genre and reviewed to give a sense of the director as auteur.Notes: Includes bibliographical references and index.ISBN: 0810808609
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The films of John Hughes : a history of independent screen production in Australia / by John Cumming St Kilda West, Vic.: Australian Teachers of Media (ATOM), c2014.
Call No: 81HUG CUMAuthor: Cumming, John Source: ATPlace: St Kilda West, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2014PhysDes: 298p. : 24cmSeries: The Moving ImageSubject: PRODUCTION ; HISTORY OF CINEMA. AUSTRALIA ; AUSTRALIA ; HUGHES, JOHN (AT) ; MENACE (AT, John Hughes, 1977) ; NOVEMBER ELEVEN (AT, ?, 1978?) ; FILM WORK (AT, John Hughes, 1981) ; TRAPS (AT, John Hughes, 1985) ; ALL THAT IS SOLID (AT, John Hughes, 19887) ; ONE WAY STREET: FRAGMENTS FOR WALTER BENJAMIN (AT, John Hughes, 1992) ; WHAT I HAVE WRITTEN (AT, John Hughes, 1996) ; ARCHIVE PROJECT THE (AT, John Hughes, 2005) ; INDONESIA CALLING : JORIS IVENS IN AUSTRALIA (AT, John Hughes, 2009) ; LOVE & FURY: JUDITH WRIGHT & 'NUGGET' COOMBS (AT, John Hughes, 2013) Summary: "John Cumming's superb book is not only about the prodigous, exploratory, challenging films, videos and TV programs made by John Hughes - an underrated canny maverick of our national scene; it is also about what it takes to keep moving and changing with the times, how to negotiate with institutions and collaborate with sympathetic minds from other art forms, how to research and teach and theorise on the spot. Only after that concerted effort can a big picture - involving, in Hughes' case, a multimedia aesthetic of collage-design, and a long view of generations, conflicts, and transmissions in social history - be dscerned." -- BOOK BLURBISBN: 9781876467234Contents: -- acknowledgements -- introduction -- chapter 1: cybernetic synergies -- chapter 2: menace -- chapter 3: november eleven -- chapter 4: film-work -- chapter 5: traps -- chapter six: all that is solid -- chapter 7: one way street -- chapter 8: what I have written -- chapter nine: some aspects of Australian racism -- chapter 10: the archive project -- chapter 11: Indonesia calling and love & fury -- appendix 1: acronyms and abbreviations -- appendix II: filmography and media works - John Hughes -- appendix III: bibliography - John Hughes -- appendix: references -- appendix V: index --
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The films of Katharine Hepburn / by Homer Dickens Secaucus, New Jersey : Citadel, c1971:
Call No: 81HER DICAuthor: Dickens, Homer Place: Secaucus, New Jersey : Citadel, c1971PhysDes: 242 pSubject: HEPBURN, KATHARINE ISBN: 0806503610LON: abn89066948; 6244635
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The films of the eighties : a social history / William J. Palmer Carbondale: Southern Illinois University Press, 1993.
Call No: 409 PALAuthor: Palmer, William J. Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1993PhysDes: xv, 335 pages : illustrations ; 24 cmSubject: HISTORY OF CINEMA. 1980's ; SOCIETY AND THE CINEMA ; VIETNAM WAR IN FILMS ; WAR AND THE CINEMA ; NUCLEAR WARFARE IN FILMS ; TERRORISM AND THE CINEMA ; FEMINISM AND THE CINEMA Summary: "In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the 'holograph of history' that originated from the New Historicist theories of Hayden White and Dominick LaCaprra. In the eighties,such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780809320295Contents: The holograph of history -- The Vietnam War as film text -- The "coming home" films -- The terrorism film texts -- The nuclear war film texts -- From the "evil empire" to Glasnost -- The feminist farm crisis and other neoconservative feminist texts -- The yuppie texts -- Film in the holograph of new history
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The Films of Werner Herzog : between mirage and history / edited by Timothy Corrigan New York: Methuen, 1986.
Call No: 81HER FILAuthor: Corrigan, Timothy, 1951 Place: New YorkPublisher: MethuenPubDate: 1986PhysDes: 232 p. : ill. ; 24 cmSubject: HERZOG, WERNER Notes: Includes index; Filmography: p. [209]-220; Bibliography: p. [221]-226ISBN: 041641060X; 0416410707 (pbk.)LON: 86012430; 4680214
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book
Filmstruck : Australia at the movies / John Baxter Sydney: ABC Enterprises, 1986.
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Find the director and other Hitchcock games / Thomas M. Leitch Athens: University of Georgia Press, 1991.
Call No: 81HIT LEIAuthor: Leitch, Thomas M Place: AthensPublisher: University of Georgia PressPubDate: 1991PhysDes: x, 296 p. ; 24 cmSubject: HITCHCOCK, ALFRED ; DIRECTION Notes: Includes bibliographical references (p. [267]-286) and indexISBN: 0820312940 (alk. paper); 0820313416 (pbk. : alk. paper)LON: 90045353; 7506102
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The first Australian History and Film Conference papers, 1982 / edited by Anne Hutton North Ryde, N.S.W.: Australian Film and Television School, 1982.
Call No: 45:93 HISAuthor: Hutton, Anne CorpAuthor: Australian History and Film Conference (1st :, 1981 : Canberra, A.C.T.); Australian Film and Television SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film and Television SchoolPubDate: 1982PhysDes: 298 p. ; 30 cmSubject: HISTORICAL FILMS ; HISTORY AND THE CINEMA ; HISTORICAL FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; USA. 1927-32 ; PSYCHOLOGY AND THE CINEMA ; MYTH AND THE CINEMA ; FEMINISM AND THE CINEMA. JAPAN ; PROPAGANDA FILMS ; EALING STUDIOS ; FILMS FROM THE RAJ (UK, 1977) ; UNCIVILISED (AT, Charles Chauvel, 1936) ; CASABLANCA (US, Michael Curtiz, 1942) ; GALLIPOLI (AT, Peter Weir, 1981) Notes: Australia. Historical sources: Films. Conference proceedings (ANB/PRECIS SIN 0633798); Includes bibliographical referencesISBN: 0642925402 (corrected) : price unknown 064292540LON: 2465451
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First cut : conversations with film editors / Gabriella Oldham Berkeley: University of California Press, c1992.
Call No: 802.41 OLDAuthor: Oldham, Gabriella Place: BerkeleyPublisher: University of California PressPubDate: c1992PhysDes: ix, 417 p. ; 24 cmSubject: EDITING ; EDITORS ; COATES, ANNE ; LITTLETON, CAROL ; ROLF, TOM ; HIRSCH, PAUL ; LEVIN, SID ; MARKS, RICHARD ; HEIM, ALAN ; KAHN, SHELDON ; PAINE, EMILY ; HANEKE, TOM ; KRESS, HAROLD F. ; KRESS, CARL ; BARTZ, GEOF ; BARNES, PAUL ; PANKOW, BILL ; CAMBERN, DONN ; LOTTMAN, EVAN ; FRANK, PETER C. ; DUNNING, JOHN ; WINTERBURN, TED ; WORTH, MERLE ; MALKIN, BARRY ; FEHR, RUDI Notes: Includes bibliographical references (p. 403-404) and indexISBN: 0520075889 (pb.); 0520075862 (alk. paper)LON: 8667391
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festival catalogue
The First Los Angeles international film exposition : November 4 through 14, 1971 / The Los Angeles international film exposition US: [s.n], 1971.
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book
First stage : profiles of the new American actors / Kathy Henderson New York: Quill, 1985.
Call No: 802.27(73) HENAuthor: Henderson, Kathy, 1954 Edition: 1st Quill edSource: USPlace: New YorkPublisher: QuillPubDate: 1985PhysDes: 159 p. : ill. ; 28 cmSubject: WEAVER, SIGOURNEY ; BACON, KEVIN ; BRODERICK, MATTHEW ; CLOSE, GLENN ; CROUSE, LINDSAY ; HINES, GREGORY ; HURT, MARY BETH ; HURT, WILLIAM ; IVEY, JUDITH ; KLINE, KEVIN ; LITHGOW, JOHN ; MALKOVICH, JOHN ; PATINKIN, MANDY ; REED, PAMELA ; ROBERTS, ERIC ; SHEA, JOHN ; STREEP, MERYL ; WELLER, PETER ; WILLIAMS, JOBETH ; WILLIAMS, TREAT Notes: Includes indexISBN: 0688047009 (pbk.)LON: 3795658
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newspaper article
Fleshing out the debate on porn in Australian Financial Review (30/01/2007) p.28
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: INDUSTRY, VIDEO ; BLU-RAY ; HIGH DEFINITION DVD ; HIGH DEFINITION DVD, PORNOGRAPHIC ; DAVOUDIAN, ALI Summary: The war between the High definition DVD formats (Blu-ray and HD-DVD) have effected the adult industry as to which direction the industry will take in pressing their adult content DVDs. The article suggests that the adult industry cemented the prominence of the VHS video format when home video porn films were pressed on VHS instead of Betamax. The adult industry could also have the same effect on the Blu-ray and HD-DVD war.
Ali Davoudian, founder of the adult entertainment company digital playground – stated his company would go with the HD-DVD as the technology of choice for high definition porn films, because Sony was against the use of Blu-ray format for such purposes. However he has also been quoted as saying that he prefers Blu-ray technology as Blu-ray disks have a higher capacity than HD-DVD.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
The Rescuers
Big booty Revenge 2
Strap Attack 5
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Flickers : an illustrated celebration of 100 years of cinema / Gilbert Adair London Boston: Faber and Faber, 1995.
Call No: 70 ADAAuthor: Adair, Gilbert Place: London BostonPublisher: Faber and FaberPubDate: 1995PhysDes: 202 p. : ill. (some col.) ; 25 cmSubject: HISTORY OF CINEMA ; CENTENARY OF CINEMA Summary: "The organizing principle ... is that each of the cinema's hundred years be represented by a single film and a single still"--IntroductionISBN: 0571173098LON: 11497912
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1992.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Place: MelbournePublisher: Oxford University PressPubDate: 1992PhysDes: viii, 184 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MALCOLM (AT, Nadia Tass, 1986) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; SHAME (AT, Steve Jodrell, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; GALLIPOLI (AT, Peter Weir, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; STREET HERO (AT, Michael Pattinson, 1984) ; STAND BY ME (US, Rob Reiner, 1986) ; DELINQUENTS, THE (AT, Chris Thomson, 1989) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985) ; KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985) ; PLACE AT THE COAST, THE (AT, George Ogilvie, 1987) ; SCALES OF JUSTICE [TV] (AT, 1983) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; MY LEFT FOOT (UK, Jim Sheridan, 1989) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Notes: Includes index; Bibliography: p. 183ISBN: 019553218XLON: 8815950ID2: 290
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still
[Floods of fear : Anne Heywood as Elizabeth and Howard Keel as Donavan are caught inside a house in a flood and are struggling to escape] / Produced by Sydney Box / Directed by Charles Crichton / Photograph by Ian Jeayes Rank organisation, [1959?].
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Rank organisationPubDate: [1959?]PhysDes: 1 photograph : b&x ; 24 x 20 cm.Subject: FLOODS OF FEAR (UK, Charles Crichton, 1959) ; HEYWOOD, ANNE ; KEEL, HOWARD Summary: "Battered by dangerous floods, Donavan (Howard Keel) and Elzabeth (Anne Heywood) take refuge in Elzabeth's house. Donavan, an escaped convict, has saved her life." [taken from reverse]Notes: Slight wear on the edges of the photograph; Stamp on reverse; Credits not adhered to reverse of photograph with glue which has aged and stained the back of the paper
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still
[Floods of fear : Anne Heywood as Elizabeth, Howard Keel as Donavan and Cyril Cusak as Peebles are standing on the upper floor of a flooded building] / Produced by Sydney Box and directed by Charles Crichton / Photograph by Ian Jeayes Rank organisation, [1959?].
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Rank organisationPubDate: [1959?]PhysDes: 1 photograph :b&w ; 24 x 19 cm.Subject: FLOODS OF FEAR (UK, Charles Crichton, 1959) ; HEYWOOD, ANNE ; KEEL, HOWARD ; CUSAK, CYRIL Summary: "Elizabeth (Anne Haywood) , Donavan (Howard Keel) and Peebles (Cyril Cusack) are sheltering in Elizabeth's house during dangerouse floods. As the waters rise, the house begins to break up."Notes: Deteriorating corners; Stamp on back; Label adhering to reverse of photograph by use of glue which has left dark stains
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still
[Floods of fear : production still of Anne Heywood in a scene from the 'Floods of Fear'] [1959?].
Call No: TITLE STILL INTERNATIONALSource: ATPubDate: [1959?]PhysDes: 1 photograph : b&w ; 24 x 19 cm.Subject: FLOODS OF FEAR (UK, Charles Crichton, 1959) ; HEYWOOD, ANNE Notes: Creased corners; Disintegrating right edge; Fingerprint on reverse; Stamped message on reverse; Stains on reverse from adhesive
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Focus on Hitchcock / Albert J. La Valley Englewood Cliffs: Prentice Hall, 1972.
Call No: 81HIT LAVAuthor: La Valley, Albert J. (ed.) Source: USPlace: Englewood CliffsPublisher: Prentice HallPubDate: 1972PhysDes: 186 p. : ill. ; 24 cmSeries: Film FocusSubject: HITCHCOCK, ALFRED ; BAZIN, ANDRE ; BOGDANOVICH, PETER ; SARRIS, ANDREW ; DURGNAT, RAYMOND ; AGEE, JAMES ; KAEL, PAULINE ; CHANDLER, RAYMOND ; ROHMER, ERIC ; CHABROL, CLAUDE ; TRUFFAUT, FRANCOIS ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; PSYCHO (US, Alfred Hitchcock, 1960) ISBN: 0133923657Donation: donated by the family of Wayne Levy, 2006Contents: Introduction - Albert J. LaValley -- Chronology -- HITCHCOCK ON HITCHCOCK -- I wish I didn't have to shoot the picture: an interview with Alfred Hitchcock - Budge Crawley, Fletcher Markle, and Gerald Pratley -- Interviews with Alfred Hitchcock - Peter Bogdanovich -- Direction - Alfred Hitchcock -- Rear Window - Alfred Hitchcock -- HITCHCOCK ON CONTROVERSY -- Alfred Hitchcock - Lindsay Anderson -- Hitchcock versus Hitchcock - Andre Bazin -- Why we should take Hitchcock seriously - Robin Wood -- Hitchcock - Andrew Sarris -- The strange case of Alfred Hitchcock, part three - Raymond Durgnat -- THE FILMS -- James Agee - Notorious -- Pauline Kael - Three Films -- Raymond Chandler - Notebooks on Strangers on a Train -- Ronald Christ - Strangers on a Train - the pattern of encounter -- Eric Rohmer and Claude Chabrol - The Wrong Man -- Leo Braudy - Hitchcock, Truffaut, and the irresponsible audience -- Raymond Durgnat - Inside Norman Bates -- John Crosby - Macabre Merriment -- Jack Edmund Nolan - Hitchcock's TV films -- Analysis of the Plane and Cornfield Chase sequence in North by Northwest
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Focus on reel Australia : a collection of early Australian feature films / presented by the Australian Council of Government Film Libraries in association with the National Film & Soung Archive Hendon, S. Aust.: Australian Council of Government Film Libraries, 1990.
Call No: 71(94) FOCCorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)Place: Hendon, S. Aust.Publisher: Australian Council of Government Film LibrariesPubDate: 1990PhysDes: 64 p. : ill. ; 30 cmSubject: AUSTRALIA ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928) ; ENEMY WITHIN, THE (AT, Rowland Stavely, 1918) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925) ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; SILKS AND SADDLES (AT, John K. Wells, 1921) ; NATION IS BUILT, A (AT, Frank Hurley, 1937) ; PEARLS AND SAVAGES (AT, Frank Hurley, 1921) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915) ; HOME OF THE BLIZZARD (AT, Frank Hurley, 1913) Notes: Includes bibliographiesISBN: 0730817245 : price unknownLON: abn90241521; 7460866
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Old collection
book
For filmgoers only : the intelligent filmgoer's guide to the film / by Paul, Rotha ... [et. al.] ; edited by Lambert, R. S. London: Faber and Faber, 1944.
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book
Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013.
Call No: 81FOS WASAuthor: Wasson, Sam Source: USPlace: Boston ; New YorkPublisher: Houghton Mifflin HarcourtPubDate: 2013PhysDes: 723 pages : illustrations ; 24 cmSubject: ACADEMY AWARDS ; BURLESQUE ; CHOREOGRAPHY ; CULTURE AND THE CINEMA. USA ; DANCE IN FILMS ; DIRECTORS ; INDUSTRY, FILM. USA ; MUSICALS. USA ; UNITED ARTISTS ; FOSSE, BOB ; ASTAIRE, FRED ; CHAYEFSKY, PADDY ; DREYFUSS, RICHARD ; HEIM, ALAN ; MINNELLI, LIZA ; SONDHEIM, STEPHEN ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; CABARET (US, Bob Fosse, 1972) ; LENNY (US, Bob Fosse, 1974) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; STAR 80 (US, Bob Fosse, 1983) ; SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVENotes: Contains photos and indexISBN: 9780547553290
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journal article
Four films from Thorn EMI at New Delhi Fest. in Australasian Cinema (Friday, 25/1/1985) vol.14 iss.1 p.3
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Levy Collection
book
The Fox Girls / by James Robert Parish Castle Books, 1972.
Call No: 802.27 PARAuthor: Parish, James Robert Publisher: Castle BooksPubDate: 1972PhysDes: 722 p. : ill. ; 26 cmSubject: ACTORS ; TWENTIETH CENTURY-FOX ; BARA, THEDA ; GAYNOR, JANET ; TEMPLE, SHIRLEY ; FAYE, ALICE ; YOUNG, LORETTA ; HENIE, SONJA ; DARNELL, LINDA ; GRABLE, BETTY ; TIERNEY, GENE ; BAXTER, ANNE ; MIRANDA, CARMEN ; HAVER, JUNE ; CRAIN, JEANNE ; MONROE, MARILYN ; NORTH, SHEREE ; WELCH, RAQUEL Summary: Biographical information and filmographies of sixteen film actresses associated with Twentieth Century Fox.ISBN: 0870001280
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book
The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century Fox / Stephen M. Silverman Secaucus, New Jersey: Lyle Stuart Inc., c1988.
