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Author: Borst, Ron
PhysDes: Article
Subject: ABBOTT AND COSTELLO MEET FRANKENSTEIN (US, Charles T. Barton, 1949)
Summary: Credits, short description

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABBOTT AND COSTELLO MEET FRANKENSTEIN (US, Charles T. Barton, 1949)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: 71(73) BEH
Author: Behlmer, Rudy,
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1982
PhysDes: xix, 324 p. : ill. ; 24 cm
Subject: USA; FRANKENSTEIN (US, James Whale, 1931); LOST HORIZON (US, Frank Capra, 1937); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938); GRAPES OF WRATH, THE (US, John Ford, 1940); STAGECOACH (US, John Ford, 1939); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); LAURA (US, Otto Preminger, 1944); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); AFRICAN QUEEN, THE (US, John Huston, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); HIGH NOON (US, Fred Zinnemann, 1952); GUNGA DIN (US, George Stevens, 1939)
Notes: Includes bibliographies and index
ISBN: 080442036X; 0804460345 (pbk.)
LON: 2175280

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935)

Call No: 735.2 PRA
Author: Prawer, S. S. (Siegbert Salomon), 1925
Place: Oxford New York
Publisher: Oxford University Press
PubDate: 1980
PhysDes: 307 p., [8] leaves of plates : ill. ; 22 cm
Subject: HORROR FILMS; HAMMER FILM PRODUCTIONS; FISHER, TERENCE; KARLOFF, BORIS; LANG, FRITZ; LEWTON ,VAL; MURNAU, FRIEDRICH WILHELM; FRANKENSTEIN (US, James Whale, 1931); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920)
Notes: Includes indexes; Bibliography: p. [283]-292
ISBN: 019217584X : ª6.95
LON: 1491474

Author: Parish, James Robert; Pitts, Michael R.
PhysDes: Article
Subject: LEE, CHRISTOPHER; ALIAS JOHN PRESTON (UK, David MacDonald, 1955); CRIPTA E L'INCUBO, LA (IT/SP, Camillo Mastrocinque, 1963); CORRIDOR OF MIRRORS (UK, Terence Young, 1947); CORRIDORS OF BLOOD (UK, Robert Day, 1958); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957)
Summary: Article focuses on the actor Christopher Lee who, although best known as Dracula, had a varied screen career. Parish and Pitts note that Lee performed more genre roles than any other actor in film history. The authors attempt to trace the progress and evolution of Lee's career, paying particular attention to his little-known, non-genre roles, using quotations from the actor's numerous published interviews over the years. Parish and Pitt also highlight that Lee's first horror film role was the psychological drama "Alias John Preston"

Author: Parish, James R; Pitts, Michael R
PhysDes: Article
Subject: CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957)

Call No: 735.2 HAL
Author: Halliwell, Leslie
Source: UK
Place: London
Publisher: Collins
PubDate: 1986
PhysDes: 262 p. ; 24 cm
Series: Halliwell's Moving Pictures
Subject: HORROR FILMS; VAMPIRE FILMS; DRACULA IN FILMS; MONSTERS IN FILMS; FRANKENSTEIN IN FILMS; UNIVERSAL PICTURES; HAMMER FILM PRODUCTIONS
ISBN: 0246128348
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: DRACULA VS. FRANKENSTEIN (US, Al Adamson, 1971)

Call No: 735.2 DRE
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1996
PhysDes: xv, 456 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: HORROR FILMS; GENDER AND THE CINEMA; SLASHER FILMS; DRACULA IN FILMS; ARGENTO, DARIO; CRONENBERG, DAVID; ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN 3 (US, David Fincher, 1992); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); CARRIE (US, Brian De Palma, 1976); CAT PEOPLE (US, Jacques Tourneur, 1942); CAT PEOPLE (US, Paul Schrader, 1982); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); STEPFATHER, THE (US, Joseph Ruben, 1986); LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971); FATAL ATTRACTION (US, Adrian Lyne, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968)
Notes: Includes bibliographical references (p. 433-438) and index
ISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper)
LON: 12195767

