Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: ABRAHAM'S GOLD (GW, Jorg Graser, 1993 [prod. 1990])

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ADVENTURES OF POWER (US, Ari Gold, 2008)

Author: Nielsen, Ray
PhysDes: Article
Subject: GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933)
Summary: Interview; ill

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALLAN QUARTERMAIN AND THE LOST CITY OF GOLD (US, Gary Nelson, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSSIE GOLD HUNTERS [TV] (AT, 2016 - )

PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982)
Summary: Article on the video release of 'The man from Snowy River' with additonal production note on 'Coolangatta gold'
Notes: Ill.

Call No: 79PEA PEA
Author: Peach, Bill
Source: AT
Place: Sydney; Melbourne
Publisher: Australian Broadcasting Commission; Macmillan
PubDate: 1983
PhysDes: 192 p. : ill. (some col.), facsims., ports. ; 25 cm
Subject: PEACH'S GOLD [TV] (AT, 1983)
Notes: includes index
ISBN: 0333339215 (Macmillan); 0642973997 (Australian Broadcasting Commission)
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK GOLD, KINDRED SPIRITS [TV] (AT, Jeff Bird, 1996)

Call No: 751(73) BAB
Author: Babington, Bruce; Evans, Peter William
Place: Manchester [Greater Manchester] Dover, N.H., USA
Publisher: Manchester University Press
PubDate: c1985
PhysDes: 258 p. : ill. ; 25 cm
Subject: MUSICALS. USA; BERKELEY, BUSBY; ASTAIRE, FRED; ROGERS, GINGER; KELLY, GENE; MINNELLI, VINCENTE; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934); SWING TIME (US, George Stevens, 1936); JOLSON STORY, THE (US, Alfred E. Green, 1946); JOLSON SINGS AGAIN (US, Henry Levin, 1949); SUMMER HOLIDAY (US, Rouben Mamoulian, 1948); IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955); CAROUSEL (US, Henry King, 1956); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); EASTER PARADE (US, Charles Walters, 1948); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); HAIR (US, Milos Forman, 1979)
Notes: Bibliography: p. [248]-258
ISBN: 0719017394 : $19.00
LON: 3592471

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLUE VINYL (US, Judith Helfand & Daniel B. Gold, 2001)

Call No: TITLE CLIPPINGS FILE in production; AODALIYA GOLD [AUSTRALIA GOLD] in production
Author: -
PhysDes: Clippings File Article
Subject: COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; AODALIYA GOLD [AUSTRALIA GOLD] in production
Summary: Film based upon Australia's sole Chinese bushranger is to go into production in Canberra. It is being funded by the Canberra companies JIA Films and SilverSun Pictures, and the Chinese comapny Yuezhong Pictures

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHAIN, THE (US, Jack Gold, 1985)

Call No: 753.131-053.2 CHI
Author: Street, Douglas
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1983
PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; CHILDREN AND THE CINEMA; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972); CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973); HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977); HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977); ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964); KIDNAPPED (UK, Delbert Mann, 1971); KIM (US, Victor Saville, 1950); LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979); LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981); LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936); LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Mervyn LeRoy, 1948); PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940); PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969); PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969); RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970); SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949); SOUNDER (US, Martin Ritt, 1972); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951); TREASURE ISLAND (US, Victor Fleming, 1934); TREASURE ISLAND (US, Byron Haskin, 1950); TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972); WATERSHIP DOWN (UK, Martin Rosen, 1978); WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURB
Notes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290
ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95
LON: 83014816; 2808775

Call No: Held: 2018
Source: AT
Place: Adelaide
Publisher: Port Film Co-Op
PubDate: 2018
Subject: [MISTER] MR ACCIDENT (AT, Yahoo Serious, 2000); MARTIN, ADRIAN; MOUSOULIS, BILL; MANGANINNIE (AT, John Honey, 1980); RESISTANCE (AT, Paul Elliot & Hugh Keays-Byrne, 1992); DEAD HEART (AT, Nick Parsons, 1996); HARD WORD, THE (AT, Scott Roberts, 2002); BONDI TSUNAMI (AT, Rachael Lukas, 2003); LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996); DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CITY OF GOLD (US, Laura Gabbert, 2015)
URL status: URL: 'http://file://Q:/T/CITY_OF_GOLD.zip' Checked: 31/08/2021 1:42:00 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CITY SLICKERS II: THE LEGEND OF CURLY'S GOLD (US, Paul Wieland, 1994)

Call No: 79 COO BUT
Author: Butler, Richard
Source: AT
Place: Dingley, Vic
Publisher: Budget Books
PubDate: 1984
PhysDes: 154 p. ; 18 cm.
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
ISBN: 0868012610

Author: McFarlane, Brian
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
Summary: Review

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
URL status: URL: 'http://file://Q:/T/COOLANGATTA_GOLD,_THE.zip' Checked: 31/08/2021 12:54:41 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 20 x 26 cm + 1 photograph : b&w ; 13 x 18 cm
Subject: FRIELS, COLIN; TATE, NICK; KENNY, GRANT; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
Summary: 3 black and white photographs of Grant Kenny preparing for the triaquathon scene, Colin Friels & Nick Tate, and a press release surrounded by newspaper articles about the Coolangatta Gold. 1 image of Joe Lucas (Nick Tate) and son Adam (Colin Friels) cheering.
Notes: 1 duplicate of Press release surrounded by newspaper articles about the Coolangatta Gold. 1 image donated by Brian McFarlane

Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); INDUSTRY, FILM. AUSTRALIA
Summary: Article on the 'Coolangatta Gold' receiving international distribution through OKCO

Author: Kemp, Peter [Compiler]
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
Summary: Overview of reviews of Coolangatta gold appearing in major Australian publications.