Call No: 19TWE SILAuthor: Silverman, Stephen M. Source: USPlace: Secaucus, New JerseyPublisher: Lyle Stuart Inc.PubDate: c1988PhysDes: 356 pages : black and white illustrations ; 24 cmSubject: HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; INDUSTRY, FILM. USA ; TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; ZANUCK, RICHARD ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) Summary: "A powerful man and his determined son, an internationally famous dream factory where money is no object, and a battle between egos staged on the most lavish playgrounds in the world. This is the inside story of a family torn from within by greed, envy and a blind need to control. Movie mogul Darryl F. Zanuck believed that the kingdom he had built - 20th Century Fox - was impregnable to outside conquest. Little did he dream that the power who would eventually dethrone him in one of the nastiest battles in Hollywood history would be none other than his own son, Richard Zanuck. In the best Hollywood tradition, this drama was played out on a larger than life scale against a glamorous international setting. There is a cast of supporting players that formed a Zanuck coterie - from their innumerable "yes men" to the old man's many mistresses [...] THE FOX THAT GOT AWAY is filled with high drama. It is a story that will not be soon forgotten, and a look at the workings of an industry that never fails to fascinate." [Taken from book jacket]Notes: Includes bibliography and indexISBN: 081840485XDonation: Simon Wincer
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Interim
book
The French cinema book / edited by Michael Temple and Michael Witt. London: bfi Publishing, 2004.
Call No: 71(44) TEMAuthor: Temple, Micheal & Witt, Micheal Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: x, 294 p. : ill. ; 24 cm.Subject: HISTORY AND THE CINEMA. FRANCE Notes: Online Resource: Contributor biographical information
http://www.loc.gov/catdir/bios/ucal052/2004463240.html
Publisher description
http://www.loc.gov/catdir/description/ucal051/2004463240.html
Table of contents
http://www.loc.gov/catdir/toc/ucal051/2004463240.htmlISBN: 1-84457-570126
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journal article
The French New Wave and World Films : Appreciation of a Recent Season in Montage (1962) vol.1 iss.2 p.4-11
Author: Mogg, Kenneth M. PhysDes: ReviewSubject: KRAMER, STANLEY ; RAY, SATYAJIT ; APUR SANSAR (II, Satyajit Ray, 1958) ; VERTIGO (US, Alfred Hitchcock, 1958) ; HITCHCOCK, ALFRED ; RAY, NICHOLAS ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; RENOIR, JEAN ; ORFEU NEGRO (FR/IT/BL, Marcel Camus, 1958) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; MALLE, LOUIS ; AND GOD CREATED WOMAN (US, Roger Vadim, 1988) ; VADIM, ROGER ; COUSINS, THE [COUSINS, LES] (FR, Claude Chabrol, 1959) ; CHABROL, CLAUDE ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; RESNAIS, ALAIN ; NOUVELLE VAGUE Summary: Reviews of "The Defiant Ones", "The World of Apu", "Vertigo", "Party Girl", "French Can-Can", "Black Orpheus", "The Lovers", "And God Created Woman", "The Cousins", "Hiroshima Mon Amour", "Ivan The Terrible" in the context of the French New Wave and new World Cinema.
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The French through their films / Robin Buss London: Batsford, 1988.
Call No: 408.1(44) BUSAuthor: Buss, Robin Place: LondonPublisher: BatsfordPubDate: 1988PhysDes: 165 p., [32] p. of plates : ill. ; 25 cmSubject: NATIONAL CULTURE AND THE CINEMA. FRANCE ; FRANCE ; SOCIETY AND THE CINEMA. FRANCE ; FILMOGRAPHIES. FRANCE ; HISTORICAL FILMS. FRANCE ; FAMILY IN FILMS. FRANCE ; BRESSON, ROBERT ; CHABROL, CLAUDE ; GODARD, JEAN-LUC ; MALLE, LOUIS ; PAGNOL, MARCEL ; RENOIR, JEAN ; CARNE, MARCEL ; CLAIR, RENE ; DEMY, JACQUES ; DUVIVIER, JULIEN ; GABIN, JEAN ; GANCE, ABEL ; TRUFFAUT, FRANCOIS ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984) Notes: French cinema films,. 1900-1985. Social aspects (BNB/PRECIS); Includes index; Filmography: p. 91-156ISBN: 0713453605LON: 5952835
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Frenzy / Ian Cooper Leighton Buzzard: Auteur, [2018].
Call No: 79 FRE COOAuthor: Cooper, Ian Source: UKPlace: Leighton BuzzardPublisher: AuteurPubDate: [2018]PhysDes: 94 pages : illustrations ; 19 cmSeries: Devil's advocatesSubject: FRENZY (US, Alfred Hitchcock, 1972) ; HITCHCOCK, ALFRED Summary: "Frenzy is perhaps Hitchcock's most nakedly autobiographical film and one which represented both a comeback and farewell to the city of his birth. But it started out as a very different kind of project. In this Devil's Advocate, British horror expert Ian Cooper discusses the evolution of the film, its production, reception and place in Hitchcock's oeuvre, and its status as a key film of 'sleazy Seventies' British cinema, as well as reclaiming Hitchcock as a horror director." - taken from back cover.Notes: Includes bibliographical references.ISBN: 9781911325369Contents: Amuse-bouche -- The Starter -- Entree -- Main Course -- Last Supper -- Bibliography
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Friends and Husbands in Film (UK) (April/May 1984) iss.125 p.13
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Friese-Greene : close-up of an inventor / Ray Allister London: Marsland Publications, 1948.
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From Hitler to Heimat : the return of history as film / Anton Kaes Cambridge, Mass.: Harvard University Press, 1989.
Call No: 744(=924)(430) KAEAuthor: Kaes, Anton Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1989PhysDes: xiii, 273 p. : ill. ; 25 cmSubject: GERMANY ; NATIONAL CULTURE AND THE CINEMA. GERMANY ; NATIONAL IDENTITY IN FILMS. GERMANY ; MYTH AND THE CINEMA. GERMANY ; HEIMAT FILMS ; GENOCIDE IN FILMS ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; PATRIOTIN, DIE (GW, Alexander Kluge, 1979) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) ; HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984) ; HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984) Notes: Rev. and enl. translation of: Deutschlandbilder; Includes indexISBN: 0674324552 (alk. paper)LON: 6295319
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From Melies to new media : spectral projections / Wendy Haslem Bristol: Intellect, 2019.
Call No: 701"00" HASAuthor: Haslem, Wendy Edition: 2019Place: BristolPublisher: IntellectPubDate: 2019PhysDes: 191 pages : illustrated ; 24 cmSubject: COMPUTER GENERATED IMAGERY ; COMPUTERS AND THE CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; MUYBRIDGE, EADWEARD ; MELIES, GEORGES ; BENJAMIN, WALTER ; COLOUR ; EISENSTEIN, SERGEI M. ; MULVEY, LAURA ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902) Summary: From Méliès to New Media contributes to a dynamic stream of film history that is just beginning to understand that new media forms are not only indebted to but firmly embedded within the traditions and conventions of early film culture. Adopting a media archaeology, this book will present a comparative examination of cinema including early film experiments with light and contemporary music videos, silent film and their digital restorations, German Expressionist film and post-noir cinema, French Gothic film and the contemporary digital remake, Alfred Hitchcock’s films exhibited in the gallery, post medium films as abstracted light forms and interactive digital screens revising experiments in precinema. Media archaeology is an approach that uncovers the potential of intermedial research as a fluid form of history. It envisages the potential of new discoveries that foreground forgotten or marginalised contributions to history. It is also an approach that has been championed by influential new historicists like Thomas Elsaesser as providing the most vibrant and productive new histories (2014). -- publisher's web siteISBN: 9781783209897Contents: List of Illustrations -- Acknowledgements -- Introduction: Beginnings and Ends: Historical Collusion -- Chapter 1: Cigarette Burns and Bullet Holes: Celluloid Cues in Digital Cinema -- Section I: Early Cinema: Colour and Spectrality -- Chapter 2: Applied Colour: Chromatic Frankenstein's Monsters? -- Chapter 3: The Serpentine Dance Films: 'Dream Visions That Change Ten Thousand Times a Minute' -- Section II: Luminescence, Montage and Frame Ratios -- Chapter 4: Memory and Noir: Neon Contrasts -- Chapter 5: Cutting: Shock and Endurance -- Chapter 6: Screens, Scale Ratio: Vertical Celluloid in the Digital Age -- Section III: Cinema Beyond the Frame -- Chapter 7: Hallucinatory Framing and Kaleidoscopic Vision -- Chapter 8: Ephemeral Screens: The Muybridgizer -- Bibliography -- Index
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From reverence to rape : the treatment of women in the movies / Molly Haskell Harmondsworth Eng. Baltimore: Penguin, 1974.
Call No: 451-02 HASAuthor: Haskell, Molly Place: Harmondsworth Eng. BaltimorePublisher: PenguinPubDate: 1974PhysDes: xiv, 388 p., [12] leaves of plates : ill. ; 20 cmSubject: WOMEN IN FILMS ; ASTOR, MARY ; BERGMAN, INGMAR ; BOW, CLARA ; Crawford, Joan ; CUKOR, GEORGE ; DAY, DORIS ; DIETRICH, MARLENE ; HAWKS, HOWARD ; HEPBURN, KATHARINE ; HOLLIDAY, JUDY ; LUBITSCH, ERNST ; MONROE, MARILYN ; RUSSELL, ROSALIND ; VON STERNBERG, JOSEF ; WILDER, BILLY ; DUNNE, IRENE ; WOMEN, THE (US, George Cukor, 1939) ; BEYOND THE FOREST (US, King Vidor, 1949) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; DESIGN FOR LIVING (US, Ernst Lubitsch, 1933) ; ADAM'S RIB (US, George Cukor, 1949) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) Notes: Includes indexISBN: 0140039465 : ª0.95 ($3.95 U.S.)LON: 74194670; 352052
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From Tian'anmen Square to Times Square : transnational China and the Chinese diaspora on global screens, 1989-1997 / Gina Marchetti Philadelphia PA: Temple University Press, c2006.
Call No: 408.1(51) MARAuthor: Marchetti, Gina Place: Philadelphia PAPublisher: Temple University PressPubDate: c2006PhysDes: xviii, 302 p. : ill., ports. ; 24 cmSubject: CAPITALISM AND THE CINEMA ; CENSORSHIP. CHINA ; HISTORY AND THE CINEMA. CHINA ; POPULAR CULTURE AND THE CINEMA ; WOMEN IN FILMS. CHINA ; CHAN, EVANS ; CHOW, RAYMOND ; HOU HSIAO-HSIEN ; JAMESON, FREDRIC ; KHOO, ERIC ; LAW, CLARA ; LEE, BRANDON ; LEE, BRUCE ; YANG, EDWARD ; QIUYUE (HK/JA, Clara Law, 1992) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; GATE OF HEAVENLY PEACE, THE (US, Richard Gordon & Carma Hinton, 1995) ; [TWELVE] 12 STOREYS (SI, Eric Khoo, 1997) ; WORLD OF SUZIE WONG, THE (UK, Richard Quine, 1960) ISBN: 18592132782Donation: donated by Senses of Cinema, 2009Contents: 1. China and the Chinese on world screens 1989-1997 -- 2. Buying American, consuming Hong Kong: Chungking express, The opium war, These shoes weren't made for walking, and Comrades: almost a love story -- 3. Working women in the people's Republic of China: Out of Phoenix Bridge, Women from the Lake of Scented Souls, and A little life opera -- Gangland Taiwan in the transnational imagination: Mahjong and Goodbye south goodbye -- 5. The postmodern condition in Singapore: Mee Pok Man and Twelve storeys -- 6. Transnational cinema and hybrid identities: To liv(e) and Crossings -- 7. Gender and generation in Clara Law's migration trilogy: Farewell China, Autumn moon, and Floating life -- 8. Fighting diaspora: the legacy of Bruce and Brandon Lee in Rapid fire -- 9. In the space of the Square: The gate of heavenly peaceID2: 291
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FU RONG ZHEN : (CC, Xie Jin, 1986)
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poster
[Fu rong zhen : poster]
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newspaper article
Funny pair serious about mainstream in Sydney Morning Herald (1/07/2017) p.22
Call No: TITLE CLIPPINGS FILE; HERE COME THE HABIBS [TV](AT, 2016)Author: Quinn, Karl PhysDes: Clippings File ArticleSubject: BILGIC, TAHIR ; SHEHADIE, ROB ; HERE COME THE HABIBS [TV] (AT, 2016) Summary: Interview with Rob Shehadie and Tahir Bilgic, the creators of the Australian TV show HERE COME THE HABIBS about the show, their careers, and the state of comedy and race in Australia
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Funny, peculiar : the true story of Benny Hill / Mark Lewisohn Basingstoke and Oxford: Pan Books,
Call No: 81 HIL LEWAuthor: Lewisohn, Mark Edition: 2003Place: Basingstoke and OxfordPublisher: Pan BooksPhysDes: 516 pages : illustrated ; 20 cmSubject: HILL, BENNY ; BENNY HILL SHOW, THE [TV] (UK, 1979) ; BENNY HILL DOWNUNDER [TV] (AT, ROD KINNEAR, RICHARD MCCARTHY, 1977) Summary: Benny Hill's saucy smirks at underdressed women are relished the world over. Yet he cut an unlikely figure of global adoration: unmarried, and emotionally enfeebled in his few relationships, he was a loner, a deeply private man uninterested in the trappings of success. [...] -- back cover blurbISBN: 9780330393409
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The Future of commercial television 1965-1975 / Stanley T. Donner (ed.) [s.l.]: [s.n.], [197-?].
Call No: 70 FUTPlace: [s.l.]Publisher: [s.n.]PubDate: [197-?]PhysDes: 150 p.Subject: HISTORY OF TV ; AUDIENCES Order Received: 2000Order Type: Donation
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Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993.
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The garden in the machine : a field guide to independent films about place / Scott MacDonald Berkeley, California: University of California Press, 2001.
Call No: 738(71) MACAuthor: MacDonald, Scott Place: Berkeley, CaliforniaPublisher: University of California PressPubDate: 2001PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cmSubject: INDEPENDENT FILMS ; NATURE IN FILMS ; PLACE IN FILMS ; PLACE IN FILMS. USA ; CITIES IN FILMS ; NEW YORK IN FILMS ; GOTTHEIM, LARRY ; COLE, THOMAS ; MURPHY, J. J. ; ANGER, KENNETH ; MENKEN, MARIE ; SCHNEEMANN, CAROLEE ; BRAKHAGE, STAN ; KELLER, MARJORIE ; ROBERTSON, ANNE CHARLOTTE ; LOWDER, ROSE ; MANGOLTE, BABETTE ; BENNING, JAMES ; STONE, OLIVER ; SPIRO, ELLEN ; DEBONT, JAN ; KUCHAR, GEORGE ; BURCKHARDT, RUDY ; WEEGEE ; THOMPSON, FRANCIS ; MENKEN, MARIE ; HARRIS, HILARY ; LEE, SPIKE ; STAUFFACHER, FRANK ; BAILLIE, BRUCE ; RUDNICK, MICHAEL ; GEHR, ERNIE ; O'NEILL, PAT ; MARTIN, EUGENE ; MEKAS, JONAS ; GREAVES, WILLIAM ; FRAMPTON, HOLLIS ; HUOT, ROBERT ; DORSKY, NATHANIEL ; HUTTON, PETER ; DASH, JULIE ; FRANKLIN, CARL ; CONNER, BRUCE ; HERZOG, WERNER ; LANZMANN, CLAUDE ; STRAND, CHICK ; NOREN, ANDREW ; PIERCE, LEIGHTON ; GATTEN, DAVID Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."Notes: Includes distribution sources for films and videos (in US), notes and indexISBN: 0520227387
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Gaslight melodrama : from Victorian London to 1940s Hollywood / Guy Barefoot New York: Continuum, c2002.
Call No: 733 BARAuthor: Barefoot, Guy Source: USPlace: New YorkPublisher: ContinuumPubDate: c2002PhysDes: 212 p. : ill. ; 24 cmSubject: MELODRAMA ; HISTORICAL FILMS ; CRITICISM ; GASLIGHT (UK, Thorold Dickinson, 1940) ; HANGOVER SQUARE (US, John Brahm, 1945) ; BRITANNIA MEWS (UK, Jean Negulesco, 1949) ; [DOCTOR] DR JEKYLL AND MR HYDE (US, Victor Fleming, 1941) Summary: "In 1945, a year when American crime films were apparently moving out onto the streets of contemporary Los Angeles and New York, one reviewer noted the emergence of a "cycle of mystery and horror pictures placed in the gaslight era of the turn of the century." For another, it seemed that for Hollywood there was "no world of today save the world of London by gaslight." In Gaslight Melodrama, Guy Barefoot examines the films that gave rise to such comments, and the pattern of discourses that gave rise to such films. The main focus of the book is provided by 1940s Hollywood melodramas such as Gaslight, Dr. Jekyll and Mr. Hyde, and Hangover Square. Gaslight Melodrama also discusses a related cycle of British films that located murder and melodrama amid Victorian or Edwardian furnishings, and then looks beyond cinema to the Gothic novels of the 18th century; 19th century discussions of gas-lighting in street, home, and theater; and ambivalent 20th century responses to the Victorian era. Combining close analysis of particular film texts with attention to cinema's cultural context, Gaslight Melodrama provides an exploration of the ways in which the past has been the site of contested meaning, and an examination of the network of melodramatic narratives embedded within familiar and lesser-known examples of classical Hollywood cinema " -- BOOK BLURBNotes: Includes bibliographical references (p. [191]-204) and index.ISBN: 0826453341Contents: 1. Introduction: Gaslight, Gaslight, and Gaslight Melodrama -- 2. Industrial Light and Magic: Images of Gaslight from the Nineteenth to the Twentieth Century -- Gaslight and the Nineteenth Century -- From Stage to Screen -- Toward the Modern City -- 3. Gothic Sources/London Discourses: The Dark Metropolis on Page and Screen -- Nineteenth-Century London at 20th Century-Fox -- Londonania -- Descent and Invention -- From the Medieval to the Suburban -- 4. Lady Isabel, Dr. Jekyll, and Other Victorians: Twentieth-Century Reception, Reaction, and Reconstruction -- Jekyll and Hyde -- America -- Britain -- Victorians, Vampires, and Piano Legs -- 5. The Furniture in the Attic: Back to the Victorian -- The Process of Historical Reconstruction -- Victoria the Great -- New Victorian and Neo-Victorianism -- Surrealism, Lost Forms, Hollywood -- Elegance, Wretchedness, and Age -- 6. The Body in the Canal: Decorum and Melodrama in the Period Film -- House by the River -- Ivy and Others.