Call No: 753.4 ENG
Author: Klein, Michael, 1939; Parker, Gillian
Place: New York
Publisher: Ungar
PubDate: c 1981
PhysDes: xi, 383 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955); LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADVENTURES OF ROBINSON CRUSOE; ADVENTURES OF ROBINSON CRUSOE; BARRY LYNDON (UK, Stanley Kubrick, 1975); BECKY SHARP (US, Rouben Mamoulian, 1935); [DOCTOR] DR JEKYLL AND MR HYDE (US, Rouben Mamoulian, 1931); DAVID COPPERFIELD (US, George Cukor, 1935); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); FRANKENSTEIN (US, James Whale, 1931); GREAT EXPECTATIONS (UK, David Lean, 1946); JANE EYRE (US, Robert Stevenson, 1944); JANE EYRE (UK, Delbert Mann, 1971); JOSEPH ANDREWS (UK, Tony Richardson, 1977); MAN WHO WOULD BE KING, THE (US, John Huston, 1975); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); OF HUMAN BONDAGE (US, John Cromwell, 1934); OF HUMAN BONDAGE (UK, Ken Hughes, 1964); PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965); PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); SABOTAGE (UK, Alfred Hitchcock, 1936); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SONS AND LOVERS (UK, Jack Cardiff, 1960); TIME MACHINE, THE (US, George Pal, 1960); TOM JONES (UK, Tony Richardson, 1963); ULYSSES (UK/US, Joseph Strick, 1967); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); WUTHERING HEIGHTS (US, William Wyler, 1939)
Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURB
Notes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368
ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95
LON: 80005342; 1937478

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1997
PhysDes: viii, 215 p. : ill. ; 26 cm
Subject: TEACHING MATERIALS; BABE (AT, Chris Noonan, 1995); BRAVEHEART (US, Mel Gibson, 1995); CASABLANCA (US, Michael Curtiz, 1942); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EDUCATING RITA (UK, Lewis Gilbert, 1983); FORREST GUMP (US, Robert Zemeckis, 1994); FRIED GREEN TOMATOES (US, John Avnet, 1991); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HIGH NOON (US, Fred Zinnemann, 1952); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LITTLE WOMEN (US, Gillian Armstrong, 1994); LORENZO'S OIL (US, George Miller, 1992); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); METROPOLIS (G, Fritz Lang, 1926); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); NELL (US, Michael Apted, 1994); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); OUTBREAK (US, Wolfgang Petersen, 1995); PIANO, THE (AT, Jane Campion, 1993); PROOF (AT, Jocelyn Moorhouse, 1991); PSYCHO (US, Alfred Hitchcock, 1960); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993); SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994); SWING KIDS (US, Thomas Carter, 1993); THAT EYE THE SKY (AT, John Ruane, 1994); UNFORGIVEN (US, Clint Eastwood, 1992); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995)
Notes: Includes index
ISBN: 0195540190 : $24.95
LON: 12914277

PhysDes: Article
Subject: LADY FRANKENSTEIN [FIGLIA DI FRANKENSTEIN, LA] (IT, Mel Welles/Aureliano Luppi, 1971)