Call No: TITLE CLIPPINGS FILE; GOLD (US, Stephen Gaghan, 2016)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: GOLD (US, Stephen Gaghan, 2016)
Summary: Review of the film GOLD
Rating: 3 out of 5 stars

Author: Boehringer, Kathe
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
Summary: Review of 'The Coolangatta Gold' suggesting it sacrificed character development and plot to sensational display.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DORA AND THE LOST CITY OF GOLD (AT/US, James Bobin, 2019)
Notes: Import_Simon_batch12_190919

PhysDes: Article
Subject: HOYTS; MICHAEL EDGLEY INTERNATIONAL; PHAR LAP (AT, Simon Wincer, 1983); ONE NIGHT STAND (AT, John Duigan, 1984); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); INDECENT OBSESSION, AN (AT, Lex Marinos, 1985)
Summary: Article on the new $25-30million deal between Hoyts and Michael Edgley International to produce four australian feature films.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA. HEART OF GOLD INTERNATIONAL FILM

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. GOLD COAST

Call No: 62 DEN
Author: DeNitto, Dennis; Herman, William
Source: US
Place: New York
Publisher: Macmillan
PubDate: 1975
PhysDes: xii, 543 p. : ill. ; 24 cm
Subject: CRITICISM; NARRATIVE IN FILMS; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); M (G, Fritz Lang, 1931); RULES OF THE GAME, THE (FR, Jean Renoir, 1939); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RASHOMON (JA, Akira Kurosawa, 1950); RONDE, LA (FR, Max Ophuls, 1950); SEVENTH SEAL, THE (SW, Ingmar Bergman, 1957); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); WILD STRAWBERRIES (SW, Ingmar Bergman, 1957); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959); JULES AND JIM (FR, Francois Truffaut, 1962); JULES ET JIM (FR, Francois Truffaut, 1962)
Notes: Bibliography: p. 527-536 Includes filmographies and index
ISBN: 002328370X
Contents: --Part one -- 1: viewing a film -- 2: interpreting a film -- Part two -- 3: the language of film -- 4: the rhetoric of film -- Part three -- 5: The Last Laugh, Murnau -- 6: The Gold Rush, Chaplin -- 7: M Lang -- 8: Grand Illusion, Renoir -- 9: The Rules of the Game, Renoir -- 10: Beauty and the Beast, Cocteau -- 11: Rashomon Kurosawa -- 12: La Ronde, Ophuls -- 13: The Seventh Seal, Bergman -- 14: Wild Strawberries, Bergman -- 15: Ashes and Diamonds, Wajda -- 16: L'avventura, Anotonioni -- 17: Il Posto, Olmi -- 18: Jules and Jim, Truffaut -- 19: Notes on Six films -- Biographies and filmographies -- bibliographies --index --
URL status: URL: 'http://-' Checked: 31/08/2021 1:19:26 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 DEN
Author: DeNitto, Dennis,
Place: New York
Publisher: Harper & Row
PubDate: c1985
PhysDes: xv, 544 p. : ill. ; 23 cm
Subject: THEORY; CRITICISM; EDITING; HISTORY OF CINEMA; REALISM IN FILMS; EXPRESSIONISM; MONTAGE; NEOREALISM; NOUVELLE VAGUE; COMEDIES; DOCUMENTARY FILMS; CINEMA VERITE; PROPAGANDA FILMS; WESTERNS; MUSICALS; VARIETE (G, E.A. Dupont, 1925); GOLD RUSH, THE (US, Charles Chaplin, 1925); PRODUCERS, THE (US, Mel Brooks, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); [FOUR HUNDRED] 400 BLOWS, THE [; MAN OF ARAN (UK, Robert Flaherty, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); STAGECOACH (US, John Ford, 1939); SHANE (US, George Stevens, 1953); WILD BUNCH, THE (US, Sam Peckinpah, 1969); TOP HAT (US, Mark Sandrich, 1935); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); WEST SIDE STORY (US, Robert Wise, 1961); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956)
Notes: Includes indexes; Bibliography: p. 493-503
ISBN: 0060416297 (pbk.)
Order Received: 2000
Order Type: Donation
LON: 3664711

Call No: 626[396] CUM
Author: Cummins, Kathleen
Source: CN
Place: Toronto, Ontario
Publisher: York University
PubDate: [2014]
PhysDes: 344 pages : illustrations ; 30 cm
Subject: FEMINISM AND THE CINEMA; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BEDEVIL (AT, Tracey Moffat, 1993); MY AMERICAN COUSIN (US, Sandy Wilson, 1985); LOYALTIES (CN, Anne Wheeler, 1986); PIANO, THE (AT, Jane Campion, 1993); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); THOUSAND PIECES OF GOLD (US/UK, Nancu Kelly, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993)
Summary: "A dissertation submitted to the faculty of graduate studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy." - taken from title page.
Notes: Bibliography: pages 330-344.
Contents: Introduction: Filming Feminist Frontiers/Frontier Feminisms (1979-1993) -- Why These Ten Films? -- Secondary Literature on Films -- Methodology -- Chapter 1: Women's Storytelling: Narrative, Genre and Voice -- Women's Storytelling and Feminism -- Genre: An Overview -- Conclusion -- Chapter 2 - Filming Homes on the Range: Revisioning Melodrama, the Western and Horror -- Revisioning and Deconstructing Frontier Stories -- The Decolonizing Frontier Films -- The Revisionist Frontier Films -- Revisioning the Myth of the Frontier Through a Decolonizing Lens: White Complicity -- Conclusion -- Chapter 3: Filming Frontier Spaces Through the Lens of Motherhood -- The Motherhood Debates -- Frontier Narratives Through a Maternal Gaze -- The Anti-Racist/Colonial Motherhood Narrative: Subaltern Mothers Saving the Threatened Subaltern Family/Community -- The Anti-Patriarchal Maternal Narratives -- Conclusion -- Chapter 4: Filming "Women's Work" in Gendered Frontier Economies -- Feminist Scholarship on Women's Work and Gendered Economies -- The White Settler Household Narrative -- The Wage Labour Narrative -- Subaltern Settlement Narrative -- Conclusion -- Chapter 5: Filming Female Sexuality in a "Women-less Milieu": Through Her Desiring Gaze -- Feminist Scholarship on Sexuality and Desire -- Frontier Sexuality and Desire Narratives -- Conclusion -- Conclusion: Filming Feminist Frontiers/Frontier Feminisms -- Recommendations for Future Research -- Notes

Author: Roberts, Margaret
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); STREET HERO (AT, Michael Pattinson, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); FAST TALKING (AT, Ken Cameron, 1984); SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989); J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984); MUSIC IN FILMS. AUSTRALIA
Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.