The Suspect -- Critique and Closure -- 7. Melodrama and the Construction of the Past.ID2: 168
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book
Gauffered velour : :a history of motion picture exhibition and picture theatres in the Illawarra District of New South Wales, 1897-1994. / Robert Parkinson Campbelltown, N.S.W.: Australian Theatre Historical Society, 1995..
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Gentlemen to the rescue : the heroes of the silent screen / Kalton C. Lahue South Brunswick [N.J.] London: A.S. Barnes Yoseloff, c1972.
Call No: 802.27 LAHAuthor: Lahue, Kalton C Place: South Brunswick [N.J.] LondonPublisher: A.S. Barnes YoseloffPubDate: c1972PhysDes: 244 p. : ill., ports. ; 26 cmSubject: HERO IN FILMS ; BARRYMORE, JOHN ; CHANEY, LON ; FAIRBANKS, DOUGLAS ; GILBERT, JOHN ; NOVARRO, RAMON ; ROGERS, WILL ; VALENTINO, RUDOLPH ; BAGGOT, KING ; BARTHELMESS, RICHARD ; BLACKWELL, CARLYLE ; BUSHMAN, FRANCIS X. ; COLMAN, RONALD ; COSTELLO, MAURICE ; DIX, RICHARD ; FARNUM, WILLIAM ; HAYAKAWA, SESSUE ; HINES, JOHNNY ; HOLT, JACK ; HOUDINI, HARRY ; LA ROCQUE, ROD ; LINCOLN, ELMO ; MEIGHAN, THOMAS ; MORENO, ANTONIO ; NOVARRO, RAMON ; RAY, CHARLES ; REID, WALLACE ; SILLS, MILTON ; WALTHALL, HENRY B. ; WASHBURN, BRYANT ; WILSON, BEN F. ISBN: 0498078027LON: 470968
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book
The German avante-garde film of the 1920's : Der Deutsche avant-garde film der 20er jahre / by Walter Schobert Munich, Germany: Goethe-Institut, 1989.
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Interim
book
The German cinema book / edited by Tim Bergfelder, Erica Carter and Deniz Gokturk London: bfi Publishing, 2002.
Call No: 71(430) GERAuthor: Bergfelder, Tim ; Carter, Erica ; Gokturk, Deniz Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: xi 291p. : illus. : 25cmSubject: EXHIBITION ; UFA ; GOVERNMENT AID. GERMANY ; GOVERNMENT CONTROL ; GERMANY ; HISTORY OF CINEMA ; CULTURE AND THE CINEMA ; HEIMAT FILMS ; COMEDIES. GERMANY ; CRIME FILMS ; HOMOSEXUALITY AND THE CINEMA ; POLITICS AND THE CINEMA ; HISTORY OF CINEMA ; DIETRICH, MARLENE ; LANG, FRITZ ; LUBITSCH, ERNST ; MUELLER-STAHL, ARMIN ; OTTINGER, ULRIKE ; RUHMANN, HEINZ ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) Notes: Includes bibliography and resources and indexISBN: 085170946X
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The German experimental film of the seventies Munich: Goethe-Institute, 1980.
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German film & literature : adaptations and transformations / edited by Eric Rentschler New York: Methuen, 1986.
Call No: 71(430) GERAuthor: Rentschler, Eric Place: New YorkPublisher: MethuenPubDate: 1986PhysDes: x, 385 p. : ill. ; 24 cmSubject: GERMANY ; ADAPTATIONS. GERMANY ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; LIEBELEI (G, Max Ophuls, 1933) ; LEBENZEICHEN (GW, Werner Herzog, 1968) ; LOTTE IN WEIMAR (GE, Egon Gunther, 1975) ; LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) ; BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980) ; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956) ; JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966) ; WOZZECK (G, Georg C. Klaren, 1947) ; UNTERTAN, DER (GE, Wolfgang Staudte, 1951) ; FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940) ; ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937) Notes: Includes index; Bibliography: p. [366]-378ISBN: 0416603416 (pbk.); 0416603319LON: 4216378
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GESCHICHTSUNTERRICHT [HISTORY LESSONS] : (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972)
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Get close : lean team documentary filmmaking / Rustin Thomas Oxford: Oxford University Press, 2019.
Call No: 761 THOAuthor: Thomas, Rustin Edition: 2019Place: OxfordPublisher: Oxford University PressPubDate: 2019PhysDes: viii, 204 pages : illustrated ; 26 cmSubject: PRODUCTION ; DOCUMENTARY FILMS ; LOW BUDGET FILMS ; PRODUCTION COSTS ; BROOMFIELD, NICK ; HERZOG, WERNER ; MAYSLES, ALBERT ; MAYSLES, DAVID ; SUNDANCE INSTITUTE Summary: A refreshing new practical approach to documentary filmmaking, Get Close: Lean Team Documentary Filmmaking equips new and veteran filmmakers with the knowhow to make artistically rewarding documentaries for less money, less hassle, and less time. Author and veteran filmmaker Rustin Thompson shows that by stripping away, sidestepping, or reassessing the entrenched industry hurdles-long waits for funding, the unwieldy crews, the unnecessary gear, the gauntlet of film festivals, pitch forums, and distribution networks-filmmakers can move quickly from idea to execution to finished film. Throughout the book, Thompson demystifies and de-clutters the way docs are produced today, illustrating the use of a few simple and accessible tools and techniques while still engaging with the aesthetic possibilities of the medium, its creative opportunities and its satisfying rewards of giving back to the world. Using the essential lessons in Get Close, filmmakers will learn to eliminate physical and financial barriers between themselves and their subject matter, ultimately leading them to tell more artful, illuminating stories and find the joy in documentary filmmaking. -- publisher's web siteISBN: 9780190909901Contents: Acknowledgements -- Introduction -- Lean Team Filmmaking Will Liberate You -- Chapter One: My Lean Team Epiphany -- The Revolution Was Televised -- Chapter Two: Get Close -- Eliminate Barriers and Plan Your Project -- Chapter Three: The Lean Team Toolkit -- Essential gear and supporting equipment -- Chapter Four: The Shoot -- Field Production in the Lean Team Style -- Chapter Five: The Edit -- Cutting as a Lean Team Filmmaker -- Chapter Six: Film Festivals and Distribution -- Keep Your Lean Team Soul and Find an Audience
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journal article
The Getaway in Metro (1997) iss.110 p.72-73
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GHAHREMAN [HERO, A] : (IR/FR, Asghar Farhadi, 2021) Digital clippings file available
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Ghostbusters : the ultimate visual history / foreword by Dan Aykroyd ; introduction by Ivan Reitman ; written by Daniel Wallace London: Titan Books, 2015.
Call No: 79GHO WALAuthor: Wallace, Daniel Source: UKPlace: LondonPublisher: Titan BooksPubDate: 2015PhysDes: 222 pages : illustrations (chiefly colour) ; 29 cmSubject: HISTORY OF CINEMA ; GHOSTBUSTERS (US, Ivan Reitman, 1984) ; GHOSTBUSTERS (US, Paul Feig, 2016) ; GHOSTBUSTERS II (US, Ivan Reitman, 1989) Summary: "Who you gonna call? Created in conjunction with Sony Pictures, this deluxe book will look back at three decades of ghostbusting fun, exploring all aspects of the ever-popular phenomenon. Covering the production of the first two Ghostbusters movies in great detail, and including rare behind-the-scenes pictures and in-depth commentary from cast and crew—including director Ivan Reitman and stars Dan Aykroyd, Ernie Hudson, and Sigourney Weaver—the book will also take in the expanded Ghostbusters universe, from the cartoon The Real Ghostbusters to the comics, toys, and video games. Filled with rare and never-before-seen imagery from the Sony Pictures archives, including candid on-set photographs and illuminating concept art, Ghostbusters: The Ultimate Visual History mixes an in-depth narrative with stunning visuals to deliver a comprehensive and revelatory overview of the franchise. Also featuring incredible removable items that will thrill Ghostbusters fans, such as Peter Venkman’s business card, annotated script pages, and booklets of rare on-set photographs, Ghostbusters: The Ultimate Visual History is the last word on one of the most popular franchises of all time."--Publisher's websiteISBN: 9781783299669Contents: Part. 1 THE ORIGINAL MOVIE -- 1.Who You Gonna Call? -- 2.Beautiful. You're Hired -- What Are You Supposed to Be? Some Kind of a Cosmonaut? -- 3.Nice Shootin', Tex -- Ghost Fever Grips New York -- I Found the Car -- 4.Don't Cross the Streams -- We Have the Tools, We Have the Talent -- 5.Who Brought the Dog? -- 6.Aim for the Flat Top -- 7.Maybe If We Start Dancing, Other People Will Join In? -- 8.Library Ghost -- 9.Slimer (aka On onhead) -- 10.Dream Ghost -- 11.The Escapees -- 12.Terror Dogs -- 13.Mr. Stay Puft -- 14.Total Protonic Reversal -- 15.How About a Little Music? -- 16.Supernatural Success Story -- Part. 2 THE SEQUEL -- 17.Will There Be Any More of Them? -- 18.What a Town -- Ectomobile-Mark II -- 19.We're Going to Make Some Headlines with This One -- Suck in the Guts, Guys, We're the Ghostbusters -- Two in the Box. Ready to Go. We Be Fast and They Be Slow -- 20.Now Is the Season of Evil -- 21.The Scoleri Brothers -- 22.Slimer -- Contents note continued: 23.Spooks, Specters, and Ghosts Galore -- 24.The Statue of Liberty -- 25.Museum of Slime -- 26.On Our Own -- 27.Yeah, but What a Ride -- Part. 3 THE EXPANDED GHOSTBUSTERS UNIVERSE -- 28.The Real Ghostbusters -- 29.Extreme Ghostbusters -- 30.Ghostbusters Video Games -- 31.Ghostbusters in Comics -- 32.Ghostbusters Toys and Merchandise -- 33.See You on the Other Side
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Gillian Armstrong : popular, sensual and ethical cinema / Julia Erhart Edinburgh: Edinburgh University Press, 2020.
Call No: 81 ARM ERHAuthor: Erhart, Julia Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: x, 189 pages : illustrations ; 22 cmSeries: VisionariesSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; WOMEN FILMMAKERS. AUSTRALIA ; ARMSTRONG, GILLIAN ; SATDEE NIGHT (AT, Gillian Armstrong, 1973) ; GRETEL (AT, Gillian Armstrong, 1973) ; MRS SOFFEL (US, Gillian Armstrong, 1984) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001) ; DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007) ; FIRES WITHIN (US, Gillian Armstrong, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005) ; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; [FOURTEEN'S] 14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981) Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]Notes: Includes bibliographical references and indexISBN: 9781474434324Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema
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Gillian Armstrong returns in Cinema Papers (May 1987) iss.63 p.30-33
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Giorgio Mangiamele : cinematographer of the Italian migrant experience / by Raffaele Lampugnani Ballan, Vic: Connor Court Publishing, 2012.
Call No: 81MAN LAMAuthor: Lampugnani, Raffaele Source: ATPlace: Ballan, VicPublisher: Connor Court PublishingPubDate: 2012PhysDes: 196 p. : ill., ports. ; 21 cmSubject: AUSTRALIA ; ETHNIC GROUPS IN FILMS. AUSTRALIA ; IMMIGRATION IN FILMS AND TELEVISION ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; MIGRATION ; HISTORY AND THE CINEMA. AUSTRALIA ; MANGIAMELE, GIORGIO ; CONTRATTO, IL (AT, Giorgio Mangiamele, 1953) Summary: "Giorgio Mangiamele is without doubt one of the most interesting and artistically gifted filmmakers in contemporary Australian cinema, even though his ideas and talent were often hampered in a technical sense by material and financial circumstances; he is absolutely crucial as representative of the post-war Italian migration experience in Australia. His oeuvre has received considerable critical attention recently but a serious, organic, critical analysis has been hampered by misconceptions about his marginal position with respect to mainstream production and the typcasting of the author as a "migrant" cinematographer. This study has sought to bridge the prejudical divide between the diasporic context and the artistic value, talent and intentions of the filmmaker. Underpinning this argument with Deleuze and Guattari's theoretical framework of "minor" literatures, it is suggest that Mangiamele's diasporic cinematic production did have an influence on mainstream cinema and society, in the sense that "minor no longer designates specific literatures but the revolutionary conditions for every literature within the heart of what is called great (or established) literature" (Kafka, 18). In order to elucidate Mangiamele's acuity, and cinematographic talent and human observational skills, a socio-historical and cultural framing for his oeuvre is provided confirming the author's crucial importance for the post-war period, his highly individual style and work imbued with ethical and moral principles as well as compassion and humanistic concerns." -- BOOK JACKETNotes: Includes bibliographical referencesISBN: 9781921421631Contents: -- main abbreviations -- introduction -- 1. migrant bricoleur or influental pioneer? The Deleuzian theory of 'minor literature' as a critical tool to frame Giorgio Mangiamele's cinematic production -- 2. migrant bricoleur, neorealist imitator, scholar, or gifted artist? who is really behind (or in front of) the camera? -- 3. the mise-en-scene of history and of diasporic reality in Mangiamele's first film, Il contratto -- 4. Mangiamele, cinematographer of enduring perceptions of southern Italian migrant backwardness -- 5. constructing a filmic discourse on Italian canonical intertextual references -- 6. a 'nosographic' reading of Mangiamele's ambivalent emotional and psychological relationship with host society, depicting states and feelings of dislocation and banishment -- 7. observing and depicting human behaviour to restore dignity in society: the social mise e scene and social performance in Mangiamele's early films -- conclusion -- bibliography -- filmography -- appendix --
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festival catalogue
Le giornate del cinema muto : Pordneone Silent Film Festival IT: 2005.
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title clippings file
GIORNI CONTATI, I : (IT, Elio Petri, 1962)
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Girls need superheroes too in Saturday Age (04/07/2015) p.35
Call No: SUBJECT CLIPPINGS FILE; HEROINES IN FILMSAuthor: Lewis, Jemima PhysDes: Clippings File ArticleSubject: WOMEN IN FILMS ; HEROINES IN FILMS ; COMIC STRIP CHARACTERS IN FILMS Summary: Opinion piece regarding the lack of female superhero characters to take meaningful roles in film and tv and why this needs to happen, particularly for girls who don't have any female superheroes to look up to. Some information in here about Wonder Woman
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Girls on film : lessons from a life of watching women in movies / Alicia Malone Coral Gables, Florida: Mango Publishing Group, 2022.
Call No: 45 [3-02] MALAuthor: Malone, Alicia Edition: 2022Place: Coral Gables, FloridaPublisher: Mango Publishing GroupPubDate: 2022PhysDes: 223 pages ; 22 cmSubject: WOMEN AND THE CINEMA ; WOMEN IN FILMS ; NATIONAL VELVET (US, Clarence Brown, 1944) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; HORROR FILMS ; HEPBURN, KATHARINE ; BERGMAN, INGRID ; IMITATION OF LIFE (US, Douglas Sirk, 1959) Summary: With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. This collection celebrates the power of cinema, media, culture and the faces of girls on film.
Insiders from a Nerdy Film Lover. Weaving together life lessons with movie history, film reporter Alicia Malone celebrates the power of cinema and the women who shone brightly on the big screen, while also critiquing hidden messages in films. Alicia connects film analysis with her own journey of self-discovery—from growing up as a nerdy film lover in Australia to finding her voice as a woman on television.
Each Movie has a Hidden Message. What messages and life lessons have been taken from these movies of the past—positive, negative or sometimes, both? Alicia Malone highlights many films, some with life changing moments and others with a tribute to feminist authors and messages.
In this modern approach to film reviews and women, you’ll find essays on:
- Hidden messaging and life lessons in films
- The journey of women's history in film
- Breakdowns on movie stereotypes like the the femme fatale
Women nonfiction lovers who enjoyed Where the Girls Are, or feminism books like Extraordinary Women In History, When Women Invented Television, or Renegade Women in Film and TV, will love Girls on Film. -- publisher's web siteISBN: 9781642506563
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Global Chinese cinema : the culture and politics of Hero / edited by Gary D. Rawnsley and Ming-Yeh T. Rawnsley Oxon: Routledge, 2010.
Call No: 79HER GLOSource: UKPlace: OxonPublisher: RoutledgePubDate: 2010PhysDes: xxvi, 226 p. ; 25 cmSeries: Routledge Media, Culture and Social Change in AsiaSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; LEUNG, TONY ; YIMOU, ZHANG ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ISBN: 97880415453158Donation: donated by Stephanie Hemelryk Donald, 2010Contents: Changing discourse of national identities and heroism. The political narrative(s) of Hero / GARY D. RAWNSLEY
Recycled heroes, invented tradition and transformed identity / YINGJIE GUO
The emperor and the assassin: China's national Hero and the myth of state origins / YIYAN WANG
The king, the musician and the village idiot: images of manhood / KAM LOUIE
Transformations of cultural perception, genre and stardom. Twenty-first century women warriors: variations on a traditional theme / LOUISE EDWARDS
On "Tian Xia (All under heaven)" in Zhang Yimou's Hero / XIZOMING CHEN and MING-YEH T. RAWNSLEY
Hero: rewriting the Chinese martial arts film genre / HAIZHOU WANG AND MING-YEH T. RAWNSLEY
"Would you rather spend more time making serious cinema?": Hero and Tony Leung's polysemic masculinity / MARK GALLAGHER
Fifteen minutes of fame: transient/transnational female stardom in Hero / OLIVIA KHOO
Local vs. global: deconstructing global Chinese blockbusters. Camp pleasure in an era of Chinese blockbusters: internet reception of Hero in mainland China / SABRINA QIONG YU
North American reception of Zhang Yimou's Hero / WENDY LARSON
Heroic music: from Hunan to Hollywood and back / KATY GOW
Visual effects magic: Hero's Sydney connection / MARY FARQUHAR
Towards a global blockbuster: the political economy of Hero's nationalism / ANTHONY FUNG AND JOSEPH M. CHAN.