Call No: 753 FIL
Author: Vincendeau, Ginette, 1948
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 284p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. LEONARD, ELMORE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. THOMPSON, JIM; HISTORICAL FILMS; LITERATURE AND THE CINEMA; ARMSTRONG, GILLIAN; BASS, RON; TARANTINO, QUENTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); AMERICAN PSYCHO (US, Mary Harron, 1999); BEACH, THE (US, Danny Boyle, 1999); BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992); BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); CARRINGTON (UK/FR, Christopher Hampton, 1995); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); CRASH (CN, David Cronenberg, 1996); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); DEAD AGAIN (US, Kenneth Branagh, 1991); EDWARD II (UK, Derek Jarman, 1991); ELIZABETH (UK, Shekhar Kapur, 1998); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GERMINAL (FR, Claude Berri, 1993); GRIFTERS, THE (US, Stephen Frears, 1990); HOWARDS END (UK, James Ivory, 1992); JACKIE BROWN (US, Quentin Tarantino, 1997); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LITTLE WOMEN (US, Gillian Armstrong, 1994); LOLITA (US, Adrian Lyne, 1997); MADAME BOVARY (FR, Claude Chabrol, 1991); MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994); MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992); MANSFIELD PARK (UK/US, Patricia Rozema, 1999); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); MASK OF ZORRO (US, Martin Campbell, 1998); MISERABLES, LES (FR, Claude Lelouch, 1995); MRS BROWN (UK, John Madden, 1997); MRS DALLOWAY (US, Marleen Gorris, 1997); NAKED LUNCH (CN/UK, David Cronenberg, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); OUT OF SIGHT (US, Steven Soderbergh, 1998); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); RIDICULE (FR, Patrice Leconte, 1996); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAKESPEARE IN LOVE (UK, John Madden, 1998); SHORT CUTS (US, Robert Altman, 1993); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); THREE MUSKETEERS, THE (US, Stephen Herek, 1993); TITUS (US, Julie Taymor, 1999); TRAINSPOTTING (UK, Danny Boyle, 1996); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURB
ISBN: 0851708420; 0851708412(pbk.) : ¦13.99
LON: 22285912

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FRANKENSTEIN (US, James Whale, 1931)

PhysDes: Article
Subject: FRANKENSTEIN THE TRUE STORY (UK/US Jack Smight, 1973)

Subject: FRANKENSTEIN AND THE MONSTER FROM HELL (UK, Terence Fisher, 1973)

PhysDes: Article
Subject: FRANKENSTEIN CREATED WOMAN (UK, Terence Fisher, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FRANKENSTEIN UNBOUND (US, Roger Corman, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: HORROR OF FRANKENSTEIN, THE (UK, Jimmy Sangster, 1970)

Call No: 735.2 HOR
Author: Gelder, Ken, 1955
Place: New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xiii, 414 p. ; 25 cm
Subject: CANNIBALISM IN FILMS; DRACULA IN FILMS; ETHNOGRAPHIC FILMS; FAN MAGAZINES; FANTASTIC FILMS; GENDER AND THE CINEMA; GHOST FILMS; HOMOSEXUALITY AND THE CINEMA; HORROR FILMS; HORROR FILMS. HONG KONG; HORROR FILMS. ITALY; HORROR FILMS. USA; IMPERIALISM AND THE CINEMA; MONSTERS IN FILMS; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SERIAL KILLERS IN FILMS; SLASHER FILMS; THEORY; VAMPIRE FILMS; WOMEN AND THE CINEMA; ARGENTO, DARIO; BAVA, MARIO; CASTLE, TERRY; CHEUNG, LESLIE; CORMAN, ROGER; CRONENBERG, DAVID; TODOROV, TZVETAN; AMERICAN GOTHIC (US, John Hough, 1987); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); FRIDAY THE 13TH (US, Sean S. Cunningham, 1980); HALLOWEEN (US, John Carpenter, 1978); HAUNTING, THE (US, Robert Wise, 1963); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); OPERA (IT, Dario Argento, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968); PSYCHO (US, Alfred Hitchcock, 1960); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SUSPIRIA (IT, Dario Argento, 1977); YANZHI KOU (HK, Stanley Kwan, 1987)
Notes: Includes bibliographical references and index
ISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper)
LON: 21262689

Author: Borst, Ron
PhysDes: Article
Subject: HOUSE OF FRANKENSTEIN (US, Erle C. Kenton, 1944)
Summary: Credits, short description