Call No: 71(943) CRA
Author: Craven, Allison
Source: UK/US
Place: London ; New York
Publisher: Anthem Press
PubDate: 2016
PhysDes: xii, 158 pages ; 24 cm
Series: Anthem studies in Australian literature and culture
Subject: QUEENSLAND; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND; LANDSCAPES IN FILMS. AUSTRALIA; ABORIGINAL AUSTRALIANS IN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; SEA IN FILMS; IRISHMAN, THE (AT, Don Crombie, 1978); JEDDA (AT, Charles Chauvel, 1955); AGE OF CONSENT (AT, Michael Powell, 1969); NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008); UNINHABITED (AT, Bill Bennett, 2010); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); PETER PAN (US, P.J. Hogan, 2003); REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005); STRAITS, THE [TV] (AT, 2012-); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); MYSTERY ROAD (AT Ivan Sen, 2013)
Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destination
ISBN: 9781783085491
Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion

Call No: 626:396 MEL
Author: Mellencamp, Patricia
Place: Philadelphia
Publisher: Temple University Press
PubDate: 1995
PhysDes: xiii, 330 p. : ill. ; 24 cm
Series: Culture and the moving image
Subject: FEMINISM AND THE CINEMA; FEMINISM AND THE CINEMA. AUSTRALIA; BODY IN FILMS; EXPRESSIONISM; DASH, JULIE; DELEUZE, GILLES; CAMPION, JANE; ARMSTRONG, GILLIAN; POTTER, SALLY; Tarantino, Quentin; CHRISTIE, JULIE; DAVIS, GEENA; DAVIS, JUDY; EPHRON, NORA; GLYN, ELINOR; GOGOBERIDZE, LANA; HANKS, TOM; JAYAMANNE, LALEEN; LAFFONT, COLLETTE; LANGTON, MARCIA; RYAN, MEG; MOFFATT, TRACEY; HOOKS, BELL; PREER, EVELYN; STONE, SHARON; SWINTON, TILDA; TAYLOR, CLYDE; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THELMA & LOUISE (US, Ridley Scott, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); ANGIE (US, Martha Coolidge, 1994); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEDEVIL (AT, Tracey Moffat, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); COVER GIRL (US, Charles Vidor, 1944); DOLLY SISTERS (US, Irving Cummings, 1945); FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); GROUNDHOG DAY (US, Harold Ramis, 1993); ILLUSIONS (US, Julie Dash, 1983?); LITTLE WOMEN (US, Gillian Armstrong, 1994); PRIVILEGE (US, Yvonne Rainer, 1990); PULP FICTION (US, Quentin Tarantino, 1994); QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995); SHERLOCK, JR. (US, Buster Keaton, 1924); SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995); THRILLER (UK, Sally Potter, 1979); JEDDA (AT, Charles Chauvel, 1955); PIANO, THE (AT, Jane Campion, 1993); METROPOLIS (G, Fritz Lang, 1926)
Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminism
ISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)
LON: 11870265

Call No: 721.217 DOL
Author: Doll, Susan; Morrow, David
Edition: 1st ed.
Source: US
Place: Gainesville, FL
Publisher: University Press of Florida
PubDate: 2007
PhysDes: xiv, 394 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; USA; LOCATION SHOOTING. USA: FLORIDA; BATTLE ROYALE (JA, Kinji Fukasaku, 2000); WHITE ROSE, THE (US, David Wark Griffith, 1923); KEY LARGO (US, John Huston, 1948); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); ROSE TATTOO, THE (US, Daniel Mann, 1955); BODY HEAT (US, Lawrence Kasdan, 1981); CAPE FEAR (US, Martin Scorsese, 1991); CHINA MOON (US, John Bailey, 1994); FLASH OF GREEN, A (US, Victor Nunez, 1984); NIGHT MOVES (US, Arthur Penn, 1975); OUT OF TIME (US, Carl Franklin, 2003); PALMETTO (US, Volker Schlondorff, 1998); WILD THINGS (US, John McNaughton, 1998); ABSENCE OF MALICE (US, Sydney Pollack, 1981); BIRDCAGE, THE (US, Mike Nichols, 1996); FLIPPER (US, Alan Shapiro, 1996); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); MEAN SEASON, THE (US, Phillip Borsos, 1985); MIAMI BLUES (US, George Armitage, 1990); SCARFACE (US, Brian DePalma, 1984); BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]); HEALTH (US, Robert Altman, 1980); JAWS 3-D (US, Joe Alves, 1983); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); BLOOD AND WINE (US, Bob Rafelson, 1996); COCOON (US, Ron Howard, 1985); CROSS CREEK (US, Martin Ritt, 1983); DAYS OF THUNDER (US, Tony Scott, 1990); JUST CAUSE (US, Arne Glimcher, 1995); ROSEWOOD (US, John Singleton, 1997); STICK (US, Burt Reynolds, 1985); SUNSHINE STATE (US, John Sayles, 2002); ULEE'S GOLD (US, Victor Nunez, 1997); ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); BAD BOYS (US, Michael Bay, 1995); MATINEE (CN, Richard Wayne Martin, 1989); SOME LIKE IT HOT (US, Billy Wilder, 1959); STRIPTEASE (US, Andrew Bergman, 1996); TRUE LIES (US, James Cameron, 1994); MIDNIGHT COWBOY (US, John Schlesinger, 1969); RUBY IN PARADISE (US, Victor Nunez, 1993); RUNNING SCARED (US, Peter Hyams, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); SUMMER RENTAL (US, Carl Reiner, 1985); AIR FORCE (US, Howard Hawks, 1943); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); JEEPERS CREEPERS (US, Victor Salva, 2001); PARENTHOOD (US, Ron Howard, 1989)
Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKET
Notes: Includes bibliographical references (p. 369-382) and index
ISBN: 9780813030456
Donation: Donated by Senses Of Cinema, 2009

Call No: 81CHA MCC
Author: McCaffrey, Donald W. (ed.)
Source: US
Place: New Jersey
Publisher: Prentice Hall
PubDate: [1971]
PhysDes: 174 p. : ill. ; 21 cm
Series: Film Focus
Subject: TYPE CHARACTERS IN FILMS; CHAPLIN, CHARLES; SENNETT, MACK; KID, THE (US, Charles Chaplin, 1921); GOLD RUSH, THE (US, Charles Chaplin, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); CIRCUS, THE (US, Charles Chaplin, 1928); CITY LIGHTS (US, Charles Chaplin, 1931); MODERN TIMES (US, Charles Chaplin, 1936); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); LIMELIGHT (US, Charles Chaplin, 1952)
ISBN: 131282077
Donation: donated by the family of Wayne Levy, 2006
Contents: Introduction - Donald W. McCaffrey -- CAREER -- A brief overall view - John Montgomery -- Creating the role of Dr. Body in Casey's Court Circus - Charlie Chaplin -- Acting-directing apprenticeship with Mack Sennett - Charlie Chaplin -- WORKING METHOD -- Development of the comic story and the Tramp character - Charlie Chaplin -- What people laugh at - Charlie Chaplin -- Max Linder's and Elsie Codd's views on the working method - Louis Delluc -- A rejection of the talkies - Charlie Chaplin -- ESSAYS -- The art of Charlie Chaplin - Minnie Maddern Fiske -- Is the Charlie Chaplin vogue passing? - Harcourt Farmer -- Everybody's Language - Winston Churchill -- A reaction to the praise given to Chaplin's artistry - George Jean Nathan -- An evaulation of Chaplin's silent comedy films, 1916-36 - Donald W. McCaffrey -- REVIEWS -- Impressions of two early comedy films - Louis Delluc -- An early detailed account of the action in The Pawnshop - Gilbert Seldes -- The Kid - Francis Hackett -- The Pilgrim - Robert E. Sherwood -- With the bunk left out - Charles W. Wood -- The idea in The Gold Rush: a study of Chaplin's use of the comic technique of pathos-humor - Timothy J. Lyons -- A comparison of The Gold Rush and The General - Gerald Mast -- The Circus - Alexander Bakshy -- City Lights and Modern Times: skirmishes with romance, pathos, and social significance - Donald W. McCaffrey -- The Great Dictator - Herman G. Weinberg -- Monsieur Verdoux - Roger Manvell -- The lineage of Limelight - Walter Kerr