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Global cinematic cities : new landscapes of film and media / edited by Johan Andersson and Lawrence Webb New York; Chichester, UK: Wallflower Press, 2016.
Call No: 756.1-25 GLOAuthor: Andersson, Johan ; Webb, Lawrence Edition: 2016Place: New York; Chichester, UKPublisher: Wallflower PressPubDate: 2016PhysDes: vii, 262 pages : illustrated ; 24 cmSubject: CITIES IN FILMS ; NIGERIA ; JAMES BOND IN FILMS ; ANNIE HALL (US, Woody Allen, 1977) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BOURNE IDENTITY, THE (US, Doug Liman, 2002) ; BOURNE LEGACY, THE (US, Tony Gilroy, 2012) ; BOURNE LEGACY, THE (US, Tony Gilroy, 2012) ; BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007) ; TOMORROW NEVER DIES (US, Roger Spottiswoode, 1997) ; HER (US, Spike Jonze, 2013) Notes: Cinema and audiovisual media are integral to the culture, economy and social experience of the contemporary global city. But how has the relationship between cinema and the urban environment evolved in the era of digital technology, new media and globalization? And what are the critical tools and concepts with which we can grasp this vital interconnection between space and screen, viewer and built environment? Engaging with a rapidly transforming urban world, the contributions to this collection rethink the 'cinematic city' at a global scale. By presenting a global constellation of screen cities within one volume, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation. The contributions examine film and screen cultures in a range of locations spanning five continents: Antibes, Beijing, Buenos Aires, Busan, Cairo, Caracas, Copenhagen, Jakarta, Kolkata, Lagos, Los Angeles, Malmö, Manila, Mumbai, Nairobi, Paris, Seoul, Sète, and Shanghai. The chapters address topics that range across the contemporary film and media landscape, from popular cinema, art cinema, and film festivals to serial television, public screens, multimedia installations, and video art. -- publisher's web siteISBN: 9780231177474Contents: Notes on Contributors -- Introduction: Decentring the Cinematic City—Film and Media in the Digital Age
Part 1: Transnational Screen Cities -- 1. In the City but Not Bounded by It: Cinema in the Global, the Generic and the Cluster City, by Thomas Elsaesser -- 2. Traversing the Øresund: the Transnational Urban Region in Bron/Broen, by Pei-Sze Chow -- 3. Neoliberalism, Nollywood, and Lagos, by Jonathan Haynes
Part 2: Global City Imaginaries -- 4. New Urban and Media Ecologies in Contemporary Buenos Aires, by Joanna Page -- 5. When Harry Met Siri: Digital Romcom and the Global City in Spike Jonze's Her, by Lawrence Webb -- 6. Cinephilia and the City: the Politics of Place in Contemporary Bengali Cinema, by Malini Guha -- Part 3: Public Screens and New Media Landscapes -- 7. Screen Cultures and the 'Generic City': Public Screens in Cairo and Shanghai, by Chris Berry -- 8. The City as Found Footage: the Reassemblage of Chinese Urban Space, by Yomi Braester -- 9. Remediating the 'Other Half': Planet Slum as Transmedia Project, by Igor Krstic
Part 4: New Narrative Topographies -- 10. Interstitial Cityspace and the Immigrant Experience in Contemporary French Cinema, by William Higbee -- 11. Seoul, Busan and Somewhere Near: Korean Gangster Noir and Social Immobility, by Jinhee Choi -- 12. Chase Sequences and Transport Infrastructure in Global Hollywood Spy Films, by Christian B. Long
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The glorious modernity of Kong Ngee Hong Kong: Hong Kong Film Archive, 2006.
Call No: 71(512.317) GLOCorpAuthor: Hong Kong Film ArchiveSource: HKPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2006PhysDes: 300 p. ; 27 cm.Subject: HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; STUDIOS, FILM ; GENRES ; SINGAPORE ; MALAYSIA Summary: What made [Hong Kong studio] Kong Ngee productions fascinating was its urban touch. The company was initially formed through the tutelage of The Union Film Enterprise Limited veterans, who acted as mentors for a new generation of actors, in works like the company’s founding film The Rouge Tigress (1955), Mother’s Boy Parts One and Two (1956), Blood is Thicker (1956) etc. The company then proceeded to make films on location in Malaysia and Singapore, which led to the ‘Nanyang Trilogy’ – Blood Stains the Valley of Love (1957), China Wife (1957), Moon over Malaya (1957). These films turned newcomers Patrick Tse, Nam Hung and Kar Ling into stars, and gradually fashioned a studio style that set Kong Ngee apart from other Cantonese productions of the time. Kong Ngee made its name with modern romance, both tragic and comic. Reviewing the history of Kong Ngee, from its smooth beginning to its disappointing end, the company started out in the footsteps of the Union tradition but effortlessly moved on from the cultural milieu of the May Fourth Movement to cultivate a modern urban bourgeois sensibility. Regrettably, towards the end of the 1960s, it was thrown off course by the restless pulse of that era and has since fallen by the wayside. To this day, we have not been able to revive this urban cosmopolitan drama that was once part of Hong Kong cinema. Writers in this volume have put together their efforts for a multifaceted study on Kong Ngee, encompassing subjects from the star image to urban media, from genre development to literary adaptation, alongside comparisons between creative talents and individual companies. Last but not least the complex relations between Hong Kong cinema and its Singapore/Malaysian financiers. [Abridged from introduction].ISBN: 9628050389
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Going Steady / Pauline Kael Boston: Little Brown & Co., c1968.
Call No: 67 (049.32) KAEAuthor: Kael, Pauline Edition: 1stSource: USPlace: BostonPublisher: Little Brown & Co.PubDate: c1968PhysDes: xiii, 304 p. ; 22 cm.Subject: CRITICISM ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BOSTON STRANGLER, THE (US, Richard Fleischer, 1968) ; BROTHERHOOD, THE (US, Martin Ritt, 1968) ; BULLITT (US, Peter Yates, 1968) ; BYE BYE BRAVERMAN (US, Sidney Lumet, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CHARLY (US, Ralph Nelson, 1968) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; FIXER, THE (US, John Frankenheimer, 1968) ; FUNNY GIRL (US, William Wyler, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; ICE STATION ZEBRA (US, John Sturges, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; JOANNA (UK, Michael Same, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; MODEL SHOP, THE ( FR/US, Jacques Demy, 1969) ; NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968) ; NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; SECRET CEREMONY (UK, Joseph Losey, 1969) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SPLIT, THE (US, Gordon Flemyng, 1968) ; STALKING THE MOON (US, Robert Mulligan, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968) ; SWEET NOVEMBER (US, Robert Ellis Miller, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"Donation: Donated by Senses Of Cinema, 2009Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --
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Going to the pictures : Scottish memories of cinema : with bonnie Scotland: on the big screen / Andrew Martin Edinburgh: NMS Publishing Limited, Royal Museum, 2000.
Call No: 71(411) MARAuthor: Martin, Andrew CorpAuthor: NMS Publishing Limited; Royal MuseumSource: UKPlace: EdinburghPublisher: NMS Publishing Limited; Royal MuseumPubDate: 2000PhysDes: viii, 134 p. : ill. ; 20 cmSeries: Scotland's Past in ActionSubject: SCOTLAND ; HISTORY OF CINEMA. SCOTLAND ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; HISTORY OF CINEMA. TRANSITION SILENT-SOUND ; HISTORY OF EXHIBITION. SCOTLAND ; ORAL HISTORIES ; CHILDREN AND THE CINEMA. SCOTLAND ; CINEMAS. SCOTLAND ; EXHIBITION. SCOTLAND ; EXHIBITION OF SILENT FILMS. SCOTLAND ; MEMORABILIA ; Metro-Goldwyn-Mayer ; EALING STUDIOS ; BRIGADOON (US, Vincente Minnelli, 1954) Summary: "Take your seat ... sit back and relax ... as we whisk you back to the days of art deco palaces and local fleapits. To celebrate the 20th century's most popular art form, we feature the voices of cinema-goers from all over Scotland as they recollect the Silent days, the novelty of Talkies, secretive courting in the balconies, noisy children at matinees - and through it all, the sheer glamour of the Stars. We take you from Holyrood to Hollywood, starring Claudette Colbert, Gary Cooper and Betty Grable, and Odeons and Regals the length and breadth of Scotland." (Taken from back cover)Notes: Includes filmography, further readingISBN: 1901663442
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journal article
The golddiggers in Hollywood in Films in Review (May 1979) vol.30 iss.3 p.141
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The golden age of television / Rick Marschall New York: Exeter Books, 1987.
Call No: 70 MARAuthor: Marschall, Richard Place: New YorkPublisher: Exeter BooksPubDate: 1987PhysDes: 192 p. : ill. ; 31 cmSubject: HISTORY OF TV Notes: Includes indexISBN: 0671087282LON: 10200593 10200593
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The golden age of television : how sweet it was / by Arthur Shulman and Roger Youman New York: Bonanza Books, c. 1966, 1979 printing.
Call No: 71(73)(084) SHU; FOLIOAuthor: Shulman, Arthur ; Youman, Roger Source: USPlace: New YorkPublisher: Bonanza BooksPubDate: c. 1966, 1979 printingPhysDes: 448 p. : illus., ports ; 27 cmSubject: HISTORY OF TV Notes: with 1435 photographs, Includes index
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Gone Hollywood : the movie colony in the golden age / by Christopher Finch and Linda Rosenkrantz London: George Weindenfeld and Nicolson Limited., 1980.
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[Good game, a : stills file]
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Government regulation of film exhibition in Australia to 1960 Melb.: 1973.
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Grandma's scrapbook of silent movie stars / by John M. Kaduck Des Moines, Iowa: Wallace-Homestead Book Co., 1976.
Call No: 802.27(73) KADAuthor: Kaduck, John M. Edition: c1976Source: USPlace: Des Moines, IowaPublisher: Wallace-Homestead Book Co.PubDate: 1976PhysDes: 116 pages : illustrations ; 28 cmSubject: USA. 1895-1930 ; HISTORY OF CINEMA. SILENT PERIOD ; STARS. USA Summary: A collection of images of cinema actors from the silent period of American cinemaNotes: Includes index. -- Bibliography: page 115Levy Notes: AFI R&I book not yet catalogued - AG 23/10/2017
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journal article
Graphics, letters, and Hitchcock's 'Steps' in Hitchcock annual (1992) p.68-105
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Great film directors : a critical anthology / edited by Leo Braudy and Morris Dickstein New York: Oxford University Press, 1978.
Call No: 802.25 GREAuthor: Dickstein, Morris ; Braudy, Leo Place: New YorkPublisher: Oxford University PressPubDate: 1978PhysDes: xi, 778 p. ; 23 cmSubject: ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BRESSON, ROBERT ; BUNUEL, LUIS ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DREYER, CARL TH. ; FELLINI, FEDERICO ; FLAHERTY, ROBERT ; FORD, JOHN ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; KEATON, BUSTER ; KUROSAWA AKIRA ; LANG, FRITZ ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; VON STERNBERG, JOSEF ; TRUFFAUT, FRANCOIS ; WELLES, ORSON Notes: Includes bibliographical referencesISBN: 0195023129 : $7.50LON: 952629ID2: 291
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The great movie serials : their sound and fury / by Jim Harmon and Donald F. Glut Garden City, N.Y.: Doubleday & Co., Inc., 1972.
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The great movies / by William Bayer. Picture research by Marion Geisinger New York: Grosset & Dunlap, [1973].
Call No: 70 BAYAuthor: Bayer, William Place: New YorkPublisher: Grosset & DunlapPubDate: [1973]PhysDes: 252 p. illus. (part col.) 29 cmSubject: HISTORY OF CINEMA Notes: "A Ridge Press book."LON: 518011 518011
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The great movies live : a pop-up book / Maxim Jakubowski & Ron Van Der Meer London: Ebury Press, 1987.
Call No: 93 JAKAuthor: Jakubowski, Maxim ; Van Der Meer, Ron Place: LondonPublisher: Ebury PressPubDate: 1987PhysDes: [10] p. : col. ill. ; 28 cmSubject: KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: "Open up and see favorite actors and classic movies scenes come alive. King Kong, High Noon, Gone With The Wind, The Seven Year Itch, Casablanca. See and hear Sam play it again! Discover the hidden facts about the history of the movies" -- BOOK BLURBNotes: It's a pop-up book!ISBN: 0852236565Donation: donated by the family of Wayne Levy, 2006Contents: -- King Kong -- High Noon -- Gone With The Wind -- The Seven Year Itch -- Casablanca --
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journal article
The great talkie revolution : how the art of the silent film was ended by the birth of sound movies in Lumina (Summer 2010) iss.2 p.237-248
Author: Stratton, David PhysDes: ArticleSubject: HISTORY OF CINEMA. TRANSITION SILENT-SOUND Summary: Analysis of the impact of the introduction of sound pictures to the Hollywood film industry, including the effects on technical innovation, box office receipts and the careers of major silent film stars.
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Greater Union's new twin opens in Brisbane in Australasian Cinema (15/10/1982) vol.11 iss.18 p.6-7
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Greek cinema across Australia : behind the scenes / Peter M. Yiannoudes Melbourne, Australia: Yiannoudes, Peter M., 2010.
Call No: 301.1-4(94+495) YIAAuthor: Yiannoudes, Peter M. Edition: English editionSource: ATPlace: Melbourne, AustraliaPublisher: Yiannoudes, Peter M.PubDate: 2010PhysDes: 190 p. : ill. ; 25 cmSubject: AUSTRALIA ; GREECE ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. GREECE ; EXHIBITION. AUSTRALIA ; DISTRIBUTION ; YIANNOUDES, PETER M. Summary: "This book celebrates the 50 years of my prescence and work in Australia in the area of entertaining business for the Greek-Australian community and beyond. It also manifests the pleasure I had in working with people in Greece, Cyprus, Australia and New Zealand in order to promote Greek Cinema as an important aspect in the life of Greek migrants, especially during the post-World War II period, when the chain migration movement from Greece and Cyprus to Australia reached its highest point. With this book, I record, evidence and bring to the attention of interested people unknown stories in the entertaining business in Australia and New Zealand. For Greek migrants of the late 50's and 60's, watching Greek movies was not just a way of amusing themselves, but a way of staying in touch with their homeland, its language and culture. " -- BOOK BLURBNotes: Published by author; This is the English editionISBN: 9789963681204Contents: -- acknowledgements -- dedication -- preface -- prologue -- chapter 1: the beginning is the half of everything -- chapter 2: Greek cinema and the Greek community -- chapter 3: beginning -- chapter 4: how and by whom were films brought to Australia -- chapter 5: our contacts with producers in Greece -- chapter 6: cinematic activities- new world film entertainment -- chapter 7: Greek film theatre venues -- chapter 8: screenings in the outback with a projector -- chapter 9: New Zealand -- chapter 10: advertising and promotion of films -- chapter 11: the most popular films in Australia -- chapter 12: Greek artists and their tour in Australia -- chapter 13: video and cinema -- chapter 14: other non-Greek films -- chapter 15: Mikis Theodorakis in Australia -- finale -- appendix 1 -- appendix 2 -- epilogue -- bibliography -- photo index in Greek edition --
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Greek cinema across Australia : behind the scenes / Peter M. Yiannoudes Touch Editions, 2009.
Call No: 301.1-4(94+495) YIAAuthor: Yiannoudes, Peter M. Edition: 1stSource: ATPublisher: Touch EditionsPubDate: 2009PhysDes: 256 p. : ill. (some col.), 29 cmSubject: AUSTRALIA ; GREECE ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. GREECE ; EXHIBITION. AUSTRALIA ; DISTRIBUTION ; YIANNOUDES, PETER M. Summary: "This book celebrates the 50 years of my prescence and work in Australia in the area of entertaining business for the Greek-Australian community and beyond. It also manifests the pleasure I had in working with people in Greece, Cyprus, Australia and New Zealand in order to promote Greek Cinema as an important aspect in the life of Greek migrants, especially during the post-World War II period, when the chain migration movement from Greece and Cyprus to Australia reached its highest point. With this book, I record, evidence and bring to the attention of interested people unknown stories in the entertaining business in Australia and New Zealand. For Greek migrants of the late 50's and 60's, watching Greek movies was not just a way of amusing themselves, but a way of staying in touch with their homeland, its language and culture. " -- BOOK BLURBNotes: Includes bibliographical references (p. 216) and index; Text and captions in Greek and English; This edition mainly in GreekISBN: 9789963681204Contents: -- dedication -- a few words -- preface -- introduction -- chapter 1: a job started is half done -- chapter 2: Greek cinema and the Greek community -- chapter 3: the start -- chapter 4: importers of Greek films in Australia -- chapter 5: our contact people in Greece -- chapter 6: activities -- chapter 7: the venues where we screened Greek films -- chapter 8: moving around Australia with a projector -- chapter 9: New Zealand -- chapter 10: advertising and promotion of films -- chapter 11: the most commercial and popular films -- chapter 12: Greek artists and their tours in Australia -- chapter 13: video vs. cinema -- chapter 14: importing non-Greek movies -- chapter 15: the tour of Mikis Theodorakis in Australia -- the end -- bibliography -- acknowledgements -- appendicies -- index --
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[Greenkeeping : stills file]
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Griffithiana : la rivista della Cineteca del Friuli = journal of film history / direttore / editor: Davide Turconi Gemona, Italia: Cineteca del Friuli, 2015 -.