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: I, FRANKENSTEIN (US/AT, Stuart Beattie, 2013)
URL status: URL: 'http://file://Q:/T/I_FRANKENSTEIN.zip' Checked: 31/08/2021 1:24:14 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; I, FRANKENSTEIN (US/AT, Stuart Beattie, 2013)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: I, FRANKENSTEIN (US/AT, Stuart Beattie, 2013)
Summary: Review of the film I, FRANKENSTEIN
Rating: 1.5 out of 5 stars

Call No: 757FRA STO
Author: John Stoker
Place: Sydney
Publisher: A. H. & A. W. Reed
PubDate: 1980
PhysDes: 128 p. : ill. ; 28 cm
Subject: FRANKENSTEIN IN FILMS; HORROR FILMS
Notes: contains index
ISBN: 0589501712
Donation: donated by the family of Wayne Levy, 2006

Call No: 757FRA STO (copy 2)
Author: Stoker, John
Place: Sydney
Publisher: A. H. & A. W. Reed
PubDate: 1980
PhysDes: 128 p. : ill. ; 28 cm
Subject: FRANKENSTEIN IN FILMS; HORROR FILMS
Notes: contains index
ISBN: 0589501712
Donation: donated by the family of Wayne Levy, 2006

Call No: 735 CLA
Author: Clarens, Carlos
Edition: First Da Capo Press edition
Source: US
Place: New York, NY
Publisher: Da Capo Press
PubDate: 1997
PhysDes: xxi, 256 pages, [48] pages of plates : illustrations ; 21 cm
Subject: SCIENCE-FICTION FILMS; HORROR FILM; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LEWTON ,VAL; FRANKENSTEIN (US, James Whale, 1931); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); DRACULA (US, Tod Browning, 1931)
Summary: "In this book Carlos Clarens, author of Crime Movies (also available from Da Capo Press), George Cukor, and many articles in film magazines, brings his encyclopedic knowledge of films and filmmakers to the subject of horror and science-fiction films of the classic era. Whether discussing the erotic aspects of King Kong, examining the works of Val Lewton, contrasting the director's attitude toward the monster in Frankenstein and The Bride of Frankenstein, accounting for the special genius of Lon Chaney, or comparing the various versions of Dr. Jekyll and Mr. Hyde, Clarens entertains as he enlightens. Supplemented with a new introduction by J. Hoberman, Village Voice film critic and coauthor of Midnight Movies (also available from Da Capo Press), and an extensive filmography listing complete credits for over 300 films, this fascinating study illuminates both the genre and the reasons for its popularity." -- taken from back cover
Notes: Originally published: An illustrated history of the horror film. New York : Putnam, 1967. -- Includes index.
ISBN: 0306808005
Contents: 1. The Wizard of Montreuil: Paris, 1895-1913 -- 2. Doubles, Demons, and the Devil Himself: Germany 1913-1932 -- 3. A Silent Conspiracy of Terror: America, 1900-1928 -- 4. Children of the Night: Hollywood, 1928-1947 -- 5. The Dead Next Door -- 6. Horror, The Soul of the Plot -- 7. "Keep Watching the Sky!" -- 8. Horror Around the World -- 9. No End Title -- App. Cast and Credits of Relevant Films Mentioned in the Text.