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOOL'S GOLD (US, Andy Tennant, 2008)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: GARNET'S GOLD (UK, Ed Perkins, 2014)
Cross Reference: GARNET'S GOLD

Call No: 757-044(73) PIM
Author: Pimpare, Stephen
Source: US
Place: New York, NY
Publisher: Oxford University Press
PubDate: 2017
PhysDes: xxxi, 342 pages : illustrations ; 25 cm.
Subject: BOYZ N THE HOOD (US, John Singleton, 1991); GRAPES OF WRATH, THE (US, John Ford, 1940); CHAPLIN, CHARLES; FISHER KING, THE (US, Terry Gilliam, 1991); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); PRECIOUS (US, Lee Daniels, 2009)
Summary: "Ghettos, Tramps, and Welfare Queens: Down & Out on the Silver Screen explores how American movies have portrayed poor and homeless people from the silent era to today. It provides a novel kind of guide to social policy, exploring how ideas about poor and homeless people have been reflected in popular culture and evaluating those images against the historical and contemporary reality. Richly illustrated and examining nearly 300 American-made films released between 1902 and 2015, Ghettos, Tramps, and Welfare Queens finds and describes representations of poor and homeless people and the places they have inhabited throughout the century-long history of U.S. cinema. It moves beyond the merely descriptive to deliberate whether cinematic representations of homelessness and poverty changed over time, and if there are patterns to be discerned. Ultimately, the text offers a preliminary response to a handful of harder questions about causation and consequence: Why are these portrayals as they are? Where do they come from? Are they a reflection of American attitudes and policies toward marginalized populations, or do they help create them? What does this all mean for politics and policymaking? Of interest to movie buffs and film scholars, cultural critics and historians, policy analysts, and those curious to know more about homelessness and American poverty, Ghettos, Tramps, and Welfare Queens is a unique window into American politics, history, policy, and culture -- it is an entertaining and enlightening journey." -- book jacket
Notes: Includes bibliographical references and index.
ISBN: 9780190660727
Donation: Senses of Cinema
Contents: Key U.S. films discussed, 1902-2015 -- Introduction -- Part 1: In the ghetto: Poor places and the people in them -- The evils of the city -- Modern gangs and ghetto gurls -- The urban hellscape -- Social workers and charity reformers -- Welfare queens -- Teachers to the rescue -- The architecture of poverty -- Escaping the city: rural poverty -- Part 2: On the street, on the road: poor out of doors -- The first tramp -- The last free tramp and the hobo played for laughs -- Imposter tramps -- Forgotten men -- The depression through the eyes of a clever child -- The modern tramp: villains -- The modern tramp: victors -- The modern tramp: victims -- Women and children last -- Conclusion: The propertied gaze.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOING FOR GOLD (AT, Clay Glen, 2018)

Author: Potter, Sally
PhysDes: Article
Subject: GOLD DIGGERS, THE (US, Sally Potter, 1983)
Summary: Programme of films which form part of the 'history' of Sally Potter's 'Gold Diggers'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOLD (US, Bill Desloge & Bob Levis, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOLD (G, Karl Hartl, 1934)

Call No: TITLE CLIPPINGS FILE; GOLD (US, Stephen Gaghan, 2016)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: GOLD (US, Stephen Gaghan, 2016)
Summary: Review of the film GOLD
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GOLD (US, Stephen Gaghan, 2016)
URL status: URL: 'http://file://Q:/T/GOLD.zip' Checked: 31/08/2021 1:49:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL FILE
Author: Massett, Patrick; Zinman, John
PhysDes: 167 leaves
Subject: GOLD (US, Stephen Gaghan, 2016)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: GOLD, ARI

PhysDes: Article
Subject: GOLD DER LIEBE, DAS (GW, Eckhart Schmidt, 1982)
Summary: Review

Author: McKay, Andrew C
PhysDes: Article
Subject: GOLD DIGGERS, THE (US, Harry Beaumont, 1923)
Summary: Credits for the four screen versions

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: GOLD DIGGERS, THE (US, Sally Potter, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOLD DIGGERS: THE SECRET OF BEAR MOUNTAIN (US, Kevin Dobson, 1995)

Author: Crawford, Anne-Marie; Davies, Darren
PhysDes: Article
Subject: GOLD, GREEN, BLACK (AT, Joanne Hampton, 1987)
Summary: Reviews of super 8 films

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOLD HERITAGE (AT, Trevor F. Wilson, 1979)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GOLD, LEE

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: ART IN FILMS; NAZIS IN FILMS; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Summary: Review of 2015 film WOMAN IN GOLD, starring Helen Mirren as a Jewish victim of Nazi persecution who claims her family are the rightful owners of Klimt's famous painting, 'Woman in Gold'
Rating: 2.5 out of 5 stars

PhysDes: Article
Subject: GOLD RACKET (U.S, Louis Gasnier, 1937)

Author: Robinson, David
PhysDes: Article
Subject: GOLD RUSH, THE (US, Charles Chaplin, 1925)
Summary: Review; cred; ill; synopsis

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: GOLD RUSH, THE (US, Charles Chaplin, 1925)

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: ART AND THE CINEMA; ART IN FILMS; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Summary: Interview with director of WOMAN IN GOLD Simon Curtis about his experiences working on the film and working with Helen Mirren. The article draws parallels between the film and other recent real-life scandals surrounding artworks.