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book
Grindhouse : cultural exchange on 42nd street, and beyond / edited by Austin Fishers and Johnny Walker New York: Bloomsbury Academic, 2016.
Call No: 722.81 GRIAuthor: Fisher, Austin (ed.) ; Walker, Johnny (ed.) Source: US/UKPlace: New YorkPublisher: Bloomsbury AcademicPubDate: 2016PhysDes: 266 pages ; 25 cmSeries: Global exploitation cinemasSubject: EXPLOITATION FILMS ; BLAXPLOITATION FILMS ; HORROR FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; EROTIC FILMS ; MOVEMENTS AND STYLES IN FILM HISTORY ; POPULAR CULTURE AND THE CINEMA ; CRITICISM Summary: "The pervasive image of New York's 42nd Street as a hub of sensational thrills, vice and excess, is from where “grindhouse cinema,” the focus of this volume, stemmed. It is, arguably, an image that has remained unchanged in the mind's eye of many exploitation film fans and academics alike. Whether in the pages of fanzines or scholarly works, it is often recounted how, should one have walked down this street between the 1960s and the 1980s, one would have undergone a kaleidoscopic encounter with an array of disparate “exploitation” films from all over the world that were being offered cheaply to urbanites by a swathe of vibrant movie theatres.
The contributors to Grindhouse: Cultural Exchange on 42nd Street, and Beyond consider “grindhouse cinema” from a variety of cultural and methodological positions. Some seek to deconstruct the etymology of “grindhouse” itself, add flesh to the bones of its cadaverous history, or examine the term's contemporary relevance in the context of both media production and consumerism. Others offer new inroads into hitherto unexamined examples of exploitation film history, presenting snapshots of cultural moments that many of us thought we already understood." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781628927498Contents: -- Table of Contents -- Acknowledgments -- Introduction: 42nd Street, and Beyond -- Austin Fisher and Johnny Walker -- Chapter 1 -- Grinding out the Grindhouse: Exploitation, Myth and Memory / Glenn Ward -- Chapter 2 -- Where Did We Come In?: The Economics of Unruly Audiences, Their Cinemas and Tastes, From Serial Houses to Grind Houses / Phyll Smith -- Chapter 3 -- Temporary Fleapits and Scabs' Alley:The Theatrical Dissemination of Italian Cannibal Films in Melbourne, Australia / Dean Brandum -- Chapter 4 -- Run, Angel, Run: Serial Production and the Biker Movie, 1966-72 / Peter Stanfield -- Chapter 5 -- "The Smashing, Crashing, Pileup of the Century": The Carsploitation Film / Robert J Read -- Chapter 6 -- Cars and Girls (and Burgers and Weed): Branding, Mainstreaming, and Crown International Pictures' SoCal Drive-in Movies / Richard Nowell -- Chapter 7 -- From "Sex Entertainment for the Whole Family" to Mature Pictures: I Jomfruens Tegn and Transnational Erotic Cinema / Kevin Heffernan -- Chapter 8 -- 'Bigger Than A Payphone, Smaller Than A Cadillac': Porn Stardom in Exhausted: John C Holmes The Real Story / Neil Jackson -- Chapter 9 -- From Opera House to Grindhouse (And Back Again): Ozploitation In and Beyond Australia / Alexandra Heller-Nicholas -- Chapter 10 -- Go West, Brother: the Politics of Landscape in the Blaxploitation Western / Austin Fisher -- Chapter 11 -- Red Power, White Movies: Billy Jack, Johnny Firecloud, and the Cultural Politics of the "Indiansploitation" Cycle / David Church -- Chapter 12 -- Sleazy Strip-Joints and Perverse Porn Circuses: The Remediation of Grindhouse in the Porn Productions of Jack the Zipper / Clarissa Smith -- Select Bibliography -- Contributors -- index --
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Levy Collection
book
A guide to Hans Wetzel's movie museum Buderim, Queensland: H.W. Productions Pty. Ltd, 1978.
Call No: 11(94) WETCorpAuthor: Hans Wetzel's Movie MuseumSource: ATPlace: Buderim, QueenslandPublisher: H.W. Productions Pty. LtdPubDate: 1978PhysDes: 48p : illus. ; 21cm.Subject: MUSEUMS ; HISTORY AND THE CINEMA. AUSTRALIA Donation: donated by the family of Wayne Levy, 2006
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HAL I MITT HJARTA ETT : (UK, Lukas Moodysson and Michael Winterbottom)
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Crawford collection
still
[Halfway across the galaxy and turn left: album #1] Crawford Productions [distributor],
Call No: CRAWFORD STILL HALSource: ATPublisher: Crawford Productions [distributor]PhysDes: 15 x photographs : b&w ; 21 x 26 cm + 6 photographic sheets : b&w and col. ; 26 x 21 cm + 50 slides : col. + 2 transparencies : col. ; 10 x 13 cm + 19 transparencies : col. ; 120mm + 8 negatives : col. ; 35 mmSubject: FRIEDL, JAN ; SEIDEL, SILVIA ; MYLES, BRUCE ; HEWETT, LAUREN ; WALKER, JEFFREY ; GORE, SANDY ; ARMSTRONG, KERRY ; SPENCE, BRUCE ; ARGUE, DAVID ; KELMAN, PAUL ; CILENTO, DIANE ; SMYTHE, KELLIE ; BROADBENT, CHE ; GILMORE, TENLEY ; MCDONNELL, LEVERNE ; MENGLET, ALEX ; CRESSEY, ELLEN ; MOORE, DENIS ; LAMBERT, KATRINA ; HEWETT, COLLEEN ; HALFWAY ACROSS THE GALAXY AND TURN LEFT [TV] (AT, 1992) Summary: Photographs and negatives relating to the TV series 'Halfway across the galaxy and turn left'Notes: Arranged by record type -- Negatives consist of two strips of photographic negativesDonation: Gift of Crawford Productions
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Crawford collection
still
[Halfway across the galaxy and turn left: album #2 & #3] / O'Rourke, Les Crawford Productions [distributor],
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title clippings file
HALLO BABY : SW, Johan Bergenstrahle, 1976
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book
Hamilton Babylon : a history of the McMaster Film Board / Stephen Broomer Toronto: University of Toronto Press, 2016.
Call No: 771 (71) BROAuthor: Broomer, Stephen Place: TorontoPublisher: University of Toronto PressPubDate: 2016PhysDes: xii, 264 : illus. ; 24 cmSubject: EXPERIMENTAL FILMS: CANADA ; HOFSESS, JOHN ; REITMAN, IVAN Notes: Founded in 1966 at McMaster University by avant-garde filmmaker John Hofsess and future frat-comedy innovator Ivan Reitman, the McMaster Film Board was a milestone in the development of Canada’s commercial and experimental film communities. McMaster’s student film society quickly became the site of art filmmaking and an incubator for some of the country’s most famous commercial talent – as the well as the birthplace of the first Canadian film to lead to obscenity charges, Hofsess’s Columbus of Sex.
In Hamilton Babylon, Stephen Broomer traces the history of the MFB from its birth as an organization for producing and exhibiting avant-garde films, through its transformation into a commercial-industrial enterprise, and into its final decline as a show business management style suppressed many of its voices. The first book to highlight the work of Hofsess, an innovative filmmaker whose critical role in the MFB has been almost entirely eclipsed by Reitman’s legend, Hamilton Babylon is a fascinating study of the tension between art and business in the growth of the Canadian film industry.ISBN: 9781442647787Donation: donated by Senses of CinemaContents: Chapter One: A Dangerous Precedent
Chapter Two: Assembling Pleasure
Chapter Three: A New President
Chapter Four: Participatory Democracy
Chapter Five: Seize the Projectors
Chapter Six: Sync Sound Arrives, 1970
Chapter Seven: The Film Board Presidents on Trial
Chapter Eight: The Appeal
Chapter Nine: Show Business
Appendix: McMaster Film Board Filmography
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book
Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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[Harlequin : stills file] Guo Gilm Distributors (distributor),
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HARO GUBBAI [HELLO GOODBYE] : (JP, Takeo Kikuchi, 2016)
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Haunted by Vertigo : Hitchcock's masterpiece then and now / edited by Sidney Gottlieb and Donal Martin New Barnet, Herts: John Libbey Publishing,
Call No: 79 VER HAUAuthor: Gottlieb, Sidney ; Martin, Donal Edition: 2021Place: New Barnet, HertsPublisher: John Libbey PublishingPhysDes: 242 pages : illustrated ; 24 cmSubject: VERTIGO (US, Alfred Hitchcock, 1958) ; HITCHCOCK, ALFRED Summary: When Richard Schickel stated unequivocally in 1972 that "We're living in a Hitchcock world, all right", he did so without even mentioning the film that now stands at the top of the Sight & Sound Greatest Films of All Time poll: Vertigo. That omission needs to be redressed when we think about the Hitchcock world we live in now. Haunted by Vertigo: Hitchcock's Masterpiece Then and Now gathers essays that offer a variety of approaches to what many consider to be Hitchcock's signature film, one that shows him operating at full strength as a cinematic artist portraying some of the defining elements of modern life: romantic exhilaration and anxiety, the attractiveness and elusiveness of love, and the interpenetration of pain, pleasure, life, and death in our psyche and our culture.
The pieces in this volume explore numerous aspects of how, broadly speaking, Vertigo is about characters haunted by memories and desires; how the film itself is haunted by numerous literary and cinematic fore- bearers; and how it continues to haunt not only filmmakers but artists working in other media as well. Essays that concentrate on formative or interpretive contexts of the film, including Greek mythology, early German cinema, film noir, an ensemble of (mostly) French writers and filmmakers, andmodern and postmodern art are complemented by others that present close readings of hidden details in the film, its use of multiple gazes that underscore its meaning and drama, the darker sides of even gestures of love and hospitality, and how the film embodies Hitchcock's "late style". Taken together the essays in the volume reinforce how Vertigo is, like the majestic trees visited by the two main characters in the film, sempervirens – an enduring masterpiece of then, now, and, we can safely say, the future. -- publisher's blurbISBN: 9780861967421Donation: Senses of Cinema
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HEIDI : (US, Allan Dwan, 1937)
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HEIDI FLEISS: HOLLYWOOD MADAM : (UK, Nick Broomfield, 1995)
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HEIDI'S SONG : (US, Robert Taylor, 1982)
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"Heidi's Song" joins favourites in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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HEIGHTS : (US, Chris Terrio, 2004)
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HEIGHTS, THE [TV] : (AT, 2019-)
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HEIGL, KATHERINE
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Heil Caesar! in Federation News (March - June 1978) iss.95/96 p.24
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HEILIGE FAMILIE, DE : (NE, Roeland Kerbosch, 1981)
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HEIMA : (UK, Dean DeBlois, 2007)
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HEIMANS, FRANK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HEIMANS, FRANK
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Heimat in Kino (Export-Union des Deutschen Films) (1984) iss.3 p.2-3
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Heimat : backs to the past in Filmnews (August 1985) vol.15 iss.6 p.13
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HEIMAT: EINE DEUTSCHE CHRONIK [TV] : GG, Edgar Reitz, 1984
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"Heimat" sells out in Sydney in Encore (15-28 August 1985) vol.3 iss.13 p.6
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HEIN, BIRGIT & WILHEIM
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HEINE, CARIBA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HEINE, CARIBA
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journal article
Heinrich in Variety (18 May 1977) vol.227 (CCLXXXVII) iss.2 p.19
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HEINRICH VON KLEIST : (GW, Helma Sanders-Brahms, 1977)
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HEIR TO AN EXECUTION : (US, Ivy Meeropol, 2004)
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HEIRESS, THE : (US, William Wyler, 1949)
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HEIST : (US, David Mamet, 2001)
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HEIST, THE [TV] : (US, Stuart Orme, 1989)
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HELAS POUR MOI : (SZ/FR, Jean-Luc Godard, 1983)
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digital clippings file
HELD : (US, Travis Cluff/Chris Lofing, 2020) Digital clippings file available
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HELD UP : (US, Steve Rash, 2000)
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HELEN, QUEEN OF THE NAUTCH GIRLS : (US, Anthony Korner, 1973)
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HELEN'S WAR: PORTRAIT OF A DISSIDENT : (AT/CN, Anna Broinowski, 2003)
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HELFER, DANIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HELFER, DANIEL
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HELFGOTT, DAVID
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HELFGOTT, DAVID
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book
Helga : the story of the film / by Robert Chartham London: Leslie Frewin Publishers, 1968.
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HELI : (MX/NE/GG/FR, Amat Escalante, 2013)
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HELL BENTO!! : (AT, Andrew Sully & Anna Broinowski, 1995)
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[Hell bento : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 7 photographs : b&w and col. ; 11 x 13 cm - 11 x 16 cmSubject: HELL BENTO!! (AT, Andrew Sully & Anna Broinowski, 1995) Summary: Five colour photographs and two black and white photographs from the documentary 'Hell Bento: uncovering the Japanese underground'Notes: Contains one duplicate
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Hell divers in Films In Review (May 1979) vol.30 iss.5 p.281
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HELL FEST : (US, Gregory Plotkin, 2018)
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HELL-FIRE JACK : (AT, John Boland, ?)
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HELL NIGHT : (US, Thomas De Simone, 1981)
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HELL ON EARTH : (US, Sebastian Junger, Nick Quested, 2017) Digital clippings file available
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HELL ON WHEELS [TV] : (CN/UK, Joe Gayton, Tony Gayton, 2011 -)
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HELL OR HIGH WATER : (US, David Mackenzie, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: HELL OR HIGH WATER (US, David Mackenzie, 2016) URL status: URL: 'http://file://Q:/T/HELL_OR_HIGH_WATER.zip'
Checked: 31/08/2021 1:47:29 PM
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hell or high water / written by Taylor Sheridan Digital clippings file available
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Hell's Angels in Interview (1970) vol.1 iss.2 p.8
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HELL'S HALF HECTARE : (AT, Richard Knipers, 1988)
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[Hell's half hectare : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 26 x 21 cm + 3 posters : b&w ; 27 x 21 cmSubject: SINCLAIR, HUGH ; HELL'S HALF HECTARE (AT, Richard Knipers, 1988) Summary: Two black and white photographs and three black and white "Wanted Dead or alive Black Jack" posters relating to the film 'Hell's half hectare'
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HELL'S KITCHEN : (US, Tony Cinciripini, 1998)
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HELL, TEXAS AND HOME : (AT, Deborah Niski, 1995)
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[Hell, Texas and home : stills file]
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title clippings file
HELL TOWN [TV] : (US, Don Medford, 1985)
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HELLBOUND: HELLRAISER II : (UK/US, Tony Randel, 1988)
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HELLBOY : (US, Guillermo Del Toro, 2004)
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HELLBOY : (US/UK/BU, Neil Marshall, 2019)
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HELLBOY II: THE GOLDEN ARMY : (US/G, Guillermo del Toro, 2008)
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HELLCATS OF THE NAVY : (US, Nathan Juran, 1957)
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HELLFIRE : (US, John Junkerman & John Dower, 1986)
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HELLHOLE : (US, Pierre De Moro, 1985)
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HELLHOUNDS ON MY TRAIL: THE AFTERLIFE OF ROBERT JOHNSON : (US, Robert Mugge, 1999)
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HELLIAR, PETER Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HELLIAR, PETER URL status: URL: 'http://file://Q:/P/HELLIAR,_PETER.zip'
Checked: 31/08/2021 1:16:06 PM
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HELLIER, TRUDY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HELLIER, TRUDY
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HELLMAN, JEROME
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HELLMAN, JEROME
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HELLMAN, LILLIAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HELLMAN, LILLIAN
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HELLMAN, MONTE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HELLMAN, MONTE
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title clippings file
HELLO : (US, Faith Hubley, 1984)
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title clippings file
HELLO AGAIN : (US, Frank Perry, 1987)
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title clippings file
HELLO, DOLLY! : (US, Gene Kelly, 1969)
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poster
[Hello Dolly : poster] AT: 1969.
Call No: P HELPlace: ATPubDate: 1969PhysDes: 1 poster : colour ; 77 x 35 cmSubject: HELLO, DOLLY! (US, Gene Kelly, 1969) Summary: Image: The poster is mostly blank space (excepting the credits). On the left side of the middle, there is a man in a purple suit and a woman in a shining gold dress with long white gloves and a flamboyant hat. Both figures are making extravagant gestures with their hands. Occupying most of the space at the top of the poster is a vibrant, circular illustration of a woman wearing a large purple hat with many brightly-coloured flowers and a man, behind her, leans forward and looks toward her with a smile on his face. The title is stylized and curves around the circular illustration at the top of the poster.Notes: Folds, slight discolouration.
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HELLO I AM DAVID : (G/AU/SW, Cosima Lange, 2015)
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journal article
Hello Mary Lou : Prom Night II in Cinefantastique (December 1987) vol.18 iss.1 p.40-41
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HELLO MARY LOU: PROM NIGHT II : (US, Bruce Pittman, 1987)
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HELLRAISER : (UK, Clive Barker, 1987)
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HELLRAISER: BLOODLINE : (US, Alan Smithee, [pseud. of Kevin Yeager] 1996)
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HELLRAISER III: HELL ON EARTH : (US, Anthony Hickox, 1992)
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HELLZAPOPPIN' : (US, H.C. Potter, 1941)
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HELM, BRIGITTE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HELM, BRIGITTE
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HELM, NAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: StillsSubject: HELM, NAN
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HELMS, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HELMS, MICHAEL
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title clippings file
HELP! : (UK, Richard Lester, 1965)
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HELP, THE : (US/II, Tate Taylor, 2011)
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HELP [TV] : (UK, Declan Lowney, 2005)
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HELP YOURSELF : (AT, Guy Baskin, ?)
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HELPMANN, ROBERT Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Publicity; ClippingsSubject: HELPMANN, ROBERT URL status: URL: 'http://file://Q:/P/HELPMANN,_ROBERT.zip'
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HEMBROW, MARK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HEMBROW, MARK
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HEMDALE INTERNATIONAL
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Hemingway / Christopher Cook Gilmore New York: St. Martin's Press, 1988.