Call No: 175 KIS
Source: AT
Place: Brisbane
Publisher: Queensland Art Gallery
PubDate: 2005
PhysDes: 127 p. : ill. ; 25 cm
Subject: AUSTRALIAN CINEMATHEQUE; MONSTERS IN FILMS; ANIMALS IN FILMS; PREHISTORIC ANIMALS IN FILM; LOST WORLD, THE (US, Willis O'Brian, 1925); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); FRANKENSTEIN (US, James Whale, 1931); BLONDE VENUS (US, Josef von Sternberg, 1932); MUMMY, THE (US, Karl Freund, 1932); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); SON OF KONG (US, Ernest B. Schoedsack, 1933); TARZAN AND HIS MATE (US, Cedric Gibbons, 1934); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); BRIDE OF THE GORILLA (US, Curt Siodmok, 1951); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); HSING HSING WANG (HK, Meng-Hwa Ho, 1977)
Summary: Kiss of the Beast: From Paris Salon to King Kong explores images of gorillas, wild beasts and monsters in art, film, science, literature and popular culture from the late nineteenth century to today. It examens humanity's highly charged relationship with primates and draws connections between debates about evolution, race, aesthetics and sex - from satirical cartoons of gorillas in Punch! to HR Hopp's famous World War One recruiting poster Destroy this mad brute: enlist, which shows Kaiser Wilhelm as a large ape. Many incarnations of the Beauty and the Beast tale in art and film unfold in Kiss of the Beast - from French artist Emmanuel Fremiet's sculptures of a gorilla carrying off a woman of 1859 and 1887, to the classic 1933 image o Fay Wray in the grip of King Kong. Early short films and animations; groundbreaking expeditionary documentaries; iconic 'monster' movies from 130s to 1950s Hollywood; and some of the many versions of the Kong story from America, Japan and Hong Kong are also featured. Kiss of the Beast: From Paris Salon to King Kong is richly illustrated with film stills from many famous big ape and monster movies - including King Kong, Frankenstein and Creature from the Black Lagoon - as well as posters, sculptures, painting, prints and rare books. This book was published in conjunction with 'Kiss of the Beast', an integrated exhibition and film program presented by the Australian Cinematheque, Queensland Art Gallery.
ISBN: 1876509082
Donation: Australian Cinematheque, Queensland Art Gallery

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994)

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: 753.83 DRU
Author: Druxman, Michael B.
Place: New Jersey
Publisher: A. S. Barnes
PubDate: 1977
PhysDes: 175 p. : ill. ; 29 cm
Subject: SEQUELS; BOYS TOWN (US, Norman Taurog, 1938); TOPPER (US, Norman Z. McLeod, 1937); LITTLE FOXES, THE (US, William Wyler, 1941); MRS MINIVER (US, William Wyler, 1942); JOLSON STORY, THE (US, Alfred E. Green, 1946); BROKEN ARROW (US, Delmer Daves, 1950); KING SOLOMON'S MINES (US, Compton Bennett & Andrew Marton, 1950); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); PEYTON PLACE (US, Mark Robson, 1957); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); ROOM AT THE TOP (UK, Jack Clayton, 1959); HARPER (US, Jack Smight, 1966); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); FUNNY GIRL (US, William Wyler, 1968); THREE MUSKETEERS, THE (PN, Richard Lester, 1973); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-)
Notes: Includes filmographies
ISBN: 0498018067
Contents: Motion pictures. Film sequels. Cinema films Sequels to 1976

Author: O'Hara, Ashley
PhysDes: Article
Subject: B-MOVIES; AMAZON QUEST (US, Steve Sekely, 1949); ASTOUNDING SHE MONSTER, THE (US, Ronnie Ashcroft, 1958); BREED OF THE WEST (US, Alan James, 1930); DRACULA VS. FRANKENSTEIN (US, Al Adamson, 1971); FRANKENSTEIN'S DAUGHTER (US, Richard E. Cunha, 1958); IT'S ALIVE (US, Larry Buchanan, 1969); SATAN'S CHEERLEADERS (US, Greydon Clark, 1977)
Summary: A personal selection, with credits and synopsis, of favourite "bad" cinema or "b-grade" movies by Ashley O'Hara including "Amazon Quest", "The Astounding She Monster", "Breed of the West", "Dracula Vs. Frankenstein", "It's Alive" and "Satan's Cheerleaders"
Notes: Review. - synopsis. - credits

Author: O'Hara, Ashley
PhysDes: Article
Subject: DRACULA VS. FRANKENSTEIN (US, Al Adamson, 1971)
Summary: Selection of B-Grade and lower films with credits and synopsis