PhysDes: Article
Subject: GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933)

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: WOMAN IN GOLD (US/UK, Simon Curtis, 2015); NAZIS IN FILMS
Summary: Review of 2015 film Woman in Gold, starring Helen Mirren as a Jewish victim of Nazi persecution who claims her family are the rightful owners of Klimt's famous painting, 'Woman in Gold'
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREAT GOLD SWINDLE, THE (AT, Mike Thornhill, 1984)

Call No: 626:396 ROB
Author: Robertson, Pamela, 1964
Place: Durham
Publisher: Duke University Press
PubDate: 1996
PhysDes: ix, 195 p. : ill. ; 24 cm
Subject: CAMP; FEMINISM AND THE CINEMA; SPECTATORSHIP; WOMEN IN FILMS; BURLESQUE; TRANSVESTISM; FANS; MUSICALS; BAXTER, WARNER; CAGNEY, JAMES; DOANE, MARY ANN; DYER, RICHARD; GARBO, GRETA; BERKELEY, BUSBY; FISCHER, LUCY; OTTINGER, ULRIKE; MONROE, MARILYN; MADONNA; Crawford, Joan; WEST, MAE; DESIGNING WOMEN [TV] (US, 1986-89); BELLE OF THE NINETIES (US, Leo McCarey, 1934); FOOTLIGHT PARADE (US, Lloyd Bacon, 1933); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); JOAN DOES DYNASTY [TV] (US, Joan Braderman, 1986); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); JOHNNY GUITAR (US, Nicholas Ray, 1954)
Notes: Originally presented as the author's thesis (Ph.D.--University of Chicago); Includes bibliographical references (p. [175]-187) and index
ISBN: 0822317486 (pa : alk. paper); 0822317516 (cl : alk. paper)
LON: 12009413

Call No: 751.1(73) GRA
Author: Grant, Barry Keith
Source: UK
Place: West Sussex, UK
Publisher: Wiley-Blackwell
PubDate: 2012
PhysDes: xiii ; 182 p. ; 23cm
Series: New approaches to film genre
Subject: USA; MUSICALS; MUSIC AND THE CINEMA; HOLLYWOOD IN FILMS; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); TOP HAT (US, Mark Sandrich, 1935); PIRATE, THE (US, Vincente Minnelli, 1948); WEST SIDE STORY (US, Robert Wise, 1961); SATURDAY NIGHT FEVER (US, John Badham, 1977); WOODSTOCK (US, Michael Wadleigh, 1970); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); ACROSS THE UNIVERSE (US, Julie Taymor, 2007)
Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURB
Notes: inc. references and index
ISBN: 9781405182522
Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD GOLD (US, Ben Lewin, 2003)

Call No: 751.1(73) MOR
Author: Mordden, Ethan, 1947
Place: Newton Abbot
Publisher: David & Charles
PubDate: 1982, c1981
PhysDes: xii, 261 p, [18] p of plates : ill. ; 24 cm
Subject: MUSICALS. USA; ASTAIRE, FRED; BERKELEY, BUSBY; CHEVALIER, MAURICE; CROSBY, BING; GARLAND, JUDY; JOLSON, AL; KEELER, RUBY; MACDONALD, JEANETTE; MAMOULIAN, ROUBEN; ROGERS, GINGER; EDDY, NELSON; CANTOR, EDDIE; POWELL, DICK; DANIELS, BEBE; BROADWAY MELODY, THE (US, Harry Beaumont, 1929); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933)
Notes: Originally published: New York : St. Martin's Press, 1981; Bibliography: p. 239-242. - Includes index
ISBN: 0715383191 : ª7.95 : CIP rev
LON: 2211755

Author: Gleeson, Dena
PhysDes: Article
Subject: GOLD, GREEN, BLACK (AT, Joanne Hampton, 1987)
Summary: Review of MIMA's 1987 screenings

Author: Bright, Greg
PhysDes: Article
Subject: INDECENT OBSESSION, AN (AT, Lex Marinos, 1985); ONE NIGHT STAND (AT, John Duigan, 1984); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
Summary: Discussion of forthcoming Hoyts-Edgeley productions under their marketing partnership.
Notes: Ill.; ports

Call No: 79HUN SIM
Author: Simpson, Roger
Source: NZ
Place: Auckland
Publisher: Heinemann Educational Books (NZ) Ltd
PubDate: 1976
PhysDes: 104 p. : ill. (some col.) ; 22 cm
Subject: HUNTER'S GOLD [TV] (NZ, 1977)
Summary: Episode guilde to the NZ tv series
ISBN: 0868637904

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: 771:396 MEL
Author: Mellencamp, Patricia
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1990
PhysDes: xix, 234 p. ; 24 cm
Series: Theories of contemporary culture ; v. 12
Subject: AVANT-GARDE FILMS. USA; POSTMODERNISM AND THE CINEMA; FEMINISM AND THE CINEMA; CONDIT, CECELIA; DELEUZE, GILLES; GUATTARI, FELIX; FRAMPTON, HOLLIS; MULVEY, LAURA; NELSON, ROBERT; PAIK, NAM JUNE; POTTER, SALLY; RAINER, YVONNE; SNOW, MICHAEL; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985); GOLD DIGGERS, THE (US, Sally Potter, 1983)
Notes: Includes bibliographical references (p. [215]-231) and index
ISBN: 0253337437 (alk. paper); 0253205875 (pbk. : alk. paper)
LON: 6933865

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JOE AND MAXI (US, Joel Gold & Maxi Cohen, 1978)

Call No: 81DEMME JON
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: c2009
PhysDes: l, 183 p. : port. ; 24 cm
Series: Conversations with filmmakers series
Subject: DEMME, JONATHAN; CORMAN, ROGER; AGRONOMIST, THE (US, Jonathan Demme, 2003); BELOVED (US, Jonathan Demme, 1998); CITIZEN'S BAND (US, Jonathan Demme, 1977); HANDLE WITH CARE (US, Jonathan Demme, 1977); MARRIED TO THE MOB (US, Jonathan Demme, 1988); MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004); PHILADELPHIA (US, Jonathan Demme, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STOP MAKING SENSE (US, Jonathan Demme, 1984); SWING SHIFT (US, Jonathan Demme, 1984); NEIL YOUNG: HEART OF GOLD (US, Jonathan Demme, 2006)
ISBN: 9781604731187
Donation: donated by Senses of Cinema, 2013
Contents: Demme's Monde: A B-Movie Maker Makes the Grade / TOM ALLEN -- Demme Monde / CARLOS CLARENS -- Director Continues Small-Town Romance / JOANNA CONNORS -- Jonathan Demme: On the Line / MICHAEL SRAGOW -- Start Making Sense: An Interview with Jonathan Demme / MICHAEL DARE -- Could This Also Be the Start of Something Big? / HARRY HAUN -- Something Wilder / J. HOBERMAN -- Kael and Demme: Meeting of Two American Film Heavies / ROB NELSON -- Interview with Jonathan Demrne / MICHAEL HENRY AND HUBERT NIOGRET -- Identity Check / GAVIN SMITH -- Demme's Monde / AMY TAUBIN -- Still Burning -- Demme's Philadelphia Story / ANN KOLSON -- The Rolling Stone Interview: Jonathan Demme / ANTHONY DECURTIS -- The Guardian/ NFT Interview: Jonathan Demme / ADRIAN WOOTTON -- Breaking the Rules for Beloved / ERIC HARRISON -- A Conversation with Director Jonathan Demme / CHARLIE ROSE -- Young Director Tells a Veteran How He Did It / ROB SCHMIDT AND JONATHAN DEMME -- The Onion A.V. Club Interview: Jonathan Demme / SCOTT TOBIAS -- An Interview with Jonathan Demme / THEAGRONOMIST.COM -- Film-makers on Film: Jonathan Demme on Jared Hess's Napoleon Dynamite / SHEILA JOHNSTON -- Mind Control / DAVID THOMPSON -- Interview: Singer Neil Young and Director Jonathan Demme / TERRY GROSS