Call No: 79 HEM GILAuthor: Gilmore, Christopher Cook Edition: Mass marketSource: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1988PhysDes: 203 p. ; 18 cmSubject: HEMINGWAY (US/GW/CN, Bernhard Sinkel, 1988) Notes: "TV tie-in" -- spine.
First St. Martin's Press mass market edition/ May 1988ISBN: 0312911750Donation: donated by the family of Wayne Levy, 2006
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HEMINGWAY [AND] & GELLHORN : (US, Philip Kaufman, 2012)
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HEMINGWAY, HELEN
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HEMINGWAY, MARGAUX
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HEMINGWAY [TV] : IT/FR/UK, ?, 1988
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HEMMINGS, DAVID
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HEMMINGS, DAVID
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HEMP REVOLUTION, THE : (US, Anthony Clarke, 1995)
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newspaper article
Hemsurf's up for fit family in Daily Telegraph (8/03/2017) p.3
Call No: PERSONALITY CLIPPINGS FILE; HEMSWORTH, CHRISAuthor: Crane, Kris PhysDes: Clippings File ArticleSubject: HEMSWORTH, CHRIS Summary: Short article on married actors Chris Hemsworth and Elsa Pataky at Byron Bay
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HEMSWORTH, CHRIS Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HEMSWORTH, CHRIS URL status: URL: 'http://file://Q:/P/HEMSWORTH,_CHRIS.zip'
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HEMSWORTH, LIAM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HEMSWORTH, LIAM
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HEMSWORTH, LUKE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HEMSWORTH, LUKE URL status: URL: 'http://file://Q:/P/HEMSWORTH,_LUKE.zip'
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journal article
Hen Hop in Filmviews (September 1981) vol.26 iss.3(109) p.20
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HENDERSON, BRIAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HENDERSON, BRIAN
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HENDERSON, CLAIRE
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HENDERSON, DICKIE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HENDERSON, DICKIE
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HENDERSON, FLORENCE
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HENDERSON, KERRYN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HENDERSON, KERRYN
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Crawford collection
script
The Henderson kids : episode one. The crash / written by Roger Moulton ; edited by Susan Smith AT: c1984.
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script
The Henderson kids : episode two. Trouble at the mill / written by Roger Moulton ; edited by Susan Smith AT: c1984.
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script
The Henderson kids : episode three. Bright lights and broken dreams / written by Peter Hepworth ; edited by Susan Smith AT: c1984.
Call No: SC HEN : 1.3Author: Hepworth, Peter Place: ATPubDate: c1984PhysDes: 86 leaves; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 5, Bright lights and broken dreams: part 1 and TV episode 6, Bright lights and broken dreams: part 2 -- Credits: director, Chris LangmanDonation: Gift of Crawford ProductionsID2: 39
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The Henderson kids : episode four. Nature's way / written by Galia Hardy ; edited by Susan Smith AT: c1984.
Call No: SC HEN : 1.4Author: Hardy, Galia Place: ATPubDate: c1984PhysDes: 83 leaves; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 7, Nature's way: part 1 and TV episode 8, Nature's way: part 2 -- Credits: director, Chris LangmanDonation: Gift of Crawford ProductionsID2: 39
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script
The Henderson kids : episode 5. Passing muster / written by John Reeves ; edited by Susan Smith AT: c1984.
Call No: SC HEN : 1.5Author: Reeves, John Place: ATPubDate: c1984PhysDes: 79 leaves; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as two episodes TV episode 9, Passing muster: part 1 and TV episode 10, Passing muster: part 2 -- Credits: director, Chris LangmanDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids : episode 6.[Out of the blue] The trap / written by Roger Moulton ; edited by Susan Smith AT: c1984.
Call No: SC HEN : 1.6Author: Moulton, Roger Place: ATPubDate: c1984PhysDes: 79 leaves ; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- The trap was the working title for the episode that screened in two parts as 'Out of the Blue' -- Credits: director, Chris LangmanDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids : episode 7. All that glitters / written by Peter Hepworth ; edited by Susan Smith AT: c1984.
Call No: SC HEN : 1.7Author: Hepworth, Peter Place: ATPubDate: c1984PhysDes: 84 leaves ; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 13, All that glitters: part 1 and TV episode 14, All that glitters: part 2 -- Credits: director, Paul MoloneyDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids : episode 8. Open night / written by John Reeves ; edited by Susan Smith AT: c1984.
Call No: SC HEN : 1.8Author: Reeves, John Place: ATPubDate: c1984PhysDes: 93 leaves ; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 15 Open night: part one and TV episode 16 Open night: part 2 -- Credits: director, Paul MoloneyDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids : episode 9. Heads you lose / written by Galia Hardy ; edited by Susan Smith AT: 1984.
Call No: SC HEN : 1.9Author: Hardy, Galia Place: ATPubDate: 1984PhysDes: 100 leaves; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episodes 17, Heads you lose: part 1 and TV episode 18, Heads you lose: part 2 -- Credits: director, Paul MoloneyDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids : episode 12. [The show must go on] / written by Roger Moulton ; edited by Susan Smith AT: [1984].
Call No: SC HEN : 1.12Author: Moulton, Roger Place: ATPubDate: [1984]PhysDes: 99 leaves ; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 23, The show must go on: part 1 and TV episode 24, the show must go on: part 2 -- Title/cover page with director + writers credits is missing.Episode title sourced form the TVDB.com databaseDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids : episode 12. Carry on! / written by Roger Moulton ; edited by Jutta Goetze AT: c1986.
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Crawford collection
script
The Henderson kids 2 : episode 7. Journey into the unknown / written by David Phillips ; edited by Jutta Goetze AT: c1986.
Call No: SC HEN : 2.7Author: Phillips, David Place: ATPubDate: c1986PhysDes: 82 leaves ; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 13, Journey into the unknown: part 1 and TV episode 14, Journey intot the unknown: part 2 -- Credits: director, Paul MoloneyDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids 2 : episode 8. You cant trust anybody / written by Andrew Kennedy ; edited by Jutta Goetze AT: c1986.
Call No: SC HEN : 2.8Author: Kennedy, Andrew Place: ATPubDate: c1986PhysDes: 88 leaves ; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 15, You cant trust anybody: part 1 and TV episode 16, You cant trust anybody: part 2 -- Credits: director, Paul MoloneyDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids 2 : episode 9. Where angels fear to tread / written by Galia Hardy ; edited by Jutta Goetze AT: c1986.
Call No: SC HEN : 2.9Author: Hardy, Galia Place: ATPubDate: c1986PhysDes: 92 leaves ; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 17, Where angels fear to tread: part 1 and TV episode 18, Where angels fear to tread: part 2 -- Credits: director, Paul MoloneyDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids 2 : episode 10. Run for your life / written by John Reeves ; edited by Jutta Goetze AT: c1986.
Call No: SC HEN : 2.10Author: Reeves, John Place: ATPubDate: c1986PhysDes: 93 leaves ; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 19, Run for your life: part 1 and TV episode 20, Run for your life: part 2 --Credits: director, Paul MoloneyDonation: Gift of Crawford ProductionsID2: 39
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Crawford collection
script
The Henderson kids 2 : episode 11. Plots and plans / written by Peter Hepworth ; edited by Jutta Goetze AT: c1986.
Call No: SC HEN : 2.11Author: Hepworth, Peter Place: ATPubDate: c1986PhysDes: 88 leaves ; 33 cmSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Notes: Unpublished script -- Includes character list and script running order -- Screened as TV episode 21, Plots and plans: part 1 and TV episode 22, Plots and plans: part 2 -- Credits: director, Paul MoloneyDonation: Gift of Crawford ProductionsID2: 39
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script
The Henderson kids II : Episode 2. The hand on your shoulder 1986.
Call No: S HENAuthor: Moulton, Roger PubDate: 1986PhysDes: 77 pSubject: HENDERSON KIDS, THE [TV] (AT, Chris Langman & Paul Moloney, 1985-1987) Summary: Childrens television series of 12 x 1 hour episodes, also released as 24 x 30 minute episodes (each episode split in two parts). Follows Tam (Nadine Garner) & Steve Henderson (Paul Smith) who have left Haven Bay with their father, Wal Mullens (Michael Aitkens). For two years they've been travelling, looking for the right place to live and believe they've found it in Westport, a harbour side suburb. (Summary courtesy of Australian Film & Sound Archive)Notes: Unpublished scriptDonation: donated by the Australian Writers Guild
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title clippings file
HENDERSON KIDS, THE : [TV] (AT, Chris Langman & Paul Moloney, 1985)
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Crawford collection
still
[Henderson kids, The: series 1 & 2 album # 1] / Crawford Productions [1985-7].
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personality clippings file
HENDERSON, MARTIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: HENDERSON, MARTIN
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personality clippings file
HENDERSON, SHIRLEY
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personality clippings file
HENDRICKX, MONIC
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personality microfilm collection
HENDRIX, ELAINE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HENDRIX, ELAINE
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personality microfilm collection
HENIE, SONJA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: PublicitySubject: HENIE, SONJA
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personality clippings file
HENKEL, CATHY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HENKEL, CATHY
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personality microfilm collection
HENNER, MARILU
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HENNER, MARILU
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title clippings file
HENRI GAUDIER-BRZESKA : (AT, Arthur & Corinne Cantrill, 1968)
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personality clippings file
HENRIKSEN, LANCE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HENRIKSEN, LANCE
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title clippings file
HENRY AND JUNE : (US, Philip Kaufman, 1990)
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journal article
Henry Angst in Kino (Export-Union des Deutschen Films) (1980) iss.2-3 p.21
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personality clippings file
HENRY, DWIGHT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HENRY, DWIGHT
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title clippings file
HENRY FOOL : (US, Hal Hartley, 1997)
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personality clippings file
HENRY, KAT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HENRY, KAT
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title clippings file
HENRY: ONE MAN'S WAY : [TV] (AT, John Swindells, 1997)
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title clippings file
HENRY POOLE IS HERE : (US, Mark Pellington, 2008)
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title clippings file
HENRY PORTRAIT OF A SERIAL KILLER : (US, John McNaughton, 1989[prod. 1985])
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title clippings file
HENRY: PORTRAIT OF A SERIAL KILLER 2 : (US, Chuck Parello, 1997)
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title clippings file
HENRY V : (UK, Laurence Olivier, 1944)
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title clippings file
HENRY V : (UK, Kenneth Branagh, 1989)
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personality clippings file
HENSHALL, DANIEL
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personality microfilm collection
HENSHALL, DOUGLAS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HENSHALL, DOUGLAS
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personality microfilm collection
HENSLEY, LISA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: HENSLEY, LISA
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personality microfilm collection
HENSON, BRIAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HENSON, BRIAN
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personality microfilm collection
HENSON, ELDEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HENSON, ELDEN
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personality clippings file
personality microfilm collection
HENSON, JIM
Call No: PERSONALITY CLIPPINGS FILE
PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HENSON, JIM
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personality microfilm collection
HENSTRIDGE, NATASHA
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personality clippings file
HENZELL, PERRY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HENZELL, PERRY
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personality microfilm collection
HEPBURN, AUDREY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HEPBURN, AUDREY
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personality microfilm collection
HEPBURN, KATHARINE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HEPBURN, KATHARINE
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title clippings file
HEPHZIBAH : (AT, Curtis Levy, 1998)
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title clippings file
HER : (US, Spike Jonze, 2013)
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title clippings file
HER ALIBI : (US, Bruce Beresford, 1989)
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journal article
Her Bodyguard in Films In Review (March 1979) p.142
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title clippings file
HER ER HAROLD : (NO, Gunnar Vikene, 2014)
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title clippings file
HER FAMILY JEWELS : (UK, Martin Campbell, 1976)
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title clippings file
HER MAN : (US, Tay Garnett, 1930)
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title clippings file
HER NAME CAME ON ARROWS: A KINSHIP INTERVIEW WITH THE BARUYA OF NEW GUINEA : (US, Allison &Marek Jablonko & Stephen Olsson, 1982)
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journal article
Her Private Life in Films in Review (April 1979) p.207
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title clippings file
HER SMELL : (US, Alex Ross Perry, 2018)
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title clippings file
HER SOUND HER STORY : ( AT, Claudia Sangiorgi Dalimore, 2017)
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poster
[Her sound her story: poster] 2018.
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title clippings file
HERB AND DOROTHY : (US, Megumi Sasaki, 2008)
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personality clippings file
HERBERT, JAMES
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERBERT, JAMES
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personality clippings file
HERBERT, KATE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERBERT, KATE
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personality clippings file
HERBERT, MARK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERBERT, MARK
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personality clippings file
HERBERT, ROBERT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERBERT, ROBERT
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title clippings file
HERBIE: FULLY LOADED : (US, Angela Robinson, 2005)
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title clippings file
HERBIE GOES BANANAS : (US, Vincent McEveety, 1980)
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title clippings file
HERCEGNO ES A KOBOLD, A : (UK/HU/JA, Jozsef Gemes, 1991)
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title clippings file
HERCULES : (US, John Musker & Ron Clements, 1997)
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title clippings file
HERCULES : (US, Lewis Coates [pseud. of Luigi Cozzi], 1983)
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title clippings file
HERCULES : (US, Brett Ratner, 2014)
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title clippings file
HERCULES RETURNS : (AT, David Parker, 1993)
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title clippings file
HERCULES: THE LEGENDARY JOURNEYS : [TV] (US, Robert Tapert, 1995)
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title clippings file
HERD OF COWS : (AT, Heather Croall, 1997)
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title clippings file
[HERDSMAN, THE] : (CC, Xie Jin, 1983)
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title clippings file
HERDSMEN OF THE SUN : (FR, Werner Herzog, 1991 [prod. 1988])
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title clippings file
HERE : (US, Braden King, 2011)
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digital clippings file
HERE ALONE : (US, Rod Blackhurst, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: HERE ALONE (US, Rod Blackhurst, 2016) URL status: URL: 'http://file://Q:/T/HERE_ALONE.zip'
Checked: 31/08/2021 1:40:57 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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script
Here come the Habibs : Season 2: episode 3: The Fundertakers / by Gary Eck ; Head writer/showrunner: Phil Lloyd. AT: 2016 Sep 23.
Call No: S HERAuthor: Eck, Gary Place: ATPubDate: 2016 Sep 23PhysDes: 37 leaves ; 30 cm.Subject: HERE COME THE HABIBS [TV] (AT, 2016) Summary: "Fou Fou Habib won $22 Million in the lottery, and bought a house (mansion) next door to the O'Neill family. A Comedy satire of both Lebanese and British background Aussies." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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script
Here come the Habibs : Season 2: episode 5: Kidney / by Sam Meikle ; head writer/showrunner: Phil Lloyd AT: 2016 Sep 23.
Call No: S HERAuthor: Meikle, Sam Place: ATPubDate: 2016 Sep 23PhysDes: 40 leaves ; 30 cm.Subject: HERE COME THE HABIBS [TV] (AT, 2016) Summary: "Fou Fou Habib won $22 Million in the lottery, and bought a house (mansion) next door to the O'Neill family. A Comedy satire of both Lebanese and British background Aussies." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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title clippings file
HERE COME THE HABIBS! [TV] : (AT, 2016 - )
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book
Here come the Huggetts : Book of the film / by Warwick Mannon London: World Film Publications, 1948.
Call No: N79HER MANAuthor: Mannon, Warwick Place: LondonPublisher: World Film PublicationsPubDate: 1948PhysDes: 76 p., [24] p. of plates : ill. ; 18 cmSeries: Book of the filmSubject: HERE COME THE HUGGETTS (UK, Ken Annakin, 1948) Notes: Adapted from the screenplay by Mabel and Denis Constanduros and Peter Rogers. "Portrait from life, photo-preview"
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title clippings file
HERE COMES EVERYBODY : (US, John Whitmore, 1972)
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title clippings file
HERE COMES THE BOOM : (US, Frank Coraci, 2012)
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title clippings file
HERE COMES THE JUDGE : [TV] (AT, Celia Tait, 1999)
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digital clippings file
HERE COMES YOUR MAN : (US, Omar Salas Zamora, 2021) Digital clippings file available
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title clippings file
HERE I AM : (AT, Beck Cole, 2011)
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poster
[Here I am : poster] AT: 2011.
Call No: P HERPlace: ATPubDate: 2011PhysDes: 1 poster : col. ; 100 X 69 cmSubject: HERE I AM (AT, Beck Cole, 2011) Summary: Image: photo of Shai Pittman, with her face in top right section of the poster
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title clippings file
HERE I SIT : (AT, Alyson Bell, 1996)
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still
[Here I sit : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w ; 10 x 15 cmSubject: HERE I SIT (AT, Alyson Bell, 1996) Summary: Four black and white photographs (one which contains a bit of colour) relating to the short film 'Here I sit'
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title clippings file
HERE ON EARTH : (US, Mark Piznarski, 2000)
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title clippings file
HERE'S A CUE FOR THE GIRLS : (AT, Kate Muir, 1984)
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journal article
Here's a cue for the girls in Filmviews (Winter 1985) vol.30 iss.124 p.28-30
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still
[Here's a cue for the girls : stills file] Sydney Filmmakers and Co-operative and Filmnews?,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Sydney Filmmakers and Co-operative and Filmnews?PhysDes: 1 photograph : b&w ; 13 x 18 cmSubject: HERE'S A CUE FOR THE GIRLS (AT, Kate Muir, 1984) Summary: One black and white photograph from the film 'Here's a cue for the girls'
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book
Here's Humphrey : fun for everyone / Designed by Robin Cornwell ; illustrated by Kim Bolitho and Muarry Van Den Akker Adelaide: Rigby Publishers, 1981.