Author: O'Hara, Ashley
PhysDes: Article
Subject: FRANKENSTEIN'S DAUGHTER (US, Richard E. Cunha, 1958)
Summary: Selection of B-Grade and lower films with credits and synopsis

Call No: 753 LEI
Author: Thomas Leitch
Edition: Illustrated edition
Place: New York
Publisher: Oxford University Press
PubDate: [2017]
PhysDes: xv, 761 pages : illustrations ; 26 cm
Series: Oxford handbooks
Subject: ADAPTATIONS; PORNOGRAPHIC FILMS; COMIC STRIPS; LITERATURE AND THE CINEMA; BOLLYWOOD; FRANKENSTEIN; JAN HUS (CS, Otakar Vavra, 1955); CZECHOSLOVAKIA; POPULAR CULTURE AND THE CINEMA
Summary: "This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality."--Publisher.
Notes: Formerly CIP. Includes bibliographical references and index. Also issued online.
ISBN: 9780199331000
Language: English

Call No: 735.21 CRE
Author: Creed, Barbara
Source: AT
Place: Carlton, Vic
Publisher: Melbourne University Press
PubDate: c2005
PhysDes: xix, 232 p. : ill, ports ; 21cm
Subject: CRIMINALS IN FILMS; DRACULA IN FILMS; FEMINISM AND THE CINEMA; FRANKENSTEIN; FREDDY KREUGER IN FILMS; GHOSTS IN FILMS; HORROR FILM; JACK THE RIPPER IN FILMS; MASCULINITY IN FILMS; MONSTERS IN FILMS; REALISM IN FILMS; VAMPIRE IN FILMS; VIOLENCE IN FILMS; WERWOLVES IN FILMS
Summary: In Phallic Panic, Barbara Creed explores the nature of male monstrosity, through twentieth century form of cinema. Whether vampire, mad scientist, cannibal, or Freud's wolf man, these monsters all strike at the heart of masculinity, and what it means to a society.
Notes: Bibliography: p. 215-224; Filmography: p.212-214; Includes index
ISBN: 052285172

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

PhysDes: Article
Subject: FRANKENSTEIN'S GREAT AUNT TILLIE (US, Myron J Gold, 1984)
Summary: Contains a review of "Frankenstein's Great Aunt Tillie"

Author: Marks, Dick
PhysDes: Article
Subject: 3D DIGITAL; CINEMATOGRAPHY. AUSTRALIA; EMERY, ROSS; WOLVERINE, THE (US/UK, James Mangold, 2013); I, FRANKENSTEIN (US/AT, Stuart Beattie, 2013)
Summary: Cinematographer, Ross Emery discusses his experiences working on the 3D films, The Wolverine and I, Frankenstein
Notes: Interview

Call No: 632.8 AFF
Author: Affron, Charles; Affron, Mirella Jona, 1937
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1995
PhysDes: xiv, 252 p. : ill. ; 27 cm
Subject: ART DIRECTION; SET DESIGNING; NARRATIVE IN FILMS; SETS; AWARDS. ACADEMY; ACADEMY OF MOTION PICTURE ARTS AND SCIENCES; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CABIRIA (IT, Giovanni Pastrone, 1914); GREAT ZIEGFELD, THE (US, Robert Z. Leonard, 1936); HAMLET (UK, Laurence Olivier, 1948); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942)
Notes: Includes bibliographical references (p. 235-238) and indexes
ISBN: 0813521602 (cloth); 0813521610 (pbk.)
LON: 94039443; 11258783

Call No: TITLE CLIPPINGS FILE; I, FRANKENSTEIN (US/AT, Stuart Beattie, 2013)
Author: -
PhysDes: Clippings File Article
Subject: I, FRANKENSTEIN (US/AT, Stuart Beattie, 2013)
Summary: Report on Australian film 'I, Frankenstein' and why its release date has been pushed back for a second time