Call No: TITLE CLIPPINGS FILE; GOLD (US, Stephen Gaghan, 2016)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: GOLD (US, Stephen Gaghan, 2016)
Summary: Review of the film GOLD
Notes: similar review in The Age and Canberra Times, same date
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
Subject: WHO SEEKS A HANDFUL OF GOLD? [KDO HLEDA ZLATE DNO] (CS, Jiri Menzel, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO SEEKS A HANDFUL OF GOLD? [KDO HLEDA ZLATE DNO] (CS, Jiri Menzel, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA'S LOST GOLD: THE LEGEND OF LASSETER [LASSETER'S BONES] (AT, Luke Walker, 2012)
Notes: Simon import_190718

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981)

Call No: 212.1(73:94) GOL
Author: Goldsmith, Ben; O'Regan, Tom; Ward, Susan
Source: AT
Place: St Lucia, Qld
Publisher: University of Queensland Press
PubDate: 2010
PhysDes: 296 p. ; 23 cm
Subject: AUSTRALIA; FILM AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; PRODUCTION CENTRES. GOLD COAST; COPRODUCTION
Summary: "...This book gives an unprecedented insight into how the Gold Coast became the first outpost of Hollywood in Australia. When a combination of forces drove studios and producers to work outside California, the Gold Coast's unique blend of government tax support, innovative entrepreneurs and diverse natural settings made it a perfect choice to host Hollywood producations. Local Hollywood makes an essential contribution to the field of film and media studies, as well as giving movie bufffs a behind-the-scenes tour of the film industry. " -- BOOK BLURB
ISBN: 9780702237799
Contents: -- contents -- chapter 1: global and local Hollywood -- chapter 2: inventing a local Hollywood -- chapter 3: the Greenfields location -- chapter 4: the Junior partner -- chapter 5: film friendliness -- chapter 6: local Hollywood's location space -- chapter 7: learning from a local Hollywood -- acknowledgements -- notes -- list of productions -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN FRIDAY (UK, Jack Gold, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDUSA TOUCH, THE (UK, Jack Gold, 1978)

Call No: 70 ROT
Author: Rotha, Paul
Place: London New York
Publisher: The Studio, ld. The Studio publications, inc
PubDate: [1936]
PhysDes: ix,142 p. : illus. ; 30 cm
Subject: ADVENTURE FILMS; AVANT-GARDE FILMS; COMEDIES; CRIME FILMS; DOCUMENTARIES; INSTRUCTIONAL FILMS; EPIC FILMS; FANTASTIC FILMS; HISTORICAL FILMS; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; INSTRUCTIONAL FILMS; MELODRAMA; MUSICALS; ROMANIES IN FILM; SATIRE IN FILMS; WAR FILMS; WESTERNS; BIG PARADE, THE (US, King Vidor, 1925); CHYORTOVO KOLESO (UR, Grigori Kozintsev & Leonid Trauberg, 1926); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); GENERAL, THE (UK, John Boorman, 1998); GOLD RUSH, THE (US, Charles Chaplin, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); IRON HORSE, THE (UK, John Ford, 1924); LOST PATROL, THE (US, John Ford, 1934); OUR HOSPITALITY (US, Buster Keaton & John Blystone, 1923); PUBLIC ENEMY, THE (US, William Wellmen, 1931); QUICK MILLIONS (US, Rowland Brown, 1931); SON OF KONG (US, Ernest B. Schoedsack, 1933); SPEEDY (US, Ted Wilde, 1928); TABU (US, Friedrich Wilhelm Murnau, 1931); TESTAMENT DES DOKTOR MABUSE, DAS (G, Fritz Lang, 1933); WINGS (US, William Wellman, 1927); WOMAN OF PARIS, A (US, Charles Chaplin, 1923)
Notes: Title on two leaves; "Pictorial survey ... some 600 stills ... from all parts of the world."--p. [iv]
LON: 1376838

Call No: 70"192" MUL
Author: Muller, Jurgen
Edition: 2007
Place: Koln
Publisher: Taschen GMBH
PubDate: 2007
PhysDes: 482 pgaes : illustrated ; 26 cm
Subject: HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. SILENT PERIOD; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); STUDENT VON PRAG, DER (G, Stellan Rye, 1913); CABIRIA (IT, Giovanni Pastrone, 1914); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916); MADAME DUBARRY (G, Ernst Lubitsch, 1919); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); EROTIKON (SW, Mauritz Stiller, 1920); GOLEM, THE [; KID, THE (US, Charles Chaplin, 1921); FOOLISH WIVES (US, Erich Von Stroheim, 1922); [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); THREE MUSKETEERS, THE (US, Fred Niblo, 1921); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); TOL'ABLE DAVID (US, Henry King, 1921); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922); [DOCTOR] DR MABUSE: THE GAMBLER [DR. MABUSE DER SPIELER] (G, Fritz Lang, 1922); SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923); HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); THIEF OF BAGDAD (US, Raoul Walsh, 1924); SHERLOCK, JR. (US, Buster Keaton, 1924); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924); GREED (US, Erich von Stroheim, 1925); IRON HORSE, THE (UK, John Ford, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); BEN HUR (US, Fred Niblo, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); BIG PARADE, THE (US, King Vidor, 1925); FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925); PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); BLACK PIRATE, THE (US, Albert Parker, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); METROPOLIS (G, Fritz Lang, 1926); KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927); NAPOLEON (FR, Abel Gance, 1927); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); CROWD, THE (US, King Vidor, 1928); WIND, THE (US, Victor Sjostrom, 1928); CIRCUS, THE (US, Charles Chaplin, 1928); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BLACKMAIL (UK, Alfred Hitchcock, 1929); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); LITTLE CAESAR (US, Mervyn LeRoy, 1931); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929); MOROCCO (US, Josef von Sternberg, 1930); WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens. Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurb
ISBN: 9783822846131
Donation: Megan McMurchy