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title clippings file
HERE'S HUMPHREY [TV] : AT, 1965-
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title clippings file
HERE'S TO ROMANCE : (US, Alfred E. Green, 1935)
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title clippings file
HERE'S TO YOU MR. ROBINSON : (AT, Peter Tammer & Garry Patterson, 1976)
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title clippings file
HERE TO BE HEARD: THE STORY OF THE SLITS : (UK, William E. Badgley, 2018)
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title clippings file
HEREAFTER : (US, Clint Eastwood, 2010)
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title clippings file
HEREDERAS, LAS : (PY/GG/UY/BL/NO/FR, Marcelo Martinessi, 2018)
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digital clippings file
HEREDITARY : (US, Ari Aster, 2018) Digital clippings file available
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title clippings file
HEREMAKONO : (FR/MU, Abderrahmane Sissako, 2002)
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personality clippings file
HERFURTH, KAROLINE
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title clippings file
HERISSON, LE : FR/IT, Mona Achache, 2009
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title clippings file
HERITAGE : (AT, Charles Chauvel, 1935)
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title clippings file
HERITAGE FARMING IN AUSTRALIA : (AT, Alex & Anne Sloane, 1992)
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still
[Heritage : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 17 x 22 cmSubject: HERITAGE (AT, Charles Chauvel, 1935) Summary: One black and white photograph from the film Heritage
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vhs
Heritage [videorecording] Canberra: National Film and Sound Archive, 1994.
Call No: V HERITAGEEdition: 1935Place: CanberraPublisher: National Film and Sound ArchivePubDate: 1994PhysDes: 1 videotape (VHS) (ca. 90 min.) : sd., b/w ; 21 cmSeries: The Chauvel collectionSubject: HERITAGE (AT, Charles Chauvel, 1935)
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title clippings file
HERITIER, L` : (FR/IT, Phillipe Labro, 1973)
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title clippings file
HERMAN : (NO, Erik Gustavson, 1990)
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personality clippings file
HERMAN, MARK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERMAN, MARK
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personality microfilm collection
HERMAN, PEE-WEE [pseud. of REUBENS, PAUL]
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personality clippings file
HERMANN, BERNARD
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERMANN, BERNARD
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title clippings file
HERMANO : (VE, Marcel Rasquin, 2011)
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title clippings file
HERMIA AND HELENA : (AG/US, Matias PineIro, 2016)
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digital clippings file
HERMIT OF TREIG, THE : (UK, Lizzie Mackenzie, 2022) Digital clippings file available
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digital clippings file
HERMOSA JUVENTUD : (SP/FR, Jaime Rosales, 2014) Digital clippings file available
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personality microfilm collection
HERMOSILLO, JAIME HUMBERTO
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personality microfilm collection
HERNADI, GYULA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HERNADI, GYULA
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personality clippings file
HERNANDEZ, JAY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERNANDEZ, JAY
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personality clippings file
HERNANDEZ, RENE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERNANDEZ, RENE
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title clippings file
HERO : (US, Stephen Frears, 1992)
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title clippings file
[HERO] : (HK, Corey (Kwai) Yuen, 1998)
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title clippings file
HERO : (UK, Barney Platts-Mills, 1982)
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title clippings file
HERO AIN'T NOTHING BUT A SANDWICH, A : (US, Ralph Nelson, 1977)
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title clippings file
HERO AND THE TERROR : (US, William Tannen, 1988)
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title clippings file
HERO AT LARGE : (US, Martin Davidson, 1980)
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subject clippings file
HERO IN FILMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: HERO IN FILMS
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title clippings file
HERO NEVER DIES, A : (HK, Johnny To, 1998)
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Interim
book
The hero of the Dardanelles and other world war 1 silent dramas Canberra: National Film & Sound Archive, 2005.
Call No: 71(94) REYAuthor: Reynaud, Daniel Place: CanberraPublisher: National Film & Sound ArchivePubDate: 2005PhysDes: 33 p. ; ill. ; 21 cmSeries: National Film & Sound Archive monographSubject: HISTORY OF CINEMA. SILENT PERIOD ; AUSTRALIA ; WORLD WAR I AND THE CINEMA Summary: “This monograph discusses a selection of Australia’s silent era narrative features, which drew their scenarios from real and imagined events, and the characters of The Great War of 1914-1918.” (preface)ISBN: 0642365148
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title clippings file
HERO OF THE DARDANELLES, THE : (AT, Alfred Rolfe, 1915)
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title clippings file
HERO'S JOURNEY, A : (US, David Kennard & Janelle Balnicke, 1987)
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title clippings file
HERO, THE : (AT, James Mairata, 1994)
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title clippings file
HERO, THE : (US, Brett Haley, 2017)
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still
[Hero, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : col. ; 10 x 15 cmSubject: MAIRATA, JAMES ; O'CONNELL, CHRISTINE ; HERO, THE (AT, James Mairata, 1994) Summary: One colour photograph of James Mairata, the writer, producer and director, and Christine O'Connell, in charge of continuity, for the film 'The hero'
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title clippings file
HEROES : (US, Jeremy Paul Kagan, 1977)
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title clippings file
HEROES : (AT, Nicole Minchin / Angela Pippos, 2017)
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title clippings file
HEROES FOR SALE : (US, William A. Wellman, 1933)
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title clippings file
HEROES MILLONARIOS, LOS : (IT/FR/SP, Duccio Tessari, 1973)
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title clippings file
HEROES' MOUNTAIN - THE THREDBO STORY : (AT, Peter Andrikidis, 2001)
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title clippings file
HEROES OF OUR TIME : (AT, Cathy Henkel & Catherine Marciniak, 1991)
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title clippings file
HEROES OF TELEMARK, THE : (UK, Anthony Mann, 1965)
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book
Heroes of the horrors / by Calvin Thomas Beck London: Macmillan, 1975.
Call No: REPAIRS NEEDED - ag May 2010; 735.2 BECAuthor: Beck, Calvin Thomas Place: LondonPublisher: MacmillanPubDate: 1975PhysDes: xiv, 353 p. : ill. ; 27 cmSeries: Best of Horror films' HerosSubject: HORROR FILMS ; HEROS IN FILMS ; HEROINES IN FILMS ; CHANEY, LON ; CHANEY, LON, Jr. ; KARLOFF, BORIS ; LORRE, PETER ; LUGOSI, BELA ; PRICE, VINCENT Notes: Filmography (p. 340-353)ISBN: 002508190XContents: Lon Chaney, Sr.--Bela Lugosi.--Boris Karloff.--Peter Lorre.--Lon Chaney, Jr.--Vincent Price
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title clippings file
HEROES, THE : [TV] (AT, Donald Crombie, 1989)
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title clippings file
HEROS NE MEURENT JAMAIS, LES [HEROES DON'T DIE] : (FR/BE/BS, Aude Lea Rapin, 2019)
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title clippings file
HEROS TRES DISCRET, UN : (FR, Jacques Audiard, 1996)
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title clippings file
HEROSTRATUS : (UK, Don Levy, 1967)
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title clippings file
HERR LEHMANN : (GG, Leander Haussmann, 2003)
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Online resource
book
Herr Lubitsch Goes to Hollywood : German and American film after World War 1 / Kristin Thompson Amsterdam, Netherlands: Amsterdam University Press, 2005. Available at OAPEN (open access)
Call No: 81LUB THOAuthor: Thompson, Kristin Source: NEPlace: Amsterdam, NetherlandsPublisher: Amsterdam University PressPubDate: 2005PhysDes: 154 p. : ill., ports ; 30cmSeries: Film culture in transitionSubject: PRODUCERS ; HISTORY OF CINEMA. GERMANY ; HISTORY OF CINEMA. USA ; LUBITSCH, ERNST Notes: Includes bibliographical references: (p. [133}-144) and index.; Filmography: (p. [145]-148); This item has been downloaded from the internet in 2010, and printed offContents: ch. 1. Lubitsch's career -- ch. 2. Making the light come from the story : lighting -- ch. 3. Subduing the cluttered background : set design -- ch. 4. Guiding the viewer's attention : editing -- ch. 5. Peeking at the players : acting -- ch. 6. Mutual influences -- Epilogue. The Lubitsch touch.URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35134'
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journal article
Herr puntila and his servant matti in News S.F.I (Sep 1979) vol.1 iss.10
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Herr puntila and his servant matti in News S.F.I (April 1980) vol.2 iss.31
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HERRIMAN, DAMON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERRIMAN, DAMON
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HERRMANN, BERNARD
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HERRMANN, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HERRMANN, MICHAEL
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HERSHEY, BARBARA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HERSHEY, BARBARA
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HERSHMAN, LYNN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HERSHMAN, LYNN
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HERSKOVITZ, MARSHALL
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HERSTORY : (KO, Kyu-dong Min, 2018)
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HERSTORY OF PORN: REEL TO REAL : (US, Annie Sprinkle, 1999)
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HERZ AUS GLAS : (GW, Werner Herzog, 1976)
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HERZFELD, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HERZFELD, JOHN
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HERZOG, WERNER Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Publicity; ClippingsSubject: HERZOG, WERNER URL status: URL: 'http://file://Q:/P/HERZOG,_WERNER.zip'
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HERZSPRUNG, HANNAH
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HESME, CLOTILDE
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HESP, ROSE
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HESSEY, RUTH
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HESTE STREET : (US, Joan Micklin Silver, 1975)
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HESTER STREET : (US, Joan Micklin Silver, 1975)
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HESTON, CHARLTON
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HESTON, CHARLTON
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journal article
Heston on video threat in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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HETHERINGTON, NORMAN
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HETHERINGTON, REBECCA
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HETHERINGTON, TIM
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HETTY KING: PERFORMER : (UK, David Robinson, 1970 [prod. 1968])
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HEURE D'ETE, L' : (FR, Oliver Assayas, 2008)
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HEURE DE LA LIBERATION A SONNE, L' : (LE, Heiny Srour, 1974)
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HEWAT, TIM
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HEWBREW HAMMER, THE : (US, Jonathon Kesselman, 2003)
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HEWETT, COLLEEN
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HEWISON, JAMES
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HEWITSON, IAIN
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HEWITT, DON
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HEWITT, JENNIFER LOVE
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HEWITT, JON
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HEXED : (US, Alan Spencer, 1993)
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HEXTER, RUSS
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HEY ARNOLD! THE MOVIE : (US, Tuck Tucker, 2002)
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HEY DAD! : [TV] (AT, Sally Brady, 1986)
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Hey Hey : the first 21 Years Melbourne: Somers Carroll, 1992.
Call No: 79HEY HEYSource: ATPlace: MelbournePublisher: Somers CarrollPubDate: 1992PhysDes: 88 p. : ill., map, ports ; 28 cmSubject: HEY HEY IT'S SATURDAY [TV] (AT, 1971-1999) ISBN: 0646100246Donation: donated by the family of Wayne Levy, 2006
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Hey Hey It's Esther Blueburger in Empire (Australian Ed.) (April 2008) iss.85 p.40
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[Hey hey it's Esther Blueburger : poster]
Call No: P HEYPhysDes: 1 poster : double sided ; 102 X 69 cm.Subject: HEY, HEY, ITS ESTHER BLUE BURGER (AT, Cathy Randall, 2007) Summary: Full colour, glossy double-sided poster. Image features: Top half - Danielle Catanzariti in school uniform looking out from a line of girls. Bottom half of image - Keisha Castle-Huges and Toni Collette laughing together. Text: 'Sometimes to fit in you need to stand out'. Double sided poster, same image on both sides, Back image as if printed through the page.
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book
Hey hey it's Saturday : the book Richmond, Vic.: Greenhouse, 1983.
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Hey hey it's Saturday : volume III Elwood, Vic.: Bridgewater Books, 1988.
Call No: 79 HEY HEYSource: ATPlace: Elwood, Vic.Publisher: Bridgewater BooksPubDate: 1988PhysDes: 96 p. : col. ill. ; 28 cmSubject: COMEDY PROGRAMMES. AUSTRALIA ; LIGHT ENTERTAINMENT. AUSTRALIA ; TELEVISION. AUSTRALIA ; HEY HEY IT'S SATURDAY [TV] (AT, 1971-1999) ; SOMERS, DARYL ; SYMONS, RED Summary: "In this fast world we live in, televisions shows come and go. Hey Hey It's Saturday is just taking a little longer than most. So, in time to come, you can be assured that, in this book, you have purchased a rare memento of unparalleled trivia that, like an old bottle of wine (and some of our crew), should be laid down and completely forgotten." - FOREWORDNotes: Dedicated to the late Ricky MayISBN: 0864362056
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Hey hey it's Saturday phunny fotos / DAS Entertainment Melbourne: DAS Entertainment, 1990.
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HEY HEY IT'S SATURDAY [TV] : (AT, 2009)
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HEY, HEY, ITS ESTHER BLUE BURGER : (AT, Cathy Randall, 2007)
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Hey ralph bakshi in Premiere (Nov 1982) vol.3 iss.7 p.22-
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HEY, VIRGINIA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HEY, VIRGINIA
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HEYER, JOHN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HEYER, JOHN
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HEYLEN, SYD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HEYLEN, SYD
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HEYMAN, DAVID
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HEYWARD, MEGAN
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HEYY BABYY : (II, Sajid Khan, 2007)
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HI 5
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HI-5 [TV] : (AT, 1998-)
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Hi junior in Hungarofilm (1971) iss.4 p.7-10
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HI-LIFE : (US, Roger Hedden, 1998)
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HI-LO COUNTRY, THE : (US, Stephen Frears, 1999)
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Hiawatha in Photon iss.19 p.26
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HIBBERD, JACK
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HICK, SCOTT
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HICKEY, KIERAN
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HICKEY, SILAS
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HICKEY, WILLIAM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HICKEY, WILLIAM
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HICKS, BILL
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HICKS, SCOTT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: HICKS, SCOTT
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[Hicks, Scott : headshot of the director Scott Hicks]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photogrpah : col. ; 15 x 10 cm.Subject: HICKS, SCOTT Summary: Formal portrait of the director Scott Hicks with a window frame in the background.Notes: Directors name written on the back of the photograph in black pen.
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Hicks tunes into the classics for documentary in Sydney Morning Herald (14/08/2015) p.20
Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. ADELAIDE ; HIGHLY STRUNG (AT, Scott Hicks, 2015) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; SPEAR (AT, Stephen Page, 2015) ; GIRL ASLEEP (AT, Rosemary Myers, 2015) Summary: Article about films showing at the 2015 Adelaide International Film Festival, with a focus on the Scott Hicks documentary HIGHLY STRUNG
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HICKSON, JOAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HICKSON, JOAN
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HIDALGO : (US, Joe Johnston, 2004)
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HIDDEN AGENDA : (UK, Kenneth Loach, 1990)
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HIDDEN CITY : (UK, Stephen Poliakoff, 1987)
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journal article
Hidden fear in Films in review (May 1979) p.282
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Hidden Figures in Sunday Herald Sun [Scene] (12/02/2017) p.2
Call No: TITLE CLIPPINGS FILE; HIDDEN FIGURES (US, Theodore Melfi, 2017)Author: - PhysDes: Clippings File ArticleSubject: HIDDEN FIGURES (US, Theodore Melfi, 2017) Summary: Review of the film HIDDEN FIGURESRating: 4 out of 5 stars
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HIDDEN FIGURES : (US, Theodore Melfi, 2017)
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HIDDEN HISTORY OF HOMOSEXUAL AUSTRALIA : (AT, Con Anemogiannis, 2005)
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book
Hidden Hitchcock / by D.A. Miller Chicago and London: University of Chicago Press, 2016.
Call No: 81 HIT MILAuthor: Miller, D.A. Edition: 2016Source: UK/USPlace: Chicago and LondonPublisher: University of Chicago PressPubDate: 2016PhysDes: 186 pages : illustrations ; 23 cmSubject: HITCHCOCK, ALFRED ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; ROPE (US, Alfred Hitchcock, 1948) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) Summary: "No filmmaker has more successfully courted mass-audience understanding than Alfred Hitchcock, and none has been studied more intensively by scholars. In Hidden Hitchcock, D. A. Miller does what seems impossible: he discovers what has remained unseen in Hitchcock’s movies, a secret style that imbues his films with a radical duplicity.
Focusing on three films—Strangers on a Train, Rope, and The Wrong Man—Miller shows how Hitchcock anticipates, even demands a “Too-Close Viewer.” Dwelling within us all and vigilant even when everything appears to be in good order, this Too-Close Viewer attempts to see more than the director points out, to expand the space of the film and the duration of the viewing experience. And, thanks to Hidden Hitchcock, that obsessive attention is rewarded. In Hitchcock’s visual puns, his so-called continuity errors, and his hidden appearances (not to be confused with his cameos), Miller finds wellsprings of enigma.
Hidden Hitchcock is a revelatory work that not only shows how little we know this best known of filmmakers, but also how near such too-close viewing comes to cinephilic madness." -- BOOK JACKETNotes: Includes bibliographical references (pages 154-186)ISBN: 9780226374673Donation: Senses of CinemaContents: Hidden pictures (Strangers on a train) -- Understyle (Rope) -- The long Wrong Man
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HIDDEN IN THE WIND : (AT, Carmela Baranowska, 1997)
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HIDDEN LIFE, A : (G/US, Terrence Malick, 2019)
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HIDDEN, THE : (US, Jack Sholder, 1987)
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HIDDENS, LES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HIDDENS, LES
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HIDDLESTON, TOM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HIDDLESTON, TOM
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HIDE AND SEEK : (US, Su Friedrich, 1997)
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HIDE AND SEEK : (US, John Polson, 2005)
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HIDE IN PLAIN SIGHT : (US, James Caan, 1980)
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HIDEAWAY : (US, Brett Leonard, 1995)
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HIDEOUS KINKY : (UK, Gilles MacKinnan, 1998)
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script
Hiding : episode 5 / written by Matt Ford 10-Sep-14. Digital clippings file available
Call No: DIGITAL FILEAuthor: Ford, Matt Edition: 2014PubDate: 10-Sep-14PhysDes: 63 leaves ; 30cmSubject: HIDING [TV] (AT, 2015 - ) Notes: shooting script; Unpublished scriptDonation: AFI / AACTA
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script
Hiding : episode 6 / written by Matt Ford 11-Sep-14. Digital clippings file available
Call No: DIGITAL FILEAuthor: Ford, Matt Edition: 2014PubDate: 11-Sep-14PhysDes: 58 leaves ; 30cmSubject: HIDING [TV] (AT, 2015 - ) Notes: shooting script; Unpublished scriptDonation: AFI / AACTA
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HIDING OUT : (US, Bob Giraldi, 1987)
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[ Hiding out : Jon Cryer as Max Hauser sits against a tree with Annabeth Gish as Ryan Campbell] De Laurentus Entertainment Group, [1987?].