Call No: 735.2 TUR
Author: Turnock, Bryan
Edition: 2019
Place: Leighton Buzzard
Publisher: Auteur
PubDate: 2019
PhysDes: 300 pages : illustrated ; 24 cm
Subject: HORROR FILMS; GOLEM, THE [; OLD DARK HOUSE, THE (US, James Whale, 1932); CAT PEOPLE (US, Jacques Tourneur, 1942); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); PSYCHO (US, Alfred Hitchcock, 1960); KWAIDAN (JA, Masaki Kobayashi, 1964); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); ANTEFATTO (IT, Mario Bava, 1970); FLY, THE (US, David Cronenberg, 1986); WES CRAVEN'S NEW NIGHTMARE (US, Wes Craven, 1994); LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008)
Summary: Aimed at teachers and students new to the subject, Studying Horror Cinema is a comprehensive survey of the genre from silent cinema to its twenty-first century resurgence. Structured as a series of thirteen case studies of easily accessible films, it covers the historical, production, and cultural context of each film, together with detailed textual analysis of key sequences. Sitting alongside such acknowledged classics as Psycho and Rosemary’s Baby are analyses of influential non-English language films as Kwaidan, Bay of Blood, and Let the Right One In. The author concludes with a chapter on 2017’s blockbuster It, the most financially successful horror film of all time, making Studying Horror Cinema the most up-to-date overview of the genre available. -- publisher's web site
ISBN: 9781911325888
Donation: Senses of Cinema
Contents: Introduction -- 1. Early European Horror -- 2. American Gothic -- 3. In the Realm of the Fantastic -- 4. English Gothic -- 5. The Birth of Modern Horror -- 6. Asian Horror -- 7. American Independent Horror -- 8. New Hollywood Horror -- 9. The Slasher Film -- 10. Body Horror -- 11. Postmodern Horror -- 12. Modern-Day Vampires -- 13. ‘Mainstream’ Horror -- Index

Call No: 735.2 TOW
Author: Towlson, Jon
Source: US
Place: Jefferson, North Carolina
PubDate: 2014
PhysDes: vii, 246 pages : illustrations ; 26 cm
Subject: HORROR FILMS; FRANKENSTEIN (US, James Whale, 1931); FREAKS (US, Tod Browning, 1932); CAT PEOPLE (US, Jacques Tourneur, 1942); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); CRAZIES, THE (US, George A. Romero, 1973); LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); DAWN OF THE DEAD (US, George A. Romero, 1979); HENRY: PORTRAIT OF A SERIAL KILLER, PART 2 (US, Chuck Parello, 1997); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); AMERICAN PSYCHO (US, Mary Harron, 1999); TEETH (US, Mitchell Lichtenstein, 2007)
Summary: "This book argues that a succession of filmmakers working in horror have used the genre to challenge the status quo. Spanning the decades from the 1930s onwards this critical text examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna"-- [Extract taken from the back of the book] --
Notes: Includes bibliographical references and index. Also issued online
ISBN: 9780786474691
Contents: Introduction -- Anti-eugenics: Frankenstein (1931) and Freaks (1932) -- anti-1940s home front propaganda: Cat people (1942) and The curse of the Cat people (1944) -- Anti-1950s Cold War conformity: the films of Herman Cohen -- Anti-establishment 1960s-1970s Britain: the films of Michael Reeves and Pete Walker -- Anti-Vietnam: Night of the living dead (1968), Deathdream (1972) and The crazies (1973) -- Anti-Hollywood violence and dark counterculture: Last house on the left (1972) and The Texas chain saw massacre (1974) -- Counterculture revolution: Shivers (1975), Blue Sunshine (1978) and Dawn of the dead (1978) -- Anti-"reaganomics": Henry-portrait of a serial killer (1986) and American psycho (2000) -- Anti-1990s materialism: Brian Yuzna and Splatstick -- Anti-new puritanism: Teeth (2007) and American Mary (2012) -- Afterword: Subversive horror cinema post-9/11.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YOUNG FRANKENSTEIN (US, Mel Brooks, 1974)