Call No: 81CHA CHA
Author: Chaplin, Charlie
Source: UK
Place: London
Publisher: Bodley Head
PubDate: 1964
PhysDes: 545 p., [21] leaves of plates : ill., ports. ; 22 cm
Subject: CHAPLIN, CHARLES; VANITY FAIR (US, Chester M Franklin, 1932); KID, THE (US, Charles Chaplin, 1921); CITY LIGHTS (US, Charles Chaplin, 1931); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); WOMAN OF PARIS, A (US, Charles Chaplin, 1923); GOLD RUSH, THE (US, Charles Chaplin, 1925); CIRCUS, THE (US, Charles Chaplin, 1928); LIMELIGHT (US, Charles Chaplin, 1952); KING IN NEW YORK (US, Charles Chaplin, 1957)
Notes: Includes index.
LON: abn84206881; 3369279

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: -
PhysDes: Clippings File Article
Subject: WOMAN IN GOLD (US/UK, Simon Curtis, 2015); NAZIS IN FILMS
Summary: Review of 2015 film WOMAN IN GOLD
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: NEIL YOUNG: HEART OF GOLD (US, Jonathan Demme, 2006)

Call No: TITLE CLIPPINGS FILE; GOLD (US, Stephen Gaghan, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: GOLD (US, Stephen Gaghan, 2016)
Summary: Review of the film GOLD
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOLD [ORO] (SP, Agustín Díaz Yanes, 2017)

Author: Schembri, Jim; Schreck, Peter
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
Summary: Interview with Peter Schreck discussing his collaboration with Igor Auzins on the feature film 'The Coolangatta gold'.
Notes: Ill.; ports.

PhysDes: Article
Subject: FRANKENSTEIN'S GREAT AUNT TILLIE (US, Myron J Gold, 1984)
Summary: Contains a review of "Frankenstein's Great Aunt Tillie"

Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
Summary: Pictures from the premiere of 'The Coolangatta Gold'

Author: Maddox, Garry
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); PRODUCT PLACEMENT
Summary: Discussion of promotion of 'Coolangatta gold', in particualr product placement.
Notes: Ill.

Call No: 71(943) QUE
Copy Management: Copy 1; Copy 2
Author: Dawson, Jonathan; Molloy, Bruce
Place: St. Lucia, Qld.
Publisher: University of Queensland Press
PubDate: 1990
PhysDes: xii, 180 p., [16] p. of plates : ill., ports. ; 22 cm
Subject: INDEPENDENT PRODUCTION. AUSTRALIA: QUEENSLAND; COMMERCIALS, TV. AUSTRALIA: QUEENSLAND; MYTH AND THE CINEMA. AUSTRALIA: QUEENSLAND; DOCUMENTARIES. AUSTRALIA QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; SOCIETIES, FILM. AUSTRALIA: QUEENSLAND; QUEENSLAND; AUSTRALIAN BROADCASTING CORPORATION; QUEENSLAND FILM CORPORATION; MCKIMMIE, JACKIE; BURNE, GEORGE; BANNAH, MAX; MORRIS, MONTY; MARKS, DICK; BUDDIES (AT, Arch Nicholson, 1983); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); MISSION: IMPOSSIBLE [TV] (US, 1966-73, 1988-); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); SONS OF MATTHEW (AT, Charles Chauvel, 1949)
Notes: Bibliography: p. [177]-180
ISBN: 070222331X (pbk.) : $24.95
LON: abn90164773; 7319368

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); DAMIEN PARER STORY, THE (AT, Fred Schepisi, [in prod] )
Summary: Article on the new film studio being built in Queensland through government grants, along with the films that are planned to be filmed there.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REALMS OF GOLD (AT/UK, Paul Turner, 1989 [prod. 1988])

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED GOLD: THE EPIC STORY OF BLOOD [TV] (US, Alexander Marengo & Nick Read, 2002)

Call No: PERSONALITY CLIPPINGS FILE; REYNOLDS, RYAN
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: REYNOLDS, RYAN; DEADPOOL in production; WOMAN IN GOLD (US/UK, Simon Curtis, 2015); X-MEN ORIGINS: WOLVERINE (US/NZ/AT, Gavin Hood, 2009)
Summary: Interview with actor Ryan Reynolds about his performance in the 2015 film WOMAN IN GOLD, filming for his upcoming film DEADPOOL and his potential plans to retire once DEADPOOL is completed

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SAKHAROV (UK, Jack Gold, 1984)

Call No: 409.1 COO
Author: Cook, Pam
Source: UK
Place: London ; New York
Publisher: Routledge
PubDate: 2005
PhysDes: xiii, 246 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA; NOSTALGIA IN FILMS; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES; GENDER AND THE CINEMA; MEN IN FILMS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; SEXUALITY AND THE CINEMA; TYPE CHARACTERS IN FILMS; MELODRAMA; WESTERNS; SCORSESE, MARTIN; BIGELOW, KATHRYN; HAYNES, TODD; WONG KAR WAI; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MILDRED PIERCE (US, Michael Curtiz, 1945); RAGING BULL (US, Martin Scorsese, 1980); MANDY (UK, Alexander Mackendrick, 1952); DANCE WITH A STRANGER (UK, Mike Newell, 1985)
Summary: Exploring film culture's obsession with the past through analyses of a wide range of films, from Mildred Pierce and Brief Encounter to Raging Bull and Dance With a Stranger. Examines current debates about the role of cinema in mediating history through memory and nostalgia through a discussion of In the Mood for Love and Far From Heaven, with the suggestion that many films use strategies of memory to challenge established ideas of history, and the traditional role of historians."--BOOK JACKET
Notes: Includes bibliographical references and index (pp. 241-46)
ISBN: 0415183758 (pbk. : alk. paper)
Contents: Introduction: the past today -- Rethinking nostalgia: In the mood for love and Far from heaven -- Duplicity in Mildred Pierce -- Women and the Western -- The pleasures and perils of exploitation films -- Melodrama and the women's picture -- Mandy: daughter of transition -- Memory in British cinema: brief encounters -- Stars and politics -- The gold diggers -- No fixed address: the women's picture from Outrage to Blue Steel -- Masculinity in crisis? -- The last temptation of Christ -- Scorsese's masquerade -- The age of innocence -- Fashion and sexual display in 1950s Hollywood -- Replicating the past: memory and history in Dance with a stranger -- Fictions of identity: style, mimicry, and gender in the films of Kathryn Bigelow.