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: De Laurentus Entertainment GroupPubDate: [1987?]PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: HIDING OUT (US, Bob Giraldi, 1987) ; CRYER, JON ; GISH, ANNABETH Summary: A young couple reclines in a wooded environment against a tree trunk. The man is wearing a denim jacket and the girl is wearing a patterned jacket featuring a picture of a sombrero hat on her sleeve.Notes: Cast details below the image on the front of photograph; White border surrounds image on photograph
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HIDING [TV] : (AT, 2015 - )
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HIFAZAAT : (UK, Ismail Merchant, 1993)
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HIGGINS, BRENDAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HIGGINS, BRENDAN
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HIGGINS, COLIN
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HIGGINS, JAMIE
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HIGGINS, MATTHEW
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HIGGINS, MISSY
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HIGGINS, ROSS
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HIGGS, AMANDA
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HIGH ANXIETY : (US, Mel Brooks, 1977)
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HIGH ART : (US, Lisa Cholodenko, 1998)
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[High-ballin' : poster] AT: 1978.
Call No: P HIGPlace: ATPubDate: 1978PhysDes: 1 poster : colour ; 102 x 70 cmSubject: HIGH-BALLIN' (CN, Peter Carter, 1978) Summary: Text: "Truckin' is one thing. High-Ballin' is another, and the way they do it... it's something else!"
"Hear JERRY REED Sing His Newest Hit!"
Image: A black-and-white image of a man precariously holding on to the side of a truck-like vehicle with a car on its trailer while a police officer and his dog pursue the man. The vehicle appears to be damaged on its front with two passengers, a man and a woman, sitting in the front seats.Notes: All four corners are damaged. There are folds, creases, tears, blue-tack markings, and discolouration.
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HIGH COUNTRY : [TV] (AT, Bill Hughes, 1983)
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HIGH COUNTRY, THE : (CN, Harvey Hart, 1981 [prod. 1979])
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HIGH CRIMES : (US, Carl Franklin, 2002)
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HIGH DEFINITION TV
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HIGH DEFINITION TV. AUSTRALIA
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High-end adrenalin in Weekend Australian [Review] (05/03/2016) p.3
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HIGH FIDELITY : (US, Stephen Frears, 2000)
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HIGH FIDELITY - THE GUARNERI STRING QUARTET : (US, Allan Miller, 1989)
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HIGH FIDELITY [TV] : (US, 2020) Digital clippings file available
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HIGH FLYERS [TV] : (AT, 1999)
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HIGH FLYING BIRD : (US, Steven Soderbergh, 2019)
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HIGH GROUND : (AT, Stephen Johnson, 2019) Digital clippings file available
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[High ground: poster] : Australia's untold history
Call No: P HIGPhysDes: 1 poster : colour ; 69 x 100 cmSubject: HIGH GROUND (AT, Stephen Johnson, 2019) Summary: Image: top half has five portraits of Indigenous and European Australians in mid-shot. Bottom half shows long shot of two figures in Australian landscape.Donation: Cinema Nova
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title clippings file
HIGH HEELS : (AT, Sue Brooks, 1985)
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[High heels : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 20 x 25 cmSubject: HIGH HEELS (AT, Sue Brooks, 1985) Summary: One black and white photograph from the film 'High heels'
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journal article
High Honour in Australian Film Review (15-28 September 1983) vol.1 iss.16 p.14
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HIGH HOPES : (UK, Mike Leigh, 1988)
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HIGH LIFE : (GG/FR/UK/PL/US, Claire Denis, 2018)
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HIGH LIFE [TV] : (AT, 2017)
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HIGH LONESOME: THE STORY OF BLUEGRASS MUSIC : (US, Rachel Liebling, 1993)
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HIGH MOUNTAIN RANGERS : [TV] (US, Robert Conrad, 1987)
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High noon / Phillip Drummond London: BFI Publishing, 1997.
Call No: 79HIG DRUAuthor: Drummond, Phillip CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI PublishingPubDate: 1997PhysDes: 94 p. : ill. ; 19 cmSeries: BFI film classicsSubject: HIGH NOON (US, Fred Zinnemann, 1952) Notes: Includes bibliographical references (p. 92-94)ISBN: 0851704948 (pbk)Order Received: 1998LON: abn97194545; 13256861
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HIGH NOON : (US, Fred Zinnemann, 1952) Digital clippings file available
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HIGH NOON IN JAKARTA : (AT, Curtis Levy, 2001
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HIGH NOON, PART II: THE RETURN OF WILL KANE : (US, Jerry Jameson, 1980)
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HIGH NOTE, THE : (US/UK/C, Nisha Ganatra, 2020) Digital clippings file available
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HIGH OR DRY : (AT, Brodie Higgs, 2005)
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journal article
The high plains drifter in Montage (UK) iss.25 p.30-31
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HIGH PLAINS DRIFTER : (US, Clint Eastwood, 1973)
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[High plains drifter : Clint Eastwood as The Stranger sits against a plank wood wall with an unidentified female] Universal Pictures, c. 1973.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Universal PicturesPubDate: c. 1973PhysDes: 1 photograph : col. ; 21 x 26 cm.Subject: HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; EASTWOOD, CLINT Summary: Sitting on the dusty ground and leaning against a plank wood wall are a man wearing denim trousers, long sleeved shirt and leather boots. The girl is fair haired and is wearing a dress.Notes: Australian classification stamp on image; White border surrounds image; Slight deterioration on reverse of photograph
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digital clippings file
HIGH-RISE : (UK/BE, Ben Wheatley, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: HIGH-RISE (UK/BE, Ben Wheatley, 2015) URL status: URL: 'http://file://Q:/T/HIGH_RISE.zip'
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title clippings file
HIGH ROAD TO CHINA : (US, Brian G. Hutton, 1983)
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High road to china: film preview in Prevue (Dec/Jan 1983) vol.2 iss.10 p.18-21
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HIGH ROLLING : (AT, Igor Auzins, 1977)
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HIGH SCHOOL : (US, Frederick Wiseman, 1969)
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High School Confidential! in Metro (1997) iss.110 p.69
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HIGH SCHOOL CONFIDENTIAL : (US, Jack Arnold, 1958)
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HIGH SCHOOL HIGH : (US, Hart Bochner, 1996)
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HIGH SCHOOL II : (US, Frederick Wiseman, 1994)
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HIGH SCHOOL MUSICAL : (US, Kenny Ortega, 2007)
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HIGH SCHOOL MUSICAL 2 : (US, Kenny Ortega, 2007)
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HIGH SCHOOL MUSICAL 3 : (USA, Kenny Ortega, 2008)
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HIGH SEASON : (UK, Clare Peploe, 1987)
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book
High Sierra / edited with an introd. by Douglas Gomery Madison, Wis.: Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin Press, 1979.
Call No: 79HIG HIGAuthor: Huston, John, 1906 ; Gomery, Douglas ; Burnett, W. R. (William Riley), 1899 ; Burnett, W. R. (William Riley), 1899- High Sierra Place: Madison, Wis.Publisher: Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin PressPubDate: 1979PhysDes: 189 p. : ill. ; 23 cmSeries: Wisconsin/Warner Bros. screenplay seriesSubject: HIGH SIERRA (US, Raoul Walsh, 1941) Notes: "Screenplay by John Huston and W. R. Burnett. Original story by W. R. Burnett."; Includes bibliographical referencesISBN: 0299079341 (pbk.) : $4.95; 0299079309 : $12.50LON: 1431764 1431764
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HIGH SIERRA : (US, Raoul Walsh, 1941)
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HIGH SIGN, THE : (US, Edward F Cline/Buster Keaton, 1921)
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HIGH SOCIETY : (US, Charles Walters, 1956)
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HIGH SPIRITS : (UK/US, Neil Jordan, 1988)
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HIGH STAKES : (US, Amos Kolleck, 1989)
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digital clippings file
HIGH SUN, THE : (CT/SE/SV, Dalibor Matanic, 2015) Digital clippings file available
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HIGH TIDE : (AT, Gillian Armstrong, 1987)
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journal article
High tide in Cinema Papers (September 1987) iss.65 p.45
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still
[High tide : stills file]
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personality microfilm collection
HIGHAM, CHARLES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HIGHAM, CHARLES
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journal article
Higher and Higher in Films in Review (May 1979) p.294
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title clippings file
HIGHER GROUND (US, Vera Farmiga, 2011) : (US, Vera Farmiga, 2011)
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title clippings file
HIGHER LEARNING : (US, John Singleton, 1994)
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title clippings file
HIGHEST COURT, THE : [TV] (AT, Daryl Dellora, 1998)
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script
The Highest honour : Working title: Southern Cross - shooting script [1981?].
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script
The Highest honour : Working title: Southern Cross [1981?].
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title clippings file
HIGHEST HONOUR, THE : (AT, Peter Maxwell, 1981)
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still
[Highest honour, The : stills file]
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title clippings file
HIGHLAND WINTER : (AT, Roger Scholes, 1983)
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title clippings file
HIGHLANDER : (UK, Russell Mulcahy, 1986)
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journal article
Highlander : Clan destined in Cinema Papers (September 1986) p.48
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title clippings file
HIGHLANDER: ENDGAME (US, Doug Aarniokoski, 2000)
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title clippings file
HIGHLANDER II: THE QUICKENING : (US, Russell Mulcahy, 1991)
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title clippings file
HIGHLANDER III: THE SORCERER : (CN/FR/UK, Andy Morahan, 1994)
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journal article
'Highlander' starts principle lensing in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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title clippings file
HIGHLANDER: THE SOURCE : (UK/US/LI, Brett Leonard, 2007)
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title clippings file
HIGHLY EXALTED, THE : [TV] (US, Kim Shelton, 1985)
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title clippings file
HIGHLY STRUNG : (AT, Scott Hicks, 2015)
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digital clippings file
HIGHSMITH, PATRICIA Digital clippings file available
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personality clippings file
HIGHTOWER DE NIRO, GRACE
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title clippings file
HIGHWAY : (KA, Sergei Dvortsevoy, 1999)
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title clippings file
HIGHWAY 61 : (CN/UK, Bruce McDonald, 1991)
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still
[Highway 61 : Don McKellar playing Pokey Jones and Valerie Buhagiar playing Jackie Bangs standing under a clothes line in a back garden in a scene from Highway 61]
Call No: TITLE STILL INTERNATIONALSource: ATPhysDes: 1 photograph : b&w ; 21 x 26 cm.Subject: HIGHWAY [SIXTY-ONE] 61 (CN/UK, Bruce McDonald, 1991) ; MCKELLAR, DON ; BUHAGIAR, VALERIE Summary: Image of Don Mckeller as Pokey Jones wearing a white suit, holding a flugelhorn, standing under a clothes line with Valerie Buhagiar as Jackie Bangs.Both of them in a windswept backyard looking at something out of view.Notes: Image has slight creases and dog ears on the corners; Adhesive label on reverse; Donated by Tom Ryan
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title clippings file
HIGHWAY OF HEARTACHE : (CN, Gregory Wild, 1994)
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title clippings file
HIGHWAY ONE : (AT, Steve Otton, 1977)
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music lp
Highway One [Sound recording] : original Australian soundtrack / produced and engineered by Richard Batchens, music by Richard Clapton, B. Smith, C.Stockley, S.Brien, C.Davis, R.Symons, and James Menzie Australia: Festival Records, 1976.
Call No: LP Highway OneAuthor: Clapton, Richard ; Brien, S ; Davis, C ; Menzie, James ; Smith, B ; Stockley, C ; Symons, R Source: ATPlace: AustraliaPublisher: Festival RecordsPubDate: 1976PhysDes: 1 sound disc (39 min.) : 33 1/3 rpm, 12 inSubject: HIGHWAY ONE (AT, Steve Otton, 1977) Contents: -- Side one -- down the road / Richard Clapton (Richard Clapton) (4:17) -- boy on the run / Dingoes (B.Smith - C. Stockley) (3:40) -- longshore rider / Richard Clapton (Richard Clapton) (2:56) -- neighbours / Bligola Bop Band (S.Brien - C.Davis) (3:38) -- every chase a steeple / Skyhooks (R. Symons) (3:42) -- side two -- highway one no. 2 / Richard Clapton (Richard Clapton) (5:20) -- capricorn dancer / Richard Clapton (Richard Clapton) (3:50) -- Babe rainbow / Richard Clapton (Richard Clapton) (4:56) -- skateboard thrills / ol' 55 (James Menzie) -- highway one / Richard Clapton (Richard Clapton) (3:52) --Performer: Bligola Bop Band; Dingoes; Ol' 55; Richard Clapton; SkyhooksMusic Type: Motion Picture MusicPublisher Number: Festival Records:L36138
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title clippings file
HIGHWAYMAN, THE : [TV] (US, 1988)
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title clippings file
HIGHWAYMEN : (CN, Robert Harmon, 2003)
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title clippings file
HIGHWAYMEN : (US, John Lee Hancock, 2019)
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digital clippings file
HII, REMI Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HII, REMI
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digital clippings file
HIJACKING, A : (DK, Tobias Lindholm, 2012) Digital clippings file available
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title clippings file
HIJACKING CATASTROPHE: 9/11, FEAR & THE SELLING OF AMERICAN EMPIRE : (US, Jeremy Earp, Sut Jhally, 2004)
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title clippings file
HIJACKING OF THE ACHILLE LAURO : (US, Robert Collins, 1989) [TV]
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title clippings file
HIKARIGOKE : (JA, Kei Kumai, 1992)
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poster
[Hikaru Onna: poster]
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title clippings file
HILARY AND JACKIE : (UK, Anand Tucker, 1998)
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title clippings file
HILDEGARDE : (AT, Di Drew, 2002)
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personality clippings file
HILDITCH, ZAC
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILDITCH, ZAC
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personality microfilm collection
HILL, BERNARD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILL, BERNARD
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personality clippings file
HILL, DAMIEN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILL, DAMIEN
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personality microfilm collection
HILL, DAVID
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILL, DAVID
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personality microfilm collection
HILL, DEBRA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILL, DEBRA
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personality microfilm collection
HILL, GRANT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILL, GRANT ID2: 64
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personality microfilm collection
HILL, JACK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILL, JACK
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personality microfilm collection
HILL, JAMES
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILL, JAMES
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personality microfilm collection
HILL, JENNY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILL, JENNY
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personality clippings file
HILL, JONAH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILL, JONAH
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personality microfilm collection
HILL, LES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILL, LES
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title clippings file
HILL STREET BLUES : [TV] (US, 1980-87)
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title clippings file
HILL, THE : (UK, Sidney Lumet, 1965)
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personality clippings file
HILL, VICTORIA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILL, VICTORIA
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personality clippings file
HILL, WALTER
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILL, WALTER
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digital clippings file
HILLARY : (US, 2020) Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HILLARY (US, 2020) Cross Reference: HILLARY (US, 2020)
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personality microfilm collection
HILLBERG, GARY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILLBERG, GARY
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title clippings file
HILLBILLY : (US, Sally Rubin / Ashley York, 2018)
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digital clippings file
HILLBILLY ELEGY : (US, Ron Howard, 2020) Digital clippings file available
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title clippings file
HILLBROW KIDS : (G/SA, Jacqueline Gorgen & Michael Hammon, 1999)
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personality clippings file
HILLCOAT, JOHN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILLCOAT, JOHN
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personality clippings file
HILLENBRAND, LAURA
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personality clippings file
HILLER, ARTHUR
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILLER, ARTHUR
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personality microfilm collection
HILLER, WENDY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILLER, WENDY
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personality microfilm collection
HILLERMAN, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILLERMAN, JOHN
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personality microfilm collection
HILLHOUSE, LEISI
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILLHOUSE, LEISI
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personality microfilm collection
HILLIER, SCOTT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILLIER, SCOTT
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personality microfilm collection
HILLIGOSS, NICK
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HILLIGOSS, NICK
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personality clippings file
HILLIS, CRUSADER
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title clippings file
HILLMEN: A SOCCER FABLE, THE : [TV] (AT, Steve Thomas, 1996)
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digital clippings file
HILLS, ADAM Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HILLS, ADAM URL status: URL: 'http://file://Q:/P/HILLS,_ADAM.zip'
Checked: 31/08/2021 1:14:56 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
HILLS HAVE EYES PART II, THE : (UK/US, Wes Craven, 1986)
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title clippings file
HILLS HAVE EYES, THE : (US, Wes Craven, 1978)
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title clippings file
HILLS HAVE EYES THE : (US, Alexandre Aja, 2006)
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still
[Hills of hate : on location. Raymond Longford gives directions to cast (on horseback) prior to shooting the scene]
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still
[Hills of hate : stills file]
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personality clippings file
HILTON, CHRIS
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILTON, CHRIS
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personality clippings file
HILTON, JAMIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HILTON, JAMIE
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digital clippings file
HILTON, PARIS Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HILTON, PARIS URL status: URL: 'http://file://Q:/P/HILTON,_PARIS.zip'
Checked: 31/08/2021 1:10:43 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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digital clippings file
HIM : (AT, Scott D. Clark, 2020) Digital clippings file available
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title clippings file
HIM AND ME : (GW, James Benning, 1982)
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title clippings file
HIMALAYAN JOURNEY, A : (AT, Michael Dillon, 1976?)
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title clippings file
A HIMALAYAN JOURNEY [TV] : (UK, 1975)
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title clippings file
A HIMALAYAN JOURNEY [TV] : (UK, 1975)
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title clippings file
HIMATSURI : (JA, Mitsuo Yanagimachi, 1985)
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title clippings file
HIMEYURI NO TO : (JA, Tadashi Imai, 1982)
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title clippings file
HIMIKO : (JA, Masahiro Shinoda, 1974)
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personality microfilm collection
HINDE, JOHN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HINDE, JOHN
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title clippings file
HINDENBERG, THE : (US, Robert Wise, 1975)
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personality microfilm collection
HINDLE, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HINDLE, JOHN
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