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Summary: Reviews of 2015 film WOMAN IN GOLD
Rating: 3.5 out of 5 stars

Call No: 744.1(41) HIL
Author: Hill, John
Place: London
Publisher: BFI Pub.
PubDate: 1986
PhysDes: 228 p. : ill. ; 24 cm
Subject: UNITED KINGDOM; SOCIAL-REALISM IN FILMS. UK; SOCIAL PROBLEMS IN FILMS. UK; WORKING CLASS IN FILMS. UK; ANDERSON, LINDSAY; DEARDEN, BASIL; WILLIS, TED; RANK ORGANISATION; BLUE LAMP (UK, Basil Dearden, 1949); CAGE OF GOLD (UK, Basil Dearden, 1950); I BELIEVE IN YOU (UK, Basil Dearden & Michael Relph, 1952); SAPPHIRE (UK, Basil Dearden, 1959); VIOLENT PLAYGROUND (UK, Basil Dearden, 1957); BOYS, THE (UK, Sidney J. Furie, 1962); ENTERTAINER, THE (UK, Tony Richardson, 1960); LOOK BACK IN ANGER (UK, Tony Richardson, 1959); TASTE OF HONEY, A (UK, Tony Richardson, 1961); I'M ALL RIGHT JACK (UK, John Boulting, 1959); KIND OF LOVING, A (UK, John Schlesinger, 1962); PETTICOAT PIRATES (UK, David MacDonald, 1961); SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960); SOME PEOPLE (UK, Clive Donner, 1962); WOMAN IN A DRESSING GOWN (UK, J. Lee Thompson, 1957); SONS AND LOVERS (UK, Jack Cardiff, 1960); VICTIM (UK, Basil Dearden, 1961)
Notes: "Select filmography": p. 180-222; Includes bibliographies and index
ISBN: 0851701329 : ¦20.00; 0851701337 (pbk.)
LON: 87111868; 5748139

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. GOLD COAST
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. GOLD COAST; FEAR OF DARKNESS, THE (AT, Christopher Fitchett, 2014)
Notes: 10/03/2015

Author: Martin, Margaret [compiler]
PhysDes: Article
Subject: CITY OF GOLD (CN, Wolf Koenig & Colin Low, 1957)
Notes: Synopsis. - review. - rating

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SILVER INTO GOLD (US, Lynn Mueller, 1987)

Call No: 739(94) FOT
Author: Fotheringham, Richard, 1947
Place: Cambridge, England Melbourne
Publisher: Cambridge University Press
PubDate: 1992
PhysDes: 268 p. : ill., ports. ; 24 cm
Subject: SPORTS FILMS. AUSTRALIA; SPORTS AND THE CINEMA. AUSTRALIA; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); PHAR LAP (AT, Simon Wincer, 1983)
Notes: Includes index; Bibliography: p. [238]-268
ISBN: 0521401569
LON: abn91222197; 8176908

Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND
Summary: Two short news pieces on 'The Coolangatta Gold' and 'Came A Hot Friday'

Call No: 19DIS TAY
Author: Taylor, John
Source: US
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1987
PhysDes: x, 261 p., [16] p. of plates : ill. ; 26 cm
Subject: WALT DISNEY PRODUCTIONS; INDUSTRY, FILM; PRODUCTION COMPANIES & STUDIOS. USA; PRODUCTION COSTS; PRODUCTION DEALS; WALT DISNEY PRODUCTIONS; AHMANSON, CAROLINE; BAGNALL, MICHAEL; BALDWIN, ROBERT; BASS, SID RICHARDSON; BERGER, RICHARD; BOESKY, IVAN; CHAMBERS, RICHARD; CHECCHI, ALFRED; COBB, CHARLES; DAILY, PETER; DAVIS, MARTIN; DAVIS, MARVIN; DILLER, BARRY; DISNEY, ROY EDWARD; DISNEY, WALT; DRAPKIN, DONALD; EISNER, MICHAEL; FLOM, JOSEPH; GOLD, STANLEY; JACOBS, IRWIN; HAWLEY, PHILIP; KELLNER. PETER; MILLER, RONALD; RAINWATER, RICHARD; STEINBURG, SAUL; WATSON, RAYMOND L
Summary: "The riveting account of how a covey of corporate raiders and Wall Street mercenaries launched an assault on that bastion of American values, Walt Disney Productions, and of the furious combat that followed" - BOOK JACKET
Notes: Includes index
ISBN: 0394546407
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: STREETS OF GOLD (US, Joe Roth, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SUZIE GOLD (UK, Rick Cantor, 2003)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SWIMMING FOR GOLD (AT, Hayley MacFarlane, 2020)
Cross Reference: SWIMMING FOR GOLD (AT, Hayley MacFarlane, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYDNEY 2000 OLYMPICS: BUD GREENSPAN'S GOLD FROM DOWN UNDER [TV] (US, Bud Greenspan, 2001)

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: ART IN FILMS; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Summary: Review of 2015 film WOMAN IN GOLD
Rating: 2.5 out of 5 stars

Author: Brooks, Jodi
PhysDes: Article
Subject: GOLD DIGGERS, THE (US, Sally Potter, 1983)
Summary: Discussion of the 1984 Sydney film festival forums including the notion of politics and film and Sally Potter's 'The Gold Diggers'

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THOUSAND PIECES OF GOLD (US/UK, Nancu Kelly, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ULEE'S GOLD (US, Victor Nunez, 1997)

Call No: 911(71) VAL
CorpAuthor: Craig Scott Gallery
Source: CN
Place: Canada
PubDate: 2008
PhysDes: 34 pages (unnumbered) : colour illustrations ; 21cm
Subject: ART AND THE CINEMA; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); GOLD RUSH, THE (US, Charles Chaplin, 1925); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); DEEP THROAT (US, Jerry Gerard, 1972)
Summary: This booklet covers the exhibition by Raymond Waters (19 January - 29 February 2008) which looks at the values and symbols of American life and of the United States presence in the world. It also includes two essays related to the themes and works of Raymond Waters.
Notes: Includes essays by Michael Zryd and Norman Dorsen -- includes forward by Craig Scott
Contents: Forward: The art of American values by Craig Scott -- Raymond Waters by Michael Zryd -- Flag desecration in courts, congress and country by Norman Dorsen -- Notes

Author: Emmanuel, Meredith; Stranger, Harry
PhysDes: Article
Subject: WOMAN IN GOLD (US/UK, Simon Curtis, 2015); EMERY, ROSS
Summary: director of photography Ros Emery ASC talks about working on Woman in Gold directed by Simon Curtis. He talks about making the film seem grand, working in a period setting and ineviatable creative conflicts and how they were overcome.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO? (US, Jack Gold, 1974)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
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